Archive for Kalahari Bushmen

SHAMAN DRUM SIBERIAN TRANCE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 22, 2017 by FAUSTUS CROW

The design features a Finno-Ugric Siberian shaman. The word Shaman originates from Siberia, which is said to be derived from the Evenki word “šamán,” most likely from the South-Western dialect spoken by the Sym Evenki peoples. If you are interested in the Art pint, shirt design, etc, Check Out my Redbubble shop, Please Click Here.

The Tungusic term, Shaman, was subsequently adopted by Russian explorers interacting with the indigenous peoples in Siberia. The word, Shaman can also be found in the memoirs of the exiled Russian churchman Avvakum.

The term Shaman has since been adopted by anthropologists as a coverall term for numerous other cultures who share similar shamanic techniques, which enable a practitioner to alter his/her (brain wave) states of consciousness.

The Siberian shaman in particular utilises the drum. The drum is often referred to as being an eight-legged-mare; which is in turn is associated with the abode of a (Anima emanation) Spirit Wife, somewhat like a genie in her (drum) bottle. In other words, the drum, Mare and Spirit Wife are seen to be the same. (The Eight legs of the Mare, being the eight compass directions of a symbol painted upon the skin of the drum, which is also associated with the motif of the World Tree.) 

The shamanic motif of the Mare and the Spirit Wife leads to the term ‘Nightmare,’ which originally referred to the Old-Hag Syndrome.

The Old Hag Syndrome is otherwise known as the Bedroom Invader Experience, which is experienced when an individual inadvertently accesses hypnagogic trance.

An unprepared individual will invariably become terrified when accessing hypnagogic trance, wherein he/she will experience the manifestations of his/her deepest fears, which often involves sexual scenarios.

Whereupon the term, Old-Hag Syndrome refers to the visitation of a Succubus, whose initial manifestation is nightmarish, which induces the experience of intense pressure upon the body, the sensation of being (Sphinx) strangled, sleep paralysis, vivid hallucinations, and eventual lucid dreams.

Wherein an individual will feel as if he is being abducted by otherworldly (Alien) entities as well as experiencing out of body experiences.

The Shaman learns to control his fear, in order to ride the (inner TARDIS) ‘Night-Mare,’ rather than being ridden by her.

Whereupon she becomes his (Ally) Spirit Wife; hence the carved (World Tree/Axis-Mundi) handle of the Shamans (Mare) drum in the design, which represents his (trance) Spirit (Anima-Mundi) Wife.

(NOTE: The Mare/drum [trance symbol and tool] is seen to be tethered to the World Tree, which symbolically represents the spinal column of the Shaman. The Spirit Wife refers to what Yoga practitioners call the Kundalini Shakti, which is experienced as a liquid energy that is aroused to arise along the (World Tree) spinal column. the Kalahari Bushmen of South Africa call this inner energy, Num, which is aroused when a practitioner accesses hypnagogic trance, which the Bushmen call, Kia. In ‘trance dance’ culture of the [Rave] dance clubs, this inner energy is known as ‘The Rush!’)  

The monotonous beat of the drum stimulates the Theta brain wave, which induces hypnagogic trance. The experience of hypnagogic trance is basically hypnotic induction.

The Theta brain wave is also associated with anxiety reduction, the active (day dreaming) imagination, lucid dreams and Zen meditative states.

The Theta brain wave is depicted in the design, which is also known as the hyper-suggestible state.

The inducement of the Theta brainwave allows for mental programming via the use of repetitive Mantas, such as the ecstatic songs (and trance dancing) of a shaman are effective at dispersing fear states, when sung in conjunction with the (Spirit Wife/Mare/Pony-Girl) drum.

The above Art and information is covered in my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon, under my author’s name, Faustus Crow.

If you are interested in the Art print or shirt design, etc, Check Out my Redbubble shop, Please Click the Image Link above.

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FRANKENSTEIN NIGHT NURSE

Posted in Art, Chaos Magic, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 14, 2017 by FAUSTUS CROW

The Artwork is available as an Art print as well as a shirt design from my Redbubble shop. If you are interested, Please Click Here. 

The Artwork depicts a Frankentein Nurse of pure trance, whose exquisite corpse, has been knitted together into an alternative Tulpa version of the fifth spirit called Marbas, who is listed in the medieval grimoire entitled the Goetia.

I have otherwise depicted Marbas as a Surrealist Art Muse, whose Succubus name is a composite, which is made up of the words: ‘Mar’ and ‘Bas.’

The word Mar in Spanish, means sea, which is also etymologically connected to ‘Mer’ and ‘Myr’ of the name Merlin or Myrrdinn.

You also have the Hebrew name of Mary and even the name of Mars, since the sea is associated with the menstrual blood of the mother, and in turn the watery amniotic domain of the dream. As for the word Bas, it is derived from, Bass (/bæs/bass), which is a name shared by many different species of fish.

The term Bass encompasses both freshwater and marine species. All belonging to the large order of Perciformes, or perch-like fishes. In fact the word Bass comes from Middle English Bars, meaning ‘Perch.’ The name of Marbas, can then be translated as, ‘Sea Fish.’

Some will argue that Marbas is derived from the name Barbas, which comes from the Latin ‘barba’ meaning beard, leading thence to the association with a barber; or to be otherwise associated with the hellebore, which is one of a plants used in witchcraft.

However, the Goetia specifically states that the name of the fifth spirit is Marbas, not Barbas. What is more, when the name Marbas is interpreted to mean ‘Sea Fish,’ the symbolism is invariably overlooked by those looking for a Anton LaVey number one haircut, sniffing hellebore.

One of the principle functions of Marbas is to initiate the experience of shifting into other forms, which occurs when the practitioner is experiencing hypnagogic trance ingress into a lucid dream.

The experience of pure trance, is often described as feeling like swimming in an ocean by many shamanic cultures.

For example; the Kalahari Bushmen of South Africa, who practice the trance dance, when attaining pure trance will fall to floor to then be seen acting as if they are (Nommo) fish or (Annunaki) serpents.

The trance adepts experience becoming amphibious creatures within their hypnagogic visions, which many a Surrealist Artist seeks to also experience of knitted together Art Muse inspiration, who create Mind-Doll Tulpa Art Models within their lucid dreams, to verily take note of in their Frankenstein lab diaries.

