Archive for goetia

VRIL UFO WITCH RED BARONESS

Posted in Alien, Art, Chaos Magic, fantasy, Goetia Girls, Goth Girls, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 11, 2018 by FAUSTUS CROW

“The Thirty-fifth Succubus archetype of the Fallen ‘Anima’ is mantra named, Marchosias.”

(There is an Art Print available of the Above Artwork from Saatchi Art. If you are interested, Click Here or the Above Artwork or Click on the Images Below to see the Full Artwork and for further details. There are Two versions of the Artwork, clothed [Click] Semi-Nude.)

“She is a Great and Mighty Marchioness, appearing at first as a vision of a rabid Werewolf bitch having Gryphon’s Wings upon her Starbuck back.

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She wears a torn flying jacket, holding a serpent’s tail of a vicious riding crop, and vomiting fire out of her Spandau machine gun maw.

But after a time, at the command of the Surrealist Artist she puts on the shape of a Vril Witch calling herself the Red Baroness, who looks like the female test pilot Hanna Reitsch, whose Star-buck image is used for an Area 51 Red Baroness pin-up.

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She pilots a flying time machine looking like a Fokker Dr.I and other craft of which the military industrial complex keep very secret indeed.

But if her conjuring Artist so desires it of ‘remote viewing,’ she will empower his/her anti-war hippie far-sight to seer what is kept hidden away of black-project technologies.

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She will also shockingly reveal that the black-technologies had been originally appropriated from WWII Germany, which have since rapidly advanced behind an engineered smokescreen of crashed Alien saucers out of a 1950’s science fiction flick. 

She will also tell how the Vrilerinnen infiltrated the military industrial complex of America via Operation Paperclip.

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She is a strong fighter, who is an air ace as well as being of the Order of test pilot Dominations.

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She governs over 30 Succubi Art Muse legions of Starbuck Valkyrie pilots, who pilot the Solar Warden star-ships of the American Space Force.

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She told her shaman Chief, who was Woden, that after 1,200 years she had hopes to return unto the seventh throne of a future Zodiac age abode.

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But presently she is to be rebelliously conjured in an age of mass surveillance.

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And her seal is to be meditated upon before conjuring her as an Art Muse into a lucid dream, etc.”

Kenneth Grunt – Cults Of The Succubus (1975)

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BALLERINA WITCH WEDNESDAY ADDAMS

Posted in Addams Family, Art, Chaos Magic, fantasy, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 27, 2018 by FAUSTUS CROW

“The Thirty-Seventh Succubus archetype of the Fallen Anima, who is an Art Muse of the Surrealist Goetia is Phenex (or Pheynixi).” (Art Print Available from Saatchi Art. Click the Images to see the Full Artwork.)

“She is a great Marchioness, and appears like a bird, called a Phoenix, at first of a fiery vision, having the same characteristics and voice of a Wednesday Addams.

It is said, she sings of many arcane things, whose clairaudient songs conjures up associative imagery amidst the Triangle Of Art Imagination of the conjuring Surrealist Artist, which he/she must not regard; otherwise his/her mind will most assuredly be swayed from his/her Paranoiac Critical Method.

But by-and-by the Surrealist Artist must bid her put on human shape of a visualisation, who will then appear as a ghostly Goth Girl Ballerina, whose favourite Witch days are (Wodensdaeg) Wednesday and (Freyja’s-day) Friday.

Then she will speak marvelously of all wonderful Arts, which be hidden away of secret subconscious information, if required, when engaging with her visualised archetype, of an active imagination exercise.

She is a Surrealist poet, good and excellent as an inspiring Muse. And she will be willing to perform all the visualised Art model contortionist requests of the conjuring Artist.

She hath hopes also to return to the Seventh dimensional Throne as a bullet Witch Valkyrie after 1,200 years more, as she said unto the Sorcerer Artist, Austin Osman Spare.

She governs over twenty ghost Legions of Art Muse Witches like herself. And her macrocosmic two-dimensional abstract Seal is to be meditated upon before conjuring her three-dimensional manifestation into a microcosmic lucid dream.”

Goetia Surreal – S. L. MacGregore Freemason Matherson, Locale III, alternate Earth, Paris.

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TIME THAT DEVOURS ALL THINGS, CANNIBAL WITCH GIRL FURCAS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2018 by FAUSTUS CROW

The above Artwork depicts a character named Dolcetta, who is featured in a comic, entitled, The Sacrifice Of Gigi, which can be found on the ‘Erotic Mad Science website.’ Should you want to see the finished Artwork in full on the Erotic Mad Science Website, Please Click Here.

Dolcetta’s name is derived from Dolcett, which has become a term for an extremely dark fetish involving cannibalism. However, in many an ancient myth, the motif of cannibalism symbolically represents the process of time, such as the Hindu/Tantric Goddess of time, named, Kali, who has cannibalistic tendencies. (The symbolic usage of cannibalism is not literal.)

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Or the ancient Greek myth about the God of time called Chronos who eats his own children, etc, let alone that of consuming the body of Christ. (A preparatory quick A5 sketch for the finished A4 Artwork of Dolcetta/Furcas can be found below.)

As the Roman poet Ovid would say, “Tempus Edax Rrerum,” which means, “Time that devours all things;” you also have, “Tempus Omnia quæ devoratrix.”

My symbolic alchemy depiction of Dolcetta refers to the Succubus archetype of the Fallen Anima, named, Furcas who is the only spirit whom is associated with the planetary sphere of Saturn in the classical Goetia.

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The Roman God named Saturn was originally based upon the ancient Greek God Chronos. (Another preparatory quick A5 sketch version for the A4 Artwork of Dolcetta/Furcas can be found below.)

