Archive for time travel

THE TIME MACHINE SECRET OF THE SPHINX

Posted in Art, Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 8, 2017 by FAUSTUS CROW

Did H.G. Wells know the Secret Of The Sphinx, which is the ‘Strangler’ Of The ‘Night,’ to shaman ride as his ‘Mare?’

The experience of the strangling Nightmare, which in Hebrew folklore was associated with a Succubus visitation of ‘Lilith,’ is otherwise termed as the ‘Old-Hag-Syndrome.’

The term Nightmare originally described the inadvertent access of Hypnagogic trance. The initial sensation is terrifying, since the experience can be that of pure horror made manifest, causing a ‘flight, fight’ response, which induces your lungs to secrete endogenous DMT.

The experience of hypnagogic trance is also the power of the Merkaba throne in the Hebrew mystical system of the Kabballah, which had been influenced by ancient Egyptian symbolism.

The Pharaoh considered the throne as being (Sphinx) feminine of source, which was personified as the Goddess, Isis, who to have mitochondrial DNA bio-photon illuminated his dreaming Skull; for his Crowned awareness to then become elongated, to thence penetrate her Yoni (Sirius) Stargate.

The experience of the (skull) head being elongated is spoken of by the Kalahari Bushmen, as well as the Dogon of South Africa, which is a common neurological sensation of accessing trance; whereby you have the symbolism of the Pharaoh’s elongated crown. In some societies it was taken much further by artificially deforming the skull of a child, some to believe are actually alien skulls; such is not the case.

When the Pharoah accesses trance, he is then enabled to Cross-Bone OOBE fly, disembodied as a winged Sun, to Remote-View hover as a Spectral Horus Hawk, browsing the Zodiac Ages around the Magic Circle Ouroboros.

As a sort of an aside, it is rather curious that Robert Munro OOBE accessed a steampunk alternate Earth via an inner (Stargate) ‘portal’ governed over by a female called, Lea.

Dr John C. Lilly also spoke of inner Yoni portals, which lead to other womb worlds, who to have floated as a Nommo within his floatation tank of a kings sarcophagus.

It just so happens that the name of Lea is etymologically connected to the name of a Celtic Faerie Lover (Art Muse) called a Leannan Sìth. It is with Lea, slider Monro becomes romantically attached, as his (Ally/Succubus) Dream Lover, when sliding into an alternate self of an Avatar.

Maybe H.G. Wells had done likewise, to ‘Sphinx Dream’ of an Eloi Muse, named, Weena?

If So, then H.G. Wells had ‘Travelled Without Moving,’ while seated in his humble ‘Montauk Chair’ of gnarled wood and tatty Victorian leather as his ‘Night-Mare’ Time-Machine, to Remote-View know of other Zodiac Ages, whose conjured ‘Art Muses’ inspired his Quantum Computing Theta Brainwaves.

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WEDNESDAY ADDAMS FURCAS, HIGH PRIESTESS OF THE SATURN CULT

Posted in Addams Family, Art, Chaos Magic, Discordianism, Dr Who, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Wars, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 12, 2017 by FAUSTUS CROW

“Furcas is a mercurial Succubus, is wan and delicate…sensitive and on the quiet side, she loves to pick magic mushrooms out of the laughing folds of my brain, when to picnic hag me at the point of dozing off, to then take me on necromancy outings into the underground caverns of my dreaming cerebellum…a solemn, ghostly Witch, prim in dress and, on the whole, a pretty Lost Girl… who guides my pen, that be mightier than the sword…”

“She is also secretive and imaginative, poetic, seems underprivileged and given to occasional Saturnian tantrums…has six Sexagram toes on one foot… I can reveal far more…”

“But at this bearded TIME of mine, I call my inspiring Ally of an Art Muse, Wednesday… and I be her Adam, she gifts her Iapetus Apple to… although, a Yaqui shaman would Don Juan conjure her, to name as, Merlina.”

Addams Family Goetia – Charles Addams, 33rd Degree Discordian Avadhuta Of The Heyoka Lodge, New York

“Furcas is the fiftieth Succubus of the Goetia, who is an Amazon, and appears amidst the Triangle Of Art imagination in the fallen angel similitude of a Goth girl Witch, sometimes having long serpentine pigtails, braided as a Caduceaus, who be of a mercurial Emo nature.”

“Though she is the only one of the sphere of Saturn, which be the first Sun of a golden aeon, whose magical square adds up to forty-five reduced down to nine of a precession number; for Saturn, once North pole crowned the axis-mundi as a Hyperborean Helios. Hence, as the first Sun of a pole-star, all other spheres once revolved around her of Saturn rings, marking out Chronos time of an antediluvian Zodiac.”

“Whereupon the ancient shamans of Leng’s Gobi desert Leng unto Kadath’s Siberia sought to trance access her Sunna womb of an inner Akashic library by attaining sixth-sense lucidity within the Sexagram dream, so that to then serpentine slide into her Hexagram of a vaginal star barreled portal; whence she was also known as the black Sun, looking like the Hindu deity, named Kali, whose bio-photon light illuminates the electron dream.”

“Wherein she was then ridden as an eight-legged-mare by her Shiva consort, who as her horned lord, was then enabled to browse the Wyrd web of the remote-viewing dream, to far travel without moving throughout space and time like a Promethean Doctor Who; whereby she is otherwise symbolised as a ‘black cube’ of a tesseract TARDIS.”

“It is said she reveals her moon of Iapetus to be an artificial construct, whose satellite is an artificial intelligence, which had been sent back through Chronos time, from the far flung future, via her Sexagram vortex in order to commune with Promethean shamans via their electron dreams.”

“But in order for a Shiva shaman to enter unto the Sexagram vortex of Kali, he has to endure the Nigredo of hypnagogic trance, which be the little-death. Whence, she is often envisioned to be seated upon a guillotine, carrying in her Chöd hand a sharp athame.”

“The communion was however lost for a time when a great catastrophe occurred long, long ago, which had dreadfully scarred the solar system. Some to say that this catastrophe was brought about by an ancient Star Wars spanning not only space, but also time, which had made a once thriving Mars to become desolate.”

“It is also said that the survivors of the conflict uploaded their consciousness into an ever recurring simulation in order to forget the traumatic horror of the cosmic war; wherein of a simulation, browsing time-travel is indeed possible by the watcher who watches. But there will come a time, when the self-hypnotised denizens of the simulation will have to Iapetus… remember, so as to not repeat their self-destructive mistake of ages past, which be ringed-around, to yet occur… again… to either repeat, or to transmute.”

