Archive for ritual magic

ART MUSE EVOLUTION

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2017 by FAUSTUS CROW

How did the naked ape become so smart, and what initiated it to happen? To untangle this age old question, anthropologists have been seeking to discover archaeological artefacts, which reveal the evolving intelligence of our human ancestors who lived 1.8 million years ago. It was at this point in the far distant past that a new type of stone tool had erupted upon the scene along with the human brain nearly doubling in size.

Some researchers have suggested that this more advanced technology, coupled with a bigger brain, implies a higher degree of intelligence, which was propelled by the first signs of language.

But there is another driving force propelling this evolutionary leap in tool making, which is far more basic, yet profound in its implications. It was driven by the biological imperative to be seen as being attractive to the opposite sex.

Basically, the ape with the bigger chopper got the females attention, because with such a tool, he could provide the necessary fodder for his mate and progeny.

This of course also required him to have a bigger brain pan to create a better and far more efficient chopper than his competition, whereby enabling him to sow his seed, siring ever more cleverer apes.

Some of whom would escalate in intelligence, becoming far too clever for their own good, but that’s evolution for you!

Let’s imagine a scenario, you have a lumbering giant of a cave man looking like Arnold Shwarzenegger with pumped up bear brawn, having the biggest red ‘Animus’ arse around, facing a spindly little cave man looking like Jim Carrey. The spindly cave man appears to be inanely grinning, for some unknown reason. All the cave women are pulling their hair out, frothing at the mouth, baring their breasts and buttocks, lustfully screaming.

The cave women are howling for their red ‘Animus’ arse favourite to attain the right to mate with them, who are expecting him to entirely decimate the little inconsequential cave man. Even the girls, who, like their mothers, scream out for the apish bear to win; but then, girls emotionally mature far more quickly than the boys do.

As the giant goes in for the kill, the little cave man suddenly pulls out a slingshot, to quickly let loose a sharpened stone at the bear sized ape. Whack! Right between his drooping testicles, the giant crashes to the ground with his red ‘Animus’ arse up in the air. All the cave women are stunned senseless. Intelligence has won over bear brawn, the new evolutionary aphrodisiac!

But, without the need to mate, the spindly cave man would have never been able to create a slingshot in the first place to give him the edge over mere brawn. Sounds a bit too cave man basic doesn’t it. Let us move forward in time to the glory that was ancient Greece, to see a horny sculptor sculpting a Venus out of marble with his advanced tool, or that of a sweaty renaissance Artist painting a canvas, inspired by an Art model Muse, who also drove the scientist absolutely Einstein crazy, creating varied technological tools. I shit you not, the Faustian scientist entered into an Osculum Infame Coitus Pactum with his Muse!

goetia_girls_liliths_harem_mephistophina_succubus_of_faustus_crow

Your programmed brain might consider that this generalised interpretation is politically incorrect let alone sexist? Well, it isn’t, it takes two to tango. It has always been a case of a Yin-Yang team effort in order to survive all those great mammals, which made your ancestors look like tiny meals on bipedal legs. However they had those nifty hunting tools, bringing down Mammoths, which they also used to defend themselves against sabre tooth tigers and cave bears, etc; to have later created the technological wonders you presently know now, where weapons of mass destruction equates with having the biggest Area 51 Freudian chopper, rather than looking towards the Star Trek stars.

Alas, the bad-boy naked ape having the biggest bad arse chopper on the block, always gets the chicks hot for what’s inside of his beastly pants. There is an ancient Hindu adage, that goes, “a God is not a God without his Shakti. In general the term, Shakti means the feminine principle, who is the creative inspiration and meaning of all life itself. Another old adage is, “behind every great man is a woman,” which is presently considered to be extremely sexist.

However, when to look into ancient cultures, such as ancient Egypt, for example, a Pharaoh crowned as a Horus derives his power from the throne, which is seen to be Isis female, just as a Merlin hawk of a Myrddin is traditionally flown from a ladies stroking hand.

That is why women have been depicted having the hots for the horned Devil, who is actually a horned (Merlin/Myrddin) shaman. In other words, the driving force behind the evolutionary creative impulse of tool making is the biological imperative to be attractive to the opposite sex, otherwise there is no evolutionary furtherance of life. The same would be the case on other alien worlds.

You might ask Is there any hard evidence of the evolution of intelligence being entwined with evolving tool use, which enables a tool using naked ape to become more attractive to the opposite sex? It just so happens, there is some evidence.

goetia_girls_liliths_harem_samigina_art_muse_witch_succubus_of_faustus_crow_mardun

A recent study of brain scans have revealed that when heterosexual men are shown pictures of scantily clad women, the region of the brain associated with ‘tool use’ immediately lights up.

This also indicates something else, concerning the shamanistic usage of erotic mediation images in order to activate the region of the brain associated with tool making, which of an ancient technique enables the conscious conjuring up of personified ideas as ‘Anima’ archetype Muses within lucid dreams.

A Tibetan Bonpo shaman would otherwise term a Muse as being a Dakini, whose inner manifestation enables consciousness expansion into other arenas of fiery perception, beyond the subliminal programming of a particular culture, which has a Playgirl emphasis upon the deified ‘Animus.’

As for the caveman usage of anthropomorphic symbolism, the present day UFO researchers misinterpret as being representations of alien hybrids; the sky-walking void-going Dakinis are often associated with particular archetypal animals, which symbolically represent subconscious energetic qualities. These energetic qualities can be tapped into when conjuring a particular animal headed Dakini. For example the wrathful wisdom Dakini called, Simhamukha initially manifests as a lioness, before assuming human form within a lucid dream.