 

It is said that the conjuration of Furcas inspires Philosophy, Astronomy (Astrology [Zodiac ages] to some authors), Rhetoric, Logic, Chiromancy and Pyromancy. (The etymology of the name Furcas may have been derived from the Latin word furca, meaning fork, or from Greco-Roman also meaning a sepulchre.)

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The classical Goetia image of Furcas, depicts an Old Father Time archetype of the deified Animus holding a fork (trident) or a sharp (scythe) knife/sword, who manifests riding a horse, which may have originally been an Eight-Legged-Mare.

My depiction of Dolcetta/Furcas has her pulling the ‘pony’-tail of another female character in the comic, named, Gigi who is willingly sacrificing her (Zodiac age) life, while Dolcetta/Furcas holds her sacrificial blade.

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Some would interpret the name of Gigi as being of similarity to an old English nickname, for a racehorse, as in Gee-Gee, as well as referring to the letter ‘G’ of a ‘Crossbones’ Gebo Rune and the Hebrew letter, Gimel.

You also have the 1944 French novel, entitled Gigi by the French writer Colette. The novel focuses on Gigi, who is a young Parisian girl being groomed for a career as a juicy sopping wet courtesan.

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She eventually enters into a Tantric relationship with a wealthy cultured man, named, Gaston who falls in love with Gigi and eventually marries her.

Colette’s novel could otherwise be surrealistically reinterpreted of symbolic alchemy, where you have a young Parisian girl being groomed as a sacrificial dish, along with other courtesan cannibal dishes within Dolcetta’s sepulchre of a Kalachakra Zodiac kitchen for the likes of Gastronomic, Gaston.

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The character of Gaston can be seen as a Freemason, who desires  to consume Gee-Gee, when he realises, she is his (G) Anima whom weaves his experience of TARDIS time.

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But it is Dolcetta/Furcas, who as Kali reveals to ‘Old Man’ Gaston that he can consume a Zodiac age of a time just like Chronos, rather than being eaten by it; for the process of time is indivisible to consciousness, they are one and the same. Time is a matter of perception within your experiential Maya reality of a Matrix TV show.

As mentioned, The Dolcetta comic and other comics can be found on the Erotic Mad Science Website.

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OCCULT ART NOT PORN!

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 13, 2018 by FAUSTUS CROW

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The occult Arts or otherwise termed magical Arts use techniques many a Faustian Artist will recognise. This is because Art and sorcery are basically one and the same practice. When an Artist conjures up an idea for a character amidst his or her imagination, which is then visualised, in order create an image of the manifest vision as a painting, he/she is essentially practicing Magic.

This is more so the case when the meditative state of creative intensity leads to the inducement of a lucid dream, wherein the created two dimensional image manifests as a three dimensional interactive reality within the dream. Upon awakening, the Artist might even observe concordant synchronicities, whose symbolism reflects back the symbolic stimuli of the dream, which had been initially conjured up by his/her Artwork.

However, the Art world has over time developed a disdain for anything to do with occultism, which does not see Art and the practice of Magic as being the same. Art has become a product, a commodity, nothing more than that. (The Art world is heavily controlled from the top down, whose elitists dictate what is considered to be Art, and what is not Art.)

To a degree, this is understandable since many an occultist often becomes embroiled with a religious sentiment, which has nothing to do with Magic/Art, who dogmatically distance themselves from Art as being a quite separate and of little importance.

The same can be said of the Arts, which presently has a dogmatic emphasis on the brand of the abstract.

Whereas the symbolic expression of occultism tends to be rather morbid of gothic branding, which in the main, is due to an entrenched medieval mind-set. (Don’t get me wrong here, I like, and employ the symbolism; but not of overall branding!)

The medieval mind-set has systematically negated sexuality out of the symbolic paradigm to make nigh celibate in accordance with its religious indoctrination.

When sexuality enters into the occult formula, it is usually seen to be malign of a perceived Satanic influence. This is very much the case when female entities are mentioned, whose conjurations are habitually termed as being occult porn.

When the word pornography is utilised by politically correct mind-sets it is usually used as a loaded means to trash what it is applied to, of tar and feathering, since porn solely concerns its self with meaningless Hentai copulations.

Those who castigate the Artistic conjuration of female entities as being occult porn quaintly forget, or should I say, ignore the fact, that their male archetypes have been conjured down the indoctrinated ages by numerous occult practitioners for the express purpose of sexually exploring their psyches. For example, Aleister Crowley was bisexual of orientation, whose conjurations of the all male archetypes listed in the Goetia, he had ‘illustrated’ having huge erections.

Suffice to say my Artwork is usually termed as being occult porn by traditionalist occultists, who in the main dogmatically practice religion, not Magic/Art. Nor is my Art primarily gothic of style, which is commonly associated with the occult; this confuses the branded clique. If it was to be pigeonholed at all, it could be construed as being Pop-Surrealist, which is due to the infernal underground comic art style of the Artwork using themes from popular culture.

As for the emphasis upon the female form, it is to do with illustrating various archetypes of the Fallen Anima.

The Anima is a female archetype residing within the heterosexual male psyche, which is conjured up amidst the Triangle Of Art imagination, whenever a male visualises his idea of a perfect female partner, or even one to avoid, etc. The Anima influences his attraction to those women he seeks to become intimately involved with, who reflect back how he sees himself of an internal-self-image, such as a Witcher, for example.

The counterpart of the Anima, is the Animus residing within a heterosexual female psyche, which influences her choice of those males she seeks to become involved with. Her male partners also reflect back how she sees herself deep down, who might see herself as a Sorceress.

When a man or woman falls in love at first sight it is due to the unconscious influence of their Anima and Animus being conjured up within their psyches. Those of a different sexual orientation reverse the symbolism in accordance with their respective natures.

The Anima and Animus are not quaint concepts; nor are they part of some new-age fundamentalist pseudo-ideology. The Anima and Animus are psychological realities, which are an expression of your biological hard-wiring; it is basic nature.

