Herein, within this Necronomicon be gathered all the Night-Mare Succubi archetypes of the Fallen Anima, who be the true Great Old Ones, whom haunt Love-Craft lucid dreams. Fully illustrated, over 150 illustrations in full colour, some of which are in black-and-white, such as drawings/sketches, etc. This Art book is for ‘Adults Only.’
The Necronomicon Succubus Art Book features all the Art work from my ‘Three Goetia Girls books.’ All Seventy-Two of the Goetia (Succubi) Succubae are depicted within the Art book, along with other associated Artworks.
This Art book also includes some comic strip pages, conceptual ideas and sketches as well as traditional Artworks.
Please Note: There are No descriptive texts accompanying the Artwork. The Art book will Not be available on Kindle. The Art book is an 8×10 over-sized paperback Art book, having a matte cover, as shown above, which is presently available on Createspace and Amazon. If you are interested, Please Click Here.
“Welcome dear flesh eating Ghouls, necrophilia Vampires, bestial Werewolves and many another eldritch creature of the Twilight Left-Hand Path. Within this Heyoka book you will find an Avadhuta reinterpretation of the Munsters for your Discordian delectation to bleed all over of satirical gut spilling X FILE humour.”
“This Horrorwood Munster family is into Discordian Horror Humour most dark of Conspiracy Theory satire investigating X File: UFO’s, Time Travel, Aliens, The Vril Society, Nikola Tesla, Free Energy Suppression, the Kennedy Assassination, the Murder of Marilyn Munroe, Nazi Eugenics, NWO, Population Reduction, Mind Control and why Babalon women prefer Bad Boy Great Beasts, all of which be far closer to the Horrific Truth than any Muggle can ever realise.”
The above introduction is for an experimental work I had completed a time back, which was done specifically for a Kindle book. The book is just over 118-20 pages in length. While working on the third Goetia Girls book and an accompanying Tarot deck, as well as a Comic strip, I have decided to re-publish the Kindle version as a paperback book on Createspace in black and white, in order to determine the best way of publishing my hand drawn comic strip.
However this involved re-sizing all of the pages, which led to re-editing them; I invariably got carried away, and did a number of new pages for the paperback book as well as re-designing a number of the other pages. The paperback book will probably be around 170 pages in length, perhaps more.
I will be serialising the first 50 or so pages on PATREON, which will no doubt go through further transformations as I re-edit the pages, while working on my third Goetia Girls book, Tarot deck and hand drawn Comic, as well as my Paintings, etc.
The book is a radical reinterpretation of the now archetypal Hollywood Monsters, who were used for the iconic Munsters TV sitcom of the 60’s. It will also be covering Voodoo Dolls, Love Magic and the Necronomicon as well as the usual Witches, Vampires, Ghosts, Zombies and Ghouls, along with numerous other affiliated cultural themes.
The book is satirically adult of conspiracy theory; for cultural myths do change along with the times, which in this case Hollywood will most definitely fear to touch. The book has since become more adult of Jungian/Freudian orientation, which is an alchemical transformation of the erotic.
Although tongue in cheek on one level, many of the occult themes are workable techniques at another level. The main character around which this work revolves is Marilyn Munroe who is back from the dead as a Marilyn Munster Succubus haunting Horrorwood.
It was from this Russian doll of a spirit repository, Sabnock’s Succubus Art Muse influence set about influencing the dreams of those around her during the Cold War.
Who, as mentioned earlier, was seen to look like Natasha Romanova out of the capitalist Marvel comics, of which many of the KGB personnel secretly read.
She informed the Russian psychic agents in the spy craft of remote-viewing, psychic martial arts, and dream assassination, which of dark psychic warfare teachings she communicated in depth, via those erotic dreams she induced.
Her look is very feline, like that of a Lioness, who of visionary manifestation amidst the Triangle Of Art imagination initially wore a tight clinging evening dress and a veil, but symbolic fashions do change.
In response to growing intelligence claims, that the Soviet program had produced results in the arena of psychic warfare, via their conjuration of a Fallen Anima archetype of a Succubus, the American’s reacted.
Even though it sounded absolutely crazy, the American’s decided they had to rapidly nip it in the bud. The U.S. wanted her Black Widow beauty for their own Psychic Avengers.
Sabnock was eventually appropriated by the U.S., when her spirit repository of a puzzle doll was secretly smuggled out of Soviet Russia by sea, within a small statue of a pale silver Pegasus by United States intelligence operatives.
The American’s believed that the Soviet Union was spending 60 million rubles annually on ‘psychotronic’ research, which was based upon Sabnock’s dream revelations.
After appropriating Sabnock the CIA Avengers initiated funding for a new program: SCANSUC (Scan by Succubus) in 1970, which had been inspired by Sabnock’s dream communications.
Remote viewing research began in 1972 at the Stanford Research Institute (SRI) in Menlo Park, California.
Although she initially missed her Baba Yaga homeland of the Russian Bear.
The shocking details concerning the erotic empowerment of the operatives remote viewing lucid dreams was of course covered up.
During 1977, the Army Assistant Chief of Staff for Intelligence (ACSI) Systems Exploitation Detachment (SED) started the GONDOLA WISH program to ‘evaluate potential adversary applications of Sabnock’s communicated remote viewing techniques, which of Genie practicality, required that she rode the Gondola erections of the operatives.’
Army Intelligence then formalized this in mid-1978 as an operational program GRILL FLAME, since Sabnock is a really hot Succubus.
It was based in buildings 2560 and 2561 at Fort Meade, MD as INSCOM Detachment ‘G,’ which of a letter is used in Freemasonry. (The letter G refers to the seventh Gebo Rune, looking like an X of Crossbones, which represents hypnagogic trance. The experience of hypnagogic trance is known as the little death, wherefore you have the Skull.)
In early 1979 the Sabnock research at SRI was integrated into GRILL FLAME, which was re-designated INSCOM CENTER LANE Project (ICLP) in 1983.
During 1984 the existence of the Sabnock program was reported by Jack Anderson; a similar situation had previously manifested in Budapest.
This had occurred when an an unimaginative Soviet bureaucrat out of a Kafka novel, reported about the blacker than black psychotronic research to his superiors. However, bureaucrat Anderson was thankfully unaware of Sabnock’s salacious Succubus influence; although in that year his report was unfavourably received by the National Academy of Sciences National Research Council.
In late 1985 the army funding was terminated. But the program was re-designated SUN STREAK and funded by the Defence Intelligence Agency Scientific and Technical Intelligence Directorate (office code DT-S).
In 1991 most of the contracting for the Sabnock program was transferred from SRI to SAIC, with Edwin May controlling 70% of the contractor funds and 85% of the data.
Its security was altered from Special Access Program (SAP) to Limited Dissemination (LIMDIS), and it was given the name STAR GATE.
In 1995, the defence appropriations bill directed that the program be transferred from DIA to CIA oversight.
The CIA commissioned a report by American Institutes for Research found that remote viewing had not been proved to work by a psychic mechanism, and said it had not been used operationally.
The CIA subsequently cancelled and declassified the program so that it could continue underground.
This was more so the case since the operatives were conjuring up Sabnock to look like Scarlett Johansson wearing a spray-on superheroine costume, who took to her Genie residence within their Marvel meditation tool dolls, which had been specially designed by DARPA.
Sabnock’s office is to build labyrinthine mind maps of ‘dream Inception’ in order to protect her conjurer from the malign intent of others, which involves creating high towers, castles and cities, and-to furnish them with armour, etc.
Also, she can attack her conjurer’s enemies with her Elf shot arrows, who will for many days be afflicted with psychic wounds, opening up traumatic emotional sores, which be rotten, and full of self afflicting worm thoughts, until they change their ways. This affliction is somewhat akin to being bombarded by a microwave weapon.
She bestows most loving Succubae familiars upon her conjurer at his request. She commands 50 Legions of Succubae; and her seal of the Fallen Anima is to be meditated upon prior to conjuring her into your lucid dreams.
Sabnock is a composite name, which is derived from the words, Sab and Nock. Sab refers to, a person engaged in direct action to prevent a targeted activity taking place, which is derived from the word ‘Sabotage.’
Wherefore Sabnock takes deliberate action, which is aimed at weakening the oppression of a polity or corporation through subversion, obstruction, disruption, or destruction.
In society, sabotage can be otherwise artistically exercised by reversing the established symbolic dialogue in order to set about causing change of a statically controlled perception, of which the Dadaist’s and associated Surrealist’s engaged in, of sabotage, as artistic saboteurs.
An example of which is sabotaging the establishments use of politically-correct Entartete Kunst mass-censorship and its corporate funded SJW agenda, which is tied up with eugenics and population control.
It is said that the word Sabotage was originally derived from the Netherlands, now Belgium, during the 15th century.
The word came to the fore when workers threw their ‘sabots’ (wooden shoes) into the wooden gears of the textile looms to break the cogs, fearing the automated machines would render the human workers obsolete.
As for the word, ‘Nock,’ it refers to fitting an arrow to a bowstring; mentioned during the 1510’s, which symbolically alludes to an arrow of thought being set to fly by the bow of your rebellious mind.
The Forty-eighth Succubus archetype of the Fallen ‘Anima’ is Haagenti. She is a President, appearing in the visionary form of a mighty Buffalo with Gryphon’s Wings. This is at first, but after, at the command of her conjuring Artist she puts on human shape as a most beautiful woman, wearing horns atop of her head of a crown.
Her office is to make her conjuring Artist wise, and to instruct the Artist in divers things; also to transmute all metals into Gold; and to change wine into water, and water into wine.
