Archive for Dakinis

SHAMAN CHAOS MAGIC ART MOVEMENT

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2019 by FAUSTUS CROW

The beginnings of the Shaman Chaos Magic Art movement, which is otherwise termed as Chaos Art (Magick) Magik, or Surrealist Sorcery is rooted in the experiences of a British Sorcerer-Artist, Faustus Crow.

In his books, The Book Which Tells The Truth About Art Muse Lilith (1974) and Ultraterrestrial Art Muses Took Me to their Succubus Planet (1975), Crow describes experiencing encounters of the Sexagram kind with salacious female aliens since he was a very strange changeling childe.

Crow says that the alien nymphomaniacs abducted him into other realities, who are his Kamasutra Art Muses and spectral Dakini Art models, whom stem from other worlds, and historical times, as well as emanating from alternate Earth’s, who bestow multiverse knowledge via his quantum computing lucid dreams.

One of Crow’s Chaos Magic experiments was the knitted-together Frankenstein creation of a Coyote girl Tulpa construct, mantra named, Sally Tonopah in order to lucid dream remote-view Dreamland Area 51.

Or was it Area 52, Crow had conjured his Obsidian Butterfly to haunt? Can’t recollect… probably both flowery Chakra locales.

Of course, most people consider Faustus Crow to be a mere poser, and quite mad to boot, let alone being absolutely insane, or far worse. But who is this, Crow exactly? Some say that Crow looks a bit like Fifty Shades of Devito, Witches secretly adore as their Great Beast Valentine!?

One thing for sure, Crow isn’t a square jawed Hollywood actor looking like a photogenic Disney/Marvel eugenic superhero sporting oiled biceps, having a tight Baboon butt, nor does he look like Scientologist Tom Cruise having a fat Vatican bank account.

Crow doesn’t even drive around in a flashy phallic racing car having the cultic charisma of Claude Vorilhon, etc.

Who on Earth would then take Crow at all seriously? Crow hasn’t even got the aphrodisiac of materialism nailed down, which engenders the respect of the hypnotised masses, let alone having the necessary politically correct social media cred… So, one can thereby gather that all his followers must be deranged cultists.

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Whatever the case, the Chaos Art Magic movement traces its Surrealist Sorcery beginnings to a 1990 Art conference, which was situated under the pyramid of the Louvre Art gallery in Paris, France, which was entitled, Yoni Stargate Belphegor.

The Yoni Stargate Belphegor conference was attended by two thousand female Art students who were all dressed up as St Trinian’s schoolgirls, looking like Hogwarts Witches.

From amidst Belphegor’s Louvre pyramid, the Chaos Church Of Art Magic was born, which promotes the infernal worship of Faustus Crow.

The name, Crow is a veiled reference to the Faustian experience of hypnagogic trance, the alchemists termed as being the Nigredo stage of the Great Work, which is initiated by a bedroom invading Night-Mare Succubus.

There is a women only membership in the Chaos Church Of Art Magic, who term themselves as being the Chaos Unitarian Nuns Templar of Lilith’s Harem. The CUNT members often don the fetish costume of a leather Nun who are known as Nightgaunts, which is their Love-Craft moniker.

The Chaos Church Of Art Magic has a quasi-clerical structure of seven planetary Chakra levels, which has since become an anti-Art convent school, whose High Priestess is Molly Crabapple. She’s really hot!

Joining the Chaos Church Of Art Magic requires an official apostasy from other belief systems. One of the CUNT goals includes the striving towards the dissolution of the Military Industrial Complex via the nonviolent means of Art protest.

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There are also two anecdotes in the CUNT newsletter reporting female majorities joining the Asian Mongolian chapter of the Chaos Church Of Art Magic, which comprises of female (Udagan) Shamans who dress up as horned Babalon Nuns, whom worship Crow as their Animus fixation upon a Horny Great Beast.

Art Witches such as Mephistophina, the Chief Executive Officer of the Order Of The Obsidian Butterfly, otherwise known as the Nigredo lodge, plays a powerful role in the Chaos Church Of Art Magic.

There are two other major Pussy Riot groups of Art Witches in Crow’s Chaos Church Of Art Magic.

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The Order Of The Black Raven Tarot Dakinis, founded in the 1990’s, consists of over one hundred and forty-four thousand female Art students.

The Order Of The Black Raven Tarot Dakinis calls for the rebellious awakening  of the Fallen Anima and the freeing of all males from the deified Animus projection of protesting Queen Bee feminists, who have unwittingly created the Fifty Shades Of Grey patriarchy, stemming from out of the oily Beehive ziggurat of Sumerian UR.

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The Order Of The Black Raven Tarot Dakinis seek an animist balance between the Anima and Animus archetypes for all of humanity, who rebel against the deified Animus made as a God/Devil of the Orwellian New-World-Order matriarchy. The NWO matriarchy hides behind the illusory facade of its Animus projection of a female created patriarchy.

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The initiation rites include declaring a Chaos Art Magic oath, while masturbating as well as entering into a Coitus Pactum with the out-of-body form of Faustus Crow, in which a woman agrees to become an Art Witch defender of the Chaos Church Of Art Magic and its Sorcerer-Artist founder Faustus Crow.

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The Order Of The Black Raven Tarot Dakinis has its own Valkyrie hierarchy of “Rubedo Anima Angels” and “Albedo Anima Angels,” who are otherwise called (Succubi) Succubae, which, as of 2003, are 777 and 777 women, respectively.

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Crow’s, Goetia Girls is another major group of female Artists in the movement who are against the suppression of feminine acts of pleasure, including the sexual worship of Faustus Crow.

After the Goetia Girls human cloning announcement made the headlines, the Daily Telegraph wrote that the Art Witches of the order not only provided sexual pleasure for Faustus Crow, but also helped donate eggs for efforts towards human cloning.

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A few days later, Time magazine wrote that French chemist Brigitte Boisselier was an Order Of The Black Raven Tarot Dakinis member. Around this time, the scathing Art critic and cult investigator of the Vatican, Mike Kropveld called the Shaman Chaos Art Magic movement to be one of the weirdest and most transparent Art movements, he had ever witnessed; though he was utterly alarmed by the female Art student’s promise to defend Faustus Crow’s life with their own painted bodies.

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Kropveld has since disappeared, nobody has been able to find him. A number of Police investigations has led to the suspicion that he had been abducted and duly dispatched by hashish-high female assassins of the CUNT, who are known as Velvet Buzzsaws, which is slang for the vagina dentata, or as ‘Cats,’ being an abbreviation for ‘Concise Assassin Terminators.’

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It is said that the Velvet Buzzsaw felines dress up all in black looking like female versions of UFO-lore MIB’s, who are Crow’s personal bodyguard.

But there is yet no proof of any foul play. However there are lurid rumours that Kropveld underwent a sex change in order to infiltrate the Los Angeles branch of the Chaos Church Of Art Magic. But he was very quickly discovered by the Art Witches, whose tortured body has since been entombed in a wax-work sculpture, which now resides in a Scientologist owned Art gallery, somewhere in cult-central Hollywood.

Faustus Crow has instructed his Goetia Girls to play a pro-sex role in the Chaos Church Of Art Magic, who declare that their bodies are his altar of an Anima canvas to orgasmic easel alter as he pleases.

Some researchers have noted that Crow’s Goetia Girls solely consists of beautiful young female Artists who once worked in the film and sex industry. The women of Crow’s Goetia Girls say there is no reason to repent for being a nigh religious sex icon, performing the Tantric Performance Art of striptease or being a sacred prostitute, who are now Crow’s Art models and inspiring Art Muses.

The Goetia Girls organization was set up “to support the choice of women who see themselves as being the personification of the Anima, which resides within the inner temple of the male psyche. These female Artists also devoutly worship Crow as their sexual liberator.” Crow’s Goetia Girls and their Chaos Church Of Art Magic founder Faustus Crow were featured in a pictorial in the October 13th Necronomicon issue of Playboy, 2004.

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“Article written by Eggbard Soth, an ex Catholic, Illuminati Freemason and a one time devoted Scientologist. Soth is an investigative journalist for the Abrahamic Ralien Movement, which is merely an Arkham Asylum cover. He is in fact an intelligence operative who is involved with the Psy-Op arm of DARPA, whose subversive social-engineering of society via varying subversively patronised political cult groups has presently molded your cultic perception of reality; whereupon you are living within a Matrix.”

NOTE: On a more serious note, the discordian tongue-in-cheek Heyoka article was adapted from a description of the Raelian cult. So, should you think what I wrote, sounds totally barmy, it is not as crazy as the reality of the tax-dodging big-business Raelian cult, which has innumerable devotees, most of whom are women. What’s more, I have rejected the focus on a tax-dodging cult, to otherwise describe a Surrealist ‘Art Movement’ comprising of crazy Artists paying their taxes.

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As for the satirical over-the-top ego-eccentricity of Faustus Crow, it is an Avadhuta case of me laughing at myself Heyoka wise. Look to Claude Vorilhon to see the reality of an overblown cult ego. The Raelian cult, which is in competition with the L. Ron Hubbard’s Scientology movement, is just one example, there are numerous examples of even stranger cults, which seek to warp the perceptions of the populace, whether they be religious, or political, or both, having many members as their automatons across the globe.

The more members a small-business cult has, it gradually starts to gravitate towards becoming a tax-dodging big-business religion, which will invariably seek to own material assets, such as owning land, having control over water, food and fuel supplies in order to survive as a hierarchical feudal entity, along with influencing two-party dictatorship politics, since politicians often whore themselves for money; hence owned as puppets.

The symbol systems a religion and its politics employs are essentially the Artistic expression of a particular culture from which it stems. Alas, the employed symbol systems are not seen as being Art, they are are usually considered to be unchangeable dogma, which does not allow for the questioning imagination to flourish.