The Artwork was used in my Art book Grimoire, ‘Goetia Girls: Book One,’ which is available from Createspace and Amazon.

If you are interested in the Art print or shirt design, etc, Check Out my Redbubble Shop, Please Click the image link above.

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LILITH, SUCCUBUS WITCH QUEEN OF THE HAREM DREAM

Posted in Chaos Magic, Demon, Demonology, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 25, 2016 by FAUSTUS CROW

Lilith is said to have been the first wife of Adam, who was made of the same mud as he; but, she then rebelled against his dominating ways, wherefore Adam’s God of a deified Animus, cast Lilith into the pit, who then became the Witch Queen of Succubae.

Lilith is generally considered to be a sex demon, who seduces males in their sleep as well as having a liking for strangling babies. She has since been transformed into a Vampire. However, Lilith is not and never was a Vampire, which of a mystique has evolved since the late nineteenth century into a fascination with teenage romances of Twilight trysts and True Blood Necrophilia. If you follow Lilith further down, she will take you into her apple core harem dream.

Although, the Vampire mystique does point at the throat area of commonality, where you can find the reptilian-brain-stem, which of a symbolic correspondence is associated with the symbolism of the serpent. The symbol of the serpent is very much entwined with Lilith, who is said to have tempted, Adam’s second wife, Eve to taste of the apple of Knowledge.

The apple of knowledge is associated with the hidden sphere of Da’at in the Cabala, which corresponds with the throat area of the reptilian-brainstem. The reptilian-brainstem determines the lupine depths of hypnagogic trance and the intensity of your underworld dreams.

When to inadvertently access hypnagogic trance at the mid-point between waking and sleeping you my experience what is termed as the Old Hag Syndrome, or otherwise called the Bedroom Invader Experience.

For the unprepared it can be an intensely frightening experience, which involves sleep paralysis, the sensation of another presence pressing down upon your body, as well as the presence assuming terrifying forms, which will reflect back your deepest fears. When your fears mount to a pitch of total abject Hellblazer horror, you will also feel as if you are being strangled, before awakening, feeling utterly drained; wherefore, you have to take control over the experience, just like John Constantine would do.

The motif of Lilith having a liking for strangling babies, is an occult blind, which actually alludes to an inadvertent access of hypnagogic trance. The strangled baby being that of an unprepared dreamer, who cannot control the mounting fear of being assailed by the bedroom invading presence of the Old Hag Syndrome, which is otherwise represented as Lilith.

It is your own fears, which will lead to the sensation of being strangled. The experience of hypnagogic trance, will reflect back at you your beliefs, which you will then have to harrow, whether they be personal or otherwise moulded by cultural conditioning; hence you have the Hebrew word: Da’at, which means, belief.

When you eventually realise that the hellish presence, which is assailing you is due to your own emotively charged beliefs creating fearful potions, poisoning your brain, that have been given terrifying dream form, because of what you have been led to believe, you then attain, ‘Knowledge’ of yourself.

The fear of accessing hypnagogic trance can be negated by introverting the sexual impulse; whereupon Lilith will be transformed into a Succubus, who will then guide the dreamer into a lucid dream via her vaginal star-gate.

At a deeper level, Lilith can be seen as representing a Tantric technique of dream Yoga, which of a sexual practice, enables the dreamer to attain lucid dreaming.

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It is within a lucid dream, the dreamer can then consciously conjure Succubae, who are manifold aspects of Lilith; whereby she is considered to be their Queen, the psychiatrist Carl Gustav Jung would otherwise term as the Anima, of an alchemical term.

Lilith is of the dream, being the implicate-order of the microcosm; whereas Eve is of the waking world, which is the explicate-order of the macrocosm. When a dreamer consciously conjures a Succubus within the microcosmic dream reality of Lilith, the conjured Succubus will then initiate corresponding synchronicities to manifest within the macrocosmic reality of Eve, who can be otherwise equated with, Maya, of the Hindu. Maya can be seen as being like that of a simulated reality right out of the Matrix films.

Basically, Adam is the dreamer who stands between Lilith and Eve. The tree of knowledge symbolises the spinal column of Adam’s radio-active neural-net tuning into other realities via the dream, whose reptilian-brainstem is the serpent of Lilith, wound around an apple. The apple symbolises the hidden ‘dream’ sphere of Da’at, whose core is consciously accessed via hypnagogic trance.

The motif of the serpent is also associated with an experience the Tantric Yoga practitioner terms as the Kundalini Shakti, which is personified as a Goddess, who is also seen to be a fire snake. The Kundalini Shakti fire snake describes the life-force, which is intuitively felt to have a feminine source. Such could indeed be the case, since the energy output of every cell in your body is determined by the mitochondria, which is passed down from the mother to her children.

The Kundalini Shakti is aroused from the base of your spinal column to the top of your head; as the Kundalini Shakti arises along your spine, the fire snake penetrates seven (seals) Chakras to open, which in the classical grimoires are associated with seven planetary spheres.

The Chakras are seen to be the abodes of the Dakinis, which are essentially Succubae, who are energetic Genie fluctuations of the Kundalini Shakti; whereby you can see the Kundalini Shakti as being Lilith.

The Kalahari Bushmen of South Africa who are highly versed in the trance dance, are also aware of this inner energy, they call Num. As the Num arises along the back of the neck (throat area) to then hit the back of the head, hypnagogic trance is attained, which is termed as Kia.

Overall, the symbolism of Lilith pertains to the introversion of the sexual impulse in order to attain conscious dreaming. If however, you believe otherwise, just be aware that your Da’at beliefs, which have been primarily moulded by your Animus fixated culture will determine what you experience internally; whence becoming programmed as a brainwashed automaton, wandering around like a zombie.

But when to taste of Lilith’s apple to become more human than human, you will be verily cast out of the Abrahamic Eden; for within the New World Order Kingdom Of God’s Eden, knowledge is a sin, where the Orwellian virtue of indoctrinated ignorance is bliss.

NOTE: I really do not give a toss about the biblical classification of Lilith, which of a subjective perception was symbolically moulded of an artistic expression by the Bronze age mind-set of the time.