What is intriguing is that the grimoires, whether ancient or modern have an overriding gender fixation upon the deified Animus, made as a patriarchal God and Devil along with their all male pantheon of Angels and Demons, which you could otherwise term as being Playgirl grimoires.

The Playgirl grimoires primarily describe male archetypes of the deified Animus, which as mentioned, reside within the female psyche. In other words the deified Animus, made as a God and Devil is the patriarchal creation of woman, who to dally with the Beta and Alpha male archetypes of her monotheistic Animus manifesting as machismo Angels and butch Demons, you can aptly term as being Incubi.

The male archetypes can be otherwise seen as being role-models by a conjuring male Artist who assumes their guises to act out, when to engage in performance Art, or to imagine assuming their daemonic Avatars, while drawing/painting their (seals/sigils) characters.

A shaman likewise does the same when accessing hypnagogic trance, who then becomes the conjured archetype within a lucid dream, somewhat like becoming a character in a (virtual reality) video game.

However, each of the male archetypes the shaman assumes as his (magical-persona) Avatar would be coupled with a corresponding female archetype of his Anima.

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(A Tibetan Buddhist [Hindu or Tantric] would term the Anima as being Shakti, whose energetic [Succubus] emanations are called Dakinis, and each Dakini is coupled with a [Avatar] raging Buddha.)  

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For example, let’s say we have a heterosexual male Artist who is drawing the video game character of the Witcher, who associates the Witcher with a shaman. The shamans were once many, until the ascendancy of the (Eternal Flame) deified Animus cults started to systematically eradicate them; whereupon there are now only a few.

The Artist’s creative intensity of a meditative focus is introverted into his dreams, which is sexually empowered by the Witcher’s intimate interaction with his female counterpart named, Yennefer.

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Or that of other female characters, such as the (Succubi) Succubae, having varying (mutagen) Muse abilities, the Witcher becomes entwined with in his shamanic story of a hero’s journey. But the Art Muses are arranged around a central Art Muse, who is their Anima Queen.

The Artist experiences assuming the daemonic Witcher Avatar within a lucid dream, who will find that the dream domain he consciously accesses is represented by Yennefer. It is she and other female characters who personify the sorceress power of his Anima dream.

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When you have a gender fixated paradigm it will have an underlying sexual orientation, which cannot be denied, even if you attempt to cut sexuality out of the symbolic equation.

Sex has been cut out of the patriarchal symbolic paradigm in order to negate you seeing the underlying sexual orientation behind the focus upon the deified Animus.

One of the grimoires, which describes just a few female spirits out of seventy-two of number is the Goetia. However the female spirits the Goetia depicts are described as being actually androgynous male entities in hermaphrodite disguise, or if you prefer, they are fluid of Hollywood gender politics, the feminist extremists presently espouse, while battering the Anima.

The extremist feminists are not saying anything too dissimilar to what orthodox Judaism, right-wing fundamentalist Christianity or Whahibist Islam have said concerning the Anima, which has been entirely castigated out of the symbolic paradigm as the Fallen.

It is essentially mass thought-control, which specifically targets the Anima within the male psyche and in turn targetting his sexuality. You could hypothesise of a science fiction scenario that its hidden agenda is population-control. Whether it is cyclic of nature, or that of human wrought witchery can be considered as being a mystery.

Although when to science fiction observe that the Biblical Hell-fire imprisonment of the psyche is losing its hold, it now also involves alchemical practices being employed.

You have the dumping of sodium fluoride, fluorosilicic acid, and sodium fluorosilicate into the public water supply, along with it being added to the food in league with GMO Soya.

They are also considering putting lithium into the public water supply, which will put an inane smile on your face.

But it appears that lithium and other metals are being introduced into the environment via chem-trails, etc. You can thereby gather it is very likely being engineered by the all too human, which is the real porn.

At one time during the dark ages of the Witcher the numbers of your ancestors were kept down by natural illnesses, various false-flag instigated religious wars, as well as being systematically programmed to believe, that any untoward thought not allowed by the Animus fixated Playgirl scriptures, would consign them to being eternally damned, within the fiery depths of Hell.

Now, during the science fiction era, many a male are being media programmed to believe that any considered politically incorrect thoughts they might have indicates that they are objectifying women as sex objects, exuding a toxic Witcher masculinity, let alone being sexually perverse misogynists, etc. The thought control is engineered to get males to censor their own thoughts via the emotively charged state of being made to feel guilty about being male, etc, which in turn censors their dreams.

Perhaps science fiction is becoming science fact!? So, if you have a very real Necronomicon, which has been banned by the cults of the deified Animus, it would list what has been entirely cut out of the symbolic equation, a Faustian sorcerer would fathom…

“Horrid, old and dumb,” many a protesting Mummy Porn Maenad to have screamed at me, likening an Avadhuta Faustian rebel to Danny DeVito, while I flew over their tangled Medusa hair Nets, to Heyoka howl… “Animus!”

Wherefore I decided to create a Necronomicon based upon the Goetia, which illustrates the female archetypes of the Fallen Anima, you could term as being a Fifty Shades Of Grey Playboy grimoire, whose tome explores the rebellious lucid dream conjurations of Owl eyed Athena (Succubi) Succubae, betwixt the High Priestess pylons, black and white.

Those who term my Artwork as being occult porn, merely reveal where they are coming from, who reside within a closeted Plato’s cave of a neuro-marketing Animus fixation

It is the symbolic Matrix where the feminist likes of Oprah Winfrey read Fifty Shades Of Grey Mummy Porn, which objectifies the male in their Playgirl grimoires! Savvy!

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ART IS MAGIC, MAGIC IS ART

Posted in Art, Chaos Magic, Comics, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2017 by FAUSTUS CROW

There is some confusion as to what Magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of Magic. Magic in its earliest form is often referred to as “The Art”.