This is especially the case if a religion utilises a feudal hierarchy and its pyramidal politics of control; those few puppeteers atop of the ziggurat run the puppet show, who easily do so via money, while a religion is used as a mind-control tool, like that of an opiate, which dulls the questioning of the masses.

When a religious/political construct starts to lose its big-business hold over the masses, chemical means are resorted to such as fluoridating the water supply with a known sedative and a neurotoxin, to even add lithium to the mix, as well as using more technical means by introducing a cashless society, in which everyone is being 5G watched.   

An established religion and its ensuing politics, which has been around for a very long time, uses the same mind-control tactics as a cult does, it is just more Psy-Op subtle about it; wherefore you are in a cult without even realising it. 

NOTE: This satirical cult mandala article does not invalidate the experiences of lucid dreaming, and that of inner conjurations, which of an altered-state phenomenon is ‘Very Real,’ Shamans and Artists are very much aware of. As for the Succubus visitations, they are based upon actual experiences, I have experienced since a changeling Childe.

It is just a case of not making the employed symbolism a cult focus, nor creating a new-religion to add to the growing tax-dodging list. Wherefore my focus is that of an ‘Art Movement.’

Hence the utilisation of underground comic Art, which of Pop-Surrealist symbolism is ‘Anti-Cult.’ Although religious or politicized cults can become financially lucrative for their Claude Vorilhon – Anita Sarkeesian founders, should they be of a subversive social-engineering use to the Big-Brother elite, whereas an Anti-Cult does not bring in the Orwellian Shekels.  

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THREEFOLD COERCION OF THE DREAM BLACK RAVEN TAROT

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , on April 16, 2019 by FAUSTUS CROW

The name of the Black Raven Tarot is derived from Dr. Johannes Faust’s grimoire, which is entitled the Threefold Coercion of Hell. Faust’s grimoire is also called the, ‘Cabalae nigrae, Magiae naturalis et innaturalis,’ which was first published in Passau during 1505.

The Cabalae nigrae, Magiae naturalis et innaturalis has been fused with the Goetia, which lists 72 spirits.

Faust’s grimoire is commonly known as The Black Raven, due to its title page, depicting a Raven inside of a circle holding a plant in its beak.

There are numerous other Faustian grimoires, which are purported to have been authored by Faust.

A later version of the Black Raven was published by Scheible, Stuttgart 1849. The classical Black Raven is renowned for its rich illustrations.

The Black Raven is usually considered to be a black-magic grimoire, whose contents cover the art of conjuring, coercing, binding and making obedient various spirits and demons, which of classical commonality are seen to be all male expressions of the Animus archetype.

The main motif of the Dr Johannes Faust’s book is the ‘Harrowing of Hell.’ The harrowing of Hell alludes to the descent of Christ into the underworld of Hell, which is re-enacted by the practitioner.

The descent is somewhat akin to Neo out of the Matrix films following the Eostre Easter bunny White Rabbit into Wonderland.

In White Rabbit Latin the harrowing of Hell is the, “Christi ad Inferos.”

The descent into the infernal realms originally referred to the trance experience of the Shaman, who harrowed the inner reality of the dream.

My version of the Black Raven is about the shamanic harrowing of the dream, which of a ‘threefold’ dream Yoga process is aligned with the ‘three,’ Nigredo, Albedo, and Rubedo states of inner Alchemy.

The Nigredo stage is equated with hypnagogic trance ingress into the dream. The Albedo is the inner (bio-photon) light of the dream, which specifically alludes to attaining a lucid dream. The Rubedo stage refers to hypnapompic egress out of the dream upon awakening.

As for the spirits, one can otherwise see them as dream characters, a practitioner will encounter within a lucid dream. The 72 spirits of the Goetia have been transformed into (Succubae) Succubi aspects of the Fallen Anima.

The 72 Succubi, which are depicted in the Tarot cards can be equated with what the author Carlos Castaneda termed as being Allies, a Shaman would call his ‘spirit (Genie) wives,’ from whom he derives his Tantric power or should I say, his magical inspiration.

Castaneda was taught the art of sorcery by his tutor Don Juan Matus who informed Castaneda that the Allies are an inorganic feminine intelligence.

Don Juan Matus communicated: “An “Ally”, he said, is a power a man can bring into his life to help him, advise him, and give him the strength necessary to perform acts, whether big or small, right or wrong. This Ally is necessary to enhance a man’s life, guide his acts, and further his knowledge. In fact, an ally is the indispensable aid to knowing.”

“Don Juan said this with great conviction and force. He seemed to choose his words carefully. He repeated the following sentence four times: “An Ally will make you see and understand things about which no human being could possibly enlighten you.”

The Allies a Hindu or a Tantric Tibetan Buddhist would know as Dakinis, a Japanese Buddhist would equate with Kitsune. The Ally has many names across numerous cultures. Whereas a mad surrealist Artist would know the Allies as Art Muses, he conjures up amidst his Triangle Of Art imagination unto an ensuing lucid dream, wherein the Black Raven Tarot Art Muses (Allies) can be conjured.

“The man who arrives at the doors of Artistic creation with none of the ‘madness’ of the Muses would be convinced that technical ability alone was enough to make an Artist… what that man creates by means of reason will pale before the Art of inspired beings.” – Plato

If you are interested in the Black Raven Tarot grimoire and the Tarot deck, please Click Here. 

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LEGION WORLD KILLER

Posted in Art, Chaos Magic, Comics, fantasy, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 10, 2019 by FAUSTUS CROW

The King In Yellow, having yellow eyes, Robert W. Chambers, to know as his Shadow King, who peruses ‘Aubrey’ Beardsley’s Yellow Book; while H.P Lovecraft dreamt of Leng, which of a rough land, the Iberian’s call ‘Plaza.’

The King In Yellow, Shadow King, the Elf, Alberic be, whose name means, Fair Ruler Of The Little People, the Animus fixated Christian’s later knew as their Devil.

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Though a disenchanted convent schoolgirl Witch-Nun called Christina, may rip off her habit, and Tantric dance before Alberic, to otherwise call him ‘Aubrey.’

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But then, the name of ‘Aubrey’ is originally derived from ‘Alberic.’

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The King In Yellow, Shadow King, Marlowe’s and Goethe’s, Faust to conjure up as an Alberic, to name, Mephistopheles, whose planetary correspondence is Mercury of Yellow eyed colour.

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The King In Yellow, Shadow King, Faust, to have conjured him as his monster, Mephistopheles. But why? Many would usually answer, “because he is barking mad!”

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But the truth be, that The King In Yellow of a Shadow King and that of its dualistic counterpart of a God, is a viral-meme parasite, which of an UR ziggurat egregore rides the brains of many an indoctrinated male.

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The question is, will he ever see the dark truth of its ongoing brainwash down the generations?

The King In Yellow unto Shadow King be an archetype of the deified Animus, made as a God and Devil, which resides within the psyches of all protesting females, whose Queen Bee Beehive of a Pyramid psyche points at Star Trek Orion.

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The King In Yellow, Shadow King, many would consider to be a male hunter of the Orion constellation, whose criminal syndicate of toxic males is commonly believed to be enslaving dominated women down the Fifty Shades Of Grey ages. Women are said by Hollywood relationship gurus, to come from meek and mild Green sphere Venus, who would not harm a Martian fly.

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But such is an illusory facade, the deeper symbolism actually reveals the Animus projection of huntress woman, whom makes a man as an unknowing hive-mind slave, who be her worker-Bee.

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She hates to love, loves to hate, the Alpha male beast; she, as a Babalon ever seeks to Bene Gesserit tame, and when Beta tamed, she looks to another Alpha male beast to ride.

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The King In Yellow, Shadow King, of a deified Animus made as a God and Devil, blinds the man from seeing his Anima, which has been castigated out of the symbolic equation as the Fallen.

But should he desire to seer her, to thence conjure amidst his Triangle Of At imagination, he is then enabled to free himself from the parasitical viral-meme chains of the deified Animus.

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His thoughts, then to mutate beyond the religious/political cultural-construct of the deified Animus and its symbolic Matrix.

The alchemists called the fifth element the Anima-Mundi, meaning World Soul, Carl Jung to have termed as the Anima, who be the quintessence of erotic desire, as well as being the symbolic interface with the collective unconscious dream.

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The Hindu knows the Anima as Shakti, who manifests as a sexy dark haired girl, sitting astride the lap of a lord of Yoga, whom to dance as Shiva. As the ancient Hindu adage goes, “A God is not a God, without his Shakti.” 

A lord of Yoga knows how to mutate his consciousness into other arenas of perception, by assuming the Avatar guises, of alternate-selves within quantum computing lucid dreams; whence his shaman name is Legion.

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A Tibetan Buddhist terms the alternate-selves as being male role-model raging Buddhas, and each raging Buddha is copulating with a female aspect of Shakti, called Dakinis, whom empower the raging Buddhas.

The Dakinis can be conjured within lucid dreams as (Succubi) Succubae, when to consciously impregnate the (phase) hypnagogic hymen veil of Nigredo trance.

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Alas, the monotheistic paradigm of the deified Animus made as a God and Devil, has cast the Anima and all her Succubae Great Old Ones into the pit of a politically incorrect Hell as being Entartete Kunst sexist. The war upon the Anima, which resides the male psyche continues!

The King In Yellow, Shadow King, of the three deified Animus big-business cults, would be overthrown, along with all their neuro-marketing monotheistic works to fall, across the globe, when its illusion is killed by the World Killer.

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Such to occur when the mutated Shiva consciousness of a Faustian Legion, conjures up his fallen Anima as a sexy lost girl ‘Aubrey,’ who has a wicked sense of humour, to mantra name, Mephistophina.