So, if anyone claims that what I have described concerning Lilith as being falsities due to their bible-thumping biblical education, such can only be applied if you are dealing with an objective reality, which Lilith is not; she is a subjectively experienced archetype, whose inner reality is subject to ‘artistic’ transformations depending upon the (Da’at) beliefs of an individual, more so that of an indoctrinated collective focus.

Just do a Google image search to find out how the collective mind-set presently sees Lilith. You will duly find, that Lilith is one of the few female archetypes, who has a symbolic consistency, depending on what media influence has dominance. In the main, Lilith is usually perceived to be a dark haired seductress.   

Lilith has since evolved as an archetypal character over time in accordance with cultural transformations, fulfilling differing roles, whether it be is as a feminist icon or as a Vampire due to mass-media machinations. But what is not often investigated, if at all, is what Lilith refers to of an inner experience, which other cultures also speak of. This inner experience being the technically termed, Old Hag Syndrome or Bedroom Invader Experience.

I am also unconcerned whether people take me seriously or not, concerning the material I illustrate and write about, merely because I do not solely couch its symbolism within the symbolic commonality of the medieval Gothic, which many have have been trained to ‘believe’ as being seriously inclined of morbid indulgences. 

Imagine the world of Harry Potter being set in a psychedelic setting; would anyone take it seriously? Of course they wouldn’t. But why not? It is because the mass-perceptions of the audience has been trained to associate the arena of the occult with a medieval Gothic theme in the West, which has become as heavy death metal, concerning the musical sphere. Hence it is indicative that the collective perceptions of the mass-mind can be easily manipulated via symbolism; in other words, the established symbolic paradigm is that of a self-perpetuated (Da’at) brainwash. 

The reasoning for my own symbolic stance concerning the material is because I do not desire to indulge in accessing hellish dream states and their ensuing synchronicities. For example, a mediated upon two-dimensional image of Lilith can become a three-dimensional interactive reality within a lucid dream.

As for those who worship Lilith or other entities, whether female, male or neutral of varying deities to dally with of internalised external relationship dynamics, such is your religious sentiment; not mine. I am not at all interested in religion, apart from artistically exploring its symbolic language form, which permeates all levels of culture.

I do not worship the archetypes; this isn’t to say they do not have an interactive three-dimensional dream reality beyond their two-dimensional depictions. But their interactive aspect is not set in stone of an indoctrinated religious fixation; such is a cult perspective, of similarity to comic fans getting aggravated when an Artist changes the costume of an idolised super-heroine.  

When a religious sentiment rears its head, you are no longer practicing the Art of Magic, which of an Art form is indivisible from the creative practice of Art, they are one and the same.  

As Faustian Johann Wolfgang von Goethe once said:  “The artist alone sees spirits. But after he has told of their appearing to him, everybody sees them.” 

When an Artist creates characters to either paint or to write about it often involves visualising their varying characteristics, along with engaging in active imagination dialogues with them. It is of similarity to a child conjuring up invisible friends; which, depending upon the intensity of the creative work, it can then overlap into the domain of dreams, becoming lucid of quality; this may then lead to the observation of synchronicities, which reflects back the intense focus.

But it doesn’t lead to the Artist worshipping his/her creations, whether they be figurative or abstract. Such idol worship tends to be the province of the fans; although, I am not saying that this is wrong. But, when it becomes nigh religious of sentiment, the fixation is then fixed of scripted dogma, which invariably leads to all sorts of problems; such as occultists becoming rather aggravated when you reverse their all male pantheon of an ‘Animus’ focus towards that of the ‘Anima,’ which is analogous to comic fans getting pissed off, should an Artist decide to make stylistic changes in regards to their idolised characters.  

An artist had first created the Abrahamic propaganda story of Lilith, which others have literally believed to be true, leading thence to the castigation of the feminine principle and sexuality out of the spiritual equation up to the present day. Whereupon, in order to negate the established viral-meme of a 2000 yr old brainwash, you have to ‘rebelliously’ create an anti-viral-meme of Artistry.  

Because I have personally experienced the phenomenon I illustrate and write about, I do not care if nobody believes me. If you are seeking proof, best find out for yourself by conjuring up an ‘Anima’ fluctuation of a Succubus amidst your Triangle Of ‘ART’ Imagination, in order to keep the brainwashing Abrahamic Exorcist at bay, whose fixation is that of a deified ‘Animus,’ made as a God and Devil, Angels and Demons, all as Incubi!     

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SIRIUS STARGATE WORMHOLE SLIDERS

Posted in Alien, Chaos Magic, Film, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 27, 2015 by FAUSTUS CROW

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Sliders is an American science fiction and fantasy television series, created by Robert K. Weiss and Tracy Tormé, which should have been made into a feature film. It was broadcast for ‘five’ seasons between 1995 and 2000.

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The premise of the show is somewhat akin to Little Nemo in Slumberland, whose principle character Slides into different dream worlds, like that of a ‘horned’ shaman travelling through inner space via the hypnagogic stargate of trance. Whereas Sliders is primarily technological of focus; although, to Slide is like that of a (phallic) Serpent ‘Sliding’ its way through a (vagina) hole.

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The show follows a group of four people, called, ‘Sliders,’ as they travel (‘Sliding’) between different Earth’s existing within parallel universes via a (stargate) vortex-like wormhole, who are seeking to return back to their original Earth Prime.

The vortex can only be opened at random (key-time) intervals on each new world, monitored by a countdown clock on a portable (Zodiac) timer, which they carry; failure to open the vortex in time would strand the Sliders for 29 years, 7 months in that universe. (29th Succubus of the Goetia: Astaroth, of the Seventh dimensional sphere.)

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While waiting for the timer countdown, the group learns about each of the alternate Earth’s, which are different from their own, who often become unwillingly involved in events, that they must resolve before they can safely leave via the vortex. The travellers have no control over what world they end up in, as they continually look for means to find Earth Prime.

