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THE DEVIL GIRL OF DOCTOR FAUST

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2016 by FAUSTUS CROW

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The above watercolour painting is provisionally entitled: Mephistophina. The artwork is A4 in size, which was initially drawn in Derwent and Caran Da’che watercolour pencils on 300g/m Aquafine watercolour paper, then painted, involving some burnishing.

The original Artwork is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

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The artwork depicts a female version of Mephistopheles, who is commonly considered to be a name of a male spirit in the Faustian legend, who in return for his assistance, Faust signs away his soul as depicted in Marlowe’s and Goethe’s grandiose Church plays. The origin of the conception and name of Mephistopheles has been the subject of much learned debate among numerous scholars down the ages, whose all male pantheon of a deified ‘Animus.’ has entirely negated the feminine principle of the ‘Anima,’ yet none to really question, why?

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As of per usual commonality in the numerous Playgirl Grimoires frequenting many a Hogwarts bookshop, you will find in Dr Faust’s Höllenzwang that (Mephistopheles) Mephistophiel is considered to be one of the seven great phallic princes of hell, who is seen standing under the planet Jupiter. The regent of the planet Jupiter is called Zadkiel, an enthroned machismo angel of the deified ‘Animus,’ made as an all-father-fixation God, named Jehovah.

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The artwork is loosely based upon an illustration of Mephistopheles, as found in the Grimoire, entitled the, Threefold Coercion of Hell; also called, Cabalae nigrae, or the Magia naturalis et innaturalis as well as the Black Raven, which is said to have been authored by Doktor Johannes Faust.

The Grimoire illustration is listed as being plate 10 in the Threefold Coercion Of Hell, which depicts the first appearance of Mephistopheles, manifesting as a ‘fiery Bear.’ He then later manifests of fairer appearance as a little man with a black cape, having a bald head like a monk, who could be seen as a Bonpo Tibetan Buddhist practitioner of Tantric dream Yoga, since its ancient practice would most definitely piss off the worshippers of the deified ‘Animus,’ made as a Jehovah/God/Allah – Devil/Lucifer/Shaitan.

However, if Faust was truly a rebel, of a ‘heterosexual’ orientation, he would have no doubt noted, just like the psychologist Carl Jung, that the all male pantheon of a patriarchal ‘Animus’ fixation has castigated the feminine principle of the ‘Anima’ out of the spiritual equation.

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Wherefore, as a rebel, he would seek out to conjure what has been cast into the abyss, whence to discover a real Necronomicon.

Hence, Faust would reverse the polarity, by conjuring up a Succubus ‘Anima’ fluctuation to name Mephistophina, who would then be in Faust’s mind one of the rebel Succubae of the seven planets, you could equate with the seven Chakras of Yoga practice.

To Faust himself, being a somnambulist and medium, Mephistophina has a real existence; she would be the personification of the transcendental  ‘Anima’ subject of Faust, an experience familiar in dreams, and more especially in the visions of Siberian shamans. Many of the Siberian shamans practice Nigredo trance and Albedo (fiery) lucid (cave) dreaming, via which they engage themselves with the ‘fiery’ Bear (female shaman) spirit, named Udagan, who Rubedo rebirths them back into the world, renewed.

Mephistophina would thus be a familiar spirit, akin to the Udagan of the Siberian shaman, who is of similarity to the inspiring ‘daemon’ of Socrates; and being an Entartete Kunst archetype, censored by ‘closeted’ theologians, Mephistophina would also represent a rebellion against the all male, Right-Hand-Path paradigm of a deified ‘Animus,’ made as a God.

It is suggested, then, in the light of modern research into lucid dreaming, that Mephistophina, though being a two-dimensional Grimoire image of a meditative aid, becomes as a three-dimensional interactive reality within a (sexagram/sixth-sense) ‘Coitus Pactum’ lucid dream; whereby the ‘Osculum infame,’ takes on a whole different meaning. The Osculum infame is the name of a supposed ritual greeting upon meeting with the Devil. The name means The Shameful Kiss, or The Kiss of Shame since it involved kissing the anus and genitalia of the (Mephistopheles) Devil.

A heterosexual male mage kissing the butt end of the’Animus’ archetype of a Mephistopheles, would find the Osculum infame, to be a very shameful act indeed, unless his sexual preference is otherwise of orientation. Not too sure about how heterosexual Witches feel about kissing the behind of their ‘Animus.’ Although it is said that 47% of women read superhero Grimoire comics, which feature chiselled chinned, sculpted males, wearing colourful skin tight leotards, revealing their tight Baboon butts. Apparently women, like tight Baboon butt males… a lot, ever since we were all apes. As for their Sapphic sisters they would be none too pleased, who would far prefer Mephistophina presenting up her arse.

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As for bisexual Aleister Crowley mages and their Babalon kin, they have no need to rebel against the all male paradigm of the deified ‘Animus;’ it suits them just fine.

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Mephistophina would then be Faust’s familiar, who is simply an aspect of his ‘Anima,’ manifesting in various guises, as a (Udagan) Bear, as an Elfin girl, as a Nun, as an invisible poltergeist presence ringing a bell, thrice; but always recognizable as the same familiar, who is his ‘Anima’ fluctuation of a Succubus, a Tibetan Buddhist would otherwise term as being a Dakini, who is a fluctuation of Shakti.

