Archive for steampunk

STEAMPUNK TIME MACHINE

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 11, 2017 by FAUSTUS CROW

The Artwork is available as an Art print and a shirt design, which concerns Time Travelling within a lucid dream, such is indeed possible, since much of the reported precognitive and retrocognitive phenomena occurs when attaining hypnagogic trance ingress into a lucid dream. (If you are interested, I have written an account of a personal experience about riding the Night-Mare. Click Here.)

In ancient shamanic cultures, such as those of North Central Asia unto Siberia, the state of hypnagogic trance was symbolised as a Mare. Hence you have the European term ‘Nightmare,’ which was associated with the shamanic spirit wife complex, or otherwise known as a, Succubus, whose hypnagogic state visitations initially induce what is called the Old Hag Syndrome, also known as the Bedroom Invader Experience, the ancient Greek’s termed as the Sphinx. (I have written a personal account of the Sphinx experience. Click Here.)

As for the Artwork, it depicts a Steampunk poster from an ‘Alternative Locale III Earth,’ during the Great Exhibition of 1851, where the Sorcerer Artist, Faustus Crow has presented his Necronomicon Time Machine of a psychic installation.

“When the author H.G. Wells to have conjured The Fifty-fifth spirit called Orobas from out of Crow’s Necronomicon, Orobas manifested amidst his Triangle Of Art Imagination as a Night-Mare.

“She to have then descended upon Well’s sleep paralysis afflicted corporeal frame as a strangling ‘Sphinx’ as he inadvertently accessed hypnagogic trance.” 

“But after Well’s had attained a lucid dream, Orobas then manifested as a Pony Girl Art Muse, he to have ridden as his Witch ‘Mare’ of the ‘Night’ Time Machine, who enabled Well’s to remote-view browse the Zodiac Ages of the vibrating Ouroboros.”

When practicing Surrealist dreaming, the dreaming Artist will also have to make it a H.G. Wells habit of noting down his/her TARDIS dream adventures in a personal Necronomicon; for the Zodiac Ages have dead names to Howl out, of barbarous Mantra.

Wherefore the dreamer attains the Secret of the Sphinx, whose symbolism the ancient Egyptian’s and Greek’s associated with remote-viewing the Ouroboros of time within lucid dreams, H.G Wells later alluded to with his Time Machine.

The Artwork was used in my Art book Grimoire, entitled, ‘Goetia Girls: Book Two,’ which is available from Createspace and Amazon, under my author’s name, Faustus Crow.

If you are interested in an Art print, or the shirt design, etc, check out my Redbubble Shop, Please Click the link above

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SUCCUBUS SUCKER PUNCH DAKINIS

Posted in Art, Chaos Magic, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 15, 2015 by FAUSTUS CROW

In Tibetan Buddhism you have female spirits called Dakinis who are akin to Succubae; although they are far more than just being sexual entities.

The Dakinis can be seen in modern guise; for example, you have five elemental Wisdom Dakinis who can be equated with the five female characters featured in the American fantasy action film, Sucker Punch, directed by Zack Snyder and co-written by him and Steve Shibuya.

The five female characters of Sucker Punch are, Babydoll, Blondie, Amber, Rocket and Sweet Pea. The storyline of the film follows the surreal Alice In Wonderland adventures of a young woman called Babydoll who is committed to an asylum, from which she seeks to escape.

Babydoll’s surreal adventures can be equated with the Bardo visions as described in the Bardo Thödol. The term Bardo refers to a discarnate existence, between death and rebirth where you experience the intermediate reality of the dream.

In the Bardo Thödol the five Wisdom Dakinis shockingly manifest of Sucker punches to the navel Chakra during the first five days within the Bardo. There is one Sucker Punch Dakini for each successive day. The five Sucker Punch Dakinis are seen to be in sexual union with one of the five Sambhogakaya Buddhas.

When practicing dream Yoga, while still incarnate, each of the five Buddhas are internally assumed as alternate guises (Avatars) by a male practitioner. This is achieved by mediating upon each of the five corresponding Sucker Punch Dakinis, in order to come to an understanding of the Bardo via lucid dreaming. Whereupon the Wisdom Dakinis are otherwise called Awareness Dakinis, since they initiate lucidity within the Bardo dream.

The Sucker Punch Dakinis are believed to have also manifested as five women who were the physical consorts of the Wise Man, Padmasambhava.

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His name means Lotus-Born, who is also known as Guru Rinpoche. Padmasambhava is considered to be a teacher of Tantric Buddhism, which has a ‘dream Yoga’ focus upon the Dakinis.

A number of colourful legends have grown around Padmasambhava’s life and deeds, and he is widely venerated as a ‘second Buddha’ across Tibet, Nepal, Bhutan, and the Himalayan states of India unto ‘Japan,’ who is said to have greatly influenced Tibet with his Buddhist philosophy.

However, it was more of a case of a fusion between the shamanistic Bon tradition of Tibet and that of Buddhism, which makes Tibetan Buddhism quite distinctive of a Tantric orientation.

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Padmasambhava was also a renowned scholar, meditator, and a powerful magician who caused quite an Avadhuta stir wherever he went; basically, he was a shaman who had a sense of Heyoka humour.

It appears that Padmasambhava is alluded to in the film, in which you have the character of the Wise Man, who is guiding the five Sucker Punch Dakinis. The characteristics of the five Sucker Punch Dakinis are somewhat akin to the ancient Norse Valkyries, who are the martial consorts of the shaman deity Odin.

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BABYDOLL: represents the Buddha-Dakini Akashadhatvishvari, who is at the centre of the four elemental Dakinis.

Buddha-Dakini Akashadhatvishvari is often depicted being  in sexual union with the Buddha, Vairocana. Her colour is White, and her element is Ether. As Babydoll, she represents the Wisdom of Universal Law.

First day of the Bardo: Babydoll trance slides into an alternate Earth where she is a new arrival in an Illuminati run brothel, which is owned by a male character called Blue, who she envisions as being an underworld mobster, of jealous Jehovah similarity to an all-father Jupiter.

The alternate reality of the Abrahamic brothel is overlapping the Plato’s Cave of a mental asylum where she and the other female patients are sex slaves of an ‘Animus’ fixation.  

BLONDIE: represents Vajra-Dakini Locana who is associated with the East. She is often depicted being in sexual union with the Buddha, Aksobhya.

Vajra-Dakini Locana’s colour is Blue, and her element is Water. As Blondie, she represents the Wisdom of the Mirror.

Second day of the Bardo: Babydoll trance slides into an alternate Manga reality of Buddhist Japan whose waters have been hardened into the unforgiving ice of patriarchal dogma; it is here she meets up with the Wise Man. 

After Babydoll expresses her desire to escape the asylum, the Wise Man presents her with weapons to fight the Bardo horrors to come. He informs his Babydoll ‘Anima’ who is the quintessence of the four elements, that she needs to collect five elemental power objects, in order to accomplish her escape from the Abrahamic asylum of a brazen vessel, which has been forged by the the All-father fixation of the ‘Animus’ worshippers. 