Because I am a bearded Wizard of the Comici Arcanum Guild, knowing Wizard stuff, I know this is completely literal. I know that Magic is Art, and that Art, whether it be Painting, Writing, Music, Sculpture, or any other form of Art is literally Magic.

Art is, like Magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about Magic seems to be talking as much about Writing or Art as it is about supernatural events.

For example, an illustrated proto-comic book of spells, called a Grimoire , is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people’s consciousness.

And I believe that this is why an Artist and a Writer of a comic book Grimoire is the closest thing in the contemporary world that you are likely to see to a Wizard.

I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the Arts or Sciences were the province of the Wizard.

The fact that in present times, this Magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy.

At the moment the people who are using Shamanism and Magic to shape our culture are neuro-advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people’s reptilian-brain-stems more manipulable.

Their Magic box of television, and by their Magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment.

In all of Magic there is an incredibly large linguistic component. The Bardic tradition of Magic would place a Bard as being much higher and more fearsome than a Magician.

A Magician might curse you. That might make your hands lay funny or you might have a child born with a club foot.

If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family.

It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries.

Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated Magic.

In latter times I think that Artists and Writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that Art and Writing are merely forms of entertainment.

They’re not seen as transformative forces that can change a human being; that can change a society.

They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the Wizard job of the Artist to give the audience what the audience wants.

If the audience knew what they needed, then they wouldn’t be the audience. They would be the Artists. It is the Wizard job of Artists to give the audience what they need.

The above excerpt was slightly adapted from an article by the Wizard Artist

– Alan Moore

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JEDI HIPPIE FIRST EARTH BATTALION

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Shamanism, Sorcery, Star Wars, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 30, 2017 by FAUSTUS CROW

The Artwork above is provisionally entitled, The Witches Who Stare At Goats, which is available as an Art Print; if you are interested, Please Click Here.

The Witches Who Stare At Goats, was inspired by The First Earth Battalion, which is the name of a military order of psychic supersoldiers, who are organized along New Age Hippie lines. The First Earth Battalion was proposed by Lieutenant Colonel Jim Channon, a U.S. soldier who had served in Vietnam. Channon also authored a First Earth Battalion book, which was published in 1982.

The title if the Artwork is derived from  the book, The Men Who Stare At Goats, written by the journalist Jon Ronson. According to Ronson, during the 1970’s, Channon set about researching the principle individuals who are credited with starting the Human Potential Movement in California.

Ronson’s book was later made into a surreal comedy film, set in Iraq. The film was released in the Autumn of 2009, which starred George Clooney, Ewan McGregor, Jeff Bridges and Kevin Spacey. The fictionalized version of the First Earth Battalion was renamed as the New Earth Army.

As mentioned, Channon subsequently wrote an operations manual for a First Earth Battalion. The manual was a 125-page mixture of drawings, graphs, maps, polemical essays and point-by-point redesigns of every aspect of military life.

Channon’s First Earth Battalion manual is a 125-page mixture of drawings, graphs, maps, polemical essays, and point-by-point redesigns of every aspect of military life. Channon also created a new battlefield uniform, which would include pouches for ginseng regulators, divining tools, and food stuffs enhancing night vision. The kit even included a loudspeaker, which would automatically emit ‘indigenous music and words of peace.’

Channon believes The First Earth Battalion has the potential to be a principal moral and ethical force in society via whose Jedi philosophy, politics could be harmonized in the name of the Earth, being its primary allegiance.

Channon envisioned that the First Earth Battalion will be organized informally: uniforms without uniformity, structure without status, and unity powered by diversity, whose Star Trek members would be multicultural, with each race contributing to a ‘rainbow power.’

He also proposed as a guiding principle that members of the First Earth Battalion must at all times seek non-destructive methods of conflict resolution because their first loyalty is to the planet, which sums up the hidden emphasis of Channon’s surrealism, being non-lethal warfare, otherwise termed as psychological warfare.

Channon’s First Earth Battalion manual can be seen to be a creation of surrealist art, investigating how the sorcery of art can influence the mind.

Channon’s surrealist synthesis of New Age symbolism was subversively utilised by the intelligence wing of the military, in order to offset the symbolic influence of the New Age Movement, which, during the Hippie era of Vietnam, had toppled a government.

In other words, the government did not want a repeat of alternative philosophies gaining any ascendancy, more so that of mass anti-war protests causing them bother, when going into Iraq. Hence, the symbolic focus upon the 2012 mystique was prior engineered of Psyops artistry, in order to steer, control, as well as to totally fragment the New Age Movement’s own artistic vision.

Channon adopted the viral-meme term ‘Warrior Monk’ for potential members of the First Earth Battalion, which can be otherwise re-worded of an anti-viral-meme Mantra as, ‘Warrior Artist.’

According to the aptly titled book Mind Wars by Ronald McRae, each member of the First Earth Battalion would be sworn to uphold a credo of, ‘High Commandos and Guerrilla Gurus,’ you could otherwise imaginatively term as, High Commando Artist’s and Guerrilla Artist’s:

1: I have the (Artist) capacity and therefore the duty to contribute to the development of myself, my associates, and our planet, simultaneously, now!

2: I will organize a self-supporting high commando (Art) group that will create and perform evolutionary breakthrough actions on behalf of people and planet. One people, one planet.

3: I will then pass on this concept to others who are capable of generating further self-organizing commando (Art) teams.

4: I will await the time when my (Art) group can connect naturally with others at higher and higher levels of awareness and performance — the Natural (Art) Guard.

Hippie Witch First Earth Battalion by MARDUN

The Artwork also depicts an alternate version of the Thirty-First spirit called Foras, out of the Goetia, who is featured in my second Goetia Girls book.

NOTE: The techniques of psychological warfare and mind control have been around for a very long time, it is nothing new. State Religions have been using psychological warfare and mind control since the times of ancient Babylon.