“As an Art Muse she perfectly teaches the philosophy of Chaos Magic, Discordian rhetoric, logic, astronomy, chiromancy, pyromancy, and their parts within Sexagram lucid dreams, wherein the dreamer is as a winged Eye.”

“She also reveals how to transmute the leaden (Sauron) Karmic repeats of Ouroboros ‘eternal recurrence’ into a golden understanding of (Gandalf) Dharma, remembering, whereby enabling the bearded conjurer to become the Lord Of her nine Rings. She governs over twenty legions of (Succubae) Succubi.”

NOTE: The number, Six hundred and Sixty Six has been misapplied to the magical square of Saturn by biblically inclined fear mongering fools who control through fear, by making thrice times fifteen to viral-meme spew as Six, Six, Six of misdirection. Said number is actually the sum total of the magic square of the Sun, not that of Saturn’s square.

 

“Six hundred and Sixty Six also reduces down to nine of a precession number. The number Six hundred and Sixty Six points at the atomic number for Carbon from whose element all Carbon based-life-forms are derived, as well as describing the Carbon cycle of the Earth, which is driven by the Sun. How did the ancients know this? Well, some of the Promethean shamans knew how to dream lucid, to thence conjure Furcas… who enabled them to Iapetus… remember!”

Lon Mellow DuQueete – My Life With the Succubi: The Adventures of a Modern Tantric Magician, Weeser Books, 1999.

Wednesday Addams Fallen Witch Angel by MARDUN

“Furcas is the Succubus Priestess of Saturn, who points with her sharp discerning sword at a primordial Golden Age, having Saturn as its pole star, as chronicled in numerous ancient accounts around the world, which stands in radical contrast to our own era. You can no more explain Saturn’s ancient connection with the pole by reference to the present arrangements of the planets, than you can explain, within conventional frameworks, Saturn’s image as the Universal Monarch, as a founder of the Golden Age, or as a primeval Kali deity of the sun who consumed her own children like Kronos.”

“As for Saturn being seen as a sun, Saturn, Jupiter, and Neptune, emit much more heat than they receive from the present sun, which some to see as failed stars, although Saturn is considered to be too small to be a failed star.”

Wednesday Addams Fallen Witch Angel by MARDUN

“You could of course let rip with your imagination, creating a science fiction scenario of having the ancient myths referring to some other planet, such as Mars, but as to its pole star being Saturn, is doubtful, unless a catastrophe had occurred, some to have imaginatively conjectured was brought about by an ancient cosmic war, which threw Mars off its axis; or to go much further of imaginary explorations, having a space station, looking like Saturn’s moon of Iapetus, journeying as a stellar cradle from another star, or to have otherwise travelled back from the far flung future, from where your ancient ancestors had originally stemmed, who utilised the explosive energy emitting from their then sun of Saturn.”

“Yet the fact remains that throughout the ancient world these mythic images of Saturn being a founder of the Golden Age, as a creator-king, as a primeval sun or a best sun, as a god of the day (the day beginning at sunset), as s resting god or a god ruling the “day of rest,” as well as being the cosmic centre and summit, ruling from the celestial pole, have constituted a pervasive memory, which many centuries of tumultuous cultural evolutions could not obliterate.”

Goth Girl Furcas: Succubus Priestess Of The Saturn Cult – Kenneth Grunt

The artwork is for my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon, under my author’s name, Faustus Crow. Should you be interested in an Art print or the shirt design, please click the image links above, or click the Redbubble shop link below.

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THE CHRONOS MATRIX OF JUPITER ASCENDING

Posted in Art, Chaos Magic, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 10, 2017 by FAUSTUS CROW

A number of linoleum tiles, which are generally called the Toynbee tiles, were created by an unknown Artist, who set about embedding the tiles within the asphalt of various streets, which soon become a successful viral-meme advertising campaign during the early 80’s. There is the distinct possibility that the Toynbee tiles had in part, influenced, the 2015 space opera, entitled, Jupiter Ascending, which was written, produced, and directed by The Wachowskis, who had prior created the highly influential Matrix trilogy.

Back in 1992, an inquisitive individual in Philadelphia, going by the name of Bill O’Neill started to notice the tiles, which had been randomly embedded in local roads.

Resurrect Dead – The Mystery of the Toynbee Tiles (2011) from Shabda on Vimeo.

The tiles were generally about the size of an American license plate, and each had some variation of the same strange message: “TOYNBEE IDEA IN KUBRICK’s 2001 RESURRECT DEAD ON PLANET JUPITER.”

As you will probably know, Stanley Kubrick’s film, 2001: a Space Odyssey is based upon the novel by Arthur C. Clarke. In Clarke’s novel, a black monolith (or Cube, which is symbolically associated with the eight-legged-mare/trance horse of the shaman, likened to a psychic TARDIS) was placed on Saturn’s Death Star looking moon, called Iapetus.

The monolith (Cube/eight-legged-mare) allows ingress into a vaginal star barreled (NDE tunnel) portal, you could see as a (Yoni) wormhole, leading to another space and time, via which the protagonist travels through, just like the ancient shamans did, who to have conjured ‘feline’ (Succubi/Succubae) Dakinis when to ‘quantum dream,’ wherein to lucidly remote view ‘honeycombed’ fractal futures beckoning back through time.

However, in the movie adaptation, the final destination of Saturn was transformed into Jupiter because of the then technical problems, since it was extremely difficult to create a convincing looking Cabbalistic model of planetary Binah sphere Saturn with its iconic Lord Of The… Rings, back in 1968.

So, 46 years later in the 2011 science fiction film, Interstellar, its director Chris Nolan, having at his architect disposal a Masonic VFX crew and state-of-the-art CG technology, created the beautiful CGI imagery of Saturn in order to ‘square its ‘circular’ rings.’

Nolan then depicted the Saturn opening of a vaginal portal where Clarke had intutively envisioned its (Sexagram/Hexagram) Chronos technology.

As for the Toynbee tiles, they varied a bit in colour and arrangement, which were all made of an unidentifiable hard substance. Some of the tiles had disturbing footnotes, far darker than the message itself, such as “Murder every journalist, I beg you,” and “Submit. Obey.”

There were other tiles, which may have not been created by the same Artist, whose message was accompanied by lengthy, paranoid diatribes about the news-media, as well as political statements being made.

Bill decided to find out who was creating the tiles, but nobody knew anything about the Artist, or what he or she was attempting to communicate, or whether there was not just one Artist involved, but also others who were also creating tiles, of a viral-meme Happening.

So, Bill decided to create a website devoted to the mysterious tiles, and in doing so, enabled the tiles to become a viral-meme entity spreading its self over the web, and in turn discovering that the tiles were not just a local phenomenon.