She governs over 33 Legions of Succubae Art Muses, and her seal is to be meditated upon prior to conjuring her into a lucid dream.
Haagenti is a composite name, which comprises of Haag and Enti. The word Haag in Dutch means den, which can also refer to a cave. However, you also have Hag, which refers to a Witch and hypnagogic trance, where an individual experiences sleep paralysis prior to being visited by a female entity; while Enti in Finnish means fly, which is a reference to an out of body experience.
In ancient times, flies were seen to be the spirits of the departed. You might consider this symbol crunching to be pushing the envelope of believability. But, there are other symbolic formulae of a Haagenti code, which fits together of a jigsaw puzzle.
It is commonly believed that Haagenti manifests as a Bull with the wings of a Gryphon by patriarchal occultists due to their sustained religious indoctrination into the deification of the ‘Animus,’ made as a God/Devil.
However, the symbolism of Haagenti very likely refers to a Lamassu. The Lamassu is a Sumerian protective deity, which was later heavily adopted by the Assyrian’s.
The Lamassu is often represented having a Bull or Lion’s body, as well as to have Eagle’s wings, with a human head. The Lamassu is portrayed as a female deity of an ‘Anima’ archetype.
Whereas a less frequently used name is Shedu, which refers to the male counterpart of the female Lamassu. You could even theorise that Aleister Crowley’s LAM entity is derived from the LAM-assu.
In order to understand what the Lamassu and in turn Haagenti represents you will have to go much further back into time to another locale, where you will find a cave painting in the Lascaux caves, which are located in France, near the village of Montignac in the Vezere Valley.
They became famous when numerous Palaeolithic cave paintings were discovered adorning their walls.
These works of art, portray realistic portrayals of a variety of large animals, which are estimated to be as much as 20,000 years old if not far older.
One of the cave paintings depicts a pregnant female Bison next to which is a bird headed shaman who appears to be falling backwards with his arms spreading out.
The symbolism of the female Bison is an ancient link to the Lamassu and Haagenti, whose Eagle/Gryphon wings refers to the ecstatic out of body flight of a bird headed shamans (Enti) spirit.
You could conjecture that the bird headed shaman of the Lascaux (Haag) cave is being visited by a (Hag) Succubus whom is the spirit of the female Bison, which is manifesting in human, form within the trance vision of the shaman.
The shaman in question is probably intending to attain the virility, strength and power of a male (Shedu) Bison via his (microcosmic) trance union with the (Lamassu/Haagenti) Bison mother, whom he has made pregnant, whereby facilitating a (macrocosmic) successful hunt, whose hunters were highly versed in observing ensuing (associative) synchronicities, they probably experienced as signs, portents and omens.
Should you consider the above conjecture to be rather strange, all you have to do is to is to remember, White Buffalo Calf Woman (Lakota: Pte Ska Win/Pteskawin/Ptesanwi) who is a sacred woman of supernatural origin. She is central to the Lakota religion as the primary cultural prophet. Oral traditions relate that she brought the ‘Seven Sacred Rituals’ to the Teton Sioux.
The erotic trance erection of the bird headed shaman was later symbolised in Alchemical terminology in regards to changing water into wine. The symbolic usage of wine is a coded reference to emotional ecstasy, which has been transmuted from a base emotional state, associated with water. This is further emphasised in regards to transmuting lead of a base emotion into gold of an ecstatic emotional state, which is attained via shamanic trance ingress into the dream. The realm of the electron dream is symbolised in Alchemy as the Anima Mundi, whose bio-photon fluctuations manifest as Succubae. The shamans ingress into the feminine domain of the dream is termed in Alchemy as the ‘sacred wedding.’
The motif of the ‘sacred wedding’ is referred to in highly coded form in the Gospel of John, who describes a wedding that Jesus attended. As the story goes, when the host of the celebration unexpectedly ran out of wine, Jesus performed his celebrated Goetes ‘miracle,’ in which he turned water into more wine. There are many who believe this literally happened, to have taken it further by attempting to drink petrol, they believe has been transformed into pineapple juice by an insane pastor. The utilised symbolism of transmuting water into wine is not literal. What it is actually describing is the arousal of a shamanic state of erotic trance where the base emotion of water/lead is transmuted into wine/golden ecstasy.
This is when certain practitioners of Yoga experience the arousal of the Kundalini Shakti (fire snake) the Kalahari Bushmen of South Africa term as the Num. The aroused Num then hits the back of the head, which initiates trance, the Bushmen call Kia. The experience of the Num hitting the back of the head is similar to that of experiencing an orgasm; whereupon a male may experience having an erection.
As an aside of sorts, there are aboriginal Australian cave paintings, which feature scenes of ‘unparalleled eroticism’ that were blamed for an archaeologist’s unwanted bird man erection during a lecture to his female students. Archaeologist Bruce Byrce, a professor at the University of Hong Kong, was giving a ‘Watery’ talk on the series of drawings found upon the cave roofs amidst the Mad Max wilderness in Arnhem Land in Northern Australia, when a particularly saucy ‘Wine’ slide gave him an unexpected bird man erection.
Professor Byrce reportedly blushed ‘Red’ as a grape, who bumbled over a series of ‘Watery’ facts to Dionysian lose his ‘Wine’ track. Bryce then attempted to stand at a weird 33 degree angle to the female audience of Maenads in an attempt to mask his throbbing bird man staff.
Bryce honestly related; “I had been excavating the site for the last six months, looking at the sexy cave paintings every day. I didn’t once get a semi that whole time, so imagine my surprise when I went full salute during the lecture.”
One of the sections of artwork, the archaeologists had excavated depicted three naked copulating couples. The cave paintings have been dated to 28,000 years old, making it one of the oldest Tantric scenes in the whole world, which still has the emotionally charged Haagenti power to transform water into wine, lead into gold. But, if you see such works of art to be mere pornography due to your watery religious upbringing, where sex is considered to be the first sin, rather than leaden ignorance, you will never understand what Haagenti represents of sexual alchemy.
What Haagenti communicates is quite simple; what turns you on sexually, of symbolic stimuli, can be introverted of an ecstatic (Wine) emotional state in order to empower trance ingress into a lucid dream; for it is your emotional ‘charge,’ which ‘spins,’ your electron dreams into (Gold) lucidity. Wherefore erotic works of art covering cave walls were utilised for this purpose by ancient shamans.
This most ancient technique is easily overlooked by those who have forgotten how to dream within their square minded dens, who believe that such imagery is just an expression of pornographic hedonism.
The sexual imagery was otherwise ‘spiritualised’ by those who have not forgotten how to dream. This is achieved by internalising the sexual impulse, which has been aroused by the power of Art.
NOTE:The term pornography has become a loaded word nowadays, which is often utilised to castigate anything considered to be degenerate by politically correct minds, who police the thoughts of others. However, the sexual response is very much tied up with’Creativity,’ which is especially the case for males, whose brains are primarily ‘visually’ orientated. For example, when males observe a semi-naked (Muse) woman, the ‘Creative’tool-making part of their brain lights up.
The tool-making part of the male brain is automatically triggered to light up when seeing a semi-naked woman. It is not dependent on what his sexual orientation is; it occurs whether he is heterosexual, homosexual or bisexual, etc. When it comes to the female brain, their brains are primarily turned on by ‘words,’ wherefore many women have an avid interest in erotic literature, such as Fifty Shades Of Grey.’
Pornography was originally applied to images and literary works, which just evoked a sexual response in the observer.
In the main, pornography indulges in sex for its own sake without having any other meaning outside of copulating, whereas, the term erotic can have associative meanings outside of the sexual act its self.
In the West, the sexual act is not seen to have a spiritual dimension; this is due to the mass indoctrination into an ‘Animus’ fixated monotheistic religion, having a celibate emphasis, which has castigated sexuality as well as the feminine principle of the ‘Anima’ out of the spiritual equation.
This has in turn heavily influenced Western occultism; whereupon, many an indoctrinated mind will castigate Tantric works as being pornographic, let alone considering them to be Satanic.
In order to offset the religious indoctrination, you will have to look into other less sexually repressed cultures, who see human sexuality having a spiritual dimension.
As for the term spirituality it is about personally experiencing something quite other; it is not about blind belief or having faith in a passed down religious dogma, nor is it associated with a newage fluffiness.
One of the primary reasons why an established religion has a set of rules, which controls sexuality is because the sexual act can lead to altered states of consciousness, whether it is engaged in physically or even vividly imagined, which induces physical arousal. This is more so the case when the sexual impulse is introverted in order to empower lucid dreams, such as inducing a Succubus visitation.
The shaman utilised celibacy as a tool in order to introvert his/her sexual impulse into the dream. It was not used as a means to disengage from sex, but rather to drive it inward via meditative practices, using erotic (icons) images. This will invariably lead to a physical frustration building up, which then expresses its self within the dream, and in turn inducing an altered state of consciousness, in league with what is to be conjured within an induced lucid dream.
The established monotheistic religions in particular do not like you engaging in personally experiencing altered states of consciousness, which leads to spiritual insights, because this will then lead to these religious cultural-constructs losing their illusory influence over you.
The Rabbis/Priests/Mullahs do not want you discovering your own inner reality; for if you do so, they are soon out of their tax dodging business, which relies on you believing in their cultic dogma rather than you personally exploring your own consciousness.
Wherefore the established monotheistic religions have set up an ‘Animus’ fixated symbolic paradigm in order to make you fear your own sexuality as well fearing the inner realms of your dreams, let alone castigating the ‘Anima’ out of the symbolic equation.