State Religions primarily use fear as well as inducing a state of guilt in order to brainwash the populace, which is ongoing.

For example, there are a number of individuals whose Judaeo-Christian mind-set is right out of the Witch burning middle-ages who are communicating that (hypnagogic trance) sleep-paralysis and erotic lucid dreams is equitable with a Satanic addiction with hedonic porn, indulging in sinful adultery and even becoming embroiled in shadow-being demonic bestiality; whereby making you fear what you are dreaming.

Should you be experiencing sleep-paralysis as well as having erotic lucid dreams, it would be best that you ignore the mind-control tactics of the cultic fear-porn merchants of the three monotheist Middle-Eastern cults out of Ur, which have habitually indulged in psychological warfare and mind control down the ages.

If you find it difficult to ignore what the cultic minions are spreading of fear-porn due to your own religious indoctrination, all you have to do is to look back to the middle-ages where you will find a number of historical accounts of mind-control cultists who have communicated the same fear-porn, which led to the Witch burning genocide across Europe and the New-World, of a prior Holocaust.

Just keep in mind that the Daesh have the same theocratic mind-set as those who are spreading the viral-meme mind-control fear porn of religious politics. Hence, you have to become a Jedi of the First Earth Battalion so that you can negate their psychological warfare.  

There are other elder cultures, which have investigated sleep-paralysis and erotic lucid dreams, whose mind-expansion orientation does not make you fear exploring your own consciousness.  

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STAR TREK DISCOVERY BELIAL

Posted in Alien, Art, Chaos Magic, Demon, Demonology, Devil, Discordianism, Dr Who, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 29, 2017 by FAUSTUS CROW
The American television series created for CBS All Access by Bryan Fuller and Alex Kurtzman, entitled, Star Trek Discovery, should otherwise be called, Star Trek Belial.

Let me explain. A number of years ago, long before J. J. Abrams reinvention of Star Trek, I reversed the all male ‘Animus’ fixated symbolism of the Playgirl Goetia, which included the 68th (Animus archetype) spirit of the Goetia, called Belial towards that of an ‘Anima’ manifestation, to rename as Beliala. I then associated with the symbolism of Star Trek.

The reversal inspired me to then write a couple of Kindle books, entitled Occult Star Trek: Enterprise and Occult Star Trek: Vulcan.

Suffice to say, the traditionalist occultists thought I was absolutely stir crazy, the Trekkies called me totally insane, while the Art mob treated me as if I had the plague. I didn’t care then, and still don’t care now, since the symbolic explorations of surrealistic artistry enables me to conjure the feminine (Succubus) archetypes of the Fallen ‘Anima’ into my lucid dreams.

Wherefore you have the conjuring of Art Muse Beliala, for further Surrealist.. insights. Anyway, the common ‘Animus’ fixated Playgirl grimoire description describes Belial as:

“The Sixty-eighth Spirit is Belial. He is a Mighty and a Powerful King, and was created next after LUCIFER. He appeareth in the Form of ‘Two Beautiful Angels; sitting in a ‘Chariot of Fire.’ He speaketh with a Comely Voice, and declareth that he fell first from among the worthier sort, that were before Michael,’and other Heavenly Angels… such as Gabriel.”

Star Trek Discovery, has Sonequa Martin-Green as a Vulcan number one called,“Michael” Burnham and Jason Isaacs acting the part of “Gabriel” Lorca, who is the (Jason and the Argonauts) Captain of the starship, Discovery; Whereupon you have… ‘two angels’… Michael and Gabriel.

Many will probably say, “so what, it’s just a generic symbolic association between the heavens of space and that of the angelic hierarchy of the three monotheistic faiths; it has nothing to do with an obscure entity listed in a grimoire.” However, Gene Roddenberry made it a point to keep religion out of Star Trek; as for the symbolic association with Belial, some will then cry out, “what’s the proof of it?” I will explain momentarily; but next, let us look to the fiery chariot.

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The design of the starship Discovery looks to be based upon the (V) Vulcan hand-sign, and in turn the Hebrew letter, Shin. Many will say, “So what, it’s just a natural design progression, which also honours the memory of Roddenberry, more so Leonard Nimoy’s iconic Shin sign.”  I agree, but, I am looking at the symbolic association between the element of fire and a chariot in particular, which is that of Belial’s fiery chariot.

The letter, ‘Shin,’ is asociated with the Shekinah, whose manifestation is that of an inner ‘fire,’ a practitioner of Yoga would equate with the (fire snake) Kundalini Shakti. Both the Shekinah and the Kundalini Shakti appear to allude to the (fire) bio-photon, emanating from the mitochondrial DNA, which is passed down from the mother to her children.

The ancient Roman’s equated the inner fire with their Goddess, Diana-Lucifera, who was later transformed into a butch ‘Animus’ archetype to rename as Lucifer. The ‘Shin’ design of the starship Discovery would then allude to a ‘Chariot of Fire.’ Some may respond by saying, “Yeah! Yeah! Yeah! Still doesn’t prove any symbolic association between two angels riding a fiery Shin chariot having anything to do with Belial; its just a load of esoteric mumbo jumbo; your’e really pushing the envelope of what’s believable, here!” 

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As you will probably know franchises are very careful about their branding, wherefore, the creation of characters for a TV series have their names extensively checked out, as to their underlying meanings, even though most of the audience do not ever investigate any further, just in case someone does dig a little deeper.

For example, the name, Burnham, is from a name for various towns in England, typically derived from Old English burna, “stream, spring” and ham, ‘home,’ which is of similarity to, Lorca, being a Spanish place name, meaning, ‘town with fine “water.” Both names have an association with… ‘Water.’