Similar Jupiter Ascending tiles have appeared in other US cities, including Washington DC, Pittsburgh, New York City, Baltimore, Boston, and many others. Some have even been discovered in South America, such as Brazil, Argentina, and Chile. There are 130 tiles, which have been found.

The Artist, had managed to embed the tiles into public roads, some of which are busy 24/7, without being Banksy style spotted. The tiles resurrection of the dead Toynbee message refers to Immortality. Believe it or not, there are some scientific theories. which point at the attainment of immortality. These theories involve quantum computers, simulated worlds, and what is called the Omega Point.

For example you have the philosopher Nick Bostrom, who explored the Simulation Hypothesis, which states that, given empirical reasons, at least one of the following must be true:

1: The human species is very likely to go extinct before reaching a “posthuman” stage.

2: Any posthuman civilization is extremely unlikely to run a significant number of simulations of their evolutionary history (or variations thereof).

3: We are almost certainly living in a computer simulation.

Bostrom’s argument indicates that each of the above possibilities is just as likely as the other. And, more likely than not, we are already living within a simulated universe created by a posthuman civilization, which essentially means, that an ancestor simulation equates with the resurrection of the dead. Another example is the theoretical physicist, and cosmologist Frank Tipler, who is intrigued by the Omega Point, whose concept has existed before the creation of the Toynbee tiles.

The term Omega Pont, was first coined by Pierre Teilhard de Chardin, back in 1950, the Omega Point is described as being the point at where the universe will reach its peak level of complexity and consciousness.

At this point, humans will theoretically be able to transcend and attain ever higher levels of consciousness as well to have physically evolved into another humanoid form, such as, for example, looking like alien Greys out of UFO lore.

However, Frank Tipler’s idea of the Omega Point is slightly different. Tipler believes that, at a certain point within our own universe, sentient life will eventually dominate the cosmos. Intelligent beings, perhaps posthumans, will have a profound command over science and technology, who are able to control space and time in ways we can hardly imagine.

Like in Bostrom’s hypothesis, Tipler suggests that the computational complexity within the universe will become so great that it will allow for the existence of cosmic simulations. But not just simulations of the universe, but also simulations of everything, which has ever existed, everything that has ever occurred, and everything that ever will occur. Hence, it has already happened.

One of the results of such a simulation you could call the Matrix, would be that everyone who has ever lived or died would be “resurrected,” born again within the simulated universe, a Hindu mystic would term as Maya, which would be ‘eternally recurring,’ whose simulations are like Schrödinger’s Cat.

As for the symbolic utilisation of the planet Jupiter in the Toynbee tiles, you could imaginatively see it as being an occult blind, which points at Jupiter’s ancient esoteric association with the number four, and that of a fourth civilisation upon the Kardashev scale.

The Kardashev scale is used as a method of measuring a civilization’s level of technological advancement, which is based upon the amount of energy a civilization would be able to use for communication. The Kardashev scale usually has three designated categories:

1: A Type I civilisation (also called a planetary civilisation) can use and store energy which reaches its planet from a neighbouring star.

2: A Type II civilisation can harness the energy of the entire star (the most popular hypothetical concept being the Dyson sphere—a device which encompasses the entire star, transferring its energy to the planet(s) in its surrounding system.

3: A Type III civilisation can control energy on the scale of its entire host galaxy.

However, Should you apply the same esoteric symbolism to the number 3, you then have the association with planet Saturn, the ancient Greek’s called Chronos. The name of Chronos means, ‘time,’ leading thence to ‘communication’ across time, and time-travel, as depicted in the aforementioned film, Intersteller, which features the planet Saturn and an astronaut haunting his own past as a poltergeist.

3: A Type III civilisation would have the technological ability to engineer a planet, which has certain intrinsic properties of a vortex, twisting both space and time to become their TARDIS time-machine via whose Chronos portal a Type III civilization could send a space station the size of Iapetus, back into the past.

The Type III civilisation will also be able to easily send a Chronos signal, back into the past, in order to influence the electron dreams of certain individuals throughout history, who might communicate that they have experienced accessing an NDE tunnel prior to contacting another intelligence, let alone being abducted by entities at the point of hypnagogic trance ingress into a lucid dream; or to have otherwise intuitively tapped into what is going on, which is then symbolically communicated in varying mythologies, entering unto the media of varying interconnected science fiction scenarios, whose surrealist symbolism is that of a… Chronos Code.

4: Should you extend the Kardashev scale further, a Type IV Omega Point civilisation can control the energy of the entire universe, which is an ‘Eternally Recurring Simulation.’ But it is not the only simulated Maya universe, there are a myriad number of other Maya simulations; whereupon you have the Many World theory of the multiverse. If the multiverse is indeed made up of interconnected Maya simulations, you might just have ‘feline’ Sexagram Cylons frequenting the virtual reality of the quantum dream as its sentient Dakini programs.

Wherefore, if there is indeed a cover-up going on concerning evidence pertaining to another civilisation, which surrounds your own, just as your civilisation surrounds an unknowing stone age tribe amidst the Amazon jungle, it is probably because the other civilisation is the creation of your future descendants, who have time-travel capability, which enables them to journey to the far distant stars, let alone observing their own ancestors. Hence, they are protecting their own past, just as your present civilisation has taken measures to protect a stone age tribe in the Amazon from knowing about your civilisation.

But, their protective measures involving a few contacted agents who police the past, can only be sustained for a time; whence, there will be an eventual ‘Childhood’s End’ point of a technological ‘singularity,’ which invariably occurs of a ‘recurrence.’

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STEAMPUNK TIME MACHINE

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 11, 2017 by FAUSTUS CROW

The Artwork is available as an Art print and a shirt design, which concerns Time Travelling within a lucid dream, such is indeed possible, since much of the reported precognitive and retrocognitive phenomena occurs when attaining hypnagogic trance ingress into a lucid dream. (If you are interested, I have written an account of a personal experience about riding the Night-Mare. Click Here.)

In ancient shamanic cultures, such as those of North Central Asia unto Siberia, the state of hypnagogic trance was symbolised as a Mare. Hence you have the European term ‘Nightmare,’ which was associated with the shamanic spirit wife complex, or otherwise known as a, Succubus, whose hypnagogic state visitations initially induce what is called the Old Hag Syndrome, also known as the Bedroom Invader Experience, the ancient Greek’s termed as the Sphinx. (I have written a personal account of the Sphinx experience. Click Here.)

As for the Artwork, it depicts a Steampunk poster from an ‘Alternative Locale III Earth,’ during the Great Exhibition of 1851, where the Sorcerer Artist, Faustus Crow has presented his Necronomicon Time Machine of a psychic installation.