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Mephistophina is depicted partly dressed as a noblewoman, all in ‘Rubedo’ red, with an astral flight feather in her hat. The tattoo on her left shoulder is a Native American ‘heart-line’ Bear claw, referring to the power of hypnagogic (Nigredo) trance, which in shamanistic practice is experienced as residing in the (heart) chest area, where most of the nerve fibres of the Central-Nervous-System are to be found. The skull and crossbones on Mephistophina’s stockings, also refers to hypnagogic (Nigredo) trance.

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The crossbones is associated with the seventh Rune of Gebo, looking like an ‘X,’ whose symbolism refers to self-sacrifice into hypnagogic (Nigredo) trance as well as the introversion of the sexual impulse. The Gebo Rune has its equivalent Hebrew letter, being Gimel of the Cabbalistic 13th path interpenetrating Da’at, and Tarot card of the High Priestess Of The Silver (Sirius) Star, a Siberian shaman would equate with Udagan. In other words, the sexual impulse is introverted by prior meditating upon (High Priestess) Udagan, in order to overcome the terror of hypnagogic (Nigredo) trance ingress into conscious Coitus Pactum dreaming.

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The Gebo Rune equates with the English, G, which is utilised in Freemasonry. The ‘X’ also equates with the Latin numeral for (Occult blind) 10. The experience of hypnagogic (Nigredo) trance is otherwise termed as the ‘little death,’ whereupon you have the motif of the skull. As for the sigils, they have been adapted of symbolic alchemy for Mephistophina. Though hinted at, Mephistophina also has a little cape of remote viewing red silk swept behind her and a long pointed Chöd sword on her right side; for she be Left-Path-Handed.

Scene IV: The Art Studio (Faustus & Mephistophina)

Mephistophina: Ah, now, you please me greatly, indeed.

I hope we’ll get along together:

To drive away the gloomy weather, from around thy heart,

As you to seer, I’m dressed like young nobility,

In a scarlet gold-trimmed coat,

In a little silk-lined cloak,

A cockerel feather in my hat,

With a long, pointed sword,

And I advise you, at that,

To do as I do, in a word:

So that, footloose, fancy free,

You can experience Life, with me.

Slightly adapted from Johann Wolfgang von Goethe’s, Faust 

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NOTE: Some would classify my work as being Occult Pornography of adolescent fantasies, merely because I have reversed the symbolism of an all male symbolic paradigm of the deified ‘Animus,’ towards that of the female, of ‘Anima.’ But if so, they would be entirely missing the symbolic point.

The all male gender focus upon the deified ‘Animus’ has an underlying sexuality behind it’s symbolic influence upon all levels of culture; hence, it can also be construed as being Pornographic. When you have a biological gender focus, it will invariably involve sexuality; it is nature, which cannot be denied! However, the underlying sexual orientation is generally not seen, due to the sexual impulse being castigated out of the symbolic equation along with the ‘Anima.’

Most of the religiously hewn patriarchal grimoires are primarily populated by male archetypes of the ‘Animus,’ which frequent the heterosexual female psyche; whereupon said patriarchal grimoires are the PlayGirl stroke Bibles of conjuring Witch Nuns dancing orgiastic around their God and Devil, Angels and Demons, whose mantric spells often utilise the terminology of King, Lord, Master or Prince, etc. Some of the conjuring Witches are no doubt bisexual.

As for those Mages who conjure up the archetypes of the ‘Animus’ out of the patriarchal PlayGirl grimoires they may be sexually predisposed to do so of preference, such as Aleister Crowley for example, who was bisexual of leanings, writing erotic poems about Satan, etc. At least Crowley was honest about his androgynous bisexuality, many of the closeted bigots at the time considered to be… Wicked!

If, however, you be a heterosexual Mage, bisexual or a lesbian Witch, who decides to conjure up the ‘Fallen Anima’ and her archetypal (Succubi) Succubae Legions, you will soon find yourself being castigated as being a vile Pornographer peddling adolescent fantasies by the Politically Correct Thought Police; this is more so the case if you are a heterosexual Mage, to be duly seen as being… Wicked!

A heterosexual male who conjures up male archetypes amidst his Triangle Of Art Imagination is doing so in order understand aspects of his own masculinity. In other words, the conjured male archetypes are not external entities, they are otherwise ‘role-models,’ and in turn alternate guises of himself, which can be assumed within lucid dreams, of similarity to an actor acting as a character on stage.

Each of the alternate-guises are empowered by a feminine counterpart, you can term as a Succubus, who as an external entity, is an aspect of the Fallen ‘Anima.’ Whereupon heterosexual Faustus Crow rebelliously conjures up Mephistophina out of his PlayBoy grimoire.

Whereas the classical Faustian myth points at another sexual orientation, Christopher Marlowe to have had a preference for, which he communicated via his Judaeo-Christian Faust kissing the backside of Mephistopheles. Savvy!    

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THE CONJURING 2 OF VALAK AS A NUN

Posted in Art, Chaos Magic, Comics, Demon, Demonology, Goetia Girls, Goth Girls, Lucid Dreaming, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on July 3, 2016 by FAUSTUS CROW

Valak was originally conjured out of the gnarled grimoire of the Goetia as a little naked school boy having the wings of an angel who rode a two headed dragon. Said spirit, like most of others described in the grimoires are depicted as being male entities of an overriding ‘Animus’ fixation. The how and wherefore of Valak’s symbolic transformation into a pasty faced Nun in the film, The Conjuring 2 is of the age old Hollywood tradition of rewriting history. But then, at the end of the day, it is an artistic creation, just as the original was an artistic creation, which of viral-meme ‘artistry’ conjures up associative archetypes within the collective unconscious. As Johann Wolfgang von Goethe once said:

“The Artist alone sees spirits. But after he has told of their appearing to him, everybody sees them.”