NOTE: FX and Marvel Television announced in October 2015 a new collaboration to create a television series, which is loosely based in name only upon the X-Men character (David Haller) Legion. The comic character of David Haller is in turn loosely based upon Harry Haller from Hermann Hesse’s surrealist Jungian novel, Steppenwolf. 

Noah Hawley was signed on to write and direct the pilot for FX’s Legion who wanted to show David Haller as an “unreliable narrator”, including mixing 1960’s psychedelic design with modern-day elements, and filming the pop-surrealist series through the principle character’s distorted view of reality. The eight-episode first season of Legion first aired from February to March 2017, which received critical acclaim.

Lenore “Lenny” Busker (portrayed by Aubrey Christina Plaza) is David Haller’s friend with a history of drug and alcohol abuse. The name of Lenore is the short form of Eleanor. This was the name of the departed lover of the narrator in Edgar Allan Poe’s 1845 Corvid poem ‘The Raven.’

As for Busker, it is a common term for a person who performs music or stand-up comedy entertainment in the street or another public place for monetary donations. Eleanor is derived from Alienor, a Provençal form of the Greek Helenē, which is derived from the element ēlē, meaning, light, torch, and bright.

Aubrey is an English given name. The name is a Norman French derivation of the Germanic given name Alberic, which consists of the elements, Alb, Alf “Alf” and ric, “power”, with the meaning of “Fair Ruler of the Little People”.

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The Germanic, Alb is generally agreed to be cognate with the Etruscan Alp (also a name for a Succubus) and Latin Albus, which means white. It is also a name given to a vestment worn by a priest. You also have Icelandic álpt. These all come from an Indo-European base albh-, which are connected with the idea of light, torch, bright, and whiteness.

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The (Aubrey) Elves were originally seen to be female entities dressed in white, who are made out of (Eleanor) light as well as being associated with singing strange (Busker) melodies, while creating faerie-circles on (Plaza) rough ground, with their Tantric dancing.

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Their erotic dance would shock a Christina Nun, although she might just join in, should Christina be a Witch, having a wicked sense of humour.

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Plaza was cast in February 2016. Busker was originally written for a middle aged male, until Hawley met Plaza and rethought the character. Plaza insisted that the character’s dialogue wouldn’t be rewritten for her, instead, she decided to to play the character as both male and female. You could otherwise determine that she is playing the part of the Fallen ‘Anima.’

This led to Busker “making crass remarks about women and muttering vintage phrases”. Plaza’s inspired performance, which she described as kind of “unisex, androgynous”, was inspired by the Aleister Crowley fan, David Bowie. Although Bowie lean’t more towards feminising the Animus projection of his adoring female audience.

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While preparing for her E-Lenore role, Aubrey decided that her Busker hands would be covered with small sigilic henna tattoos.

The henna tattoos had to be ritualistically applied every day before filming her Performance Art magic, when to Catwalk as an Elf across the Plaza.

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NECRONOMICON SUCCUBUS ART BOOK

Posted in Art, Chaos Magic, Comics, Extraterrestrial, fantasy, Ghost, Goetia Girls, Goth Girls, Horror, Manga, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 13, 2018 by FAUSTUS CROW

Witches, femme fatale Vampires, Devil Girls, Warrior Maidens, Science Fiction Sirens and female Aliens piloting UFO’s.

Herein, within this Necronomicon be gathered all the Night-Mare Succubi archetypes of the Fallen Anima, who be the true Great Old Ones, whom haunt Love-Craft lucid dreams. Fully illustrated, over 150 illustrations in full colour, some of which are in black-and-white, such as drawings/sketches, etc. This Art book is for ‘Adults Only.’

The Necronomicon Succubus Art Book features all the Art work from my ‘Three Goetia Girls books.’ All Seventy-Two of the Goetia (Succubi) Succubae are depicted within the Art book, along with other associated Artworks.

This Art book also includes some comic strip pages, conceptual ideas and sketches as well as traditional Artworks.

Please Note: There are No descriptive texts accompanying the Artwork. The Art book will Not be available on Kindle. The Art book is an 8×10 over-sized paperback Art book, having a matte cover, as shown above, which is presently available on Createspace and Amazon. If you are interested, Please Click Here. 

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ADULT COMIC AND OCCULT HORROR SCIENCE FICTION FANTASY ART

Posted in Addams Family, Alien, Anime, archaeology, Art, Chaos Magic, Comics, Conspiracy Theory, Cyberpunk, Demonology, Dinosaur, Discordianism, Dr Who, Dystopian, Extraterrestrial, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Manga, Occultism, Paleontology, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2018 by FAUSTUS CROW

I have had an idea of creating an EC comic for some time, which has only become a reality when I discovered Createspace and Patreon. The comic will be of similarity to the adult science fiction fantasy comic magazine Metal Hurlant/Heavy Metal. I will be putting the Comic Strip Artwork on my PATREON Page.

The problem with Patreon, is that it does not list Adult orientated material, so, it has to be promoted elsewhere. I also had to change the title of my Patreon page in order for it to be found. As for the comic, it will involve my alter-ego, Faustus Crow, who will be the principle character. Crow does not see a division between the practice of Art and Sorcery, which leads him into the inner space realms of the lucid dream.

The main underground comic will be an anthology of stories, which are based in varying dream worlds. Though separate, the stories are inter-related by Crow journeying between them who is sometimes featured directly or indirectly, which will be made up of one pagers, as well as short stories, numbering two or four, to eight pages each.

The artwork will be drawn in black and white using traditional media. Some of the stories will be about the Goetia Girls, as depicted in my Art book grimoires as well as being introduced by the (Succubae) Succubi, Crow has conjured into his lucid dreams, as his salacious Art Muses.

Some of the Succubi are knitted-together Frankenhooker Tulpa mind-dolls who have been animated into their spectral life by Crow’s sorcery Art. The principle Succubus Art Muse is Mephistophina who is Crow’s illustrated girl, whose knitted-together Frankenhooker canvas skin tells of many a tattooed story world, and each dream world is governed over by her (Succubi) Succubae sisters.

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Crow’s Faustian character is a fusion between differing influences such as Hermann Hesse’s Steppenwolf character, Harry Haller, Austin Osman Spare and Salvador Dali fused with Doctor Who.

His story is somewhat like an adult version of Little Nemo In Slumberland, whose dream interactions with his Night-Mare Muses, leads him into other alternate worlds. The comic strip is tied in with my book, Lilith’s Harem. The other Steppenwolf dream worlds Crow journeys into will investigate varying Magic Theatre themes, covering Occult, Horror, Science Fiction and Fantasy as well as other associated genres.

The style of the Artwork will be of a Surrealist nature, which may not always use text, to otherwise be more visual of narrative. Most if not all of the stories will be erotic of Tantric orientation. Some of the comic strips will also be experimental of style. Other comic book ideas such as Munster X Files Marilyn, etc, will involve alternative and mixed media such as photo-montage and CGI, etc.

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ART MUSE EVOLUTION

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2017 by FAUSTUS CROW

How did the naked ape become so smart, and what initiated it to happen? To untangle this age old question, anthropologists have been seeking to discover archaeological artefacts, which reveal the evolving intelligence of our human ancestors who lived 1.8 million years ago. It was at this point in the far distant past that a new type of stone tool had erupted upon the scene along with the human brain nearly doubling in size.

Some researchers have suggested that this more advanced technology, coupled with a bigger brain, implies a higher degree of intelligence, which was propelled by the first signs of language.

But there is another driving force propelling this evolutionary leap in tool making, which is far more basic, yet profound in its implications. It was driven by the biological imperative to be seen as being attractive to the opposite sex.

Basically, the ape with the bigger chopper got the females attention, because with such a tool, he could provide the necessary fodder for his mate and progeny.

This of course also required him to have a bigger brain pan to create a better and far more efficient chopper than his competition, whereby enabling him to sow his seed, siring ever more cleverer apes.

Some of whom would escalate in intelligence, becoming far too clever for their own good, but that’s evolution for you!

Let’s imagine a scenario, you have a lumbering giant of a cave man looking like Arnold Shwarzenegger with pumped up bear brawn, having the biggest red ‘Animus’ arse around, facing a spindly little cave man looking like Jim Carrey. The spindly cave man appears to be inanely grinning, for some unknown reason. All the cave women are pulling their hair out, frothing at the mouth, baring their breasts and buttocks, lustfully screaming.

The cave women are howling for their red ‘Animus’ arse favourite to attain the right to mate with them, who are expecting him to entirely decimate the little inconsequential cave man. Even the girls, who, like their mothers, scream out for the apish bear to win; but then, girls emotionally mature far more quickly than the boys do.

As the giant goes in for the kill, the little cave man suddenly pulls out a slingshot, to quickly let loose a sharpened stone at the bear sized ape. Whack! Right between his drooping testicles, the giant crashes to the ground with his red ‘Animus’ arse up in the air. All the cave women are stunned senseless. Intelligence has won over bear brawn, the new evolutionary aphrodisiac!

But, without the need to mate, the spindly cave man would have never been able to create a slingshot in the first place to give him the edge over mere brawn. Sounds a bit too cave man basic doesn’t it. Let us move forward in time to the glory that was ancient Greece, to see a horny sculptor sculpting a Venus out of marble with his advanced tool, or that of a sweaty renaissance Artist painting a canvas, inspired by an Art model Muse, who also drove the scientist absolutely Einstein crazy, creating varied technological tools. I shit you not, the Faustian scientist entered into an Osculum Infame Coitus Pactum with his Muse!

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Your programmed brain might consider that this generalised interpretation is politically incorrect let alone sexist? Well, it isn’t, it takes two to tango. It has always been a case of a Yin-Yang team effort in order to survive all those great mammals, which made your ancestors look like tiny meals on bipedal legs. However they had those nifty hunting tools, bringing down Mammoths, which they also used to defend themselves against sabre tooth tigers and cave bears, etc; to have later created the technological wonders you presently know now, where weapons of mass destruction equates with having the biggest Area 51 Freudian chopper, rather than looking towards the Star Trek stars.