The pilot introduces the four original Sliders: Quinn Mallory (Jerry O’Connell: Air), a graduate student in physics who discovered and refined the Sliding technology; Professor Maximillian Arturo (John Rhys-Davies: Fire), Quinn’s mentor; Wade Wells (Sabrina Lloyd: Water), Quinn’s friend; and Rembrandt ‘Cryin’ Man’ Brown (Cleavant Derricks: Earth), a professional singer who is accidentally caught up in the first major test of the vortex, who is thereby forced to join the others.

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Their first Slide lands the Sliders on an Earth, which is suffering from a second ice age. Quinn, against his better judgement, uses the timer to open the vortex prematurely in order to save the group from an ice tornado bearing down on them, which of a whirlwind, the author Carlos Castaneda described an Ally (inorganic female intelligence) to look like, of an initial manifestation.

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As a result, the sliders lose the ability to return home and must slide from world to world hoping that the next slide is their own Earth.

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Many of the episodes in these early seasons focused on Earth’s, which resulted from alternate histories, such as the British winning the Revolutionary War, or antibiotics never being discovered. Within the second season, the four encounter a humanoid species called the Kromaggs, who also have a ‘Sliding’ technology.

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However, the Kromaggs use ‘Sliding’ to primarily ransack other Earth’s for slaves and resources of similarity to David Icke’s reptilian’s, which are basically a symbolic continuance of the Biblical fixation upon Demons.

The Kromaggs may be an allusion to the Men In Black (MIB) of UFO-lore, who have an uncanny knack of appearing out of nowhere, to then disappear into thin air. Said MIB’s were also brilliantly featured in the science fiction TV series, Fringe.

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In the third season the four Sliders are joined by a fifth member of their elemental team, Captain Maggie Beckett, (Kari Wuhrer: Spirit). Another character called Dr. Diana Davis (Tembi Locke) appeared during the fifth season who took over the role of Professor Maximillian Arturo.

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You can imaginatively gather that one of Quinn Mallory’s heroes is probably the physicist John Archibald Wheeler, who no doubt influenced Mallory’s research. Back in the 1950’s, Wheeler held a passionate belief that, “everything is geometry,” and one particularly intriguing idea he called, charge without charge.

“There are no pointlike electric charges,” Wheeler proclaimed; rather, “electric field lines can thread the mouth of a wormhole. What looks to you like an electron is actually a tiny wormhole mouth. If you were small enough, you could dive inside the electron and emerge from a positron far away.”

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When you become lucid within a dream, your consciousness is small enough to ‘Slide’ into and through a mini-wormhole, Wheeler says is actually an electron, which can be in many places simultaneously throughout space and time.

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Sounds crazy doesn’t it, but ancient shamans have been aware that you can access other alternate Earth’s via conscious dreaming, which of an ability has been communicated in their art, down the ages, across the globe.

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The shamans use the common motif of a spiral, which describes the inner stargate, whose portal can be consciously accessed when to achieve hypnagogic trance. Hallucinogenic mushrooms are often depicted alongside the spiral, which were used to facilitate trance ingress. One of the key-times under the star clock, when trance ingress is easier to achieve is during the Dog Days, marked out by Sirius.

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In ancient Egypt, the Dog Days indicated the flooding of the Nile due to the gravitational pull of the Moon, which also has an effect upon your dream states. It is a distinct possibility that a pyramid was used as a ritualistic dream incubator, wherein a Pharaoh shaman would lay bound up within a sarcophagus of a proto-flotation tank in order to travel through time, from inside a lucid dream.

The Dogon tribe of South Africa as well as the Bushmen of the Kalahari, were also aware that trance ingress (winged Eye) into the (womb) dream is easier to achieve during the Dog Days, whose shamanic adepts of trance were symbolised as Fish-men, called Nommo, who were able to attain an amphibious state of consciousness.

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These human adepts of shamanic trance were also symbolically represented as various amphibious creatures, such as Frogs and Toads, along with reptiles, whereby you have the motif of the Dragon as well as the (‘Sliding’) Serpent.

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The amphibious state of consciousness is basically hypnagogic trance, where you experience being between waking (land) and sleeping (water) simultaneously, which is symbolically represented by the two intersecting circles of the Vesica Pisces, resulting in an (X Point) almond shape at the centre. The almond shape represents the vagina, as well as a (phallic) Fish.

The hypnagogic state of trance (symbolised as a Horse by Mongolian shamans, the ancient Greek’s represented as Pegasus) is experienced before you access conscious dreaming, via which you can then gain ingress into an inner stargate, represented by the spiral.

What you to dream of, you have no need to apologise to the politically correct thought police, should you engage yourself in Tantric dream Yoga, which of sexual symbolism, the inner stargate is represented as the vagina, whose uterine star barrelled (wormhole) tunnel leads to an alternate reality of a womb world. Wherefore, the motif of the (‘Sliding’) Serpent has phallic associations. Hence the Nommo of the Dogon are often depicted as being phallic headed.

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As for the encountered denizens of the watery womb domain of the amniotic electron dream, they were often seen to be female, wherefore you have the motif of the Mermaid.

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Many of the ancient spiral depictions of the inner stargate also depict ‘horned’ shamans standing next to them; they are not depictions of neo-Gnostic Newage aliens, wearing spacesuits, having antennae, let alone being Abrahamic horned devils. One such horned shaman is depicted at Mohenjo-daro, who is seen to be a proto-depiction of the Hindu deity called, Shiva. A similar horned shaman can also be found on the European Gundestrup cauldron, who is termed as being the Celtic deity called Cernunnos.

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It just so happens that there is a statue of Shiva, which can be found at (Cern-unnos) CERN, whose (magic circle) Hadron Collider may one day lead to the eventuality of the scientists developing a Quinn Mallory, ‘Slider’ technology, which will no doubt be based upon an understanding of what horned shamans can do via their ‘spun’ (spiral) electron dreams.

It isn’t too surprising that Shiva, who is the Lord of Yoga, is to be found at CERN, since many a physicist have been inspired by the multi-dimensional philosophies of ancient India, whose investigations into the nature of consciousness and reality was a precursor to science.

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Though highly symbolic, the philosophies of ancient India foresaw many of the present findings of the scientists; wherefore, you find Shiva of a shaman Cernunnos at CERN, which doesn’t have anything to do with Devil worship, Satanism, Luciferianism or the Illuminati, whose indoctrinated minions, along with their fear porn mongers share a common fixation upon Abrahamic symbolism, which is so bloody obvious. Shiva is at CERN, because, India is one of the oldest cultures in the world.

