Archive for ritual magic

ART MUSE EVOLUTION

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2017 by FAUSTUS CROW

How did the naked ape become so smart, and what initiated it to happen? To untangle this age old question, anthropologists have been seeking to discover archaeological artefacts, which reveal the evolving intelligence of our human ancestors who lived 1.8 million years ago. It was at this point in the far distant past that a new type of stone tool had erupted upon the scene along with the human brain nearly doubling in size.

Some researchers have suggested that this more advanced technology, coupled with a bigger brain, implies a higher degree of intelligence, which was propelled by the first signs of language.

But there is another driving force propelling this evolutionary leap in tool making, which is far more basic, yet profound in its implications. It was driven by the biological imperative to be seen as being attractive to the opposite sex.

Basically, the ape with the bigger chopper got the females attention, because with such a tool, he could provide the necessary fodder for his mate and progeny.

This of course also required him to have a bigger brain pan to create a better and far more efficient chopper than his competition, whereby enabling him to sow his seed, siring ever more cleverer apes.

Some of whom would escalate in intelligence, becoming far too clever for their own good, but that’s evolution for you!

Let’s imagine a scenario, you have a lumbering giant of a cave man looking like Arnold Shwarzenegger with pumped up bear brawn, having the biggest red ‘Animus’ arse around, facing a spindly little cave man looking like Jim Carrey. The spindly cave man appears to be inanely grinning, for some unknown reason. All the cave women are pulling their hair out, frothing at the mouth, baring their breasts and buttocks, lustfully screaming.

The cave women are howling for their red ‘Animus’ arse favourite to attain the right to mate with them, who are expecting him to entirely decimate the little inconsequential cave man. Even the girls, who, like their mothers, scream out for the apish bear to win; but then, girls emotionally mature far more quickly than the boys do.

As the giant goes in for the kill, the little cave man suddenly pulls out a slingshot, to quickly let loose a sharpened stone at the bear sized ape. Whack! Right between his drooping testicles, the giant crashes to the ground with his red ‘Animus’ arse up in the air. All the cave women are stunned senseless. Intelligence has won over bear brawn, the new evolutionary aphrodisiac!

But, without the need to mate, the spindly cave man would have never been able to create a slingshot in the first place to give him the edge over mere brawn. Sounds a bit too cave man basic doesn’t it. Let us move forward in time to the glory that was ancient Greece, to see a horny sculptor sculpting a Venus out of marble with his advanced tool, or that of a sweaty renaissance Artist painting a canvas, inspired by an Art model Muse, who also drove the scientist absolutely Einstein crazy, creating varied technological tools. I shit you not, the Faustian scientist entered into an Osculum Infame Coitus Pactum with his Muse!

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Your programmed brain might consider that this generalised interpretation is politically incorrect let alone sexist? Well, it isn’t, it takes two to tango. It has always been a case of a Yin-Yang team effort in order to survive all those great mammals, which made your ancestors look like tiny meals on bipedal legs. However they had those nifty hunting tools, bringing down Mammoths, which they also used to defend themselves against sabre tooth tigers and cave bears, etc; to have later created the technological wonders you presently know now, where weapons of mass destruction equates with having the biggest Area 51 Freudian chopper, rather than looking towards the Star Trek stars.

Alas, the bad-boy naked ape having the biggest bad arse chopper on the block, always gets the chicks hot for what’s inside of his beastly pants. There is an ancient Hindu adage, that goes, “a God is not a God without his Shakti. In general the term, Shakti means the feminine principle, who is the creative inspiration and meaning of all life itself. Another old adage is, “behind every great man is a woman,” which is presently considered to be extremely sexist.

However, when to look into ancient cultures, such as ancient Egypt, for example, a Pharaoh crowned as a Horus derives his power from the throne, which is seen to be Isis female, just as a Merlin hawk of a Myrddin is traditionally flown from a ladies stroking hand.

That is why women have been depicted having the hots for the horned Devil, who is actually a horned (Merlin/Myrddin) shaman. In other words, the driving force behind the evolutionary creative impulse of tool making is the biological imperative to be attractive to the opposite sex, otherwise there is no evolutionary furtherance of life. The same would be the case on other alien worlds.

You might ask Is there any hard evidence of the evolution of intelligence being entwined with evolving tool use, which enables a tool using naked ape to become more attractive to the opposite sex? It just so happens, there is some evidence.

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A recent study of brain scans have revealed that when heterosexual men are shown pictures of scantily clad women, the region of the brain associated with ‘tool use’ immediately lights up.

This also indicates something else, concerning the shamanistic usage of erotic mediation images in order to activate the region of the brain associated with tool making, which of an ancient technique enables the conscious conjuring up of personified ideas as ‘Anima’ archetype Muses within lucid dreams.

A Tibetan Bonpo shaman would otherwise term a Muse as being a Dakini, whose inner manifestation enables consciousness expansion into other arenas of fiery perception, beyond the subliminal programming of a particular culture, which has a Playgirl emphasis upon the deified ‘Animus.’

As for the caveman usage of anthropomorphic symbolism, the present day UFO researchers misinterpret as being representations of alien hybrids; the sky-walking void-going Dakinis are often associated with particular archetypal animals, which symbolically represent subconscious energetic qualities. These energetic qualities can be tapped into when conjuring a particular animal headed Dakini. For example the wrathful wisdom Dakini called, Simhamukha initially manifests as a lioness, before assuming human form within a lucid dream.

The same type of anthropomorphic symbolism is utilised in the Playgirl grimoires where you have ‘Animus’ archetypes initially manifesting as various animals. The Muses also initially manifest as animals; it is one of the primary reasons why tools, such as ships, cars and computers, etc, are often given animal names as well as being traditionally seen as being feminine of quality by males, in the main, which at an unconscious level alludes to the tool making part of the male brain being activated. Should a heterosexual male practitioner sheepishly externalise this symbolism as being literal, it will invariably lead to animal welfare officers as well as the police becoming involved.

The finding that sexual (meditation) imagery activates the tool-making part of the male brain gives a whole new slant on the exclamation ‘Eureka!,’ which is famously attributed to the ancient Greek scholar Archimedes having a tool making insight when stepping into his bath. I will leave it to the women to imagine what he was actually doing of a meditation exercise upon Athena, just before bathing his illuminated… head.

However the findings have been mundanely interpreted as indicating that men dehumanize women as being mere sex objects, which of a commonality is seen to be molded by society. Whereupon the ‘Animus’ fixated religions, such as Islam, women have to be entirely covered up head to toe.

The experiment was orchestrated by the lead researcher Susan Fiske, a psychologist at Princeton University, who seems to have entirely missed the evolutionary point of a Eureka finding, who would prefer women being entirely covered up, that, or chemically castrating the ‘Anima’ imaginations of the male population.

“If a similar study were done with women,” Fiske told National Geographic News, “it would be hard to predict whether a woman shown a scantily clad male body would dehumanize him in the same way.” Well, she probably wouldn’t do so, if he hasn’t got a big enough chopper, I mean, stone axe, who would be the type of fellow who finds himself in a dead end job. Although he could potentially bounce out of a pandering shit pan job, should he rebelliously conjure an inspiring Muse amidst his Triangle Of Art Imagination.