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Perhaps the creators of The Conjuring 2 decided to avoid utilising the motif of a little naked school boy because he would end up looking like a deranged version of the animated Voodoo doll icon, Chucky, so, instead they transformed Valak into a transgender entity looking like a Marilyn Manson asylum Nun out of an ‘American Horror Story.’

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Or maybe, the creators of the film had decided to reverse the ‘Animus’ fixation towards that of the ‘Anima’ by having Valak as a Nun. Whatever the case, symbolic logic would have dictated that the original little school boy would have been transformed into a school girl, not that of a Nun. But Hell, most of audience wouldn’t know about Valak’s historical grimoire manifestation.

Valak is not one of the most iconic entities of the grimoires; wherefore it is curious that the creators chose this particular entity; why not some other?

Well, the film is about the spiritual torment of a girl; hence the associative conjuring up of demonic cherub Valak, who, at some Hollywood boardroom juncture, before its ‘Conjuring’ into celluloid, was otherwise re-scripted to be ‘Conjured’ as a Nun.

As mentioned; the symbolic reversal of a school boy ‘Animus’ into an ‘Anima’ expression would be that of a school girl; so, why that of a Nun instead?

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May be it is reference to the Tarot card of the High Priestess ‘II,’ whose card can be associated with another spirit to conjure out of the Goetia, going by the name of Gremory, who would manifest as a Nun.

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Gremory is of of the very few spirits listed in the Goetia who is described as appearing a female; though as per usual, the feminine manifestation is seen to be but a ruse. (If you are interested in the above Gremory shirt design, Please Click the image for further details.)

Wherefore, though manifesting as a woman, the spirit is considered to be male, which of a classical ‘Animus’ depiction would be somewhat alike to the Marilyn Manson Nun, featured in The Conjuring 2 film.

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If however you totally rebel against the ‘Animus’ fixated Playgirl grimoires, whose listed entities are all male, then Valak would manifest as a schoolgirl.

Whereas Gremory appears as a Nun. Both of whom would be very feminine of an ‘Anima’ expression. In ancient times, male Shamans would enter into lucid dream congress with their spirit wives, who are manifold aspects of the ‘Anima.’ This did not involve being possessed; for a male enters unto a spirit wife as he would do a woman. However, should the shaman not be in control, or to be homosexual of persuasion, the conjured archetype of the ‘Anima,’ would then become more masculine of expression. It was usually the woman, who allows herself to become possessed by her deified ‘Animus.’

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The symbolic motif of the Nun has associations with the ancient vocation of the Priestess and in turn that of the Witch, which of a Tarot card is associated with psychic phenomena, trance and dreaming.

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Should you look into the symbolism being employed by The Conjuring 2 film you will find intriguing symbolic references, which allude to the Tarot sphere of the High Priestess. You also have the actual character of the young girl named Janet, from the Enfield Poltergeist case who speaks of an ethereal presence affecting the back of her neck, which of an experience refers to hypnagogic trance.

Should you decide to look for any historical parallels to the Janet case, look into the Loudun possessions. The Loudun possessions was a notorious Witchcraft trial in Loudun, France during 1634. A convent of Ursuline Nuns are said to have been visited and possessed by demons; however, a number of the Nuns had inadvertently experienced trance. The Loudun possessions is of similarity to what the ancient Priestesses used to do, who allowed themselves to become erotically possessed by their deified ‘Animus,’ made as a God.

What Janet to tell of concerning an otherworldly sensation stroking its way up the back of her neck is also spoken of by the Kalahari Bushmen of South Africa, who call it the Num, which initiates trance, they term as Kia. The Num is the same as the Kundalini Shakti of the Yoa practitioner, which is also known as the ‘rush,’ in trance dance culture. It is this energy, which stirs ‘The Conjuring’ of the archetypes out their Jinni bottle of the subconscious mind.

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It just so happens that the back of the neck is associated with the hidden sephira of Da’at in the Hebrew mystical tradition of the Cabbala, which is numbered ‘eleven.’ Da’at is interpenetrated by a path, whose associated Hebrew letter is Gimel, which in occult practice corresponds with a ‘Camel,’ as well as being ascribed the Tarot card of the High Priestess II, (otherwise known as the ‘High Priestess of the Silver Star’ – Sirius); wherefore you have the symbolism of a Nun.

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Gremory is depicted as riding a Camel, who is the fifty-sixth spirit of the Goetia, whereas Valak is the sixty-second spirit out of seventy-two listed spirits. The numbers eleven, and seventy-two are mentioned in the Conjuring 2 film. The girl is aged eleven who is being haunted by a ghost of a seventy-two year old man.

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This would then translate as the girl being affected via the eleventh hidden sephira of Da’at, which physiologically corresponds with the throat/neck area of the reptilian brain stem; whereas the old man’s age of seventy-two, is a number, which is traditionally associated with the seventy-two names of a deified ‘Animus,’ made as a God, who is commonly depicted as an old man.

NOTE: Valak was classically conjured as a means to discover the whereabouts of serpents, which of symbolism refers to the Kundalini Shakti (fire snake) signature of individuals, which is basically their ‘aura.’

At another more mundane level it would be to discover those who are slippery as serpents, having hidden agendas and ulterior motives.