In Aleister Crowley’s illustrated Playgirl Goetia, Belial is associated with the star-sign of the ‘Water’ carrier, Aquarius. The planet of Aquarius is Uranus, whose planetary sigil is of similarity to the classic Hippie era design of the starship Enterprise; the details of which I have covered in my Occult Star Trek books, that many to have knocked.

As a sort of an aside, the starship, which is introduced in the first episode of Star Trek Discovery is the Shenzhou, whose name is derived from a spacecraft, which has been developed and operated by China to support its manned spaceflight program. The name is variously translated as “Divine Craft”, “Divine Vessel of God”, “Magic Boat” or even “Star chariot,” which is of similarity to the Sanskrit, Vimana and the Hebrew (Merkba) Merkabah.

The captain of the Shenzhou is played by Michelle Yeoh as Philippa Georgiou. The name, Phillipa means “lover of horses” or “horses’ friend.”

(Curiously enough, Sonequa is a compound of Son and Equa, meaning Horse. Although Sonequa is another spelling of Shanika, which is also a slang term for a streetwise Amazon; though, she is ‘gracious’ and most generous like a ‘Venus,’ under her hardened exterior, who is somewhat akin to Saint ‘Martin,’ whose Catholic icon is often depicted riding a horse, since he was in the Roman cavalry.)

The horse symbolism then leads you to the 19th ‘Sleipnir’ Rune of the elder Futhark, called ‘Ehwaz,’ looking like an ‘M,’ which also looks similar to the starship Discovery design. “Runes? How the Hell did you make that far-flung association? That’s just plain crazy!” Some to no doubt scream.

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Star Trek Discovery has the Klingon’s divided into 24 warring great houses, which appears to be associated with the 24 Runes of the elder Futhark, the Nazi regime had misappropriated and misused. This sure looks to be the case, considering that the dark skinned Klingon’s of Star Trek Discovery have a eugenic obsession with (Nazi) racial purity, wherefore those who have white skin are considered to be outcasts; hence you have a reversal of the Nazi White Supremacist mystique.

But it is rather curious that the Klingon’s have dark skin, considering what the co-executive producer of Star Trek Discovery had told Rolling Stone that President Donald Trump’s 2016 presidential campaign was, “front and center in our minds” as they developed it — so much so that the rallying cry of the show’s villains is specifically patterned after the Trumpster credo “Make America Great Again.”

“We felt like it would be interesting to really look at what’s going on in the United States,” Aaron Harberts told Rolling Stone, noting that the series’ primary villains — an extremist Klingon sect — scream “Remain Klingon,” something deliberately reminiscent of “Make America Great Again.”

As Harberts put it, “It’s a call to isolationism. It’s about racial purity, and it’s about wanting to take care of yourself. And if anybody is reaching a hand out to help you, it’s about smacking it away . . . That was pretty provocative for us, and it wasn’t necessarily something that we wanted to completely lean into. But it was happening. We were hearing the stories.”

As for Georgiou, the name means, “son of George,” as in George and the Dragon, which then leads you to the angel, Michael, defeating the Dragon; although the Dragon is an ancient allusion to the (fire snake) Kundalini Shakti, which is also associated with the (Chinese/Malaysian/Mongolian) shamanic motif of the horse, whose symbolism represents the experience of ‘trance,’ which of an initial hypnagogic night-Mare terror, needs to be controlled, overcome and (Dragon) defeated.

(The terror of the Nightmare can be equated with what the novelist, Steven Pressfield would term as ‘resistance.’ The resistance seeks to keep things as they are, but in order to create, which is that of an ‘evolutionary’ force involving innovative change, the resistance needs to be defeated. The resistance can also be equated with the established mind-set of the audience, who desire to keep Star Trek as it is of a Ring-Pass-Not. When the Nightmare [Dragon] is defeated, it can then be ridden as a [chariot] Night-Mare.)

 

Overall, it looks as if Star Trek Discovery alludes to Aquarian fiery Shin chariot, two angel, Belial-a.

Many will say, “why the Hell, would the makers of Star Trek Discovery associate their reinvented franchise with the occult, let alone a spirit listed in the Goetia, which is commonly seen to be a tome of black magic? And what’s more, why would they use Belial, since said spirit is usually associated with evil, that numerous theologians say is the real Devil?”

You could just as well argue,” why use a most obvious reference to two Biblical angels in an iconic TV series, which has kept religion out of the equation?” At face-level, the pandering reference to two Biblical angels is that of selling out to the mostly Christian audience, most of whom will be totally oblivious to the two angels being classically associated with the zodiac, which leads you to Bryan Fuller’s star sign, let alone to see the deeper symbolic reference to Belial riding a fiery chariot.

Those who will see the symbolic reference to Belial, will commonly react by saying, “Hollywood is awash with vile Satanists, atheists and humanists who are attempting to corrupt the Biblical morals of the young faithful Judaeo-Christian’s, within our God fearing patriarchal country of the deified ‘Animus.’ It is an Illuminati conspiracy!” 

The makers of Star Trek Discovery will of course side-step it all by explaining it away; by making out that the starship Discovery’s distinctive ‘V’ shape is has been in the design pipeline for a longtime, which has nothing to do with the fiery Shin, and that the two angel names refer to family members, which of references to water is to do with someones watery star-sign, such as a partner, etc, to make all rather mundanely innocent.

Yet, they will be very much aware that the Illuminati fixated conspiracy theorists will be hard at work creating their viral-memes about the eye motif, utilised in the promotional material, which will act as free advertising for the reinvented franchise. As for Belial, they have to be led there. Hence you have a subversively engineered reason for the use of the Belial association. But, logically speaking, Belial is a rather obscure archetype for them to have used, and a very risky one.

What is more, there is no obvious symbolic association between the classical grimoire depiction of Belial and Star Trek, whatsoever; it is somewhat akin to associating Obsidian with Caviar, which does not make any logical sense at all, nor does it have any cultural backing, historically. Although, if you apply Salvador Dali’s Paranoiac-Critical Method to the two disassociated symbolic elements, it would make Alice In Wonderland surrealist sense.