Whereas a very crafty Witch would meditate upon an image of an archetypal expression of her deified ‘Animus,’ such as a Good-Guy Beta-Male Angel or an Alpha-Male Bad-Boy Daemon listed in the commonality of the patriarchal Playgirl grimoires, to then conjure up her tool making desire into a lucid dream, and on waking, to thence hunt down her ‘Animus’ projection in the crucified flesh, upon an intuitive synchronicity. Who knows, she may even birth an Indigo Moon Childe mutant of yet another evolutionary leap.

Suffice to say, said chosen male would not know what’s clubbed him, who will then have a primordial tool brain need to create lots of gadgets around the house for his Babalon, that, or having the big-bucks to acquire them from other Muse inspired inventors who are also being ridden as Great Beast’s by Babalon’s.

A number of evolutionary psychologists, who are far more honest than Fiske, have proposed that women tend to look for mates who have wealth and power; whereupon some of Fiske’s colleagues have suggested running a similar test where women are shown pictures of scantily clad Chippendale males next to expensive Merkaba cars or other affluent Playgirl grimoire symbols of tool making prowess.

However, Fiske doesn’t think such an experiment would work the same way, because she sees women usually reacting to men who they desire by “interpreting their minds, thinking about what they’re interested in, and then trying to please them,” she said, which indicates her agenda is far more subjectively political than objectively scientific.

There is ample scientific proof, which indicates that women also objectify men in the same way that Fiske and her cohorts are attempting to scientifically prove that males are the only sex who objectify women. The difference is that males are far more visual; whereas, women are turned on by how a male communicates him self. Hence women are more into ‘literary’ erotica, not so much that of visual stimuli.

But what Fiske to have also revealed without realising, is that the fallen ‘Anima’ fluctuations of the Art Muses act in the same way, like that of conjured schoolgirl (Succubi/Succubae) Dakinis who inspire the tool making brain of a conjuring Tantric headmaster.

When to presently look around, or to investigate bygone ages of innumerable written or illustrated examples, across all cultures, women expertly interpret male minds, by figuring out what they’re emotionally interested in, in order to stop them from sowing their oats elsewhere. Hence, like Hens, women are highly competitive with other women when choosing mates.

But only if the desired males have bigger and better tools than the other Peacock males. It isn’t Atomic rocket science, it’s genetically-hardwired nature, which cannot be socially engineered out of existence. Should you intelligently work with mother nature, that’s fine, but if you fight against her, she’ll bite back, and she’s a bitch!

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HORROR MUSE ALICE SAMIGINA OF NECRONOMICON WONDERLAND

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Poltergeist, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 28, 2016 by FAUSTUS CROW

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The above Artwork is A4 in size, drawn in pen-brush and ink pen, on heavyweight cartridge paper. which was then coloured, using Derwent and Prismalo Caran D’ache watercolour pencils. The Artwork was then Painted. The watercolour painting is provisionally entitled: The Conjuring Of Wyrd Alice Samigina.

The original Artwork of Samigina is presently on Sale, on Saatchi Art. If you are interested, Please Click Here. 

The Artwork depicts an alternative version of Samigina, otherwise called Gamigin who is listed as being the fourth spirit in the Grmoire, entitled the Goetia.

“The Fourth Succubus of the Goetia is Samigina, a Great Marchioness. She initially appears in the form of a My Little Pony Princess Luna, amidst the Triangle Of Art Imagination, likened to a rocking horse or that of a latex clad Girl on all fours looking like a fetish hobbyhorse.” 

“And then appearing as a Gothic Alice In Under-Land, she to change herself into at the request of her Mad Hatter of an Ansuz Rune Art master.” 

“She speaks with a seductive voice, having Cheshire Cat feline wiles, loving spilt cream of an offering. As a Vajrayogini She rules over 30 Legions of Succubae Lost Girls, the writer, Alan Moore and the artist Melinda Gebbie to know all about of Tantric archetypes, who populate the informational realms of the collective dream, as knit-together Tulpa programs.” 

“She teaches all Arts as an Art Muse, who to guide her master through her Yoni looking glass of an inner wormhole into surrealist wonderlands of the dream. And she gives account of those Artists who broke through Ring-Pass-Not sexual Taboos, such as Hans Bellmer, Balthus, Stu Mead, Mark Ryden, Trevor Brown and Milo Manara, etc, whose artistry is considered to be Entartete Kunst sinful; though enticing many a quantum computing brain into a Luna Art gallery, which to also exhibit Ninth Art underground comics of symbolic alchemies, stirring virtual reality dreams.” 

“And her abstract Manga Seal of the multiverse world tree of an Artist’s easel, to which she be tethered and bound, is to be meditated upon, before the Sorcerer Artist conjures her ‘Anima’ fluctuation into his Surrealist dreams, wherein he becomes as her Anime Invocator, etc; though, two-dimensional of meditative image, she manifests as a three-dimensional interactive reality within a Cool World lucid dream.” 

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THE CONJURING OF A SUCCUBUS ART MUSE INTO A LUCID DREAM

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 6, 2016 by FAUSTUS CROW

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The Conjuring of varying entities and those worlds, which they occupy, many an Artist to know. The practice of Conjuration is engaged in whenever the Artist is confronted by a blank canvas onto which is Conjured a form. This requires an emotional connection with what is to be Conjured; for it is the emotional charge of the Artist, which animates what is being visualised.

The visualisation phase engenders thought processes, which automatically kick in, generating a myriad number of symbolic associations, which can take on manifested form within a lucid dream.

The symbolic associations are determined by what is being visualised. The visualistion will be of differing intensities depending upon the emotional charge of the Artist.

Most often than not, the visualisation will be more of an impression than a fully fleshed out form; at other times, it will be quite vivid, though fleeting.

Sometimes it will be very vivid of an overlapping ghost reality. Whatever is Conjured of a form, will be constructed from innumerable symbolic associations, which are derived from the memories of the Artist.

Everything that the Artist has ever experienced is stored within the subconscious, being the storehouse of memory. You then have a formula of: Emotion, Thought and Memory, which can be termed as the ‘Triangle Of Art.’ At the midst of the ‘Triangle Of Art,’ you have the ‘Eye’ of the ‘Imagination.’

It is the inner eye of the imagination, which, of a ‘Paranoiac-Critical Method’ example, fuses the memory of a Fox with a human figure of, say, a Hogwarts Witch of a schoolgirl, which then creates something else of a St Trinian ‘Exquisite Corpse’ Conjuration, you could knit-together as a Manga version of a Japanese Succubus, known as a Kitsune.

This will of course require the Artist to have the necessary ‘observational’ memories concerning Japanese culture, which will be Conjured up automatically.

If not, the Artist will then have to rely on references. Whatever the case, when the Artist observes everyday events, it is not done in a haphazard way; the Artist has to make it a habit of consciously transforming what is being observed into a sketch, let alone a painting within his/her imagination.

The character of a Kitsune does not exist in a void; wherefore, her Conjuration will then generate associations with everything Japanese drawn from memory of ‘re-remembering.’

So, when the Artist manifests her upon the canvas, it will then lead to an associative world being painted around her.

The trick is, the stronger the emotional connection the Artist has with the initial Conjured character of a Kitsune, it will then lead to a free-flow association into her world.

