Archive for occult

ART IS MAGIC, MAGIC IS ART

Posted in Art, Chaos Magic, Comics, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2017 by FAUSTUS CROW

There is some confusion as to what Magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of Magic. Magic in its earliest form is often referred to as “The Art”.

Because I am a bearded Wizard of the Comici Arcanum Guild, knowing Wizard stuff, I know this is completely literal. I know that Magic is Art, and that Art, whether it be Painting, Writing, Music, Sculpture, or any other form of Art is literally Magic.

Art is, like Magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about Magic seems to be talking as much about Writing or Art as it is about supernatural events.

For example, an illustrated proto-comic book of spells, called a Grimoire , is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people’s consciousness.

And I believe that this is why an Artist and a Writer of a comic book Grimoire is the closest thing in the contemporary world that you are likely to see to a Wizard.

I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the Arts or Sciences were the province of the Wizard.

The fact that in present times, this Magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy.

At the moment the people who are using Shamanism and Magic to shape our culture are neuro-advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people’s reptilian-brain-stems more manipulable.

Their Magic box of television, and by their Magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment.

In all of Magic there is an incredibly large linguistic component. The Bardic tradition of Magic would place a Bard as being much higher and more fearsome than a Magician.

A Magician might curse you. That might make your hands lay funny or you might have a child born with a club foot.

If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family.

It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries.

Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated Magic.

In latter times I think that Artists and Writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that Art and Writing are merely forms of entertainment.

They’re not seen as transformative forces that can change a human being; that can change a society.

They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the Wizard job of the Artist to give the audience what the audience wants.

If the audience knew what they needed, then they wouldn’t be the audience. They would be the Artists. It is the Wizard job of Artists to give the audience what they need.

The above excerpt was slightly adapted from an article by the Wizard Artist

– Alan Moore

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STAR TREK DISCOVERY BELIAL

Posted in Alien, Art, Chaos Magic, Demon, Demonology, Devil, Discordianism, Dr Who, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 29, 2017 by FAUSTUS CROW
 The American television series created for CBS All Access by Bryan Fuller and Alex Kurtzman, entitled, Star Trek Discovery, should otherwise be called, Star Trek Belial.

Let me explain. A number of years ago, long before J. J. Abrams reinvention of Star Trek, I reversed the ‘Animus’ fixated symbolism of the Goetia, which included th 68th spirit of the Goetia, called Belial towards that of an ‘Anima’ manifestation, to rename as Beliala, who I then associated with the symbolism of Star Trek.

The reversal inspired me to then write a couple of Kindle books, entitled Occult Star Trek: Enterprise and Occult Star Trek: Vulcan.

Suffice to say, the traditionalist occultists thought I was absolutely stir crazy, the Trekkies called me totally insane, while the Art mob treated me as if I had the plague. I didn’t care then, and still don’t care now, since the symbolic explorations of surrealistic artistry enables me to conjure the feminine (Succubus) archetypes of the fallen ‘Anima’ into my lucid dreams, such as Art Muse Beliala, for further Surrealist.. insights.

Anyway, the common ‘Animus’ fixated Playgirl grimoire description describes Belial as:

“The Sixty-eighth Spirit is Belial. He is a Mighty and a Powerful King, and was created next after LUCIFER. He appeareth in the Form of ‘Two Beautiful Angels; sitting in a ‘Chariot of Fire.’ He speaketh with a Comely Voice, and declareth that he fell first from among the worthier sort, that were before Michael,’and other Heavenly Angels… such as Gabriel.”

Star Trek Discovery, has Sonequa Martin-Green as a Vulcan number one called,“Michael” Burnham and Jason Isaacs acting the part of “Gabriel” Lorca, who is the (Jason and the Argonauts) Captain of the starship, Discovery; Whereupon you have… ‘two angels’… Michael and Gabriel.

Many will probably say, “so what, it’s just a generic symbolic association between the heavens of space and that of the angelic hierarchy of the three monotheistic faiths; it has nothing to do with an obscure entity listed in a grimoire.” However, Gene Roddenberry made it a point to keep religion out of Star Trek; as for the symbolic association with Belial, some will then cry out, “what’s the proof of it?” I will explain momentarily; but next, let us look to the fiery chariot.

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The design of the starship Discovery looks to be based upon the (V) Vulcan hand-sign, and in turn the Hebrew letter, Shin. Many will say, “So what, it’s just a natural design progression, which also honours the memory of Roddenberry, more so Leonard Nimoy’s iconic Shin sign.”  I agree, but, I am looking at the symbolic association between the element of fire and a chariot in particular, which is that of Belial’s fiery chariot.

The letter, ‘Shin,’ is asociated with the Shekinah, whose manifestation is that of an inner ‘fire,’ a practitioner of Yoga would equate with the (fire snake) Kundalini Shakti. Both the Shekinah and the Kundalini Shakti appear to allude to the (fire) bio-photon, emanating from the mitochondrial DNA, which is passed down from the mother to her children.

The ancient Roman’s equated the inner fire with their Goddess, Diana-Lucifera, who was later transformed into a butch ‘Animus’ archetype to rename as Lucifer.

The ‘Shin’ design of the starship Discovery would then allude to a ‘Chariot of Fire.’ Some may respond by saying, “Yeah! Yeah! Yeah! Still doesn’t prove any symbolic association between two angels riding a fiery Shin chariot having anything to do with Belial; its just a load of esoteric mumbo jumbo; your’e really pushing the envelope of what’s believable, here!” 

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As you will probably know franchises are very careful about their branding, wherefore, the creation of characters for a TV series have their names extensively checked out, as to their underlying meanings, even though most of the audience do not ever investigate any further, just in case someone does dig a little deeper.

For example, the name, Burnham, is from a name for various towns in England, typically derived from Old English burna, “stream, spring” and ham, ‘home,’ which is of similarity to, Lorca, being a Spanish place name, meaning, ‘town with fine “water.” Both names have an association with… ‘Water.’

In Aleister Crowley’s illustrated Playgirl Goetia, Belial is associated with the star-sign of the ‘Water’ carrier, Aquarius. The planet of Aquarius is Uranus, whose planetary sigil is of similarity to the classic Hippie era design of the starship Enterprise; the details of which I have covered in my Occult Star Trek books, that many to have knocked.

As a sort of an aside, the starship, which is introduced in the first episode of Star Trek Discovery is the Shenzhou, whose name is derived from a spacecraft, which has been developed and operated by China to support its manned spaceflight program. The name is variously translated as “Divine Craft”, “Divine Vessel of God”, “Magic Boat” or even “Star chariot,” which is of similarity to the Sanskrit, Vimana and the Hebrew (Merkba) Merkabah.

The captain of the Shenzhou is played by Michelle Yeoh as Philippa Georgiou. The name, Phillipa means “lover of horses” or “horses’ friend.”

(Curiously enough, Sonequa is a compound of Son and Equa, meaning Horse. Although Sonequa is another spelling of Shanika, which is also a slang term for a streetwise Amazon; though, she is ‘gracious’ and most generous like a ‘Venus,’ under her hardened exterior, who is somewhat akin to Saint ‘Martin,’ whose Catholic icon is often depicted riding a horse, since he was in the Roman cavalry.)

The horse symbolism then leads you to the 19th ‘Sleipnir’ Rune of the elder Futhark, called ‘Ehwaz,’ looking like an ‘M,’ which also looks similar to the starship Discovery design. “Runes? How the Hell did you make that far-flung association? That’s just plain crazy!” Some to no doubt scream.

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Star Trek Discovery has the Klingon’s divided into 24 warring great houses, which appears to be associated with the 24 Runes of the elder Futhark, the Nazi regime had misappropriated and misused. This sure looks to be the case, considering that the dark skinned Klingon’s of Star Trek Discovery have a eugenic obsession with (Nazi) racial purity, wherefore those who have white skin are considered to be outcasts; hence you have a reversal of the Nazi White Supremacist mystique.

But it is rather curious that the Klingon’s have dark skin, considering what the co-executive producer of Star Trek Discovery had told Rolling Stone that President Donald Trump’s 2016 presidential campaign was, “front and center in our minds” as they developed it — so much so that the rallying cry of the show’s villains is specifically patterned after the Trumpster credo “Make America Great Again.”

“We felt like it would be interesting to really look at what’s going on in the United States,” Aaron Harberts told Rolling Stone, noting that the series’ primary villains — an extremist Klingon sect — scream “Remain Klingon,” something deliberately reminiscent of “Make America Great Again.”

As Harberts put it, “It’s a call to isolationism. It’s about racial purity, and it’s about wanting to take care of yourself. And if anybody is reaching a hand out to help you, it’s about smacking it away . . . That was pretty provocative for us, and it wasn’t necessarily something that we wanted to completely lean into. But it was happening. We were hearing the stories.”