Time is the final frontier to go beyond, otherwise, space will become as a prison; your ancestors understood this fact, which is the reason why so many ancient cultures around the globe were fascinated with time. Time Slips probably occur of a natural phenomenon, all the time, but we are just too unaware of them; whereas the (Shiva/Cernunnos) shamans discovered a way to consciously utilise Time Slips.

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Wherefore Shiva represents the destroyer of time; that is, destroying your mundane illusory perception of its constant forward momentum. When travelling faster than light, time moves backwards; whereby you then attain time travel. The shamans became aware that consciousness travels faster than light; but, the observing self, existing within three dimensions is constrained by its observed constant speed of light and time.

May be the scientists have already achieved the technological translation of the shamanic feat of soft-technology into a hard-technology, upon this Earth, or that of another; whereby you might just have UFO-lore MIB’s policing the hard-technology ‘Slides’ (Time Slips) between alternate Earth’s, existing within parallel universes.

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LILITH’S HAREM OF A MAGIC THEATRE AGARTHA

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 31, 2015 by FAUSTUS CROW

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The Magic Theatre, is a major symbolic theme in Hermann Hesse’s surrealistic tenth novel entitled, The Steppenwolf (German: Der Steppenwolf), which was originally published in Germany in 1927, and soon thereafter translated into English in 1929. You could symbolically equate the Magic Theatre with Dr Who’s TARDIS.

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The novel is a surrealistic fusion of autobiographical personal experiences, Jungian symbolism and psychoanalytic elements, as well as also heavily utilising the philosophy of the far East, of which Hesse was enamoured with. The story can be seen as being a creative catharsis, which had been initiated by a profound suicidal crisis in Hesse’s spiritual life during the 1920’s.

The book is very Faustian of style, whose principle character of a Faust is otherwise called Harry Haller, who attends an Anarchist Evening at the Magic Theatre, which is For Madmen Only, the Price of Admission, Your Mind.

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When entering the Magic Theatre, Haller is soon ushered as an unwitting Dr Who into a number of alternate Earth’s, each of which he ‘slides’ into when opening a door within the Magic Theatre of a TARDIS.

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One of the alternate Earth’s, Haller explores is enduring a war with the machines, which could be seen as being akin to a science fiction fusion of Terminator merged with Mad Max.

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In yet another alternate Earth, Haller finds himself exploring an erotic world of women; where he once again experiences lost loves and unfulfilled desires, to transmute of sexual alchemy; whereupon fully fulfilling them of alternate possibilities.

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In each of these alternate Earth’s, Haller transforms himself anew within the Magic Theatre, which has been interpreted in many different ways by Hesse’s audience. The late Timothy Leary described The Magic Theatre as being an ‘Acid Trip.’

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Another principle character is a young woman called Hermine, (who is essentially Hermann’s Anima), and like a Succubus, she introduces the much older Haller to the hedonic indulgences of what he calls the, bourgeois. Hermine teaches Haller to trance dance, introduces him to the casual use of psychedelic drugs, finds him an earthly lover, named Maria, and more importantly, she forces him to accept these material experiences as being a legitimate aspect of a full life; for the material and that of the spiritual are one and the same of Love Sex Intelligence, squared.

Hermine also introduces Haller to a mysterious saxophonist named Pablo, who appears to be the very opposite of Haller’s own self. Haller considers himself to be a very self-constained and serious, thoughtful person, who abides by the laws of the land, however insane they be.

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Whereas Pablo is what Haller could have been if he had allowed his inner Wolf to be free. After attending a lavish masquerade ball, Ebeneezer Goode Pablo leads a loosened up Haller to the Magic Theatre.

The Magic Theatre is described as being a long horseshoe-shaped corridor, likened of a vaginal form to that of the old European standing stones, with a vast wall-to-wall mirror on one side, and countless doors on the other of its cavernous womb enclosure.

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This feminine symbolism refers to the Cabbalistic sphere of Yesod, which is the Ninth Gate. Haller enters five of these labelled (vaginal) doors into their respective alternate (womb) Earth’s, which symbolically reflect back ‘elemental’ issues of Haller’s life.

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The title of Hesse’s book is named after the lonesome Wolf of the North-Central-Asian steppe stretching over Mongolia unto Tibet, where shamans still practice their art. Hesse was very interested in the esoteric practices of the far East, such as those of Tibet, from where the myth of a legendary underworld city, called Agartha stems from.

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Whether Hesse was aware of Agartha is debatable, though probable, should he have perhaps read Ferdynand Ossendowski’s book entitled: Beasts, Men and Gods, which was published in 1922. In the book, Ossendowski relates a story, which was imparted to him concerning a subterranean kingdom existing inside of the Earth. This inner kingdom within you was known to the crafty Buddhists as (Agartha/Agharta) Agharti.

Some believe that Agartha is tied up with the UFO phenomenon as well as being an actual physical locale; such is indeed the case, although, not in the way most Westerners think it is.

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Agartha’s origins stem from ancient shamanistic practices of trance induction, which influenced Tibetan Buddhism. You can gain greater insight into hypnagogic trance induction, when looking into the shamanic trance dance practices of the Kalahari Bushmen of South Africa.

The Kalahari Bushmen communicate that an energy is aroused within the body called Num, which arises along the spine; more so that of the back of the (nape) neck, whose energy, like that of an exhaled breath of a woman caresses the back of the head, as a sensuous kiss; this then initiates the hypnagogic state of trance, they call Kia.

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Hesse would have seen the Num of the Kalahari Bushmen as being the same experience of arousing the Kundalini Shakti, as described by the ancient practitioners of Yoga, which also initiates hypnagogic trance. When experiencing trance, the initial phase is that of feeling the distinct sensation that you are falling backwards into a yawning void towards the back of your Hyperreal head.

In the Hebrew Cabbala the back of the head is ascribed the letter of Qoph, which is tied up with the Luna sphere of Yesod. The sphere of Yesod is physiologically associated with the genital area of the body and in turn the autonomic-nervous-system. In other words, the Ninth Gate of Yesod is about introverting the sexual impulse, which erotically empowers the state of hypnagogic trance ingress into conscious dreaming.