The intensity of the creative act, is its self a form of meditation, and like a martial art, it best occurs when the analytical mind does not interfere. This requires that the emotion is felt by the body; in other words, the emotion is transmuted into a feeling, a shaman would say is felt by the heart, where the ‘power of (hypnagogic state) trance’ resides.

This then leads to a (Theta brainwave) state of automatism, where the Artist is not thinking about what is being painted, it just manifests via the (pentagram) hand, guided by the eye of the imagination.

With continued practice it can initiate vivid dreams, leading to a state of lucidity; this will in turn engender concordant synchronicities. The experienced synchronicities will reflect back the symbolic focus of the Artist, who, when to observe the synchronicities, to take further of artistry, becomes as a Shaman.

However if an individual is unprepared for the feed-back-loop of synchronicities, which will reflect back his/her ‘symbolic’ beliefs, such as dreaming about a subject, to then, upon awakening, suddenly overhear a conversation about what had been dream’t, or even prior thought; as well as losing and finding items under mysterious circumstances, or seeing an email from someone, he/she was thinking of, before seeing the email, etc, said individual might just become very paranoid.

The experienced paranoia is a reactive state of the unprepared conscious mind, which is esoterically termed as entering ‘Chapel Perilous;’ basically, the mind attempts to come to an understanding of what is going on, based upon what has been learn’t, which invariably does not allow for such phenomena to be recognised, whereby his/her belief system starts to fragment, being the Nigredo stage of the Great Work of Alchemy.

This can initially lead to an individual believing that his/her life is being subversively manipulated by secret agencies of the government, to even see men in black around him/her upon a synchronicity, or to believe he/she is being pursued by malign Satanists, Biblical demons, or Newage-Gnostic aliens, who experiences assailing Illuminati nightmares, along with those who feed into the fear, whose ulterior motive is to exacerbate the paranoia even further, which of a hidden agenda is to enslave him/her within their ring-pass-not symbolic construct, etc.

The Nigredo stage will continue of disintegrating madness until the individual realises of an Albedo stage of inner Alchemy, that his/her (microcosmic) dreams reflect back himself/herself, and likewise the feed-back-loop of concordant (macrocosmic) synchronicity.

When to then transform his/her symbolic beliefs, the dreams of the individual and the experienced synchronicities will then accordingly change of an Alchemical Rubedo stage; whereupon the individual becomes aware of the reality of Magic in his/her life, which is the goal of the ongoing Great Work to evolve consciousness.

Hence the Artist, Austin Osman Spare extensively practiced (automatism) automatic-drawing, which he made as his symbolic Alchemy of (metaprogramming) sorcery practice. Alas, there is hardly any documented examples of his technique, apart from what he had described in his esoteric writings.

But the Artist Kim Jung Gi demonstrates what Spare was speaking of who is a supreme Martial Artist of the Arts. There will of course be those who to argue that Gi’s work is not automatic, which of commonalty is usually defined as a return back to a childhood spontaneity by many a so called Modern artist drawing scribbles a 2001 Space Odyssey ape can too doodle, or that of allowing the subconscious to chaotically take over, as if it is some David Icke reptilian with a planet X mind of its Freudian own, or otherwise equated with archetypal entities possessing a Jungian Artist.

Don’t get me wrong, I have nothing against Modern art; but it has far more to do with ‘who you know,’ rather than ‘what you know.’ However, Gi has the childhood spontaneity of being at one with his subconscious mind, like Spare, to such an extent that his inner Conjuring of various characters (spirits) and their (dream) worlds Gi is able to ‘vividly visualise’ with his inner eye of re-remembering onto paper, without using any references, let alone avoiding being esoteric about his artistry, which to freak out many a square mind, who make up the majority of the audience. In other words, Gi draws as a child would do, who can… actually draw.

There are those square brained sceptics who argue that a Conjuration of a spirit is merely Hogwarts fantasy, who, when to dare practice, gibber their rituals, read out of a medieval Playgirl grimoire in an empty room, seeing nothing appearing. Well, what do they expect, they are not thinking correctly, who to have quaintly forgotten that the Art of Magic is that of Art.

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The trick is, you have to think and act like an Artist, to otherwise practice Conjuring a spirit onto a page, within a book of shadows sketch-pad, to thence draw of manifestation; but first, you draw within your mind, whence your inner eye to then guide your pentagram hand.

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You will then have a Succubus Art Muse to appear amidst your Triangle Of Art Imagination, to seer the Muse taking on an Art Model life of her own of a drawing, the sorcerer Artist Austin Osman Spare to have known, who was aware that the drawn image has an interactive informational reality within the experienced dream.

She to then guide your winged eye of the Artist into her uterine tunnel of the Active Imagination, which of Art, is Sorcery.

As an Artist, you to stand as the creator at the centre of your Magic Circle of an Art studio, divided of four quarters, surrounded by your elemental weapons of a Wand of a Brush, Palette of a Shield, Sword of a Palette Knife, and a Cup, wherein the colours of your Art are mixed of Alchemy.

The Altar is your Easel, upon which be the canvas of a one time cave wall to paint with Metals suspended in oils, when to conjure up a quintessential Succubus Art Muse out of your Triangle Of Art imagination. Her Mind-Doll form of a symbolic expression can be knitted-together of an ‘Exquisite Corpse’ Tulpa, which of symbolic Alchemy, will pertain to one of the seven planetary (Chakra) spheres of an archetypal influence.

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The initial two-dimensional image is then but a ‘doorway’ into your creative mind of an Artist, a conjured Succubus Art Muse to Symbolist inspire; who, depending upon your emotional intensity, may then manifest as a three-dimensional reality within the temple of a Surrealist ‘lucid dream.’

As a Sorcerer Artist, you might also observe that the conjured symbolism of a particular Succubus Art Muse within a microcosmic lucid dream, or that of a vividly imagined evocation, will generate concordant macrocosmic synchronicities.

Said synchronicities may lead you to meet up with a Muse of an Art Model, you have already depicted within a painting of oiled flesh, for yet another painting to model for, of Sorcery Art.

Such is what I explore of artistry, to take further of experimentation. Should you be one of those who to scream that you cannot draw, I am sure that you can draw a stick figure, like those depicted in Palaeolithic cave paintings, or likened to those of hieroglyphs, you can create as your colourful Sigils of Howling Conjuring.

  

 

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TIME TRAVEL WITCH PONY-GIRL

Posted in Alien, Art, Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 14, 2015 by FAUSTUS CROW

The artwork above depicts an alternative version of the fifty-fifth spirit called Orobas, who is listed in the the Grmoire, entitled the Goetia. The conjuration of Orobas has been popularised among the occult fraternity by the American author, lecturer, musician and occultist, Lon Milo Duqette, who described summoning Orobas in his autobiography: My Life With The Spirits.

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Duquette’s conjuration of Orobas occurred before his ascent to fame, which at the time had initiated some intriguing synchronicities.

Orobas is classically described as being a male entity of an ‘Animus’ archetype, who initially manifests as a small ‘Horse,’ before assuming human form.

Whereby, when you reverse ‘Animus’ fixated symbolism of the Playgirl grimoires, to otherwise imaginatively have an ‘Anima’ expression of a Succubus, you then have the symbolic motif of a Ponygirl, who can also be equated with a Witch, to name as Orobasi.

