Archive for the Witchcraft Category

SAMIGINA HOLY WHORE COURTESAN

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 17, 2020 by FAUSTUS CROW

The above Artwork is part of a rough A4 Pencil sketch, the entirety of the Artwork can be found on my Patreon page.

The Artwork investigates the theme of the Fourth Anima archetype of a Succubus whom is named Samigina in the Goetia. Samigina is said to first appear as a hypnagogic vision of a small Horse, Donkey or Ass before assuming human form amidst the Triangle Of Art imagination.

Although the motif of a small Horse, Donkey or Ass does appear to refer to an Artists Easel on which many a manifest painting is inspired by an Artists model of a Holy Whore Courtesan.

Courtesans had served as Models and Muses for Artists as early as the Renaissance, and long before. The general populace of the time usually saw the Artists studio to be a most ‘Sinful’ place, they considered to be none too different to a ‘Sinners’ bordello, and in some cases the Artists personal Harem, frequented by infernal Bat winged Whores of the night.

For example in Titian’s painting, the languorous Venus of Urbino, the Goddess of love, is in fact Angela del Moro, one of the highest-paid courtesans in 14th century Venice.

As for the word Easel, it is borrowed from Dutch Ezel (“Donkey: Easel”). Also Middle Dutch Esel (“Donkey”), as well as Proto-West Germanic Asil.

One also has the Latin Asellus (“young Ass or small Donkey”), which is diminutive of Asinus (“Ass, Donkey”). The Night-Mare word is ultimately derived from an unknown source in Asia Minor.

Essentially, the ‘Crucifying’ stand upon which a painting is placed is being likened to a Donkey carrying a burden. One also has the Artists term, Art Horse.

Hence Samigina’s grimoire seal, which can be seen in the sketches is reminiscent of an Artists Easel set upon the globe of the Earth, divided into eight compass directions, having a circle below it, representing the Magic circle, encircling the Artists Art studio.

NOTE: There are two A4 sketches. The first of which depicting Wednesday Addams includes a portrait of Gertrude (Gerti) Schiele, the sister of Egon Schiele whose self-portrait is also depicted, along with his erotic studies of his sister Gerti. 

One also has a portrait of Charles Addams and his sister and brother creation of Wednesday and Pugsley. Basically I was looking into fusing the Art styles of Egon Schiele and Charles Addams. 

The other sketch is a sketched comic page, which depicts Salvador Dali’s painting, The Great Masturbator and Maurizio Cattelan’s $120K Banana duct-taped to a wall, entitled:‘Comedian.’ It is somewhat apt of a viral-meme brand since the Polynesian ‘trickster’ God called Maui is associated with the Banana, which represents the masculine (Mars) principle, just as the politicised Unicorn does. 

The sketched comic might be transferred onto Bristol board to be inked in, and perhaps water-coloured? whereupon I did not shade the sketch, leaving it open line. The sketches can be found Here! 

The animations are derived from the Art videos created by the Mephistophina surrealist Artist/Model/Art Muse, Joan Pope. 

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TULPA BRIDE OF FRANKENSTEIN

Posted in Alien, Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Sex Magic, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 11, 2020 by FAUSTUS CROW

Once upon a time, when Faustus Crow was but a changeling Childe, he discovered under the Yggdrassil X-Mas tree a Wyrd gift.

The gift was in the shape of a Hellraiser Cube, which appeared after awakening from a vivid lucid dream about being visited by a fallen Succubus Art Muse from another alien star.

Crow surmised the gift had obviously been left by Frau Hulder’s salacious UFO babe machine Elves from planet X-Chromosome, whose contrary-wise pussy world orbits the Yoni Pole-Stargate. The deposited gift turned out to be an Aurora model kit of The Frankenhooker Bride Of Frankenstein.

The model kit inspired Crow’s Doctor Frankenstein brain to knit-together a Frankenhooker Night-Mare, to lucid dream ride as his Succubus Tulpa across the Wyrd web of a prior weird science Gobal Consciousness Project.

