Archive for wizard

ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART I

Posted in Alien, archaeology, Art, Chaos Magic, Comics, Demonology, Discordianism, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 1, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

The first part of the Al Azif Necronomicon is based upon H.P. Lovecraft’s own description and history about Abdul Alhazred’s book, which I have taken into the Twilight Zone.

As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

Lovecraft’s surrealist creation of the Al Azif Necronomicon transmuted the dualism of a religious fixation upon a war in Heaven and Hell into the realms of science fiction.

Ancient alien entities are in perpetual conflict with one another, whose shadowy existence has engendered bored humans to engage themselves in exotic cargo-cult religions.

Interestingly, you find the same transmutation of religious symbolism into the domains of science fiction when looking into the UFO mystique, where Angels and Demons have been transformed into Aliens, whether they be hovering around amidst the cosmos, or hiding away in underground bases.

Lovecraft described Al Ahazred’s book to be a very dangerous tome, because it revealed the archetypal theme of a cosmic war fought by deities as being, in actuality, a conflict between monstrously ancient alien races, who far predate humanity and even predating the formation of the solar system.

However, Lovecraft’s subject matter would not be too Earth shattering of a revelation to a cultist whom worships deities, who is then told that his/her deities are actually aliens, whose technology is indivisible from magic. The cultist would just shrug his/her shoulders and make the symbolic transition quite easily.

In other words, Lovecraft’s Al Azif Necronomicon wouldn’t be considered as being dangerous at all, nor would it be banned, since it validates the established religious orientation from a scientific perspective.

There are numerous historical examples of grimoires, which are in archetypal accord with the religious paradigm, even when they veer into what can be considered as being the arena of proto-science fiction, such as, for example, Dr John Dee’s Enochian system.

I am more concerned about what has actually been banned, and totally castigated out of the symbolic equation.

Also, I am not saying another order of alien intelligence does not exist, far from it, since what has been cut out of the equation is a particular expression of the ‘symbolic interface,’ which facilitates communication with other forms of intelligence via the informational realms of electron dreams.

Hence, a certain form of the ‘symbolic interface’ is considered as being dangerous. Wherefore, it has been banned!

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

CHAOS MAGIC COMIC ART 1: Faust Conjuring Mephistophina

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 7, 2019 by FAUSTUS CROW

The above Artwork is an example of some of the Art I have done for a Chaos Magic comic, which depicts the Sorcerer, Faust, conjuring the Succubus, Mephistophina.

The Artwork was done in pen and ink on A4 Bristol Board. If you are interested in seeing the Full Comic strip, Please Click Here.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

ART IS MAGIC, MAGIC IS ART

Posted in Art, Chaos Magic, Comics, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2017 by FAUSTUS CROW

There is some confusion as to what Magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of Magic. Magic in its earliest form is often referred to as “The Art”.

Because I am a bearded Wizard of the Comici Arcanum Guild, knowing Wizard stuff, I know this is completely literal. I know that Magic is Art, and that Art, whether it be Painting, Writing, Music, Sculpture, or any other form of Art is literally Magic.

Art is, like Magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about Magic seems to be talking as much about Writing or Art as it is about supernatural events.

For example, an illustrated proto-comic book of spells, called a Grimoire , is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people’s consciousness.

And I believe that this is why an Artist and a Writer of a comic book Grimoire is the closest thing in the contemporary world that you are likely to see to a Wizard.

I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the Arts or Sciences were the province of the Wizard.

The fact that in present times, this Magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy.

At the moment the people who are using Shamanism and Magic to shape our culture are neuro-advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people’s reptilian-brain-stems more manipulable.

Their Magic box of television, and by their Magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment.

In all of Magic there is an incredibly large linguistic component. The Bardic tradition of Magic would place a Bard as being much higher and more fearsome than a Magician.

A Magician might curse you. That might make your hands lay funny or you might have a child born with a club foot.

If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family.

It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries.

Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated Magic.

In latter times I think that Artists and Writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that Art and Writing are merely forms of entertainment.

They’re not seen as transformative forces that can change a human being; that can change a society.

They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the Wizard job of the Artist to give the audience what the audience wants.

If the audience knew what they needed, then they wouldn’t be the audience. They would be the Artists. It is the Wizard job of Artists to give the audience what they need.