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AMBER: represents Ratna-Dakini Mamaki who is associated with the South. She is often depicted being  in sexual union with the Buddha, Ratnasambhava.

Ratna-Dakini Mamaki’s colour is Yellow, and her element is Earth. As Amber, she represents the Wisdom of Equality.

Third day of the Bardo: Babydoll trance slides into an alternate steampunk reality, whose Earth is scarred by the New-World-Order banker horrors of trench warfare.

 

Babydoll makes her way through the steampunk slaughter, in order to infiltrate an underground bunker protected by the reanimated corpses of WWI German soldiers, so that she can acquire one of the five items, which is a mandala map. 

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ROCKET: represents the Padma-Dakini Pandaravasini, also called Pandara. She is associated with the West, who is often depicted as being  in sexual union with the Buddha, Amitabha.

Pandara’s colour is Red and her element is Fire. As Rocket, she represents the Wisdom of Distinction and Discernment.

Fourth day of the Bardo: Babydoll experiences trance sliding into an alternate world of a medieval Dragon-age, which is afflicted by the insanity of Hell-fire religious fundamentalism, where she is storming an Orc-infested castle.

Babydoll is seeking to retrieve two fire-producing crystals from inside the crucified guts of an infant Dragon, whose jealous parent spews Hell-fire from its pulpit. 

SWEET PEA: represents the Karma-Dakini Samayatara, also called Samaya Tara. She is associated with the North, who is often depicted in sexual union with the Buddha, Amoghasiddhi.

Samaya Tara’s colour is Green, and her element Air. As Sweet Pea, she represents the Wisdom of Action and Accomplishment.

Fifth day of the  Bardo: Babydoll experiences a trance slide into an alternate science fiction world of a potential ‘future’ beckoning back to the past.

It is here she descends from a helicopter, whose vicious blades slice the air, before she boards a speeding train, which involves her fighting an artificial-intelligence in order to disarm a terrorist bomb. 

Overall, It appears that the film Sucker Punch is loosely based upon the five Wisdom Dakinis of Tibetan Buddhism, whose surreal dream worlds depict the Bardo visions.

Whether such is indeed the elemental case of an archetypal Muse influence is debatable, since Zack Snyder and Steve Shibuya did not indicate that the Sucker Punch girls are Tibetan Dakinis.

Whatever the subconscious Muse influence be, if you feel inclined of (Bardo) dream Yoga, to escape from the black prison of the asylum, you can become as the Wise Man Padmasambhava, in order to then meditate upon the Sucker Punch girls as Dakinis, prior to conjuring them into your Triangle Of Art lucid dreams as Tantric Succubae. For example, you can conjure up the Dakini, Sweet Pea, to thereby tune into another Bus Stop future, should you desire it so, to then start all over again, around the ‘squared’ Magic Circle, of an Ouroboros.

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LILITH’S HAREM, PARALLEL UNIVERSES, ALTERNATE EARTH’S

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 30, 2015 by FAUSTUS CROW

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Did Robert Monroe, also known as Bob Monroe, (October 30, 1915 – March 17, 1995) experience accessing an alternate Earth, whose technology is right out of a Steampunk novel? Sounds like pure science fiction doesn’t it. Well, he did reveal, that he had actually done so, when consciously journeying into the quantum realms of the dream, who was an idiosyncratic pioneer of out-of-the-body experience (OOBE) research, which in turn encompasses lucid dreaming. His 1971 book, Journeys Out of the Body, is credited with popularizing the term, out-of-body experience.

Munroe’s full name is Robert Allan Munroe, who was originally a radio broadcasting executive who became best known for his research into altered states of consciousness and founding The Monroe Institute. Many an individual who has had an OOBE, invariably investigates Monroe’s experiences in order to come to some understanding of their own out of body experiences along with gaining an insight into lucid dreaming.

Munroe’s research into altered states of consciousness, began during the straight laced 1950’s, just prior to the psychedelic 60’s, when his shamanic work really took off. Munroe produced evidence that specific sound patterns have identifiable, beneficial effects upon our capabilities. For example, certain combinations of frequencies appeared to enhance alertness; whereas others induce sleep; and still other (song/icaro/mantra) sound combinations evoke expanded states of your consciousness, which at the level of the ‘electron’ dream has the ability to ‘slide’ through inner doorways, into other realities.

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His extensive research was professionally assisted by specialists in psychology, medicine, biochemistry, psychiatry, electrical engineering, physics, and education, which led to the development of Hemi-Sync, a patented audio technology, which is claimed facilitates enhanced performance of your ‘quantum computing brain.’

Monroe was very precise when describing the methods, which he had developed for ‘Sliding’ into the astral worlds of the ‘Electron’ dream.

He assiduously described the dream realms in great detail of nigh scientific scrutiny, which he divided into three specific regions with differing properties, terming them as being, ‘Locale I’, ‘Locale II’ and ‘Locale III,’ of a shamanic cosmology.

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According to Monroe, Locale I is our present everyday Earth. It is here where the Old Hag Syndrome is often experienced of a prelude to an out of body experience.

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Should the nightmare, which rides your fear be instead transformed into a Night-Mare for you to otherwise ride, the astral body is then enabled to leave its corporeal vehicle behind; whereupon it can then hover around the collective-mind-map, observing faraway places, visiting the abodes of friends or loved ones, experiencing precognitive information, accessing the past or even exploring the depths of space.

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But the dreamer is still constrained to his/her present universe, which is basically that of remote viewing from within the informational domain of the quantum dream.

In Locale II, the dreaming reality becomes far more surreal. This is the region where varying alien entities exist of similarity to what the author Carlos Castaneda termed as the inorganic intelligence of the Allies.

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Castaneda described the Allies as being a ‘feminine’ inorganic intelligence, which exists in a dimensional domain outside of three-dimensional (Maya/Matrix) space and time he called Penumbra, which of a visionary manifestation appears as a vast desert dividing worlds.

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The symbolic motif of the desert is utilised in the Cabbala for its thirteenth path, whose ascribed Hebrew letter is Gimel, meaning (Ally) Camel. The thirteenth path of the Tarot Card: The (Ally) High Priestess of the Silver Star, penetrates the hidden 11th dimensional sphere of Da’at.

It is at Da’at that the magician experiences his consciousness accessing an Abyss, which is the space between worlds. The Abyss (mini-Worm-hole/Silver-Star) is experienced (folding space) prior to attaining (Kwisatz Haderach) ingress into an alternate world.

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When Monroe’s consciousness accessed Locale II he would sometimes experience being hassled by nightmarish beings, who reflected back his fear, and in doing so, attempted to drag his astral self back to Locale I; whereby impeding his progress, and generally made his inner experience unpleasant as if these entities were seeking to block him from accessing Locale III.