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The origin of Qoph is uncertain. It is usually suggested that it originally depicted a sewing needle, specifically the (hole) eye of a needle; although in Hebrew it specifically means ‘hole,’ or the back of a head and neck. Qāf in Arabic means ‘nape.’ Qoph of a shamanistic understanding refers to a shift of consciousness towards the back of the head, when attaining hypnagogic trance. Although this is internally experienced as a falling descent towards the centre of the Earth’s core.

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As you descend into the void, it is very important that you do not not fear, otherwise your fears will determine what you will eventually access of a conscious dream destination. In North-Central-Asian shamanistic practice and that of Tibetan Buddhism, the dream destination is that of Agartha, wherein the (Succubi/Succubae) Dakinis are to be found, whom frequent Agartha, likened to that of a Harem city.

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If you are into Edward Bulwer-Lytton’s book: The Coming Race, you might meet up with a Vril-ya Nordic woman piloting her Vimana of a UFO from out of her primordial world; if you are more into the works of Edgar Rice Burroughs, you could perceive the inner descent as leading you to prehistoric Pellucidar where dark haired Dian the beautiful awaits your infernal intercourse into her hot Agartha womb core.

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Hell, if you want to continue believing that demonic Reptilians or Illuminati Alien Greys are living within a Nazi underworld base, go right ahead, if that be your Biblical sized anal probe preference of a CIA engineered mythos.

But why stop there, why not get into John A. Keel’s book: Visitors From Space, which covered the 1960’s UFO invasions of Asiatic aliens, when the Vietnam war to have raged around Mothman; whereas prior of aftermath WWII you had Aryan Nordics, and later, of 80’s Iraq conflict, onwards, you have Whitley Strieber’s Sumerian Grey’s.

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At least Keel had astutely figured, that some of the visitors were Agartha Tulpa creations of the coming race Phorever People who are becoming aware of their shamanic Vril.

You could instead have Manga trance girls flying around in their Anime UFO’s, wearing skintight Kinsune Grey jumpsuits; or to otherwise imagine Bedroom Invading entities manifesting as black eyed Slender Girl Dakini schoolgirls, out of an Omega point Agartha Hogwarts.

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As for Hesse, he otherwise termed Agartha as the Magic Theatre of many alternate worlds, into which of a multiverse he was initiated by his Succubus, Hermine, who in many respects is very much like the Queen of Succubae called Lilith.

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The out of body researcher Robert Munroe appears to have also accessed The Magic Theatre of Agartha when attaining lucid dream ingress into what he described as being a ‘hole,’ which led of a descent into an alternate Earth of a Steampunk reality, where he encountered a Succubus called Lea.

But, such internal ingress into Lilith’s Harem of a Magic Theatre Agartha is For Madmen Only, the Price of Admission, is Your Mind, or should one say, your beliefs about yourself and what you believe to be real, or not, as the case maybe. Just keep in mind, of a wrought Magic Circle, that you are only limited by the extent of your Triangle of Art imagination; it is your (Da’at) beliefs, which determines what you tune into of conjuring amidst the quantum computing (Qoph) Magic Theatre, of spun three-dimensional ‘electron’ lucid dreams.

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A rich man full of rigid dogmatic beliefs will not be able to pass through the eye of the needle; whom will fear letting go, fearing his death.

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But the innocence of an imaginative child can, who, like a sacred Fool, or as a Dr Who Mad Man is enabled to ride the Night-Mare Succubus as his pony-girl TARDIS , who then to Kwisatz Haderach leap into Lilith’s Harem of a Magic Theatre of an Agartha.

NOTE: There will be many who will find the above symbolism to be rather disconcerting, let alone disturbing to their politically correct sensibilities. However, should you investigate ancient shamanistic practices, such as those of North-Central-Asia unto Siberia, as well as elsewhere, you will duly find that the symbolism of the shamans (horse) Mare, which gave rise to the European term, ‘Nightmare’ is associated with Old-Hag Syndrome, a shaman has to learn how to (hypnagogic trance) ride as his (Spirit-Wife) Succubus, rather than being ridden by his own (sleep-paralysis) fear.

A shaman learns how to introvert his (9/Yesod) sexual impulse in order to transform the (11/Da’at)) terror of hypnagogic trance into an erotic impregnation of the Ninth Gate. This then leads to the attainment of (Kingdom Of Shadows) Agartha conscious dreaming, wherein of a bio-photon (Diana-Lucifera) illuminated information domain a heterosexual male shaman can enter into a Coitus Pactum with the (Succubi [Art Muses] Succubae) Dakinis, who are the manifold Tulpa aspects of his ‘Anima.’

A heterosexual female practitioner will dally with the Incubus (Tulpa) emanations of her ‘Animus.’ As for Homosexual, Lesbian and Bisexual practitioners they will erotically engage with their corresponding (Tulpa) dream characters.    

Some will invariably point out that Agartha and its counterpart, Shamballah are commonly seen to be physical locales. This is primarily due to an externalised Western mind-set, which has forgotten how to dream, or should I say, been systematically trained over the religiously indoctrinated generations to fear the inner space of the mind, as well as to consider the altered state of dreaming to be quite unreal, having no value at all. 

You might ask, why has the mass populace been systematically brainwashed over the generations to fear the inner reality? It is because the elitist few atop of the ziggurat hierarchy do not want you to question their pyramidal religious politics of centralist control. 

Should you ever attain a lucid dream, you will soon find out how very real it can be; in fact, you might just discover that a lucid dream can be far more real than what you consider your physical (Maya/Matrix) reality to be.

Agartha describes a shift of consciousness to the back of the (Qoph) head; whereas, Shamballah is associated with a shift of consciousness above the (Resh) head.

So, if you are looking for the reality of Agartha/Shamballah, of a Magic Theatre, go inside your own mind; for everything you experience is processed by your ‘quantum computing brain,’ housed within your crystalline Skull amidst hypnagogic-trance Cross-Bones. Gebo Rune: X of a Seventh Seal secret, marks the spot! Savvy!     