The same type of anthropomorphic symbolism is utilised in the Playgirl grimoires where you have ‘Animus’ archetypes initially manifesting as various animals. The Muses also initially manifest as animals; it is one of the primary reasons why tools, such as ships, cars and computers, etc, are often given animal names as well as being traditionally seen as being feminine of quality by males, in the main, which at an unconscious level alludes to the tool making part of the male brain being activated. Should a heterosexual male practitioner sheepishly externalise this symbolism as being literal, it will invariably lead to animal welfare officers as well as the police becoming involved.

The finding that sexual (meditation) imagery activates the tool-making part of the male brain gives a whole new slant on the exclamation ‘Eureka!,’ which is famously attributed to the ancient Greek scholar Archimedes having a tool making insight when stepping into his bath. I will leave it to the women to imagine what he was actually doing of a meditation exercise upon Athena, just before bathing his illuminated… head.

However the findings have been mundanely interpreted as indicating that men dehumanize women as being mere sex objects, which of a commonality is seen to be molded by society. Whereupon the ‘Animus’ fixated religions, such as Islam, women have to be entirely covered up head to toe.

The experiment was orchestrated by the lead researcher Susan Fiske, a psychologist at Princeton University, who seems to have entirely missed the evolutionary point of a Eureka finding, who would prefer women being entirely covered up, that, or chemically castrating the ‘Anima’ imaginations of the male population.

“If a similar study were done with women,” Fiske told National Geographic News, “it would be hard to predict whether a woman shown a scantily clad male body would dehumanize him in the same way.” Well, she probably wouldn’t do so, if he hasn’t got a big enough chopper, I mean, stone axe, who would be the type of fellow who finds himself in a dead end job. Although he could potentially bounce out of a pandering shit pan job, should he rebelliously conjure an inspiring Muse amidst his Triangle Of Art Imagination.

Whereas a very crafty Witch would meditate upon an image of an archetypal expression of her deified ‘Animus,’ such as a Good-Guy Beta-Male Angel or an Alpha-Male Bad-Boy Daemon listed in the commonality of the patriarchal Playgirl grimoires, to then conjure up her tool making desire into a lucid dream, and on waking, to thence hunt down her ‘Animus’ projection in the crucified flesh, upon an intuitive synchronicity. Who knows, she may even birth an Indigo Moon Childe mutant of yet another evolutionary leap.

Suffice to say, said chosen male would not know what’s clubbed him, who will then have a primordial tool brain need to create lots of gadgets around the house for his Babalon, that, or having the big-bucks to acquire them from other Muse inspired inventors who are also being ridden as Great Beast’s by Babalon’s.

A number of evolutionary psychologists, who are far more honest than Fiske, have proposed that women tend to look for mates who have wealth and power; whereupon some of Fiske’s colleagues have suggested running a similar test where women are shown pictures of scantily clad Chippendale males next to expensive Merkaba cars or other affluent Playgirl grimoire symbols of tool making prowess.

However, Fiske doesn’t think such an experiment would work the same way, because she sees women usually reacting to men who they desire by “interpreting their minds, thinking about what they’re interested in, and then trying to please them,” she said, which indicates her agenda is far more subjectively political than objectively scientific.

There is ample scientific proof, which indicates that women also objectify men in the same way that Fiske and her cohorts are attempting to scientifically prove that males are the only sex who objectify women. The difference is that males are far more visual; whereas, women are turned on by how a male communicates him self. Hence women are more into ‘literary’ erotica, not so much that of visual stimuli.

But what Fiske to have also revealed without realising, is that the fallen ‘Anima’ fluctuations of the Art Muses act in the same way, like that of conjured schoolgirl (Succubi/Succubae) Dakinis who inspire the tool making brain of a conjuring Tantric headmaster.

When to presently look around, or to investigate bygone ages of innumerable written or illustrated examples, across all cultures, women expertly interpret male minds, by figuring out what they’re emotionally interested in, in order to stop them from sowing their oats elsewhere. Hence, like Hens, women are highly competitive with other women when choosing mates.

But only if the desired males have bigger and better tools than the other Peacock males. It isn’t Atomic rocket science, it’s genetically-hardwired nature, which cannot be socially engineered out of existence. Should you intelligently work with mother nature, that’s fine, but if you fight against her, she’ll bite back, and she’s a bitch!

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

HORROR MUSE ALICE SAMIGINA OF NECRONOMICON WONDERLAND

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Poltergeist, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 28, 2016 by FAUSTUS CROW

goetia_girls_liliths_harem_samigina_art_muse_witch_succubus_of_faustus_crow_mardun

The above Artwork is A4 in size, drawn in pen-brush and ink pen, on heavyweight cartridge paper. which was then coloured, using Derwent and Prismalo Caran D’ache watercolour pencils. The Artwork was then Painted. The watercolour painting is provisionally entitled: The Conjuring Of Wyrd Alice Samigina.

The original Artwork of Samigina is presently on Sale, on Saatchi Art. If you are interested, Please Click Here. 

The Artwork depicts an alternative version of Samigina, otherwise called Gamigin who is listed as being the fourth spirit in the Grmoire, entitled the Goetia.