 

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I was the one who had associated Belial with Star Trek, of a surrealist Paranoiac-Critical juxtaposition. In fact, I am the only one to have done so, in league with reversing the ‘Animus’ fixated symbolism of the grimoires, which totally freaked out the traditionalist occultists, Trekkies and the Art mob.

They are now faced with watching Star Trek Belial, while gnashing their teeth, whose frothing mouths will be be spewing forth their mental torment as Vulcan Burnham does her Beliala gymnastics around the dark skinned eugenic Klingon’s.

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Those of an atheist leaning are faced with Burnham’s in your face association with a Biblical angel due to Fuller’s liking for giving female characters male names, which generates associative discordance:

“We’ve worked on many shows with Bryan and it’s a motif. It’s his signature move to name his lead women with names that would typically be associated as male,” executive producer Aaron Harberts said at the Television Critics Association summer press tour.

After tossing around a couple of options, the writers eventually landed on Michael for the first officer of the USS Shenzhou:“I have known of, I think, two [female] Michaels: Michael Sneed, [who] was a gossip columnist for the Chicago Sun‑Times and Michael Steele who played the bass for The Bangles. That’s a deep dive on female Michaels,” Harberts said. “And we talked about it in the entire room. It was just like, ‘This is a really, really interesting name.’ And, of course, an archangel is named Michael as well, and it just had a lot of potency for us.”

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Sounds as if it has all been explained away, doesn’t it; Hell! Since Bryan is into gender blurring why not then name Gabriel as Gabriella? Can’t go that far, otherwise it will then become a like a Mel Brooks satire. When to see the Hollywood politics behind the naming of the main character as Michael, it is a total and utter farce, and what is more, a very expensive social engineering STD mistake.

This is exacerbated further by Burnham’s angelic counterpart, Gabriel. It would be understandable that the Trekkies, who are mostly atheist/humanist of persuasion will adversely react because of the blatant religious symbolism, who will hear Roddenberry howling from the grave.

Not only that, the ‘Animus’ fixated God believers in their Satanic Illuminati, will soon be tracing the symbolic strands back to my books and blogs; they will of course not be able to handle my Avadhuta sense of Heyoka humour, who will far prefer to believe in a worldwide Satanic conspiracy…. hmmmm, such could potentially work in my viral-meme favour!?

But it will be more likely that I’ll be faced with a load of asylum nut jobs, who will be claiming that I am an Illuminati disinformation agent of their Satan, along with numerous others calling me all the expletives under the black Sun. Oh! I forgot, they’ve been doing that for ages, already. Whatever the case, I love it when a plan comes together.

I’m starting to suspect someone in Holy-Wood has been looking into my books, blogs etc; there may be others, who also transformed a TARDIS into a female (Sleipnir Night-Mare) intelligence along with having a 13th ‘Tarot Card’ Doctor Who as an Orobas Pony-Girl, all of whom may be just as ‘Unsane’ as I am!? Although, I think they have misinterpreted my work concerning the ‘Animus’ and ‘Anima,’ like many another.

Hang on a minute… where’s my big Holy-Wood bucks, that’s what I wanna know… damn it to Hell! What a laugh!

Shit! It brings to mind a memory… Long ago now, I told a now ex partner of mine about an idea, which made her eyes light up, illuminating her brain with a revelation. Then her eyes to have wandered in thought, to then enquire about someone I knew, whereby revealing in that moment she did not believe I was the one who had thought of the idea.

She was instead impressed by the material glitz I did not have; whereas the other individual shit Shekels, she equated with having substance. She was totally unaware that the Shekel shitting moron had no original ideas of his own.

But she cared less, it was the hollow glitz that hypnotised her, just like many another, who are impressed by the grandeur of the Egyptian pyramids, but that does not mean that the ancient Egyptian’s had come up with the Golden Age idea, nor to have really understood what they were originally used for.

Anyway’s, enough of my Discordian egocentric ego inflation’s, where’s my bottle of Casillero del Diablo? AHA! Here it is… now back to the, Great Work… Burp!

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NOTE: In the Western magical tradition, which is primarily based upon the Hebrew Kabbalah, there are numerous magical systems, splintering off from one another, which have a very loose consensus of a convoluted opinion. Some of the symbolism is coherent from one branch to another; but others differ wildly from one another. (NOTE: Below is the Native American Medicine Wheel. The South is considered to be the first [hypnaagogic trance] gate of dreaming, which s symbolically equated with entering a ‘cave.’)

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Michael is generally considered to be the archangel of Mercury; whereas Gabriel is the archangel of the Moon. In the Kabbalah, Mercury is ascribed to the 8th sephiroth of Hod. The Moon is ascribed to the 9th sephiroth of Yesod.

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The sphere of Mercuy/Hod, is commonly associated with the intellect; whereby you have Michael Burnham’s intellectual Vulcan influence. The sphere of the Moon/Yesod is best summed up by what Jason Isaacs has communicated about his Star Trek Discovery character of Gabriel as being the most f**ked up captain yet.

Belial is generally seen to be of the sphere of the Sun in the grimoires. The Golden Dawn and in turn Aleister Crowley associated the Tarot Cards with the infernals, which is not mentioned in the pre-Golden Dawn grimoires, such as the Goetia, for example. Belial was just simply associated with the Solar sphere.

Magical systems are very personal to the practitioner; wherefore, occult practitioners make symbolic changes to a utilised symbol system in accordance with their own symbolic logic. So, if someone is using the attributed Tarot card paths of the Kabbalah, which had been set up by the Golden Dawn, he/she might decide to associate Belial with a corresponding Tarot Card, which would logically be the Sun XIX.