The name of Orobas is derived from the word: Ouroboros, which is a term for an ancient symbol of a snake eating its own tail.

The symbol of the Ouroboros describes, Eternal Recurrence, which a physicist would otherwise term as a closed timelike curve; this leads you to time-travel. Hence that of the symbolic association with Doctor Who’s TARDIS.

The shamanic deity of Norse mythology, called Odin, the Saxon’s named as Woden, is the ancient forerunner of Doctor Who.

(Doctor Who was originally a Male Role-Model, before the heavily controlled mass-media decided to Socially Engineer Doctor Who for their political agenda.) 

Odin, rode an Eight-Legged-Mare called Sleipnir, which can be equated with Doctor Who’s TARDIS.

Orobasi manifests as a Succubus manifestation of the Fallen ‘Anima,’ whose archetypes have been castigated out of the the ‘Animus’ dominated paradigm.

The above artwork at the head of this article is a depiction of an ‘Out Of Body Experience,’ of which the dreamer is carried by the Ponygirl, Orobasi through time, within a lucid dream as Doctor Who, of a youthful memory.

Then again, perhaps the dreamer has departed from this mortal coil. What the dreamer, or discarnate soul of the individual to then experience is somewhat similar to Little Nemo In Slumberland; although his out of his ‘Skull’ Bardo adventures are somewhat ‘Crossbone’ trance ‘X’ rated.

This leads to his future self being able to influence his own past via a self induced lucid dream, which of an ability is symbolised by (Orobasi) the Ouroboros.

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Basically, he possesses his own self, and should he remember his future self, now as a dream, to once again awaken as a youth, he is then able to recreate himself anew; for his elder self has beckoned back through time via his own dreams by riding Orobasi.

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DINOSAUR GIRL LARA CROFT RONOVE

Posted in Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Dinosaur, Film, Goetia Girls, Lucid Dreaming, Occultism, Paleontology, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 25, 2015 by FAUSTUS CROW

The twenty-seven year old professor in palaeontology, whose name is Ronovea, became rather notorious when she was featured in the Playboy Grimoire entitled the Goetia. Ronovea decided to become a whistleblower, who revealed that the British Natural History museum has a Stargate in its infernal basement.

Her revelations did not go down at all well with the shadowy curators of the museum, whose secretive agenda is to influence the past so that they can control the present, whereby owning the future.

The shadowy curator’s were further aggravated, since Ronovea allowed some photographs of her self to be published, which depicted her raunchily riding a raptor, during one of her time-travelling escapades back into the prehistoric past.

Ronovea is often equated with the iconic video game character, Lara Croft by many a male paleontologist, whose erotic ‘Anima’ manifestation inspires their scientific endeavours; for she knows of their deepest reptilian brain-stem desires.

For example, John R. ‘Jack’ Horner, born June 15, 1946, has a signed art print of Ronovea riding Godzilla, which he has placed above his altar of fossils in his office.

Horner is an American paleontologist who discovered the first clear evidence that some dinosaurs cared for their young. Horner is one of the best-known paleontologists in the United States.

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In addition to his many paleontological discoveries, Horner has served as the technical advisor for all of the Jurassic Park films, and even served as partial inspiration for one of the lead characters, Dr. Alan Grant. Horner had studied at the University of Montana and was awarded an Doctorate in Science honoris causa.

Horner related, “Ronovea is like a Goddess to me, she is my inspiring muse of the Great Old Ones. Like the Hindu, Shakti, her sacred colours are that of red and white, along with black, which too equates with blue, like the colours of the Union Jack, which incorporates the X Rune crossbones of trance and that of the solar cross of consciousness. She is an aristocrat, who is a Marchioness, although my fellow Masons call her the Countess.”  

“What! You’re a Freemason?” The interviewer enquired; Horner deftly sidestepped the inquisitive question as he poured himself a glass of Jack Daniels, who then said, “she doesn’t like the title, Countess; though she takes it all in good humour. Ronovea is more than just a time-travelling palaeontologist, she is also a Witch, who has taught me how to time-travel within my lucid dreams into the far distant past of prehistory, via which I can contact my reptilian ancestors.”

The interviewer observed Horner putting a fossilised insect, incarcerated within a small piece of amber into his glass; “that is how I make so many amazing discoveries in my field; but then we are all imprisoned within amber time. The ability of lucid dreaming is where you awaken the ‘sixth’ sense. The dinosaurs weren’t wiped out, they live on, within us all. Ronovea pointed out to me that a remnant of our dinosaur kin, is our reptilian brain-stems, which is very much involved in language; for much of the neural processes concerning our use of language is subconsciously automatic, over which your reptilian brain-stem has governance.”

Horner eventually answered the interviewers initial question after gulping down his drink, without swallowing the amber; “yes, I am a Mason of the X Rune raptor crossbones. We are taught that whenever a word is spoken or read, it instantaneously ‘conjures’ up an associative ‘web’ of corresponding symbols within your subconscious mind, of which you have been taught to associate with the sound of a word. Wherefore, when to speak, read or write, you are conjuring up spirits, which are all as ‘nailed down’ symbols, to make manifest, amidst your Triangle Of Art Imagination, without even realising it.”

Horner continued. “Hence we are all practicing Ritual Magic everyday; more so at night, when to conjure up associative symbols within our dreams of Sorcery. Although, my poster of Ronovea, is just a two-dimensional image at a conscious level; she can become as a subconscious interactive three-dimensional reality, within my virtual reality lucid dreams, as an inspiring Succubus aspect of the fallen ‘Anima.’ That is why I play Tomb Raider, of a symbolic meditation tool, concerning Ronovea, which greatly facilitates my lucid dream conjurations of her.”

Horner further related. “You may find it all rather odd, but the utilisation of iconic symbolism, is very much what the science of neuro-advertising is geared towards understanding.”

Horner then said, “Ronovea is at war with the those who misuse neuro-advertising, whose intention is to subversively influence your reptilian brain-stem for political ends; it’s basically mind control. This is achieved via the manipulation of an established symbolic language form, which is invariably religious of nature.”

“Can you also tell our audience about what Ronovea revealed about a Stargate,” the interviewer asked. Horner was silent for a moment, before answering,the Stargate, exists within you; it is the ability to travel through time, within your lucid dreams, of an inner museum, which intersects all periods of time and that of other worlds.”

“So, the Stargate is not a hard-technology; it otherwise symbolises a psychic ability.” The interviewer to question, which made Horner slyly smile. Horner answered; “it is both. If you have an ability, which science will one day understand, to thereby translate into a hard technology; then you also have a physical Stargate.”

NOTE: Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of politically motivated social-engineers utilise what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses.

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NIGHT-MARE SUCCUBUS TIME TRAVEL DREAMS

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 6, 2015 by FAUSTUS CROW

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I utilised the Succubus conjurations as a means to explore potential abilities, which can be construed as being psychic. When as a youth, I decided to conjure up a Succubus in order to induce the psychic ability of precognition and retrocognition.

The employed technique required implanting the focused upon symbolism of the Succubus into the infernal depths of my subconscious mind. The implanted symbolism would then become as a trigger within the dream. The trigger-symbol enabled lucidity to be attained, when it was recognised within the dream.