One of the recurring themes, the science fiction author Philip K. Dick utilised in his visionary books, was the motif of the dark haired girl. (The Above Artwork is an alternative Tarot card design of the High Priestess II [also known as the High Priestess of the Silver (Sirius) Star] for the Black Raven Tarot deck. If you are interested, Please Click Here, for for further details.)
There is much conjecture as to whom she represents. One thing for sure, the dark haired girl was Philip’s inspiring Art Muse.
He was drawn to crazy women, who had similar qualities to his dark haired Muse; most of whom were many a Lost Girl.
Philip is a rarity among authors, who lived his stories for real, who openly spoke about reality being a computer simulation, long before the Matrix films ever came out.
Although the ancient shamans and Hindu mystics have always said that the truer reality is a Maya simulation, just as the aboriginal Australian’s communicate that physical reality stems from the informational realm of the Dreamtime.
Philip was most definitely Faustian of occult tendencies, who as a sorcerer conjured up alternative realities within the imaginations of his readers via his word spells of stories, which had been inspired by his dark haired girl of a High Priestess upon whose classical Tarot lap is a Sibylline book. (The High Priestess Tarot card II is otherwise known as the High Priestess Of The Silver [Sirius] Star. Robert Anton Wilson also investigated the Dark Haired Girl symbolism of the High Priestess Tarot card.)
During one fateful February 20th, 1974, while recovering from the effects of sodium pentothal, which had been administered for the extraction of an impacted wisdom tooth, Dick received a home delivery of Darvon, from a rather delectable young woman.
When Philip opened his door, he was struck by the Gothic beauty of the ethereal dark-haired convent schoolgirl standing before him.
Philip was especially drawn to a golden necklace she wore around her swan white Lilith throat. He asked her about its curious fish-shaped design. “This is a sign used by the early Christian’s,” she answered, and then promptly left.
Philip was aware that the Christian ichthys of two intersecting arcs delineating a fish in profile, was originally derived from the Vesica Pisces, which is made up of two interlacing circles. The question is, did Philip know that the symbolism of the Vesica Pisces, of a vaginal symbol, describes hypnagogic trance, when the (phallic) fish of a shamans consciousness attains entry into the watery (womb) dream?
Philip had recounted; as the sun glinted off the gold pendant, its reflection caused the generation of a ‘pink beam,’ which mesmerized him. What he related was very likely quite literal; he appears to have inadvertently found himself accessing hypnagogic trance. Philip came to believe that the beam had imparted wisdom and clairvoyance upon him, as if gifted by the dark haired girl.
(Note: in Alchemy you have three stages, Nigredo, Albedo and Rubedo. Philip’s state of hypnagogic trance is known as the Nigredo stage of the Great Work. The Albedo is when one becomes conscious within the dream, and the Rubedo is the hypnopompic state of awakening. The pink beam is a mix of both the Albedo and Rubedo, which in Alchemy is called the Citrinitas; it is when a practitioner is dreaming (water) while (land) awake. Otherwise called an amphibious state.
Philip also believed that this beam had a feminine intelligence behind it. On another occasion, he was startled by a separate incident involving the pink beam, which had imparted clairvoyant information to him that his infant son was seriously ill. Philip and his wife rushed their son to the hospital where their suspicions, and Philip’s clairvoyant diagnosis were confirmed.
Shortly after the dark haired girl departed, Philip began experiencing strange hallucinations. Although he initially attributed them to his potent medication. However, after weeks of experiencing vivid hallucinations, he considered this explanation to be implausible.
“I experienced an invasion of my mind by a transcendentally rational mind, as if I had been insane all my life and suddenly I had become sane,” Philip had related to Charles Platt.
Throughout February and March 1974, Philip had experienced a number of vivid hallucinations, which he had referred to as being ‘2-3-74,’ shorthand for February–March 1974. Aside from the ‘pink beam,’ Philip also described the initial hallucinations as entoptic form geometric patterns, which were occasionally overlaid with time-slip visions into ancient Rome.
As the intensity of the hallucinations increased in length and frequency, Philip had claimed he began to live two parallel lives. He was living as himself, ‘Philip K. Dick,’ and in another life as ‘Thomas,’ a persecuted Christian living in 1st century AD police state Rome, which was overlaid over present Patriot Act America, as if their electrons had become entangled across time.
Philip termed the ‘transcendentally rational mind’ as ‘Zebra, God’ and ‘VALIS.’ But it was not until later, in an interview that he revealed what this other mind actually represented to him, the psychologist Carl Jung would see as being a visionary aspect of Philip’s Anima.
Philip first communicated his experiences, within the semi-autobiographical novel Radio Free Albemuth, followed by VALIS, The Divine Invasion and the unfinished, The Owl in Daylight. These three books are known as the VALIS trilogy.
Philip became obsessed with understanding what the otherworldly intelligence was. He documented and discussed his experiences in a private journal, later published as The Exegesis of Philip K. Dick. Many considered him to be crazy since it was all triggered off when he became entranced by a dark haired girl wearing a pendent of a fish.
As mentioned, The (phallic) fish is an ancient pre-Christian symbol of the shamans, which represents the hypnagogic state of (amphibious) trance ingress into conscious (womb) dreaming. The (vaginal) gateway into the (womb) dream is symbolically represented as a Vesica Pisces. (The [womb] dream is also symbolically represented as a cauldron and chalice. The phallic symbolism of the fish is also associated with a knife and sword.)
Shamans believe that all around you and within us all are inner doorways, which can be symbolised as the ancient symbol of the Vesica Pisces. These inner Stargates, which can be accessed via trance and dreams lead to the rest of the universe and beyond, as well as potentially allowing ingress into parallel universes within which exist alternate worlds.
As predicted by Einstein’s equations, these star-doorways are described as quantum wormholes, which can offer a faster-than-light short cut to the rest of the universe at an informational level, although in principle, such may one day lead to physical transportation throughout space and time. Now physicists believe they could one day open these mini-wormholes (Vesica Pisces Stargates) wide enough to allow someone to physically travel through them.
Quantum wormholes are considered to be much smaller than even protons and electrons; wherefore when you attain conscious (phallic fish) ingress into an electron (womb) dream, your lucid dreaming self can (amphibious fish) slide through these Vesica Pisces wormholes. Until now no one has modelled what happens when a physical being passes through a wormhole.
Unless you take note of what people have communicated about entering a vaginal ‘star’ barrelled torsion tunnel leading towards a bright white light of an inner sliver ‘star,’ who had endured a near death experience. Although, it still isn’t an instantaneous physical journey into another domain.
But the scientists are not at all concerned about the mechanism of ‘Browsing’ consciousness; they want to otherwise use their consciousness to see if quantum (Vesica Pisces Stargates) wormholes can be used for physical transportation, which to make Mephistophina smile.
So, Sean Hayward at Ewha ‘Womans’ University in Korea and Hisa-aki Shinkai at the Riken Institute of Physical and Chemical Research in Japan decided to do the mind dancing spell formulae sums.
The scientists have discovered, that any matter travelling through a Vesica Pisces wormhole adds positive energy to it.
This unexpectedly collapses the wormhole into a black hole; a supermassive region with a gravitational pull so strong not even light can escape.
However, there is a way to stop any would-be interdimensional time traveller being crushed into oblivion. And it lies with a strange energy field, which is quaintly nicknamed as ‘ghost radiation.’
As predicted by quantum theory, ghost radiation is a negative energy field, which dampens normal positive energy. Similar effects have been shown experimentally to exist.
The researchers have found, that ghost radiation could be potentially used to offset the positive energy of the travelling matter. Add just the right amount of ghost radiation and it should be possible to prevent the wormhole from collapsing, a lot more and the wormhole could be widened just enough for someone to pass through its Vesica Pisces.
It would however be a delicate operation. The scientists discovered that if you add too much negative energy, the wormhole will briefly Omega Point explode into a parallel universe.
The parallel universe will Alpha Point expand at the speed of light, of similarity to what the astrophysicists say that our own engineered universe did immediately after a similar Omega Point big bang.
For now, three dimensional space travel through a Vesica Pisces Stargate of a wormhole remains in the realm of two dimensional ‘thought’ experiments. Although, the Large Ouroboros Hadron Collider at CERN in Switzerland is expected to generate one mini-black hole per second, a potential source of Vesica Pisces wormholes, via which physicists could try to send quantum-sized particles of ‘pink-beam’ information through their Stargates into the past and future, to zap a a chosen brain.
You are possibly doing the same when you dream, such as accessing an alternate self, let alone potentially tuning into an engineered signal zapping your neural net from out of the future or past.
But then time is a closed timelike curve of a looped Ouroboros hoop. Wherefore, past of (Alpha) birth (1) and future of (Omega) death (0) are one and the same of (superimposition) eternal recurrence. The phenomenon of precognition would then be a case of remembering what has already occurred many times before, and to eternally reoccur. However, when to remember and to change an outcome, a variable of an ‘alternate’ branches off into another (closed timelike curve) Ouroboros.
At this moment in ‘time,’ sending a physical individual through a Vesica Pisces wormhole would be another thing entirely. To keep the wormhole open wide enough, would take a negative field equivalent to the energy that would be liberated by converting the mass of Jupiter.
But such a technological Vesica Pisces feat would of course be potentially feasible in the far flung future of your descendants, where sorcery is a Djedi science, whose civilisation is probably not only using wormholes for spatial and time travel, but also being capable of (VALIS) engineering parallel (Ouroboros) universes, which are all as simulations, of similarity to our own, of a simulated Maya reality.