As for Georgiou, the name means, “son of George,” as in George and the Dragon, which then leads you to the angel, Michael, defeating the Dragon; although the Dragon is an ancient allusion to the (fire snake) Kundalini Shakti, which is also associated with the (Chinese/Malaysian/Mongolian) shamanic motif of the horse, whose symbolism represents the experience of ‘trance,’ which of an initial hypnagogic night-Mare terror, needs to be controlled, overcome and (Dragon) defeated.

(The terror of the Nightmare can be equated with what the novelist, Steven Pressfield would term as ‘resistance.’ The resistance seeks to keep things as they are, but in order to create, which is that of an ‘evolutionary’ force involving innovative change, the resistance needs to be defeated. The resistance can also be equated with the established mind-set of the audience, who desire to keep Star Trek as it is of a Ring-Pass-Not. When the Nightmare [Dragon] is defeated, it can then be ridden as a [chariot] Night-Mare.)

 

Overall, it looks as if Star Trek Discovery alludes to Aquarian fiery Shin chariot, two angel, Belial-a.

Many will say, “why the Hell, would the makers of Star Trek Discovery associate their reinvented franchise with the occult, let alone a spirit listed in the Goetia, which is commonly seen to be a tome of black magic? And what’s more, why would they use Belial, since said spirit is usually associated with evil, that numerous theologians say is the real Devil?”

You could just as well argue,” why use a most obvious reference to two Biblical angels in an iconic TV series, which has kept religion out of the equation?” At face-level, the pandering reference to two Biblical angels is that of selling out to the mostly Christian audience, most of whom will be totally oblivious to the two angels being classically associated with the zodiac, which leads you to Bryan Fuller’s star sign, let alone to see the deeper symbolic reference to Belial riding a fiery chariot.

Those who will see the symbolic reference to Belial, will commonly react by saying, “Hollywood is awash with vile Satanists, atheists and humanists who are attempting to corrupt the Biblical morals of the young faithful Judaeo-Christian’s, within our God fearing patriarchal country of the deified ‘Animus.’ It is an Illuminati conspiracy!” 

The makers of Star Trek Discovery will of course side-step it all by explaining it away; by making out that the starship Discovery’s distinctive ‘V’ shape is has been in the design pipeline for a longtime, which has nothing to do with the fiery Shin, and that the two angel names refer to family members, which of references to water is to do with someones watery star-sign, such as a partner, etc, to make all rather mundanely innocent.

Yet, they will be very much aware that the Illuminati fixated conspiracy theorists will be hard at work creating their viral-memes about the eye motif, utilised in the promotional material, which will act as free advertising for the reinvented franchise. As for Belial, they have to be led there. Hence you have a subversively engineered reason for the use of the Belial association. But, logically speaking, Belial is a rather obscure archetype for them to have used, and a very risky one.

What is more, there is no obvious symbolic association between the classical grimoire depiction of Belial and Star Trek, whatsoever; it is somewhat akin to associating Obsidian with Caviar, which does not make any logical sense at all, nor does it have any cultural backing, historically. Although, if you apply Salvador Dali’s Paranoiac-Critical Method to the two disassociated symbolic elements, it would make Alice In Wonderland surrealist sense.

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I was the one who had associated Belial with Star Trek, of a surrealist Paranoiac-Critical juxtaposition. In fact, I am the only one to have done so, in league with reversing the ‘Animus’ fixated symbolism of the grimoires, which totally freaked out the traditionalist occultists, Trekkies and the Art mob.

They are now faced with watching Star Trek Belial, while gnashing their teeth, whose frothing mouths will be be spewing forth their mental torment as Vulcan Burnham does her Beliala gymnastics around the dark skinned eugenic Klingon’s.

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Those of an atheist leaning are faced with Burnham’s in your face association with a Biblical angel due to Fuller’s liking for giving female characters male names, which generates associative discordance:

“We’ve worked on many shows with Bryan and it’s a motif. It’s his signature move to name his lead women with names that would typically be associated as male,” executive producer Aaron Harberts said at the Television Critics Association summer press tour.

After tossing around a couple of options, the writers eventually landed on Michael for the first officer of the USS Shenzhou:“I have known of, I think, two [female] Michaels: Michael Sneed, [who] was a gossip columnist for the Chicago Sun‑Times and Michael Steele who played the bass for The Bangles. That’s a deep dive on female Michaels,” Harberts said. “And we talked about it in the entire room. It was just like, ‘This is a really, really interesting name.’ And, of course, an archangel is named Michael as well, and it just had a lot of potency for us.”

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Sounds as if it has all been explained away, doesn’t it; Hell! Since Bryan is into gender blurring why not then name Gabriel as Gabriella? Can’t go that far, otherwise it will then become a like a Mel Brooks satire. When to see the Hollywood politics behind the naming of the main character as Michael, it is a total and utter farce, and what is more, a very expensive social engineering STD mistake.

This is exacerbated further by Burnham’s angelic counterpart, Gabriel. It would be understandable that the Trekkies, who are mostly atheist/humanist of persuasion will adversely react because of the blatant religious symbolism, who will hear Roddenberry howling from the grave.

Not only that, the ‘Animus’ fixated God believers in their Satanic Illuminati, will soon be tracing the symbolic strands back to my books and blogs; they will of course not be able to handle my Avadhuta sense of Heyoka humour, who will far prefer to believe in a worldwide Satanic conspiracy…. hmmmm, such could potentially work in my viral-meme favour!?

But it will be more likely that I’ll be faced with a load of asylum nut jobs, who will be claiming that I am an Illuminati disinformation agent of their Satan, along with numerous others calling me all the expletives under the black Sun. Oh! I forgot, they’ve been doing that for ages, already. Whatever the case, I love it when a plan comes together.

I’m starting to suspect someone in Holy-Wood has been looking into my books, blogs etc; there may be others, who also transformed a TARDIS into a female (Sleipnir Night-Mare) intelligence along with having a 13th ‘Tarot Card’ Doctor Who as an Orobas Pony-Girl, all of whom may be just as ‘Unsane’ as I am!? Although, I think they have misinterpreted my work concerning the ‘Animus’ and ‘Anima,’ like many another.

Hang on a minute… where’s my big Holy-Wood bucks, that’s what I wanna know… damn it to Hell! What a laugh!

Shit! It brings to mind a memory… Long ago now, I told a now ex partner of mine about an idea, which made her eyes light up, illuminating her brain with a revelation. Then her eyes to have wandered in thought, to then enquire about someone I knew, whereby revealing in that moment she did not believe I was the one who had thought of the idea.

She was instead impressed by the material glitz I did not have; whereas the other individual shit Shekels, she equated with having substance. She was totally unaware that the Shekel shitting moron had no original ideas of his own.

But she cared less, it was the hollow glitz that hypnotised her, just like many another, who are impressed by the grandeur of the Egyptian pyramids, but that does not mean that the ancient Egyptian’s had come up with the Golden Age idea, nor to have really understood what they were originally used for.

Anyway’s, enough of my Discordian egocentric ego inflation’s, where’s my bottle of Casillero del Diablo? AHA! Here it is… now back to the, Great Work… Burp!

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NOTE: In the Western magical tradition, which is primarily based upon the Hebrew Kabbalah, there are numerous magical systems, splintering off from one another, which have a very loose consensus of a convoluted opinion. Some of the symbolism is coherent from one branch to another; but others differ wildly from one another. (NOTE: Below is the Native American Medicine Wheel. The South is considered to be the first [hypnaagogic trance] gate of dreaming, which s symbolically equated with entering a ‘cave.’)

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Michael is generally considered to be the archangel of Mercury; whereas Gabriel is the archangel of the Moon. In the Kabbalah, Mercury is ascribed to the 8th sephiroth of Hod. The Moon is ascribed to the 9th sephiroth of Yesod.

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The sphere of Mercuy/Hod, is commonly associated with the intellect; whereby you have Michael Burnham’s intellectual Vulcan influence. The sphere of the Moon/Yesod is best summed up by what Jason Isaacs has communicated about his Star Trek Discovery character of Gabriel as being the most f**ked up captain yet.

Belial is generally seen to be of the sphere of the Sun in the grimoires. The Golden Dawn and in turn Aleister Crowley associated the Tarot Cards with the infernals, which is not mentioned in the pre-Golden Dawn grimoires, such as the Goetia, for example. Belial was just simply associated with the Solar sphere.

Magical systems are very personal to the practitioner; wherefore, occult practitioners make symbolic changes to a utilised symbol system in accordance with their own symbolic logic. So, if someone is using the attributed Tarot card paths of the Kabbalah, which had been set up by the Golden Dawn, he/she might decide to associate Belial with a corresponding Tarot Card, which would logically be the Sun XIX.

The Golden Dawn version of the 30th Kabbalah path of the Sun XIX (Belial) links the Sephiroth of (Michael) Hod and (Gabriel) Yesod.