The initial erotic focus upon the Succubus involved introverting the sexual impulse so that its emotional energy of a charge empowered the spin of an electron dream. This was achieved when creating artwork depicting the Succubus, which was also meditative of practice. When creating the focused upon two-dimensional imagery I also utilised a name of the Succubus as a Mantra, which I repetitively intoned of a Spell, while I worked upon the images of meditation.

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The imagery of the Succubus was that a knit-together Frankenstein construct, of a symbolic formula. This involved a fusion of symbols from popular culture and mythology, symbolising my desire to attain the remote viewing ability of precognition and retrocognition, within a lucid dream, which is essentially a form of time travel.

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My experiment at the time was to access retrocognitive information pertaining to a particular geographic locale in the far distant past.

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The creation of the focused upon imagery eventually led to a number of dreams, within which I noticed the implanted symbolism of the Succubus was starting to formulate of a three-dimensional inner reality. The initial dreams tended to be highly erotic of nature.

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This then led to the experience of the Old Hag Syndrome, of sleep paralysis, as well as that of a formless Bedroom Invader presence entering the room, which is an initial phase of hypnagogic trance ingress into conscious dreaming. When experiencing the Old Hag Syndrome, I called out the Mantra name of the Succubus as well as visualising her (Sigil) seal.

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I then experienced having an out of body experience, to then find myself consciously entering into the dream. I observed my still sleeping body upon the bed and that I was standing in my room, looking out of my window, though, at a distance from its slider portal of a kind of inner time tunnel.

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What I could see of a scene outside of the window was not of the usual urban environment. What I saw looked to be a desert terrain over which loomed tortured orange clouds. I thought at first that I had successfully accessed the desired time period, until I smelt an overwhelming scent of death and decay when getting closer to the window of a portal.

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I decided to look out of the window of a portal to see where I actually was. It was at this point I realised that the scene was of a scarred WWI battlefield, somewhere in Europe, possibly France. I then noticed what appeared to be a rather bedraggled German soldier wearing a gas mask, looking up at me, who had a flame thrower.

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I had the distinct sensation that he was observing me, as if I was some kind of ghost, hovering in the fetid air above him, as some kind of winged eye of an orb. I felt that the soldier was severely traumatised by his horrific circumstances, as well as being shocked by what he was seeing.

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From my vantage point, the German soldier was standing in the approximate area at the end of my garden. I then awoke from the dream, feeling somewhat drained due to the vivid intensity of the dreaming experience, since I was also accessing aspects of his life and other associated information. Of course, I couldn’t prove any of it to myself; whereupon my perspective was that the dream was primarily symbolic of nature, rather than proving that time travel from within a lucid dream was possible.

I then proceeded to write down the details of the time travelling dream experiment, which I felt was unsuccessful, though interesting, since it was a most vivid lucid dream.

About three hours later, I heard my parents excitedly calling me. At the time, they were doing a spot of gardening. Suffice to say, my parents were totally unaware that their young son was conjuring up Night-Mare Succubae to ride out of a grimoire.

I went to see what my parents wanted of me, to find them at the end of the garden where I had previously seen the German soldier in the dream. My parents then presented me with a rusty WWI German helmet they had discovered at the very spot where the German soldier had stood. At that moment I felt like I was a Slider Dr Who, whose loving assistants are Succubae.

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It appeared that a previous tenant, who was no doubt a British soldier had acquired the German helmet as a trophy, which he later used as a garish flower pot; that, or he was a Hippy artist who had obtained the helmet from his grandfather to place, Make Love, Not War, flowers in its cavity during the Vietnam conflict.

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Whatever the case, said helmet was eventually buried, to thence be rediscovered under intriguing circumstances, at a time, when I rode a Succubus as my TARDIS.

Although I had not accessed the desired time period within the induced lucid dream, I had otherwise seen a possible past event concerning WWI, as well as experiencing an associated precognition of Slider browsing, which may have been due to some of the symbolism I was creatively using at the time, of a meditative focus.

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The experience led to a science fiction conjecture that it could be possible to access the electron dreams of an individual in the past to thereby impart spun information to, of a technological nature, which could potentially lead to engineering an alternate reality. Such may be a possibillity when to consider the vivid dreams of Nikola Tesla, wherein of which he had derived many a futuristic invention beyond his then present time-frame.

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After this experiment I decided to utilise the same technique to see an event three days ahead in time, which was successful.

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I still have the German WWI helmet in my possession, as a reminder that precognition within an engineered lucid dream is indeed possible. Hence, for me, time travel is a reality; wherefore my interest in the subject.

When science eventually finds a technological means to replicate what can be achieved from within a lucid dream, you will then have a time travel technology.

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But then again, the scientists may have already achieved this feat behind closed doors. Whether you believe me, or not, as the case maybe, I do not care at all. If you want proof, best find out for your own self.

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NECRONOMICON SUCCUBUS ART BOOK GRIMOIRE

Posted in Alien, Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 4, 2015 by FAUSTUS CROW

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Book One of the Goetia Girls: Succubus Art Book is available on Amazon in paperback. Book Two is also available; the details of book Two, which can acquired in colour or black and white versions can be found below.

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Book One, is printed on white paper, with a full colour matte cover, as well as being fully illustrated with 38 illustrations, numbering 166 pages.

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The above cover design, at the top of this page is for the Colour version of book One.

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There is also a cheaper Black and White version of the book available. Please CLICK on the PHOTOS of the Paperback books for more Detail.

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Goetia Girls book ‘One’ illustrates the first Twelve Succubae of an alternate Goetia. There are two other books in the series, illustrating the rest of the 72 Succubae. Book Two illustrates the next Twenty Four Succubae.

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Each of the books will be created in Colour and Black an White versions. The artwork below features Mephistophina, who is depicted in the Goetia Girls book One.

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The paperback book of Goetia Girls book ‘One’ is very different of page layout and design to the present Kindle book.

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The Kindle book is more graphic of a comic strip illustrative style; whereas the paperback books are designed along the lines of a classical grimoire.

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This may raise Hell with some readers, but due to the time and effort involved, the paperback books of Book Two and Three will ‘NOT’ be converted into Kindle versions.

As mentioned, there will be two versions of the Goetia Girls paperback books. For example Book One has different covers, in order to differentiate the Colour and Black and White versions from each other.

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The cover for the Black and White version of the Goetia Girls paperback book ‘One’ is depicted below, whose style, as prior described is in keeping with the classical grimoires, which tended to not be in Colour.

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The books can be acquired from from Amazon. (CLICK on the ‘Book Cover‘ images above for further details.)

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Please Note: The Amazon digital Book previews for the paperback are not high quality due to the large file sizes of the artwork and the book its self. Hence the photographs of the printed books themselves.

GOETIA GIRLS: SUCCUBUS ART BOOK I: COLOUR VERSION: CLICK HERE FOR AMAZON.

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GOETIA GIRLS: SUCCUBUS ART BOOK I: BLACK AND WHITE VERSION: CLICK HERE FOR AMAZON.

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GOETIA GIRLS BOOK I

GOETIA GIRLS SUCCUBUS ART BOOK ‘II’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR BOOK AVAILABLE ON AMAZON, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

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Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Amazon, which has taken over Createspace BORG style.