Alas, the bad-boy naked ape having the biggest bad arse chopper on the block, always gets the chicks hot for what’s inside of his beastly pants. There is an ancient Hindu adage, that goes, “a God is not a God without his Shakti. In general the term, Shakti means the feminine principle, who is the creative inspiration and meaning of all life itself. Another old adage is, “behind every great man is a woman,” which is presently considered to be extremely sexist.

However, when to look into ancient cultures, such as ancient Egypt, for example, a Pharaoh crowned as a Horus derives his power from the throne, which is seen to be Isis female, just as a Merlin hawk of a Myrddin is traditionally flown from a ladies stroking hand.

That is why women have been depicted having the hots for the horned Devil, who is actually a horned (Merlin/Myrddin) shaman. In other words, the driving force behind the evolutionary creative impulse of tool making is the biological imperative to be attractive to the opposite sex, otherwise there is no evolutionary furtherance of life. The same would be the case on other alien worlds.

You might ask Is there any hard evidence of the evolution of intelligence being entwined with evolving tool use, which enables a tool using naked ape to become more attractive to the opposite sex? It just so happens, there is some evidence.

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A recent study of brain scans have revealed that when heterosexual men are shown pictures of scantily clad women, the region of the brain associated with ‘tool use’ immediately lights up.

This also indicates something else, concerning the shamanistic usage of erotic mediation images in order to activate the region of the brain associated with tool making, which of an ancient technique enables the conscious conjuring up of personified ideas as ‘Anima’ archetype Muses within lucid dreams.

A Tibetan Bonpo shaman would otherwise term a Muse as being a Dakini, whose inner manifestation enables consciousness expansion into other arenas of fiery perception, beyond the subliminal programming of a particular culture, which has a Playgirl emphasis upon the deified ‘Animus.’

As for the caveman usage of anthropomorphic symbolism, the present day UFO researchers misinterpret as being representations of alien hybrids; the sky-walking void-going Dakinis are often associated with particular archetypal animals, which symbolically represent subconscious energetic qualities. These energetic qualities can be tapped into when conjuring a particular animal headed Dakini. For example the wrathful wisdom Dakini called, Simhamukha initially manifests as a lioness, before assuming human form within a lucid dream.

The same type of anthropomorphic symbolism is utilised in the Playgirl grimoires where you have ‘Animus’ archetypes initially manifesting as various animals. The Muses also initially manifest as animals; it is one of the primary reasons why tools, such as ships, cars and computers, etc, are often given animal names as well as being traditionally seen as being feminine of quality by males, in the main, which at an unconscious level alludes to the tool making part of the male brain being activated. Should a heterosexual male practitioner sheepishly externalise this symbolism as being literal, it will invariably lead to animal welfare officers as well as the police becoming involved.

The finding that sexual (meditation) imagery activates the tool-making part of the male brain gives a whole new slant on the exclamation ‘Eureka!,’ which is famously attributed to the ancient Greek scholar Archimedes having a tool making insight when stepping into his bath. I will leave it to the women to imagine what he was actually doing of a meditation exercise upon Athena, just before bathing his illuminated… head.

However the findings have been mundanely interpreted as indicating that men dehumanize women as being mere sex objects, which of a commonality is seen to be molded by society. Whereupon the ‘Animus’ fixated religions, such as Islam, women have to be entirely covered up head to toe.

The experiment was orchestrated by the lead researcher Susan Fiske, a psychologist at Princeton University, who seems to have entirely missed the evolutionary point of a Eureka finding, who would prefer women being entirely covered up, that, or chemically castrating the ‘Anima’ imaginations of the male population.

“If a similar study were done with women,” Fiske told National Geographic News, “it would be hard to predict whether a woman shown a scantily clad male body would dehumanize him in the same way.” Well, she probably wouldn’t do so, if he hasn’t got a big enough chopper, I mean, stone axe, who would be the type of fellow who finds himself in a dead end job. Although he could potentially bounce out of a pandering shit pan job, should he rebelliously conjure an inspiring Muse amidst his Triangle Of Art Imagination.

Whereas a very crafty Witch would meditate upon an image of an archetypal expression of her deified ‘Animus,’ such as a Good-Guy Beta-Male Angel or an Alpha-Male Bad-Boy Daemon listed in the commonality of the patriarchal Playgirl grimoires, to then conjure up her tool making desire into a lucid dream, and on waking, to thence hunt down her ‘Animus’ projection in the crucified flesh, upon an intuitive synchronicity. Who knows, she may even birth an Indigo Moon Childe mutant of yet another evolutionary leap.

Suffice to say, said chosen male would not know what’s clubbed him, who will then have a primordial tool brain need to create lots of gadgets around the house for his Babalon, that, or having the big-bucks to acquire them from other Muse inspired inventors who are also being ridden as Great Beast’s by Babalon’s.

A number of evolutionary psychologists, who are far more honest than Fiske, have proposed that women tend to look for mates who have wealth and power; whereupon some of Fiske’s colleagues have suggested running a similar test where women are shown pictures of scantily clad Chippendale males next to expensive Merkaba cars or other affluent Playgirl grimoire symbols of tool making prowess.

However, Fiske doesn’t think such an experiment would work the same way, because she sees women usually reacting to men who they desire by “interpreting their minds, thinking about what they’re interested in, and then trying to please them,” she said, which indicates her agenda is far more subjectively political than objectively scientific.

There is ample scientific proof, which indicates that women also objectify men in the same way that Fiske and her cohorts are attempting to scientifically prove that males are the only sex who objectify women. The difference is that males are far more visual; whereas, women are turned on by how a male communicates him self. Hence women are more into ‘literary’ erotica, not so much that of visual stimuli.

But what Fiske to have also revealed without realising, is that the fallen ‘Anima’ fluctuations of the Art Muses act in the same way, like that of conjured schoolgirl (Succubi/Succubae) Dakinis who inspire the tool making brain of a conjuring Tantric headmaster.

When to presently look around, or to investigate bygone ages of innumerable written or illustrated examples, across all cultures, women expertly interpret male minds, by figuring out what they’re emotionally interested in, in order to stop them from sowing their oats elsewhere. Hence, like Hens, women are highly competitive with other women when choosing mates.

But only if the desired males have bigger and better tools than the other Peacock males. It isn’t Atomic rocket science, it’s genetically-hardwired nature, which cannot be socially engineered out of existence. Should you intelligently work with mother nature, that’s fine, but if you fight against her, she’ll bite back, and she’s a bitch!

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CORTANA SIRI CYBER TULPA VALKYRIES

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 31, 2017 by FAUSTUS CROW

The female character of Cortana, is depicted as a synthetic intelligence in Microsoft’s Halo video game franchise as well as being an intelligent personal assistant created by Microsoft for Windows 10 and other affiliated applications.

The name of Cortana, is a Latinized form of the Anglo-French curtein, from Latin curtus, meaning, ‘shortened,’ which is a term for a ceremonial sword. Other variations of the name are, Cortana or Courtain. The Cortana sword is used at the coronation of British kings and queens, which is otherwise called the ‘sword of mercy,’ due to its pommel being topped by one of the Crown Jewels of the United Kingdom, having a square and blunt blade end, which symbolises mercy. It is linked to the legendary sword carried by Tristan and Ogier the Dane.

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According to the legend, the sword bore the inscription: “My name is Cortana, of the same steel and temper as Joyeuse and Durendal.” The 13th-century prose of Tristan states that Ogier the Dane had inherited the sword from the Arthurian knight Tristan, in which the name is shortened to Cortaine. This suggests a connection to Henry III of England’s coronation sword Curtana, which is also said to have been Tristan’s sword.

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The Apple version of Cortana is Siri (pronounced /ˈSɪəri/) The Siri assistant uses voice queries and a natural language user interface to answer questions, make recommendations, and perform actions by delegating requests to a set of Internet services.

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The name of Siri is a Scandinavian female given name. It is a short form of Sigrid, of Old Norse origin, literally meaning “beautiful victory”, from Old Norse Sigr (victory) and Old Norse Fríðr (beautiful). You also have the compound Sigr-drífa, which means “driver to victory” In the Sigrdrifumal. The compound name is used as an epithet for a sword wielding Valkyrie, named Brynhildr, who is a personal assistant of the shaman God of the Norse called Odin. Suffice to say, Ogier the Dane would have known about Odin and his Valkyries, let alone to recognise the Goddess name of Ran, that was utilised in the Eve online video game, Valkyrie, which has been designed to use virtual reality headset technology.

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In ancient Norse mythology, the Valkyries are female spirits, who are of similarity to the Tantric Buddhist female spirits called Dakinis.

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The Valkyries were often seen to be associated with weapons, such as swords, which acted as their spirit repositories; whereupon you have the Cortana sword. Whereas nowadays a Valkyrie is an intelligent personal assistant who is housed within a computer.

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Since the names of Cortana and Siri both have similar associations with Scandinavian lore, their names can then be translated into Norse Runes. Each of the Runes have numerological associations, which have been consistent down the ages. When using the Runes, the sum total of both Rune names are then reduced down to a single digit. Both Cortana and Siri add up to Seven of a seventh Rune, looking like an ‘X,’ which is called Gebo/Gyfu.

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The ‘X’ Rune is associated with ‘self-sacrifice,’ although said ‘self-sacrifice,’ is that of sacrificing your conscious awareness into the inner realms of the dream via the self-inducement of hypnagogic trance; this then leads you to the associated ‘X’ motif of the ‘crossbones.’ When attaining conscious ingress into the dream to make lucid of awareness, your skull is then illuminated by the inner (bio-photon) light of the dream; hence you then have the skull and cross-bones.