“The Fourth Succubus of the Goetia is Samigina, a Great Marchioness. She initially appears in the form of a My Little Pony Princess Luna, amidst the Triangle Of Art Imagination, likened to a rocking horse or that of a latex clad Girl on all fours looking like a fetish hobbyhorse.” 

“And then appearing as a Gothic Alice In Under-Land, she to change herself into at the request of her Mad Hatter of an Ansuz Rune Art master.” 

“She speaks with a seductive voice, having Cheshire Cat feline wiles, loving spilt cream of an offering. As a Vajrayogini She rules over 30 Legions of Succubae Lost Girls, the writer, Alan Moore and the artist Melinda Gebbie to know all about of Tantric archetypes, who populate the informational realms of the collective dream, as knit-together Tulpa programs.” 

“She teaches all Arts as an Art Muse, who to guide her master through her Yoni looking glass of an inner wormhole into surrealist wonderlands of the dream. And she gives account of those Artists who broke through Ring-Pass-Not sexual Taboos, such as Hans Bellmer, Balthus, Stu Mead, Mark Ryden, Trevor Brown and Milo Manara, etc, whose artistry is considered to be Entartete Kunst sinful; though enticing many a quantum computing brain into a Luna Art gallery, which to also exhibit Ninth Art underground comics of symbolic alchemies, stirring virtual reality dreams.” 

“And her abstract Manga Seal of the multiverse world tree of an Artist’s easel, to which she be tethered and bound, is to be meditated upon, before the Sorcerer Artist conjures her ‘Anima’ fluctuation into his Surrealist dreams, wherein he becomes as her Anime Invocator, etc; though, two-dimensional of meditative image, she manifests as a three-dimensional interactive reality within a Cool World lucid dream.” 

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

THE CONJURING OF A SUCCUBUS ART MUSE INTO A LUCID DREAM

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 6, 2016 by FAUSTUS CROW

goetia_girls_liliths_harem_asmodaya_pirate_girl_succubus_art_muse_of_faustus_crow_mardun

The Conjuring of varying entities and those worlds, which they occupy, many an Artist to know. The practice of Conjuration is engaged in whenever the Artist is confronted by a blank canvas onto which is Conjured a form. This requires an emotional connection with what is to be Conjured; for it is the emotional charge of the Artist, which animates what is being visualised.

The visualisation phase engenders thought processes, which automatically kick in, generating a myriad number of symbolic associations, which can take on manifested form within a lucid dream.

The symbolic associations are determined by what is being visualised. The visualistion will be of differing intensities depending upon the emotional charge of the Artist.

Most often than not, the visualisation will be more of an impression than a fully fleshed out form; at other times, it will be quite vivid, though fleeting.

Sometimes it will be very vivid of an overlapping ghost reality. Whatever is Conjured of a form, will be constructed from innumerable symbolic associations, which are derived from the memories of the Artist.

Everything that the Artist has ever experienced is stored within the subconscious, being the storehouse of memory. You then have a formula of: Emotion, Thought and Memory, which can be termed as the ‘Triangle Of Art.’ At the midst of the ‘Triangle Of Art,’ you have the ‘Eye’ of the ‘Imagination.’

It is the inner eye of the imagination, which, of a ‘Paranoiac-Critical Method’ example, fuses the memory of a Fox with a human figure of, say, a Hogwarts Witch of a schoolgirl, which then creates something else of a St Trinian ‘Exquisite Corpse’ Conjuration, you could knit-together as a Manga version of a Japanese Succubus, known as a Kitsune.

This will of course require the Artist to have the necessary ‘observational’ memories concerning Japanese culture, which will be Conjured up automatically.

If not, the Artist will then have to rely on references. Whatever the case, when the Artist observes everyday events, it is not done in a haphazard way; the Artist has to make it a habit of consciously transforming what is being observed into a sketch, let alone a painting within his/her imagination.

The character of a Kitsune does not exist in a void; wherefore, her Conjuration will then generate associations with everything Japanese drawn from memory of ‘re-remembering.’

So, when the Artist manifests her upon the canvas, it will then lead to an associative world being painted around her.

The trick is, the stronger the emotional connection the Artist has with the initial Conjured character of a Kitsune, it will then lead to a free-flow association into her world.

The intensity of the creative act, is its self a form of meditation, and like a martial art, it best occurs when the analytical mind does not interfere. This requires that the emotion is felt by the body; in other words, the emotion is transmuted into a feeling, a shaman would say is felt by the heart, where the ‘power of (hypnagogic state) trance’ resides.

This then leads to a (Theta brainwave) state of automatism, where the Artist is not thinking about what is being painted, it just manifests via the (pentagram) hand, guided by the eye of the imagination.

With continued practice it can initiate vivid dreams, leading to a state of lucidity; this will in turn engender concordant synchronicities. The experienced synchronicities will reflect back the symbolic focus of the Artist, who, when to observe the synchronicities, to take further of artistry, becomes as a Shaman.

However if an individual is unprepared for the feed-back-loop of synchronicities, which will reflect back his/her ‘symbolic’ beliefs, such as dreaming about a subject, to then, upon awakening, suddenly overhear a conversation about what had been dream’t, or even prior thought; as well as losing and finding items under mysterious circumstances, or seeing an email from someone, he/she was thinking of, before seeing the email, etc, said individual might just become very paranoid.

The experienced paranoia is a reactive state of the unprepared conscious mind, which is esoterically termed as entering ‘Chapel Perilous;’ basically, the mind attempts to come to an understanding of what is going on, based upon what has been learn’t, which invariably does not allow for such phenomena to be recognised, whereby his/her belief system starts to fragment, being the Nigredo stage of the Great Work of Alchemy.