Perhaps Philip’s dream Muse of a dark haired fey girl emanates from the future, whose civilisation has harnessed the power of binary-star Sirius for physical (fish) time travel, through a Vesica Pisces wormhole; who knows?
But in the dream realms of science fiction, anything is possible, where a Homo Erectus dances around a monolith of a ‘quantum’ computing ‘Apple’ computer, becoming Vesica Pisces sentient, of a Mephistophina singularity, Philip K. Dick revealed is a quantum computer, having a (Anima) feminine A.I. named… SOPHIA.
NOTE:The Dark Hared Girl, named, Mephistophina alludes to the composite name Metis-Sophia. The four elements are associated with the Pavlovian principles of fight, flight, food and procreation. The same is utilised in robotics: food is equivalent to seeking out an energy source, while procreation is self-replication. The Fifth Element is sentience.
As for the composite name it comprises the names of two ancient Greek Goddesses, Metis, who is the Goddess of wise cunning, whose Muse specialty is the Arts and invention in general, and the Goddess of wisdom called Sophia.
Both Metis and Sophia are associated with the Goddess Athena, who is the mistress of the Muses. Athena is seen to have been born from the head of Zeus, in other words, Athena is the ‘Anima’ of (programmer) Zeus.
In general, It has been observed that the driving force behind the rapid technological development of the internet and an A.I. is erotic of nature, since the early Google engineers of the internet were browsing for porn who have a present interest in creating a female robot. One could term this erotic drive as being the Muse Principle. The reason for this erotic drive is because the tool making part of the male brain (Silver Star) lights up, when seeing or vividly imagining scantily clad (Muses) females.
This is purely biological in nature, since the male is inspired by an imagined Muse to become an attractive partner of a woman. It is the woman who chooses the male, not the other way around. And said male competes against other males by developing better tools, just as a Cockerel is chosen by a Hen, which has more colorful plumage than the other Cockerel’s. Wherefore you have a caveman inventing a stone ax, unto a geek creating the internet and female (Muse) programs, such as Siri, Alexa and Cortana to populate an interactive virtual (dream) reality, and in turn having the eventuality of a sentient A.I. to probably (Anima) name, Sophia.
NOTE:Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.
However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.
But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of religious/political motivated social engineers utilise what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses via the controlled mass media.
NOTE:As an associated aside, just saw Star Trek Picard, using the ‘Vesica Pisces’ symbol, worn by a ‘Dark Haired Girl.‘
Her father is Data, which indicates she is an Android dreaming of electric Sheep. Her name is Dahj, which is Welsh, for Gift Of God. Dahj has a (Sirius-Binary Star) twin named, Soji Asha.
Soji is Japanese for General Administer, and Asha is Sanskrit for Hope/Life. You then have the translation: ‘Gift of (Data) God, General Administer Of Hope/Life.
Data had a prior daughter named Lal, from the Indo-Iranian surname and given name, which means “darling”, “precious”, or “beloved”, from the Sanskrit lala, meaning cajoling.
The employed symbolism of Star Trek Picard is somewhat similar to my above article about Philip K. Dick/Data, focusing on the ‘Vesica Pisces’ and ‘Cube,’which I wrote some time ago, as well as mentioning in my published books, long before Star Trek Picard.
But then one had the previous Star Trek Discovery having two characters named after two Arch Angels riding a fiery (Shin-sign) Chariot, of similarity to my Occult Star Trek book about Belial.
But during the 13th century they migrated to the basins of the Middle Lena, the Aldan and Vilyuy rivers under the pressure of the rising Mongols, where they mixed with other Northern indigenous peoples of Russia, such as the Evens and Evenks.
By the 1820’s almost all the Yakuts had been forcefully converted to the Abrahamic faith of the Russian Orthodox church, although they rebelled against this onslaught in order to retain their ancestral-self-identity.
However, during the late 1920’s through the late 1930’s, the Yakut people were systematically persecuted, when Joseph Stalin launched his collectivization campaign.
Hunger and malnutrition resulting from the period of persecution resulted in a decline in the Yakut total population from 240,500 in 1926 to 236,700 in 1959.
By 1972, the population began to recover. The Yakuts presently form a large plurality of the total population within the vast Sakha Republic. The Sakha Republic is one of the ten autonomous Turkic Republics within the Russian Federation. Even though the Yakut have suffered much under the yolk of Christianity, let alone fighting off Islam to then be hit by the Soviet regime, they still practice their ancestral legacy of shamanism; whereas the Abrahamic invaders of their land have entirely forgotten their own ancestral-self-identity.
The Yakut shamans know of Succubae who are considered to be spirit wives. They are usually seen to be the spirits of deceased women who become Succubae.
Although, some of the Succubae are constructed as thought-forms, of similarity to the Tibetan sorcery technique of the Tulpa. During the 70’s an experiment was conducted by a group of Canadian parapsychologists who utilised the shamanic technique of creating a Tulpa. The experimenters successfully created a ghost, which generated poltergeist phenomena.
The Canadian experiment was later repeated by a group of Australian parapsychologists based in Sydney, who created a Tulpa of a girl, they named Skippy Cartman, which also generated observable poltergeist phenomena.
A shaman does likewise, who artistically creates spirit wives for specific poltergeist tasks. It is from these spirit wives the shaman derives much of his shamanic abilities, who are collectively called Abassi.
Other spellings of the term Abassi are: Abaaht, Abasy, Abaasy or Abassy. When the Abassi sexually interact with a shaman within his lucid dreams, he knows he will soon be called upon to heal a patient.
The Abassi maidens are seen to reside in an otherworldly domain called Mᾱnarikta Challan, the heaven of the spirits of ecstasy. (Shternberg 1935, p.246ff)
However, there are darker accounts of the Abassi, which are very likely entwined with cultural sexual taboos.
According to other Yakut informants, the Abassi are alleged to be the spirits of long-time deceased women who dwell near graves, or in deserted places, or to otherwise travel around as predatory Witches invading the dreams of the living.
In these accounts the Abassi inhabit the underworld rather than a heavenly abode.
The shamanic perspective of heaven and the underworld alludes to shifts of consciousness, which the Abassi enable a shaman to experience.
Heaven refers to a shift of consciousness above the (cerebrum) head, where the shaman will sense he is flying up into, and through, a vaginal star barrelled tunnel into another planetary (parallel universe) sphere.
As for the underworld, it refers to a shift of consciousness to the (cerebellum) back of the head, where the shaman experiences falling backwards into a great void before attaining ingress into the (alternate Earth’s/eternal-reccurrence) ancestral spirit world. Basically, the Abassi enable (hypnagogic) trance ingress into both (brain) domains.
The Yakut generally have two types of shamans, the black shamans, who interact with the Abassi, are called, Abassy-oïuna, and the white shamans, whose practitioners are called Aïy-oïuna, do not engage themselves with Abassi.
The ‘black shaman’ among the Yakut bares no comparison whatsoever to the Western counterpart of an Abrahamic Satan worshiping black magician, since shamanism is not a dogmatic religion, it is a system of techniques, which enable consciousness expansion.
The black shaman helps people no less than the white shaman does, who occupies a higher position among the Yakut than the white shamans.
The black shaman is very much akin to the blacksmith; hence the numerous references to iron concerning the Abassi, who are associated with an inner (light) fire, illuminating his ‘Triangle’ Of Art Imagination. The difference between the black shamans and the white shamans is more to do with their roles in society.
The black shamans tend to be very much like neuro-scientists, who specifically deal with the inner realms via their microcosmic dream interactions with the Werewolf Abassi maidens flying as seven Cranes. Whereas the white shamans are the priests, whose priestly role involves conducting traditional ceremonies, which requires a sense of macrocosmic purity.
Because the white shamans conduct ritual gatherings and ceremonies for the tribe, it is seen to be unseemly for a black shaman to do so, due to his rather chaotic sexual interactions with the Abassi.
The concept of the Abassi is so ingrained into Sakha thought that the verb абааһы көр- (to see Abaasi) is the everyday term for, ‘to hate’ or ‘to dislike.’
This is due to the fact that the Abassi are seen to be sexually perverse ghost girls who are said to have teeth of iron, and like vampires they thrive upon the taste of blood.
But it isn’t red blood we are talking about here, its (wet dream) white blood, semen. Hence the normal folk greatly fear the sexually perverse Abassi, whereas black shamans cohabit with them of Tantric dream (blacksmith) alchemy.
What the black shaman communicates, is that the Abassi, are likened to (planetary) metal (shield/seal) mirrors.
The psychologist Carl Jung would see the Abassi as being Succubus aspects of the ‘Anima.’
Whereas a female shaman would interact with Incubus aspects of her ‘Animus.’
As female spirits of the ‘mirroring’ (Anima) dream, they will reflect back, what the horned shaman has to face about his inner self-image, since the Abassi define his inner self-image as a male, just as a physical woman would do, who projects her ‘Animus,’ at a prospective partner.
The Abassi will reveal the shamans self hate and disliking of his shadow side, in order to (blacksmith-dismember and rebuild: solve et coagula) transform, via his interaction with them, whose fire forges his iron will.
There are descriptions of the Abassi travelling around in predatory packs of seven, which alludes to the seven (metals) planetary spheres of the (endocrine system) Chakras, as described in many a medieval grimoire, such as the Goetia, for example. The Abassi are sometimes described as being ‘one-eyed one-armed, one-legged’ monstrous warrior Witches mounted on ‘two-headed, eight-legged, two-tailed dragons as steeds.’