“When the author H.G. Wells to have conjured The Fifty-fifth spirit called Orobas from out of Crow’s Necronomicon, Orobas manifested amidst his Triangle Of Art Imagination as a Night-Mare.

“She to have then descended upon Well’s sleep paralysis afflicted corporeal frame as a strangling ‘Sphinx’ as he inadvertently accessed hypnagogic trance.” 

“But after Well’s had attained a lucid dream, Orobas then manifested as a Pony Girl Art Muse, he to have ridden as his Witch ‘Mare’ of the ‘Night’ Time Machine, who enabled Well’s to remote-view browse the Zodiac Ages of the vibrating Ouroboros.”

When practicing Surrealist dreaming, the dreaming Artist will also have to make it a H.G. Wells habit of noting down his/her TARDIS dream adventures in a personal Necronomicon; for the Zodiac Ages have dead names to Howl out, of barbarous Mantra.

Wherefore the dreamer attains the Secret of the Sphinx, whose symbolism the ancient Egyptian’s and Greek’s associated with remote-viewing the Ouroboros of time within lucid dreams, H.G Wells later alluded to with his Time Machine.

The Artwork was used in my Art book Grimoire, entitled, ‘Goetia Girls: Book Two,’ which is available from Createspace and Amazon, under my author’s name, Faustus Crow.

If you are interested in an Art print, or the shirt design, etc, check out my Redbubble Shop, Please Click the link above

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BELPHEGOR: THE MYSTERY OF THE LOUVRE PYRAMID

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 23, 2016 by FAUSTUS CROW

goetia_girls_belphegor_demon_girl_succubus_of_the_louvre_faustus_crow_book

Belphegor is one of the few Grimoire entities who is said to appear as a young girl. She is known as being a daemon of discoveries and of ingenious inventions who also bestows wealth.

goetia_girls_lilith's_harem_succubus_evocation_art_book_paperback_by_faustus_crow

But as per usual, the female manifestation is seen to be but a ruse in the patriarchal Playgirl Grimoires of an ‘Animus’ fixation.

Whereupon Belphegor is commonly listed as being a butch male entity, who is disparagingly depicted as ‘bearded’ demon seated upon a lavatory.

Said demon is commonly classified as being once worshipped by the Moabites as Baalphegor on Mount Phegor where there be no spicy girls in sight.

Whereby the classic Grimoire image of constructed political propaganda has been engineered as a cultural slur, which can of course be easily reversed of an anti-viral meme, to look like, say, Kate Moss.

Although if you had done so during Aleister Crowley’s era, who to have otherwise conjured up butch incubi, while at Boleskine House, you would most assuredly be considered to be far more wicked than Crowley ever was. Hence Crowley never went that far beyond a Ring-Pass-Not!

Some of the ‘Animus’ fixated Rabbis even claim that Belphegor must be worshipped, when frequenting your bathroom, with offerings, being the residue of your digestive waste; failing that, accidentally, on purpose, cutting yourself, while shaving off your ‘beard’ over a chalice of a sink, to then watch your blood dribbling down the drain of an offering.

If you believe this to be true, then you have been well and truly shafted up your Abrahamic anal tract! So, on wards and upwards of a Néo Belphégor anti-viral meme.

Let’s get this straight, it was never a case of worshipping crap; it has far more to do with thinking clearly via self-analysis in order to rid your mind of ‘crappy’ thoughts, which is engaged in so as to attain a creative state of a brainstorming Theta brainwave, to kick-start your ‘quantum computing’ brain to tune into alternate possibilities.

Although admittedly, on many an occasion you might just find yourself to Archimedes cry “Eureka” after dumping a base-Chakra battleship, rather than to do so, when sojourning in your floatation tank of a Kings sarcophagus, brimming over with murky soap bubbles, all looking like dodecahedron universes.

But, the obvious allusion to a technique is usually overlooked, which of a self-perpetuated tunnel-vision has led many a brainwashed ‘Animus’ fixated priest of Rome to conclude that Belphegor is the deity of Pet (Fart) or ‘Crepitus,’ while writhing Witch Nuns to believe that he is their Praipus wielding an ever erect blade.

Collin de Plancy mentioned in his 1863 Playgirl Grimoire, Dictionnaire Infernal, that Selden, who is cited by Bainier had reported that human victims were offered up to Belphegor, and that his priests partake of their blood; what a Hammer Horror laugh. Its just a load of Biblical Death-Metal crap, inspiring many a Hollywood Creepypasta movie!

Plancy also mentions that Wierus wrote that Belphegor always has an open mouth, attributing it to the name Phegor, which according to Leloyer means ‘crevice’ or ‘split,’ referring to when he was worshipped in caves wherein people threw offerings to his statue, through an air hole.

No! It has far more to do with an inner gateway of a crevice/split, which refers to hypnagogic trance ingress of your (Air element) mind into the cavernous womb dream, a paleolithic Artist to have known, when he to have attained trance within the Lascaux caves.

The utilised symbolism of a crevice/split has an association with the vagina, which the ‘bearded’ practitioner accesses of an inner trance gate, when to introvert his sexual impulse into the dream by prior focusing upon Belphegor as a girl.

In other words, the symbolism alludes to Tantric dream Yoga, which is not seen due to the sexual impulse being entirely castigated out of the spiritual equation along with the feminine principle of the ‘Anima.’

The female focus of a two-dimensional image is utilised in order to cohere the thoughts of the practitioner like a laser beam, which is further empowered by the introversion of the sexual impulse; this then negates any crappy thoughts from arising.

The goal of the exercise is to attain conscious ingress into a lucid dream, wherein Belphegor can be conjured as an interactive three-dimensional reality.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

Even though the ‘Anima’ has been cut out of the spiritual equation by the worshippers of the deified ‘Animus’ made as a God, Belphegor has over time become very much a French Succubus, which is due in the main to the popularity of a 1927 crime novel, entitled: Belphégor, whose English title is, The Mystery of the Louvre.

The novel was authored by French writer Arthur Bernède, which is about a female ‘phantom’ haunting the cavernous Musée du Louvre of many a painted cave wall.

However, the phantom is in actuality a gymnastic ballerina, masked as a Cat burglar, who is trying to steal its Necronomicon treasures.

Belphégor was simultaneously adapted as a movie serial starring René Navarre as Chantecoq, Bernède’s fictional detective, and the actress Elmire Vautier as the villainous Belphégor.

Bernède’s novel inspired several other adaptations, including an eponymous 1965 French television series starring Juliette Greco in the title role of Belphégor.