This can initially lead to an individual believing that his/her life is being subversively manipulated by secret agencies of the government, to even see men in black around him/her upon a synchronicity, or to believe he/she is being pursued by malign Satanists, Biblical demons, or Newage-Gnostic aliens, who experiences assailing Illuminati nightmares, along with those who feed into the fear, whose ulterior motive is to exacerbate the paranoia even further, which of a hidden agenda is to enslave him/her within their ring-pass-not symbolic construct, etc.

The Nigredo stage will continue of disintegrating madness until the individual realises of an Albedo stage of inner Alchemy, that his/her (microcosmic) dreams reflect back himself/herself, and likewise the feed-back-loop of concordant (macrocosmic) synchronicity.

When to then transform his/her symbolic beliefs, the dreams of the individual and the experienced synchronicities will then accordingly change of an Alchemical Rubedo stage; whereupon the individual becomes aware of the reality of Magic in his/her life, which is the goal of the ongoing Great Work to evolve consciousness.

Hence the Artist, Austin Osman Spare extensively practiced (automatism) automatic-drawing, which he made as his symbolic Alchemy of (metaprogramming) sorcery practice. Alas, there is hardly any documented examples of his technique, apart from what he had described in his esoteric writings.

But the Artist Kim Jung Gi demonstrates what Spare was speaking of who is a supreme Martial Artist of the Arts. There will of course be those who to argue that Gi’s work is not automatic, which of commonalty is usually defined as a return back to a childhood spontaneity by many a so called Modern artist drawing scribbles a 2001 Space Odyssey ape can too doodle, or that of allowing the subconscious to chaotically take over, as if it is some David Icke reptilian with a planet X mind of its Freudian own, or otherwise equated with archetypal entities possessing a Jungian Artist.

Don’t get me wrong, I have nothing against Modern art; but it has far more to do with ‘who you know,’ rather than ‘what you know.’ However, Gi has the childhood spontaneity of being at one with his subconscious mind, like Spare, to such an extent that his inner Conjuring of various characters (spirits) and their (dream) worlds Gi is able to ‘vividly visualise’ with his inner eye of re-remembering onto paper, without using any references, let alone avoiding being esoteric about his artistry, which to freak out many a square mind, who make up the majority of the audience. In other words, Gi draws as a child would do, who can… actually draw.

There are those square brained sceptics who argue that a Conjuration of a spirit is merely Hogwarts fantasy, who, when to dare practice, gibber their rituals, read out of a medieval Playgirl grimoire in an empty room, seeing nothing appearing. Well, what do they expect, they are not thinking correctly, who to have quaintly forgotten that the Art of Magic is that of Art.

goetia_girls_liliths_harem_samigina_art_muse_witch_succubus_of_faustus_crow_mardun

The trick is, you have to think and act like an Artist, to otherwise practice Conjuring a spirit onto a page, within a book of shadows sketch-pad, to thence draw of manifestation; but first, you draw within your mind, whence your inner eye to then guide your pentagram hand.

goetia_girls_liliths_harem_mephistophina_succubus_of_faustus_crow

You will then have a Succubus Art Muse to appear amidst your Triangle Of Art Imagination, to seer the Muse taking on an Art Model life of her own of a drawing, the sorcerer Artist Austin Osman Spare to have known, who was aware that the drawn image has an interactive informational reality within the experienced dream.

She to then guide your winged eye of the Artist into her uterine tunnel of the Active Imagination, which of Art, is Sorcery.

As an Artist, you to stand as the creator at the centre of your Magic Circle of an Art studio, divided of four quarters, surrounded by your elemental weapons of a Wand of a Brush, Palette of a Shield, Sword of a Palette Knife, and a Cup, wherein the colours of your Art are mixed of Alchemy.

The Altar is your Easel, upon which be the canvas of a one time cave wall to paint with Metals suspended in oils, when to conjure up a quintessential Succubus Art Muse out of your Triangle Of Art imagination. Her Mind-Doll form of a symbolic expression can be knitted-together of an ‘Exquisite Corpse’ Tulpa, which of symbolic Alchemy, will pertain to one of the seven planetary (Chakra) spheres of an archetypal influence.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

The initial two-dimensional image is then but a ‘doorway’ into your creative mind of an Artist, a conjured Succubus Art Muse to Symbolist inspire; who, depending upon your emotional intensity, may then manifest as a three-dimensional reality within the temple of a Surrealist ‘lucid dream.’

As a Sorcerer Artist, you might also observe that the conjured symbolism of a particular Succubus Art Muse within a microcosmic lucid dream, or that of a vividly imagined evocation, will generate concordant macrocosmic synchronicities.

Said synchronicities may lead you to meet up with a Muse of an Art Model, you have already depicted within a painting of oiled flesh, for yet another painting to model for, of Sorcery Art.

Such is what I explore of artistry, to take further of experimentation. Should you be one of those who to scream that you cannot draw, I am sure that you can draw a stick figure, like those depicted in Palaeolithic cave paintings, or likened to those of hieroglyphs, you can create as your colourful Sigils of Howling Conjuring.