The above excerpt was slightly adapted from an article by the Wizard Artist

– Alan Moore

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

MORGANA LE FAY OF THE ELECTRON DREAM WHERE MERLIN TO HOVER

Posted in Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 13, 2015 by FAUSTUS CROW

Morgana le Fay is considered to be a powerful enchantress in the Arthurian legend. She is otherwise known as Morgan, whose name is very likely derived from Old Welsh or Old Breton name: Morgen, meaning: Sea-born, which is derived from the Common Brittonic: Mori-gena.

A cognate form of the Morgana’s name in Old Irish is Muirgein, which is also a name of a shape-shifting fairy or Witch who was associated with the sea; she was later transformed into a Christian saint.

This leads you to Morgana’s epithet ‘le Fay,’ which  is derived from the French: la fée, meaning, the (Succubus) fairy.

It just so happens that there is a group of shape-shifting Succubae mentioned in Welsh and Breton mythology called Morgans or Morgens, who are of similarity to the Slavic Succubae called Rusalka.

Image result for morgana

Morgana’s counterpart is the wizard, Merlin, whose original Welsh name is Myrddin. The name of Myrddin means sea-fort or sea-hill.

You then have Morgana who is a spirit of the sea and Myrddin who is a fort/hill amidst the sea of Morgana, and she to relentlessly lap his shores, desiring him to enter her depths.

The symbolism of which is reminiscent of Hindu belief concerning the cosmic mountain of Mt Meru at the centre of the milk (mother) ocean, which is churned by Mt Meru into creating Maya.

The milk ocean could be referring to the inner light of the bio-photon, which illuminates the dream of spun electrons, since the bio-photon emanates from the mitochondrial DNA, which is passed down from the mother to her children.

Image result for morgana le fay

The electrons of the dream are spun by the emotive charge of the dreamer; somewhat like a charged signal spinning the electrons within an electron tube of a TV set brain, when to remember the landlords Witch daughter.

Such is alluded to by Mt Meru being twisted by a tug of war between the Asuras and the Devas, who represent the Moon and Sun, Ida and Pingala (Autonomic-Nervous-System) nerve channels running along either side of the spinal column, of an aerial, tuning into ’emotively charged’ possibilities.

Then again, the subconsciously tuned into possibilities, may actually be memories of of an eternally recurring Ouroboros, of a life.

You also find similar symbolism in ancient Egyptian mythology, in which the principle God called Atum, from whose name, Atom is derived, is sometimes depicted as a pyramid of light, around whom is the primordial (mother) ocean of Nun. However, Atum is the master of light, but the source of the light is Nun.

The God Atum is equated with the ancient Greek God, Zeus and in turn the Roman God, Jupiter; these deities are associated with the heavens. This then leads you to Myrddin forging the round table, which alludes to the round table of the Zodiac, being that of the starry heavens, under whose revolving stars, lovers do gather around the dancing stones.

Morgana is also associated with the heavens, being the ocean of space as well as inner space; as the old Druid saying goes: “so above, so below, so within, so with-out.”

It appears that Morgana and Myrddin were not historical personages, they are instead ancient deities. But it is more likely that they represent a shamanic practice. In other words, the name of Morgan may have been a title for female shaman; whereas male shamans were called Myrddin’s.

Image result for morgana

This becomes more apparent when to look at an early name for Great Britain as stated in the Third Series of the Welsh Triads, being, Clas Myrddin, or Merlin’s Enclosure, which is surrounded by the shape-shifting sea of Morgana. Ancient Britain was once known as a school for Druids.

The name of Merlin is also a name for a small hunting Hawk, which is specifically flown from a ladies hand; this seems somewhat apt, since the ocean of Morgana surrounds the island of Clas Myrddin.

As for Arthur Pendragon of a Dragon motif you have the star (α Draconis) Thuban, which was the Northern pole star from 3942 BC, when it moved farther North than Theta Boötis, until 1793 BC, due to the Ouroboros precession around the Zodiac ages.

The traditional name of Alpha Draconis, Thuban, means ‘Head Of The Serpent,’ which is associated with the (Myrddin) Druids, who were also known as ‘Adder Heads.’