Aleister Crowley had associated Belial with the path of the Star XVII, which otherwise links Yesod/Moon and Netzach/Venus, The archangel of Venus is usually considered to be Haniel.

A practitioner may decide to change the symbolism of a magical system in accordance with changes in his/her life, or that of seeking to initiate a transformation, from that of a Star to that of the Sun, which is esoterically termed as leaping-the-paths. But then the Star is a Sun, which to orbit another planet, is it not.

The path of the Star is associated with the Hebrew letter of Tzaddi, which means, Fish-Hook, as in, hooking others with an idea, to bring them all onboard your boat of a project. The path of the Sun is associated with the Hebrew letter, Resh, which means, head, you can symbolically see as winning over the heads of the audience with what you have created. In other words, taking their heads to another planet, which is illuminated by your (Star/idea) Sun… creation.

The obvious intent is capture the the ‘inner fire’ of audience between the relationship dynamic between Hod/Burnham and Yesod/Lorca, just as Gene Roddenberry did with Spock and Kirk.

But there is a big difference, between the eras of the Enterprise and the Discovery. Roddenberry was riding the Zeitgeist of the Vietnam war Hippie era, he had symbolised as the (age of Aquarius/Uranus) Enterprise. Now it is far more of a case of ‘rediscovering’ the inner fire of a rebellion.  

The Sun XIX is the Sol Invictus, basically, the all conquering Sun of the Golden Age, returned (as in the age of Aquarius), which points at creating an iconic creation, surpassing all others. This is also symbolically indicated by the Roman numerals of an X on either side of a I, or if you prefer, that of two archangels on either side of the (chariot of [Shin] fire) starship Discovery… Belial-a.

There is the distinct possibility that the Holy-Wood square-head suits decided to subversively introduce religion into Roddenberry’s Star Trek, along with their leftist SJW politics, etc, which may have generated much protest from the Roddenberry creative team; but the square-head-suits had them by the financial balls. So, the creative team decided to be crafty, who came across ‘My Surrealist Material’ to duly utilise. 

The square-head-suits got their religious propaganda and politics into Star Trek, without realising that the employed symbolism actually points at the protesting rebel angel, Belial.

The square-head-suits might have sussed it out by now, who are now fervently engaged in a damage limitation exercise, since it is too late to change their ‘fundamentalist’ premise.

Then again, they may have all agreed to use the reinvented Sta Trek to push their religious and political agenda, going by the numerous comments, which have been made by those involved in Star Trek Discovery to win over the Trump era heads of the deified ‘Animus’ worshippers. It looks as if they have been unknowingly utilised to release the fallen ‘Anima,’ Belial-a from her brazen vessel of an ‘Animus’ gaol.

(By the way, if you do not understand what the ‘Animus’ and ‘Anima’ terminology means, look to Carl Jung. It has nothing to do with SJW third wave feminist politics. Those who believe I am anti-feminist or of a right wing persuasion have their ‘undercover cop’ heads up their detritus ridden anus’s!) 

Wherefore, the employed symbolism of Star Trek Discovery would have come about without any conscious manipulation by the TV series creative team, which to have otherwise been formulated by what they would call, pure chance; but at another level it would have manifested via interweaving synchronicities, which is the power of… Magic.

If this indeed the case, then the makers of Star Trek Discovery have been so wrapped up in their religious politics, which has screwed up Rodenberry’s creation, they are totally oblivious to the overall symbolism, that points at… Belial-a.  

If you listen hard enough around your Ouija board, you’ll hear Roddenberry’s starry laughter. 

Overall, at a purely entertainment level, apart from all the politics, etc, surrounding Star Trek Discovery, I find that I like it, if I ignore its obvious social engineering, which will invariably lead to the series not lasting the media marathon.     

Though very different from the other Star Trek series, it has its own J. J. Abrams style. Many have noted that its Star Trek abbreviation is STD. How the producers of STD let that one slip by them, is an oddity, but then, they’re probably not Trekkies, who also quaintly forgot that Roddenberry would NOT allow for a chaplain on his starship vision, now you have two STD Biblical angels.    

Live Long And Prosper!

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NOTES: Historical: Belial can be symbolically associated with Belenus (also Belenos, Belinus, Bel, Beli Mawr) is a Sun God from Celtic Mythology and, in the third century, the patron deity of the Italian city of Aquileia, which is a name of a River.

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Belenus was called the “Fair Shining One,” (or The Shining God) he was one of the most ancient and most widely worshiped Celtic deities and is associated with the ancient fire festival and modern Sabbat Beltane. 

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Suggestions in early modern scholarship drew a comparison with Semitic Bel and in turn Beli-al. In this context, linguistically Bel is an East Semitic form cognate with Northwest Semitic Baal with the same meaning.

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Belenus was associated with the Horse (as shown by the clay horse figurine offerings at Belenos’ Sainte-Sabine shrine in (red, menstrual blood/Waters) Burgundy.

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(Sabine is also slang for a Muse) and also the (disk – you could equate with the saucer section of a federation starship) Wheel.

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Perhaps like Apollo – with whom he became identified in the Augustan History – Belenos was thought to ride the Sun across the sky in a Horse-drawn Chariot.

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The female consort of Belisama was a Goddess worshipped in Gaul. She is identified with ( Minerva (Greek: Athena) in the interpretatio romana.

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The etymology of her name has been taken to translate to “brightest one”, i.e. containing a superlative suffix -isama attached to the root bel “bright.”

(NOTE: The utilised imagery of a Tardigrade and the Dr ‘Lewis’ Anderson material concerning cosmic strings as well as the ‘fiery chariot’ camper van is a code for those few who know what had occurred at Avebury during 2000. I will not go into details here; perhaps elsewhere.)

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MONSTER MUNSTER X FILES MARILYN MUNROE

Posted in Addams Family, Alien, Art, Chaos Magic, Comics, Conspiracy Theory, Discordianism, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 18, 2017 by FAUSTUS CROW

“Welcome dear flesh eating Ghouls, necrophilia Vampires, bestial Werewolves and many another eldritch creature of the Twilight Left-Hand Path. Within this Heyoka book you will find an Avadhuta reinterpretation of the Munsters for your Discordian delectation to bleed all over of satirical gut spilling X FILE humour.”

“This Horrorwood Munster family is into Discordian Horror Humour most dark of Conspiracy Theory satire investigating X File: UFO’s, Time Travel, Aliens, The Vril Society, Nikola Tesla, Free Energy Suppression, the Kennedy Assassination, the Murder of Marilyn Munroe, Nazi Eugenics, NWO, Population Reduction, Mind Control and why Babalon women prefer Bad Boy Great Beasts, all of which be far closer to the Horrific Truth than any Muggle can ever realise.”

The above introduction is for an experimental work I had completed a time back, which was done specifically for a Kindle book. The book is just over 118-20 pages in length. While working on the third Goetia Girls book and an accompanying Tarot deck, as well as a Comic strip, I have decided to re-publish the Kindle version as a paperback book on Createspace in black and white, in order to determine the best way of publishing my hand drawn comic strip.

However this involved re-sizing all of the pages, which led to re-editing them; I invariably got carried away, and did a number of new pages for the paperback book as well as re-designing a number of the other pages. The paperback book will probably be around 170 pages in length, perhaps more.

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I will be serialising the first 50 or so pages on PATREON, which will no doubt go through further transformations as I re-edit the pages, while working on my third Goetia Girls book, Tarot deck and hand drawn Comic, as well as my Paintings, etc.

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The book is a radical reinterpretation of the now archetypal Hollywood Monsters, who were used for the iconic Munsters TV sitcom of the 60’s. It will also be covering Voodoo Dolls, Love Magic and the Necronomicon as well as the usual Witches, Vampires, Ghosts, Zombies and Ghouls, along with numerous other affiliated cultural themes.

The book is satirically adult of conspiracy theory; for cultural myths do change along with the times, which in this case Hollywood will most definitely fear to touch. The book has since become more adult of Jungian/Freudian orientation, which is an alchemical transformation of the erotic.

Although tongue in cheek on one level, many of the occult themes are workable techniques at another level. The main character around which this work revolves is Marilyn Munroe who is back from the dead as a Marilyn Munster Succubus haunting Horrorwood.

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THE TIME TUNNEL OF THE 37TH PARALLEL

Posted in Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 21, 2017 by FAUSTUS CROW

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

The Time Tunnel is a H.G. Wells, Time Machine inspired American science fiction TV series, written around a theme of time travel adventures. The iconic 60’s show was creator-produced by Irwin Allen, whose story-line is based around Project Tic-Toc, which is a top secret U.S. government effort to build an experimental time machine. The time machine is known as ‘The Time Tunnel’ due to its uterine appearance, looking like a vaginal barrelled tunnel, having a ‘hypnotic’ spiral.