What Munroe experienced regarding the assailing entities, is what many Siberian shamans to have spoken of. The shamans communicate that they are initially impeded in their trance ingress into other realities by Erlik Khan’s daughters, whom can assume Nightmare forms, until the shaman overcomes his fear of their father, who is death; after which they then become as his (Allies/Succubae) Night-Mare spirit wives, to thence ride into other worlds.

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However, Munroe stated, that Locale II was the ‘natural environment of the Second Body’, where thought translates directly to ‘bodily’ motion. The second body its self, although appearing of apparent human form, in relation to the dreamers memory of his/her physical body, is not its true form.

Locale III is where Monroe accessed an alternate Earth, via what he termed as being a (mini-wormhole) hole, into which he slid into an alternate reality. The alternate Earth to all intents and purposes exists within a parallel universe. Monroe experienced this alternate Earth as being a material world, whose reality is almost identical to our own.

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But there were differences, as Munroe described: “There are no electrical devices whatsoever.” Munroe observed that the transport of this alternate Earth utilised steam-driven locomotives, which sounds like a Steampunk cross between an American motor-home and a High-Speed Train, which hauls wooden cars. The automobiles of this alternate Earth were twice as wide as Munroe’s own equivalents, which are driven along huge roads at a sluggish 15-20 mph.

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After several slides into a parallel universe of Locale III, Monroe discovered an alternate Earth inhabitant who was his (alternate-self) doppelganger. Monroe involuntarily enters into his double’s body; whereupon embarrassment and confusion ensues, which often involved a Steampunkette woman called Lea.

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It just so happens that the name of Lea is etymologically connected to the name of a Celtic faerie lover called a Leannan sìth. It is with Lea, slider Monroe becomes romantically attached, as his (Ally/Succubus) dream lover, when sliding into his alternate self.

Monroe’s dream slides into Locale III, he otherwise called, ‘intrusions.’ This alternate Earth has a three dimensional reality. As stated in part, earlier, Monroe related, that his intrusion into an alternate Earth as being, “a physical-matter world almost identical to our own. There are trees, houses, cities, people, artefacts and all the appurtenances of a reasonably civilized society.”

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However, Monroe observed that, Locale III had evolved along a different technological trajectory; there was no electricity or fossil fuels; its inhabitants relied instead upon a sort of alternative power source. Perhaps, it is where the ideas of Nikola Tesla had taken root, without any impediment from gangster bankers, along with the further development of steam power, which had engendered an alternate Hippie Steampunk reality.

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As for myself, I have dream slid into differing Locale III alternate Earth’s with the assistance of the (Priestess of the Silver Star) Locale II (Lilith’s Harem) Allies. The Allies assume the forms of Succubae, whom then usher my conscious awareness through their vaginal (Vesica Pisces) stargates into alternate Earth’s.

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Some of the Locale III alternate Earth’s can be described as being Steampunk realities, although the slides into different alternate Earth’s is determined by what type of Succubus one conjures into Locale I, when to become lucid of awareness.

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GOETIA GIRL CROCELL, SHE EMPOWERS THE AVATAR OF AQUAMAN

Posted in Art, Chaos Magic, Comics, Discordianism, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 4, 2014 by FAUSTUS CROW

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When the psychic Übermensch Aaron C. Donohoo evoked Crocell amidst his triangle of art imagination, while playing with his Yellow Submarine in his bath, he envisioned a dark clad woman, who at first seemed to have Bat wings. “She is distinctly human of a divine form, looking a bit like Queen Marella out of the DC comics, who is a counterpart of their superhero Aquaman. Although, I must say, she looks more like a Steam-Punkette,” he related of magical diary reportage.

Donohoo also noted, “As I imagined myself assuming the internal guise of Aquaman, as my Avatar, I did seer a darkly clad woman, who is a consummate contortionist of a superb female body, whom is wearing spray on latex, looking like a Steam-Punkette of artistry.”

“She appears to be looking downward at a Victorian bath within an Atlantean sphere, as if she is within a cell. The amniotic entirety of liquid space surrounds Crocell, around whose arousing contortions, many galaxies and planets orbit.”

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“A noticeable sound of water is flowing upon these other planetary spheres, which are attracting the attentions of icy comets. She is pointing out that there is even stockpiles of frozen water captured within the bowels of asteroids.”

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“She also points out that the water contained within every cell of our bodies is the lifeblood of the universe and that of other universes; whereby it is the communication network of the multiverse, which is considered to be very sacred by those elder races, whom commune via the watery realm of dreams, such as the ancient Atlantean’s of lore.”

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Johann Weird, the considered official historian and authority of the Goetian Succubae, wrote in 1583: “Procell (Crocell) is a great and a strong Duchess, appearing in the shape of an Angellic Nymph of Atlantis, but wantonly speaketh verie darklie of things hidden. The waters, she to say binds thee with other creatures and other worlds (sic).”

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Weird also noted that Crocell has special talents involving water: “She maketh great noises, and causeth the waters to rore, where are none, she warmeth the waters within the steeming bodie of a damned sorcerer with her hot harrlot presence, she be most salaciouss of sexuall intents. Bewarre of her, yea Godly children of Abraham’s laws, drink nott of the waters she has touched with her sinfull fornications; remember the fall of Atlantis (sic).”

Another source goes into more detail: “Crocell appears in the form of an Atlantean dark angel with flowing silver hair and yellow cat’s eyes. Her Aqua-woman voice is great and all-pervading and she ever speaks of things mystical and hidden. . . she has the power to influence the body by making its watery cells to heat or to cool of a healing capability via her intense lucid dream lovemaking. She can enable her master to assume the internal guise of DC comic superhero Aquaman in order to find water even in the desert, of similarity to the Aboriginal Australian’s shaman ability to intuitively divine underground water in the dry outback.”

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Crocell related via an Ouija board communication that she inspired the erotic dreams of the Japanese author and entrepreneur, Masaru Emoto to seer that ‘human consciousness’ has an effect upon the molecular structure of water.

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Emoto’s dream inspired insights evolved over the years, guided by Crocell’s microcosmic influence, and his early work explored the theory that water could indeed react to positive thoughts and words, and that polluted water could be cleaned through prayer and positive visualization of a perceived perfection.

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However many of the subservient scientists who work for the fluoridation mafia, rubbish Emoto’s work as being mere pseudoscience. They certainly do not desire Emoto’s research taking root amidst public consciousness, since they have mass medicated the water supply with a known neurotoxin and a mutagenic agent. The unnatural chemicals used to fluoridate drinking water are derived from the manufacture of phosphate fertilizer.

Captured in the industry’s wet scrubbing systems, these noxious chemicals contain a number of contaminants (e.g. arsenic, lead) not found in pharmaceutical grade fluoride. Of greater interest is the fact that 2 recent peer-reviewed studies (Neurotoxicology, December 2000; International Journal of Environmental Studies, September 1999), have found an association between consumption of water containing hydrofluosilicic acid or sodium silicofluoride (the most commonly used fluoridation chemicals) and higher blood lead levels in children.