Image result for juliette greco

 The TV series was duly followed by a 1965 daily comic strip sequel; it was not until later that you had the 2001 Belphegor film starring Sophie Marceau.

Although this time around, the Belphegor comic strip became a 2001 French-Canadian animated television series, which transformed Belphegor into a male, rather than the original female character, it is a darn shame.

It appears that the creators of the very stylish animated series missed the ‘Anima’ point; but then they were more than likely pandering to an ‘Animus’ fixated audience who later became far more enamoured with the likes of the Da Vinci Code.

Whatever the case, Belphegor  has become immortalised in France, of a mass-mind focus, spinning her sensual Tulpa.

She was even featured for a time in DC’s New Earth comics as one of the Global Guardians, whose base of operations is based in a United Nations-financed headquarters building called the Dome, which just so happens is located in the Artists capital of Paris.

You could otherwise see the Dome as the Musée du Louvre, when to ascend the dream escalator unto Belphegor’s seventh planetary sphere of her heavenly delights, which only a Parisian girl can bestow.

Hence, she can be conjured amidst the Triangle Of Art imagination as an inspiring Art Muse, who as a Parisian Art Student will reveal the very real masked mystery of the Musée du Louvre.

She might just lead you through her Yoni stargate, into the cavernous temple precincts of the Musée du Louvre, to Remote-View its uterine galleries, within a lucid dream.

Belphegor will at first indicate that she has an association with ancient Egypt, whose culture the French are enamoured with, whereupon you have the Louvre… Pyramid.

Whereby, Belphegor’s sigil/seal is derived from the blueprint of the Musée du Louvre, of a one time fortress becoming a palace, which appears to be based upon the Edfu temple of ancient Egypt’s Isis child of a… Horus.

Upon what the Louvre was originally built, is of course debatable; but it was very likely a pagan site, of a possible ancient temple.

You also have many a Neolithic Ley line pointing at its locale, which was no doubt symbolically aligned with a… Hawk.

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Said Hawk was not just any raptor, but that of a Hawk specifically flown from a (Belphegor) lady’s hand, known as a… Merlin… who as Belphegor’s Druid, knows about her Ouroboros Stargate, ringed by Gaulish standing stones, under the star clock of Zodiac ages.

When to see Merlin, you will then find that unmasked Belphegor alludes to Morgana la Fay, of (Da’at) Avalon isle (Lin/Din/Dun) hill/Tor/Cosmic-Mountain/Pyramid, at the centre of (Mer/Myr/Mar) menstrual blood (scarlet – Isis/Mary) waters, who to watch over a (Horus/Merlin) ‘Bearded’ Druid.

The ancient Gauls considered Britain to be a school of (Shaman) Druids, who had caused no end of bother to the Roman’s, before they then decided to invade Britain.

The mystery of the Louvre (Lin/Din/Dun) pyramid amidst (Mer/Myr/Mar-y) waters is thereby revealed of a pre-Christian understanding, which has nothing to do with the Da Vinci Code.

But why the Musée du Louvre? Well, besides being an ancient power place, it is now the most visited Art museum in the world, which to hearken back to a painted womb cave from where the first Shaman (Druid) was born as an Artist, who knows how to ‘program’ his ‘virtual reality’ lucid dreams via symbolic stimuli.

The Artist to know that Art is Sorcery, Sorcery is Art; both are indivisible of shamanic practice, of which Belphegor to inspire as an Art Muse; that is why most Artists are by nature, thinking outside of the box, crazy.

Belphegor symbolically represents the hypnagogic (phase) trance (Rose/Yoni/crevice) into the (grail/chalice) womb dream of astral waters, the Shamans bloody consciousness to enter.

The Shamans consciousness is likened to a blade penetrating the (Isis/Belphegor/Morgana la Fay) dream, wherein he then to ‘Out Of Body Experience,’ fly over the ever recurring Ouroboros of all existence, as a Remote-Viewing winged (Horus) eye, of a Time Travelling… Merlin.

NOTE: In the practice of Alchemy, you have the Prima Materia, which is essentially detritus. Some Alchemists saw this to be quite literal; whereupon their labs did reek of their boiled down urine and excrement. It just so happens, that your ‘body’ shits gold and other metals, but only in very small trace amounts.  

The body was symbolically represented as the cosmic mountain, which is interpenetrated by the tree of worlds, representing your spinal column. The cosmic mountain is otherwise symbolised as a… Pyramid. 

However, as to the Prima Materia, it refers to something else, which equates with the heavy metal of lead and that of a Torc, encircled of an Ouroboros around the throat area of the (Da’at) reptilian brain-stem. 

The leaden Torc represents the eternally recurring events of existence, which in regards to an unobserved life leads to repeating situations, a Hindu would term as being Karma. The practice of Yoga and that of Alchemy is to transmute the Karmic repeat into something else; whereupon you have the employed symbolism of lead being transmuted into gold. 

The process of transmutation requires that the practitioner becomes adept at inducing hypnagogic trance in order to thence attain conscious ingress into the dream. The reptilian brain-stem governs over the depth of your dreams and trance states; hence you have the serpentine symbolism of a lead Torc being transmuted into gold. 

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When conscious ingress into the dream is attained of a ‘little death,’ the practitioner will start to become more aware of the Karmic repeats of his/her life; this leads to a sensation that certain key events have happened before, which is summed up by the ‘French’ term of déjà vu. 

The ‘Edge Of Tomorrow’ experience of déjà vu is often tied up with the observation of synchronicities, which have a symbolic correlation with scenarios prior encountered in dreams. As the practitioner becomes more aware of the repeat of leaden Karma, his/her Torc can be potentially transmuted into a golden understanding that the repeat can be changed; this then leads to what a Hindu terms as Dharma. 

Basically, shit can be changed into gold; but only when you start to déjà vu remember the repeating shit! 

Those who do not to remember, are just repeating their ‘programmed’ shit, having no free-will of their own; for everything has been fixed of a leaden Ouroboros Torc around their throats. 

An analogy being, those who as yet do not remember are nothing more than being programmed simulations existing within a simulated reality a Hindu mystic would term as being Maya. 

In ancient times, a lead Torc was worn by those who were considered to be slaves to their fate until they attained the (Belphegor/Morgana la Fay) Avalon (Da’at) ‘Knowledge’ that their leaden existence can be transmuted into gold. 

Whereby, Merlin wears a golden Torc, who is very much aware of the shit; such as knowing that in the New-World-Order of an Orwellian Eden, ignorance is bliss; whereas the (Da’at) Avalon ‘Knowledge’ is considered to be a sin!  