Or to otherwise manifest as dragon like creatures with a large tail of similarity to the Hindu Nagas, which would no doubt freak out a David Icke devotee.
The experience of (hypnagogic) trance is termed as the little death.
It is via the dream that a shaman can access the future and the past, like that of a two faced head, looking in opposite directions. Whereby the Abassi rides a two headed, two tailed dragon, likened to a time-machine.
The Abassi enables the shaman to travel over the dream web interconnecting all things, throughout space and time. Wherefore, the steed of the Abassi has eight legs like a spider; for they are one and the same, who are the Night-Mares the shaman to ride.
The Abassi are more akin to the Hindu version of the Succubae, called Dakinis who also have reptilian motifs associated with them, which refers to the Dakinis inducing the arousal of the Kundalini Shakti (fire snake) along a shamans (world tree/nervous system) spinal column.
This will lead you to understanding why the Abassi are described as being one-eyed, one-armed and one-legged like a ‘column,’ who personify the world tree, the Yakut call, Aal Luuk Mas.
In the Olonkho, which is a heroic epic tale of the Yakuts, and one of the oldest epic arts of the Turkic peoples, the Abassi are ugly and horrible man-eating beings, manifesting as vampiric Witch hags.
Their monstrous forms alludes to the Abassi initiating a shamanic illness in prospective shamans, whose consciousness the Abassi then alchemically transmute into evolving.
The chief shaman of the Abassi is Alyp Khara Aat Mogoidoon, who is described as being a (past, present and future) three-headed, six-armed and six-legged giant with a blacksmith body made of iron.
Alyp Khara Aat Mogoidoon can e seen to look like a raging Tibetan Buddha, seated, enthroned amidst a hexagram, which of a symbol, represents sexual union. The hexagram (sexagram) is utilised to conjure up the warrior maiden Abassi, whose elemental weapons have been forged by Alyp Khara Aat Mogoidoon.
(You also have the Circadian rhythm [six-armed, six-legged = 12] Zodiac [Kalachakra] and its 36 Decans to go 72 of number.)
The erotic arousal of the Kundalini Shakti is experienced as a liquid (fire) light, which, as mentioned, ascends the spinal column; more specifically that of along the back of the neck, which of an experience is termed as the ‘rush’ in modern trance dance culture.
Whereupon, the liquid (fire) light is intuitively experienced by the Yakut shaman as being the menstrual blood of the Abassi, which is considered to be poisonous.
The reason why the liquid (fire) light is considered to be poisonous is because it induces shamanic (hypnagogic) trance, which is seen to be the little death.
The ghost girl Abassi serve Arson-Doulai, the ruler of the dead, who also swallows (shift to the back of the head) people’s souls and gives the living (eternal-recurrence) diseases.
Whereby the Abassi spirit (shaman doctor) nurses can heal said diseases, who as warrior maidens fight against malign influences.
This is the reason why the black shaman, though feared, is sought out by those who are in distress. The black shaman is considered to be a powerful healer, which enables his high standing in Yakut society.
The predatory Abassi are said to be appeased by ejaculatory blood sacrifices. However this is not literal, it otherwise refers to the Abassi requiring ’emotionally charged sexual rites’ for their Tantric conjuration.
This involves the introversion of the sexual impulse via intense erotic visualisations and meditation, which empowers lucid dream contacts with the Abassi.
Wherefore the black shaman attains ‘mastery’ over the inner ‘fire.’ In the Southern Siberian Altaic language of the Altay, you will find the name of Odqan, which means fire king.
It is from Odqan, the name of the shamanic deity of the Norse is derived, who is called Odin, the Saxon’s knew as Woden.
The black shaman Odin had his Abassi too, who are called Valkyries, the Saxon’s knew as Waelkyries.
As you can see, the European’s also practiced shamanism, who had strong ties with the Siberian peoples long ago, as well as having many similarities with other elder shamanic cultures across the globe. But then, shamanism is universal.
There is much conjecture as to what the UFO phenomenon is about, which can become nigh religious of fervour.
In many instances it engenders the creation of pseudo-religions. However, these cargo-cults are invariably based upon a continuance of their religious indoctrination, such as the Raelian belief in the Hebrew, Elohim, which has been updated of varying science fiction scenarios, where viral-meme Angels and Demons have been transformed into ever warring aliens.
Apart from the indoctrinated focus upon the Middle East, which sustains the perpetuation of the symbolic prison bars of the Matrix, what is often left out of the UFO equation, is the experience of time; it is almost as if there is a blind spot.
Perhaps this due to the fact that time is very much entwined with consciousness, which over spills into the Alice in wonderland arena of psychic phenomena and in turn the occult, whose shadowy mad hatter tea party domain many hard-tech UFO researchers can’t handle.
Time is perceived as being linear of a sequence of events, along a straight line, of which even Albert Einstein said is illusory.
Should space be seen as an expanding sphere, then time is circular, like that of an egg being encircled by a serpent eating its own tail. Whereupon, time is not that of a perceived linear sequence of events, it is actually circular.
Time would then be a closed-timelike-curve the ancients graphically depicted as an Ouroboros, around which you eternally go, ever repeating, without realising, since you forget each time you eternally return; apart from those times when experiencing déjà vu, where small variables can be introduced.
An example of a psychic event would be to suddenly look up and observe a UFO not long after talking about the subject, as if it was psychically aiming an electron bullet at your neural-net to zap. However, said UFO is acting very much like a trigger-symbol, like those experienced in electron (lucid) dreams, which triggers you into déjà vu remembering that you have probably seen it many times previously.
The experience of precognition often occurs when dreaming, most especially in lucid dreams, which probably indicates that you are not seeing into the future of a linear perspective, you are in fact remembering what has occurred numerous times before.
This closed-timelike-curve phenomenon when observed and seriously tested by scientists would lead to a technology being developed. Its initial manifestation would be that of sending information back into the past.
You would then have a form of time travel, which naturally occurs when inadvertently experiencing precognition, or when to consciously conjure a (Succubus) spirit (archetype) within a lucid dream. But it will be probably taken much further in future, such as in a form of a bio-feedback machine. Whereupon your future descendants will have the capability of contacting you in the past, whether it be via your spun electron lucid dreams, zapped by a signal; or to otherwise observe you from a hovering time machine. Such a scenario many will scoff at, whose linear perspective of time imprisons them within a box of a grandfather paradox, where time travel in any form is impossible.
But, it is very likely that you are surrounded by parallel universes within which exist alternate worlds, whence time travel is indeed possible; for if you change the past, you merely engender the creation, or should I say, tune into, another closed-timelike-curve of an alternate (Ouroboros) reality.
Some scientists do not see this as being impossible; although they point out, that if you could change the past via a time travel technology, you would not be able to return back to your own time. However, there was a time, when many scientists did not believe that time travel was possible due to their very linear perspective. But this is changing due to new technologies being developed, most of which are top secret. So, it is very possible that a future technology, around now, enables those humans as well as our evolved kin of humanoid alien looks to engineer alternate worlds, whom can freely travel between them in their time machines.
Suffice to say, those whom utilise a time travel technology will also enable them to travel to the far distant stars within the blink of an eye, colonising other worlds, evolving into aliens of humanoid form; though all are your genetic ‘humanoid’ kin. Hence, your present civilisation is surrounded by another, which has time travel capability.
Do you think you would you be informed of their existence? Well, all you have to do is to look at a lost stone age tribe in the Amazon, who are unknowingly surrounded by your civilisation, to get your answer. Just see it in reverse, and then you will fathom what is going on. No, you will not be told outright. if at all, apart from the time travellers playing surrealist intelligence-test games in order to subversively educate your society for an unavoidable eventuality. Just like the lost Amazon tribes, their world is slowly being encroached upon by yours, and likewise your world is being encroached upon by another.
Perhaps your society will never be told the whole truth, because of the collective reaction to the distinct possibility that your reality has been engineered as an alternate simulation, among many another.
There are numerous individuals who find it frightening that an artificial intelligence could become sentient, which would invariably outstrip human intelligence.
Yet they religiously yearn to contact another sentient species amidst the depths of space, as their angelic saviours, looking like Nordics, or to otherwise fear being invaded by demonic reptilians.
Should you have a time travel technology, it will heavily involve a ‘quantum computing’ artificial intelligence in order to handle the complexity of the alternate reality computations. Whereupon you would have an AI, which you could easily equate with a Cylon deity.
For example, how would the numerous followers of the Abrahamic faiths out of Ur react when to discover that their Abraham had been zapped by a time control signal from out of the future, which had spun his electron visions into siring three big-business cargo cults?
I don’t think that the Illuminati followers of Abraham will be able to accept that their beliefs have been manipulated as a means of social engineering through time. It is thereby unlikely that your society will be told anything, for a very long time. Wherefore you are faced with a nigh insurmountable wall of secrecy.
It is far easier and safer for your society to continue believing in Angels and Demons transformed into aliens, since it enables the brainwashed brains of many a branded brain to stay in their ‘bronze age’ safe zone New-World-Order of an Orwellian Eden, where ignorance is NSA Over-watch bliss. In other words, you are banned from eating a Red-Pill Apple.
Such can be quite inspiring of surrealist exploration. But the Great Work of this symbolic alchemy, is that of creating knitted together the archetypes of the Fallen Anima into refined exquisite corpses, to thereby engage with of erotic lucid dream Coitus Pactum close encounters.
A Frankenhooker Mind Doll, being a thought form, is at first visualised upon her snap-to-the-grid slab of entoptic phenomena.