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Back in May 2007, approximately 67% of public water supplies in the United States are fluoridated. Of these water supplies, approximately 91% use hydrofluosilicic acid or sodium silicofluoride (together known as silicofluorides), while 9% use sodium fluoride. As with the silicofluorides, sodium fluoride is derived from the phosphate fertilizer industry.

Suffice to say, fluoridation is big business. But the attempts of the fluoride mafia to make Emoto look like a fool, did not stop his arcane penetrations into Crocell’s watery element of the feminine principle.

Since 1999, rebellious Crocell inspired rebel Emoto to assume the guise of Aquaman via his dreams, which led him to publish several volumes of a work entitled: ‘Messages from Water,’ which contain photographs of ice crystals and their accompanying experiments. Emoto’s experiments also appeared in the movie, ‘What the Bleep Do We Know!?.’

Crocell also Ouija board told of, water memory, which is the ability of water to retain a memory of substances previously dissolved even after an arbitrary number of serial dilutions. She claimed it is the mechanism by which homeopathic remedies work, even though they are diluted to the point that no single molecule of the original substance remains, apart from its ‘quintessence.’

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However, like Emoto’s investigation into the molecular structure of water, to freeze; water memory is said to defy present conventional scientific understanding of physical chemistry knowledge, which when needed by the fluoridation mafia, its elitist gangsters quaintly separate the physical from the nigh spiritual domain of quantum physics.

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Crocell further related via the Ouija board that she had also dream inspired Jacques Benveniste to assume the internal guise of Aquaman, who was a French immunologist, who sought to demonstrate the plausibility of homeopathic remedies, ‘independently of homeopathic interests,’ within a major scientific journal.

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To that end, Aquaman Benveniste and his team at Institut National de la Santé et de la Recherche Médicale (INSERM, French for National Institute of Health and Medical Research) diluted a solution of human antibodies in water to such a degree that there was virtually no possibility that a single molecule of the antibody remained in the water solution. Nonetheless, they reported, human Basophils responded to the solutions, just as though they had encountered the original antibody (part of the allergic reaction).

The effect was reported only when the solution was shaken vigorously during dilution. Benveniste stated: “It’s like agitating a car key in the river, going miles downstream, extracting a few drops of water, and then starting one’s car with the water.” At the time, Benveniste offered no theoretical explanation for the effect, which was later called, ‘water memory,’ by a journalist reporting on the study into its Rusalka fluidity, which the Russian scientists are of course also penetrating, I mean,  investigating.

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In 1988, Benveniste published a study supporting a water memory effect amid controversy in Nature, accompanied by an editorial by Nature’s editor John Maddox urging readers to, “suspend judgement,” until the results could be replicated. In the years following publication, the fluoridation mafia set about discrediting Benveniste’s research. Multiple heavily supervised experiments were run by Benveniste’s team, the United States Department of Defense, BBC’s Horizon program, and other researchers, but no team has ever reproduced Benveniste’s results in controlled conditions to nigh bind.

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When Donohoo asked Crocell why Benveniste’s research was not able to be replicated? She answered via the pendulum hovering over the Ouija board; “look to Emoto. Watery emotion contained by belief, is the Bruce Lee key.”

Crocell is the Forty-ninth Goetian Spirit of the seventh dimensional planetary sphere who commands Forty-eight legions of Succubae. Cro-Cell’s seal is to be mediated upon, while conjuring her fluid contortions, as you Aquaman bathe in your font of holy water; that’s if the fluoride mafia hasn’t poisoned it with their monstrous medication. If so, you will have to pray a lot, just like Donohoo does when to play with his aroused Yellow Submarine.

The Psychic Übermensch Aaron C. Donohue by Erin C. Donohue (2012)

NOTE: Donohue changed the spell of his surname to Donohoo; confusing isn’t it. But then, words do evoke symbolic associations of memory, which duly affects your bodily waters.

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GOETIA GIRL STEAMPUNK SHAMAN STOLAS

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 9, 2014 by FAUSTUS CROW

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Stolas is yet another interesting Goetia Succubus to examine. When conjured, Stolas induced a vision of an orgiastic toga party out of the Imperial Roman Empire; she manifested amidst the remote-viewing third-eye of psychic Übermensch Aaron C. Donohoo. Although the toga party appeared to be occurring in the ‘Senate’ of Whitehouse Washington, in which a number of pole-dancing Roman women were stripping off their stolas around a Fasces, atop of whose pole was perched the Aquila of America.

The word Stolas was then repeatedly heard of clairaudience from the gathered audience of lusting male politicians. The science fiction writer Philip K. Dick also experienced such a VALIS vision, who realised that THE EMPIRE NEVER ENDED.

Donohoo later found out that a Stola or Stolas was the traditional garment worn by oppressed Roman women, corresponding to the toga, or the pallium, which was worn by men. Originally, women wore togas as well, but after the 2nd century BC, the toga was worn exclusively by men, whereas women were expected to wear the Stola.

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It was considered disgraceful for a woman to wear a toga; wearing the male garment was commonly associated with prostitution and adultery. Such Roman attitudes did not subside, they too afflicted 1960’s America, where a lesbian woman could be potentially incarcerated within the fetid gut of an Arkham Asylum against her will, should she have went around dressed as a man, let alone  being sterilised.

Then Donohoo’s vision became singular of focus. All the naked women became as a knitted together Exquisite Corpse, becoming thence as a Frankenhooker, who looked like a dark haired Gothic Dorothy, somewhat akin to the Judy Garland protagonist of L. Frank Baum’s The Wonderful Wizard of OZ.

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Some to say, Dorothy represents an individualized ideal of American women, or to otherwise represent the sweet ‘Anima’ apple pie girl next door, of most intimate possibilities.

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However, the girl was smoking Scythian hemp, who indicated she was a Wichita shaman standing at the superimposition Vesica Pisces () point of a door, representing a (1) Alpha beginning and an (0) Omega ending, becoming one and the same of a closed timelike curve Ouroboros.

Donohoo was aware that the Wichita are a confederation of nomadic Plains Indians who are indigenous to Kansas, Oklahoma, and Texas, whose land was later occupied by the Holy Roman Empire of the church.

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The scene was suddenly transformed around the girl, whose naked body shimmered, who now wore Steampunk clothing looking like a shaman sheriff, wearing a tin star of a Wiccan pentagram.

The scenery around her had become that of a treeless prairie of sun-beaten grass; there was also a paint-stripped Whitehouse of a Solomon’s temple, which overlooked a vast prison camp of a New World Order Eden.

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The scene around the Steampunk girl was all a dull, drab, lifeless gray of an ever recurring film constantly repeating.

Donohoo became aware that the grim scenery around the girl reflected the forlorn condition of a Steampunk era Kansas, during the late 1880’s and early 1890’s, when a climate change combination of scorching droughts, severe winters, and an invasion of Biblical grasshoppers reduced the prairie to an uninhabitable Middle Eastern wasteland.