When Crow eventually mutated into a Horny Old Goat, he later found out that one of the first Aurora monster model kits produced by the Aurora Plastics Corporation in the U.S. was of Frankenstein’s monster, sculpted by Jack Lemon. It was originally based on a Marx’s wind-up walker toy. The prototype of the kit was shown at the HIAA annual convention in January, 1962.

At first there were no orders for Frankenstein’s creature until the last day of the show, when affluent industry representatives were allowed to usher in their consumerist families. On that fateful day, the Chicago distributor, Al Davis let loose his sons, Glenn and Fred, whose electrified brains were Borealis hypnotised by the Aurora exhibit.

Instead of grabbing the plethora of cloned planes, cars or trucks, Davis’s sons fought each other to own the unique monster. Davis craftily smiled to himself and quickly placed an Al Capone style order. He was duly followed by a couple of California Hippie distributors who observed Davis’s sons fighting over the monster, they realised the financial underground potential, and rapidly placed orders as well.

Aurora shipped off the ordered kits. A few days later the phone started to ring wildly: “Can we have some more monsters?” And so it came to pass that all the little boys prayers across the globe had been eventually answered by the dollar-sign eyed adults!

It soon became blatantly obvious that the Frankenstein model kit was going to be a huge solar storm success; so the rest of the sculpted line-up was rushed into production. Societas Draconistarum Dracula came next, followed by the Howling Goetes Wolf-Man, both of these kits were in the North Pole bedecked stores in time for Yule 1962.

The following year saw The Creature from the Black Lagoon, The Mummy and The Phantom of the Opera, with The Hunchback of Notre Dame, King Kong and Godzilla made their debut in 1964.

Dr Jekyll as Mr Hyde were not released until 1965. Later that year, The Witch and the Bride of Frankenstein went into production. But The Salem Witch kit, and most especially the Frankenhooker Bride of Frankenstein was generally considered to be a costly miscalculation by Aurora; girls tend to not buy model kits, which is very much the case concerning kits of iconic male characters, or so it was first thought by puritanical minds.

It has since been revealed by the world-wide-web of the internet, the pornographic literature read by females is populated with Twilight predator bad-boy monsters, such as Vampires and Werewolves, along with Frankenstein Surgeons, Ghost Pirates and Phantom of the Opera Billionaires, etc.

Whereas Cat-Walk model kits of females are generally seen to be unappealing to little boys; well, they were very Playboy appealing to Crow, for a number of politically incorrect Frankenhooker Tulpa reasons. Cough, splutter, cough, cough!

NOTE: The above Pen sketch is a close-up of a ‘Panel’ from a comic page. Traditionally drawn on A4 size paper, which has been scanned without being manipulated or cropped in photoshop. The non-narrative comic is a continuation of the Little Nemo in Slumberland theme, though adult of subject matter. The full comic page can be found Here!

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BABALON AND THE BEAST

Posted in Art, Chaos Magic, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Surrealism, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 20, 2019 by FAUSTUS CROW

“Women don’t even like harmless men. They hate them! They like to claw them apart! What women want are dangerous men who are civilized, and they want to help civilize them. That’s Beauty (Babalon) and the (Animus) Beast.”

“I’ll tell you a funny story (and only engineers could have come up with this because they’re the only ones that have the unparalleled blindness to social convention that would allow them to discover it.”

“So the Google engineers (I like engineers by the way, because they’re very straightforward), the Google engineers wrote a book a while back called ‘A Billion Wicked Thoughts,’ which is a study of Internet searches, billions of them, literally.”

“They were looking at a lot of pornography use. There’s lots known about male pornography use and it’s easy to understand, I mean, males are pretty visually oriented and what attracts them to pornography is fairly straightforward.”

“You can tell that if you look at (Anima) graffiti in a men’s washroom…”

“y’know, it’s like, two circles and a triangle and the men are absolutely transfixed by it.”

“For (Babalon) women the story is more complex. They use pornography too, but it tends to be literary because women tend to like words more than they like visual stimuli.”

“So the Google guys tried to track down the archetypal structure (though they didn’t use those words) of female pornography use.

“How many of you know what a Harlequin romance is?”