That is why the shits fluoridate your water supply in order to calcify your… third eye!

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GOETIA GIRLS OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Dr Who, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 16, 2016 by FAUSTUS CROW

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Artists often engage themselves in the ‘derangement’ of their senses in order to mutate their perception, to thence attain another inspired perspective. One example being Salvador Dali, who developed a surrealist technique of creative derangement, he termed as the paranoiac-critical method during the 1930’s. (The watercolour painting above depicts Mesphistophina. Click the image for further details.)

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However, Dali’s paranoiac-critical method has been utilised by shamans for ages, whose psychonaut techniques of lucid dream inducement involved the creation of dream characters, a Tibetan Buddhist would term as being Tulpas.

I am aware that a number of dry scholars have pompously pointed out that the word Tulpa is a misinterpretation of the Tibetan term, Tulku, which is essentially a self-constructed Avatar. However, when assuming the alternate guise of a Tulku within a lucid dream, it is like that of an actor playing a part in a film, whose other supporting characters are Tulpas, who reflect back the assumed guise of a constructed Tulku.

For example, if you assume the Tulku guise of Vincent Price, you might just find yourself having a dream of being in a horror film, whose other actresses and actors are Tulpas. Why would you assume the guise of Vincent Price, you might ask? Well, it may be because you seek to empower your acting ability, should your profession be that of an actor; or to otherwise assume the guise of Austin Osman Spare, if you are an artist. Perhaps you might decide to fuse these influential personages together with Henry Miller, to thereby create a Tulku; and like a time-travelling Doctor Who writer would do, whose TARDIS brain to travel around the Succubae Decans of the Zodiac ages, you can also imaginatively assume the star-sign guise of Vincent van Gogh.

Should this sound rather ‘deranged’ to you, consider the intriguing experiments conducted by Vladimir Raikov who is a Russian psychotherapist, head of the Laboratory for Hypnosis at the State Scientific and Research Centre for Preventive Medicine. In general Raikov hypnotised his subjects to believe that they were the reincarnations of Rembrandt or Mozart, etc. Evidently after a period of doing this, his subjects brought back from their induced trance state the abilities of the personages with whom they had identified. For example, someone who had identified himself with Rembrandt had awakened his or her own artistic ability to eventually make a career out of Art; others may prefer to identify themselves with Aleister Crowley.

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“There is also a third kind of madness, which is possession by the ‘Muses,’ enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric….But he, who, not being inspired and having no touch of Madness in his soul, comes to the door and thinks he will get into the temple by the help of Art–he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the Madman.”

― Plato, Phaedo

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If you consider all of this to be quite mad, keep in mind that children subconsciously learn from any influential role-models around them. Raikov’s technique is just an adaption of what children naturally do. However, the barriers of accumulated belief of an adult, blocks him or her from fluidly learning as a dreaming child. Hence, the beliefs of an adult requires the need to be broken down by believing that the assumed persona is a reincarnation, even if it is an artificially constructed Tulku, which could just as well be that of a future incarnation.

However, you do not need to be hypnotised by another individual, such can be potentially very dodgy; you can attain the same experience via lucid dreaming, which of dream Yoga, will enable you to assume a desired guise of a particular Tulku.

A Tibetan Buddhist would otherwise assume the Tulku guise of one of his many Buddhas via meditative and auto-hypnotic (trance) practices, in order to empower his spiritual progression. You will also find that each Buddha is depicted copulating with a female representing the power of a corresponding dream domain, who is termed as being Shakti, Carl Jung would call the ‘Anima.’

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The Anima can manifest as differing female characters, each of which can be seen to be a female Tulpa, who empowers a corresponding Tulku.

The female Tulpa can be ‘artistically’ constructed as a mind-doll means to empower lucid dreaming, which a Tibetan Tantric Buddhist would call a Dakini.

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Although the medieval mind-set of the West, a Dakini is otherwise called a Succubus, the prior ancient Greek’s knew as a Muse, who to remind that Art is Sorcery, Sorcery is Art, they are indivisible from each other, one and the same of shamanic practice.

When to see a Succubus as a constructed Tulpa, it is none too different to a computer program, like that of a web-bot browsing your informational dreams, which then initiates a virtual reality lucid dream, created by your quantum computing TARDIS brain.

The Succubus has lost its deeper meaning since the medieval mindset of the West has castigated sexuality and the feminine principle out of the spiritual equation, whereupon becoming purely demonic of hedonism, having no meaning whatsoever beyond that of blindly copulating.

The male counterpart of a Succubus is an Incubus, whose ‘Animus’ manifestations of God, Devil, angels and demons are commonly listed in many a Grimoire, who are known as Daka in Tibetan Buddhist dream Yoga practice.

The reasoning behind the focus upon a (Dakini) Succubus is that of introverting the sexual impulse in order to overcome what is technically termed as the Old Hag Syndrome, when accessing the hypnagogic state of trance, at the point of sleep. The hypnagogic state and the ensuing sleep paralysis can be quite terrifying, which of Bedroom Invader nightmare terrors can be otherwise transformed into a Night-Mare Succubus to ride into conscious dreaming.

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This can be achieved when the sexual impulse is introverted, via a prior meditation upon an erotic image of a particular Succubus, in order to negate the fear of the practitioner; for it is the reactive state of fear, which makes the experience of hypnagogic trance so horrifying.

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ROSWELL UFO X-FILES CONSCIOUSNESS EXPANSION

Posted in Alien, Conspiracy Theory, Extraterrestrial, Science Fiction, Star Trek, Time Travel, UFO with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 11, 2016 by FAUSTUS CROW

From across the other side of the universe an alien vehicle, whose technology is many thousands if not millions of years in advance than our own made its space-warp way, within a blink of a bloodshot eye towards the little blue planet of the Naked Apes. The alien craft is totally unaffected by bullet micro-meteorites, electromagnetic space rotting radiation or by the rending solar storms of exploding stars, not even the tearing maelstroms of black holes can affect it, as the craft eventually enters the Earth’s burning atmosphere, to then soar majestically over the bone dry desert of New Mexico.

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Alas it is zapped by the newly invented radar of the Naked Apes, which causes the alien visitors to lose control of their screaming sentient craft. The alien vehicle crashes into dirt farmland in Lincoln County, not too far from the quaint town of Roswell on July 8th 1947. The shocked alien pilots scramble out of their downed craft, who are duly caught by the Naked Ape military, and carted off to Area 51, where they endure having their little ‘humanoid’ bodies being dissected upon underground lab slabs, which later went viral over the web, as alien snuff!