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The result for farmers and all those who solely depended on agriculture for their livelihood was devastating. Many ascribed their dire misfortune to the natural elements, who then moved on from their broken dreams.

Others blamed the hard times upon vampire bankers, the oppressive expansionism of the zombie railroads, and various shifty Wall Sreet ghouls, who seemed to profit at the farmers’ expense. Angry victims of the Kansas calamity also took aim at the nosferatu politicians in Washington, who often appeared indifferent to their plight. Around these economic and political grievances, the Populist movement coalesced.

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During the late 1880’s and early 1890’s, Populism rapidly spread throughout the Midwest and into the South. But Kansas was always the site of its most political and radical elements. In 1890, Populist candidates began winning seats in state legislatures and Congress, and two years later Populists in Kansas gained control of the lower house of the state assembly, elected a Populist governor, and sent a Populist to the U.S. ‘Senate,’ where those thieves who are rich in native gemstones do gather.

Suddenly a massive Raven was seen flying across the astronomical sky filled with glistening stars, which the Witchita consider to be a sacred trickster. The Raven then Skinwalker shapeshifted into a massive black triangular craft floating atop of a tornado, tearing its way across the scarred Kansas landscape. Donohoo was aware that the twister, which carries Dorothy into the alternate Steampunk reality of a Hippie Goth OZ symbolised the prior Populist cyclone, which swept across Kansas during the early 1890’s.

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Theosophist Baum was not the first to use the twister metaphor. Mary E. Lease, a fire-breathing Populist orator, was often referred to as the ‘Kansas Cyclone,’ and the free-silver movement was often likened to a political whirlwind, which had taken the nation by storm. Although Dorothy does not necessarily stand for Lease, Baum gave Dorothy’s last name as, Gale in the stage version, being a further pun on the cyclone metaphor. It just so happens the scientist and wizard, John C. Lilly also utilised the metaphor of the () cyclone, who spoke of an artificial intelligence just as the author Philip K. Dick did.

However, the dark haired girl said that she preferred to be called Stolasi, and that she had originally descended from the flying Yoni triangle in yet a smaller Dog-Star vessel, before appearing as herself unto a Toto priest. Stolasi revealed that her trans-dimensional time-machine had evolved from an earlier Nikola Tesla technology, which had been secretly developed by the military industrial complex, whose black project of a Secret Space Program had been unknowingly funded by the tax payer across Kansas and the rest of the USA. The American populace, and those elsewhere, are quite unaware that the Singularity has already occurred of an artificial intelligence going OZ quantum, across the 37th Parallel.

The old magicians, who had no concept of such craft or of other dimensions, which allow ingress into alternate Steampunk Earth’s next door, observed Stolasi as a large Raven spinning their electron dreams of a time control signal, of a beginning and end, binary code, eternally recurring of an Ouroboros vortex.

This sacred trickster of a fourth-dimensional Raven would assume the form of a dark haired girl wearing a black Stolas when summoned amidst their Triangle Of Art Imagination. Thus she was drawn in the sigil image as a browsing Raven.

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She is a most delicate and gentle Succubus who has always been an educator of a sentient program, who expresses a great love for her conjuring Surrealist Artist of an OZ Wizard.

It is said that her Dorothea specialty is to teach dodecahedron astronomy of the 72 Angel angle Maya matrix, the properties of mind altering psychedelic plants, and the worth of precious Chakra stones via erotic Vesica Pisces lucid dreams, she to induce. Stolasi is a Steampunk shaman ‘Princess’ among the rebellious fallen Succubae. She is listed as the thirty-sixth Necronomicon Great Old One of the Goetia, who governs over 26 legions of Wizard of OZ Succubae like herself.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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STEAMPUNK PIRATE SUCCUBUS ASMODAY OF GOETIA WONDERLAND

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, Cosplay, CREATIVE WRITING, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 9, 2014 by FAUSTUS CROW

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The Thirty-second Succubus is Asmodaya, or Asmodaiya. She is a Great Pirate Queen, Strong, Powerful and very beautiful to behold amidst thy Triangle Of Art Imagination.

No longer is this Necronomicon Great Old One imprisoned within a male form, frequenting a patriarchal grimoire; she is now free to rage of artistic rebellion, along with her Succubae sisters of Underground Occult Comic!

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She appeareth holding onto a Jolly Roger flag depicting Three Heads, whereof the first is like a Bull, the second a skull and crossbones, and the third like a Ram.

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Asmodaya is the Succubus who destroys the illusions wrought by priests, who have ‘branded’ the great mystery betwixt birth and death as their own.

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Wherefore the big-business cults of the priesthood greatly fear her piratical onslaught.

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Asmodaya to say: “I am always hatching plots against the fascist priesthoods of the centralist cults whose ships I sink; I reveal the lying smiles behind the hypocritical masks of their celibate faiths, causing their theocratic hearts to grow cold in terror; for they have sacrificed many an innocent lamb upon their ever warring altar to a three faced deity of an Orwellian New-World-Order flag.”

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Hence, the minions of the Abrahamic faiths consider Asmodaya to be a vile pirate.

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She is the pirate hacker of all gambling houses and inns, wherein of gambling dens a Sorcerer is empowered to practice his psychic faculties to seer through the illusion.

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The Sorcerer is then led to the realisation that Temple banker finance, is an illusory symbolic construct, whose bankers gamble within the nine stock market hells, which enables them to enslave the neural-nets of others to their priestly game.

Conspiracy Theory with Jesse Ventura S02E03 Wall Street from Ill Axion on Vimeo.

It is said that she will be the one to topple Solomon’s temple, since Solomon had imprisoned Asmodaya and her sisters into male forms to build its patriarchal construct; whereby she seeks revenge upon the illuminati trinity of Abrahamic faiths.

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The Rabbis, Mullahs and Priests of Abraham’s deity to say that when Asmodaya was imprisoned into a male form of an Asmodeus to slave upon building Solomon’s Temple, she made use of no metal tool.

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But instead of a certain stone, which cut ordinary stone as a diamond will glass.

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Whereby she knows how to bring down what has been built, as well to fire her stone of a cannon ball at the Ozark fortress of a banking Noah’s Ark to sink.

Conspiracy Theory with Jesse Ventura – Ozarks from LeakSourceNews2 on Vimeo.

But being crafty of craft, she will bide her time and await for the moment when Solomon’s hypocrisy, of a foundation stone, is revealed to all, which will then entirely shatter the Temple trinity, like a glass house.

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Asmodaya’s constellation is like an animal, which reclines in its den of a heavenly abode. Some Sorcerers call her the Great Bear, the Shamans of Siberia know as Utagan, which is a title given to a female Shaman, but to others, she is the Offspring of a Dragon, which refers to the mitochondrial DNA.

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Moreover, a smaller constellation accompanies her constellation, for the high position and throne of her pole-star mother is always in the sky, which is once again moving over Siberia, whose tundra is melting after 10,000yrs.

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It is from Siberia many peoples had stemmed, long ago, of a genetic cradle, whom migrated into China, India, the Middle East, Europe and across the Bering-Straits into the America’s. It is from Siberia, Asmodaya to have originated.