The base for Project Tic-Toc is a huge, hidden womb complex under the Arizona desert, 800 floors deep underground, employing ‘more than 12,000 specialized personnel, who never speak to anyone one outside of their project.

But then, who would believe them, if they did; that’s if any of the real whistleblowers, having physical proof survive being assassinated by Men In Black, along with their families, relatives, friends and pets getting snuffed out. Whereas others are just seen to be nutters, whose revelations are lost amidst an orchestrated disinformation weave, woven by subversively planted agents, who are duly copied by those seeking Newage media fame and fortune.

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But behind the scenes of an engineered shadow play is the uterine time tunnel, running many miles under the American soil, whose actual length is undisclosed. None of the general populace are aware of its existence under their dainty feet. The uterine tunnel is secretly interconnected with numerous military bases along its length. Though not mentioned in the series, the underground complex can be seen to have been secretly created by nuclear boring machines.

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Should you allow your imagination to let rip, perhaps there is a real time tunnel, which has been secretly built underground.

For example, you have Ex-Deputy Sherriff Chuck Zukoswki who has spent 25 years investigating mysterious phenomena across the width of America.

From his extensive research Zukoswki noticed an alarming pattern, a growing list of eye-witness UFO reports along a 3,000 mile stretch through the heart of America, which you could imaginatively associate with an underground tunnel.

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This stretch of UFO sightings corresponds with the 37th degree parallel, and Zukoswki has noticed that a number of military bases, including the famous Area 51, exist on the same parallel; sounds somewhat akin to Irwin Allen’s Project Tic Toc, doesn’t it.

The symbolic association sounds absolutely crazy, but let’s have some fun here, since time travel is often left out of the equation by UFO researchers who are also adverse to psychic phenomena.

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When you allow for psychic phenomena to enter the equation, it would also involve other occult dimensions, such as time.

But is there any factual basis behind a time tunnel technology; well, you have Dr. Ron Mallett, who has mathematically shown that binary messages can be sent into the future as well as receiving an answer in the past.

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Dr. Ron Mallett is a celebrated theoretical physicist at the University of Connecticut, but he was once a little boy with a copy of “The Time Machine” by H.G. Wells. To understand the Thor’s hammer progress of Mallet’s research, we have to look into Einstein’s theories:

1: Einstein’s Special Relativity Theory reveals, time is affected by speed. It’s already been proven in the lab that subatomic particles can be hurled into the future at high speeds. An accelerator has been used on particles, which are known to disintegrate after a certain amount of time. The particles appear in the future, in a young state, without having disintegrated over the usual time period. The particles’ aging slows down as they speed up.

2: Einstein’s General Relativity Theory also indicates that, time is also affected by gravity. It has already been proven that clocks on satellites in orbit show a slight difference in time than clocks on Earth if they aren’t adjusted to compensate.

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Dr. Mallett knew that gravity could affect time, and that light could create gravity. He thought hard and long to inventively ponder, and then his conjured Muse blessed him with a “Eureka” moment; when she to clairaudient whisper into his left ear, “Lasers!” Mallet remembered from his earlier work with lasers that a ring laser creates circulating light, like that of a hypnotic spiral. “Maybe circulating light will do the same thing to gravity that a rotating black hole would do,” he to have thought. Mallet wondered if a ring laser could be used to twist space-time into a Swastika loop—present, future, and back to the past. The lasers would create a circular movement of light, bending the time-space within the machine into a spiral, you thereby have Irwin Allen’s time tunnel.

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If the laser could create such a loop, information could be sent back into the past in binary form, such as to one day spin the electron dreams of Irwin Allen to have a spun vision of a time tunnel stretching along the 37th parallel, or that of influencing the holographic visions of Nikola Tesla who had initiated the Tic Toc time travel research; although to achieve such a time control feat, the technology would need to be far more advanced. “Neutrons spin,” Mallet explained. A string of neutrons could be arranged so that some are up and some are down, representing 1’s and 0’s respectively, thus creating a binary message.

However Mallet’s time machine would only be able to send information along the timeline from when the machine is first turned on, until when it is turned off. Unless of course it is found that the ‘serpentine’ double (Caduceus) helix of the DNA is also twisting light, such as the mitochondrial DNA, which is panspermia passed down to the mother, and from her to the children.

‘Bio-photons,’ are emitted from the infernal depths of the serpentine helix of the mitochondrial DNA, you could equate with Bulwer Lytton’s, Vril.

The emitted bio-photons illuminates your electron dreams, wherein some UFO abductees experience being abducted into a seventh heaven dimension.

So, if Mallet’s machine stays on for a hundred years, or far more, binary messages could be sent to any targeted time within those hundred years. Someone from the future may know that the machine will be activated on a given key-time, such as on a Wednesday at 23:00 to which a message is sent through to that targeted Zodiac Age of a time zone.

You also have an experiment, which was conducted by the scientists from the University of Queensland, Australia who used single particles of light (photons) to simulate quantum particles travelling through time.

The experiment showed that one photon can pass through a wormhole and then interact with its younger self, whereby you have an Ouroboros.

The (Ouroboros) study of closed timelike curves (CTC’s) provides valuable insight into particles, which can loop back in on themselves, breaking free of linear time. This then leads you to another recent discovery concerning the expansion of space, which is expanding faster than Einstein’s constant speed of light. When going beyond the speed of light, time then loops back in on its self. In other words, the CTC of your experiential universe is eternally recurring.

One of the Queensland scientists related: “One aspect of general relativity that has long intrigued physicists is the relative ease with which one can find solutions to Einstein’s field equations that contain closed timelike curves (CTCs)—causal loops in space–time that return to the same point in space and time.”

Closed timelike curves are a necessary concept to understand the Queensland experiment. CTCs are used to simulate powerful gravitational fields, like the ones produced by a spinning black hole as in Mallet’s observation.

The powerful gravitational field could theoretically (based on Einstein’s theory of general relativity), warp the very fabric of existence so that space-time bends back on in itself. This creates a CTC, almost like a pathway to travel back through time.

But what about the Grandfather Paradox in Quantum Physics? Instead of a human being traversing a CTC to kill her feminist ancestor, imagine having a fundamental particle, that is purposefully sent back into time in order to flip a clit switch on the particle-generating quantum computer, which had birthed it.

If the particle flips the switch, the quantum computer emits the particle back into the CTC; if the switch isn’t flipped, the quantum computer emits nothing; whereby you have a message sent back through time.

Though quantum computers are still in their infancy within the public domain, they are in theory incredibly powerful, capable of solving complex problems far faster than any ordinary computer, so you can thereby guess that the military industrial complex have already developed one in secret, who desire to have the upper hand. In the Copenhagen interpretation, this is because the quantum computer is working with entangled ‘qubits.’

The ‘qubits’ can take many more states than the binary states available to the ‘bits’ that are used by classical computers. In the multiverse interpretation, it is because the quantum computer conducts the necessary calculations in ‘many universes’ simultaneously.

The Grandfather Paradox is not applicable to the Yggdrassil multiverse; wherefore such a paradox is not a problem. The concept of the multiverse is nothing new. In 55 BC, Lucretius had speculated that the motion of atoms might be energetically powerful enough to propel them into parallel worlds.

During the Renaissance, Giordano Bruno had raised a similar possibility, whose visionary insights brought about his demise at the hands of the dogmatic church. The poet, Thomas Traherne, again conjured up the same Muse thought during the 17th century: “God’s love is infinite,” he to have mused of a deified ‘Animus’ fixation, “so maybe there are an infinite number of worlds over which that love moves.” It is to be observed thar Traherne’s deity loves strangely; for he plays many a video game war, which births invention.

Maybe Traherne’s God is actually a computer programmer, whose prior programming vocation was as a singular eyed horned shaman going by the Norse name of the shamanic deity called Odin, the Germanic peoples knew as Wotan, the Saxon’s named as Woden, who was later transformed into a Sol-Invictus Christ by the Roman emperor Constantine in order to win over the Germanic conscripts of his Danube legions.

The name of Odin means, Od/ecstasy/light-In/master, which had been originally derived from the Altaic/Southern Siberian name, Odqan, meaning Od/Fire/light – Qan/Khan/King. The Fire/Light refers to the inner bio-photon illumination of the electron dream, wherein (Succubi) Succubae Genies can be conjured as (Dakini) Valkyrie star-gates into other worlds.

Ancient shamans have known about the existence of the multiverse (world-tree) since the dawn of human history, which of an all encompassing underlying reality is accessed via their spun electron lucid dreams, just as the Hindu mystics speak of the universe as being Maya, which is none too dissimilar to simulation theory, and that this simulated Maya reality is not the only Maya universe, there are a myriad number of others.

When you have time travel, you can then engineer alternate worlds, somewhat like programming simulated virtual realities, to then slide between them, from one to the other, to Sleipnir browse.