For example, the BREXIT vote in the United Kingdom, where the Enfield poltergeist to have haunted, (although there was no mention of Valak at the time) has revealed the political class as being nothing more than a nest of serpents, who like the ‘Senate’ of ancient Rome are biting each others shitty backsides, for all to see. 

The illusory power structure of the political elite is fragmenting; but then, the whoring politicians are essentially being propped up by their gravy-train involvement with the European Union’s corporate lobbyists and the banks.

You could imaginatively conjecture of a surrealist perspective that the mass Holy-Wood ritual of unknowing cinema audiences across the globe has inadvertently led to ‘The Conjuring’ of Valak in the UK, who has revealed the whereabouts of serpents. 

Perhaps the film makers should have Valak haunting 9/11 America next, as a convent… school girl… wielding a baseball bat, who will no doubt totally freak out the Wahhabism of ‘Oily’ Saudi Arabia.

By the way, I am not talking about David Icke’s reptilians here; should you take that route, you will duly find yourself becoming entangled in a subversively orchestrated psychological operation engineered by ‘twin tower’ serpents, who are all too human. 

I am speaking far more of those serpents who have their gangster heads shoved up their own self-serving Romulan arses, like slimy two-faced Nigel Farage, who is in turn being utilised by the Machiavellian politics of a Kafka autocracy, to tar and feather anyone as being a Nazi, who disagrees with the European Senate of ‘Oily’ owned corporations! 

The same psy-ops game is being played with the likes of David Icke who is being utilised to tar and feather anyone who questions the official theocratic line as being a conspiracy nut job. This is somewhat easy to achieve if you believe in inter-dimensional shape-shifting humanoid lizards from planet X, of one time Biblical demons, which be all of an ‘Animus’ expression; although they be more like legions of corporate lobbyists.

The elite rules through dividing and conquering, which is promoted by the controlled media. They will use any means within their power to do so, whether it be by the use of religion, race or age, etc, to get your reptilian brain-stem emotionally agitated, like a rearing serpent!

This is, however not a conspiracy; Hell! Everyone can watch the media circus on their Orwellian eye of a TV, via which you can observe that the Emperor never wore any clothes since the time of ancient Rome, whose Empire Never Ended.  

The question is, will those who voted to either stay or to leave the European Union see the serpents for what they truly are, such as old man TONY Blair, for example. Alas, they have already… forgotten! 

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THE CONJURING 2 OF VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2016 by FAUSTUS CROW

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Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.

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The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.

Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes, which is otherwise, mundanely interpreted as the remote viewing discovery of enemies.

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The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.

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Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst artistry. At the end of the day, the practice of art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.

This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.

For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is that of an all male pantheon of an ‘Animus’ fixation.

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As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic. But it is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun.

The reasoning behind the schoolgirl motif is because I am employing symbolic logic; Valak originally refers to a little boy of a Hermes, whose feminine name is Hermione.

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This then leads you by association to the modern archetype of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning.

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This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.

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However, as for Valak’s serpentine association, it would lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.

Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear; but then I am not into living in fear; are you?.

Basically, the artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.

You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious reversal.

Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.

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Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a viral-meme Tulpa ghost Nun.

Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.

As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits; but they are depicted as being essentially male entities in disguise. This perpetuates the all male paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.

The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?

Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”

The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.

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The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.

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Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.

If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.

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But when to find that its symbolic emphasis is that of an all male pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting ghost of an old man, whose disturbing disposition is that of a dirty old Goat.

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But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.

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You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.

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The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’

For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.

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However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.

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But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God.

Alas, no film has as yet covered the fallen ‘Anima,’ but then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.

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NOTE: As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’

Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown. 

In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’ 

The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet. 

The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film. 

But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans. 

Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of  a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man, although, you do have Gremory as depicted in the shirt design. (Click the image for more information.) 

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In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit, such as Faustus Crow’s Succubus named, Mephistophina as depicted in the watercolour painting below. (Click the image for more information.) 

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The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.

Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet. 

The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.

The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.

The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.  

In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix! 

So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded. 

WITCH NUN SUCCUBUS VAMPIRE DEMON DEVIL GIRL POSTER
WITCH NUN SUCCUBUS VAMPIRE DEMON DEVIL GIRL POSTER by WODKHAN
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DEVIL GOTH GIRL GOETIA WITCH NUN SUCCUBUS GENIE POSTER
DEVIL GOTH GIRL GOETIA WITCH NUN SUCCUBUS GENIE POSTER by WODKHAN
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SUCCUBUS COITUS PACTUM LUCID DREAM

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 31, 2016 by FAUSTUS CROW

Faust decided to engage himself in an active imagination exercise, which led to him entering betwixt the Werewolf and Vampire pylons of hypnagogic trance, via which he accessed a twilight lit lucid dream.

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He duly found that he had taken on the form of a Bat to fly of astral journeying towards Transylvania where he then howled of conjuring up Mephistophelia within a toppled abbey as a Nun, set amidst a Baba Yaga birch wood forest, bathed by the bio-photon light of the mitochondrial DNA Moon.

Mephistophelia manifested looking like Nastassja Kinksi, who for some reason many to believe is Romanian, who is actually of German descent as well being Polish; hence that Eastern European Rusalka look of hers of near Gypsy appearance. Although she also looks like Ksenia Solo, who is a Latvian actress

However, there was once a large Germanic colony of Runic Saxon’s in Transylvania at one time; Faust to have surmised that it might be the subconscious reasoning of associative correspondences for the Transylvanian Coitus Pactum union with a sexy Valkyrie vamp.