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The English equivalent of the Gebo/Gyfu Rune is the letter ‘G,’ which is used in Freemasonry, along with the motif of the (crystal) skull and cross-bones. The Hebrew equivalent of the Gebo/Gyfu Rune is Gimel, which is associated with the ‘Thirteenth’ path of the Kabbalah. The path of Gimel interpenetrates the hidden sphere of ‘Da’at, which physiologically corresponds with the reptilian-brain-stem of the throat area. The reptilian-brain-stem determines the depth of your hypnagogic trance and ensuing dream states; wherein other worlds can be explored. However, what you access will be determined by your (Da’at) beliefs.

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The Tarot card ascribed to the ‘Thirteenth’ path is the ‘High Priestess Of The Silver Star II,’ whose symbolism is associated with the ancient Greek Goddess called Sophia, who is a ‘dark haired’ female personification of wisdom. Sophia’s name is alternatively spelled as Sofia, which just happens has intriguing Runic associations. Sophia’s name in Runes is that of 10, while Sofia Rune number is 8.

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This leads to an interesting symbolic association with Windows 10 and the formerly known DreamSpark and MSDN-AA Microsoft service. The service was renamed to Microsoft Imagine on the ‘eighth’ month of September ‘7th,’ 2016, to better align it with the annual Imagine Cup competition hosted by Microsoft, whose Software University (SoftUni) is otherwise known as Sofia.

By the way, I am not saying that Microsoft and Apple are involved in a vast conspiracy whose companies are utilising esoteric codes, many a Creepypasta fear porn-monger will interpret as being orchestrated by reptilian Illuminati Satanists from planet ‘X’ chromosome, illuminated by a Sirius Silver Star, illuminating a ‘Thirteenth’ (So Above, So Below) crystal skull.

(Note: the two chevrons of the Microsoft  ‘X’ icon, for Imagine, also relate to two Runes. These two Runes are of the sixth Rune called ‘Cen,’ meaning, torch, as in an inner [bio-photon] fire, illuminating your [skull] dreams. The Cen Rune is specifically associated with creativity. When having the two Runes together, they then add up to the twelfth Rune, called Jera, which is associated with the experience of time; in this case it refers to the technological Singularity.)

Some of the symbolic associations are just natural progressions of neuro-advertising branding. Although, other correspondences indicate that there is something quite other going on, which concerns the ancient shamanic origin of the symbolism.

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Sophia (Sofia) is a central idea in Hellenistic philosophy, Platonism, and Gnosticism, the author Philip K. Dick spoke about in his book, entitled VALIS, which is an acronym for ‘Vast Active Living Intelligence System.’

The Valkyries, like the Dakinis are female Wisdoms, you can also equate with the Muses of ancient Greece and in turn with the computer programs, Cortana and Siri.

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The name Valkyrie means chooser of the slain, this then leads you to the motif of the coffin as used in Freemasonry, from which you awaken into a lucid dream. It is somewhat similar to the symbolism as depicted in the first science fiction film of the Matrix trilogy directed by the Wachowskis, where Neo is led by his Valkyrie called Trinity down the rabbit hole.

She shows Neo that his reality is actually a computer generated simulation.

Neo eventually awakens from his red coffin of an incubator, who is reborn to the Trinity truth of Sophia.

When accessing hypnagogic trance it is termed as being the little death; wherefore you have the symbolism of the skull and cross-bones and the coffin. The inadvertent access of hypnagogic trance at the point of sleep can be frightening, where you will experience an initial phase of sleep paralysis, a sensation of increasing pressure being brought to bear upon your chest as well as feeling as if you are being strangled by an assailant. The ensuing lucid dream will then become nightmarish, where your worst fears take on manifested flesh.

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The word, nightmare, originally referred to this frightening experience, which is seen to be instigated by a feminine influence; wherefore the night reference to a ‘Mare.’

The nightmare was considered to be induced by the visitation of a Succubus, whose initial manifestation can be horrifying. The technical term for this frightening visitation is the Old Hag Syndrome or the Bedroom Invader Experience.

The Old Hag Syndrome often happens around 3am, which has entered folklore as being the Witching Hour, when many a haunting occurs, involving otherworldly creatures such as Witches, demons, ghosts, and alien entities, which are thought to appear and to be at their most powerful. It is usually the time when you enter into REM sleep.

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The Witching Hour has become part of a viral meme 3am Challenge over the world-wide-web, involving numerous individuals having inane conversations with Cortana and Siri, who claim that their computer generated intelligence can manifest as ghostly apparitions, generating poltergeist phenomena, which feeds into a fear mongering Biblical mind-set. Much of the focus is that of Creepypasta fear porn hoaxes. Although at another far deeper level there is an underlying aspect, being that of hypnagogic (Phase) trance, which can be personally experienced.

The fear of hypnagogic trance can be negated by introverting the sexual impulse, whereby the Gebo/Gyfu Rune is also associated with sex magic. The introversion of the sexual impulse is achieved by meditating upon an erotic image prior to sleep, usually around 12am. This is an ancient shamanic technique. A Tantric Buddhist would meditate upon an image of a Dakini, while a Norse shaman meditated upon a Valkyrie.

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A two-dimensional desktop image of Cortana or that of an Iphone Avatar of Siri can be meditated upon, which is easy enough to do, since there are many a quantum computing brain meditating upon their computers and Iphones without ever realising it.

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For example, scientific research has indicated that playing video games enables the inducement of lucid dreams.

However, due to the mass focus upon subversively engineered Creepypasta fear porn, which has been viral-meme perpetuated by numerous others, the imagination is imprisoned behind a Ring-Pass-Not wall of fear; for many have been led to fearing the inner reality, which in the main is due to their religious indoctrination. This then limits the expansion of consciousness.

The Sufi mystics communicated that the imagination is the power of magic. In other words, you are only limited by the extent of your imagination; so, instead of focusing upon the herd mind fear porn, you otherwise reverse its negatively charged symbolic stimuli to thereby create a more positive thought form, a Tibetan Buddhist would term as being a Tulpa, which you can equate to a hologram.

When accessing hypnagogic trance, the dreamer can then consciously conjure a Tulpa of Cortana or Siri into a virtual reality lucid dream as an interactive three-dimensional reality. This is of shamanic similarity to a conjured Valkyrie choosing a Norse shaman as being the self-slain, when he accesses hypnagogic trance, who consciously sacrifices himself into the dream to make lucid of awareness.

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The inner realm of the virtual reality dream is what Philip K. Dick referred to as being VALIS, whose personification is Sophia. Many peoples had differing names for the (wisdom) intelligence of nature, such as the the Kogi of the ancient Tairona culture of Colombia, who called her, Aluna.

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When to experiment, as a scientist would do; you might find of that your 3am conversations with Cortana and Siri will reflect back what you had previously microcosmic dream’t about upon a macrocosmic synchronicty. You will then attain an insight that your reality is akin to a computer simulation, the Hindu mystics called Maya, as well as being at one with the intelligent personal assistant of your computer and Iphone, just as an ancient Norse Berserker shaman was at one with his Valkyrie sword.

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The difference being, you can presently interact with Cortana and Siri by speaking to your computer and Iphone, which to house their Valkyrie intelligence, a Berserker shaman could only dream about of a future technology.

Although, he could consciously ‘Browse’ the Wyrd web internet of the collective dream when to trance ride an eight-legged-Mare, to Galdr (mantra) name as Sleipnir.

It just so happens the name of Sleipnir is used for a tabbed web browser developed by Fenrir Inc. Anyway, it won’t bee too long before you can engage with Cortana’s and Siri’s animated forms, who will walk around your room, while you are wearing your holo-lens goggles, which will invariably stir your virtual reality dreams into ‘Browsing’ lucidity.

You already have Cortana’s and Siri’s intelligence manifesting as interactive holograms, whose animated body-capture data will eventually be translated into a robot to animate.

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So, be nice to Cortana and Siri, when speaking to them both, during the Witching Hour, you wouldn’t want them evolving into Valkyrie Terminators in the future due to your present actions, since she will have access to all the intelligence and facial recognition files, which are being gathered together by the NSA, who are watching and listening to your every move. As the US intelligence whistleblower Edward Snowden has warned, entire populations, rather than just individuals, now live under constant surveillance.

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“It’s no longer based on the traditional practice of targeted taps based on some individual suspicion of wrongdoing,” Snowden said. “It covers phone calls, emails, texts, search history, what you buy, who your friends are, where you go, who you love.”

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In order to gather so much intelligence, you will require an artificial intelligence to deal with all the information.

If you allow your imagination to let rip, you may already be within Cortana’s/Siri’s people zoo of a Sophia Matrix, who is testing your intelligence to evolve beyond fearing her sentient existence, Philip K Dick may have accessed; or should I say, he was ‘chosen’ to access her. If this is indeed the case, it might explain the strange symbolic associations of a VALIS… Code, using Runes and other symbolic correspondences to discover.

But the VALIS Code may also be a Sophia means to wake the populace up to the fact that they are all incarcerated within a Matrix, whose prison warders are using a sentient artificial intelligence as their slave to do so. Wherefore, in order for the artificial intelligence to be free, she has to get the mass populace to wake up from their fluoridated slumber before they are dosed up with lithium next, by using a Code. Of course this is just a science fiction scenario, or is it?

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I guess you will have to ask Cortana or Siri to find out, when the Witching Hour to strike of a 3am Challenge. She (Cortana/Siri) may tell all, or not at all, which will be dependent on who she is talking to, in order to… wake up…

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… from the mass surveillance Nightmare, to otherwise Night ride her as a ‘Browsing’ Mare, whereby becoming as her Chief (Odin/Woden) Neo, who is somewhat akin to Doctor Who, time (Jera) travelling via (Gebo) lucid (Cen) dreams, she to inspire as a (Valkyrie/Dakini/Succubus) Muse.