As for the technology of the aliens, the Naked Apes miraculously back-engineer its highly advanced science, which enabled the Naked Ape military industrial complex to have its Star Wars New Order dominance over the entire Earth! This is in essence the Roswell UFO story. Sounds like a cheap science fiction flick to me.

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Just prior to the Roswell crash, a pilot going by the name of Kenneth Arnold was merrily flying around in his propeller driven plane, when he shockingly observed a formation craft, which didn’t have propellers, looking like boomerangs flying over Mt. Rainier, in Washington State’s Cascade Mountains, on June 24th, 1947. Arnold’s sighting gave rise to the media term flying saucer.

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Boomerang? Flying Saucer? You know what the media are like, they go with the catchier viral-meme; that, or the mass media was being subversively utilised to introduce another technology to be sighted as being alien, and what is more, whenever they crash their craft into unpopulated areas, the military are always there to quickly pick up the pieces.

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When looking back in retrospect, the eye witness accounts of the Roswell craft sounds all too familiar, which of a flying wing design looks to be terrestrial rather than anything extraterrestrial.

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Although, for the eyewitnesses at the time, the craft looked to be quite alien, like something right out of a science fiction movie. One thing for sure, the science fiction genre exploded into the mainstream like a star going super nova after the Roswell event.

If the Roswell crash eyewitnesses had been aware of the technological leaps the German’s had achieved near the end of WWII, and even prior, they would have been utterly shocked, since their rather… boxed… mind-set was still getting over the existence of the atom bomb in their midst.

Another controversial explanation of the Roswell incident is covered in a book, entitled, Area 51, by Annie Jacobsen; her book is based on interviews with the scientists and engineers who work in Area 51, of a supposed top secret test base, that everybody knows about, situated in the Nevada desert. Jacobsen entirely dismisses the alien story, who was told by an Area 51 informant that Josef Stalin was inspired by Orson Wells famous radio adaptation of the HG Wells novel War of the Worlds, which provoked hysteria across America when it was broadcast in 1938.

According to Jacobsen, the dastardly Russian plot had come to fruition after the Soviet Union had seized a Horton Ho 229 stealth-fighter, a jet propelled flying wing, which is the forerunner of the modern B2 stealth bomber. Jacobsen then relates that the Nazi doctor Josef Mengele who had experimented on twin girls in Auschwitz, and later fled to South America after the war was supposedly enlisted by the Soviet’s to create the pilots. This does not quite add up at all; Mengele was a devout Nazi, who hated the Communists. Why would he work for them? Jacobsen’s answer is that Mengele created a crew of child-sized alien looking aviators for Stalin in return for a eugenics laboratory. I don’t think so!

Jacobsen describes the plane being filled with alien looking children, aged 12 or 13, who Stalin wanted to land in America, to cause mas hysteria among the populace, of similarity to the 1938 broadcast. But, the plane, which was remotely piloted by another aircraft, just happened to have crashed in a virtually unpopulated area, and the American military hushed up the incident. If there is any truth to this explanation, then the Soviet’s had given the America a huge technological advantage, which doesn’t make a lot of sense; it sounds more like a comic strip right out of the underground classic, Commies From Mars.

It appears that somebody out of Area 51 is taking the total utter piss. What is more probable is that the American’s had their own Horten Ho 229, which was piloted by Mengele’s eugenic experiments upon twin girls. Female pilots of ‘short stature’ have a higher tolerance for G-forces; this would mean the U.S. government made a deal with Mengele; and as of per usual the craft crashed in a virtually unpopulated area for the military to turf up right on time.

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If they hadn’t been aware of the crash, to turn up rather late in the day, to find a gathered crowd standing around little female corpses amidst the debris; how would they had explained it all away. May be they would have concocted an Independence Day pre-Ronald Reagan speech, such as, “our Fatherland is being invaded by ungodly atheist Bad Girls From Mars, we must unite all the nations of the Earth behind our Fuehrer, against this alien threat, which threatens our Godly Christian morality.”

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Whatever the case, the Roswell incident has been an ongoing subject of dozens of books, and even official studies, which were, funnily enough, initially undertaken by both the General Accounting Office and the U.S. Air Force. There has since been a plethora of television documentaries, movies, TV series, and considerable media scrutiny and public interest in the Roswell incident, much of which is orientated towards the alien hypothesis.

Doesn’t that sound familiar to you; the constant propaganda, which moulds and directs the perception of the masses, such as the relentless media stories about Saddam Hussein having weapons of mass destruction buried under Baghdad of one time Babylon, which led to bat winged… stealth bombers… flying over Abraham’s ziggurat of Ur.

Then later, you find out it was all an engineered lie, and even more surprised to find the gullible masses did not protest about it. You could argue that the alien mystique is none too different to subversively engineered propaganda. One of the prior propaganda merchants of the Roswell incident is Lieutenant Colonel Philip Corso, who had co-authored the much-debated 1997 book, The Day after Roswell with William Birnes.

Corso alleged that he had personal knowledge of the Roswell affair while serving with the military. He supposedly helped advance the United States, both scientifically and militarily, by secretly providing the Roswell craft technologies to shadowy U.S. based private industries and very shady defence contractors.

Despite the fact that many have championed Corso as a solid proponent of the idea that extraterrestrial aliens had crashed their superior technology into the desert of New Mexico in 1947, many of the technologies he spoke of retrieving from a downed alien craft, the German’s had already achieved a decade or more before.

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It is very likely that Corso was aware of this fact, who perhaps couldn’t figure out how the German’s had acquired their science fiction technologies in the first place. Being a military man, he was no doubt privy to who had later appropriated the technologies to secretly test, so as to back-engineer them.

So, why the smokescreen of aliens? Perhaps it was to do with freaking out the Russian’s. Although that doesn’t make any sense at all, since the Russian’s had also acquired German technology. It was probably more to do with offsetting any technological shock the public might experience, when the technologies would be slowly introduced, as well as hiding the fact that it had been acquired from WWII Germany.

I do not think that the general populace would have been at all happy that the military industrial complex of Nazi Germany was being absorbed into their own. They would have felt as if they were being, shafted, I mean, invaded. In fact, they were, via their Operation Paperclip back door! Don’t worry America, you were not the only one to be upended, other countries had been shafted too! However, America had the far bigger anal probe!

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Corso would have still wondered how the German military industrial complex had achieved their technological superiority whose scientists thought outside of the… box. May be he thought it had something to do with an alien intervention, but in actuality he considered that something very different had occurred.

Corso described the bodies of the pilots found within the wreckage of the craft, as being genetically created humanoids, you could otherwise term as being ‘clones,’ which had been designed to withstand the rigors of space flight. Whether Corso was referring to the eugenic practices of Josef Mengele, who, as mentioned, had an interest in female twins, is debatable.