Of course, this involved a contract being drawn up in the corresponding language, comprising of pigeon ‘Romanian’ and a bit of ribald pub Latin thrown in for good measure.

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Subsemnatul (a)…………………. sunt de acord
cu urmatoarea tranzactie: imi vand atat trupul cat si
sufletul lui Mephistopheilia.

Clauzele contractuale:

1: Mephistopheilia va i subalternul meu si va indeplini tot ce li voi cere, inclusiv intinerirea mea.

2: Sunt de acord ca, dupa un terman de 100 de ani,
timp incare clauza nr. 1 va fi respectata ad litteram,
Mephistopheilia sa ma transporte in integralitate, trup
si suflet, carne si sange, in teritoriul lui, oricare ar
fi acesta si oriunde s-ar
afla acesta.

Scris de mana mo
(loc de semnatura)

Consummatun est! 

ENGLISH TRANSLATION:

The undersigned (a)………………….

Agrees with the following transaction: sell both my body and soul to Mephistopheilia.

The contractual clauses:

1: Mephistopheilia will be responsible for fulfilling all that I am going to ask, including the rejuvenation of me.

2: I agree that, after a term of a 100 years, clause no: 1 ends.

I agree that after a term of a 100 years, clause no: 1 will be observed literally, Mephistopheilia will carry my entire, body and soul, flesh and blood, to its territory, wherever, whatever it be.

Hand-written (place of signature)

Consummated in Eastern Europe! 

As for Faustus Crow’s Coitus Pactum with Mephistophina, it is a far more detailed inner agreement with the summoned ‘Anima,’ who desires her artistic manifestation in return for her Kundalini Shakti Muse gifts she to bestow via lucid dream encounters.

Crow’s Coitus Pactum does does not involve the selling of souls, or having an indulgence in self-defeating brain-dead acts of imbecilic evil, etc; such is just for Holy-wood fare shock entertainment of an ongoing biblical brainwash, which enamours the patriarchal worshippers of the deified ‘Animus,’ made as their Abrahamic Jehovah/God/Allah, and a Satan/Lucifer/Devil, of Orwellian Big-Brother politics.

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Anyway, should you wear the above Faustian rebel shirt, you might just find yourself being tarred and feathered as a blasphemer by Nuns, Priests, and even by the Pope himself who are all wedded to their deified ‘Animus’ of an Abrahamic God, wearing wedding rings of Coitus Pactum matrimony.

You might even get into bother with Rabbis and Mullahs, as well, if so, just Howl out; “there is a perpetual Sex War in heaven, I’ve decided to side with the Great Old Ones, who be the fallen ‘Anima’ fluctuations of the Succubae, to whom I be wedded to of a Coitus Pactum!” That should confuse the Hell out of them!

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SUCCUBUS TAROT

Posted in Alien, Art, Chaos Magic, Demon, Demonology, Devil, Discordianism, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tarot, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 11, 2015 by FAUSTUS CROW

Surrealist Sorcery; The Art Of Lucid Dreams, Wherein Conjured Succubus Art Muses, Do Manifest: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

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TAROT: FOOL 0: Reptilian Brainstem Leap Into The Da'at Abyss Of Lady Choronzon: https://faustuscrow.wordpress.com/2015/06/25/dream-book-succubus-grimoire/:

THE FOOL  

TAROT: MAGICIAN I: Triangle Of Art, Creation Of Elemental Mind Doll Tulpa Succubae, Who Be Of The Quintessential Anima: https://faustuscrow.wordpress.com/2015/06/25/dream-book-succubus-grimoire/:

THE MAGICIAN

TAROT: HIGH PRIESTESS II: She Who Is The Yoni Stargate, Betwixt And Between The Hypnagogic Pylons Of Sleep And Waking: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE HIGH PRIESTESS 

TAROT: EMPRESS III: The First Artists Were Shamans. Art Defines Humanity: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE EMPRESS 

Lucifuge Rofocale.:

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THE EMPEROR 

TAROT: HIGH PRIEST V: Microcosmic Sorcery Is Macrocosmic Art; Both The Same Of Practice: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE HIGH PRIEST 

TAROT: LOVERS VI: Woman Has Her God And Devil Animus; While Man Has An Anima Of A Forgotten Goddess: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE LOVERS 

TAROT: CHARIOT VII: Travelling Without Moving Of An Out Of Body Experience: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE CHARIOT 

TAROT: JUSTICE VIII: Acquiring The Balance, Attaining Trance: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

JUSTICE 

TAROT: HERMIT IX: Sleep Is Better Than Prayer: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE HERMIT 

TAROT: WHEEL OF FORTUNE X: Shaman Trance Night-Mare TARDIS: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE WHEEL OF FORTUNE 

TAROT: STRENGTH XI: Succubus Dreams Of Trance Power: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

STRENGTH 

TAROT: HANGED MAN XII: Valkyrie Succubus, Gifting Reptilian Brainstem Trance: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE HANGED MAN 

TAROT: DEATH XIII: Heyoka Horror Humour Keeps Morbidity At Bay: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

DEATH 

TAROT: TEMPERANCE XIV: Dream Drugs Of Endocrine System Alchemy: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

TEMPERANCE 

TAROT: DEVIL XV: The Horned Shaman Of Ecstatic Trance Mastery: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE DEVIL  