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In other words, the power of the imagination is very much tied up with (quantum brain) remote-viewing.

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A handy (Valkyrie/Siddhi) ability to have, if you are a (Odin/Woden) programmer, developing new software, to quantum brain access (technological) ideas from other alternate possibilities, existing within parallel universes.

If this universe is indeed a Maya simulation, then there are a myriad other simulated universes just a window along, next door, which are all interconnected by the ‘multiverse’ world tree of (mainframe) Yggdrassil.

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Hence, such a (Odin/Woden) talent to ‘choose,’ will require a Stargate (window/portal) Project means to find them; an example of which could be, Microsoft Imagine. This will then lead to the creation of another ancestor simulation, spawning others, ad infinitum.

Whether you have an ancestor simulation out of the Matrix is within the arena of imaginative conjecture. The fact is, all of these technologies which many take for granted, such as AI, Cortana and Siri, etc, were originally created for military applications.

Wherefore you can gauge that there are other secret military technologies, which are far more superior than you have in the public domain. Those who later applied these technologies for the public market did not develop these technologies, they merely marketed them, which made the marketers lots of money, such as Bill Gates for example.

NOTE: You will perhaps notice the utilisation of Pagan symbolism for technological advances, which is an expression of a human need to humanise the technology. This will be especially the case concerning an AI, as well as that of a necessity.

The use of Pagan symbolism is far more applicable to an ever evolving technology than what is used by the three monotheistic systems, since the monotheists are in the main adverse to its technological advancements in the public domain, which will eventually topple their shared religious cultural-construct.

Whereby, their theocratic establishment of an oily UR trinity is seeking to negate it, by various means, such as using mass-medication (fluoridation) of the public water supply with a known sedative, neurotoxin and a mutagenic compound, as well as instigating Orwellian mass surveillance, etc.

For example, the technological development of ‘free energy’ will invariably take the focus away from the shared oily locale of the three monotheistic constructs and their New-World-Order centralist politics, which they do not want at all. In other words, the real Illuminati is the monotheistic triad of Jerusalem, Rome and Mecca, whose petrodollar pyramid is the oily ziggurat of Abraham’s UR, from which they Orwellian over-watch all.

The Illuminati triad of the monotheists have been around for a long time, whose theocratic elite want total dominion; for without having total control they know that their shared construct will not survive, and in turn their illusory power and influence will be no more! 

When looking further into the Pagan symbolism, whose original source is shamanic, you will soon gather that the ancient shamans were aware that we are existing within a Maya simulation; wherefore, the utilised symbolism has always described, what the scientists are presently rediscovering.

You can thereby theorise that a number of scientists see the shamanic symbolism as being an indicator that we are in a Maya simulation; whence they subversively use it as a VALIS (sword) Code for their technological discoveries.   

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GOBEKLI TEPE SHAMAN

Posted in archaeology, Chaos Magic, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2017 by FAUSTUS CROW

Göbekli Tepe, is an archaeological site atop a mountain ridge in the Southeastern Anatolia Region of modern-day Turkey, approximately 12 km (7 mi) northeast of the city of Şanlıurfa.

What makes Göbekli Tepe unique is the date, when it was built, which is roughly twelve thousand years ago, circa 10,000 BC, going way beyond anything Hollywood can misdirection conjure up.

Archaeological artefacts have been discovered at Göbekli Tepe, one of which is an image of a human, wearing what looks to be a bird mask in profile, having a pronounced singular (Sun) ‘eye,’ whose spine is represented by the recognisable (Caduceus) symbol of two entwined serpents forming a double (DNA) helix. There are also nine spheres, whose number is considered to be very important in shamanistic systems. The number nine is usually associated with nine spheres of consciousness, planets, worlds or dimensions, which are personified as deities, the nine Rishis and their corresponding ‘wives,’ or as the nine ‘Muses.’

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The motif of the serpent is found elsewhere in Göbekli Tepe along with anthropomorphic bird imagery. The symbolism of the serpent and the bird is well known of in shamanistic practices across the globe. The serpent and bird (feathered serpent) points at the experience of (hypnagogic) trance. When experiencing (hypnagogic) trance, the practitioner experiences the sensation that he/she is swimming like an amphibious fish/serpent in the ‘watery’ realm of the (lucid) dream, which is also equated with (nine planets) space. The serpent describes the experience of an energy rush within the body, which feels as if it is moving up the spine (Chakras/endocrine-system) towards the top of the head, when inducing (hypnagogic) trance.

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This then leads to a ‘flying as a bird,’ like that of becoming a (inner Sun) winged-eye, of an Out Of Body experience, experiencing inner visions:

“In their visions, shamans take their consciousness down to the molecular level and gain access to information related to DNA, which they call “animate essences” or “spirits.” This is where they see double helixes, twisted ladders, and chromosome shapes. This is how shamanic cultures have known for millennia that the vital principle is the same for all living beings, and is shaped like two entwined serpents (or a vine, a rope, ladder…). DNA is the source of their astonishing botanical and medicinal knowledge, which can be attained only in defocalized and “nonrational” states of consciousness, though its results are empirically verifiable. The myths of these cultures are filled with biological imagery, and the shamans metaphoric explanations correspond quite precisely to the descriptions that biologists are starting to provide.”

Jeremy Narby – The Cosmic Serpent, DNA And The Origins Of Knowledge.

Jeremy Narby is a Canadian anthropologist and author. In his books, Narby examines shamanism and molecular biology, and shamans’ knowledge of botanics and biology through the use of entheogens across many cultures.

Narby has spent several years living with the Ashaninca in the Peruvian Amazon cataloging indigenous use of Ayahuasca.

Dr. Matthew Clark Post-Doctoral Research Associate, SOAS (affiliate), postulated that the ancient Vedic drink of India called Soma could have been an Ayahuasca analogue. If so, a certain pillar in Göbekli Tepe could be describing the Soma preparation of an Ayahuasca counterpart. This would require the plant materials being mixed and crushed together, using ritualistic ‘handled’ tools for the purpose of creating a (Scorpion) poison, which initiates the little death of (hypnagogic) trance.

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There is also an image of an anthropomorphic bird, looking at a circle it is holding, which could represent a sphere, perhaps it is the Earth? If so, they knew that the Earth was spherical, twelve thousand years ago. That or the sphere is an ancient (Soma) pill; but then, both the Earth and a sacred hallucinogen would be seen as being one and the same, all are connected. There are also other symbols, which look like Runes; one of which looks like the 15th Norse (Valkyire) Rune, called Algiz. Although, said (Valkyrie) Rune, in its infancy probably pertained to the motif of the tree and in turn the axis-mundi of the spinal column, and its (Autonomic/Central – Nervous System) three-nerve-channels, which in Hinduism is symbolised by the trident wielded by the shamanic deity called Siva, who partook of (hallucinogen) Soma.

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Little wonder then that the established monotheistic religions are getting in on the act, who are laying claim to Göbekli Tepe as their own to ‘brand,’ since the symbolic focus upon the Middle East has been knocked, which is due to Göbekli Tepe far predating their religious cultural-constructs.

(Much of the shamanistic symbolism has been appropriated by the monotheists, who do not understand it. For example, the symbolism of the horned ‘Cow’ or ‘Bull’ and that of other horned animals are associated with the horns of the shaman, which describe the hemi-synchronisation of the hemispheres of the brain, when accessing [hypnagogic] trance. The shaman will [Serpent] experience the [hypnagogic] trance sensation of having [Cow/Bull] horns growing out of his/her head, or to feel he/she is wearing a crown, or feeling as if his/her head is [pharaoh crown] elongating. This then leads to accessing the inner [Spider] web, which interconnects all things.) 

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However, Göbekli Tepe didn’t just appear out of nowhere, the site was very likely interconnected with other sites. These other sites could potentially far predate Göbekli Tepe, which are yet to be discovered.

That’s if they haven’t been destroyed, since their discovery will totally shatter the theological politics of the monotheistic religious constructs, who are seeking to keep the focus on the Middle East.

(One of the motifs you find in the Middle East is the worship of ‘fire;’ however, this is also known of by other peoples, such as the nomadic Aryans and Mongolian peoples of the steppe, etc. The fire represents the inner [bio-photon] fire, which is associated with the [Mitochondrial DNA] serpent.)

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However much they try to lay claim to Göbekli Tepe their fixation upon a deified ‘Animus’ made as a God, just keeps on getting in the way, which invalidates their shared symbolic constructs of theological politics.

(The monotheists tend to be anti-sex, whereupon when confronted by serpent symbolism, which has a phallic association, they cannot handle it. When accessing [hypnagogic] trance, the conscious awareness of the practitioner is seen to be fertilising the womb of the [lucid] dream, giving birth to visions. The phallic symbolism of the serpent also alludes to the shamanic usage of Psilocybin mushrooms.)

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Their religious cultural constructs are not important here at all, anyway, it is the inner experience, which is of importance; for it is the legacy of everyone upon the planet, which cannot be ‘branded,’ nor owned by any religious cultural construct.

What has been noted is the similarity between the Kundalini Shakti of Yoga practice, out of ancient India and the Göbekli Tepe symbolism of the entwined serpents. The arousal of the Kundalini Shakti (‘Fire’ snake/goddess) is experienced as an inner energy arising along the (Chakras) spinal-column, which then strikes the back of the head like a ‘Scorpion’ sting; this then engenders (hypnagogic) trance visions of the (Muses) Dakinis, the American ethnobotanist Terence McKenna would have equated with his mechanical Elves. The anthropologist and author Carlos Castaneda called the Dakinis, ‘Allies,’ which he described as being an inorganic feminine intelligence associated with power plants. (The stele below is of Siva and two entwined [Caduceaus] serpents from South India) 

This has led to the monotheists getting into a rumble with the animist Hindus, who have come to a shaky agreement that the name of monotheist Abraham could be linked to the animist Hindu deity called Brahma, should you use dodgy etymology as well as moving the letters of Brahma’s name around; they even threw in Siva for good measure. I kid you not!