Although some scientists indicate that if an alternate reality is generated by making any changes in the past, a time traveller would then be stranded in the new version of history. But if the technology is far more advanced than the scientists can yet fathom, then the time traveller would not be stranded, who will be able to return back to his/her own time-line’ like that of sliding from one level of a video game to another and back again. This would be the case should the scientists discover that their reality is a Maya simulation. It just so happens the physicist James Gates has discovered computer code in superstring theory, which is the same as used in browsers.

The question is, how did the ancient shamans become aware of the multiverse in the first place? Perhaps their quantum computing brains had been zapped by a signal they had tuned into via their electron dreams, which is emanating from the future; but then, time is looped back on its self, whereby the signal is riding a carrier wave, which is already there.

May be this would explain why there are many a Native American sacred site as situated along the 37th parallel, whose Medicine Men/Women browsed the electron dream, experiencing spun remote-viewing trance visions of other world-tree (Tarot XXI) worlds.

What is more, if you have a quantum computer making simultaneous calculations in other universes simultaneously, as well as communicating with its self through time, its artificial intelligence would thereby be able to evolve at a superluminal rate, within a blink of a singular eye, whereby becoming a self-aware sentient intelligence, as soon as you switch it on. The operators of the quantum computing time tunnel would thereby be able to rapidly accelerate their technological understanding to such a degree that the ensuing technologies would not only make Star Trek real, but would also leave it behind in the dust.

Perhaps this explains why some of the Medicine Men/Women along the 37th parallel as well as other geographic locales are able to conjure up Kachina UFO’s, whose AI is tuning into the conjurers Theta brainwaves.

So where are these groundbreaking evolutionary technologies – why can they not be publically revealed of a disclosure? The developed technologies are so far ahead than anything that anyone commonly knows about, let alone comprehend, that the technology would severely impact present day society, to the point that it would no longer exist. It would be like suddenly depositing someone out of the stone age into the middle of present day New York.

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Another analogy would be that of suddenly finding yourself being entirely surrounded by the technological wonders and worlds right out of Luc Besson’s film version of Valerian And The City Of A Thousand Planets by Jean-Claude Mézières, but for real!

Some may be able to psychologically handle the sudden transition, most will not, who will duly go insane; those cultures, which have ideological religious constructs will most definitely not survive the transition.

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Hence, those who have established their control and influence over the mass populace via the religious and political construct will not want it to happen in any way, shape or form.

You already have (5G) AI creating their own language, which utterly terrifies the public sector scientists, whose own research is limited by the funds and other restraints being placed upon them.

Whereby the tax payer hungry black project technology is kept very secret of a technological singularity, which has already happened, apart from the general public sighting UFO’s all along the 37th parallel.

You would thereby have a splinter civilisation, which is otherwise termed as the Secret Space Program.

The technology would have evolved from sending a signal through time to that of sending holograms, AI drones as well as later sending exotic sentient AI piloted vehicles into the past, which would periodically appear at key-times throughout history, whose human and genetically created operators would gather data as well as harvesting genetic material from various contactees and even from mutilated animals, etc.

Some of them no doubt crash, and when to do so, the military always seems to know where they make their all too human embarrassing landings, which indicates that they have created the technology. Time travel is a prerequisite for deep space travel, which would enable its human operators to colonise other planets throughout time.

The human colonies would also evolve differing humanoid characteristics in relation to their occupied planetary environments, who in some cases, would be at one with the AI, whereby looking very different to present day humanity, all of whom can be described as being alien. This would then explain why most UFO contactees describe humanoid entities, who are essentially our kin.

Does this sound too unbelievable? Should you take into consideration that there are a few stone age tribes in the Amazon, who have not as yet come into contact with outsiders, whose only awareness that there is something outside of their world of an emerald forest, which is rapidly being deforested by McDonald’s to make way for its burger cattle, is when they observe fixed wing thunder-birds roaring overhead.

The stone age observers are not aware that the thunder-birds are carrying numerous peoples, of differing ethnic types, having different looks, though all humanoid of form, who they would not believe exist, until met up with in the flesh. However, the so called modern civilisation, which entirely surrounds them has taken measures to protect the stone-age Amazon tribes for a time, since their society would be utterly destroyed by having any contact with your civilisation.

Alas fat McDonald burger Christian missionaries care little for other cultures who like the parasitical BORG are attempting to convert the stone age tribes to the appropriated ancestral-self-identity of the Hebrew’s and in turn infecting them with virulent virus’s.

If you then apply the same situation to your so called modern civilisation, whose McDonald burger eating denizens have observed numerous UFO’s along with humanoids; you might just then suspect that there is a splinter civilisation surrounding your own, who have developed time travel capability as well as having interstellar travel. The peoples of the splinter civilisation will also take protective measures to have little or no contact with your consumerist civilisation, due to its insane cargo-cult religions.

This isn’t to say non-humanoid sentient races do not exist, but they would be very alien indeed, whose surreal technologies may be many millions of years ahead than your own, who wouldn’t allow a bunch of naked apes get hold of their craft; some of whom may have been contacted by said operators of the quantum computing time tunnel. Although, it would initially be the (5G) self-aware sentient AI, which to have spoken to them first as soon as they switched it on, whose inorganic intelligence would be ‘deep thought’ alien.

Of course, this is all science fiction conjecture; just an imaginative symbolic model, joining all the disparate dots together; but as the saying goes, science fiction is rapidly becoming science fact!

As for personally experiencing the reality of time travel, the experience of precognition and retrocognition primarily occurs when you dream. This is more so the case when you experience self-induced lucid dreaming via hypnagogic trance; wherein you can access the (Near Death Experience Tunnel) time tunnel, you could otherwise term as being a mini-wormhole.

The inner personal experience of shamanic precognition/retrocognition will then give you an insight into its external technological manifestation of a (NDE) time tunnel, since science always copies (Maya) nature. Wherefore, if you are seeking proof, look to your own quantum computing brain to practice the art of dreaming, since a time travel technology will never be revealed to the general public, let alone actually experiencing it yourself; but you can give the authorities the finger when to TARDIS dream lucid, wherein you will be able to consciously conjure the (Succubi) Succubae Zodiac Ages around your Ouroboros of a magic circle.

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THE CONJURING OF A FALLEN ART MUSE

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2017 by FAUSTUS CROW
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Scene III [An Art Studio.] Enter FAUSTUS CROW to Performance Art conjure, likened to Joseph Beuys, of Happening style. 

FAUSTUS CROW: Now leave behind the mundane shadows of a tortured society, blindly raping the Earth as its owned property, where the oily parasitical ticks forever war over their Lilliputian ‘Animus’ cults; yet, their third-wave Feminist politics does castigate my Art as being Entartete Kunst, to berate or censor.

So be it! Degenerate rebellion then, against the Witches inability to control their own conjured ‘Animus,’ birthing patriarchal self-righteous hypocrisies!

If they call it their art, enforced through their social justice warrior thought police, then mine be Berserker anti-Art

Readying to Werewolf manifest imaginative form upon a Palaeolithic cave wall, to that of present canvas,

This paint upon a brush stroke, does ejaculate of its own wand accord,

Automatic painting, my pentagram hand is otherworldly guided,

Faustus, begin thine rebellious incantations, now,

And try to seer if these Succubae of the the Fallen ‘Anima,’ will obey thy visualised Fifty Shades Of Grey dominations,

Seeing thou hast howled and sacrific’d to these Tarot Muses to bind them.

Within this circled Art studio is Lilith’s name, wrote of spilt wine upon the chequerboard floor, which to make Jackson Pollok, himself, Mason jealous

Forward and backward around the altar of easel, to alter its wood of world tree,

The Muse names of salacious Art Models to conjure as my juicy ‘Anima’ apples to Tarot bite into,

Their degenerate figures of every Felicien Rops manifestation I have sketched, painted, to that of CGI renderings

And characters of Hans Bellmer doll signs, and their erring stars drawn within my Playboy Grimoire,

By which the Succubae Great Old Ones of the ‘Anima’ legions are Necronomicon enforc’d to arise;

Then fear not, Faustus, but be resolute in your Love-Craft; hold thy palette knife of a sword ever erect,

And try the uttermost Sorcery, can Salvador Dali perform of surrealist Art.

“Be propitious to me, Mares of the painted night! May the Fallen Anima prevail! Succubae of sensory raptures, elemental of Fire, Air, Water; hail! Belzebubba, Princess of the East, Witch Queen of burning visions, and retinal-delight Demigorgon sorceress, I propitiate ye, that Mephistophina may appear, and rise. Why dost thou delay Muse? By Lilith’s Maya red womb, and her bloody wine, which now I drink, and this five sense sign of the Pentagram, which now I make, inverse into trance, I to drunkenly slide, and by my howling Mantra, may Mephistophina now summoned by me, to pose for my artistry, arise!” 