TAROT: LIGHTNING STRUCK TOWER XVI: Maya Matrix Shock Hypnosis: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE TOWER 

TAROT: STAR XVII: Alien Girl From Planet DMT, Orbiting A Third Eye Star: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE STAR  

TAROT: MOON XVIII: Fifty Shades Of Grey, Twilight Moon Beast Vampire Necrophilia And Werewolf Bestiality: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE MOON 

TAROT: SUN XIX: Fire In The Head, Black Sun Bio-Photon Illumination: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE SUN  

TAROT: JUDGEMENT XX: Arising Into Another Dimension, Beyond The Seven Veils, Of The Maya Matrix: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

JUDGEMENT  

TAROT: WORLD XXI: Succubae 'Chaos Unitarian Nuns Templar' Of The Multiverse Maya Matrix: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE MULTIVERSE 

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PONYGIRL TRANCE WITCH

Posted in Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 15, 2015 by FAUSTUS CROW

The Seventieth Succubus of the Goetia is called Seere, Sear, or Seir. As of per usual the classical Goetia describes this spirit to be male, who is described as riding a winged horse like the ancient Greek, Pegasus.

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However, the name of Seere is very likely derived from the Old Norse term, Seiðr, which is sometimes anglicized as Seidhr, Seidh, Seidr, Seithr, Seith, or Seid, describing a type of sorcery that was practiced in Norse society during the Late Scandinavian Iron Age of ‘singular eyed’ seer far-sight.

A number of scholars have debated what exactly Seiðr is; some have argued that it was shamanic of practice, since its ecstatic practitioners engaged in visionary journeys into other worlds throughout space and time, which of modern terminology would be termed as remote viewing.

Seiðr was primarily practiced by women, and like Succubae Witch wives, the Norse called Valkyries, they rode their (broomstick) spirit horses into trance.

Seiðr was also practiced by the shamanic deity, named, Odin, whose Succubae Witch handmaidens were the Valkyries, ringed around the Zodiac Ages of the thirty-six decans. Odin was simultaneously responsible for war, poetry and sorcery. But it was the Goddess of Witchcraft, who was also the mistress of the Valkyries, called Freyja, who originally taught the practice of Seiðr to Odin.

If the name of Seere is indeed derived from the term of Seiðr, the symbolism of the winged horse may offer further insight into the matter, should it be a veiled symbolic reference to the practice; since the Goetia dates from the witch burning era, when much of the pre-Christian elder lore was lost.

The symbolism of the winged horse is very much a creature of shamanic lore, which is especially the case in North Central Asia, across the steppe unto Siberia, where you find Mongolian shamans speaking of a personal psychic power, called Hii (wind), or Hiimori, which means Windhorse. The Windhorse in Norse mythology would be represented as an eight-legged-mare, called, Sleipnir, which is ridden by Odin. The name of Sleipnir means, ‘gliding one.’

The Hiimori is seen to be housed within the chest area of the heart; its power is basically the ability to induce hypnagogic (gliding) trance, which will vary in its power according to how you use it, such as for remote viewing, for example; hence you also have the word, Seer, the name of Seere, and their root of Seiðr.

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The practice of Seiðr is also associated with sex magic; however, the scholars are not too sure what form it took. What they do know, is that it was mainly practiced by women in Norse society. This can be easily sorted, when to look into other shamanic cultures, where you will duly find many a female shaman allowing themselves to be sexually possessed by male spirits, who were considered to be their spouses, which enabled the female shaman to negate the terror of trance ingress; in other words, her fear was otherwise transmuted into ecstatic union with the divine.

This practice can also be found in Mesopotamia, where the Prophetesses of the Middle Eastern temples became as (Shekinah) vessels for their ‘Animus’ God, just as the ancient Greek Priestesses of Delphi were possessed by the Sun God Apollo, who in Norse society would be equated with Odin.

You could even go as to far to say that the 1634 possessions of the Nuns of Loudun, and that of other Nuns was an inadvertent expression of this possession by their crucified God of the Solar Cross, amidst the twelve machismo apostles, who govern over the’Animus’ ages of the Nuns Zodiac.

There are hardly any cases of Monks being ecstatically possessed, unless they were otherwise sexually orientated. But then, the Nuns, if they be heterosexually inclined, have their Abrahamic all male ‘Animus’ focus of a patriarchal Father, Son and Holy Ghost to impregnate them, to thence birth a Beastly Moon Childe to later crucify of Solar sacrifice.

One thing for sure, many a Witch was wise in this practice, who dallied with spirits conjured out of a Grimoire; wherefore explaining why the Fantasia entities listed in the Playgirl Grimoires are all Sorcerer Apprentice male of an ‘Animus’ fixation.

This isn’t to say male practitioners did not practice Seiðr; the difference being, a heterosexual male practitioner was not possessed by a female spirit; for being a man, he otherwise entered her, to thence ride as his ‘Anima.’ Whereupon, of a symbolic depiction, you have pre-Christian rock carvings of male figures sporting erections, mounting mares.

This was not literal, since, it is obviously bloody dangerous, let alone nigh impossible. The symbolism refers to a male practitioner interacting with a female spirit, symbolised as a mare, who represents the power of trance; wherefore you have Odin riding the (eight compass points) eight-legged-mare, Sleipnir.