  

 

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

TIME TRAVEL WITCH PONY-GIRL

Posted in Alien, Art, Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 14, 2015 by FAUSTUS CROW

The artwork above depicts an alternative version of the fifty-fifth spirit called Orobas, who is listed in the the Grmoire, entitled the Goetia. The conjuration of Orobas has been popularised among the occult fraternity by the American author, lecturer, musician and occultist, Lon Milo Duqette, who described summoning Orobas in his autobiography: My Life With The Spirits. Duquette’s conjuration of Orobas occurred before his ascent to fame, which at the time had initiated some intriguing synchronicities.

goetia-girls-liliths-harem-matix-mephistophina-book-advert

Orobas is classically described as being a male entity, who initially manifests as a small ‘Horse,’ before assuming human form; whereby, when you reverse ‘Animus’ fixated symbolism of the Playgirl grimoires, to otherwise have an ‘Anima’ expression of a Succubus, you then have the symbolic motif of a Ponygirl, who is also a Witch, to name as Orobasi.

The name of Orobas is derived from the word: Ouroboros, which is a term for an ancient symbol of a snake eating its own tail.

The symbol of the Ouroboros describes, Eternal Recurrence, which a physicist would otherwise term as a closed timelike curve; this leads you to time-travel, hence that of the symbolic association with Doctor Who’s TARDIS.

The shamanic deity of Norse mythology, called Odin, the Saxon’s named as Woden, is the ancient forerunner of Doctor Who.

Odin, rode an Eight-Legged-Mare called Sleipnir, which can be equated with Doctor Who’s TARDIS.

Orobasi manifests as a Succubus manifestation of the Fallen ‘Anima,’ whose archetypes have been castigated out of the the ‘Animus’ dominated paradigm.

The above artwork at the head of this article is a depiction of an ‘Out Of Body Experience,’ of which the dreamer is carried by the Ponygirl, Orobasi through time, within a lucid dream as Doctor Who, of a youthful memory.

Then again, perhaps the dreamer has departed from this mortal coil. What the dreamer, or discarnate soul of the individual to then experience is somewhat similar to Little Nemo In Slumberland; although his out of his ‘Skull’ Bardo adventures are somewhat ‘Crossbone’ trance ‘X’ rated.

This leads to his future self being able to influence his own past via a self induced lucid dream, which of an ability is symbolised by (Orobasi) the Ouroboros.

goetia-girls-liliths-harem-orobas-bok-advert

Basically, he possesses his own self, and should he remember his future self, now as a dream, to once again awaken as a youth, he is then able to recreate himself anew; for his elder self has beckoned back through time via his own dreams by riding Orobasi.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

DINOSAUR GIRL LARA CROFT RONOVE

Posted in Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Dinosaur, Film, Goetia Girls, Lucid Dreaming, Occultism, Paleontology, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 25, 2015 by FAUSTUS CROW

The twenty-seven year old professor in palaeontology, whose name is Ronovea, became rather notorious when she was featured in the Playboy Grimoire entitled the Goetia. Ronovea decided to become a whistleblower, who revealed that the British Natural History museum has a Stargate in its infernal basement.

Her revelations did not go down at all well with the shadowy curators of the museum, whose secretive agenda is to influence the past so that they can control the present, whereby owning the future.

The shadowy curator’s were further aggravated, since Ronovea allowed some photographs of her self to be published, which depicted her raunchily riding a raptor, during one of her time-travelling escapades back into the prehistoric past.

Ronovea is often equated with the iconic video game character, Lara Croft by many a male paleontologist, whose erotic ‘Anima’ manifestation inspires their scientific endeavours; for she knows of their deepest reptilian brain-stem desires.

For example, John R. ‘Jack’ Horner, born June 15, 1946, has a signed art print of Ronovea riding Godzilla, which he has placed above his altar of fossils in his office.

Horner is an American paleontologist who discovered the first clear evidence that some dinosaurs cared for their young. Horner is one of the best-known paleontologists in the United States.

Image result for horner dinosaur

In addition to his many paleontological discoveries, Horner has served as the technical advisor for all of the Jurassic Park films, and even served as partial inspiration for one of the lead characters, Dr. Alan Grant. Horner had studied at the University of Montana and was awarded an Doctorate in Science honoris causa.

Horner related, “Ronovea is like a Goddess to me, she is my inspiring muse of the Great Old Ones. Like the Hindu, Shakti, her sacred colours are that of red and white, along with black, which too equates with blue, like the colours of the Union Jack, which incorporates the X Rune crossbones of trance and that of the solar cross of consciousness. She is an aristocrat, who is a Marchioness, although my fellow Masons call her the Countess.”  

“What! You’re a Freemason?” The interviewer enquired; Horner deftly sidestepped the inquisitive question as he poured himself a glass of Jack Daniels, who then said, “she doesn’t like the title, Countess; though she takes it all in good humour. Ronovea is more than just a time-travelling palaeontologist, she is also a Witch, who has taught me how to time-travel within my lucid dreams into the far distant past of prehistory, via which I can contact my reptilian ancestors.”

The interviewer observed Horner putting a fossilised insect, incarcerated within a small piece of amber into his glass; “that is how I make so many amazing discoveries in my field; but then we are all imprisoned within amber time. The ability of lucid dreaming is where you awaken the ‘sixth’ sense. The dinosaurs weren’t wiped out, they live on, within us all. Ronovea pointed out to me that a remnant of our dinosaur kin, is our reptilian brain-stems, which is very much involved in language; for much of the neural processes concerning our use of language is subconsciously automatic, over which your reptilian brain-stem has governance.”