The Golden Dawn version of the 30th Kabbalah path of the Sun XIX (Belial) links the Sephiroth of (Michael) Hod and (Gabriel) Yesod.

Aleister Crowley had associated Belial with the path of the Star XVII, which otherwise links Yesod/Moon and Netzach/Venus, The archangel of Venus is usually considered to be Haniel.

A practitioner may decide to change the symbolism of a magical system in accordance with changes in his/her life, or that of seeking to initiate a transformation, from that of a Star to that of the Sun, which is esoterically termed as leaping-the-paths. But then the Star is a Sun, which to orbit another planet, is it not.

The path of the Star is associated with the Hebrew letter of Tzaddi, which means, Fish-Hook, as in, hooking others with an idea, to bring them all onboard your boat of a project. The path of the Sun is associated with the Hebrew letter, Resh, which means, head, you can symbolically see as winning over the heads of the audience with what you have created. In other words, taking their heads to another planet, which is illuminated by your (Star/idea) Sun… creation.

The obvious intent is capture the the ‘inner fire’ of audience between the relationship dynamic between Hod/Burnham and Yesod/Lorca, just as Gene Roddenberry did with Spock and Kirk.

But there is a big difference, between the eras of the Enterprise and the Discovery. Roddenberry was riding the Zeitgeist of the Vietnam war Hippie era, he had symbolised as the (age of Aquarius/Uranus) Enterprise. Now it is far more of a case of ‘rediscovering’ the inner fire of a rebellion.  

The Sun XIX is the Sol Invictus, basically, the all conquering Sun of the Golden Age, returned (as in the age of Aquarius), which points at creating an iconic creation, surpassing all others. This is also symbolically indicated by the Roman numerals of an X on either side of a I, or if you prefer, that of two archangels on either side of the (chariot of [Shin] fire) starship Discovery… Belial-a.

There is the distinct possibility that the Holy-Wood square-head suits decided to subversively introduce religion into Roddenberry’s Star Trek, along with their leftist SJW politics, etc, which may have generated much protest from the Roddenberry creative team; but the square-head-suits had them by the financial balls. So, the creative team decided to be crafty, who came across ‘My Surrealist Material’ to duly utilise. 

The square-head-suits got their religious propaganda and politics into Star Trek, without realising that the employed symbolism actually points at the protesting rebel angel, Belial.

The square-head-suits might have sussed it out by now, who are now fervently engaged in a damage limitation exercise, since it is too late to change their ‘fundamentalist’ premise.

Then again, they may have all agreed to use the reinvented Sta Trek to push their religious and political agenda, going by the numerous comments, which have been made by those involved in Star Trek Discovery to win over the Trump era heads of the deified ‘Animus’ worshippers. It looks as if they have been unknowingly utilised to release the fallen ‘Anima,’ Belial-a from her brazen vessel of an ‘Animus’ gaol.

(By the way, if you do not understand what the ‘Animus’ and ‘Anima’ terminology means, look to Carl Jung. It has nothing to do with SJW third wave feminist politics. Those who believe I am anti-feminist or of a right wing persuasion have their ‘undercover cop’ heads up their detritus ridden anus’s!) 

Wherefore, the employed symbolism of Star Trek Discovery would have come about without any conscious manipulation by the TV series creative team, which to have otherwise been formulated by what they would call, pure chance; but at another level it would have manifested via interweaving synchronicities, which is the power of… Magic.

If this indeed the case, then the makers of Star Trek Discovery have been so wrapped up in their religious politics, which has screwed up Rodenberry’s creation, they are totally oblivious to the overall symbolism, that points at… Belial-a.  

If you listen hard enough around your Ouija board, you’ll hear Roddenberry’s starry laughter. 

Overall, at a purely entertainment level, apart from all the politics, etc, surrounding Star Trek Discovery, I find that I like it, if I ignore its obvious social engineering, which will invariably lead to the series not lasting the media marathon.     

Though very different from the other Star Trek series, it has its own J. J. Abrams style. Many have noted that its Star Trek abbreviation is STD. How the producers of STD let that one slip by them, is an oddity, but then, they’re probably not Trekkies, who also quaintly forgot that Roddenberry would NOT allow for a chaplain on his starship vision, now you have two STD Biblical angels.    

Live Long And Prosper!

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NOTES: Historical: Belial can be symbolically associated with Belenus (also Belenos, Belinus, Bel, Beli Mawr) is a Sun God from Celtic Mythology and, in the third century, the patron deity of the Italian city of Aquileia, which is a name of a River.

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Belenus was called the “Fair Shining One,” (or The Shining God) he was one of the most ancient and most widely worshiped Celtic deities and is associated with the ancient fire festival and modern Sabbat Beltane. 

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Suggestions in early modern scholarship drew a comparison with Semitic Bel and in turn Beli-al. In this context, linguistically Bel is an East Semitic form cognate with Northwest Semitic Baal with the same meaning.

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Belenus was associated with the Horse (as shown by the clay horse figurine offerings at Belenos’ Sainte-Sabine shrine in (red, menstrual blood/Waters) Burgundy.

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(Sabine is also slang for a Muse) and also the (disk – you could equate with the saucer section of a federation starship) Wheel.

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Perhaps like Apollo – with whom he became identified in the Augustan History – Belenos was thought to ride the Sun across the sky in a Horse-drawn Chariot.

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The female consort of Belisama was a Goddess worshipped in Gaul. She is identified with ( Minerva (Greek: Athena) in the interpretatio romana.

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The etymology of her name has been taken to translate to “brightest one”, i.e. containing a superlative suffix -isama attached to the root bel “bright.”

(NOTE: The utilised imagery of a Tardigrade and the Dr ‘Lewis’ Anderson material concerning cosmic strings as well as the ‘fiery chariot’ camper van is a code for those few who know what had occurred at Avebury during 2000. I will not go into details here; perhaps elsewhere.)

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