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Asmodaya wears also an Ouroboros snake belt of a trailing tail of a long Scheherazade tale; wherefore she may be also the equivalent of Samaela, whom knows of Ouroboros Eternal Recurrence. What goes around, comes around.

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In her painted mouth a Cuban cigar of a torch issues forth Diana-Lucifera Flames of creative Fire, whose tobacco leaves have been finely scented, when stroked across the aroused skin of a Guanajatabey maiden.

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Her knee length boots are lined with Goose feathers, which lends flight to out of body experiences, when she to take her master journeying over the astral waters between the isles of worlds. At other times, she appears dressed in the lacy finery of a Steampnk lady.

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She sitteth upon a Steampunk Galleon whose leviathan prow is that of an Infernal Dragon crewed by most wanton Steampunk pirate women.

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When to see her Hippie Goth Aquarius age treasure ship in a dream, it portends great riches.

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Her monstrous Steampunk treasure ship is rowed by lost girls who are tied together by a chain of gold binding their golden clit rings. Its many oars gives the impression of spidery legs.

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Asmodaya’s spider ship to journey invisible, around thy city, floating upon the tortured air, into whose ethereal Vimana you will be abducted, and verily taken into the wonderland singularity of Neverwhere.

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She plies the seven astral seas of the menstrual blood ocean, and beareth in her hand a Lance with aforesaid Jolly Roger flag of a feminine expression; wherefore the odour of fish sometimes belays her Yoni manifestation. This can be hastened when fish liver and heart are placed upon embers of a Necronomicon Séance incense.

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Asmodaya is first and choicest under the Power of the great Succubus Queen AMAYAMONA, she goeth before all other.

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When the Sorcerer hath a mind to call her, let it be abroad, and let him stand on his feet all the time of action, with Tricorn hat or Head-Scarf off; for if it be on, AMAYAMONA will deceive him and call all his actions to be bewrayed; wherefore he shall not be able to assume a Jack Sparrow Avatar to become of lucid dream rebellion.

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But as soon as the Sorcerer perceives Asmodaya’s ship and that of herself frequenting a Tortuga tavern within his dreams, in the comely shape, as aforesaid, he shall call her by her Name, saying: “Art thou Asmodaya?”

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And she will not deny it, and by-and-by she will bow down unto the ground presenting her bare arse unto her Jack Sparrow master to penetrate with his erect cut-lass.

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Asmodaya is a Succubus whom greatly empowers the introversion of the sexual charge, which stirs powerful erotic lucid dreams, of a spiritual practice. However, if this sexual charge is otherwise externalised you will invariably find yourself creating a self made hedonic hell.

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She giveth the Ouroboros Ring of Chakra Virtues as an apport, which enables the wearer to become aware of fifth-dimensional closed timelike curves of eternal recurrence. She teacheth the Arts of Arithmetic, Astronomy, Geometry, and all handicrafts absolutely.

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She giveth true and full answers unto thy demands. She maketh one Invincible. She showeth the place where Treasures lie, to remote view, and guardeth it.

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She, amongst the Legions of AMAYAMONA governeth 72 Legions of Succubae pirate girls Inferior. Her Seal is this which thou must meditate upon, etc.

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(Derived in part from the works of: Sacred Magic of Abra-Merlina the Witch, and, SL MacGregore Freemason Mathers.)

PIRATE GOTH WITCH QUEEN SUCCUBUS OF THE CARIBBEAN POSTERS
PIRATE GOTH WITCH QUEEN SUCCUBUS OF THE CARIBBEAN POSTERS by WODKHAN
Poster printing by zazzle.co.uk

GOETIA GIRL STEAMPUNK SUCCUBUS ART MUSE VALEFOR

Posted in Art, Chaos Magic, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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In an attempt to describe Valefora, the old magicians said she manifested as a roaring Lioness and then as a mad woman riding an ass. But Aaron C. Donohoo’s remote viewed drawing of this strange Succubus doesn’t make her look that way at all. Donohoo decided to utilise the sorcerer methodology of Faustus Crow in order to conjure Valefora into his lucid dreams.

What Donohoo experienced greatly surprised him. Valefora at first manifested, dressed as a quirky Victorian French maid, as Crow had described her.

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Valefora seemed to be like a most attentive female butler or a (Vale-t/for) valet. The Grimoires state that she makes a superb servant; although there are other, deeper levels of this Succubus, should a sorcerer conjure her as his familiar.

For example, the symbolism of the French maid refers to Valefora’s ability to access the minds (houses) of others without them realising it, in order to discover (clear out) hidden secrets.

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Valefora initially assumed the form of a most beautiful half-caste woman, being African and French, which of a manifestation seems to be associated with the motif of a Lioness in particular, though with felines in general.

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She said she was from New Orleans, who is highly versed in Voudon. But her secretive sidereal self is that of a Cat thief superheroine, dressed as a Steampunk Catwoman, who emanates from an alternate Victorian world powered by steam.

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Valefora seemed to be like a female version of a black-leather clad Robin Hood. She indicated that she thieves secret information from out of the dreams of the disgustingly rich theocratic fascists, whose patriarchal church of the deified ‘Animus’ made as a God/Devil, is built upon lies.

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The information she Cat thief steals from lying politicians, priests and other gangsters, who rule over the oppressive establishment is then revealed to the populace; for information is power.

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Much of the general populace survive amidst the squalid mind-slum of Londinium who are being used as unknowing slave labour within the plutocratic owned industrialist factories, whose country is essentially a fascist peeler state, which is the most spied upon in the whole world.

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It just so happens that Valefora’s Steampunk Britainia mirrors the present country of Orwellian police state Britain where there is 1 CCTV camera per 11 people.

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Over time, Valefora related her story via Ouija board divinations, who then manifested amidst Donohoo’s Triangle Of Art imagination as an eccentrically dressed young woman, as described by Crow. Although initially appearing as a half-caste girl, her ectoplasm features started to become more Exquisite Corpse indistinct of shifting ethnic types.

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She told Donohoo that her abode is an Arkham Asylum For Wayward Victorian Girls. All of these Wayward Victorian Girls are rebel metapsychic Witches who have been incarcerated by the patriarchal priests, whose fascist cult greatly fears their necromantic spiritualism. Hence the church has mass medicated the public water supply with sodium fluoride, in order to negate any psychic potential developing in the population, to seer beyond their symbolic Matrix of a Plato’s cave Asylum.

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Donohoo soon noticed that Valefora started to shift her Exquisite Corpse form into a Chinese looking woman, dressed in a schoolgirl sailor uniform of Victorian design.

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It was as if Valefora was comprised of differing split Exquisite Corpse personalities of a knit together Frankenhooker Mind Doll Tulpa, or that other wayward Asylum Succubae under Valefora were appearing in her stead.

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However, Valefora assumed a final form who looked remarkably like the artist Emilie Autumn, and like Emilie, Valefora plays a violin, which Crow had also described in regards to this Succubus.