Horner eventually answered the interviewers initial question after gulping down his drink, without swallowing the amber; “yes, I am a Mason of the X Rune raptor crossbones. We are taught that whenever a word is spoken or read, it instantaneously ‘conjures’ up an associative ‘web’ of corresponding symbols within your subconscious mind, of which you have been taught to associate with the sound of a word. Wherefore, when to speak, read or write, you are conjuring up spirits, which are all as ‘nailed down’ symbols, to make manifest, amidst your Triangle Of Art Imagination, without even realising it.”

Horner continued. “Hence we are all practicing Ritual Magic everyday; more so at night, when to conjure up associative symbols within our dreams of Sorcery. Although, my poster of Ronovea, is just a two-dimensional image at a conscious level; she can become as a subconscious interactive three-dimensional reality, within my virtual reality lucid dreams, as an inspiring Succubus aspect of the fallen ‘Anima.’ That is why I play Tomb Raider, of a symbolic meditation tool, concerning Ronovea, which greatly facilitates my lucid dream conjurations of her.”

Horner further related. “You may find it all rather odd, but the utilisation of iconic symbolism, is very much what the science of neuro-advertising is geared towards understanding.”

Horner then said, “Ronovea is at war with the those who misuse neuro-advertising, whose intention is to subversively influence your reptilian brain-stem for political ends; it’s basically mind control. This is achieved via the manipulation of an established symbolic language form, which is invariably religious of nature.”

“Can you also tell our audience about what Ronovea revealed about a Stargate,” the interviewer asked. Horner was silent for a moment, before answering,the Stargate, exists within you; it is the ability to travel through time, within your lucid dreams, of an inner museum, which intersects all periods of time and that of other worlds.”

“So, the Stargate is not a hard-technology; it otherwise symbolises a psychic ability.” The interviewer to question, which made Horner slyly smile. Horner answered; “it is both. If you have an ability, which science will one day understand, to thereby translate into a hard technology; then you also have a physical Stargate.”

NOTE: Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of politically motivated social-engineers utilise what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

NIGHT-MARE SUCCUBUS TIME TRAVEL DREAMS

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 6, 2015 by FAUSTUS CROW

orobas_rocking_horse_succubus_pony_girl_goetia_girls

I utilised the Succubus conjurations as a means to explore potential abilities, which can be construed as being psychic. When as a youth, I decided to conjure up a Succubus in order to induce the psychic ability of precognition and retrocognition.

The employed technique required implanting the focused upon symbolism of the Succubus into the infernal depths of my subconscious mind. The implanted symbolism would then become as a trigger within the dream. The trigger-symbol enabled lucidity to be attained, when it was recognised within the dream.

The initial erotic focus upon the Succubus involved introverting the sexual impulse so that its emotional energy of a charge empowered the spin of an electron dream. This was achieved when creating artwork depicting the Succubus, which was also meditative of practice. When creating the focused upon two-dimensional imagery I also utilised a name of the Succubus as a Mantra, which I repetitively intoned of a Spell, while I worked upon the images of meditation.

steampunk_succubus_goetia_girls_orobas

The imagery of the Succubus was that a knit-together Frankenstein construct, of a symbolic formula. This involved a fusion of symbols from popular culture and mythology, symbolising my desire to attain the remote viewing ability of precognition and retrocognition, within a lucid dream, which is essentially a form of time travel.

orobas_doctor_who_pony_girl_succubus_goetia_girls

My experiment at the time was to access retrocognitive information pertaining to a particular geographic locale in the far distant past.

orobas_goetia_girls_lemegeton_doctor_who_succubus_time_traveller

The creation of the focused upon imagery eventually led to a number of dreams, within which I noticed the implanted symbolism of the Succubus was starting to formulate of a three-dimensional inner reality. The initial dreams tended to be highly erotic of nature.

goetia_girls_lucid_dream_angel_girl_succubus_of_faustus_crow

This then led to the experience of the Old Hag Syndrome, of sleep paralysis, as well as that of a formless Bedroom Invader presence entering the room, which is an initial phase of hypnagogic trance ingress into conscious dreaming. When experiencing the Old Hag Syndrome, I called out the Mantra name of the Succubus as well as visualising her (Sigil) seal.

goetia_girls_out_of_body_experience_oobe

I then experienced having an out of body experience, to then find myself consciously entering into the dream. I observed my still sleeping body upon the bed and that I was standing in my room, looking out of my window, though, at a distance from its slider portal of a kind of inner time tunnel.

goetia_girls_lilith's_harem_sabrina_lloyd_sliders_norway_spiral_stargate_vortex_wormhole_succubus_of_faustus_crow

What I could see of a scene outside of the window was not of the usual urban environment. What I saw looked to be a desert terrain over which loomed tortured orange clouds. I thought at first that I had successfully accessed the desired time period, until I smelt an overwhelming scent of death and decay when getting closer to the window of a portal.

goetia_girls_lilith's_harem_kari_wuhrer_sliders_shaman_sirius_stargate_wormhole_lucid_dream_succubus_of_faustus_crow

I decided to look out of the window of a portal to see where I actually was. It was at this point I realised that the scene was of a scarred WWI battlefield, somewhere in Europe, possibly France. I then noticed what appeared to be a rather bedraggled German soldier wearing a gas mask, looking up at me, who had a flame thrower.

goetia_girls_lilith's_harem_kari_wuhrer_sliders_sirius_stargate_spiral_vortex_wormhole_matrix_maya_lucid_dream_succubus_of_faustus_crow

I had the distinct sensation that he was observing me, as if I was some kind of ghost, hovering in the fetid air above him, as some kind of winged eye of an orb. I felt that the soldier was severely traumatised by his horrific circumstances, as well as being shocked by what he was seeing.

goetia_girls_lilith's_harem_kari_wuhrer_sliders_sirius_stargte_dogon_nommo_succubus_of_faustus_crow

From my vantage point, the German soldier was standing in the approximate area at the end of my garden. I then awoke from the dream, feeling somewhat drained due to the vivid intensity of the dreaming experience, since I was also accessing aspects of his life and other associated information. Of course, I couldn’t prove any of it to myself; whereupon my perspective was that the dream was primarily symbolic of nature, rather than proving that time travel from within a lucid dream was possible.