The symbolism of the Adder Head could be associated with the term Camelot, which may be a composite word, comprising of the Hebrew letter of ‘Gimel,’ giving rise to name of Camel, ending in the Germanic word for wealth, being ‘Ot.’

The Hebrew letter Gimel, is associated with the thirteenth path of the Cabbala. The thirteenth path penetrates the hidden sephiroth of Da’at, which is termed as the abyss or desert, which can be otherwise seen as an ocean between worlds.

When crossed, it allows an adept to converse with his (Succubus) Holy Guardian Angel.

The sephiroth of Da’at is associated with the reptilian (Dragon/Adder) brainstem of the ‘throat area,’ which governs over the depth of (abyss/ocean) trance and (‘Apple’ Isle) dream states.

Image result for morgana le fay

The thirteenth Cabbalistic path of Gimel has since been associated with the Tarot Card of the (Nun) High Priestess Of The Silver (Sirius) Star, who can be seen as Morgana.

The symbolism of the (Adder/Dragon) serpent was utilised in varied shamanic cultures across the globe to represent trance adepts, who were able to attain an amphibious state of consciousness in order to consciously access the spirit world of the dream, which is symbolically equated with the sea.

You then have a shamanic adept of trance, being the Druid Myrddin who can become (lucid) conscious within the watery shape-shifting domain of Morgana, whose realm is the quantum dream.

Myrddin’s Adder-Head (hypnagogic trance) intercourse into the Vesica Pisces of Morgana is attained of conscious dreaming at certain key-times around the (circadian rhythm) star-clock, marked out by circled stones, of a round table, ever re-turning, Ouroboros.

When Myrddin becomes conscious within Morgana’s watery reality of the dream he becomes as the sea-hill, symbolised as the Apple Isle (Avalon) of Glastonbury Tor, of similarity to Mt Meru, the ancient Egyptian’s otherwise depicted as a pyramid of light.

In Siberian shamanic practice, the cosmic mountain is intersected by the world tree, the ancient Norse called Yggdrassill, which is remembered as the May-Pole, the Saxon’s had prior known as the Irminnsul.

Yggdrassill was also transformed into the Christmas tree, whose elder symbolism represents the ‘spinal column’ of the (Odin/Myrddin) shaman, upon which he ‘hangs’ into self-sacrificial ‘trance.’ As an aside, there was once a ‘gallows’ atop of Glastonbury Tor, which is now occupied by a ‘fort’ of a tower, as well as an associated ‘serpent’ stone of an egg.

It is along the spinal column that the Kundalini Shakti (Fire Snake/Dragon) is aroused in Yoga practice, which is experienced as a feminine energy, the Kalahari Bushmen of South Africa also know of as Num. The arousal of the Num initiates the experience of trance they call Kia, a Siberian shaman knows as the fire in the head; whereby you have the term (Kundalini Shakti/Fire Snake) Adder-Head.

Wherefore the cosmic mountain of a sea-hill symbolises Myrddin’s body out of which he can (OOBE) spirit fly as a disembodied Merlin into the inner space ocean of the dream. But only when flown by (Kundalini Shakti/Fire Snake) Morgana’s loving (Succubus) hand, who to set Myrddin’s head aflame as her ‘Wicker-Man.’

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

TIME TRAVEL WITCH PONY-GIRL

Posted in Alien, Art, Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 14, 2015 by FAUSTUS CROW

The artwork above depicts an alternative version of the fifty-fifth spirit called Orobas, who is listed in the the Grmoire, entitled the Goetia. The conjuration of Orobas has been popularised among the occult fraternity by the American author, lecturer, musician and occultist, Lon Milo Duqette, who described summoning Orobas in his autobiography: My Life With The Spirits. Duquette’s conjuration of Orobas occurred before his ascent to fame, which at the time had initiated some intriguing synchronicities.

goetia-girls-liliths-harem-matix-mephistophina-book-advert

Orobas is classically described as being a male entity, who initially manifests as a small ‘Horse,’ before assuming human form; whereby, when you reverse ‘Animus’ fixated symbolism of the Playgirl grimoires, to otherwise have an ‘Anima’ expression of a Succubus, you then have the symbolic motif of a Ponygirl, who is also a Witch, to name as Orobasi.