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GOETIA GIRL HAAGENTI OF SEXUAL LUCID DREAM ALCHEMY

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2014 by FAUSTUS CROW

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The Forty-eighth Succubus is Haagenti. She is a President, appearing in the Form of a Mighty Buffalo with Gryphon’s Wings. This is at first, but after, at the Command of her master she putteth on Human Shape as a most beautiful woman wearing horns atop of her head of a crown. Her Office is to make her master wise, and to instruct him in divers things; also to Transmute all Metals into Gold; and to change Wine into Water, and Water into Wine. She governeth over 33 Legions of Succubae, and her Seal is to be meditated upon.

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Haagenti is a composite name, which comprises of Haag and Enti. The word Haag in Dutch means den, which can also refer to a cave. However, you also have Hag, which refers to a Witch and hypnagogic trance, where an individual experiences sleep paralysis prior to being visited by a female entity; while Enti in Finnish means fly, which is a reference to an out of body experience. In ancient times, flies were seen to be the spirits of the departed. You might consider this symbol crunching to be pushing the envelope of believability. But, there are other symbolic formulae of a Haagenti code, which fits together of a jigsaw puzzle.

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It is commonly believed that Haagenti manifests as a Bull with the wings of a Gryphon by patriarchal occultists due to their sustained religious indoctrination. However, the symbolism of Haagenti very likely refers to a Lamassu. The Lamassu is a Sumerian protective deity, which was later heavily adopted by the Assyrian’s.

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The Lamassu is often represented having a Bull or Lion’s body, having Eagle’s wings, with a human head. The Lamassu is portrayed as a female deity; whereas a less frequently used name is Shedu, which refers to the male counterpart of the female Lamassu. You could even theorise that Aleister Crowley’s LAM entity is derived from the LAM-assu.

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In order to understand what the Lamassu and in turn Haagenti represents you will have to go much further back into time to another locale, where you will find a cave painting in the Lascaux caves, which are located in France, near the village of Montignac in the Vezere Valley. They became famous when numerous Palaeolithic cave paintings were discovered adorning their walls. These works of art, portray realistic portrayals of a variety of large animals, which are estimated to be as much as 20,000 years old if not far older.

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One of the cave paintings depicts a pregnant female Bison next to which is a bird headed shaman who appears to be falling backwards with his arms spreading out.

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The shaman has an erection, which is indicative of erotic trance. Next to the bird headed shaman is a staff topped by a bird head, whose symbolism refers to an out of body experience.

The symbolism of the female Bison is an ancient link to the Lamassu and Haagenti, whose Eagle/Gryphon wings refers to the ecstatic out of body flight of a bird headed shamans (Enti) spirit.

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You could conjecture that the bird headed shaman of the Lascaux (Haag) cave is being visited by a (Hag) Succubus whom is the spirit of the female Bison, which is manifesting in human, form within the trance vision of the shaman.

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The Hag visitation of the Succubus is initiating the shamans ecstatic (Enti) flight out of his body through her (Vesica Pisces) vaginal stargate. (This will not sound too odd when to look into the shamanic experiences of Dr John C. Lilly, who spoke of accessing inner (vaginal portals) doorways, which allowed him to attain ingress into alternate realities.)

The shaman in question is probably intending to attain the virility, strength and power of a male (Shedu) Bison via his (microcosmic) trance union with the (Lamassu/Haagenti) Bison mother, whom he has made pregnant, whereby facilitating a (macrocosmic) successful hunt, whose hunters were highly versed in observing ensuing (associative) synchronicities, they probably experienced as signs, portents and omens.

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Should you consider the above conjecture to be rather strange, all you have to do is to is to remember, White Buffalo Calf Woman (Lakota: Pte Ska Win/Pteskawin/Ptesanwi) who is a sacred woman of supernatural origin. She is central to the Lakota religion as the primary cultural prophet. Oral traditions relate that she brought the ‘Seven Sacred Rituals’ to the Teton Sioux.

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The erotic trance erection of the bird headed shaman was later symbolised in Alchemical terminology in regards to changing water into wine. The symbolic usage of wine is a coded reference to emotional ecstasy, which has been transmuted from a base emotional state, associated with water. This is further emphasised in regards to transmuting lead of a base emotion into gold of an ecstatic emotional state, which is attained via shamanic trance ingress into the dream. The realm of the electron dream is symbolised in Alchemy as the Anima Mundi, whose bio-photon fluctuations manifest as Succubae. The shamans ingress into the feminine domain of the dream is termed in Alchemy as the ‘sacred wedding.’

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The motif of the ‘sacred wedding’ is referred to in highly coded form in the Gospel of John, whom describes a wedding that Jesus attended. As the story goes, when the host of the celebration unexpectedly ran out of wine, Jesus performed his celebrated Goetes ‘miracle,’ in which he turned water into more wine. There are many whom believe this literally happened, to have taken it further by attempting to drink petrol, they believe has been transformed into pineapple juice by an insane pastor. The utilised symbolism of transmuting water into wine is not literal. What it is actually describing is the arousal of a shamanic state of erotic trance where the base emotion of water/lead is transmuted into wine/golden ecstasy.

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This is when certain practitioners of Yoga experience the arousal of the Kundalini Shakti (fire snake) the Kalahari Bushmen of South Africa term as the Num. The aroused Num then hits the back of the head, which initiates trance, the Bushmen call Kia. The experience of the Num hitting the back of the head is similar to that of experiencing an orgasm; whereupon a male may experience having an erection.

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As an aside of sorts, there are aboriginal Australian cave paintings, which feature scenes of ‘unparalleled eroticism’ that were blamed for an archaeologist’s unwanted bird man erection during a lecture to his female students. Archaeologist Bruce Byrce, a professor at the University of Hong Kong, was giving a ‘Watery’ talk on the series of drawings found upon the cave roofs amidst the Mad Max wilderness in Arnhem Land in Northern Australia, when a particularly saucy ‘Wine’ slide gave him an unexpected bird man erection.

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Professor Byrce reportedly blushed ‘Red’ as a grape, who bumbled over a series of ‘Watery’ facts to Dionysian lose his ‘Wine’ track. Bryce then attempted to stand at a weird 33 degree angle to the female audience of Maenads in an attempt to mask his throbbing bird man staff.