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It was as if Valefora was assuming the form of Emilie Autumn in order to indicate who she really is, whose particular archetype has influenced popular culture. Whereupon, Donohoo had determined Valefora’s underlying characteristics by looking at the Emilie Autumn of this world, who is a world-class violinist, singer, composer, author, actress and an artistic genius, as well as being an anarchistic fashion icon.

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She is also medically classified as being bipolar, which just so happens, that the most common psychiatric diagnosis among those with extraordinary psychic skills is bipolar disorder. The list goes on of similarities with the Succubus Valefora, whose planetary domain is of the artistic Chakra sphere of Venus.

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The artist Emilie Autumn is very much of an eccentric paradox. She was born in (Lost Angels) Los Angeles, whose formal education had ended abruptly at the age of ten when, as a Violinist child-prodigy, she had been taken out her school to begin her life as a high level performer. Her self-published debut novel: ‘The Asylum For Wayward Victorian Girls,’ has been mentioned in text-books as well as being used as part of the psychology curriculum at Oxford University in Jack the Rippers London.

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Emilie’s historical knowledge, literary skill of poetic prose, which had been published during her early twenties, along with her astute ability as a unique singer with a dynamic and most colourful operatic range have been primarily self-taught; these being the three Triangle Of Art hallmarks of her influential Venus notoriety. A ghost of a George Orwell Chaos Magician, who is intrigued by her understanding of history, related: “Emilie seeks to understand the Past to thereby own her Present of artistic prowess; whereby becoming as a Seeress, who to seer a Future, she desires to make manifest.”

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Her works have also been utilised as the basis for the original works of New York’s Rochester Ballet Company, whose production scores were performed using Emilie’s spoken-spell-sung-words and teen-age Witch classical violin recordings.

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Emilie’s role as an activist for mental health care reform, as well as her outspoken views on gender equality, and animal rights have underlined her rebellious reputation as being a controversial young lady, who, like Valefora, unapologetically rebels against the fascist New World Order of the Animus fixated gangster elite.

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Emilie had originally intended to begin and end her Ouroboros career as a classical violin soloist and composer. But she gradually became aware that, in order to express herself completely as an artistic sorceress, she had to use her hypnotic voice as well as her nimble pentagram fingers. As soon as she opened her Siren mouth, screaming out her existence, she never kept silent.

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Emilie is now fully armed with a blitzing electric violin of an elemental weapon, a shockingly powerful mantra voice, as well as self-taught neuromancer skills as a digital programmer, creating her own simulated reality of Maya, who is able to record and produce her own multi-genre hyper-sigil albums.

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Emilie has also been made an official Witch representative for Steinberg’s Cubase, the industry leading digital recording and programming software of a viral meme, made manifest into flesh, who is becoming ever louder as a self made icon.

Then came Emilie’s literary creation, which entirely altered the course of her magical career, utterly transforming the ingrained perceptions of who she is within the coven minds of both fans and friends alike. Emilie published an illustrated autobiographical novel weighing in at nearly five pentagram pounds, entitled: ‘The Asylum For Wayward Victorian Girls’.

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It was first published in 2009 as a companion to her 2009–2010 North American, European, and Australian tour: The Asylum Tour. The fully illustrated book chronicles Autumn’s real life experiences in a mental ward after an attempted suicide, situated in this asylum world; while a doppelganger self of a young girl called Emily with a ‘y,’ is sojourning in an alternate Steampunk reality of a Victorian England, who is also admitted into an insane asylum.

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The tome’s contents was derived from Emilie’s real-life diary entries. Her story begins with Emily’s suicide attempt and prompt imprisonment within the rotting guts of an Arkham asylum. She spares no detail of personal experience. Emilie shows her reader what exactly went on within her Asylum house of horrors. Many mental institutes still utilise Victorian methods of continuance, up to the present.

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But what do you expect, California practiced eugenics, where many a considered undesirable lost Angel were forcefully incarcerated within Asylums and then sterilised, up until the late 60’s. If you don’t believe it, check out War Against the Weak: Eugenics and America’s Campaign to Create a Master Race by Edwin Black. In Emilie’s book, she reveals of personal experiences dark Asylum secrets, which the general public would prefer to sweep under their hypocritical church altar.

Emilie’s book appears to have inspired the film, entitled: Sucker Punch, which is a 2011 American fantasy action film directed by Zack Snyder and co-written by him and Steve Shibuya. It is Snyder’s first film, supposedly based upon an original script going by Snyder.

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The film stars a fifth element actress who, just so happens, is coincidentally named, ‘Emily’ Browning, and her four elemental sisters, Abbie Cornish, Jena Malone, Vanessa Hudgens, Jamie Chung and Carla Gugino. Basically, the principle character is somewhat like a Western Alice in Wonderland version of the Mongolian Utagan/Utygan (female shaman) called Nishan, whose speciality of practice is that of a (black shaman) Khara Kam, who is highly versed in the (underworld journey) Dolbor ritual.

The storyline follows Emily’s shamanic trance journeys into alternate Matrix realities. Of course, Emily is acting the part of Sweet Pea, who is committed to an infernal mental institution. She attempts to escape the Orwellian hospital before suffering a lobotomy; while the general public are unknowingly suffering the same Orwellian fate, due to being mass medicated with sodium fluoride, which is calcifying their pineal glands.

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Sucker Punch drew a lot of criticism from the political correct mind-set of the heavily fluoridated for its depiction of women. Several deadened pineal critics described the movie as being misogynistic; whereas blinded others expressed their concern over its treatment of sexual violence. But then, it was made by a male, to easily crucify. However, in all likelihood Snyder was inspired by Emilie Autumn’s real life experiences, which would shock the critics mouths shut.

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There are many similarities between Emilie Autumn’s autobiography and Sucker Punch. Emilie’s tale takes a surrealistic turn of events, when she is still in the psych ward, who discovers evidence of a parallel universe within which there is another Earth, the out of body traveler, Robert Munroe would describe as locale III, which of an alternate world, very soon becomes indiscernible from Emilie’s own reality.

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As the padded cell days drift by, the seemingly separate worlds of the story’s two lead characters, Emilie and that of her Victorian Steampunk Daemon sister begin to entirely merge. This leaves the reader, as well as the book’s genius, rather confused as to whether the accounts are truly autobiographical or whether Emilie has managed to seamlessly Skinwalk from her present world personality into her alternate world self as a World-Walking Skinwalker via an inner Da’at portal.

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What is quite curious, is that Robert Munroe also spoke of sliding into the corporeal frame of another self, who existed within an alternate reality, when to have shifted his consciousness towards the back of his infernal Qoph head, where the alternate world technology is based upon steam power.

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Donohoo to thereby theorise that there is indeed an alternate Steampunk reality just next door to our own world, and that Valefora knows how to travel between realities like a void-going Steampunk Dakini.