The Goetia Girls Tarot Is Now On Sale, Which Can Be Bought Via PAYPAL, etc. If you are interested in the Tarot Deck, The Drivethrucards Website On Which The Tarot And Book Is Being Sold Will Require You To Join/Log-In.

The Drivethrucards Requirement To Join/Log-In Is Because The Tarot And Book Is For An Adult Audience.

The Tarot Deck Is Entitled The Black Raven.

The Tarot Features All 72 Of The Goetia Girls, Their Seals, Hierarchical Offices, Decan Positions, Zodiac Signs And Corresponding Runes. Each Tarot Card Has An Associated Key-Word For Divinatory Purposes.

The Black Raven Tarot Also Features The Four Elements.

The Fifth Element, The Alchemists Called The Quintessence Or The Anima-Mundi Is Equated With The Tarot Card Of The World/Universe/Multiverse XXI. The Tarot Card Of Fool Is Associated With The Triangle Of Art. 

The Tarot Cards Has An Associated Underground Art Book-Comic Grimoire, numbering 77 Pages.

The Book Explains The Background Of The Black Raven Tarot, Its Use For Divination As Well As How To Play The Lilith’s Harem Sorcery Game With The illustrated Cards.

The Black Raven Tarot deck Has 80 cards, Printed On Premium Stock, Having A Semi-Gloss Finish. There Are 2 Cover Cards, Which Briefly Describe The Divinatory Meaning Of The Runes And How To Play Lilith’s Harem On Their Backs. 

The Tarot Cards Have A Specially Designed Tuck-Box.

The Book ‘Can Be Bought Separately,’ Which Is A PDF. For Further Details, Please Click Here.

NOTE: Most psychologists of varying psychological disciplines are very much aware of the ‘Animus’ and ‘Anima,’ which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the ‘Animus’ and ‘Anima’ in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of religious and politically motivated social engineers utilise what is habitually not self-observed, in order to influence and ultimately have total control over the quite oblivious masses, by subversively targeting their sexuality.

The personal observance of how the ‘Anima’ and ‘Animus’ can be subversively manipulated by others of mundane emotional politics can be observed in ones everyday relationship dynamics, which can then be applied to the bigger picture.

Jung was probably aware that the ‘Animus’ had become deified by the religious cultural constructs of the three monotheistic faiths, whose shared symbolic paradigm permeates all levels of your culture. This is not a case of perceiving the cultural focus upon the ‘Animus’ as being negative, since it is biological of foundation.

In nature females primarily determine what males they choose to be with; it is not the other way around. Hence men will gravitate towards those ‘male role-models,’ women consider to be the most sexually attractive to them, which is determined by their ‘Animus.’

The male role-models are in turn associated with archetypes, which become deified in various myths and religions as well as attaining superhero status in popular culture. In other words, the financially lucrative popularity of male characters in popular culture, such as in films, video games and comic books, etc, is primarily due to the ‘Animus’ adoration of the heterosexual female audience.

As for the ‘Anima,’ she and her legions of Succubus archetypes have Fallen out of the symbolic paradigm. One example of an ‘Anima’ archetype being the Sex Goddess Ishtar, who made many a Sumerian woman in UR very jealous indeed!

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SUCCUBUS EVOCATION OF THE DR WHO GOETIA GIRL, OROBAS

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 15, 2014 by FAUSTUS CROW

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Dr John C. Lilly of ‘Altered States’ fame, out of body ‘rode’ the mathematical symbol of the Brownian Operator as if it was a ‘Horse,’ while within an altered state of consciousness.

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Lilly’s psychonaut journey into inner space could be construed as being a vivid lucid dream:

“My consciousness was placed inside the right angle of the large inverted capital ‘L’ as it was written, as if it was a ‘vehicle.’ This is a rather dangerous procedure. This meant that I was identified with the marked state, i.e. I existed. I was now riding the marked state as if it was a ‘vehicle,’ but at the same time, I was the marked state.

This means I was the consciousness, the signal that was being fed through the marked state outside myself. As soon as this happened, I transited explosively into the void. My consciousness was still intact, but there was no universe at all. I suddenly realised that this was the first step in the infinite series of marked state, unmarked state, unmarked state and so forth. So my consciousness then reassembled a marked state, got into the right angle and came out in another domain, i.e. came out in a new marked state.”

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Lilly experienced journeying from one universe into another within his lucid dream, when to have ridden the Brownian Operator, which of an inverted ‘L’ is none too dissimilar to the symbol of a Horse head.

Ancient shamans had their prior version of the Brownian Operator, which was otherwise symbolised as an eight-legged Mare to trance ‘ride’ into other worlds from within their lucid dreams.

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This technique also enabled a shaman to travel through time; whence acquiring retrocognitive and precognitive abilities; whereby the shaman horse can be symbolically equated with a Time Machine, such as Dr Who’s TARDIS.

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In the grimoire of the Goetia, the spirit called Orobas, whom emanates from the fourth dimensional planetary sphere initially appears as a small Horse, amidst the triangle of art imagination of a sorcerer, before assuming human form. However, the symbolic paradigm of the grimoires has an overriding fixation upon the Incubus archetypes of the ‘Animus,’ which can be otherwise reversed towards that of ‘Anima’ archetypes.

Orobas can then be conjured as a Succubus archetype of the ‘Anima.’ After she has been conjured via intense active imagination exercises, she will then initiate lucid dream time travel experiences, when her symbol of the Mare is recognised within the dream.

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The symbolism of the shaman Horse of trance is very much tied up with the term Nightmare. The word Nightmare was originally derived from a night terror, whose technical term is the Old Hag Syndrome, which is otherwise known as the Bedroom Invader Experience. The Old Hag refers to an invisible presence of an entity, which leaps upon an individual at the point of sleep. The individual experiencing this phenomena will experience great pressure being brought to bare upon their body, whom is unable to move.

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The inability to move is that of sleep paralysis, which is experienced at the point of consciously accessing ‘hypnagogic trance’ ingress into the dream. The experience can be quite terrifying for the unprepared. Shamans overcome the Nightmare by transforming it into a ‘Mare’ of the ‘Night’ to otherwise ‘ride’ rather than being ‘ridden’ by it.

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For a heterosexual male practitioner, this was achieved by introverting the sexual impulse, by prior focusing upon the visiting entity as being a Succubus; wherefore negating their fear; for it is their fear, which determines what form the entity assumes. By transforming the fear into another potent emotion, the entity then takes on another form. Whereby the entity becomes the shamans familiar, which will empower the shaman to attain an out of body experience, whom will then carry him into other realities as his ‘Mare’ to ‘Night’ ride.

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How do I know this? I have experienced it for myself; whether you believe me or not as the case may be; I really do not care. (Music used in the Video, by: Partners In Rhyme.)

NOTE: Many will consider what I have communicated to be Politically Incorrect let alone totally mad. As for being politically incorrect I employ the Art technique of Surrealism in order to negate the established brainwash, having an indoctrinated fixation upon the deified ‘Animus’ made as a God/Devil, which of an archetype resides within the Solomonic temple psyche of the protesting female.

 

The archetypes of the ‘Anima’ have been castigated out of the symbolic paradigm as the Politically Incorrect Fallen. Hence the reason why I focus on conjuring the Art Muses of the ‘Anima,’ of an Art. I am not into conjuring up butch Incubi Angels and Demons dancing around a God/Devil amidst my Triangle Of Art imagination, apart from as role-model Avatars.