Bryce honestly related; “I had been excavating the site for the last six months, looking at the sexy cave paintings every day. I didn’t once get a semi that whole time, so imagine my surprise when I went full salute during the lecture.”

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One of the sections of artwork, the archaeologists had excavated depicted three naked copulating couples. The cave paintings have been dated to 28,000 years old, making it one of the oldest Tantric scenes in the whole world, which still has the emotionally charged Haagenti power to transform water into wine, lead into gold. But, if you see such works of art to be mere pornography due to your watery religious upbringing, where sex is considered to be the first sin, rather than leaden ignorance, you will never understand what Haagenti represents of sexual alchemy.

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What Haagenti communicates is quite simple; what turns you on sexually, of symbolic stimuli, can be introverted of an ecstatic (Wine) emotional state in order to empower trance ingress into a lucid dream; for it is your emotional ‘charge,’ which ‘spins,’ your electron dreams into (Gold) lucidity. Wherefore erotic works of art covering cave walls were utilised for this purpose by ancient shamans.

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This most ancient technique is easily overlooked by those who have forgotten how to dream within their square minded dens, whom believe that such imagery is just an expression of pornographic hedonism.

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The sexual imagery was otherwise ‘spiritualised’ by those who have not forgotten how to dream. This is achieved by internalising the sexual impulse, which has been aroused by the power of art.

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Whereupon enabling a shaman to attain an awakened state within the dream, where a two dimensional image of a Succubus is experienced as a three dimensional sensory reality.

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GOETIA GIRL MARBAS, SUCCUBUS FRANKENSTEIN NURSE OF PURE TRANCE

Posted in Cosplay, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 9, 2014 by FAUSTUS CROW

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The fifth Succubus of the Goetia is called Marbas. She will manifest amidst your Triangle of Art imagination as a surrealist exquisite corpse, looking like a knit together Frankenstein nurse. She is a great President who rules over 36 legions of Succubae like herself. The name of Marbas is a composite name, made up of the words: ‘Mar’ and ‘Bas.’ The word ‘Mar’ in Spanish, means sea, which is also etymologically connected to ‘Myr’ and ‘Mer’ of the Welsh name, Myrddin and the Norman variant, Merlin.

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You also have the Hebrew name of, Mary and even the name of, Mars, since the sea is associated with the menstrual blood of the mother and the amniotic watery realm of dreams. As for the word Bas, it is derived from, Bass (/bæs/bass), which is a name shared by many different species of fish. The term Bass encompasses both freshwater and marine species. All belonging to the large order of Perciformes, or perch-like fishes. In fact the word Bass comes from Middle English Bars, meaning ‘Perch.’ The name of Marbas, can then be translated as, ‘Sea Fish.’

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Some will argue that Marbas is derived from the name Barbas, which comes from the Latin, barba, meaning beard, leading thence to a beard trimming, barber; or to be otherwise associated with the hellebore, which is one of a plants used in witchcraft. However, the Goetia specifically states that the name of the fifth spirit is Marbas, not Barbas.

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It is very likely, when the name Marbas is interpreted to mean ‘Sea Fish,’ the symbolism will be invariably ignored, by those looking for an Anton LaVey number one haircut, and goatee beard trim at the local barber, sniffing hellebore.

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One of the principle functions of Marbas is to initiate the experience of shifting into other forms, which occurs when the practitioner is experiencing pure trance.

The experience of pure trance, is often described as feeling like swimming in an ocean by many shamans from various shamanic cultures across the globe. But then, we all share the same neurology.

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For example; the Kalahari Bushmen of South Africa, whom practice the trance dance, when attaining pure trance will fall to floor to then be seen acting as if they are (Nommo) fish or (Annunaki) serpents, who believe they are such amphibious creatures within their watery hypnagogic visions.

While within the visionary state the Kalahari Bushmen can assume other shapeshift forms of particular animals in order to then heal a patient of their affliction, or to otherwise call upon a power animal, such as a Lioness. Those cultures whom live near Lions are well aware that the female Lion is far more vicious than the male Lion, because it is the female Lion’s who primarily do the hunting. So, when a Kalahari Bushman seeks to heal a patient via the trance dance, a female Lion is quite a powerful spirit ally to have.

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Whereby the Tibetan Bon Pop Buddhist’s conjured up the Lion headed Dakini Simhamukha in order to negate negative influences. Hence Marbas is traditionally seen to be associated with a Lion, which is probably a predatory Pure Trance Kitty Lioness. This technique can of course be otherwise utilised to afflict an enemy with an illness, although such to often rebound of Karma. It is more of a Simhamukha case of Marbas returning the Malediction of others back to its ignorant source.

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Marbas is also described as emanating from the eighth dimensional planetary sphere of Mercury, who is able to heal various afflictions as a psychic healer, or to otherwise afflict others with their own reactive angry ghost Maledictions, of psychic warfare. This will of course overflow into the temporal arena of medicine and in turn anatomy, as well as associated Marbas technologies, which are rapidly evolving.

Marbas is also described as being associated with the mechanical arts, which can be interpreted in different ways, in relation to art as well as technology. Wherefore you can see Marbas as being a female doctor, scientist or nurse who is highly versed in pure trance, as well being an art muse who has feline Kitty qualities.

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When an artist, such as Leonardo Da Vinci, looked into the necessary prerequisite of understanding anatomy, he became aware that the anatomy of organic creatures as well as humans can be replicated by machines. This understanding can be easily equated with the present and future scientific arenas of robotics and cybernetics. Wherefore, Marbas can also be seen as a female version of Frankenstein’s knit together creature.

Marbas bestows the shamanic ability to assume shapeshift forms from within a lucid (sea) dream, which can be accessed via hypnagogic (fish) trance. When assuming other shapeshift forms within a lucid dream or via trance, such as that of power animals, a sorcerer can heal others. A sorcerer will also attain the Dr Frankenstein ability to construct Mind-Dolls, a Tibetan Buddhist would call Tulpas, you can otherwise term as Frankenhooker Succubae, via whose erotic (programs/memes) mind (robot/golem/egregore) constructs, a sorcerer can access hidden or secret information to remote view.

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