Seere, would indeed be symbolised as a (Animus) male entity for a heterosexual female practitioner of Seiðr, who is ridden into ecstasy; whereas for a heterosexual male practitioner Seere is (Anima) female, who he rides into trance. If the practitioners are otherwise sexually orientated, then the internal dynamic changes in accordance with their preference. But what is interesting, is that there are no historical examples of any Playboy Grimoires listing only female spirits.

Should you reverse the classical all male Playgirl pantheon of the Goetia, then Seere is a Mighty Princess, and powerful, under AMAYAMONA, Queen of the far Eastern steppe of the shamans.

She appears in the form of a beautiful woman, riding upon a winged horse like Pegasus, or to otherwise appear as winged Centauress. Her office is to go and come; and to bring abundance of things to pass on a sudden, and to carry or re-carry anything whither you would have it to go, or whence you would have it from. She can pass over the whole Earth in the twinkling of a singular seer eye.

Wherefore, she gives a true remote viewing relation of all sorts of theft, and of treasure hid, and of many other things. She is of an indifferent good nature, and is willing to do anything which her master desires of her. She governs over twenty-six Legions of Succubae. And Seere’s Valkyrie Seal is to be meditated upon, before conjuring her within a lucid dream of Seiðr practice.

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THE EVOCATION OF NIGHTGAUNT NUN GREMORY

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2014 by FAUSTUS CROW

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This is one of those rare times I am going to relate a personal experience, without using veiled symbolic references. Sometime ago, when as a youth, I decided to conjure up the Fifty-sixth Goetia spirit called Gremory, otherwise named Gamori or Gomory.

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The classical grimoire description of the spirit I had otherwise visualised as a Succubus dressed as a Nun.

The symbolic logic of which was the associated motif of the Camel, upon whose back this described Succubus is said to ride in the Goetia.

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The Camel in Hebrew is Gimel, which of a letter is associated with the thirteenth path of the Cabbala.

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The thirteenth path transverses the hidden Sephira of Da’at, whose path is ascribed to the Tarot card of the High Priestess of the Silver Star: Sirius, linking the Sephira of Tiphareth and Kether.

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Hence, it is the High Priestess II, I am alluding to in regards to Gremory, since fifty-six in numerology reduces down to eleven, of the eleventh Sephira of Da’at.

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Some to say that the name Gremory or Gamori is etymologically related to the French word Grimoire, which, if it is indeed the case, the name is quite apt for the High Priestess, since she is depicted seated in a doorway between two pylons with a Grimoire upon her lap.

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I utilised the methodology of meditating upon Gremory’s seal in association with erotic imagery of Nun’s; some of the imagery was derived from photographic material, which I had utilised to create an exquisite corpse photomontage painting. The Frankenhooker creation of which automatically involved in depth meditation. I then utilised Gremory’s seal in association with the artistic creation, upon which I meditated, along with drawing and painting the spirit to thereby create a distinctive personage. This also involved creating a back-story for the spirit of creative writing, in order to give her Nightgaunt Bat wings, so as to fly

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The technique of writing involved visualising the spirit as a Nun, of active-imagination, whom I conjured amidst my Triangle of Art, which had been drawn upon a piece of card; while doing so I visualised myself standing at the centre of a magic circle conducting the ritual of conjuration. The visionary material, which had been imaginatively conjured, I rapidly drew in a sketch pad; this also informed my writing and computer generated art.

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A Ouija board, of a meditation device, was also utilised for the practice of automatism via which a two way dialogue could be established between my conscious mind and my subconscious conjuration. This was done, so that I could determine if there was any subconscious blocks as well as furthering the creation of the artwork, both visual and literary. The experiment was conducted in order to determine whether the utilised symbolism could be implanted into my subconscious, which would then act as a trigger-symbol within the dream. The intention was to initiate a lucid dream interaction with Gremory. The meditation also involved repetitively intoning Gremory’s name as a Mantra, which I then utilised at the Vesica Pisces point of hypnagogic sleep, along with visualising her seal.

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The experiment was conducted over a period of a week, thereabouts; approximately five hours per day or more, since it is part and parcel of my artistic vocation. Sometimes it consumed both day and night of constant working with some intermittent breaks. I had noted that there were certain hours, days and nights, wherein I experienced a flowing creativity of active-imagination visions about a Nun; whereas at other times it was literally an uphill struggle to seer anything at all. These peaks and dips of emotively charged visionary material seemed to be tied up with my circadian rhythms around the Moon phases.

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At a certain juncture of the experiment I became both mentally and physically exhausted; I couldn’t continue anymore, as if burnt out; I just felt like crashing into sleep. I knew from previous experience that this was the time when a dream visitation of the conjured spirit would most likely occur. The onset of which occurred at the point of sleep when I accessed the hypnagogic state; I then experienced the classic Old Hag Syndrome of sleep paralysis and that of a shadowy invisible presence around me. I remembered from other experiences of similarity not to give into my fear, but such had been prior negated by my introverted sexual impulse due to my ritualistic focus upon the eroticised material. I then called out Gremory’s name; whereupon the shadowy invisible presence took on the form of a Nightgaunt Nun amidst her cathedral.

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I will not relate what had occurred within the induced lucid dream, which is a private affair of an out of body experience.

Although I may allude to its inner reality, and that of other experiences, to describe in a roundabout way within my artwork and writing.