The name of Orobas is derived from the word: Ouroboros, which is a term for an ancient symbol of a snake eating its own tail.

The symbol of the Ouroboros describes, Eternal Recurrence, which a physicist would otherwise term as a closed timelike curve; this leads you to time-travel, hence that of the symbolic association with Doctor Who’s TARDIS.

The shamanic deity of Norse mythology, called Odin, the Saxon’s named as Woden, is the ancient forerunner of Doctor Who.

Odin, rode an Eight-Legged-Mare called Sleipnir, which can be equated with Doctor Who’s TARDIS.

Orobasi manifests as a Succubus manifestation of the Fallen ‘Anima,’ whose archetypes have been castigated out of the the ‘Animus’ dominated paradigm.

The above artwork at the head of this article is a depiction of an ‘Out Of Body Experience,’ of which the dreamer is carried by the Ponygirl, Orobasi through time, within a lucid dream as Doctor Who, of a youthful memory.

Then again, perhaps the dreamer has departed from this mortal coil. What the dreamer, or discarnate soul of the individual to then experience is somewhat similar to Little Nemo In Slumberland; although his out of his ‘Skull’ Bardo adventures are somewhat ‘Crossbone’ trance ‘X’ rated.

This leads to his future self being able to influence his own past via a self induced lucid dream, which of an ability is symbolised by (Orobasi) the Ouroboros.

goetia-girls-liliths-harem-orobas-bok-advert

Basically, he possesses his own self, and should he remember his future self, now as a dream, to once again awaken as a youth, he is then able to recreate himself anew; for his elder self has beckoned back through time via his own dreams by riding Orobasi.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

PURSON TESLA MUSE

Posted in Alien, Chaos Magic, Conspiracy Theory, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2015 by FAUSTUS CROW

goetia_girls_lilith's_harem_purson_nikola_tesla_muse_baroness_valkyrie_dakini_succubus_of_faustus_crow

The Twentieth Succubus archetype of the Fallen Anima, listed in the Goetia, is Purson, otherwise called Pursoni; she is a Great Queen, manifesting as a most ravishingly gorgeous woman, whose demeanour is like a predatory Cat, carrying a cruel Viper of a Sub-Machine Gun, or ray gun in her hand. She is sometimes seen of spun electron vision, riding within an armoured vehicle, whose free-energy Tesla engine growls out as a charging Bear.

Going before her are many horns and sirens to be sounding. She is very much a Muse, who is versed in all the works of Nikola Tesla. She knows of all things hidden, and can discover Treasure and tell of things Past, Present and to come.

She can take on a human or that of a phase-shift aerial body, and answers truthfully all questions of an Earthly nature, both Secret and Divine, and of the creation of the world. She brings good familiars, and Governs 22 Anima Legions of Succubae Tesla Girls, like unto herself, partly of the Order of Virtues and partly of the Order of Thrones.

goetia_girls_purson_rosalie_cunningham_lucid_dream_witch_succubus_of_fausus_crow

Should you conjure up Pursoni within your electron dreams, to make lucid of awareness, she upon first manifesting, to cryptically whisper, “Nyarlathotep.” In a 1921 letter to Reinhardt Kleiner, the author H.P Lovecraft related a most vivid dream, which he had; Lovecraft described his dream as being: “the most realistic and horrible [nightmare] I have experienced since the age of ten;” the dream served as the basis for his prose poem ‘Nyarlathotep.’

In the dream, he received a letter from his friend Samuel Loveman, which read: “Don’t fail to see Nyarlathotep if he comes to Providence. He is horrible, horrible beyond anything you can imagine, but wonderful. He haunts one for hours afterward. I am still shuddering at what he showed.”

goetia_girls_astaroth_astarota_rotas_tesla_prana_vril_ufo_succubus_goetia

Lovecraft commented: “I had never heard the name Nyarlathotep before, but seemed to understand the allusion. Nyarlathotep was a kind of itinerant showman or lecturer who held forth in public halls and aroused widespread fear and discussion with his exhibitions.

These exhibitions consisted of two parts, first, a horrible, possibly prophetic, cinema reel; and later some extraordinary experiments with scientific and electrical apparatus.

As I received the letter, I seemed to recall that Nyarlathotep was already in Providence…. I seemed to remember that persons had whispered to me in awe of his horrors, and warned me not to go near him. But Loveman’s dream letter decided me….