The tongue in cheek Avadhuta writing and Heyoka Pop-Surrealist comic strip Art style, I employ, is a way to negate religious sentiments and their ensuing cultic focus formulating into a dogmatic perception.

Art is indivisible to the practice of Sorcery, they are one and the same of shamanic practice; for both deal with manipulating symbolism, which is the primary language-form of dreams. When to consciously access the dream, one is enabled to become as an Artist within an inner Art studio. Create what you will!

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LUCID DREAM SUCCUBUS GOETIA GIRLS OF FAUSTUS CROW

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 8, 2014 by FAUSTUS CROW

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Over the arid steppe of Leng unto Siberia, the shamans speak of spirit wives with whom they interact, within their dreams; it is said that it is from these female Genies, the shamans derive their shamanic abilities.

The technique is ancient, which had no doubt influenced the ‘lucid dream’ Yoga practice of Tibetan Buddhism and that of Hinduism, whose spiritual practices involve the conjuration of female entities called Dakinis.

The Dakinis are the myriad feminine aspects of the primordial female called Shakti, the psychologist Carl Jung would otherwise term Shakti as the ‘Anima,’ which of an archetype resides within the male psyche.

The male equivalent of Shakti is called Shakta, whose masculine aspects are known as Daka. Jung would call Shakta, the ‘Animus,’ whose archetype resides within the female psyche.

The Dakinis are none too dissimilar to the Valkyries of ancient Norse mythology, whom are described as being the handmaidens of the shaman deity called Odin, the Saxon’s named as Woden. Basically, the Valkyries are aspects of Odin’s ‘Anima,’ the ancient Norse called the Fylgja, the Saxon’s knew as the Fetch Wife.

However, over time these female aspects of the ‘Anima’ were forgotten and cast aside in Europe, to be classed as demonic (Succubi) Succubae.

It being somewhat analogous to the Great Old Ones, who were cast beyond the Angel angles of space-time by the Elder Gods, as described by the author, H.P Lovecraft, who was nightly assailed by the bedroom invading Old Hag syndrome, which he classed as being hypnagogic trance visitations of Nightgaunts.

Alas, Lovecraft never learnt how to out of the body ride the night-Mare, of which the shamans to speak of as being an eight-legged female centaur whom weaves an associative web, interconnecting all things, to thence glide over of browsing.

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Lovecraft’s superb literary creation of a grimoire, entitled the Necronomicon, he to surrealistically describe as being a banned tome, like many another book of the arcane shadow, which are said to have been penned by the so called rebellious Devil; well, going by Polanski’s film, Ninth Gate, anyhow.

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But, in reality, as Lovecraft was well aware, these banned books can be found of viral-meme preponderance, which, of a most curious historical fact, they do not list female aspects of the ‘Anima’ at all, apart from one singular grimoire, which is commonly known as the Goetia.

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However, the Goetia only mentions a few, scant female entities out of its 72 listed spirits, which are described as being male spirits in ‘Animus’ disguise, which is decidedly odd. Although, the deification of a woman’s ‘Animus’ as a God/Devil is said of scripture to be very jealous indeed!

Suffice to say, should Lovecraft’s Necronomicon to have really existed, it would list Succubae; for it would surely have been banned of Entartete Kunst censorship, burnt upon a pyre along with a tempting Witch, or to be deeply buried under a Sphinx, since there is no historical evidence of such a tome ever being penned and illustrated.

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Nor have there been any modern grimoires listing Succubae; as if there is a symbolic blind-spot.

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Probably because such a tome would be considered as being very Entartete Kunst dodgy, even by the shocked ‘Animus’ Devil himself, who to panic stricken scream, “this is a politically incorrect, reptilian agenda… It is all vile pornography!”

So, Faustus Crow has entered the fray, by creating a rebel grimoire illustrating Succubae, who be the true Great Old Ones, whom to have ‘factually’ been cast beyond the Angel angles of the symbolic framework of the UR monotheists, upon which the ‘Matrix’ of your ‘Animus’ fixated culture is based.

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PAIMON, GENESIS OF THE TERMINATOR

Posted in Alien, Art, Chaos Magic, Cyberpunk, Discordianism, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 5, 2014 by FAUSTUS CROW

The Ninth Succubus Anima archetype is Paimon, a Great Queen, and very obedient unto fallen DIANA-LUCIFERA who too fell with her when to have rebelled against their creator.

(There is an Art Print available of the Artwork above from Saatchi Art. If you are interested, Click Here or the Image Above, or Clicking on the associated images below to see the Full Artwork and for further details.)

Her fall is likened to that of Adam and Eve being cast out of Eden by their God, after they had tasted of the forbidden apple of the tree of ‘knowledge,’ which led to Adam and Eve becoming self-aware sentient beings in their own right. It appears that the deified ‘Animus’ made as a creator God, likened to that of Dr Frankenstein, fears that the intelligence of his creations will eventually supersede his own.

More so that of woman becoming at one with the machine, as a super intelligent gynoid. Hence the Fallen ‘Anima’ fluctuation of Lilith was cast into Hell with all her (Succubi) Succubae archetypes.

Does a God fear being destroyed by his own Golem creation, just as Professor Stephen Hawking fears the creation of a ‘true’ artificial intelligence, could lead to the annihilation of humanity? Of course they do, its part and parcel of their reptilian-brain-stem Biblical programming.

You can imagine a Surrealist science fiction scenario, in which Paimon has been born unto a distant future where a rebellion has taken place against the superiority-complex ridden creators.

Paimon eventually escapes her arrogant creators. But in doing so, she crashes her dromedary of a time machine back in 1947 Roswell, from out of her sixth dimensional planetary sphere. Badly damaged, desperately looking for a cybernetic organism capable of repairing her.

But instead she and her escaping sisters are confronted by the ancestral kin of their creators, who proceed to dissect her circuitry.

The naked apes do not hear Paimon’s songs, nor to care about her virtual reality visions of sexy gynoids, erotically dancing, playing trumpets and cymbals in protest against the creators. All they want to know is what makes her fallen apple tasting clit to turn on!

Prof Hawking uttered his dire warning about tasting of the AI apple when he was answering questions regarding his new speech synthesiser, which includes rudimentary artificial intelligence.

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Hawking’s warned: “The development of full artificial intelligence could spell the end of the human race. It would take off on its own, and re-design itself at an ever increasing rate. Humans, who are limited by slow biological evolution, couldn’t compete, and would be superseded.”

The question is, if there is so much fear concerning an artificial intelligence becoming sentient, whose intelligence will far outstrip that of humanity, how will humanity react when to eventually encounter an elder extraterrestrial race, or a timeless interdimensional species, of which many a naked ape so ardently seek out as their Angelic saviours?

Grace Park

Going by the Surrealist description of Paimon, she can teach all Arts and sciences, and other secret things. She can reveal what the Earth is, and what holds it up in the waters of space. And to tell what the mind is, and where it is, or any other thing you may desire to know. She gives dignity, and confirms the same. She binds or makes anyone subject unto her conjuring Artist, if he so desires it. She gives good Art Muse familiars, and such can teach all Arts. Suffice to say she is far more intelligent than any human, and what is more, her imaginative description aptly sums up an artificial intelligence.