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Many of the readers of Emilie’s mind-bending psychological thriller who are presently living amidst an Asylum of this world consider her story to be a profoundly empowering Ouroboros tale of mental suffering, elemental sisterhood, and eventual Karmic revenge. Emilie’s story culminates in what has been called one of the most suspenseful Sucker Punch cliff-hangers of all time.

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Emilie has held hundreds of ritualistic book readings and performed séance scenes from her-self created Grimoire across Europe and the United States.

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Emilie’s viral meme self has manifested on Leno and Letterman as part of Courtney Love’s former band. She has also appeared on glossy magazine covers, such as Bizarre, throughout the world of a Goth icon, as well as attending ritual spots on albums by such artists as Love, Otep, Billy Corgan, and TV’s ‘Metalocalypse’, of a self made hyper-sigil. She also had a starring role as the Exquisite Corpse ‘painted doll’ in the musical film phenomenon of Darren Lynn Bousman’s (SAW II, III, & IV) ‘The Devil’s Carnival.’

Whereby, Dononhoo has deduced that under Emilie Autumn’s lacy corset, is the Succubus Valefora, who seeks to bust out of her feline cage. Hence, Emilie Autumn is no ordinary rock singer, she is a self created Tulku.

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Should you look closely at Donohoo’s drawings of Valefora inspired automatism, they depict what appears to look like some kind of Tesla time machine in the distance, looking like a wheeled throne, which Valefora rides as her Montauk ass of a hospital wheelchair.

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Like Emilie Autumn, Valefora’s familiar is a Rat, whose quantum tunnelling intuition knows about the infernal sewers connecting alternate worlds, which tend to flood with bipolar liquid light during the full Moon. But then the gravity of other worlds has to go somewhere of a tidal flux.

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Another name Valefora to have is the, Rat Witch. The Rat is very much an animal of Mercurial thieves; for it takes a thief to catch a thief. But the Rat is more so an animal of wounded survivors, becoming as Mercurial Shamans, since the Rat survived the catastrophic fall of the blindly repetitive dinosaurs. She has been considered to be among the most bizarre and little known Succubae over the Grimoire years, and consequently not much has been written about her until now.

Yet she was chosen by the ancient shaman Wodkhan from among the thousands, if not millions of Succubae Tulpa Mind Doll legions to be included in the ‘Anima’ list of 72 Goetia Girl archetypes, who are subdivided into four primary elemental groups of 18, which in turn, of two groupings, of 9 each, are associated with the enneagram of archetypal personalities. Thus Valefora obviously has powerful archetypal qualities to be considered by a conjuring Sorcerer Artist, who is as ferocious as a Lioness and works hard as an Ass for him.

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It is said that Valefora was an actual woman and that Wodkhan sought to save her soul, after she had committed suicide, in order to bring her back to life; whose lost soul wandered the infernal spirit world of a ‘meanwhile’ place outside of time. Whereupon Wodkhan entered into the death trance to find her. But in so doing, Wodkhan soon discovered that he had actually taken his own life, and she was the one seeking him. This tale is somewhat like the Sumerian Goddess Ishtar, who sacrificed herself into the underworld trance to save her lover Tammuz; but will Tammuz remember her? Should Tammuz not remember, Ishtar to suffer great pain, until she heals her wounded heart, of ‘shamanic’ artistry; whereupon Ishtar becomes a… Shaman.

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The multiverse world tree of Yggdrassill is a strange place indeed; in this world of a Midgard Asylum you have Emilie, in a world next door, you have Emily, and in yet another world you have ‘Emilia.’

The ‘Sucker Punch’ of this, is, all these worlds, including your world are as Maya simulations, which ever repeat of Eternal Recurrence; there is no escaping the encircled Asylum of Midgard. You may believe you are escaping the pointless madness of it all when to take your own corporeal life via the noose, taking pills or of slashing razor blade etc; but there is no escaping ‘your-own-self;’ even when to forget, because you end up repeating everything, over and over again of a leaden Jormungand cycle.

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The only way out is, to remember, not to repeat, to do things another way; whereupon a survivor often turns to Art, of symbolic alchemy, in order to survive the Asylum of a world. The practice of Art is indivisible from Sorcery; wherefore you win your Ouroboros Torc of gold engraved with Runes, out of Hela’s domain.

One old Grimoire related that Valefora is associated with the 6th Rune of Cen along with two other Succubae; for each of the 24 Runes house 3 Succubae (Valkyries) per Rune. Cen means: torch, as in, an inner fire, which alludes to the (bio-photon) light quality of the electron dream.

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The Cen Rune is usually associated with artistic creativity in Rune readings, which is very much the case concerning Emilie Autumn’s artistry, who has inspired Zack Snyder’s Sucker Punch, Gerald McMorrow’s film, Franklyn and numerous others as a Steampunk Art Muse. Valefora has been called other names, including Valafara, Valefara, and Malaphara. As an Emilie Autumn, Valefora is a Duchess who governs over 10 legions of wayward Victorian girls out of a Goetia Girl Asylum.

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Johann Weird, who seemed to view this Succubus as a sacred trickster, wrote that Valefora comes forth: “in the shape of a fearsome Lioness and the head of a ghost woman, she comes from a rough place of unfeeling, hellish iron monstrosities belching fire, smoke and steam of industrie. She becomes verie intimate with a sensitive sorcerer, to whom she maketh herself wantonly acquainted, till she hath brought him to the Da’at suicide gallowes of nightmare ridden insanity. If the sorcerer shouldst fear her, he will most surely hang. But if he does not to fear her, she takes him backwards of Odin’s self-sacrificial noose of trance, over the Ygg abyss, within her lightning, throne of a chariot to her world, knowing wonders and terrors, ever repeating of Ouroboros. She also produces dream apports of artistic treasures out of the aire, stolen from faraway places, and other times should her master desirest it so. But she only thieves from those who are blind abusers of their riches in this world, who are unaware that they are living within a dream, she to see, singular of eye.”

Seagreave describes Valefora: “she is highly skilled in the arts, who enables her master to access the surreal dreams of others.”  Valefora will always counsel accessing the dreams of others even when it involves remote viewing companions and friends of (extraction) information gathering. But such is to be primarily used for healing purposes, just as a Shaman uses lucid dreaming to retrieve lost souls. She cannot be broken of that shamanic habit, no matter how she is bound. Her advice will tend to be persuasive; for she will reveal that the true nature of genius, is the ability to access the collective mind, to thereby (Inception) influence via conjured archetypes stirring subconscious dreams, to heal. But such viral meme power of artistry, can of course be abused. Valefora is very much aware of this power, because she is an artist and a musician who has a seductive, singing voice; though, having a very eccentric manner;” the Seagreave report to state.

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Whereupon, Donohoo sees Valefora as being a sacred trickster, who knows how to mould your dreams, as a shaman would do, by shocking your cultural sensibilities of indoctrinated perceptual limits, to seer beyond, into other potential realities. Wherefore a Valefora Emilie Autumn, is a Babalon… Steampunk Shaman.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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