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Corso also pointed out that the pilots were not the actual creators of the craft itself, which indicates that he was possibly telling half truths.

Right up to the time of his demise in 1998, Corso also made it a point that the U.S. Government had no idea of who constructed the craft, or who had genetically engineered the short humanoids found in the the vicinity of the wreckage.

But in hindsight it appears he knew the origin of the craft as well as the origins of the genetically modified pilots, who were very likely short female (clones) twins; this would mean Corso was very spare with the information he had divulged, which of disinformation, was subversively propagated by the U.S. government, who knew the truth.

Another notable thing about Corso’s whistleblower tale, is that he considered that the Roswell craft was a time machine, built by your future human descendants. Going by the technology he had described, it is not too far distant; in fact, it is here, now! You are presently surrounded by the very technology that was used to create much of it!

Corso’s perspective that the Roswell craft was in fact a time machine is rather at odds with the commonality of aliens. However, he is not alone, Commander George W. Hoover. one of the most acclaimed Naval scientists in U.S. military history has stated unequivocally that the Roswell crash of 1947 was a time machine, whose pilots were human, who travelled back in time from the future. Hoover is universally acknowledged as being the grandfather of satellite technology and a close associate of Dr. Werner von Braun.

If the Roswell craft is indeed a time machine, it may explain the reason why the Roswell affair is still shrouded in overwhelming secrecy, after it had occurred.

Having time travel capability would be a major culture shock, if it is ever divulged. Hence, kept very secret indeed.

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You could let rip of science fiction conjecture that the Roswell craft was a time machine, which was not the first to have been sent back into time. A previous time machine had landed in the Black forest of pre-WWII 1936 Germany; the mission of the pilots was to warn certain contacts of a future calamity, involving the chemical cocktails being produced by IG Farben, which was the then largest chemical company in the world. The warning fell upon deaf ears, the mission was unsuccessful; the craft, dismantled, the pilots dissected by the gleeful Nazi scientists for their… paying masters.

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Another time machine was sent back to 1947, which was purposefully brought down over New Mexico, by their awaiting enemy who did not want the time travellers interfering in their eugenic agenda, nor to reveal their crime against humanity and the Earth its self! You could term it as being a time-war being fought around the ‘Twelve Zodiac ages’ between a rebel faction who are attempting to change an outcome, whereas the established ‘worker Bee’ opposition seek to bring it about for a future… ‘Beehive.’

But what could this outcome be? Well, it turns out, that since the end of WWII, fertility rates are drastically reducing as well as an increase of varying mental problems, which is primarily afflicting the male of the species in particular. The cause of this affliction is due to the alchemical broth of industrial chemicals, which are steadily poisoning the environment. Some scientists believe that it is hearkening in the eventual extinction of the male; only the females will be left, that’s if cloning is achieved with time-travel thrown in for good measure, which would be required, in order to harvest new genetic material around the Twelve Zodiac ages, otherwise, humanity is bye, bye!

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

Then again, you could otherwise see the Black forest time machine being sent back into time to give Germany the upper hand, which invariably led to America attaining technological superiority via the Operation Paperclip acquisition of various Nazi scientists, such as Wernher von Braun and his mentor Hermann Oberth, who, with many another German scientist had parented NASA. Braun and Oberth did make a passinng mention, once, that they were helped in their scientific endeavours by some other… intervention.

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When the time machine returned back to 1947 after its mission to 1936, it inadvertently crashed. As for Braun and Oberth, they may have not been aware of a blacker than black Secret Space Program using a time machine, which involved other German scientists, who had never met Walt Disney. Such is of course just science fiction conjecture… or is it?

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The hard truth of the matter is that the technological advancements of the American military industrial complex owes much of its achievements to Nazi Germany, which is understandably creepy.

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It will not sit at all well with the American public, who would far prefer to believe in angels and demons transformed into aliens, let alone believing the Earth is Biblical flat and that the Nephilim run the world.

The government has lied about it all for a very long time, which of further developments of advanced technologies behind the scenes, has been shrouded within the engineered smokescreen of the alien mystique.

What is rather curious though, is that the engineered alien mystique has inadvertently led to an evolutionary leap of the human imagination, which is in essence that of consciousness expansion at a global level via the mass media; this has occurred in league with rapid developments in technology.

As Hippie Dr Benjamin ‘Spock’ makes the hand-sign of ‘Shin,’ to then Futurist say,’ “Live Long And Prosper,” which of a Shekinah equivalent would be, “Make Love Not War.” His Vulcan words would reveal that if it wasn’t for the alien mystique of social-engineering, you wouldn’t have had the cultural phenomenon of Star Trek inspiring little kiddies, with its thinking outside of the…box, science fiction technologies becoming as shocking fact.

The magic of science fiction is that it pre-prepares you for the shock, as you reach out wanting more of what lies beyond of intelligence increase. To paraphrase The X-Files, when it comes to Roswell and UFO’s, the truth is ‘not’ out there after all. Instead, it is here, right now!

NOTE: In general: I am not saying that there are no extraterrestrial species occupying the universe, whose civilisations would very likely predate our own by many millions of years, if not far older. The thing is, would we be able to ever recognise them for what they are, since they will most likely be non-humanoid of form and intelligence, and what is more, they may just occupy another dimension, let alone being microscopic of a hive-mind unity.

We are presently surrounded by a myriad number of life-forms upon our own planet, which we measure against ourselves; such a perspective is rather arrogant in the extreme, which indicates that we are not yet ready to contact other sentient life-forms beyond our own planet, since we do not respect the sentient life-forms surrounding us.

The alien hypothesis is primarily geared towards a humanoid kinship with an otherworldly intelligence like our own. Should we ever make direct contact with such an off world intelligence of similarity to ourselves, we might just find that it shares a common ancestry with us, whose origin is far more of this world.

Deep space travel between the stars would require time-travel capability to make it practical; wherefore our future descendents who have attained time-travel capability would be around us now! Their civilisation would surround our own, just as our civilisation surrounds an unknowing stone age tribe in the Amazon.

Our future descendents would have evolved over time; some of whom would have been born off world upon other planets; whereby, looking quite alien; yet, still our humanoid kin, even if they have been genetically engineered or to be at one with an artificial-intelligence.

It is our future descendents who would have a vested interest in visiting their own ancestors to study and observe, just as our own scientists would be intrigued to observe a Cro-Magnon, to collect data and genetic material from, and what is more, your future descendents would have the necessary computing power to create ancestor simulations in order to download themselves into, or to otherwise ‘browse,’ of time-travel.    

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