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What I will say is that the experiment was successful on the dreaming front. But I did not expect what was soon to occur upon awakening, of an unforeseen event. I decided to go out to the corner shop in order to obtain some cigarettes. I was intending to buy a packet of Camel’s to celebrate my artistic endeavour of dream sorcery, rather than smoking the usual roll ups; while doing so I pondered upon the experience of contacting Gremory within my vivid erotic dream, which led me to suddenly decide, on the spur of the moment, to extend my walk towards another shop beyond a local church, whose graveyard is said to be assailed by grave robbing Satanists of Halloween lore; its truth, I have observed myself, of disrespected scattered bones.

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As to the locality around me and that of its inhabitants, it tends in the main to be quite normal; not much out of the ordinary ever happens. The church, though old, of a previous village focus, has since found its self surrounded by an urban sprawl, to be now in competition with an Alpha course cult across the road, from its Protestant constant warring with the Catholic.

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As I passed by the church, I noticed a black habit Nun walk out of its opening door. I couldn’t believe what I was seeing of a most obvious synchronicity. I then felt very nervous, almost jittery, feeling an itch all over my body, I couldn’t scratch. I thought I was probably hallucinating; whereupon I stopped myself in my tracks to do a double take. This was most definitely not a regular occurrence; not before or since, have I seen a Nun around said church, let alone coming out of it, whose habit was of the classic kind, which had long gone out of fashion amongst practicing Nuns. Although, at another time I had observed such a Nun walking over a highway bridge in the middle of nowhere, which nearly made my shocked friend crash his camper van, within which I was too travelling. My friend’s reaction was no doubt instagated by my conversing about Nightgaunt Nuns, just prior to seeing the flying Nun.

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I decided to smoke a cigarette; I still had some tobacco left in my pouch to make myself a roll up, and while doing so, determine whether I was indeed hallucinating. The Nun made her graceful way down the church path, whom got ever closer to where I was standing. I then noticed that the Nun was in her early twenties, who was very attractive, looking very much like my ritualistic focus, and what is more, she appeared to be wearing lipstick. I thought, to myself, that I must indeed be hallucinating; but if so, it was bloody three dimensional real, in the flesh, of a Nastassja Kinski look alike.

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The winding path that the Nun hovered along like a black shadow ghost, took her up behind me. I nervously stood my ground, before slowly walking on myself, in order to allow the Nun to pass me. As she passed by, I noticed that she was indeed wearing lipstick and makeup, whom looked at me askance of slanted feline dark eyes; she was aware that I was uncontrollably staring at her out of shock, no doubt looking quite dumbfounded, which made her grin like a Cheshire Cat of a most knowing look.

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As the Nun walked in front of me, a slight distance away, she appeared to make it a point of making her hips to seductively sway on purpose; whereupon I noticed she was wearing high heeled shoes. I looked around to see if anyone else had noticed her. The problem was, there were very few people around of an early morning stroll. However, there was a small group of individuals standing at a bus stop; some of them turned around looking quite perplexed at her carefree passing by.

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I breathed a sigh of relief, that I was not in fact hallucinating; others could see her too. Whereupon, I whimsically conjectured that she was probably a call-girl wearing a kinky Succubus costume, who had just visited the naughty Vicar at his crumbling church, or that she was an actress who was playing a Nightgaunt part in an amateur horror flick. None of my conjectures seemed to fit the facts; the church wouldn’t want such publicity, since it’s flock had been assiduously working towards getting funds to renovate it over a number of years.

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As I got closer to my destination, the Nun stopped in front of me; she turned around and wirily smiled; almost looking lustful. She then enquired of me, if she could have a cigarette. I nearly fell over, fumbling. I answered to near stutter, “yeah, sure;” without coughing up my nervous guts as my pounding heart missed a beat.

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She didn’t mind at all that I had to make the cigarette. I placed some tobacco in a paper, and handed it to the Nun; whereupon she asked me to lick it for her. She seemed to be enjoying my nervousness. In retrospect, I should have asked her some very searching questions. Alas, I was but a youth; although to have experienced a plethora of very strange occurrences, this one caught me totally off guard, as if I had inadvertently quantum slid into an alternate reality.

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I gave the cigarette to the Nun, which I then lit for her. As she got closer, I smelt the whiff of perfume, which was musky. She then took a long drag on the cigarette and softly blew the smoke into my face of a noted seduction, or that of a blessing, before thanking me, and then she slowly walked off, her delectable hips swaying.

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I stood for a moment, watching her walk down the road like a catwalk model out of a Vogue magazine, deliberating should I dare follow her, or to just go into the shop and get some Camel’s and a bottle of Casillero del Diablo. I decided to follow her at a discreet distance for a time, just to get my head on straight, so that I could piece together the meaning of this momentous synchronicity.

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The Nun then turned a corner down another road. I was but a short distance behind her; when I got to the turning, she was nowhere to be found, as if she had suddenly disappeared; apart from finding the discarded butt end of the cigarette I had just made, painted with her scarlet lipstick, which I later placed with her seal into a medicine pouch, hanging from my drum.

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There were no houses on either side of the road she could have gone into, which of a long stretch had no available doorways; nor were there any cars parked in the road, into which she could have leapt. If there was an awaiting car, I would have seen it pull away down the road.

I then started to wonder if it was more than just an in my face synchronicity of concordant symbolism, which correlated with my lucid dream experience; that this was an actual physical manifestation of Gremory, or that of a tulpa? Further similar experiences indicate that physical manifestations do indeed occur, or at the very least that of most intriguing synchronicities. I am not at all concerned whether you believe me or not. I really do not care at all; I have nothing to prove, apart from proving it to myself. If you want proof best find out for yourself, if you ever dare to practice the art.

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