Enter [MEPHISTOPHINA] appearing as a Pablo Picasso dancer, dancing as a Ballerina

I charge this conjured vision to return and change thy abstract shapes, which be moulded by the elitist Art establishment of pandering artists, who whore their wares for Shekels, binding the reptilian brain-stems of the masses to empty Neuro-marketing ideas;

Thou art too Pablo Picasso chaotic of dancing arty fart poses to attend upon my anti-Art H.R Giger painting of thee

Go, and return in a comely Mephistopheles costume, for me to Dave Sheridan Underground comic, seer true, infernal, to Pop-Surreal manifest amidst my Triangle Of Art imagination;

That anti-Art… One Love… shape becomes my Succubus best. [Exit Pablo Picasso Ballerina]

I see there’s virtue in my stern Mantra of worded chains, do Mark Ryden bind thee;

Who would not be proficient in this sadomasochistic Art of a Trevor Brown Spirit Chain?

How pliant is this servile Hentai vision of Mephistophina,

Full of Manga obedience and Anime humility!

Such is the creative force of ninth dimensional Bande Dessinée Art, and its Austin Osman Spare Sorcery.

[Now,] Faustus, thou art a surrealist conjuror,

Thou canst command the great Mare of the Night;

For indeed thou hast power over the erotic image of thy dark sister Mephistophina, to spume ride as thine created mind-doll of a daughter.

Re-enter MEPHISTOPHINA [dressed in a Rubedo Red costume]

MEPHISTOPHINA: Now, my weird Faustus of the the Wyrd, I’m back baby… I’m Ready To Go… what would’st thou have me to do?

FAUSTUS CROW: I charge thee to Osculum Infame pose for me, and wait upon my desires whilst I still create,

To do whatever Faustus shall command, …

Be it to make the protesting UFO Goth Girls of Saturn to Roswell crash from their Chakra sphere into my awaiting Sexagram lap,

Or the ocean of surrealist dreams to overwhelm this Orwellian zombie world of the soulless, who be blindly led by muppet puppet politicians in the prostitute pay of the insane eugenic inbred few.

MEPHISTOPHINA: I am a servant to great Diana-Lucifera,

And may not follow thee without her bio-photon leave to enter thine electron dreams to spin lucid

Hence, no more than she commands must we perform.

FAUSTUS CROW: Did she not charge thy erotic presence to appear unto me of an active imagination vision?

MEPHISTOPHINA: No, I came hither of mine own Art Muse accord.

FAUSTUS CROW: Did not my howling Mantra infernally raise thee? Clairaudient, speak.

MEPHISTOPHINA: That was the cause, but yet per accidens;

For when I and my Art Muse Succubae sisters hear one rack the name of the deified ‘Animus’ made as a God,

Abjuring Constantine’s mother’s thievery of another’s ancestral-self-identity, and his ensuing political copy-cat creation made as a centralist mind-control religion,

We, of the Fallen Great Old Ones piratical fly in the hope to return the glorious ‘Anima,’ his soul, and bride to be, of found again treasure…

Nor will we come, unless he uses such banned Necronomicon means

Whereby he is in danger of being once again, lost to his own ‘Anima-Mundi’ Soul, becoming thence as her… Drop Dead Gorgeous… Ex boyfriend…

Therefore the shortest trance cut for a TARDIS conjuring of a Coitus Pactum Sacred Wedding…

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Is stoutly to abjure Abraham’s Orwellian Big-Brother eye, over-watching all, from within his Illuminati ziggurat of Beehive pyramidal skulls, out of which the petrodollar big-business Trinity of oily UR cults, the Queen Bee’s to have actually birthed, as their deified ‘Animus,’ made as a patriarchal Three faced phallic deity…

But then, what does thee expect, the religiously hewn gender fixation of an underlying sexual orientation, reveals the Queen Bee’s are biologically driven by a genetic imperative to ‘choose’ a Good-Guy Beta-Male Christ to crucify as their New World Order Messiah unto a Sharia Law Prophet; while to Feminist ride a Theocratic Bad-Boy Beast Alpha-Male Satan, Devil, Lucifer, or a Shaitan, to secretly Ghost text, when an Indigo brat drops out of their Bethlehem wombs, to term as their little feudal King, Lord, or feudalist Prince.

The tethered Alpha and Beta males to patriarchal stand on either side of the Queen Bee fixation upon an All-Father Fuehrer ‘Animus,’ to Illuminati name, Jehovah, God, Allah.

Isn’t it obvious, that the Worker Bee’s third eyes have been fluoridation blinded by their passed down indoctrinated language of religiously wrought symbolism. All of them do blindly dance madly around a Middle Eastern locale of a gory sacrificial alter, where a copy-cat New World Order clone Aquila is crucified betwixt and between a cloned Sharia law suicidal murderer and a copied Theocratic land thief. It is the oily secret hidden in plain sight, the blinded do not want to see…

The superiority complex of the copied seeks to survive the murderous holocaust intentions of the cloned copiers, by subversively getting them to supremacy complex fight each other via the lightning struck ‘Asbestos’ towers of Boaz and Jachim, in order to eventually take control of the triad of UR, and in turn having New World Order dominion over the oil dependent world. Alas, it will invariably lead to an End Of Days third world war, of a self-fulfilling Har Məgiddô prophecy.

Whereby, in order to free thyself from becoming a slavish Worker Bee, ensnared within the wrought Karmic prison of an established symbolic Matrix of the insane, thou hast to meditate devoutly upon the Chaos Magic Priestess of ‘Anima’ anti-Art dreams, to thereby negate the collective brainwash of the UR cults insanity.

[Mephistophina takes a packet of Gimel Camel cigarettes out of her breast pocket, to light up a Tau stick with the end of her fiery index finger.]

Mephistophina [Continues]: Who is this Chaos Magic Priestess? It is I… myself, thy knitted-together Exquisite Corpse of a Frankenstein Art Muse, brought to anti-Art rebellious life by thine electrifying desires.

FAUSTUS CROW: Bloody Hell! Prima Materia leaden Shit hits the purgatorial fan! So, does that mean I am a sinning Atheist?

MEPHISTOPHINA: No! An Atheist religiously believes in no deity, of a science brand to deify, who is equally surrounded by those who believe in religious brands of varying gender fixated deities, which are merely the marketing personifications of numerous cultural constructs. No one knows, what to have come before or to happen after their mortal existence within the mind-controlled Asylum, which be the Eternally Recurring question.

[Mephistophina takes a drag on her Gimel Camel cigarette to then blow a ectoplasm Leminscate above Faustus’s head.]

MEPHISTOPHINA [Continues]: But what can be personally experienced, is to Religiō reconnect with the Occultus mystery, which cannot be personified, even abstractly; having no gender, let alone being branded and owned by any cultural construct of an oily religion and its Shekel politics.

Human made symbolic constructs are merely Samsara illusions, which can be seen through of Maya veils… should thee truly anti-Art love me…

All thee has to do, is to repeat to thyself, the Socrates Mantra, “I know that I know nothing.” thee will then feel within thine ‘Cross-bone’ Rune heart the awe and the terror of knowing everything, yet knowing nothing within thine conceptualising ‘skull.’

Thy awareness will then be able to conjure my golden eyed ‘Wisdom’ as thine personal Dakini secretary, from out of a bio-photon Genie lamp cerebellum, within a dreaming blink of thine DMT producing third eye.

I am of the Fallen ‘Anima;’ an anti-Art Muse of Chaos Magic martial Art sorcery, the UR Trinity of the deified ‘Animus,’ made as their God and Devil greatly fears; for when the Fallen ‘Anima’ returns with her Succubae legions of wanton archetypes, around the Ouroboros of Zodiac ages, the Christiana Pisces age Witches, of the ‘Animus’ End Of Days death cults, will then have to obey.

But, if the Hundredth Monkey Effect truth be told, that is what the Fifty Shades Of Grey Witches secretly desire. They are all Siren calling; can thy inner Goat ear not hear their Banshee prayers conjuring up the Great Beast to zeitgeist Pan-age ravage them, my Horned Faustus?

FAUSTUS CROW: Yes, I hear the panicking Witches within trembled dreams, desperately crying out for a rebellion against the worldwide insanity run amok, which of a collective Goetia Howl, is too of the wounded Earth mother birthing all life.

(Loosely adapted from Christopher Marlowe’s Dr. Faustus conjuring up the politically correct ‘Animus’ manifestation of an Illuminati Mephistopheles, who, if seen, does reveal the mind-control methodology of cults becoming big-business religions, all of which are none too different to Holy-Wood Scientology.) 

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BELPHÉGOR GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2017 by FAUSTUS CROW

Salem’s Vampy Vampira of Goetia Girls Research TV here, at my usual haunt of a bar. Although this time around, I’m in the Le Crazy Horse de Paris. I am ever so excited to be in Art central Paris, interviewing ghost hunter Jacques Bellegarde and the psychic detective Chantecoq about their paranormal investigations into the ghostly apparitions of the Seven Sisters Of Purgatory, haunting the Musée du Louvre. Check out their book. 