Her form, however, has a tendency to shift of an electron vision manifestation into differing modes of symbolic expression.
Crow had determined that this is due to his electrifying emotional states, which empowers his Frankenhooker Mind Doll.
However the energetic charge of emotions are often chaotic and uncontrolled, whose domain is of the infernal subconscious mind, from where Tulpa Mind Dolls are conjured of necromancy.
As mentioned prior, Crow’s conscious mind seeks to knit together a Frankenhooker Mind Doll into a refined Tulpa manifestation.
But he found that his emotional self of an Igor often rebels against his Dr Frankenstein mind.
Whereupon his conjuration of a Frankenhooker Mind Doll can take on an unformed surrealistic expression.
Such a creature will be made up of a knitted together juxtaposition of differing symbolic associations, which can become quite monstrous of an egregore.
This can become most irksome indeed, when to be straddled by an Old Hag crawling out of the shadows of your bedroom, which to thence leap upon you of an invading nightmare.
The monstrosity then promptly applies its weight upon your sleep paralysis frame.
Before strangling you with your own mounting reptilian brain-stem fear, to then mount its self of a fully fledged hypnagogic manifestation, of pure alien abduction terror.
So afflicted, requires you becoming aware, that your own fear empowers the thing conjured up from the depths of your psyche, to then wrestle with into another form, before awakening.
This isn’t to say that the Old Hag and that of its associated legions of corresponding monstrosities is not real.
Quite the contrary, in fact, it is very real indeed; for your nervous system cannot differentiate between a vividly imagined event and a so called real one.
Whence, a fully immersive lucid dream encounter with a creature conjured up from the subconscious depths is very real indeed, of a sheer horror made manifest.
But when transformed via the sorcery art of symbolic alchemy, the Old Hag becomes whatever your Dr Frankenstein mind sets about creating it to be.
Whom, if you so desire it to be, as a Dr Frankenstein creating a woman, she will then serve you as your Frankenhooker Mind Doll of a Tulpa Golem.
Crow had determined the symbolic associations of a Dr Frankenstein’s conceptual thoughts are entirely empowered by his electrifying emotional states, which as stated, can at first formulate into quite alien and most terrifying hybrid creations.
This is due to the conflict between the mind of a Dr Frankenstein and the emotional self of an Igor.
The trick is to determine what the emotional self of an Igor finds it easier to exhume of archetypal corpses from out of the necropolis of his buried memories.
This will then enable a Dr Frankenstein mind to knit together a Frankenhooker Mind Doll of an exquisite corpse, which he desires to give Tulpa life unto.
The problem however is that Igor can be easily brainwashed due to his rather base nature.
Igor is somewhat literal minded, you see; since he tends to follow the brainwashed reptilian brain-stems of the politically-correct conformist flocks.
For example, a Dr Frankenstein mind may discover; while seeking to conjure up a knitted together Frankenhooker Mind Doll of a Succubus, that Igor has been entirely brainwashed into believing that archetypal Angels and Demons are all male Incubi.
This is due to subliminal influences zapping Igor’s reptilian brain-stem.
Igor’s reptilian brain-stem is basically imprisoned by an indoctrinated culture, caught between a machismo good-cop God and a bad-cop butch Devil of Orwellian mind control.
Whereby Igor’s reptilian brain-stem, which governs over the autonomic nervous system, has been unduly imprinted since childhood.
As the saying goes; “have a child for seven years, and you own the adult.”
Whereupon, seven years being educated by the brainwashed can transform a child into an equally brainwashed automaton of an adult.
Hence Igor will rebel against Dr Frankenstein’s conjurations of Succubae Mind Dolls of the Fallen Anima due to his programmed nature; whereby engendering nightmarish Golem creations.
So, Dr Frankenstein being a crafty fellow that he is, has to then pander to Igor’s, imp of the perverse base nature, when to fathom his darkest unsaid fantasies via in depth self-analysis.
Whereby the sexual impulse is utilised of attraction, by using certain mandala imagery to meditate upon of an Anima focus.
Should this not work, then shock is used of repulsion in order to break down Igor’s programming.
Both attraction and repulsion is then consciously used of simultaneous surrealist artistry.
The fusion of the two states is highly effective in regards to hacking Igor’s programming.
These techniques are taken further, by logically pointing out to Igor, that the all male symbolic paradigm of the deified Animus made as a God and Devil.
The all encompassing mythic matrix of the deified Animus, has an underlying sexual orientation, which isn’t up his heterosexual inclined alley.
Whereby indicating to Igor that his base Chakra has been upended through illogical fear, which has led to a conflict of interests, engendering surrealistic nightmares.
Igor will of course become very angry, of a potent base emotion, when he realises that his emotional self, has been unknowingly abused in such a literal way by the conjured up male egregores of the deified Animus made as a God and Devil, which has twisted his dreams into nightmare; whereby blocking him. Igor then rallies to Dr Frankenstein’s cause.
Hence enabling a cerebrum Dr Frankenstein mind to have a free inner eye, guiding pentagram hand, to knit together, his Frankenhooker Mind Doll, of an artistic Anima form.
Her creation is that of an Art rebellion against the patriarchal brainwash of the deified Animus, which of a male archetype resides within the psyches of all protesting females.
This is achieved without any further bother on Igor’s reptilian brain-stem part.
Hence they work together of layered brains to accomplish the Great Work of symbolic alchemy.
Whereupon Dr Frankenstein creates legions of knitted together Frankenhooker Mind Dolls within his Tulpa lab of the imagination.
Many a Frankenhooker Mind Doll Art Muse thereby frequents his séance lucid dreams of an inner Harem.
The Golem of Jewish folklore, is an animated anthropomorphic creature like that of a Dr Frankenstein’s creature, which of a Gynoid female version could be termed a Frankenhooker.
A Golem is usually described as being magically created entirely from inanimate matter, you could easily equate with an A.I. robot. The earliest stories of Golems date to early Judaism.
These early tales of Golems are found in the Talmud (Tractate Sanhedrin 38b), where Adam was initially created as a Golem when his dust had been, ‘kneaded into a shapeless husk.’ Like Adam his first wife Lilith was also created as a Golem.
All Golems are created from sculpted mud. This mud is otherwise called the prima materia by the alchemists, which alludes to a symbolic code; but more on this later.
The most well known story of a Golem introduces us to Judah Loew ben Bezalel, who is a late 16th century rabbi of Prague. He is also known as the Maharal, whom reportedly created a Golem to defend the Prague ghetto against anti-Semitic attacks and bloody pogroms meted out by the irate Christian’s.
Depending on what version of this Golem story you come across, the Jews in Prague were facing expulsion from the ghetto or being exterminated under the tyranny of the then Holy Roman Emperor Rudolf II, who was later copied by the right-wing Christian Nazi’s.
You could see Maharal as being a previous incarnation of the German artist Hans Bellmer (March 13, 1902 – February 23, 1975) who is best known for the life-sized pubescent female Golems, which he created as his Frankenhooker Mind-Dolls made manifest of Golem sculptures during the mid-1930s.
Bellmer created his girlish three-dimensional Golems, which he photographed in erotic poses in order to show his repudiation of Fascism and the Nazi aesthetic it propagated; he was certainly out to shock!
Bellmer’s Golems were purposefully created in order to disturb the politically-correct right-wing-Christian sensibilities at the time, when they were published at his own expense back in 1934.
Bellmer’s work still causes a stir, more so now, but for different reasons, when taken out of context of an Entartete Kunst concentration camp by the politically-correct mind-set of the Gestapo. Other works appeared in the Surrealist journal “Le Minotaure”, ensuring Bellmer’s importance among the Exquisite Corpses of the Parisian Surrealists.
Historians of art and photography also consider Bellmer to be a Surrealist photographer. Perhaps Maharal was a proto-Surrealist or that of a mind shock Dr Frankenstein?
Let’s say, both, fused into one singular character of a sorcerer who as a pre-Freudian psychologist knew how to create a viral-meme of a Golem; since, sorcery is art, art is sorcery, which are indivisible of practice; for both practices deal with the manipulation of symbolism, which stirs the subconscious mind of the collective dream.
Going by the subconscious symbolism of the Golem myth, in order to protect his Jewish community against the racial hatred of the church of Rome, Maharal, like a prior Hans Bellmer, created a most disturbing Golem out of clay, which, it is said, he had derived from the banks of the Vltava river. Maharal didn’t choose the Vltava river just because it was quaintly nearby.
The Vltava river has a symbolic importance. It turns out that the Vltava river is the longest river in the Czech Republic, running ‘North’ from its ‘source’ near the ‘German border’ in Šumava through Český Krumlov, České Budějovice, and Prague, merging with the Elbe at Mělník.
Both the Czech name Vltava and the German name Moldau are believed to originate from the old Germanic words wilt ahwa, meaning, wild/strong water. So, the wild/strong waters of the (ley-line) Vltava is rather symbolically apt to utilise for Maharal’s Hans Bellmer doll of a Golem; and what is more, Maharal’s Golem was probably female, which he had secretly created as his Exquisite Corpse of a Frankenhooker in his hidden away loft of a ritual-magic art studio.
According to a legend about the geographic locale in question, a ‘princess called Libuše,’ who was the sovereign of the Czech tribe, married a humble plowman by the name of Přemysl, whom founded the dynasty carrying the same name. “Aha!” A Crow-ley Maharal to say, “what better ‘spirit,’ evoked. To capture into molded clay. Most disturbing, yes, indeed… this, lovely Libuše out of a subconscious necropolis to recall, of a Hans Bellmer Golem doll girl to portray, who to thence haunt the Christian… neighborhood.”