“Okay good, so those are archetypal stories. That’s the taming of the wild (Unicorn/Beast) man, essentially, by the desirable and virginal (Babalon) woman.”

“If you think women don’t want that then you’d better bloody well come up with an explanation for Fifty Shades of Grey, which is the most rapid selling novel in human history, and it emerged at exactly the same time that all of this noise about the absence of gender roles is being produced en-masse.”

“It’s the perfect female fantasy. It’s exactly archetypically correct, it’s Beauty (Babalon) and the (Animus) Beast.”

“What the Google guys showed was the structure of Beauty (Babalon) and the (Animus) Beast (though they didn’t use that as a referent), that the female pornographic fantasy was: wild (Unicorn/Beast) guy, somewhat careless about the wants and desires of others, attractive to everyone (therefore high status), tamed by the magic of a single (Babalon) woman and brought into a relationship with her.”

“But here’s the comical part. This just made me laugh, man. What were the FIVE (Animus) categories of most desirable male entity used most broadly in female pornography? It’s so embarrassing.”

“Women you have to cover your (Babalon) heads while I say this: “Vampire, Werewolf, Billionaire, Surgeon, and Pirate.”

— Jordan Peterson at the  Ottawa Public Library, March 11 2017. (Transcript-Quoted)

The Five Elemental qualities of the Animus are symbolised by various associated archetypes. Many of these archetypes a Witch will conjure out of her Animus fixated Playgirl grimoires, whether they be classified as being Angelic or Demonic, who dance around her deified Animus made as a God/Devil.

AIR: Intellectual intelligence: SURGEON – Doctor – Healer – Guide – Teacher – Wise Man – Magician

WATER: Emotional Intelligence: PIRATE – Cowboy – Rancher – Rebel – Musician – Artist

EARTH: Physical Intelligence: WEREWOLF – Knight – Bodyguard – Sheriff – Warrior – Shaman

FIRE: Spiritual Intelligence: VAMPIRE – Prince (Prince of Darkness) Sorcerer

CENTRE: GOD/DEVIL/Father/Provider/Boss/BILLIONAIRE

 Great (ORION) Hunter (Fifty Shades Of [Christ-ian] Grey) King

NOTE: Some have pedantically argued that Jordan Peterson mentioned 5 Animus archetypes, which are not listed in the book, ‘A Billion Wicked Thoughts,’ apart from mentioning that women love paranormal romance books and highly popular films such as (Vampire-Necrophilia/Werewolf-Bestiality) Twilight.

(A Billion Wicked Thoughts lists 10 Cabbalistic sphere archetypes, which, by symbolic association, can be reduced down to 5!)

When you look at the popularity of male archetypes in the controlled mass-media, they are primarily made popular by the female audience, whether they be rebellious Cowboy’s during the late 40’s-50’s, detective Doctors/Surgeons during the 60’s-70’s or Vampires and Werewolves during the late 80’s-90’s, along with the Pirate motif unto a Fifty Shades Of Grey (GOD) Billionaire, while representations of the Anima are attacked as being Entartete Kunst sexist.

For example you now have the (Elric Of Melniboné) White Wolf (Werewolf) Shaman/Warrior appearing on the controlled mass-media scene as the Witcher, which has a Makhasheyfe-gaze on Henry Cavill’s Tuches!

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The various Animus archetypes are associated with five elemental qualities women find most attractive in males; whereupon the male audience gravitates towards those male-role models, women find attractive.

Hence, those who seek to socially engineer society for religious/political purposes via the controlled mass-media will systematically target the male role-models, which is more so the case concerning ‘visual’ representations of the Anima.  

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AL AZIF NECRONOMICON PART V: THE WITCHER

Posted in Art, Chaos Magic, Comics, fantasy, Film, Goetia Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 5, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

Long before Christianity made its empire-building way into central and Eastern Europe, many of the ancient Pagan peoples practiced what can be construed as shamanism in what are now called Poland, Czechoslovakia, Hungary, Romania and Transylvania, etc.

For example, archaeologists have discovered traces of mysterious rituals performed by (Witcher) Shamans about 9,000 years ago in Poland.