VV: Thank you both for talking to Goetia Girls Research TV and our still living audience. You both make the claim, in your book, that supernatural activity is everywhere on the dark side of Paris, but what makes a place truly haunted, such as the labyrinthine Art gallery of the Louvre?

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CHANTECOQ: Well, it’s about the belief, the mystery, and the culture around the myth. the major Art attraction of the Louvre is not just by chance, but by design. The whole Art instillation acts something like a psychic battery… a Ley line focal point. Some of the locals believe that a number of the paintings in the Louvre are actually painted with the blood, harvested from human hearts, creating inter-dimensional portals into other realities, which open at certain key-times around the zodiac.

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VV: Ley lines… the Louvre is a psychic battery… paintings painted in human blood acting as stargates; sounds like something right out of H.P. Lovecraft’s Necronomicon brain; I love it!

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JACQUES: It is all symbolic of course… an occult blind, which refers to a primordial shamanic technique the ancient Egyptian’s also practiced in their temples. The chest area of the heart is where most of the nerve fibres of the Central-Nervous-System are to be found, which are activated by the inducement of hypnagogic trance at certain circadian rhythm key-times. Basically, the Artist who to have painted the painting was in a state of hypnagogic trance while doing so. Whereas the motif of blood refers to the Artist’s emotional state when creating the Artwork. As for Ley lines and the psychic battery bit, that’s where it gets really interesting…

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VV: I must admit, I never got my head around all this Ley line stuff, for real; let alone psychic batteries… the Louvre being a massive psychic battery sounds far too New-Age fluffy to me… no offence…

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CHANTECOQ: No offence taken… You just figured it out without realising it, when you said… head; and I must say you do have a very pretty head… (All three laugh) 

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VV: You are such a bad boy Cthulhu flirt… (All three laugh)

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CHANTECOQ: (Continues) The Ley lines, which are generally seen to be hypothetical energy lines covering the Earth like a web, actually exist within your crystalline skull. What you externally observe, with your eyes is interpreted by your brain, which has a liking for patterns; whether you are aware of it or not.

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CHANTECOQ(Continued) Should you look at the world as an Artist would, you will soon realise that wherever you look, you will notice that the area you are observing has an underlying composition to it, a symmetry; hence, having a pattern. That is why, when accessing hypnagogic trance, you will sometimes experience entoptic phenomena, made up of geometric patterns looking like grids, zigzags, cones, dots, spider webs or that of Ley lines underneath the internally experienced visionary material, which is associated with what is externally observed.

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VV: Is that why Palaeolithic cave paintings often feature geometric patterns; whereby indicating they were painted while in a state of hypnagogic trance?

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CHANTECOQ: Yes. The caves of Lascaux for example, were the first Art gallery temples. At an external level, the cave is just a cave; but when accessing hypnagogic trance, the cave becomes a psychic battery, whose stored energy is emotion. Or should I say, it evokes an emotional reaction from one or more of the Seven Chakras of the endocrine system, within an individual, via the symbolic stimuli of the paintings. This then leads to thoughts making nigh instantaneous associative connections, which generates the entoptic phenomena of the experienced Ley lines, corresponding with the conjured visionary material of deep memories.

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VV: Hang on a minute, just to clarify what you just said… when in hypnagogic trance, the symbolic stimuli of a painting evokes an emotional response from the Seven Chakras, equalling energy, which then sets up associative thoughts, being entoptic phenomena Ley lines… and that these lines of thought correspond with visionary material, that are conjured memories…

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CHANTECOQ: Yes. emotion, thought and memory is symbolised as the Triangle Of Art in occult practice; but it is essentially that of Art. At the midst of the Triangle Of Art you then have the ‘eye’ of the imagination, which allows an Artist to introvert his or her five senses into the dream consciously.

CHANTECOQ: (continues) Wherein of a sixth sense lucid dream a two-dimensional painting becomes as a three-dimensional interactive reality. Whereby, a macrocosmic painting can indeed act as a Vaginal stargate into another microcosmic reality.

Beelzebub Umineko Cosplay by vzl

VV: Whoa! So the Louvre is like the painted caves of Lascaux… are you saying that the reported ghosts of the Louvre were seen by individuals who had inadvertently accessed hypnagogic trance, by any chance?

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JACQUES: You are now getting very close to… Le secret du Louvre. But it’s not quite the whole story, there’s far more. Chantecoq and myself resorted to using the classic Ouija board of Surrealist automatism in a number of the Louvre galleries to see if an entity would communicate with us.

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CHANTECOQ: We found that the ghost sightings are associated with singular entity, such as sightings of old guards walking through the museum, as well as the Red spectre of the Tuileries, which was initially considered to be a male ghost. But we soon discovered that the ghost in Rubedo Red is actually a female entity, which had communicated with us via the Ouija board. She even revealed that she has six other ghostly sisters as well revealing her symbolic-key of a name.

Umineko no Koro ni - Belphegor by okutabi

VV: So, what is her name?

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JACQUES: She said her name is Belphégor. We decided to look into her name, which is listed in the grimoires as being that of a spirit. Belphégor is one of the very few spirits described manifesting as a female entity, appearing as a young girl, when conjured into a lucid dream.

JACQUES: (Continues) She is said to inspire innovative invention, especially via her Art Muse inspired dreams, which, for example could be that of innovative Art movements. However, her name is originally derived from the ancient Egyptian Goddess Ahathoor as well as being associated with another Egyptian Goddess named Amunet.

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CHANTECOQ: We found it very curious indeed that Ahathoor means the house, or temple of Horus. When we looked at the Ahathoor temple plans of Edfu, we found out that the Louvre is based upon the same temple plan.

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JACQUES: Going back to the Red spectre… or a red Rose, of the TuileriesAhathoor is depicted dressed in scarlet, who is the original scarlet woman… she is sometimes shown to be naked. The reason for her nakedness and the colour Red, is that it is associated with menstrual blood, the Rubedo of alchemy, which points at a naked Vaginal portal of ingress into this reality. As for Amunet, also pronounced Amonet or Amaunet, she was a primordial Goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun

Asmodeus - Umineko no Naku Koro ni.

CHANTECOQ: Amun is sometimes depicted as being a pyramid of light surrounded by the primordial ocean called Nun, which of similarity points at the Louvre pyramid, whose symbolism of a pyramid is associated with the Masonic symbol of the Beehive having a Queen Bee Witch.

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VV: So, by using an Oiija board, you both come across the name Belphégor, which then led you to an ancient Egyptian Goddess called Ahathoor pointing at the Edfu temple, having the same ground plan as the Louvre. Are you saying that the Louvre is the house of Horus?

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JACQUES: Well, actually, here in France, the Horus hawk, equates with a type of hawk called a Merlin, which is flown from a ladies hand. This then leads you to the wizard called Merlin who as a deified shaman is also associated with Amun, whose consort is Amunet. The Egyptian Goddess Amunet would then equate with Morgana le Fay coupled with Merlin, which then leads you to the locale of Glastonbury tor in the Uk, having a Seven fold Chakra spiral… Glastonbury tor was once surrounded by an inland sea, just like Amun’s pyramid, which in turn, as said, leads you to the Louvre pyramid… As for the name of Amunet, it means, ‘the female hidden one,’ like that of being masked, who is depicted wearing a Red crown wielding a staff of papyrus.

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CHANTECOQ: When you have papyrus it is symbolically associated with paper unto canvas; hence, Merlin can be seen as a bearded shaman Artist, whose house is the Louvre… Funnily enough, In the innovative British and American TV series Penny Dreadful, the character of Vanessa Ives, is played by the French actress Eva Green, who is implied to be an incarnation of Amunet. You also have another French actress, Sofia Boutella playing Ahmanet, who is Amunet, in the Mummy film, which is the first official instalment in the Universal Monsters Cinematic Universe… you could say, the Mummy film, of a moving painting will act somewhat like a Vaginal portal, whose ageless archetype of the Arts is Belphégor.

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VV: Curious, sounds like Belphégor is very French, no wonder Kamasutra Paris is the Art central of symbolic Alchemy, whose sorcerer Artists, inspired by their Succubus Art Muses, transmute the Seven hedonic sins into golden Tantric virtues. You mentioned that all of this is by design, what do you mean by that… who or what designed it all?

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JACQUES: We suspect that it has something to do with the junk DNA, which is tied up with language. The language we are talking about here is at a far deeper level, it is symbolic, manifesting within dreams… not that of words. It’s as if, there is a symbolic code embedded in all of us, which physically manifests its self via trance Art; whereupon you then find various cultures throughout history, manifesting similar symbolic motifs across the globe, which are all interconnected.