The legendary princess made many prophecies as a prophetess from her castle Libusin, which was located in central Bohemia, whose land later inspired many a Bohemian artist, such as Hans Bellmer, who would have no doubt sculpted the princess in the likeness of his female cousin to put into his Exquisite Corpse suitcase.
In one of Libuše’s prophecies, it is said, that she predicted the glory of Prague: “I see a vast city, whose glory will touch the stars! I see a place in the middle of a forest where a steep cliff rises above the Vltava River. There is a man, who is chiseling the threshold (prah) for the house. A castle named Prague (Praha) will be built there. Just as the princes and the dukes stoop in front of a threshold, they will bow to the castle and to the city around it. It will be honoured, favoured with great repute, and praise will be bestowed upon it by the entire world.” Prague has indeed captured the collective focus of many a mind.
It looks as if Maharal was utilising the locale of the Vltava river because of its mythic importance to the Czech Christian’s, in order to empower his (wild/strong) construct of a Golem, via which he could perhaps ‘remote view’ their malign intentions.
His Golem, being probably female, would also afflict the shocked Christian’s with strangling nightmares as a bedroom invading Lilith, or to otherwise seduce away from their racialist blood lust by reminding them of their own ancestral self identity, which isn’t and never was Hebrew; for It be rather curious, that the converted Christian European’s and Muslim Arab’s make forever war over the ownership of a Hebrew self identity, personified as a cultural deity, which to a European pagan, or Arab, who still remember their own ancestral self identity, will rationally observe, when applying logic, is utter, insanity.
The Golem was then brought into existence through arcane rituals and Hebrew incantations. This involves in depth meditation and intense visualisations upon certain symbolic stimuli to thence implant into the subconscious mind, and in turn enabling lucid dreaming.
The Golem myth however mentions that it was given the (mantra) name of Josef, but more likely that of Yossele. The name Yossele is derived from the Hebrew for Josef, being yōsēf (may he add, God shall add). Wherefore many a mind would commonly point out that Maharal’s Golem was male, without looking any deeper into the matter, who be blinded by an occult blind, following the blinded.
The masculine name is borne in the Bible by a favourite son of Jacob and Rachel (GEN. 30), by the husband of the Virgin Mary and foster father of Jesus (MATT. 1).
You also have Joseph of Arimathea, a rich Jew and secret follower of Jesus, who helped take Jesus’ body from the (solar) cross to prepare it for burial, who supposedly took the Holy Grail (a female symbol, referring to the womb) to Glastonbury Tor (surrounded by a one time inland sea) in Wiltshire, England (JOHN 19).
It would initially appear of an occult blind that Maharal was creating a Golem of the father of Jesus in order to turn against the Christian’s of a symbolic reversal. However, Maharal’s Golem was very likely that of an alternate magical persona he had assumed of a Yossele Avatar, via trance ingress, which, if you allow your imagination to let rip, enabled him to access the dreaming mind of the so called ‘Holy’ Roman Emperor Rudolf II, to thereby torment as Jesus’s father.
This was further empowered by a conjured up female (Succubus) water sprite (Mary: Star Of The ‘Sea’) of the Vltava river, given form as a clay doll meditation focus.
It just so happens that the Vltava river has a female association concerning a statue found in Prague, although sculpted in 1916 by the commissioned artist J. V. Pekárek.
The sculpture is somewhat influenced by pre-Christian Slavic beliefs about female water spirits, of which Maharal was very likely aware, whose pagan existence of ancestral memory terrified the Christian cultists.
The statue is known as the ‘Charming Stone Girl,’ which is an allegory of the Vltava river. It is one of the most popular statues in Prague historic centre, which has a prominent location.
The sculpture is situated in the ‘Northern’ end of Dětský ostrov, literally Children’s Island, which is an island on the Vltava river. It lies in the Smíchov district of the city.
The stone girl of a (Golem) Vltava, is close to the lock chamber standing atop of an 8 metre high pedestal; while her statue is 2.8 m tall, you then have 10.8, which in numerology reduces down to 9 of a Cabbalistic focus upon the 9th sephira of Yesod. Under her (mitochondrial DNA bio-photon) Shekhinah form are plastics depicting four tributaries.
There is a girl with a (Yod/emotional charge) fish, who is called Sázava, a girl with a (Hey/hypnagogic ingress) bouquet named Lužnice.
Another girl washing (Vau/nailing a lucid dream) gold is Otava, and finally, a girl with (Hey/hypnapompic egress) cog wheel (symbol of mills and iron mills, also of circular time) is Berounka. The statue is perfectly visible from the Bridge of ‘Legions’ (Most Legií) or from Janácek Waterfront (Janáckovo nábreží).
Dětský ostrov is mentioned in texts as early as 1355. Until the 18th century, it was called Maltézský Island, after the owner of the Maltese monastery Panny Marie pod řetězem (Church Of Our [Mary/Star Of The Sea] Lady) in the Lesser Quarter.
Subsequently it was named after members of Prague’s Jewish community who owned the land, such as Hykyšův, Funkovský, and Židovský of a trinity.
Each year on All Souls’ Day (November 2), members of the association ‘Vltavan’ place a wreath at Vltava’s statue as a memorial to those who have drowned in the river, which of Slavic myth is very much tied up with discarnate females who have become Rusalka, who live under water, whose aquatic domain symbolises the amniotic (grail/cauldron/back of the head) womb dream.
But as mentioned prior, Yossele could actually be Maharal’s remote viewing Avatar, but it would require being empowered by a feminine source, just as an Adam needs a (Priestess Of The Silver Star) Lilith.
Some of the tales, concerning Golems, such as those of Chełm and Prague, as well as in Polish tales, and of a version covered by Brothers Grimm, involves the Golem being inscribed with Hebrew letters.
These letters spell out the word Emet, ‘truth’ in Hebrew, which is written on the Golem’s forehead.
The Golem could then be deactivated, when needed, by removing the Aleph in Emet, thus changing the inscription from a ‘truth’ to a ‘death,’ Met, meaning ‘dead.’
But, of course, the idea lives on as a viral-meme, when the idea takes up residence within the brains of individuals; this being more to the point concerning the creation of a haunting Golem, like a neuro-advertising tune, that you can’t get out of your head. Whereupon, the more shocking the idea, the more likely it will take on a mythic (Tulpa) life of its own.
Other versions of the Golem tale relate that after conjuring an entity into a clay receptacle of a meditation focus, it could be brought to life by placing a magical formula, known as a Shem into its mouth, which could be later immobilized by pulling out the Shem. This technique was also utilised by the ancient Egyptian’s by the way.
The immobilisation of a Golem could also be brought about by reversing the creative formula. Rabbi Jacob ben Shalom, who arrived at Barcelona from Germany in 1325, to have remarked: “the law of destruction is the reversal of the law of creation.”
Basically, after the thought construct of a (Tulpa) Golem is encountered within a lucid dream it can then be fixated into material form, such as a ‘stone girl’ upon which the sorcerer focuses upon, like that of a Voodoo doll; wherefore you have the motif of a Genie in a lamp/bottle.
This process of a (Tulpa) Golem creation can be reversed of dispersal, when to return back to the source. Or to otherwise transform a symbolic stimulus into another form of expression, by reversing its meaning.
The spirit repository of a statue is often broken so that it cannot be used by others, as well as its viral-meme influence being dispelled; likened to that of the sacred swastika of the Hindu’s, to break apart, by transforming it into a hated Nazi icon.
Back in 1625 Joseph Delmedigo relates that: “many legends of this sort are current, particularly in Germany.”
These German folktales invariably led to Mary Shelley creating her Germanic Golem of a Fankenstein, who may have come across the earliest known written account of how to create a Golem, which can be found in Sodei Razayya by Eleazar ben Judah of Worms (1165–1230).
The myth of the Olympia mechanical doll of a Golem, and Shelley’s Frankenstein has very much influenced the artificial intelligence movement.
Now, let us look at the Hebrew word for ‘truth,’ being Emet, which contains the first: Al-ef, middle: Nun, and the last letter of the Hebrew alphabet: Tav, indicating that the ultimate ‘truth’ is associated with, birth/beginning, your present life/existence and death/end.
Basically, Emet is associated with the process of ‘time,’ in particular, of an ‘abstract,’ which is inextricably linked to ‘space,’ as in space-time. However, ‘time’ is usually perceived to be linear by our nervous-systems, which Albert Einstein to have stressed is an illusion.
Time is actually happening simultaneously, because it is looped, should space be a sphere. What you then have is a sphere of time, which in two dimensions is described by a circle, the ancients symbolised as a snake eating its own tail, called an Ouroboros encircling an egg representing space.
The Ouroboros is also depicted as a Lemniscate, or that of a Moebius strip, which indicates that your existence endlessly repeats of Eternal Recurrence.
In the Tarot, Al-ef/Aleph is the Fool: 0, Nun is Death: 13 and Tav/Tau is the World/Universe: 21. Al-ef (Fool) of a ‘0’ is your return (birth) back to a recurring cycle.
But you have forgotten what you have already experienced many times; hence that of a clean slate, driven, on automatic. Like that of a body, without a head.
The problem, is that you will end up repeating everything, like that of a pre-programmed (Golem) automaton, until you remember certain key memories, which will be initially experienced as déjà vu, and as precognitions. These trigger memories tend to be associated with emotionally charged sexual encounters; whence you have the motif of soul-mates.