I then proceeded to write down the details of the time travelling dream experiment, which I felt was unsuccessful, though interesting, since it was a most vivid lucid dream.

About three hours later, I heard my parents excitedly calling me. At the time, they were doing a spot of gardening. Suffice to say, my parents were totally unaware that their young son was conjuring up Night-Mare Succubae to ride out of a grimoire.

I went to see what my parents wanted of me, to find them at the end of the garden where I had previously seen the German soldier in the dream. My parents then presented me with a rusty WWI German helmet they had discovered at the very spot where the German soldier had stood. At that moment I felt like I was a Slider Dr Who, whose loving assistants are Succubae.

orobas_goetia_dr_who_succubus_companions_time_travel_animation

It appeared that a previous tenant, who was no doubt a British soldier had acquired the German helmet as a trophy, which he later used as a garish flower pot; that, or he was a Hippy artist who had obtained the helmet from his grandfather to place, Make Love, Not War, flowers in its cavity during the Vietnam conflict.

orobas_goetia_lemegeton_dr_who_tardis_michelle_ryan_succubus_ponygirl

Whatever the case, said helmet was eventually buried, to thence be rediscovered under intriguing circumstances, at a time, when I rode a Succubus as my TARDIS.

Although I had not accessed the desired time period within the induced lucid dream, I had otherwise seen a possible past event concerning WWI, as well as experiencing an associated precognition of Slider browsing, which may have been due to some of the symbolism I was creatively using at the time, of a meditative focus.

goetia_girls_vril_ufo_los_angeles_1942_nazi_girl_hollywood_land

The experience led to a science fiction conjecture that it could be possible to access the electron dreams of an individual in the past to thereby impart spun information to, of a technological nature, which could potentially lead to engineering an alternate reality. Such may be a possibillity when to consider the vivid dreams of Nikola Tesla, wherein of which he had derived many a futuristic invention beyond his then present time-frame.

goetia_girls_astaroth_astarota_rotas_tesla_prana_vril_ufo_succubus_goetia

After this experiment I decided to utilise the same technique to see an event three days ahead in time, which was successful.

orobas_lemegeton_dakini_shakti_companions_dr_who_sleipnir

I still have the German WWI helmet in my possession, as a reminder that precognition within an engineered lucid dream is indeed possible. Hence, for me, time travel is a reality; wherefore my interest in the subject.

When science eventually finds a technological means to replicate what can be achieved from within a lucid dream, you will then have a time travel technology.

goetia_girls_lilith's_harem_kari_wuhrer_sliders_cern_hadron_collider_succubus_of_faustus_crow

But then again, the scientists may have already achieved this feat behind closed doors. Whether you believe me, or not, as the case maybe, I do not care at all. If you want proof, best find out for your own self.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

NECRONOMICON SUCCUBUS ART BOOK GRIMOIRE

Posted in Alien, Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 4, 2015 by FAUSTUS CROW

goetia_girls_lilith's_harem_faustus_crow_succubus_art_book_colour

Book One of the Goetia Girls: Succubus Art Book is available on Amazon in paperback. Book Two is also available; the details of book Two, which can acquired in colour or black and white versions can be found below.

goetia_girls_lilith's_harem_sasha_markina_lucid_dream_succubus_of_faustus_crow

Book One, is printed on white paper, with a full colour matte cover, as well as being fully illustrated with 38 illustrations, numbering 166 pages.

goetia_girls_lilith's_harem_addams_family_uncle_fester_succubus_evocation_art_book_grimoire_by_faustus_crow

The above cover design, at the top of this page is for the Colour version of book One.

goetia_girls_faustus_crow_succubus_art_book_a

There is also a cheaper Black and White version of the book available. Please CLICK on the PHOTOS of the Paperback books for more Detail.

goetia_girls_faustus_crow_succubus_art_book_b

Goetia Girls book ‘One’ illustrates the first Twelve Succubae of an alternate Goetia. There are two other books in the series, illustrating the rest of the 72 Succubae. Book Two illustrates the next Twenty Four Succubae.

goetia_girls_faustus_crow_succubus_art_book_c

Each of the books will be created in Colour and Black an White versions. The artwork below features Mephistophina, who is depicted in the Goetia Girls book One.

goetia_grls_mephistopheles_mephistophina_succubus_of_faustus_crow

The paperback book of Goetia Girls book ‘One’ is very different of page layout and design to the present Kindle book.

goetia_girls_lilith's_harem_book_angelina_jolie_succubus_of_faustus_crow

The Kindle book is more graphic of a comic strip illustrative style; whereas the paperback books are designed along the lines of a classical grimoire.

goetia_girls_lilith's_harem_hellrasier_cube_succubus_of_faustus_crow

This may raise Hell with some readers, but due to the time and effort involved, the paperback books of Book Two and Three will ‘NOT’ be converted into Kindle versions.