The archaeological site is located near today’s lake Swidwie (West Pomeranian) in North-Western Poland, which has been studied since 2012.

One of the most interesting discoveries is an area of a circle, where scientists discovered mysterious structures.

The main feature of the site turned out to be a trapezoidal building having poles, surrounded by an arch of stones placed at equal distances from each other, which has lain buried down the ages, while numerous wars have been fought above its bones.

There are also ritualistic sharpened yew sticks driven into the surface in the shape of a horizontal figure similar to the Big Dipper, a fragment of the constellation of Ursa Major.

However, many researchers have noted that the shamanic worldview of the pre-Christian European peoples have survived in their colourful myths.

It is upon these ancient myths The Witcher (Polish: Wiedzmin), fantasy series of novels and short stories have derived much of their inspiration, that were written by Polish author Andrzej Sapkowski.

The Witcher books led to the development of a 2007 action role-playing game developed by CD Projekt Red, called The Witcher. The Witcher game was duly followed by The Witcher 2: Assassins of Kings in 2011, and The Witcher 3: Wild Hunt in 2015.

As in the books, upon which the video games are based, the story takes place in an alternate medieval fantasy world.

The story follows Geralt of Rivia, one of a few traveling monster hunters who have shamanic powers, known as Witchers.

The Witchers are masters of the martial arts, who can be seen as warrior Shamans. The Witchers also have control over the elements, who use five elemental hand-signs to do so, which are similar to Mudras used in the meditation practice of Yoga.

In Yoga practice a Mudra means ‘sign,’ seal, gesture, or mark. Yoga Mudras are symbolic meditation gestures often practiced with the hands and fingers.

They facilitate the flow of energy within the dream (subtle) body, when utilised when (sexagram/sixth-sense) lucid dreaming.

The ‘meditation tool of a Witcher video game’ has a system of moral choices, which are part of its adult story-line.

It has been noted for its time-delayed consequences and lack of black-and-white morality.

There are also numerous references to the works of the author H.P. Lovecraft in the highly successful Witcher video games.

For example, one of the enemies Geralt fights against in the first game is Dagon, as described by Lovecraft. In the Wild Hunt, Geralt can also get hold of the Necronomicon.

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CHAOS MAGIC COMIC ART 4: Little Faustus Crow In Astral-Land

Posted in Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , on September 30, 2019 by FAUSTUS CROW

The above Artwork is an example of an enlarged panel from the Chaos Magic comic, which depicts a Night-Mare dream visitation of a Succubus.

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The comic page is in part inspired by the Rarebit Fiend and Little Nemo In Slumberland comics by the American cartoonist Winsor McCay.

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The comic page was initially a rough sketch of an idea, I was going to trace onto Bristol board, using a handy tool of a light-box, and then ink in.

However, I finally decided that the sketch its self, would be the finished Art, since tracing sketches often lose much of their dynamism in the process.

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I also decided not to digitally erase the guide lines, should there be any of an experiment.

However, I have also done other versions, which have been cleaned up, along with making the pen-work darker, etc. One of which will be the final Artwork.

The comic strip is a single page non-narrative story, which will be followed by other pages of similarity.

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The entire comic page was done in pen on A4 size paper. Another example of an enlarged comic strip panel can be found below.

If you are interested in seeing the Full Comic strip, Please Click Here.

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART IV

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , on September 28, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 4, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

Part four of the Al Azif Necronomicon investigates from where Abdul Alhazred had derived his dark knowledge.

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Abdul Alhazred’s revelations about the origin of his occult practice is based upon connections between historical sources.

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As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART III

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 26, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 3, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

Part three of the Al Azif Necronomicon covers an alternate version of H.P. Lovecraft’s short story, ‘Pickman’s Model.’

The story revolves around a Bostonian Artist named Richard Upton Pickman, which was written in September 1926.

‘Pickman’s Model’ was first published in the October 1927 issue of Weird Tales.

The story was later adapted for television in a 1971 episode of the Night Gallery anthology series.

The first part of the Al Azif Necronomicon is based upon H.P. Lovecraft’s own description and history about Abdul Alhazred’s book, which I have taken into the Twilight Zone.

As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

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