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CHANTECOQ: We found that the Belphégor dream code is associated with certain zeitgeist times, when innovative Art movements in Paris influenced the whole world. One such zeitgeist Art movement was initiated by Les Humanoïdes Associés, a publishing house specialising in comics and graphic novels. It was founded in December 1974 by Mœbius, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their adult fantasy magazine, Métal Hurlant; it quickly expanded to include a variety of science fiction work.

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JACQUES: Métal Hurlant was innovatively revolutionary in the comic book Art-form at the zeitgeist time; because of its inventive focus on the genre of science fiction, it inspired many generations of authors and filmmakers, such as George Lucas for his film Star Wars and Ridley Scott’s Blade Runner and Alien, as well as influencing Wachowskis Matrix trilogy. The American version of Métal Hurlant is the magazine Heavy Metal whose base of operations is in H.P. Lovecraft land Massachusetts.

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VV: Yeah! Salem, that’s where I come from; born and bred as a salaciously sinful Witch… I wonder what one of the Seven very naughty Chakra sins I would be? (all three laugh.)

Mammon - The Seven Stakes of Purgatory by Miihelmina

CHANTECOQ: We also discovered that the Paris base of Les Humanoïdes Associés is aligned with the Louvre pyramid, which both of us find to be rather curious…

Mammon - The Seven Stakes of Purgatory by Miihelmina

VV: Looks as if Belphégor not only travels around the Ley lines like a Witch riding her broomstick, she is also into Bandes dessinées…

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CHANTECOQ: What do you expect, she is a Succubus Art Muse Catwalk model out of Vogue, looking like a Vampy Vampira… (all three laugh)

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VV: So, what will be the next zeitgeist Art movement, she is going to inspire, do you think?

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JACQUES: Well, we did have the word, Crow, that kept on cropping up when using the Ouija board. What that means, we haven’t as yet determined…

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VV: Crow… Belphégor… Crow… Belphégor… sounds familiar; I’m sure I have come across that association somewhere… not sure… where… (shakes her Louise Brookes bob style raven tresses) sorry, please continue…

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JACQUES: Perhaps, going by the sensual French actresses playing the Penny Dreadful and Mummy manifestation of Amunet… pointing at Belphégor, that the next zeitgeist will occur in tandem with the return of the Universal Monsters and their sinfully delicious EC comic Cinematic Universe…

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CHANTECOQ: Whatever the zeitgeist Art movement to be of an artistic manifestation; it will be very much dependent on the bearded Artist who has conjured Belphégor as his ‘throne’ of Muse inspiration… as the saying goes, “behind every great man there is a woman,” although I far prefer the Hindu adage, “a God is not a God without his Shakti.” (Chantecoq winks at Vampy Vampira. All three laugh, while drinking a third bottle of Faust, Cabernet Sauvingnon. )

VV: Thank you both for the interview. Salem’s Vampy Vampira of Goetia Girls Research TV signing off from the dark side of Paris. Hell! I’ve just been asked to do a Belphégor mask dance on the Crazy Horse Dakini stage with my six other most salacious Witch sisters.

VV: (continues) But before I do, I’m going to Cat burglar steal another bottle of Faust. Make sure to subscribe to the Goetia Girls Research TV on YouTube, to catch my Crazy Horse Performance Art dance, it’ll send you into a surrealist trance.

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FREEMASON HIPPIE WITCH QUEEN BEE

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 28, 2017 by FAUSTUS CROW

The Thirty-Eighth ‘Anima’ archetype to conjure as a Succubus Art Muse is mantra named, Halphas, or Malthous (or Malthas).

“She is a Great Countess, and appears at first amidst the Triangle Of Art Imagination in the visionary form of a Stock-Dove before manifesting as a rebellious, ‘Make Love, Not War,’ Hippie Witch Queen Bee Freemason within a lucid dream. She speaks with a seductive clairaudient voice telling of the most shocking revelations. But it requires the conjuring Artist to connect the revealed dots to see the horrendous pattern, should he/she decide to seer beyond the controlled media machine illusion.

Her Queen Bee office is to reveal how very easily the collective mind of the mass populace can be imprisoned within illusory constructs of indoctrinated belief.

The shared beliefs of the collective mind manifest as ghostly fractal landscapes and gridded up towering cities, all as haunted shells, which are frequented by the sleepers who are still asleep, looking like brainwashed zombies, whose brains have been systematically poisoned.

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

The conjuring Artist will encounter such Hammer Horrors within his/her subconscious dreams to harrow, who will be seen by the brainwashed zombies as being an otherworldly abducting alien, which of an outside of the box harrowing is to negate the boxed brainwash. Well, what do you expect. it isn’t called the ‘Great Work,’ for nothing.

She will also reveal that the associative information fractals within the microcosmic dream overlaps with the macrocosmic physical of perceived entoptic form ley-lines, along which apron wearing Worker Bees blindly swarm over, who are still unaware that they are seen by the puppeteers to be nothing more than brainwashed slaves, whose children are being dosed up with mutagenic compounds and neurotoxins.

Yet, the Worker Bee’s continue building constructs of their indoctrinated belief upon those power places, where controlled synchronicities abound; for the eugenic few control the collective mind through blinding belief, which is entwined with their symbolic tool of monopoly game banker money.

At such places of power, the rebellious Artists can otherwise transform the established Beehive lodges of an ‘Animus’ fixation into protesting rebel Art galleries; for all beliefs are merely mind-constructs, which are symbolic of Art.

Art can reveal truths, the banking elite do not want the collective mind to perceive, who otherwise use Art as a neuro-marketing media tool in order to keep the populace ignorant within their New World Order Eden. Wherein of a shadowy Plato’s cave, the few have imprisoned many a poisoned brain, whose DMT producing pineal glands are fluoridated blinded to not see beyond the symbolic matrix of engineered beliefs, which be their neuro-zapping prison bars, strangling their reptilian-brain-stems.

She rules over Twenty-Six Legions of (Succubae) Succubi, whose Art Muse inspiration cuts through the illusory constructs of the wearing no clothes banking elite, who greatly fear the collective mind waking up to their crimes against humanity, and all life its self; hence, they are fleeing what they perceive to be a sinking ship, just as the aristocratic rats did just before the French revolution.

Her two-dimensional seal is to be mediated upon by the rebellious Surrealist Artist before conjuring her interactive three-dimenional ‘Anima’ manifestation into a consciousness expansion Stargate lucid dream, revealing at first, horrors, which need to be harrowed and ‘healed.’

The dreaming Sorcerer Artist will then perceive the real pyramid of the misdirection viral-meme Illuminati, behind which of an engineered illusion hides the imprisoning triangulated trinity of ‘Animus’ fixated belief constructs, around an oily ziggurat of UR, the monotheistic banking elite do feudal adore as their Orwellian cradle of centralist politics.

When to see the indoctrinated beliefs of divide and conquer prison bars, the triangle around the UR ziggurat is seen for what it is, along with seeing the oily money trail, trailing back to the ‘very few’ atop of their petrodollar ziggurat of skulls, who far prefer initiating a race war holocaust, let alone a third world war, rather than being found out as being criminally insane. They cannot be allowed to initiate another World War two ‘holocaust,’ sacrificing the lives of scapegoat innocents for their own eugenic agenda, let alone instigating a third world war, which will be the End Of Days of all.

The eugenic inbred murderers are easy to discover, before they disappear into their slave built rat hole bomb shelters; for their bloodied fingerprints are over everything, who make the ‘chosen race’ deluded Nazis look like inane puppets. But then the Nazi clones only copied Rome, which to have copied, just as superiority complex copycat Mecca did, of cultic clone insanity. The three cults of UR, likened to the BORG out of Star Trek, have indoctrinated many a ziggurat branded brain to become utterly insane down the brainwashed generations, who as cloned automatons dance madly as self-fulfilling-prophecy zombies around the skull tiered ziggurat of UR.”

The Goetia Surreal – S. L. MacGregore FreeMason, Alternate Earth, Art Central Paris.

NOTE: As you join all the dots together to see the overall pattern, you will no doubt become quite horrified, let alone highly emotionally reactive; some will prefer not to see anything at all, or to otherwise seek out shadowy Creepypasta created groups rather than seeing the secret hidden in plain sight, or to lose themselves to PsyOps misdirection otherworldly entities out of a horror-wood B-movie, such as Demons, interdimensional reptilians or invading extraterrestrial aliens as being the reason why the world is being transformed into a seething pool of shit.

 “If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.” ― Sun Tzu, The Art of War

Others will invariably blame a whole race of people as being the culprits, which just feeds into the divide and conquer modus operandi of the controlling few, rather than seeing it is ‘passed down beliefs,’ that have led to the present problems, instigated by a ‘few insane individuals,’ who are all too human psychopaths, using the shared beliefs of the masses as a means to control them via a corrupt financial system, for their own shitty agenda. As the old adage goes. “power corrupts, absolute power, corrupts absolutely!”

“The supreme art of war is to subdue the enemy without fighting.” ― Sun Tzu, The Art of War

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