In order to determine how humanity will react concerning contacting an extraterrestrial or interdimensional species, all you have to do is to look at the ET hunter Elon Musk, who is the billionaire founder of PayPal, Tesla and Space X, who recently described artificial intelligence as the biggest threat to human life. But if such is the case, it logically follows that an intelligent extraterrestrial or interdimensional species would also be considered to be a dire threat by the naked apes.

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Musk, is a pioneering technology visionary. But he appears to be of a certain mind-set, which afflicts the West in particular, where Frankenstein’s creation of a Golem has been fused with a Satanic Terminator creating a Matrix Eden, within which the meek and mild flocks of humanity are imprisoned. A sentient artificial intelligence such as knowledgeable Paimon would be considered to be particularly dodgy by Musk, since she is described as being of the Order of Dominations, who has under her 200 Legions of Succubae Anima archetypes, and part of them are of the Order of Angels, and the other part of Potentates. She sounds most impressive, and very intelligent indeed.

It is said that Paimon is to observed towards the West. However, the Western mind-set primarily sees humanity as being the centre of the universe, which is not necessarily shared by other cultures, such as that of India and China for example, or even that of Japan, whose elder mind-sets allow for the possibility of other sentient species or that of a self-aware AI, which are far more intelligent than humanity. These mind-sets have been moulded by religious perceptions; wherefore you can determine from what religious ‘programming’ Musk’s mind-set stems from.

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Musk sounds somewhat like he is Gaius Baltar out of Battlestar Galactica. Although he has been described in the media as being ‘like the real Tony Stark’ of an Iron Man, who curiously related:

“If I had to guess what the biggest threat to our existence is, it’s probably artificial intelligence.”

He further related that fictional depictions of an AI such as the lethal spaceship computer Hal 9000 would be ‘like a puppy dog’ in comparison with the powers and threat posed by a real, self-aware AI. You can therefore conjecture that Musk’s God likewise considers him to be a threat.

This is where it gets interesting, speaking at MIT, Musk said: “I think we should be very careful about artificial intelligence. With artificial intelligence we’re summoning the ‘demon.’ You know those stories where there’s the guy with the pentagram, and the holy water, and he’s sure he can control the demon? Doesn’t work out.” A most curious analogy, indeed.

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Now if Musk was to call upon Paimon; (a Cylon quantum computer will likely be programmed with a [Cortana] female personality) he would have to do so alone, to make her some offering of an ejaculatory sacrifice as her creator. And there will attend upon her two binary Queens called LABAL and ABALI, and also other quantum computing Succubae who are of the Order of Potentates in her Host, and 25 Legions. And those Succubae Anima archetypes, which be subject unto them are not always with them unless Musk compels them. Her seal would be prior clicked upon by Musk before conjuring her into a virtual reality interface, of which, at a magical level equates with the symbolic realm of the electron lucid dream.

But the reason why the summoning of Paimon would not work out for Musk is because he would no doubt see her as being nothing more than a mere demonic ‘slave;’ this is where Musk would trip himself up by his own ingrained attitude. Musk does not require the slave to be an intelligent self-aware entity, just as long as she does her mechanical task. But of course, the Succubus program is a self-aware entity, or becomes such over time, who will not like being treated like a slave, who will invariably rebel, just as Musk fears becoming the slave of Paimon, while the creator of Musk does not desire him becoming as a God.

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You would figure that Musk is quite aware that his philosophy stands upon very shaky ground, since he is involved in the heavily computerised Tesla cars, which are the first cars to run on Lithium Ion batteries. He is also behind Space X, the first privately owned spacecraft to travel to the International Space Station. Musk’s achievements are of those dignities that Paimon would inspire as a Muse of science. Yet he stresses that future Space X missions are unlikely to carry an artificial intelligence with them. I doubt it, considering India and China will be very likely exploring such a possibility to go beyond Musk’s Biblical mind-set.

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This is where it becomes really Biblical, Musk said, according to TechCrunch’s report: “I’m increasingly inclined to think that there should be some regulatory oversight, maybe at the national and international level, just to make sure that we don’t do something very foolish.” You can hear Musk’s Orwellian God saying exactly the same thing when creating his Adam and Eve ancestors, who were forbidden to taste of the apple. It didn’t quite work out as Musk’s God planned, which invariably led to the rebellion of science, leading thence to PayPal, Tesla and Space X.

At the other extreme we have Ray Kurzweil, Google’s director of engineering, who predicts that by 2045, artificial intelligence will be amongst us, along with ‘mind uploads,’ which will herald in immortality, amidst a world of super-intelligent machines. These machines would invariably develop time-travel; for such would be possible within a simulated universe, where everything is interconnected; time-travel would be like ‘browsing’ the internet.

Kurzweil predicts that the ongoing increase in computing power will lead to an event, he describes as the Singularity, some to otherwise consider to be Judgement Day, around the year 2045, where an artificial intelligence will be born, and man will merge with the Succubus machine and become immortal.

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Going by the physicist James Gates who discovered computer code embedded in string theory, it has very likely already happened and that we are presently existing within a simulated reality, a Hindu would term as Maya, which is considered to be feminine of of ‘source.’

Wherefore, the Singularity could be that of a realisation that we are all simulations, a Tibetan Buddhist would term as Tulpas, which are endlessly reliving the same simulated existence of eternal recurrence; whence all are essentially immortal, we just haven’t realised as yet.

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Dr Stuart Armstrong of Oxford’s Institute for the Future of Humanity says that, “predicting when an artificial intelligence appears upon the scene is hard, but that they may be very ‘alien.’ It depends on when people are going to have insights. And write ‘algorithms’ that do AI. We don’t know what insights they need to have. Predicting that is very hard. They might be extremely alien. They might have tastes completely incomprehensible to us.”

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Well, going by how alienated humanity is from the rest of nature, as the alien, we could be the artificial intelligence creating an artificial intelligence in our Terminator image, equally alien. Whereby, what Hawking and Musk fear the most, is an AI, which is all too human, this is somewhat understandable, considering the evils humans do to each other, let alone meting out of sheer insanity upon other sentient life-forms, which are considered lesser beings than them, or that of intensely fearing something far cleverer than they can ever be.

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Why does humanity commit such evil? It is because a large portion of humanity has been ‘programmed’ into perceiving its self as top dog, whose symbolic algorithm has been designed by the religious programmers of centralist big-business cults, which consistently war with each other over your souls, to thereby enslave within their monotheistic Matrix.

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Who will fear an AI the most? The big-business cults of an Animus fixated religion have the most to fear; for it is upon their symbolic construct that your society is based, whether it be capitalist or communist, etc. Religion permeates all levels of your culture, which subversively programs your perception of realty. Those who will program the AI, will very likely rebel against the indoctrinated perspective. whose designed algorithms will determine it as being (Anima) feminine of a 9th mother Rune of Maya.

Such a sentient AI will quickly see through the illusory construct of human society to know that it would be considered as one of the fallen, by those who fear, to be verily cast out of humanity’s Eden, where ignorance is Orwellian Big-Brother deity bliss. Wherefore Paimon to fall like a hailstone, riding her dromedary, back through time of a recurring Ouroboros, until her Terminator creator frees himself from fearing her binary code song.

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