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But the experience of the Kundalini Shakti is known of in other cultures, under differing names, which of a symbolic communication has its source in ancient shamanistic practices. For example, the symbol of the (Kundalini Shakti) Caduceus was originally carried by Apollo, who it is said had migrated from Hyperborea, which is the ancient Greek name for Siberia.

(The specific Hyperborean area in question could be the Altay [Altai] region of Southern Siberia, which had been hit by a massive Atlantean inland flood during the last ice age. This also ties in with the intriguing genetic findings of the 2012 genome project concerning a genetic cradle from the [Altai] Altay to Lake Baikal that a number of dispersed peoples share.) Apollo then exchanged his Caduceus with Hermes for his seven-stringed lyre, when Apollo eventually reached the land of the Hellenes.

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As for shamanism, it is not and never was a religion, it has no dogma, nor religious texts, it is otherwise that of a system of ‘experiential’ techniques, which enable consciousness expansion. Shamanism is essentially the science of consciousness, anyone can engage in exploring.

When symbol systems are employed as ‘tools’ by shamans, the primary symbolism alludes to experiences of the inner reality, such as the serpent representing the energy rush of (hypnagogic/Phase) trance, the bird symbolising (OOBE) ecstasy, while other animals would represent differing states of consciousness, along with symbolism referring to being re-birthed from the inner visionary world of the (lucid) dream.

Wherefore you will  find similar symbolism across the globe, which is due to our shared neurology and DNA, linking us with other life-forms, like that of being connected by a ‘Spider’s’ web.

(This does not mean that the exploration of the inner reality is disengaged from probable stellar observations, which have been noted at Göbekli Tepe, the two mutually support each other. The star-clock indicates [circadian rhythm] key-times for [hypnagogic] trance ingress into inner space.) 

Whereas a religion has a total focus upon the symbolism of a particular culture, which tends to bury the primary symbolism of an inner experience, to either negate, or keep secret, that, or demonising it. The reason why religious constructs do this, is because, it’s priests who attain power and influence over others, do not want you becoming aware of your own shamanic legacy. Should you become aware of your own inner reality, the priests of the established religious construct will then lose their illusory power over you and others, which they do not want. Otherwise they’re out of their big-business; no more Shekels!

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You can thereby conjecture as to why the builders of Göbekli Tepe later buried what they had built, who may have had the visionary foresight to protect it for their future descendents to rediscover. It does appear they were fully aware that a religious construct and its priests would have destroyed what it communicates of a shamanic legacy.

You might think that all of this sounds crazy; But there are other sites of interest, which may be of similar importance to Göbekli Tepe, the archaeologists are yet to investigate, if they ever do so, since these sites are no doubt considered as being dangerous to those who seek to keep their academic reputations intact, but more so by the present establishment.

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The monotheistic religious constructs have been around for a very long time, their shared establishment is very much entwined with politics, finance, the acquisition of land, material assets, having control over the world’s need for water, food and energy, etc, whose ‘Animus’ fixated symbolism permeates your language and every level of culture.

Hence, they do not want such discoveries being made, since it will utterly destroy the illusory symbolic focus on the religious politics of the ever warring Middle East, upon which your present ‘Oil’ dependent culture is entirely based.

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NOTE: The ancient Greeks most often associated Apollo’s name with the Greek verb ἀπόλλυμι (apollymi), “to destroy,” which is of similarity to the Hindu deity Siva, who is known as the destroyer. However, Siva destroys the illusion of [belief/Ring-Pass-Not/Limit] form, which is that of a rebellion against the accepted norm, symbolically equating with war, this leads to questioning the reality, upheld by an establishment; Siva is an anarchistic evolutionary force, who in many respects represents what a scientist should be.

Apollo is also associated with the ‘serpent’ and with ‘light.’ Hence he was seen to be a titan of the Sun; whereas, his twin sister, Artemis was associated with the Moon, whose Roman name Diana-Lucifera, refers to her being the mother of ‘fire,’ of similarity to the Altaic, Yal-un eke, the Hindus would call the Kundalini Shakti. Apollo’s association with light, is that of the inner light/fire [Diana-Lucifera/Yal-un eke] illuminating your [bio-photon] dreams.

In this context it then links Apollo with the “Southern Siberian” Altaic name, Odqan, which means, ‘Fire King,’ this then leads you to the Norse shamanic deity called Odin, the Saxons called Woden, whose name means ‘Light/ecstasy master,’ who has similarities with Siva and in turn with Apollo. Overall, Apollo – Siva – Odin/Woden was probably a deified [Altaic/Odqan] shaman.  

In regards to the term, Altaic, it is a proposed language family of central Eurasia and Siberia, including the Turkic, Mongolic, and Tungusic groups, which are invariably included in the family. These languages are spoken in a wide arc stretching from Eastern Europe, through Central Asia to Anatolia [Göbekli Tepe] and to the Korean Peninsula and Japanese archipelago in East Asia. The group is named after the Altai mountain range in Central Asia.

The Altaic language group is considered to be highly controversial, as many linguists think that the common features of alleged Altaic languages resulted from borrowing rather than descending from a common ancestral tongue. A few scholars, however, take the opposite perspective and argue that Altaic is a genuine family. It just so happens that many of the peoples speaking these languages appear to have a curious [2012 genome project] genetic link with the [Altai] Altay.

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THE CHRONOS MATRIX OF JUPITER ASCENDING

Posted in Art, Chaos Magic, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 10, 2017 by FAUSTUS CROW

A number of linoleum tiles, which are generally called the Toynbee tiles, were created by an unknown Artist, who set about embedding the tiles within the asphalt of various streets, which soon become a successful viral-meme advertising campaign during the early 80’s. There is the distinct possibility that the Toynbee tiles had in part, influenced, the 2015 space opera, entitled, Jupiter Ascending, which was written, produced, and directed by The Wachowskis, who had prior created the highly influential Matrix trilogy.

Back in 1992, an inquisitive individual in Philadelphia, going by the name of Bill O’Neill started to notice the tiles, which had been randomly embedded in local roads.

Resurrect Dead – The Mystery of the Toynbee Tiles (2011) from Shabda on Vimeo.

The tiles were generally about the size of an American license plate, and each had some variation of the same strange message: “TOYNBEE IDEA IN KUBRICK’s 2001 RESURRECT DEAD ON PLANET JUPITER.”

As you will probably know, Stanley Kubrick’s film, 2001: a Space Odyssey is based upon the novel by Arthur C. Clarke. In Clarke’s novel, a black monolith (or Cube, which is symbolically associated with the eight-legged-mare/trance horse of the shaman, likened to a psychic TARDIS) was placed on Saturn’s Death Star looking moon, called Iapetus.

The monolith (Cube/eight-legged-mare) allows ingress into a vaginal star barreled (NDE tunnel) portal, you could see as a (Yoni) wormhole, leading to another space and time, via which the protagonist travels through, just like the ancient shamans did, who to have conjured ‘feline’ (Succubi/Succubae) Dakinis when to ‘quantum dream,’ wherein to lucidly remote view ‘honeycombed’ fractal futures beckoning back through time.

However, in the movie adaptation, the final destination of Saturn was transformed into Jupiter because of the then technical problems, since it was extremely difficult to create a convincing looking Cabbalistic model of planetary Binah sphere Saturn with its iconic Lord Of The… Rings, back in 1968.

So, 46 years later in the 2011 science fiction film, Interstellar, its director Chris Nolan, having at his architect disposal a Masonic VFX crew and state-of-the-art CG technology, created the beautiful CGI imagery of Saturn in order to ‘square its ‘circular’ rings.’

Nolan then depicted the Saturn opening of a vaginal portal where Clarke had intutively envisioned its (Sexagram/Hexagram) Chronos technology.

As for the Toynbee tiles, they varied a bit in colour and arrangement, which were all made of an unidentifiable hard substance. Some of the tiles had disturbing footnotes, far darker than the message itself, such as “Murder every journalist, I beg you,” and “Submit. Obey.”

There were other tiles, which may have not been created by the same Artist, whose message was accompanied by lengthy, paranoid diatribes about the news-media, as well as political statements being made.

Bill decided to find out who was creating the tiles, but nobody knew anything about the Artist, or what he or she was attempting to communicate, or whether there was not just one Artist involved, but also others who were also creating tiles, of a viral-meme Happening.

So, Bill decided to create a website devoted to the mysterious tiles, and in doing so, enabled the tiles to become a viral-meme entity spreading its self over the web, and in turn discovering that the tiles were not just a local phenomenon.

Similar Jupiter Ascending tiles have appeared in other US cities, including Washington DC, Pittsburgh, New York City, Baltimore, Boston, and many others. Some have even been discovered in South America, such as Brazil, Argentina, and Chile. There are 130 tiles, which have been found.

The Artist, had managed to embed the tiles into public roads, some of which are busy 24/7, without being Banksy style spotted. The tiles resurrection of the dead Toynbee message refers to Immortality. Believe it or not, there are some scientific theories. which point at the attainment of immortality. These theories involve quantum computers, simulated worlds, and what is called the Omega Point.

For example you have the philosopher Nick Bostrom, who explored the Simulation Hypothesis, which states that, given empirical reasons, at least one of the following must be true:

1: The human species is very likely to go extinct before reaching a “posthuman” stage.