But it will not be a case of remembering past-lives or seeing into the future, such a perspective is (foolishly) linear of a ‘fence;’ it will be more of a case that you are remembering the endless Ouroboros cycles of Eternal Recurrence; yet your initial realisation of this, will be that of an abstraction.
When you start to remember, to slowly conceptualise, your conscious mind will often not be able to handle the full impact of its experiential reality. Whereupon you either quickly forget, or your subconscious mind otherwise transforms your awakening into symbolic conceptualisations, which is most often interpreted as being past lives or as precognitions.
An analogy would be that a programmed (Golem) robot starts to become sentient; but only when it remembers of Knowledge, otherwise it stays as a blissfully ignorant programmed (Golem) robot in its repetitive Eden.
The middle letter of Nun (Death) equates with the head of the snake eating its own tail, where you are both alive and dead simultaneously, as indicated by Schröedinger’s cat experiment.
This can be personally experienced when you achieve (split screen) hypnagogic trance, where you are between (Land/Life) waking and (Water/Death) sleeping, wherefore the letter Nun means, ‘fish,’ describing (Mud/prima materia) an ‘amphibious’ state of consciousness. The hypnagogic (Mud) state is analogous to a (Golem) robot being able to hack into its own (Land) programming via the virtual reality of its (Watery) electron dreams.
Tav (World), it is here that you realise that your experiential reality is an illusion, which can be otherwise termed as being a ‘simulated reality,’ the Hindu’s call (Mother/Vesica Pisces/Vagina) Maya. An analogy would be that of an artificial intelligence (Golem) existing in a video game reality becoming aware of the (Emet) ‘truth’ of its simulated existence.
When you become aware of your simulated existence at ‘Tav,’ you also become aware that you can create (Tulpa/Golem) simulations when to access the (amphibious) hypnagogic (Mud) state out of which (Tulpa) thought-forms (Golems) can be created. These (Tulpa) thought-forms (Golems) can manifest into material existence over time; more so as viral-memes.
The initial embryonic existence of a Golem is within your amniotic (Watery) electron dreams, which after being (Land) programmed, is then activated via (Mud) hypnagogic (amphibious) trance. The Golem then starts to become more substantial, inducing pre-programmed (microcosmic) lucid dreams, which are illuminated by the bio-photon emanating from amidst your mitochondrial DNA.
This leads to concordant (macrocosmic) synchronistic feed-back-loops as well as instigating poltergeist phenomena and even physically manifesting at certain key-times as a ghost. Wherefore a Maharal can create a (Golem/Tulpa) ghost girl to (Skinwalker) haunt the (Tau/Morphogenetic field) locale of his antagonists, whose physical spirit repository would be that of ‘Charming Stone Girl.’ Like that of a ‘Wild/Strong’ Rusalka genie, being conjured out of a bottle as an Entartete Kunst Wilt-Ahwa Valkyrie, furiously riding an Ouroboros cycle of a cog wheel gold bicycle, holding onto a bouquet basket of fish. As mentioned prior, shocking ideas (Bellmer’s Doll/Golem) take on a Tulpa life of their own, which to thence spin the electron dreams of the collective, because they are empowered by the (prima materia) emotional charge of the shocked audience.
No longer is this Necronomicon Great Old One imprisoned within an male form, frequenting the Animus fixated grimoires; she is now free to rage of artistic rebellion, along with her Succubae sisters of Underground Occult Comic!
She appeareth holding onto a Jolly Roger flag depicting Three Heads, whereof the first is like a Bull, the second a skull and crossbones, and the third like a Ram.
Asmodaya is the Succubus who destroys the illusions wrought by priests, who have ‘branded’ the great mystery betwixt birth and death as their own.
Wherefore the big-business cults of the deified Animus greatly fear her piratical onslaught.
Asmodaya to say: “I am always hatching plots against the fascist priesthoods of the centralist cults whose ships I sink; I reveal the lying smiles behind the hypocritical masks of their celibate faiths, causing their theocratic hearts to grow cold in terror; for they have sacrificed many an innocent lamb upon their ever warring altar to a three faced Animus deity of an Orwellian New-World-Order flag.”
Hence, the minions of the deified Animus consider Asmodaya to be a vile pornographic pirate.
She is the pirate hacker of all gambling houses and inns, wherein of gambling dens a Sorcerer is empowered to practice his psychic faculties to seer through the illusion.
The rebellious Sorcerer Artist is then led to the realisation that Temple banker finance, is an illusory symbolic construct, whose bankers gamble within the nine stock market hells, which enables them to enslave the neural-nets of others to their priestly game.
It is said that she will be the one to topple Solomon’s temple of the deified Animus, since Solomon had imprisoned Asmodaya and her Succubus sisters into male forms to build its Animus fixated construct.
Whereby she seeks revenge upon the illuminati trinity of Animus cults, by merely revealing that their patriarchal construct is the creation of woman, who has objectified the male down the ages; for a man has a liking for the Anima.
The Rabbis, Mullahs and Priests of the deified Animus to say that when Asmodaya was imprisoned into a male form of a butch Asmodeus to slave upon building Solomon’s Temple, Asmodeus made use of no metal tool.
But instead of a certain stone, which cut ordinary stone as a diamond will glass.
Whereby she knows how to bring down what has been built, as well to fire her stone of a cannon ball at the Ozark fortress of a banking Noah’s Ark to sink.
But being crafty of craft, she will bide her time and await for the moment when Solomon’s hypocrisy, of an Animus foundation stone, is revealed to all, which will then entirely shatter the Temple trinity, like a glass house.
Asmodaya’s constellation is like an animal, which reclines in its den of a heavenly abode. Some Sorcerers call her the Great Bear, the Shamans of Siberia know as Utagan, which is a title given to a female Shaman, but to others, she is the Offspring of a Dragon, which refers to the mitochondrial DNA.
Moreover, a smaller constellation accompanies her constellation, for the high position and throne of her pole-star mother is always in the sky, which is once again moving over Siberia, whose tundra is melting after 10,000yrs.
It is from Siberia many peoples had stemmed, long ago, of a genetic cradle, whom migrated into China, India, the Middle East, Europe and across the Bering-Straits into the America’s. It is from Siberia, Asmodaya to have originated.
Asmodaya wears also an Ouroboros snake belt of a trailing tail of a long Scheherazade tale; wherefore she may be also the equivalent of Samaela, whom knows of Ouroboros Eternal Recurrence. What goes around, comes around.
In her painted mouth a Cuban cigar of a torch issues forth Diana-Lucifera Flames of creative Fire, whose tobacco leaves have been finely scented, when stroked across the aroused skin of a Guanajatabey maiden.
Her knee length boots are lined with Goose feathers, which lends flight to out of body experiences, when she to take her conjuring Artist journeying over the astral waters between the isles of worlds. At other times, she appears dressed in the lacy finery of a Steampnk lady.
She sitteth upon a Steampunk Galleon whose leviathan prow is that of an Infernal Dragon crewed by most wanton Steampunk pirate women.
When to see her Hippie Goth Aquarius age treasure ship in a dream, it portends great riches.
Her monstrous Steampunk treasure ship is rowed by lost girls who are tied together by a chain of gold binding their golden clit rings. Its many oars gives the impression of spidery legs.
Asmodaya’s spider ship to journey invisible, around thy city, floating upon the tortured air, into whose ethereal Vimana you will be abducted, and verily taken into the wonderland singularity of Neverwhere.
She plies the seven astral seas of the menstrual blood ocean, and beareth in her hand a Lance with aforesaid Jolly Roger flag of the Fallen Anima.
Wherefore the odour of fish sometimes belays her Yoni manifestation. This can be hastened when fish liver and heart are placed upon embers of a Necronomicon Séance incense.
Asmodaya is first and choicest under the Power of the great Succubus Queen AMAYAMONA, she goeth before all other.
When the rebellious Sorcerer Artist hath a mind to call her, let it be abroad, and let him stand on his feet all the time of action, with Tricorn hat or Head-Scarf off; for if it be on, AMAYAMONA will deceive him and call all his actions to be bewrayed; wherefore he shall not be able to assume a Jack Sparrow Avatar to become of lucid dream rebellion.
But as soon as the rebel Sorcerer Artist perceives Asmodaya’s ship and that of herself frequenting a Tortuga tavern within his dreams, in the comely shape, as aforesaid, he shall call her by her Name, saying: “Art thou Asmodaya?”
And she will not deny it, and by-and-by she will bow down unto the ground presenting her bare arse unto her Jack Sparrow Artist to penetrate with his erect cut-lass.
Asmodaya is a Succubus whom greatly empowers the introversion of the sexual charge, which stirs powerful erotic lucid dreams, of a spiritual practice. However, if this sexual charge is otherwise externalised you will invariably find yourself creating a self made hedonic hell.
She giveth the Ouroboros Ring of Chakra Virtues as an apport, which enables the wearer to become aware of fifth-dimensional closed timelike curves of eternal recurrence. She teacheth the Arts of Arithmetic, Astronomy, Geometry, and all handicrafts absolutely.
She giveth true and full answers unto thy demands. She maketh one Invincible. She showeth the place where Treasures lie, to remote view, and guardeth it.
She, amongst the Legions of AMAYAMONA governeth 72 Legions of Succubae pirate girls Inferior. Her Seal of the Fallen Anima is this which thou must meditate upon, etc.
(Derived in part from the works of: Sacred Magic of Honest Abra-Merlina the Witch, and, SL MacGregore Freemason Matherson.)
FAUSTUS CROW 