As I left the house I saw throngs of men plodding through the night, all whispering affrightedly and bound in one direction. I fell in with them, afraid yet eager to see and hear the great, the obscure, the unutterable Nyarlathotep.” 

Some have have speculated that Lovecraft’s dream image of Nyarlathotep may have been inspired by the inventor Nikola Tesla, whose well-attended lectures did involve extraordinary experiments of futuristic possibilities with electrical apparatus. Many at the time perceived Tesla as being a sinister figure due to the fact that Tesla’s ideas were way ahead of their time.

goetia_girls_vril_ufo_society

You can say that the general public were subconsciously aware that an unstoppable change was coming, of an ensuing tidal wave of technological innovations, which would utterly turn their world upside down, whose Messiah was Nikola Tesla.

No no no

Tesla Girls Tesla Girls

Testing out theories

Electric chairs and Dynamos

Dressed to kill they’re killing me

But Heaven knows their Recipe 

goetia_girls_out_of_body_experience_oobe

Tesla would often download information during a type of visionary trance, much like a shaman would do among tribal cultures who accesses information through altered states of consciousness in order to tune into information from the future, past or present.

It would seem nearly impossible for Tesla’s competitor Thomas Edison to comprehend his opponents’ ability to access such brilliant ideas, far beyond his own scientific understanding.

As a publicity stunt, Nikola would perch himself in his laboratory, while massive bolts of electricity danced around him, without the use of wires, the airborne electrical bolts would freely illuminate the lamps held in Tesla’s hand.

No no no

You wouldn’t believe me if I said

The things I’ve seen went over my head

I’ve been patient Heaven knows

I’ve learnt the rules and how it goes

I can’t sit still or settle down

And when I walk I don’t touch the ground

See those Girls they’re Heaven blessed 

goetia_girls_succubus_alien_grey_queen_bees_hyperspatial_time_travel_vril_girl

I guess it’s so they know best

Tesla Girls Tesla Girls

Writing in their diaries

Now and then they’ll watch TV

Now and then they’ll speak to me

But Heaven knows their Recipe

You wouldn’t believe them if they said

The things they’ve seen went over their heads

They’ve been patient Heaven knows

They seem to care and so it goes

They can’t sit still or settle down

And when they walk they don’t touch the ground

See those Girls they’re Heaven blessed

guess it’s so they know best 

goetia_girls_ank_su_namun_ahathoor_goddess_sirius_stragate

“And it was then that Nyarlathotep came out of Egypt. Who he was, none could tell, but he was of the old native blood and looked like a Pharaoh. The fellahin knelt when they saw him, yet could not say why. He said he had risen up out of the blackness of twenty-seven centuries, and that he had heard messages from places not on this planet.

Into the lands of civilisation came Nyarlathotep, swarthy, slender, and sinister, always buying strange instruments of glass and metal and combining them into instruments yet stranger.

He spoke much of the sciences – of electricity and psychology – and gave exhibitions of power which sent his spectators away speechless, yet which swelled his fame to exceeding magnitude. Men advised one another to see Nyarlathotep, and shuddered. And where Nyarlathotep went, rest vanished; for the small hours were rent with the screams of a nightmare.” (H. P. Lovecraft, Nyarlathotep)

goetia_girls_ank_su_namun_priestess_succubus_bast

Tesla Girls

Tesla Girls

Tesla Girls

Tesla Girls 

goetia_girls_lilith's_harem_vril_tesla_girl_succubus_of_faustus_crow

Besides that of creating a probable electric car, Tesla later made remarkable claims concerning a, ‘Teleforce’ weapon. The press called it a Peace Ray, or more commonly a Death Ray.

goetia_girls_lilith's_harem_ufo_flying_vril_saucer_succubus_of_faustus_crow

“And through this revolting graveyard of the universe the muffled, maddening beating of drums, and thin, monotonous whine of blasphemous flutes from inconceivable, unlighted chambers beyond Time; the detestable pounding and piping whereunto dance slowly, awkwardly, and absurdly the gigantic, tenebrous ultimate gods, the blind, voiceless, mindless gargoyles whose soul is Nyarlathotep.” (H. P. Lovecraft, Nyarlathotep)

goetia_girls_lilith's_harem_alien_space_girl_ufo_tesla_death_ray_succubus_of_faustus_crow

Tesla worked on plans for the directed-energy weapon from the early 1900’s, until his death. During 1937, Tesla composed a treatise entitled: ‘The Art of Projecting Concentrated Non-dispersive Energy through the Natural Media,’ concerning charged particle beams. Tesla published the document in an attempt to expound on the technical description of a super-weapon, that would put an end to all war.