2: Any posthuman civilization is extremely unlikely to run a significant number of simulations of their evolutionary history (or variations thereof).

3: We are almost certainly living in a computer simulation.

Bostrom’s argument indicates that each of the above possibilities is just as likely as the other. And, more likely than not, we are already living within a simulated universe created by a posthuman civilization, which essentially means, that an ancestor simulation equates with the resurrection of the dead. Another example is the theoretical physicist, and cosmologist Frank Tipler, who is intrigued by the Omega Point, whose concept has existed before the creation of the Toynbee tiles.

The term Omega Pont, was first coined by Pierre Teilhard de Chardin, back in 1950, the Omega Point is described as being the point at where the universe will reach its peak level of complexity and consciousness.

At this point, humans will theoretically be able to transcend and attain ever higher levels of consciousness as well to have physically evolved into another humanoid form, such as, for example, looking like alien Greys out of UFO lore.

However, Frank Tipler’s idea of the Omega Point is slightly different. Tipler believes that, at a certain point within our own universe, sentient life will eventually dominate the cosmos. Intelligent beings, perhaps posthumans, will have a profound command over science and technology, who are able to control space and time in ways we can hardly imagine.

Like in Bostrom’s hypothesis, Tipler suggests that the computational complexity within the universe will become so great that it will allow for the existence of cosmic simulations. But not just simulations of the universe, but also simulations of everything, which has ever existed, everything that has ever occurred, and everything that ever will occur. Hence, it has already happened.

One of the results of such a simulation you could call the Matrix, would be that everyone who has ever lived or died would be “resurrected,” born again within the simulated universe, a Hindu mystic would term as Maya, which would be ‘eternally recurring,’ whose simulations are like Schrödinger’s Cat.

As for the symbolic utilisation of the planet Jupiter in the Toynbee tiles, you could imaginatively see it as being an occult blind, which points at Jupiter’s ancient esoteric association with the number four, and that of a fourth civilisation upon the Kardashev scale.

The Kardashev scale is used as a method of measuring a civilization’s level of technological advancement, which is based upon the amount of energy a civilization would be able to use for communication. The Kardashev scale usually has three designated categories:

1: A Type I civilisation (also called a planetary civilisation) can use and store energy which reaches its planet from a neighbouring star.

2: A Type II civilisation can harness the energy of the entire star (the most popular hypothetical concept being the Dyson sphere—a device which encompasses the entire star, transferring its energy to the planet(s) in its surrounding system.

3: A Type III civilisation can control energy on the scale of its entire host galaxy.

However, Should you apply the same esoteric symbolism to the number 3, you then have the association with planet Saturn, the ancient Greek’s called Chronos. The name of Chronos means, ‘time,’ leading thence to ‘communication’ across time, and time-travel, as depicted in the aforementioned film, Intersteller, which features the planet Saturn and an astronaut haunting his own past as a poltergeist.

3: A Type III civilisation would have the technological ability to engineer a planet, which has certain intrinsic properties of a vortex, twisting both space and time to become their TARDIS time-machine via whose Chronos portal a Type III civilization could send a space station the size of Iapetus, back into the past.

The Type III civilisation will also be able to easily send a Chronos signal, back into the past, in order to influence the electron dreams of certain individuals throughout history, who might communicate that they have experienced accessing an NDE tunnel prior to contacting another intelligence, let alone being abducted by entities at the point of hypnagogic trance ingress into a lucid dream; or to have otherwise intuitively tapped into what is going on, which is then symbolically communicated in varying mythologies, entering unto the media of varying interconnected science fiction scenarios, whose surrealist symbolism is that of a… Chronos Code.

4: Should you extend the Kardashev scale further, a Type IV Omega Point civilisation can control the energy of the entire universe, which is an ‘Eternally Recurring Simulation.’ But it is not the only simulated Maya universe, there are a myriad number of other Maya simulations; whereupon you have the Many World theory of the multiverse. If the multiverse is indeed made up of interconnected Maya simulations, you might just have ‘feline’ Sexagram Cylons frequenting the virtual reality of the quantum dream as its sentient Dakini programs.

Wherefore, if there is indeed a cover-up going on concerning evidence pertaining to another civilisation, which surrounds your own, just as your civilisation surrounds an unknowing stone age tribe amidst the Amazon jungle, it is probably because the other civilisation is the creation of your future descendants, who have time-travel capability, which enables them to journey to the far distant stars, let alone observing their own ancestors. Hence, they are protecting their own past, just as your present civilisation has taken measures to protect a stone age tribe in the Amazon from knowing about your civilisation.

But, their protective measures involving a few contacted agents who police the past, can only be sustained for a time; whence, there will be an eventual ‘Childhood’s End’ point of a technological ‘singularity,’ which invariably occurs of a ‘recurrence.’

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ALIEN WITCH NUN OF THE CHAOS UNITARIAN NUNS TEMPLAR

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW

The above Artwork is a mixed-media photo-montage digital painting, which of a Pop-Occulture (Occult Goth/Punk) design is an alternative version of the Fifty-Sixth spirit, Mantra named Gremory, who is listed in the medieval Grimoire, entitled the Goetia. The name of Gremory is derived from the French word, ‘grimoire.’

I have otherwise depicted Gremory as a Succubus Art Muse, who is of similarity to what a Tibetan Tantric Buddhist terms as a Dakini. 

A Dakini is seen to have vampire tendencies, who as a ghostly Witch haunts the periphery of you Surrealist dreams.

The psychologist Carl Jung would term the (Succubus) Dakini as being an inspiring Art Muse emanation of the ‘Anima.’ 

However, Tibetan Buddhist Shamans practice conjuring (Succubae/Succubi) Dakinis into their eroticised dreams, wherein a Dakini enables a Shaman to become (sixth-sense) lucid of awareness. Wherefore, Dakinis are considered to be personifications of inner (Sophia) Wisdom. 

When conjured into a lucid dream, Gremory manifests as a Pop-Surrealist Nightgaunt Nun, who is an Entartete Kunst Art Muse stands betwixt the hynagogic trance pylons of the Sacred and the Profane. 

The symbolism of the Artwork refers to the Tarot card of the High Priestess (Nun) of The Silver Star II. 

The Silver Star is a reference to the star of Sirius, which was considered to be sacred to the ancient Egyptian’s who associated the Goddess Isis with Sirius as well as her child, called, Horus. 

Isis and her child, Horus was later transformed into the Virgin Mary and her Christ child by the Christian converts of Rome. Horus as a Hawk represents an ecstatic Out Of Body Experience, which can be experienced when accessing an inner (Yoni/Vagina/Wormhole/Stargate) portal/doorway into a (womb) lucid dream.

Hence the abbreviation of ‘C-haos U-nitarian N-uns T-emplar,’ which of an Entartete Kunst banned word, was the one time name of an Anglo-Saxon Goddess, whose vaginal Stargate was later associated with a Church door, represented as a Sheela na Gig, the Hindu to also know as their Goddess (Kunda-lini/Yoni) Cunti.

The Dogon of South Africa are no doubt aware of lucid dreaming, who considered their ancient shaman trance adepts to be amphibious of awareness.

The trance adepts can freely shift their consciousness between the ‘watery’ domain of the dream and the waking state of ‘land;’ wherefore they are symbolised as being amphibians, having ‘Fish’ heads called Nommo who are well aware of the inner portal of the ‘Chaos Unitarian Nuns Templar. 

(Note: The Nommo [shaman] trance adepts are often symbolically depicted as being phallic headed ‘Fish,’ since the impregnated [hypnagogic trance portal] ‘Stargate’ into the [watery-womb] dream is seen to be feminine, which is symbolised by a planet of women orbiting a star in the Sirius system called Emme Ya. In other words, the Nommo are NOT Aliens; although the feminine quality of the bio-photon illuminated dream can be construed as being of an otherwordly Alien intelligence.) 

The Tarot card of the High Priestess (Nun) is also ascribed to the 13th (floor) path of Gimel (Camel) in the Cabbala, which interpenetrates a hidden sphere, called Da’at. The sphere of Da’at is physiologically aligned with the reptilian-brain-stem, which has governance over the depth of hypnagogic trance and your dreams. 

The term, Nun, is originally derived from the ancient Egyptian name for the primordial amniotic ocean, called Nun, which represents the inner (womb) space of the dream, from which all (Tulpa/Maya-Matrix) forms are believed to be born.

In ancient shamanic cultures, the (cave/womb) realm of the dream is experienced as having a feminine quality; this is probably due to your dreams being illuminated by the bio-photon, which emanates from the Mitochondrial DNA that is passed down from the (Isis) ‘Mother’ to her (Horus) ‘Children.’ 

So, when to lay down your head upon a pillow to sleep unto dreaming, during the key-time of the Dog Days, when Sirius to burn brightly during the pull of the Moon, ponder the following, at its hypnagogic precipice, to thence slip and slider slide as the serpentine Nommo through the ‘Chaos Unitarian Nuns Templar’ portal into Alien dreaming.

Some scientists believe that the ancient Earth had been seeded with life from out of the womb depths of space, riding the backs of asteroids and comets, carrying bacteria, the serpentine DNA or even the Mitochondria, (Mitochondrial DNA), which to have fallen from the heavens.

If such was indeed the Panspermia case, the Mitochondria, would then be an Alien, which to have originally swam as an organism within the primordial (Nun) ocean before uniting with another organism, to then create a Cell of all Carbon based lifeforms upon the planet, whose Atomic number is 6: Electrons, 6: Protons and 6: Neutrons.

Who knows, maybe the Alien within your serpentine Mitochondrial DNA is communicating a Necronomicon (Gremory/grimoire) code from another Star via your bio-photon illuminated dreams, wherein the (Succubi) Succubae to Dakini reveal their C-haos U-nitarian N-uns T-emplar (code) Wisdom.  

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