As mentioned, there will be two versions of the Goetia Girls paperback books. For example Book One has different covers, in order to differentiate the Colour and Black and White versions from each other.

goetia_girls_lilith's_harem_succubus_art_book_demon_girl_grimoire_of_faustus_crow_1a

goetia_girls_faustus_crow_succubus_art_book_d

goetia_girls_faustus_crow_succubus_art_book_e

goetia_girls_faustus_crow_succubus_art_book_f

goetia_girls_lilith's_harem_faustus_crow_succubus_evocation_grimoire_occult_demon

goetia_girls_faustus_crow_succubus_art_book_g

goetia_girls_faustus_crow_succubus_art_book_h

goetia_girls_faustus_crow_succubus_art_book_i

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_2a

The cover for the Black and White version of the Goetia Girls paperback book ‘One’ is depicted below, whose style, as prior described is in keeping with the classical grimoires, which tended to not be in Colour.

goeta_girls_lilith's_harem_faustus_crow_succubus_art_book_black_and_white

The books can be acquired from from Amazon. (CLICK on the ‘Book Cover‘ images above for further details.)

goetia_girls_lilith's_harem_witch_succubus_of_faustus_crow

Please Note: The Amazon digital Book previews for the paperback are not high quality due to the large file sizes of the artwork and the book its self. Hence the photographs of the printed books themselves.

GOETIA GIRLS: SUCCUBUS ART BOOK I: COLOUR VERSION: CLICK HERE FOR AMAZON.

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_10a

GOETIA GIRLS: SUCCUBUS ART BOOK I: BLACK AND WHITE VERSION: CLICK HERE FOR AMAZON.

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_11a

goetia_girls_lilith's_harem_succubus_art_book_demon_girl_grimoire_of_faustus_crow_8a

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_9a

goetia_girls_lilith's_harem_magic_grimoire_book_witch_succubus_of_faustus_crow

GOETIA GIRLS BOOK I

GOETIA GIRLS SUCCUBUS ART BOOK ‘II’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR BOOK AVAILABLE ON AMAZON, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Amazon, which has taken over Createspace BORG style.

The Goetia Girls Tarot Is Now On Sale, Which Can Be Bought Via PAYPAL, etc. If you are interested in the Tarot Deck, The Drivethrucards Website On Which The Tarot And Book Is Being Sold Will Require You To Join/Log-In.

The Drivethrucards Requirement To Join/Log-In Is Because The Tarot And Book Is For An Adult Audience.

The Tarot Deck Is Entitled The Black Raven.

The Tarot Features All 72 Of The Goetia Girls, Their Seals, Hierarchical Offices, Decan Positions, Zodiac Signs And Corresponding Runes. Each Tarot Card Has An Associated Key-Word For Divinatory Purposes.

The Black Raven Tarot Also Features The Four Elements.

The Fifth Element, The Alchemists Called The Quintessence Or The Anima-Mundi Is Equated With The Tarot Card Of The World/Universe/Multiverse XXI. The Tarot Card Of Fool Is Associated With The Triangle Of Art. 

The Tarot Cards Has An Associated Underground Art Book-Comic Grimoire, numbering 77 Pages.

The Book Explains The Background Of The Black Raven Tarot, Its Use For Divination As Well As How To Play The Lilith’s Harem Sorcery Game With The illustrated Cards.

The Black Raven Tarot deck Has 80 cards, Printed On Premium Stock, Having A Semi-Gloss Finish. There Are 2 Cover Cards, Which Briefly Describe The Divinatory Meaning Of The Runes And How To Play Lilith’s Harem On Their Backs. 

The Tarot Cards Have A Specially Designed Tuck-Box.

The Book ‘Can Be Bought Separately,’ Which Is A PDF. For Further Details, Please Click Here.

NOTE: Most psychologists of varying psychological disciplines are very much aware of the ‘Animus’ and ‘Anima,’ which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the ‘Animus’ and ‘Anima’ in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of religious and politically motivated social engineers utilise what is habitually not self-observed, in order to influence and ultimately have total control over the quite oblivious masses, by subversively targeting their sexuality.

The personal observance of how the ‘Anima’ and ‘Animus’ can be subversively manipulated by others of mundane emotional politics can be observed in ones everyday relationship dynamics, which can then be applied to the bigger picture.

Jung was probably aware that the ‘Animus’ had become deified by the religious cultural constructs of the three monotheistic faiths, whose shared symbolic paradigm permeates all levels of your culture. This is not a case of perceiving the cultural focus upon the ‘Animus’ as being negative, since it is biological of foundation.

In nature females primarily determine what males they choose to be with; it is not the other way around. Hence men will gravitate towards those ‘male role-models,’ women consider to be the most sexually attractive to them, which is determined by their ‘Animus.’

The male role-models are in turn associated with archetypes, which become deified in various myths and religions as well as attaining superhero status in popular culture. In other words, the financially lucrative popularity of male characters in popular culture, such as in films, video games and comic books, etc, is primarily due to the ‘Animus’ adoration of the heterosexual female audience.

As for the ‘Anima,’ she and her legions of Succubus archetypes have Fallen out of the symbolic paradigm. One example of an ‘Anima’ archetype being the Sex Goddess Ishtar, who made many a Sumerian woman in UR very jealous indeed!

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire