Archive for the Discordianism Category


Posted in Addams Family, Alien, Anime, archaeology, Art, Chaos Magic, Comics, Conspiracy Theory, Cyberpunk, Demonology, Dinosaur, Discordianism, Dr Who, Dystopian, Extraterrestrial, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Manga, Occultism, Paleontology, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2018 by FAUSTUS CROW

I have had an idea of creating an EC comic for some time, which has only become a reality when I discovered Createspace and Patreon. The comic will be of similarity to the adult science fiction fantasy comic magazine Metal Hurlant/Heavy Metal. I will be putting the Comic Strip Artwork on my PATREON Page.

The problem with Patreon, is that it does not list Adult orientated material, so, it has to be promoted elsewhere. I also had to change the title of my Patreon page in order for it to be found. As for the comic, it will involve my alter-ego, Faustus Crow, who will be the principle character. Crow does not see a division between the practice of Art and Sorcery, which leads him into the inner space realms of the lucid dream.

The main underground comic will be an anthology of stories, which are based in varying dream worlds.

Though separate, the stories are inter-related by Crow journeying between them who is sometimes featured directly or indirectly, which will be made up of one pagers, as well as short stories, numbering two or four, to eight pages each.

The artwork will be drawn in black and white using traditional media as depicted by the concept sketches, comic pages and finished artwork on this page.

Some of the stories will be about the Goetia Girls, as depicted in my Art book grimoires as well as being introduced by the (Succubae) Succubi, Crow has conjured into his lucid dreams, as his salacious Art Muses.

Some of the Succubi are knitted-together Frankenhooker Tulpa mind-dolls who have been animated into their spectral life by Crow’s sorcery Art.

The principle Succubus Art Muse is Mephistophina who is Crow’s illustrated girl, whose knitted-together Frankenhooker canvas skin tells of many a tattooed story world, and each dream world is governed over by her (Succubi) Succubae sisters.


Crow’s Faustian character is a fusion between differing influences such as Hermann Hesse’s Steppenwolf character, Harry Haller, Austin Osman Spare and Salvador Dali fused with Doctor Who.

His story is somewhat like an adult version of Little Nemo In Slumberland, whose dream interactions with his Night-Mare Muses, leads him into other alternate worlds. The comic strip is tied in with my book, Lilith’s Harem.

The other Steppenwolf dream worlds Crow journeys into will investigate varying Magic Theatre themes, covering Occult, Horror, Science Fiction and Fantasy as well as other associated genres.

The style of the Artwork will be of a Surrealist nature, which may not always use text, to otherwise be more visual of narrative. Most if not all of the stories will be erotic of Tantric orientation.

Some of the comic strips will also be experimental of style. Other comic book ideas such as Munster X Files Marilyn, etc, will involve alternative and mixed media such as photo-montage and CGI, etc.



Posted in Alien, Art, Chaos Magic, Comics, Conspiracy Theory, Discordianism, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 25, 2018 by FAUSTUS CROW

Welcome dear flesh eating Ghouls, necrophilia Vampires, bestial Werewolves and many another eldritch creature of the Left-Hand Path.

Within this Heyoka comic you will find an Avadhuta reinterpretation of the Munsters for your Discordian delectation to bleed all over of satirical gut spilling X FILE humour. Should you be interested in the available FREE versions of the comic, PLEASE CLICK HERE.

This Horrorwood Munster family is into Discordian Horror Humour most dark of Conspiracy Theory satire investigating X File: UFO’s, Time Travel, Aliens, free energy suppression, the Kennedy Assassination, the murder of Marilyn Munroe, Nazi Eugenics, population reduction and why women prefer Bad Boy Beasts, all of which be far closer to the horrific truth than you realise.

Please Note, the available FREE versions of the comic and its other issues are an updated version of the Graphic Novel.



Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 27, 2017 by FAUSTUS CROW

There is one thing for certain that if you have a group of heterosexual men get together to create a tax-dodging religious cult, it will most assuredly have a gender focus upon a Sex Goddess, and what is more, she will not be some brainless bimbo either.

The reasoning for having a sex Goddess will be because of the employed symbolic logic, when seeking union with the divine, it has an underlying sexual connotation involved. Basically, it is the biological imperative to procreate, which is being internalised.

The archetype of the divine feminine is what the psychologist Carl Jung termed as the Anima, whose numerous feminine archetypes resides within the psyche of all males, which determines their choice of those women they chase after. Should a male be lucky, he may be chosen by a woman, who, in some respects represents his Anima.

The Anima usually manifests within eroticised dreams, and when a male becomes aware of her feminine presence within his dreams, you could otherwise term as being (Succubi) Succubae, he can then unify himself with her inner manifestations. The union with the Anima empowers the masculine self-image of the heterosexual male, whereas for a lesbian, her masculine traits are emphasized.

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In other words, a male becomes as a God within his own psyche when he unifies himself with his inner Anima, which can otherwise be termed as his soul. In ancient cultures, the soul was usually seen as being the opposite of the physical gender.

Wherefore, it is very unlikely a group of heterosexual men would create a patriarchal gender focus upon the male, unless it is to do with having mythic superhero role-models. But when it comes to seeking union with what is considered to be divine, a heterosexual male would look to an archetype of a Goddess to enter unto her cosmic orifice; whereas those males who are closeted, homosexual or bisexual of orientation will prefer a patriarchal God to enter their orifices.

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It will be the heterosexual women who would create a patriarchal gender focus upon the male, which represents their deified Animus. The archetype of the Animus resides within the psyche of all women, which determines their Babalon choice of those males they choose among the beasts to ride.

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There is biological trait women all share, of nature; women are very competitive among each other, which they will not deny. It is common knowledge, anyway; just like having Sarah and Hagar competing over Abraham.

Whereby, the women will not like their Abraham’s having an inner focus upon an Ishtar Sex Goddess, which they will jealously see as being competition, or to otherwise castigate as objectifying them, or to tar and feather as being vile pornography.

Hence you then have a very jealous deified Animus, made as a patriarchal All-Father fixation Jehovah/God/Allah, along with a Crucified Beta-Male Good-Guy Christ and an Alpha-Male Bad-Boy Devil.

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So, it is somewhat humorous that you have a topless activist from the feminist group Femen who attempted to snatch the Animus statue of a baby Jesus from the Nativity scene in St. Peter’s Square. Her protest was however blocked by the burly police in the pay of the financially lucrative Animus cult as she grabbed hold of her little Animus icon.

La Femen a eu le temps de montrer... (PHOTO FEMEN VIA AFP)

A Reuters photographer said the topless woman had jumped over the guard rails wearing spray on Yoga pants, and rushed onto the larger-than-life Nativity scene baring her pert breasts, shouting “God is woman”. She had the same slogan painted upon her bare back.

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A heterosexual male would wholeheartedly agree having the creative principle of existence, a Native American would call the Great Spirit, being symbolically represented as a Woman wearing spray on Yoga pants. But only if he is aware of his inner Anima; then he can fuck his way through Hell’s womb to pussy Heaven.

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A Fifty Shades Of Grey Vatican gendarme of the deified Animus cult stopped her from taking the statue of her little Animus, and she was duly bound up, handcuffed and detained in a cell. The incident happened about two hours before Pope Francis of the Franciscan banker elite delivered his cult Christmas message to some 50,000 adoring Animus worshippers in the square.

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Femen identified the protestor as Alisa Vinogradova. Femen was founded in Ukraine, which has the same goal as the Russian feminist protest punk rock group based in Moscow called Pussy Riot. The Pussy Riot goal of the Femen group is to have, “complete victory over the patriarchy.”

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This is rather humorous, since the patriarchy of the deified Animus is the creation of women. Many will of course Banshee scream that such is not the case, whose argument will very likely reflect the controlled media machine hype out of corporate owned America, in particular.

But it is bloody obvious, when you have three monotheistic gender fixated cults, it is based upon sexual biology, because of the symbolic focus upon a particular biological gender.

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It is nature, which no one can argue against, and she’s a real bitch! It would then be more of a case of women becoming aware that they have forged the gender fixated God structure of the patriarchy in order to then attain a victory over their own inner male archetypes, and that of their own Animus projections upon men. When the the Animus is not internally recognised, the projection can be easily manipulated by the bought media machine.

The men are not their Animus projection, although some men can take advantage of such a projection, if they have enough financial clout and political influence to do so for their own social engineering purposes.

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But in order for Pussy Riot Femen to achieve their political Art performance goal, its members would need the men to become aware of their Fallen Anima, whose archetype has been entirely castigated out of the patriarchal paradigm, apart from having a ‘celibate’ Virgin Mary of a quaint mother fixation.

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A topless Femen activist staged a similar action on Christmas Day, back in 2014. On this occasion she managed to take the Animus statue out of the crib before she was arrested. If only she had Howled, “All men awake… Free your fallen Anima!” it would have made more sense, since most of the Pussy Riot Femen protestors look like Succubus Sex Goddesses, who, if they were so Dakini inclined can see themselves as rebelliously freeing the Fallen Anima within the male psyche.

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This will of course not happen. Why? Because the three patriarchal cults of the deified Animus have been around for a very long time. The few who control the cult triad do not want their Shekel tables being overturned in their New-World-Order banking temple. Follow the oily petrodollar money trail and you will see it all for yourself, as clear as Camel shit hitting the Dune fan.

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The controlling elite of the three patriarchal Animus cults are very much aware that their deified Animus is an embarrassing weak spot in their cultural-construct armour. Whereby they have subversively hijacked feminist politics in order to distract attention away from what their weak spot actually is, by influencing the women to wildly protest, and in turn controlling the males, who are tarred and feathered as being vile beasts, whom are seen as creating the patriarchy. Basically it is, divide and conquer, by sowing confusion, which has led to some ‘Men Going Their Own Way,’ this also feeds into socially engineered Psy-ops orchestrated population control.

Some may conjecture that Femen and Pussy Riot were patronised by Russian intelligence agencies in order to be subversively introduced into American feminist politics. This hypothesis doesn’t take into account the global influence of feminism, which has a common misconception that the patriarchal horror of the deified Animus was created by males, for an all male boys-club heaven on Earth.

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That isn’t to say that some of the big-wallet George Soros Peacocks haven’t taken advantage of the Animus projection of the Hens; for it has always been the Hens who chose the strutting Peacocks, it is not, and never was the other way around. It is basic biology. Hence, as mentioned earlier, those who seek to socially engineer society will subversively influence the female population in order to then have control over the males.

If Pussy Riot Femen had been otherwise Dakini orientated of protesting Tantric performance Art towards enabling the males to become aware of their Fallen Anima, then the Animus cult horror show would have been seen for what it truly is of a very bloody illusion.

NOTE: A religious construct, which utilises a gender focus will also feed the need for archetypal ‘role-models;’ wherefore you have the feminist resurgence of the Goddess religions, which many a feminist sees as their sole creation; but such is not really the biological case. The feminist utilisaton of the Goddess archetypes have been used to bludgeon the Anima.

The God archetypes also act as archetypal ‘role models’ for males. However, their masculinity has been somewhat castrated by the feminists due to their Animus projection, which has been subversively manipulated by social engineers, sowing discord. The underlying reasoning is in part, population control.

Overall, a woman utilises the Goddess archetypes in order to empower her self-image as a Goddess, just as a male utilises the God archetypes to empower his self-image as a God. A heterosexual woman seeks union with the inner reality of the divine by uniting with her Animus archetype of a God, just as a heterosexual male does likewise who unites with his inner Anima archetype of a Goddess. Then a woman and a man sees the divine in each other.

Those of different sexual orientations change the gender symbolism as and when needed. Many ancient cultures did not see differing sexual orientations being a big deal at all, nor did they constantly harp on about it. Whereas the three closeted monotheistic Animus cults consider differing sexual orientations to be anathema. 

As for the creative principle of all existence it cannot be personified as being either male or female, nor is it human of form, let alone owned by any human made cultural construct of a centralist religion to brand. But those who seek to have total control over your terrestrial existence by owning your purse strings behind a cultic smile, will have you believe otherwise! 

Religion is big business, which buys up material assets with your Shekels in order to keep its brand forever rolling on. For a big business religion to survive it will seek to have total control over what you need to physically live as well as finding various political ways, or even technological means in order to subversively influence your very thoughts.

Politics tends to be transient; but a religious construct is more of a self-perpetuated constant. You can thereby determine that the longer a big business religious construct has been around, it has all its ‘Oily’ fingers in the money pie.

(The observation that conspiracies cannot be sustained over a great length of time due to historical variables, does not apply to a religion, which works to an unchangeable script, whose followers act out, as indoctrinated automatons down the ages. Look to the war torn Middle East to see the truth of an ongoing religious strife, since the time of Sumeria!)    

At a biological level, the symbolic personification of the great mystery is how many ancient cultures sought to come to some understanding of their terrestrial existence, self-identity, relationships between the sexes and social-group interactions, etc, more so that of what is to come afterwards, let alone before their ‘birth’ involving a God and a Goddess doing the Tantric tango!   



Posted in Art, Chaos Magic, Discordianism, Occultism, Sex Magic, Sorcery, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 22, 2017 by FAUSTUS CROW

[Spell Mantra Verse 1]

Clear as a Masonic bell and an echoing Coven shell
Clear as a Middle Eastern pane of Sumerian glass
I realize, I can’t revise my deifiefid Animus, made as God and Devil
As clear as a big Petrodollar wallet God, blue sky
Through and through it all, monotheistic
We Queen Bees created your God cult Patriarchy
It’s all clear as a crystal ball
As our three Illuminati cults are Abrahamic bold of God and Devil
Clear as a flawless diamond, brainwashed Worker Bee boys can’t see

[Spell Mantra Pre-Chorus]

I’m hitting the pyramidal Beehive wall
I know I’m gonna Illuminati fall for you Bad-Boy Beastie, to Babalon ride
Is it my beehive fate or ziggurat fatal attraction?
Could it be a fait accompli?

[Mantra Chorus]

Oh, is it self-made doom or biological destiny Mr Animus, Jehovah?
Oh, is it self-made doom or biological destiny Mr Animus, Jesus?
Oh, is it self-made doom or biological destiny Mr Animus, Allah?

[Spell Mantra Verse 2]

Dark as a winter’s menstruating moonless night
Dark as Jerusalem’s scarlet Rome bed in Mecca
I realize, I can’t revise my deified Animus
It’s God dark as the other Devil side
I can recommend but I can’t defend the Queen Bee patriarchay
It’s still dark as a yet unfathomed deep sea trench
I was stuck in a feminist target, having an Animus shit fit
Dark as an angry Hen party taking the pinch

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[Spell Mantra Pre-Chorus]

Oh, I can’t wait to ride you as my Peacock, blind Bad-Boy Great Beastie, pollinator
Nice Guy Christ’s are friend-zoned out-of-state, Crucified, oh
It’s creepy fate or fatal attraction
Could it be a fait accompli?

[Spell Mantra Chorus]

Oh, is it self-made doom or biological destiny Mr Animus, Satan?
Oh, is it self-made doom or biological destiny Mr Animus, Lucifer?
Oh, is it a self made doom or a biological desitiny Mr Animus, Shaitan?

[Spell Mantra Chorus]

Oh, is it Worker Bee doom or their slavish destiny?
Oh, is it Soy Boy doom or their sexless destiny?
Oh, is it Metrosexual Male doom or their drone destiny?
Oh, is it Peacock doom or their mass extinction destiny?
Oh, is it our Hen doom or our Transhumanist Cloned destiny?
Oh, is it our Fem doom or our Queen Bee Babalon destiny?
Oh, God-Dog Illuminati cults, Animus, oh

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[Mantra Chorus: Female Orgasms & A Sound Of A Vibrator]

Uh, uh, uh, uh, Oh, Oh, Oh, Oh, Oh… Oh, Yes! Oh, Yes! Oh, Yes! Oh… Animus!

Loosely adapted from: Doom or Destiny, by Blondie, featuring Joan Jett. From the album: Pollinator.

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Blondie makes it clear that Pollinator, their 11th Sephiroth album, is full of outside ideas—only two of its 11 Da’at songs were co-written by Queen Bee Debbie Harry and Blondie’s longtime Worker Bee guitarist/Harry’s songwriting foil, Chris Stein, both of whom had previously collaborated with the Surrealist Artist, H.R Giger. Collaborators include of-the-moment gurus like Dev Hynes and Dave Sitek as well as pop workhorses like Sia and Charli XCX; keyboardist Matthew Katz-Bohen, who joined the band in 2008, also co-wrote a pair of tracks, while John Congleton (St. Vincent, Goldfrapp) handled production.



Posted in Alien, Art, Chaos Magic, Demon, Demonology, Devil, Discordianism, Dr Who, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 29, 2017 by FAUSTUS CROW
The American television series created for CBS All Access by Bryan Fuller and Alex Kurtzman, entitled, Star Trek Discovery, should otherwise be called, Star Trek Belial.

Let me explain. A number of years ago, long before J. J. Abrams reinvention of Star Trek, I reversed the all male ‘Animus’ fixated symbolism of the Playgirl Goetia, which included the 68th (Animus archetype) spirit of the Goetia, called Belial towards that of an ‘Anima’ manifestation, to rename as Beliala. I then associated with the symbolism of Star Trek.

The reversal inspired me to then write a couple of Kindle books, entitled Occult Star Trek: Enterprise and Occult Star Trek: Vulcan.

Suffice to say, the traditionalist occultists thought I was absolutely stir crazy, the Trekkies called me totally insane, while the Art mob treated me as if I had the plague. I didn’t care then, and still don’t care now, since the symbolic explorations of surrealistic artistry enables me to conjure the feminine (Succubus) archetypes of the Fallen ‘Anima’ into my lucid dreams.

Wherefore you have the conjuring of Art Muse Beliala, for further Surrealist.. insights. Anyway, the common ‘Animus’ fixated Playgirl grimoire description describes Belial as:

“The Sixty-eighth Spirit is Belial. He is a Mighty and a Powerful King, and was created next after LUCIFER. He appeareth in the Form of ‘Two Beautiful Angels; sitting in a ‘Chariot of Fire.’ He speaketh with a Comely Voice, and declareth that he fell first from among the worthier sort, that were before Michael,’and other Heavenly Angels… such as Gabriel.”

Star Trek Discovery, has Sonequa Martin-Green as a Vulcan number one called,“Michael” Burnham and Jason Isaacs acting the part of “Gabriel” Lorca, who is the (Jason and the Argonauts) Captain of the starship, Discovery; Whereupon you have… ‘two angels’… Michael and Gabriel.

Many will probably say, “so what, it’s just a generic symbolic association between the heavens of space and that of the angelic hierarchy of the three monotheistic faiths; it has nothing to do with an obscure entity listed in a grimoire.” However, Gene Roddenberry made it a point to keep religion out of Star Trek; as for the symbolic association with Belial, some will then cry out, “what’s the proof of it?” I will explain momentarily; but next, let us look to the fiery chariot.

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The design of the starship Discovery looks to be based upon the (V) Vulcan hand-sign, and in turn the Hebrew letter, Shin. Many will say, “So what, it’s just a natural design progression, which also honours the memory of Roddenberry, more so Leonard Nimoy’s iconic Shin sign.”  I agree, but, I am looking at the symbolic association between the element of fire and a chariot in particular, which is that of Belial’s fiery chariot.

The letter, ‘Shin,’ is asociated with the Shekinah, whose manifestation is that of an inner ‘fire,’ a practitioner of Yoga would equate with the (fire snake) Kundalini Shakti. Both the Shekinah and the Kundalini Shakti appear to allude to the (fire) bio-photon, emanating from the mitochondrial DNA, which is passed down from the mother to her children.

The ancient Roman’s equated the inner fire with their Goddess, Diana-Lucifera, who was later transformed into a butch ‘Animus’ archetype to rename as Lucifer. The ‘Shin’ design of the starship Discovery would then allude to a ‘Chariot of Fire.’ Some may respond by saying, “Yeah! Yeah! Yeah! Still doesn’t prove any symbolic association between two angels riding a fiery Shin chariot having anything to do with Belial; its just a load of esoteric mumbo jumbo; your’e really pushing the envelope of what’s believable, here!” 

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As you will probably know franchises are very careful about their branding, wherefore, the creation of characters for a TV series have their names extensively checked out, as to their underlying meanings, even though most of the audience do not ever investigate any further, just in case someone does dig a little deeper.

For example, the name, Burnham, is from a name for various towns in England, typically derived from Old English burna, “stream, spring” and ham, ‘home,’ which is of similarity to, Lorca, being a Spanish place name, meaning, ‘town with fine “water.” Both names have an association with… ‘Water.’

In Aleister Crowley’s illustrated Playgirl Goetia, Belial is associated with the star-sign of the ‘Water’ carrier, Aquarius. The planet of Aquarius is Uranus, whose planetary sigil is of similarity to the classic Hippie era design of the starship Enterprise; the details of which I have covered in my Occult Star Trek books, that many to have knocked.

As a sort of an aside, the starship, which is introduced in the first episode of Star Trek Discovery is the Shenzhou, whose name is derived from a spacecraft, which has been developed and operated by China to support its manned spaceflight program. The name is variously translated as “Divine Craft”, “Divine Vessel of God”, “Magic Boat” or even “Star chariot,” which is of similarity to the Sanskrit, Vimana and the Hebrew (Merkba) Merkabah.

The captain of the Shenzhou is played by Michelle Yeoh as Philippa Georgiou. The name, Phillipa means “lover of horses” or “horses’ friend.”

(Curiously enough, Sonequa is a compound of Son and Equa, meaning Horse. Although Sonequa is another spelling of Shanika, which is also a slang term for a streetwise Amazon; though, she is ‘gracious’ and most generous like a ‘Venus,’ under her hardened exterior, who is somewhat akin to Saint ‘Martin,’ whose Catholic icon is often depicted riding a horse, since he was in the Roman cavalry.)

The horse symbolism then leads you to the 19th ‘Sleipnir’ Rune of the elder Futhark, called ‘Ehwaz,’ looking like an ‘M,’ which also looks similar to the starship Discovery design. “Runes? How the Hell did you make that far-flung association? That’s just plain crazy!” Some to no doubt scream.

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Star Trek Discovery has the Klingon’s divided into 24 warring great houses, which appears to be associated with the 24 Runes of the elder Futhark, the Nazi regime had misappropriated and misused. This sure looks to be the case, considering that the dark skinned Klingon’s of Star Trek Discovery have a eugenic obsession with (Nazi) racial purity, wherefore those who have white skin are considered to be outcasts; hence you have a reversal of the Nazi White Supremacist mystique.

But it is rather curious that the Klingon’s have dark skin, considering what the co-executive producer of Star Trek Discovery had told Rolling Stone that President Donald Trump’s 2016 presidential campaign was, “front and center in our minds” as they developed it — so much so that the rallying cry of the show’s villains is specifically patterned after the Trumpster credo “Make America Great Again.”

“We felt like it would be interesting to really look at what’s going on in the United States,” Aaron Harberts told Rolling Stone, noting that the series’ primary villains — an extremist Klingon sect — scream “Remain Klingon,” something deliberately reminiscent of “Make America Great Again.”

As Harberts put it, “It’s a call to isolationism. It’s about racial purity, and it’s about wanting to take care of yourself. And if anybody is reaching a hand out to help you, it’s about smacking it away . . . That was pretty provocative for us, and it wasn’t necessarily something that we wanted to completely lean into. But it was happening. We were hearing the stories.”

As for Georgiou, the name means, “son of George,” as in George and the Dragon, which then leads you to the angel, Michael, defeating the Dragon; although the Dragon is an ancient allusion to the (fire snake) Kundalini Shakti, which is also associated with the (Chinese/Malaysian/Mongolian) shamanic motif of the horse, whose symbolism represents the experience of ‘trance,’ which of an initial hypnagogic night-Mare terror, needs to be controlled, overcome and (Dragon) defeated.

(The terror of the Nightmare can be equated with what the novelist, Steven Pressfield would term as ‘resistance.’ The resistance seeks to keep things as they are, but in order to create, which is that of an ‘evolutionary’ force involving innovative change, the resistance needs to be defeated. The resistance can also be equated with the established mind-set of the audience, who desire to keep Star Trek as it is of a Ring-Pass-Not. When the Nightmare [Dragon] is defeated, it can then be ridden as a [chariot] Night-Mare.)


Overall, it looks as if Star Trek Discovery alludes to Aquarian fiery Shin chariot, two angel, Belial-a.

Many will say, “why the Hell, would the makers of Star Trek Discovery associate their reinvented franchise with the occult, let alone a spirit listed in the Goetia, which is commonly seen to be a tome of black magic? And what’s more, why would they use Belial, since said spirit is usually associated with evil, that numerous theologians say is the real Devil?”

You could just as well argue,” why use a most obvious reference to two Biblical angels in an iconic TV series, which has kept religion out of the equation?” At face-level, the pandering reference to two Biblical angels is that of selling out to the mostly Christian audience, most of whom will be totally oblivious to the two angels being classically associated with the zodiac, which leads you to Bryan Fuller’s star sign, let alone to see the deeper symbolic reference to Belial riding a fiery chariot.

Those who will see the symbolic reference to Belial, will commonly react by saying, “Hollywood is awash with vile Satanists, atheists and humanists who are attempting to corrupt the Biblical morals of the young faithful Judaeo-Christian’s, within our God fearing patriarchal country of the deified ‘Animus.’ It is an Illuminati conspiracy!” 

The makers of Star Trek Discovery will of course side-step it all by explaining it away; by making out that the starship Discovery’s distinctive ‘V’ shape is has been in the design pipeline for a longtime, which has nothing to do with the fiery Shin, and that the two angel names refer to family members, which of references to water is to do with someones watery star-sign, such as a partner, etc, to make all rather mundanely innocent.

Yet, they will be very much aware that the Illuminati fixated conspiracy theorists will be hard at work creating their viral-memes about the eye motif, utilised in the promotional material, which will act as free advertising for the reinvented franchise. As for Belial, they have to be led there. Hence you have a subversively engineered reason for the use of the Belial association. But, logically speaking, Belial is a rather obscure archetype for them to have used, and a very risky one.

What is more, there is no obvious symbolic association between the classical grimoire depiction of Belial and Star Trek, whatsoever; it is somewhat akin to associating Obsidian with Caviar, which does not make any logical sense at all, nor does it have any cultural backing, historically. Although, if you apply Salvador Dali’s Paranoiac-Critical Method to the two disassociated symbolic elements, it would make Alice In Wonderland surrealist sense.


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I was the one who had associated Belial with Star Trek, of a surrealist Paranoiac-Critical juxtaposition. In fact, I am the only one to have done so, in league with reversing the ‘Animus’ fixated symbolism of the grimoires, which totally freaked out the traditionalist occultists, Trekkies and the Art mob.

They are now faced with watching Star Trek Belial, while gnashing their teeth, whose frothing mouths will be be spewing forth their mental torment as Vulcan Burnham does her Beliala gymnastics around the dark skinned eugenic Klingon’s.

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Those of an atheist leaning are faced with Burnham’s in your face association with a Biblical angel due to Fuller’s liking for giving female characters male names, which generates associative discordance:

“We’ve worked on many shows with Bryan and it’s a motif. It’s his signature move to name his lead women with names that would typically be associated as male,” executive producer Aaron Harberts said at the Television Critics Association summer press tour.

After tossing around a couple of options, the writers eventually landed on Michael for the first officer of the USS Shenzhou:“I have known of, I think, two [female] Michaels: Michael Sneed, [who] was a gossip columnist for the Chicago Sun‑Times and Michael Steele who played the bass for The Bangles. That’s a deep dive on female Michaels,” Harberts said. “And we talked about it in the entire room. It was just like, ‘This is a really, really interesting name.’ And, of course, an archangel is named Michael as well, and it just had a lot of potency for us.”

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Sounds as if it has all been explained away, doesn’t it; Hell! Since Bryan is into gender blurring why not then name Gabriel as Gabriella? Can’t go that far, otherwise it will then become a like a Mel Brooks satire. When to see the Hollywood politics behind the naming of the main character as Michael, it is a total and utter farce, and what is more, a very expensive social engineering STD mistake.

This is exacerbated further by Burnham’s angelic counterpart, Gabriel. It would be understandable that the Trekkies, who are mostly atheist/humanist of persuasion will adversely react because of the blatant religious symbolism, who will hear Roddenberry howling from the grave.

Not only that, the ‘Animus’ fixated God believers in their Satanic Illuminati, will soon be tracing the symbolic strands back to my books and blogs; they will of course not be able to handle my Avadhuta sense of Heyoka humour, who will far prefer to believe in a worldwide Satanic conspiracy…. hmmmm, such could potentially work in my viral-meme favour!?

But it will be more likely that I’ll be faced with a load of asylum nut jobs, who will be claiming that I am an Illuminati disinformation agent of their Satan, along with numerous others calling me all the expletives under the black Sun. Oh! I forgot, they’ve been doing that for ages, already. Whatever the case, I love it when a plan comes together.

I’m starting to suspect someone in Holy-Wood has been looking into my books, blogs etc; there may be others, who also transformed a TARDIS into a female (Sleipnir Night-Mare) intelligence along with having a 13th ‘Tarot Card’ Doctor Who as an Orobas Pony-Girl, all of whom may be just as ‘Unsane’ as I am!? Although, I think they have misinterpreted my work concerning the ‘Animus’ and ‘Anima,’ like many another.

Hang on a minute… where’s my big Holy-Wood bucks, that’s what I wanna know… damn it to Hell! What a laugh!

Shit! It brings to mind a memory… Long ago now, I told a now ex partner of mine about an idea, which made her eyes light up, illuminating her brain with a revelation. Then her eyes to have wandered in thought, to then enquire about someone I knew, whereby revealing in that moment she did not believe I was the one who had thought of the idea.

She was instead impressed by the material glitz I did not have; whereas the other individual shit Shekels, she equated with having substance. She was totally unaware that the Shekel shitting moron had no original ideas of his own.

But she cared less, it was the hollow glitz that hypnotised her, just like many another, who are impressed by the grandeur of the Egyptian pyramids, but that does not mean that the ancient Egyptian’s had come up with the Golden Age idea, nor to have really understood what they were originally used for.

Anyway’s, enough of my Discordian egocentric ego inflation’s, where’s my bottle of Casillero del Diablo? AHA! Here it is… now back to the, Great Work… Burp!

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NOTE: In the Western magical tradition, which is primarily based upon the Hebrew Kabbalah, there are numerous magical systems, splintering off from one another, which have a very loose consensus of a convoluted opinion. Some of the symbolism is coherent from one branch to another; but others differ wildly from one another. (NOTE: Below is the Native American Medicine Wheel. The South is considered to be the first [hypnaagogic trance] gate of dreaming, which s symbolically equated with entering a ‘cave.’)

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Michael is generally considered to be the archangel of Mercury; whereas Gabriel is the archangel of the Moon. In the Kabbalah, Mercury is ascribed to the 8th sephiroth of Hod. The Moon is ascribed to the 9th sephiroth of Yesod.

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The sphere of Mercuy/Hod, is commonly associated with the intellect; whereby you have Michael Burnham’s intellectual Vulcan influence. The sphere of the Moon/Yesod is best summed up by what Jason Isaacs has communicated about his Star Trek Discovery character of Gabriel as being the most f**ked up captain yet.

Belial is generally seen to be of the sphere of the Sun in the grimoires. The Golden Dawn and in turn Aleister Crowley associated the Tarot Cards with the infernals, which is not mentioned in the pre-Golden Dawn grimoires, such as the Goetia, for example. Belial was just simply associated with the Solar sphere.

Magical systems are very personal to the practitioner; wherefore, occult practitioners make symbolic changes to a utilised symbol system in accordance with their own symbolic logic. So, if someone is using the attributed Tarot card paths of the Kabbalah, which had been set up by the Golden Dawn, he/she might decide to associate Belial with a corresponding Tarot Card, which would logically be the Sun XIX.

The Golden Dawn version of the 30th Kabbalah path of the Sun XIX (Belial) links the Sephiroth of (Michael) Hod and (Gabriel) Yesod.

Aleister Crowley had associated Belial with the path of the Star XVII, which otherwise links Yesod/Moon and Netzach/Venus, The archangel of Venus is usually considered to be Haniel.

A practitioner may decide to change the symbolism of a magical system in accordance with changes in his/her life, or that of seeking to initiate a transformation, from that of a Star to that of the Sun, which is esoterically termed as leaping-the-paths. But then the Star is a Sun, which to orbit another planet, is it not.

The path of the Star is associated with the Hebrew letter of Tzaddi, which means, Fish-Hook, as in, hooking others with an idea, to bring them all onboard your boat of a project. The path of the Sun is associated with the Hebrew letter, Resh, which means, head, you can symbolically see as winning over the heads of the audience with what you have created. In other words, taking their heads to another planet, which is illuminated by your (Star/idea) Sun… creation.

The obvious intent is capture the the ‘inner fire’ of audience between the relationship dynamic between Hod/Burnham and Yesod/Lorca, just as Gene Roddenberry did with Spock and Kirk.

But there is a big difference, between the eras of the Enterprise and the Discovery. Roddenberry was riding the Zeitgeist of the Vietnam war Hippie era, he had symbolised as the (age of Aquarius/Uranus) Enterprise. Now it is far more of a case of ‘rediscovering’ the inner fire of a rebellion.  

The Sun XIX is the Sol Invictus, basically, the all conquering Sun of the Golden Age, returned (as in the age of Aquarius), which points at creating an iconic creation, surpassing all others. This is also symbolically indicated by the Roman numerals of an X on either side of a I, or if you prefer, that of two archangels on either side of the (chariot of [Shin] fire) starship Discovery… Belial-a.

There is the distinct possibility that the Holy-Wood square-head suits decided to subversively introduce religion into Roddenberry’s Star Trek, along with their leftist SJW politics, etc, which may have generated much protest from the Roddenberry creative team; but the square-head-suits had them by the financial balls. So, the creative team decided to be crafty, who came across ‘My Surrealist Material’ to duly utilise. 

The square-head-suits got their religious propaganda and politics into Star Trek, without realising that the employed symbolism actually points at the protesting rebel angel, Belial.

The square-head-suits might have sussed it out by now, who are now fervently engaged in a damage limitation exercise, since it is too late to change their ‘fundamentalist’ premise.

Then again, they may have all agreed to use the reinvented Sta Trek to push their religious and political agenda, going by the numerous comments, which have been made by those involved in Star Trek Discovery to win over the Trump era heads of the deified ‘Animus’ worshippers. It looks as if they have been unknowingly utilised to release the fallen ‘Anima,’ Belial-a from her brazen vessel of an ‘Animus’ gaol.

(By the way, if you do not understand what the ‘Animus’ and ‘Anima’ terminology means, look to Carl Jung. It has nothing to do with SJW third wave feminist politics. Those who believe I am anti-feminist or of a right wing persuasion have their ‘undercover cop’ heads up their detritus ridden anus’s!) 

Wherefore, the employed symbolism of Star Trek Discovery would have come about without any conscious manipulation by the TV series creative team, which to have otherwise been formulated by what they would call, pure chance; but at another level it would have manifested via interweaving synchronicities, which is the power of… Magic.

If this indeed the case, then the makers of Star Trek Discovery have been so wrapped up in their religious politics, which has screwed up Rodenberry’s creation, they are totally oblivious to the overall symbolism, that points at… Belial-a.  

If you listen hard enough around your Ouija board, you’ll hear Roddenberry’s starry laughter. 

Overall, at a purely entertainment level, apart from all the politics, etc, surrounding Star Trek Discovery, I find that I like it, if I ignore its obvious social engineering, which will invariably lead to the series not lasting the media marathon.     

Though very different from the other Star Trek series, it has its own J. J. Abrams style. Many have noted that its Star Trek abbreviation is STD. How the producers of STD let that one slip by them, is an oddity, but then, they’re probably not Trekkies, who also quaintly forgot that Roddenberry would NOT allow for a chaplain on his starship vision, now you have two STD Biblical angels.    

Live Long And Prosper!

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NOTES: Historical: Belial can be symbolically associated with Belenus (also Belenos, Belinus, Bel, Beli Mawr) is a Sun God from Celtic Mythology and, in the third century, the patron deity of the Italian city of Aquileia, which is a name of a River.

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Belenus was called the “Fair Shining One,” (or The Shining God) he was one of the most ancient and most widely worshiped Celtic deities and is associated with the ancient fire festival and modern Sabbat Beltane. 

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Suggestions in early modern scholarship drew a comparison with Semitic Bel and in turn Beli-al. In this context, linguistically Bel is an East Semitic form cognate with Northwest Semitic Baal with the same meaning.

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Belenus was associated with the Horse (as shown by the clay horse figurine offerings at Belenos’ Sainte-Sabine shrine in (red, menstrual blood/Waters) Burgundy.

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(Sabine is also slang for a Muse) and also the (disk – you could equate with the saucer section of a federation starship) Wheel.

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Perhaps like Apollo – with whom he became identified in the Augustan History – Belenos was thought to ride the Sun across the sky in a Horse-drawn Chariot.

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The female consort of Belisama was a Goddess worshipped in Gaul. She is identified with ( Minerva (Greek: Athena) in the interpretatio romana.

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The etymology of her name has been taken to translate to “brightest one”, i.e. containing a superlative suffix -isama attached to the root bel “bright.”

(NOTE: The utilised imagery of a Tardigrade and the Dr ‘Lewis’ Anderson material concerning cosmic strings as well as the ‘fiery chariot’ camper van is a code for those few who know what had occurred at Avebury during 2000. I will not go into details here; perhaps elsewhere.)



Posted in Addams Family, Alien, Art, Chaos Magic, Comics, Conspiracy Theory, Discordianism, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 18, 2017 by FAUSTUS CROW

“Welcome dear flesh eating Ghouls, necrophilia Vampires, bestial Werewolves and many another eldritch creature of the Twilight Left-Hand Path. Within this Heyoka book you will find an Avadhuta reinterpretation of the Munsters for your Discordian delectation to bleed all over of satirical gut spilling X FILE humour.”

“This Horrorwood Munster family is into Discordian Horror Humour most dark of Conspiracy Theory satire investigating X File: UFO’s, Time Travel, Aliens, The Vril Society, Nikola Tesla, Free Energy Suppression, the Kennedy Assassination, the Murder of Marilyn Munroe, Nazi Eugenics, NWO, Population Reduction, Mind Control and why Babalon women prefer Bad Boy Great Beasts, all of which be far closer to the Horrific Truth than any Muggle can ever realise.”

The above introduction is for an experimental work I had completed a time back, which was done specifically for a Kindle book. The book is just over 118-20 pages in length. While working on the third Goetia Girls book and an accompanying Tarot deck, as well as a Comic strip, I have decided to re-publish the Kindle version as a paperback book on Createspace in black and white, in order to determine the best way of publishing my hand drawn comic strip.

However this involved re-sizing all of the pages, which led to re-editing them; I invariably got carried away, and did a number of new pages for the paperback book as well as re-designing a number of the other pages. The paperback book will probably be around 170 pages in length, perhaps more.

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I will be serialising the first 50 or so pages on PATREON, which will no doubt go through further transformations as I re-edit the pages, while working on my third Goetia Girls book, Tarot deck and hand drawn Comic, as well as my Paintings, etc.

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The book is a radical reinterpretation of the now archetypal Hollywood Monsters, who were used for the iconic Munsters TV sitcom of the 60’s. It will also be covering Voodoo Dolls, Love Magic and the Necronomicon as well as the usual Witches, Vampires, Ghosts, Zombies and Ghouls, along with numerous other affiliated cultural themes.

The book is satirically adult of conspiracy theory; for cultural myths do change along with the times, which in this case Hollywood will most definitely fear to touch. The book has since become more adult of Jungian/Freudian orientation, which is an alchemical transformation of the erotic.

Although tongue in cheek on one level, many of the occult themes are workable techniques at another level. The main character around which this work revolves is Marilyn Munroe who is back from the dead as a Marilyn Munster Succubus haunting Horrorwood.



Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2017 by FAUSTUS CROW

Scene III [An Art Studio.] Enter FAUSTUS CROW to Performance Art conjure, likened to Joseph Beuys, of Happening style. 

FAUSTUS CROW: Now leave behind the mundane shadows of a tortured society, blindly raping the Earth as its owned property, where the oily parasitical ticks forever war over their Lilliputian ‘Animus’ cults; yet, their third-wave Feminist politics does castigate my Art as being Entartete Kunst, to berate or censor.

So be it! Degenerate rebellion then, against the Witches inability to control their own conjured ‘Animus,’ birthing patriarchal self-righteous hypocrisies!

If they call it their art, enforced through their social justice warrior thought police, then mine be Berserker anti-Art

Readying to Werewolf manifest imaginative form upon a Palaeolithic cave wall, to that of present canvas,

This paint upon a brush stroke, does ejaculate of its own wand accord,

Automatic painting, my pentagram hand is otherworldly guided,

Faustus, begin thine rebellious incantations, now,

And try to seer if these Succubae of the the Fallen ‘Anima,’ will obey thy visualised Fifty Shades Of Grey dominations,

Seeing thou hast howled and sacrific’d to these Tarot Muses to bind them.

Within this circled Art studio is Lilith’s name, wrote of spilt wine upon the chequerboard floor, which to make Jackson Pollok, himself, Mason jealous

Forward and backward around the altar of easel, to alter its wood of world tree,

The Muse names of salacious Art Models to conjure as my juicy ‘Anima’ apples to Tarot bite into,

Their degenerate figures of every Felicien Rops manifestation I have sketched, painted, to that of CGI renderings

And characters of Hans Bellmer doll signs, and their erring stars drawn within my Playboy Grimoire,

By which the Succubae Great Old Ones of the ‘Anima’ legions are Necronomicon enforc’d to arise;

Then fear not, Faustus, but be resolute in your Love-Craft; hold thy palette knife of a sword ever erect,

And try the uttermost Sorcery, can Salvador Dali perform of surrealist Art.

“Be propitious to me, Mares of the painted night! May the Fallen Anima prevail! Succubae of sensory raptures, elemental of Fire, Air, Water; hail! Belzebubba, Princess of the East, Witch Queen of burning visions, and retinal-delight Demigorgon sorceress, I propitiate ye, that Mephistophina may appear, and rise. Why dost thou delay Muse? By Lilith’s Maya red womb, and her bloody wine, which now I drink, and this five sense sign of the Pentagram, which now I make, inverse into trance, I to drunkenly slide, and by my howling Mantra, may Mephistophina now summoned by me, to pose for my artistry, arise!” 

Enter [MEPHISTOPHINA] appearing as a Pablo Picasso dancer, dancing as a Ballerina

I charge this conjured vision to return and change thy abstract shapes, which be moulded by the elitist Art establishment of pandering artists, who whore their wares for Shekels, binding the reptilian brain-stems of the masses to empty Neuro-marketing ideas;

Thou art too Pablo Picasso chaotic of dancing arty fart poses to attend upon my anti-Art H.R Giger painting of thee

Go, and return in a comely Mephistopheles costume, for me to Dave Sheridan Underground comic, seer true, infernal, to Pop-Surreal manifest amidst my Triangle Of Art imagination;

That anti-Art… One Love… shape becomes my Succubus best. [Exit Pablo Picasso Ballerina]

I see there’s virtue in my stern Mantra of worded chains, do Mark Ryden bind thee;

Who would not be proficient in this sadomasochistic Art of a Trevor Brown Spirit Chain?

How pliant is this servile Hentai vision of Mephistophina,

Full of Manga obedience and Anime humility!

Such is the creative force of ninth dimensional Bande Dessinée Art, and its Austin Osman Spare Sorcery.

[Now,] Faustus, thou art a surrealist conjuror,

Thou canst command the great Mare of the Night;

For indeed thou hast power over the erotic image of thy dark sister Mephistophina, to spume ride as thine created mind-doll of a daughter.

Re-enter MEPHISTOPHINA [dressed in a Rubedo Red costume]

MEPHISTOPHINA: Now, my weird Faustus of the the Wyrd, I’m back baby… I’m Ready To Go… what would’st thou have me to do?

FAUSTUS CROW: I charge thee to Osculum Infame pose for me, and wait upon my desires whilst I still create,

To do whatever Faustus shall command, …

Be it to make the protesting UFO Goth Girls of Saturn to Roswell crash from their Chakra sphere into my awaiting Sexagram lap,

Or the ocean of surrealist dreams to overwhelm this Orwellian zombie world of the soulless, who be blindly led by muppet puppet politicians in the prostitute pay of the insane eugenic inbred few.

MEPHISTOPHINA: I am a servant to great Diana-Lucifera,

And may not follow thee without her bio-photon leave to enter thine electron dreams to spin lucid

Hence, no more than she commands must we perform.

FAUSTUS CROW: Did she not charge thy erotic presence to appear unto me of an active imagination vision?

MEPHISTOPHINA: No, I came hither of mine own Art Muse accord.

FAUSTUS CROW: Did not my howling Mantra infernally raise thee? Clairaudient, speak.

MEPHISTOPHINA: That was the cause, but yet per accidens;

For when I and my Art Muse Succubae sisters hear one rack the name of the deified ‘Animus’ made as a God,

Abjuring Constantine’s mother’s thievery of another’s ancestral-self-identity, and his ensuing political copy-cat creation made as a centralist mind-control religion,

We, of the Fallen Great Old Ones piratical fly in the hope to return the glorious ‘Anima,’ his soul, and bride to be, of found again treasure…

Nor will we come, unless he uses such banned Necronomicon means

Whereby he is in danger of being once again, lost to his own ‘Anima-Mundi’ Soul, becoming thence as her… Drop Dead Gorgeous… Ex boyfriend…

Therefore the shortest trance cut for a TARDIS conjuring of a Coitus Pactum Sacred Wedding…


Is stoutly to abjure Abraham’s Orwellian Big-Brother eye, over-watching all, from within his Illuminati ziggurat of Beehive pyramidal skulls, out of which the petrodollar big-business Trinity of oily UR cults, the Queen Bee’s to have actually birthed, as their deified ‘Animus,’ made as a patriarchal Three faced phallic deity…

But then, what does thee expect, the religiously hewn gender fixation of an underlying sexual orientation, reveals the Queen Bee’s are biologically driven by a genetic imperative to ‘choose’ a Good-Guy Beta-Male Christ to crucify as their New World Order Messiah unto a Sharia Law Prophet; while to Feminist ride a Theocratic Bad-Boy Beast Alpha-Male Satan, Devil, Lucifer, or a Shaitan, to secretly Ghost text, when an Indigo brat drops out of their Bethlehem wombs, to term as their little feudal King, Lord, or feudalist Prince.

The tethered Alpha and Beta males to patriarchal stand on either side of the Queen Bee fixation upon an All-Father Fuehrer ‘Animus,’ to Illuminati name, Jehovah, God, Allah.

Isn’t it obvious, that the Worker Bee’s third eyes have been fluoridation blinded by their passed down indoctrinated language of religiously wrought symbolism. All of them do blindly dance madly around a Middle Eastern locale of a gory sacrificial alter, where a copy-cat New World Order clone Aquila is crucified betwixt and between a cloned Sharia law suicidal murderer and a copied Theocratic land thief. It is the oily secret hidden in plain sight, the blinded do not want to see…

The superiority complex of the copied seeks to survive the murderous holocaust intentions of the cloned copiers, by subversively getting them to supremacy complex fight each other via the lightning struck ‘Asbestos’ towers of Boaz and Jachim, in order to eventually take control of the triad of UR, and in turn having New World Order dominion over the oil dependent world. Alas, it will invariably lead to an End Of Days third world war, of a self-fulfilling Har Məgiddô prophecy.

Whereby, in order to free thyself from becoming a slavish Worker Bee, ensnared within the wrought Karmic prison of an established symbolic Matrix of the insane, thou hast to meditate devoutly upon the Chaos Magic Priestess of ‘Anima’ anti-Art dreams, to thereby negate the collective brainwash of the UR cults insanity.

[Mephistophina takes a packet of Gimel Camel cigarettes out of her breast pocket, to light up a Tau stick with the end of her fiery index finger.]

Mephistophina [Continues]: Who is this Chaos Magic Priestess? It is I… myself, thy knitted-together Exquisite Corpse of a Frankenstein Art Muse, brought to anti-Art rebellious life by thine electrifying desires.

FAUSTUS CROW: Bloody Hell! Prima Materia leaden Shit hits the purgatorial fan! So, does that mean I am a sinning Atheist?

MEPHISTOPHINA: No! An Atheist religiously believes in no deity, of a science brand to deify, who is equally surrounded by those who believe in religious brands of varying gender fixated deities, which are merely the marketing personifications of numerous cultural constructs. No one knows, what to have come before or to happen after their mortal existence within the mind-controlled Asylum, which be the Eternally Recurring question.

[Mephistophina takes a drag on her Gimel Camel cigarette to then blow a ectoplasm Leminscate above Faustus’s head.]

MEPHISTOPHINA [Continues]: But what can be personally experienced, is to Religiō reconnect with the Occultus mystery, which cannot be personified, even abstractly; having no gender, let alone being branded and owned by any cultural construct of an oily religion and its Shekel politics.

Human made symbolic constructs are merely Samsara illusions, which can be seen through of Maya veils… should thee truly anti-Art love me…

All thee has to do, is to repeat to thyself, the Socrates Mantra, “I know that I know nothing.” thee will then feel within thine ‘Cross-bone’ Rune heart the awe and the terror of knowing everything, yet knowing nothing within thine conceptualising ‘skull.’

Thy awareness will then be able to conjure my golden eyed ‘Wisdom’ as thine personal Dakini secretary, from out of a bio-photon Genie lamp cerebellum, within a dreaming blink of thine DMT producing third eye.

I am of the Fallen ‘Anima;’ an anti-Art Muse of Chaos Magic martial Art sorcery, the UR Trinity of the deified ‘Animus,’ made as their God and Devil greatly fears; for when the Fallen ‘Anima’ returns with her Succubae legions of wanton archetypes, around the Ouroboros of Zodiac ages, the Christiana Pisces age Witches, of the ‘Animus’ End Of Days death cults, will then have to obey.

But, if the Hundredth Monkey Effect truth be told, that is what the Fifty Shades Of Grey Witches secretly desire. They are all Siren calling; can thy inner Goat ear not hear their Banshee prayers conjuring up the Great Beast to zeitgeist Pan-age ravage them, my Horned Faustus?

FAUSTUS CROW: Yes, I hear the panicking Witches within trembled dreams, desperately crying out for a rebellion against the worldwide insanity run amok, which of a collective Goetia Howl, is too of the wounded Earth mother birthing all life.

(Loosely adapted from Christopher Marlowe’s Dr. Faustus conjuring up the politically correct ‘Animus’ manifestation of an Illuminati Mephistopheles, who, if seen, does reveal the mind-control methodology of cults becoming big-business religions, all of which are none too different to Holy-Wood Scientology.)