“It was the eldritch scurrying of those fiend-born rats, always questing for new horrors, and determined to lead me on even unto those grinning caverns of earth’s centre where Nyarlathotep, the mad faceless god, howls blindly to the piping of two amorphous idiot flute-players.” (H. P. Lovecraft, The Rats in the Walls)

goetia_girls_agares_schoolgirl_tank_ girl_rusalka_succubus_of_faustus_crow

The weapon was to be used against ground based infantry or for anti-aircraft purposes. Tesla tried to interest the US War Department in the device. He also offered this invention to European countries. None of the governments purchased a contract to build the device.

He was unable to act on his plans. However his ideas later formulated into ‘The High Frequency Active Auroral Research Program,’ (HAARP), which can be utilised to find hidden mineral wealth under the surface of the Earth, to also cause earthquakes, affecting the weather as well as for other purposes more malign, such as being used as a particle beam weapon, so it is said.

wednesday_addams_succubus_goetia_girls_atom

“What his fate would be, he did not know; but he felt that he was held for the coming of that frightful soul and messenger of infinity’s Other Gods, the crawling chaos Nyarlathotep.” (H. P. Lovecraft, The Dream-Quest of Unknown Kadath)

goetia_girls_prometheus_charlize_theron_maria_orsic_vril_society_ufo_aldebarran_sumerian_aliens

Tesla Girls Tesla Girls

Testing out theories

Electric chairs and Dynamos

Dressed to kill they’re killing me

Another of Tesla’s inventions is commonly referred to as Tesla’s Flying Machine, which appears to resemble an (Vril/Aethyr) ion-propelled aircraft.

goetia_girls_vril_ufo_los_angeles_1942_nazi_girl_hollywood_land

Tesla claimed that one of his life goals was to create a flying machine that would run without the use of an airplane engine, wings, ailerons, propellers, or an onboard fuel source.

Initially, Tesla pondered about the idea of a flying craft, like that of a Vimana, as mentioned in the Hindu Sanskrit scriptures of the Mahabharata and the Bhagavad Gita, which would fly using an electric motor, powered by grounded base stations. As time progressed, Tesla suggested that perhaps such a Vimana could be run entirely electro-mechanically.

goetia_girls_vril_society_nazi_flying_disk_ufo_valkyrie_pilot_nikola_tesla_saucer_thule

The appearance of Tesla’s Vimana would typically take the form of a cigar or flying saucer of the now classic UFO, which would be capable to defy gravity. When you have anti-gravity, you will also be able to affect time, which will lead to the development of a time control technology, as well as the eventuality of time travel.

goetia_girls_vrilerinnen_vril_society_nazi_ufo_bell_pilot_medium

Perhaps it has already been secretly achieved. It is said that the wizard, Tesla was involved in the Philadelphia Experiment, just prior to his demise, which is an alleged military experiment, that is said to have been carried out by the U.S. Navy at the Philadelphia Naval Shipyard in Philadelphia, Pennsylvania, some time around October 28, 1943. The U.S. Navy destroyer escort USS Eldridge (DE-173) was claimed to have been rendered invisible (or ‘cloaked’) to enemy devices.

However, the Eldridge not only became invisible, but, some to say, she also physically vanished from the area in a flash of blue light and was teleported to Norfolk, Virginia, over 200 miles (320 km) away.

It is claimed that the USS Eldridge sat for some time in full view of men aboard the ship SS Andrew Furuseth, then the USS Eldridge suddenly vanished from their sight and reappeared in Philadelphia at the site it had originally occupied.

It is also said that the USS Eldridge  had gone approximately ten minutes back into time. If this had actually occurred, it would have been taken much further of very secret experimentation, in order to develop a Tesla time machine, flying as a Vimana.

ufo_goetia_girls_starship_time_travel

Hence you probably have Men In Black, M.I.B’s policing its use. Don’t forget, you also have Women In Black too, such as Pursoni carrying a Telsa wand; so, don’t get on the wrong side of her; otherwise she will zap you with its ray, who to travel through time, using Tesla’s invention. But then, as a Muse, she to have inspired his inventions in the first place, when Tesla’s shamanic electron dreams were spun by her Time Control signal from out of the future.

“There was the immemorial figure of the deputy or messenger of hidden and terrible powers, the “Black Man” of the Witch cult, and the “Nyarlathotep” of the Necronomicon.” (H. P. Lovecraft, The Dreams in the Witch House)

ufo_aliens_goetia_girls

Tesla Girls Tesla Girls

I’m in love with Tesla Girls

Now and then they’ll watch TV

Now and then they’ll speak to me

But Heaven knows their Recipe

No no no

(Tesla Girls – Song Lyrics: OMD)

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

SUCCUBUS ART MUSES OF FAUSTUS CROW

Posted in Addams Family, Alien, Art, Chaos Magic, Comics, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 4, 2014 by FAUSTUS CROW

A Succubus of an Exquisite Corpse Mind-Doll, Frankenhooker Tulpa, is meditated upon in league with her Golem Ghost Girl (Emet) seal of an abstract sigil; while knitting her together of artistry, upon a slab of canvas. (The Artworks are available as Art Prints from Saatchi Art. If you are interested, Click the Images to see the Full Artwork and details.)

Basically, you have two forms of art. The first form of art being the Succubus herself, whose erotic egregore expression, a Dr Frankenstein of a Sorcerer Artist is artistically knitting together of an exquisite corpse, represents a figurative manifestation of his wish.

The second form of art is her abstract seal of a sigil, which sums up Frankenstein’s energetic charge of desires.

The sigilised desire will give eventual life unto the Succubus construct of an exquisite corpse Mind-Doll Frankenhooker Tulpa. She will thence frequent Frankenstein’s eleventh-dimensional dreams of an informational domain.

There are of course, mundane associative thoughts of two-dimensional associations concerning the meaning, origin, and necessity of an abstract sigil of two-dimensional artistry.

The sigils of abstract art have formed some of the central riddles of modern art.

The answers to them are rather remote now of fourth-dimensional time, considering that contemporary painting encompasses veins of both abstraction and figuration, which of sculpture becomes three-dimensional.

This exploration is more so important, when conducting sorcery, which is essentially the practice of art; both practices are indivisible from each other.

Magic and Art are one and the same. I kid you not!

Alas, the practice of art lost its shamanic path, long ago, along the fourth-dimensional corridor of time, becoming quite separated from the internal processes of the informational realm of the dream, which instead was taken over by the externalised technique of the dreamless artisan.

Though a Freemason of a tenth-dimensional Artisan is aware of first-dimensional consciousness, two-dimensional thought processes are only ever utilised.

Hence, during the years when Abstract Expressionism flourished, figuration was shunned by many technique driven artists, who became entirely embroiled in elitist attitudes due to competitive racetracks of indoctrinated ‘thought,’ which date back to the late 1930’s of a now entrenched tradition.

I will generally examine the terms of this mundane debate concerning abstraction versus figuration, which continued into much of the twentieth century and still does so unto the present.

You also have the concept of ‘representation,’ which art critics have come to commonly use since the 1970’s, who to religiously argue over an art ‘brand,’ just as many indoctrinated occultists to argue over how many Incubi Angels and Demons they can fit onto the end of a viral-meme needle point of a ‘branded’ belief.

The concept of representation acknowledges that abstract and figurative art are not as different as they might seem, which is bloody obvious!

All art is essentially abstract art, should you see abstraction as being a neural process of drawing impressions from the shape, colour, and texture of three-dimensional objects. What is important here of sorcery practice is the internal generation of an emotive charge, enlivening the conceptual, which then stirs your ‘symbolically’ associative dreams, and in turn generating concordant synchronicities.

This will then lead to the observation of a feed-back-loop of symbolic correspondences. When this process is consciously observed of sorcery experimentation, the (mandala) artist (writer-mantra) then becomes aware that time is not linear of a fourth-dimensional sequence of events, it is in fact circular of a fifth-dimensional ever recurring Ouroboros.

The internal processes of shamanic artists have ‘abstracted’ the reality around them since prehistoric times, which was once one and the same of sorcery. But this ability was lost, when many artists forgot to dream, due to changing cultural influences. These all encompassing cultural influences were primarily of a religious nature, which negated the sixth-dimensional (sixth-sense) faculty of attaining lucid dreaming.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

Art was then utilised, as a means for cultural propaganda much of the time. It was not until the early twentieth century that abstraction began to be defined as a sought for technique in its self.

Abstract art tends to solely rely upon five pentagram sensory associations of form to suggest meaning, rather than employing any recognizable motifs to point at particular themes and content.

Whereupon the artist will understand his/her work, but the audience will be left aghast as to what it all means of an occult code. Those who believe themselves to be privy to the artist’s occult creations are to be found drinking copious amounts of wine, when to drunkenly sojourn an art gallery paying exorbitant amounts of shekels for a two-dimensional scribble upon a piece of three-dimensional cardboard.

However, they may just find that the artist has a Chimpanzee as his familiar who does the scribble painting. This should not be taken as a slight upon such artworks; for it does require the artist to achieve the innocent state of an ape brain, or to go further back of atavistic mammalian, to the emotive reptilian, to create something spontaneous, out of reach of the comceptual hominid.

Whereby a shamanic trance state of automatism is often employed. Although there are many an artist who do not employ this methodology, in order to attain a seventh-dimensional awareness of alternate possibilities, to instead focus upon an intellectualisation of the now fashionable abstract, without further ado, who pander to what is presently in elitist vogue.

Whatever the case, abstract art can widely range of alternate seventh-dimensional Ouroboros possibilities, from the easily comprehensible, quasi-figurative, landscape-based imagery of Kandinsky, to the far more obscure, mystical monochromes of Malevich.

Imitation, or realistic representations of what is perceived, has been the holy grail of the visual arts since earliest times. At one time it was believed that the creation of a realistic representation was also one and the same as the object it’s self, of a magical act.

Whereupon the ancients had termed such art as being Mimesis. This can only be really understood by an artist, when to work upon a figurative piece of Frankenhooker art, to thence find her being brought to Tulpa life within a lucid dream.

However, many an artist has forgotten how to electron dream, who focus more on an external technique in order to perfect.

But it soon came to pass that the capturing of the real was then taken over by photography and more recently by computer generated art, which can be utilised to explore eighth-dimensional realities, where present Maya physics do not apply; such as in video game Matrix worlds, whose physics are programmed.

Many artists have striven to create the technical effect of an illusion, with their art, in order to extend the experiential, three-dimensional Maya space of the viewer. At other times artists have striven for realism, to create an impression of Samsara social reality.

During the twentieth century, the ascending art of abstraction is best thought of in the generalised sense, as being ‘figuration,’ though some Abstract Expressionists considered any residual presence of the figure (such as is seen in Miró, or early Rothko), no matter how abstracted, to be mere figuration, which was, and still is considered to be anathema to the established tradition of the Modern Art movement.

In regards to sorcery practice, which is indivisible to art, I am really not at all concerned about such nigh religious bickering between back-biting traditions, which is no different to pompous occultists, who say they practice the high art of magic, when in fact, they are habitually indulging in the commonality of religion.

I have no time for entrenched traditions or dogmatic religions; since they are intrinsically static of an indoctrinated symbolic perception.

Whereas art and in turn magic are rebelliously fluid and ever evolving of ninth-dimensional sorcery. Both of these practices deal with the stirring of the subconscious realm, of eleventh-dimensional electron dreams via the manipulation of photonic symbols, to associatively conjure amidst your Triangle Of Art Imagination.

goetia-girls-succubus-art-book-devil-girl-advert

Whereupon I utilise the modern symbolism of the lowbrow comic, when to engage in a Widdershin-wise reversal of an indoctrinated brainwash, along with utilising Discordian Heyoka humour to thence negate the Inquisitional negative. Hence, a rebellious Frankenstein artist uses both art forms in order to conjure up a Succubus of an exquisite corpse Mind-Doll Frankenhooker Tulpa, to frequent his lucid dreams of ninth-dimensional Surrealistic artistry.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire