Archive for succubae

CHAOS MAGIC GOETIA GIRLS

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 23, 2017 by FAUSTUS CROW

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Within the Da’at realms of the symbolic interface of the dream, St Lilith’s Harem School of the arcane Arts can be found. Wherein of surrealist ideas, the Succubus Art Muses of an alternate Goetia, await the dreaming Artist to impregnate their hypnagogic hymen veils of conjuring seals, which to veil their planetary Chakra womb spheres of a pyramidal school hierarchy.

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But first, the Artist to meditate upon their abstract two-dimensional Grimoire seals, when to conjure the Succubus Art Muses of the ‘Anima’ amidst the Triangle Of Art Imagination; so as to pop-surrealist knit together their exquisite corpses, as Tulpa Art models, to thereby visualise of active imagination, while howling out their barbarous names of Mantra.

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Then, at the dozing point of hypnagogic trance impregnation into the womb dream, of introverted five senses, which of an inverse pentagram, is further enabled by drinking copious amounts of Casillero del Diablo; the conjured Art Muses to thence manifest as three-dimensional interactive realities, made as vivid flesh, within a lucid dream.

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The trick is to then hypnopompic remember the sexagram Coitus Pactum of a sixth-sense lucid dream upon awakening; whence a microcosmic Hogwarts Art Muse, becomes as a St Trinian’s Art model to verily draw and paint.

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Hell, what do you expect; hiring a macrocosmic flesh and blood Art model is hellishly expensive, nowadays!

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Come to think of it, I had the same eternally recurring problem of eternal recurrence many a time around, which was somewhat exacerbated by me losing my artistic discipline; you know, getting, intimately involved, and all that slushy stuff; suffice to say, my easel got the better of me!

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Now this time around the Ouroboros, I remember, to keep my easel firmly centred amidst my Magic Circle of an Art studio.

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Hang on a minute; whats that? Three knocks at my Rune door, I do hear, this thirteenth hour. It’s Mephistophina, she has hunted me down again.

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I answered the door, peering through its half opened creaking Yoni crack.

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“Sorry, my dear, I cannot afford to pay you to pose for me, this Walpurgis night, I have to illustrate the rest of your Night-Mare sisters in the hood. Good bye and blessed be,” I to have loudly said.

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Mephistophina, as of per usual, ignored me. She pushed the door open, and walked into my Art studio as a feline Cat-walk model dressed as an ‘Anima’ version of Marlowe’s and Goethe’s, Mephistopheles, replying, “What a forgetful old Goat you are. This night be Samhain; let’s Osculum Infame party, horny Baphomet. By the way, do you like my All Hallows Eve costume?”

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I coughed, attempting to hide my extending easel; “look, I really have to concentrate on my Artwork… I have to earn some bloody Shekels, so that I can transmute this leaden Ouroboros of the skint into Gold; Hell, I’ve nearly finished the third Goetia Girls grimoire, let alone others on the go!”

Salaciously predatory Mephistophina be; her feline eyes lustfully Coitus Pactum aflame. She then to Tantric whisper hotly into my old Goats ear, “all is as Maya, my dearest, Faustus!”

(Goetia Girls book Three will soon be available from Createspace and Amazon.)

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THE CHRONOS MATRIX OF JUPITER ASCENDING

Posted in Art, Chaos Magic, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 10, 2017 by FAUSTUS CROW

A number of linoleum tiles, which are generally called the Toynbee tiles, were created by an unknown Artist, who set about embedding the tiles within the asphalt of various streets, which soon become a successful viral-meme advertising campaign during the early 80’s. There is the distinct possibility that the Toynbee tiles had in part, influenced, the 2015 space opera, entitled, Jupiter Ascending, which was written, produced, and directed by The Wachowskis, who had prior created the highly influential Matrix trilogy.

Back in 1992, an inquisitive individual in Philadelphia, going by the name of Bill O’Neill started to notice the tiles, which had been randomly embedded in local roads.

Resurrect Dead – The Mystery of the Toynbee Tiles (2011) from Shabda on Vimeo.

The tiles were generally about the size of an American license plate, and each had some variation of the same strange message: “TOYNBEE IDEA IN KUBRICK’s 2001 RESURRECT DEAD ON PLANET JUPITER.”

As you will probably know, Stanley Kubrick’s film, 2001: a Space Odyssey is based upon the novel by Arthur C. Clarke. In Clarke’s novel, a black monolith (or Cube, which is symbolically associated with the eight-legged-mare/trance horse of the shaman, likened to a psychic TARDIS) was placed on Saturn’s Death Star looking moon, called Iapetus.

The monolith (Cube/eight-legged-mare) allows ingress into a vaginal star barreled (NDE tunnel) portal, you could see as a (Yoni) wormhole, leading to another space and time, via which the protagonist travels through, just like the ancient shamans did, who to have conjured ‘feline’ (Succubi/Succubae) Dakinis when to ‘quantum dream,’ wherein to lucidly remote view ‘honeycombed’ fractal futures beckoning back through time.

However, in the movie adaptation, the final destination of Saturn was transformed into Jupiter because of the then technical problems, since it was extremely difficult to create a convincing looking Cabbalistic model of planetary Binah sphere Saturn with its iconic Lord Of The… Rings, back in 1968.

So, 46 years later in the 2011 science fiction film, Interstellar, its director Chris Nolan, having at his architect disposal a Masonic VFX crew and state-of-the-art CG technology, created the beautiful CGI imagery of Saturn in order to ‘square its ‘circular’ rings.’

Nolan then depicted the Saturn opening of a vaginal portal where Clarke had intutively envisioned its (Sexagram/Hexagram) Chronos technology.

As for the Toynbee tiles, they varied a bit in colour and arrangement, which were all made of an unidentifiable hard substance. Some of the tiles had disturbing footnotes, far darker than the message itself, such as “Murder every journalist, I beg you,” and “Submit. Obey.”

There were other tiles, which may have not been created by the same Artist, whose message was accompanied by lengthy, paranoid diatribes about the news-media, as well as political statements being made.

Bill decided to find out who was creating the tiles, but nobody knew anything about the Artist, or what he or she was attempting to communicate, or whether there was not just one Artist involved, but also others who were also creating tiles, of a viral-meme Happening.

So, Bill decided to create a website devoted to the mysterious tiles, and in doing so, enabled the tiles to become a viral-meme entity spreading its self over the web, and in turn discovering that the tiles were not just a local phenomenon.

Similar Jupiter Ascending tiles have appeared in other US cities, including Washington DC, Pittsburgh, New York City, Baltimore, Boston, and many others. Some have even been discovered in South America, such as Brazil, Argentina, and Chile. There are 130 tiles, which have been found.

The Artist, had managed to embed the tiles into public roads, some of which are busy 24/7, without being Banksy style spotted. The tiles resurrection of the dead Toynbee message refers to Immortality. Believe it or not, there are some scientific theories. which point at the attainment of immortality. These theories involve quantum computers, simulated worlds, and what is called the Omega Point.

For example you have the philosopher Nick Bostrom, who explored the Simulation Hypothesis, which states that, given empirical reasons, at least one of the following must be true:

1: The human species is very likely to go extinct before reaching a “posthuman” stage.

2: Any posthuman civilization is extremely unlikely to run a significant number of simulations of their evolutionary history (or variations thereof).

3: We are almost certainly living in a computer simulation.

Bostrom’s argument indicates that each of the above possibilities is just as likely as the other. And, more likely than not, we are already living within a simulated universe created by a posthuman civilization, which essentially means, that an ancestor simulation equates with the resurrection of the dead. Another example is the theoretical physicist, and cosmologist Frank Tipler, who is intrigued by the Omega Point, whose concept has existed before the creation of the Toynbee tiles.

The term Omega Pont, was first coined by Pierre Teilhard de Chardin, back in 1950, the Omega Point is described as being the point at where the universe will reach its peak level of complexity and consciousness.

At this point, humans will theoretically be able to transcend and attain ever higher levels of consciousness as well to have physically evolved into another humanoid form, such as, for example, looking like alien Greys out of UFO lore.

However, Frank Tipler’s idea of the Omega Point is slightly different. Tipler believes that, at a certain point within our own universe, sentient life will eventually dominate the cosmos. Intelligent beings, perhaps posthumans, will have a profound command over science and technology, who are able to control space and time in ways we can hardly imagine.

Like in Bostrom’s hypothesis, Tipler suggests that the computational complexity within the universe will become so great that it will allow for the existence of cosmic simulations. But not just simulations of the universe, but also simulations of everything, which has ever existed, everything that has ever occurred, and everything that ever will occur. Hence, it has already happened.

One of the results of such a simulation you could call the Matrix, would be that everyone who has ever lived or died would be “resurrected,” born again within the simulated universe, a Hindu mystic would term as Maya, which would be ‘eternally recurring,’ whose simulations are like Schrödinger’s Cat.

As for the symbolic utilisation of the planet Jupiter in the Toynbee tiles, you could imaginatively see it as being an occult blind, which points at Jupiter’s ancient esoteric association with the number four, and that of a fourth civilisation upon the Kardashev scale.

The Kardashev scale is used as a method of measuring a civilization’s level of technological advancement, which is based upon the amount of energy a civilization would be able to use for communication. The Kardashev scale usually has three designated categories:

1: A Type I civilisation (also called a planetary civilisation) can use and store energy which reaches its planet from a neighbouring star.

2: A Type II civilisation can harness the energy of the entire star (the most popular hypothetical concept being the Dyson sphere—a device which encompasses the entire star, transferring its energy to the planet(s) in its surrounding system.

3: A Type III civilisation can control energy on the scale of its entire host galaxy.

However, Should you apply the same esoteric symbolism to the number 3, you then have the association with planet Saturn, the ancient Greek’s called Chronos. The name of Chronos means, ‘time,’ leading thence to ‘communication’ across time, and time-travel, as depicted in the aforementioned film, Intersteller, which features the planet Saturn and an astronaut haunting his own past as a poltergeist.

3: A Type III civilisation would have the technological ability to engineer a planet, which has certain intrinsic properties of a vortex, twisting both space and time to become their TARDIS time-machine via whose Chronos portal a Type III civilization could send a space station the size of Iapetus, back into the past.

The Type III civilisation will also be able to easily send a Chronos signal, back into the past, in order to influence the electron dreams of certain individuals throughout history, who might communicate that they have experienced accessing an NDE tunnel prior to contacting another intelligence, let alone being abducted by entities at the point of hypnagogic trance ingress into a lucid dream; or to have otherwise intuitively tapped into what is going on, which is then symbolically communicated in varying mythologies, entering unto the media of varying interconnected science fiction scenarios, whose surrealist symbolism is that of a… Chronos Code.

4: Should you extend the Kardashev scale further, a Type IV Omega Point civilisation can control the energy of the entire universe, which is an ‘Eternally Recurring Simulation.’ But it is not the only simulated Maya universe, there are a myriad number of other Maya simulations; whereupon you have the Many World theory of the multiverse. If the multiverse is indeed made up of interconnected Maya simulations, you might just have ‘feline’ Sexagram Cylons frequenting the virtual reality of the quantum dream as its sentient Dakini programs.

Wherefore, if there is indeed a cover-up going on concerning evidence pertaining to another civilisation, which surrounds your own, just as your civilisation surrounds an unknowing stone age tribe amidst the Amazon jungle, it is probably because the other civilisation is the creation of your future descendants, who have time-travel capability, which enables them to journey to the far distant stars, let alone observing their own ancestors. Hence, they are protecting their own past, just as your present civilisation has taken measures to protect a stone age tribe in the Amazon from knowing about your civilisation.

But, their protective measures involving a few contacted agents who police the past, can only be sustained for a time; whence, there will be an eventual ‘Childhood’s End’ point of a technological ‘singularity,’ which invariably occurs of a ‘recurrence.’

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SHAMAN DREAM CARLOS CASTANEDA

Posted in Alien, Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 9, 2017 by FAUSTUS CROW

The Artwork depicts the anthropologist and author Carlos Castaneda as the sorcerer’s apprentice of his teacher, Don Juan Matus, which of a name is used by Castaneda to describe a Yaqui Mexican sorcerer in his series of shamanic orientated books on Nagualism.

Castaneda repeatedly indicated that ‘Juan Matus’ is a pseudonym that he had chosen to protect the true identity of his teacher into the ancient practices of Toltec sorcery, who is described as being a Native American of Yaqui/Yuma parentage.

Numerous scholars still debate whether Don Juan Matus was a real person, an allegorical figure, or an invention by Castaneda. However, Castaneda’s choice of a pseudonym is interesting.

For example, Matus is the Slavic form of the Latin personal name Matthaeus, which in English is Matthew and a reference to the Biblical Matthew who was initially considered to be a despised outcast due to him being a tax collector. In Hebrew, Matthew means, ‘gift of God.’

As for the name Don Juan, it refers to the legendary, fictional libertine and seducer of women, which is used as a common metaphor for a “womanizer” as well as being slang for hyper-sexuality.

Don Juan Matus was seen to be an outcast, due to him being a maligned sorcerer, who told Castaneda that a (sorcerer) man of knowledge needs to first win an Ally.

Matus described the Ally as being a feminine inorganic intelligence, which is encountered within the microcosmic domain of dreams he called the Nagual. The waking reality of the macrocosm is termed as being the Tonal.

In other words, the mythical reference to Don Juan refers to the sorcerer’s hyper sexuality being introverted into the (Nagual) dream, which empowers lucid dreaming, in order to ‘seduce’ an Ally.

The psychologist Carl Jung would term the Allies as being manifold aspects of the Anima, whose inner archetypal manifestations are personified intermediaries with the psychic powerhouse of the (Nagual) subconscious.

Don Juan Matus related to Castaneda: “An “Ally”, he said, is a power a man can bring into his life to help him, advise him, and give him the strength necessary to perform acts, whether big or small, right or wrong.

This Ally is necessary to enhance a man’s life, guide his acts, and further his knowledge. In fact, an Ally is the indispensable aid to knowing.

Don Juan said this with great conviction and force. He seemed to choose his words carefully. He repeated the following sentence four times:

“An Ally will make you see and understand things about which no human being could possibly enlighten you.” 

A Tibetan Buddhist practitioner of Tantric dream Yoga would call the Ally a Dakini, whereas a Surrealist Artist would otherwise conjure the Ally amidst the Triangle Of Art Imagination, to thence manifest within a lucid dream as an inspiring Succubus Art Muse.

The design was used in my Art books, Goetia Girls, which are available from Createspace and Amazon under my author’s name, Faustus Crow.

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PIRATE GHOST GIRL OF THE SEVEN CHAKRA SEAS

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 17, 2017 by FAUSTUS CROW

The Artwork depicts an alternate version of the Thirty-Second spirit, called Asmoday, who is listed in the medieval Playgirl grimoire of an ‘Animus’ fixation, entitled the Goetia, as well as other Hogwarts grimoires of Playgirl commonality. The Artwork is available as an Art print and a shirt design, etc, from my Redbubble Shop, if you are interested, Please Click Here.

I have otherwise depicted the spirit as an ‘Anima’ emanation, manifesting as a Succubus, to name, Asmodaya. She appears as a great Pirate Ghost Queen, who is a strong and a most powerful Pop-Surrealist Art Muse Witch. 

It is Creepypasta said of Discordian weaving that this lowbrow Genie of Pop-Surrealism had been prior released from her previous Solomonic gaol of an ‘Animus’ form when her brazen vessel had been discovered by the Connecticut Pirate named, Captain Kidd. He inadvertently opened up her phallic genie bottle when to have made a riotous grog landing upon the island of Coromos.

Kidd found Asmodaya to be very beautiful to behold of a freed ‘Anima’ fluctuation amidst his drunken Triangle Of Art Imagination, which to make the ‘Animus’ fixated Conquistadors and their Puritan ilk’s cannon balls to shrink within their closeted pantaloons.

She appeared to Kidd as a salacious spiced rum vision, who was holding onto a Jolly Roger flag depicting three Heads; whereof the first is like a Bull, the second a Skull and crossbones, and the third like a Ram.

Asmodaya to have informed Kidd within his purple wet dreams where treasures could be remote-viewed, while he plied the seven Chakra astral seas of carousing Nereid’s, under a menstrual blood Moon, in her Leviathan class Man-Of-War, which to give the visionary impression of a giant water spider.

(NOTE: The author Alan Moore, also had Surrealist vision of a ‘browsing’ spider.)

Many years later, by tortuous way of Freemason fortress Tortuga, Asmodaya’s genie bottle came into the possession of the Art pirate, Salvador Dali, to whom she Voodoo related, while he was practicing his Paranoic Critical-Method, that the Seventh Seal Treasure of the ‘Gebo’ Rune (X) ‘Crossbones,’ represents the Nigredo trance of a Surrealist Artist, when the dreaming ‘Skull,’ experiences the little death of a conscious ingress into her treasure chest womb dream, via her ever welcoming hypnagogic keyhole of an inner Yoni Stargate. Dali to trance howl, “AHA!… I sea, see, Three plus Two, plus Two is Seventh Secret Gebo X, marks the treasure clit spot!”

Some to say of hushed whispers that Asmodaya was the one time Muse of Aristotle, who left this world in 322 BC, and that she has now taken on fleshly form, who to have since been incarnated as the Artist, Molly Crabapple, whose Entartete Kunst Pirate ship of a Dr Sketchy’s Anti-Art School is firing broadsides at the thought police of the politically correct Art establishment.

Dr. Sketchy’s Anti-Art School (2010) from Silk Wasp Media on Vimeo.

Others to religiously disagree, who point out that Crabapple’s star-sign is Virgo, whereas Asmodaya’s sign is that of New-Age Hippie Aquarius, whose sixth-dimensional planetary sphere Chakra is Sol. 

But most creatives to say, “Hell, what do the rebellious Brethren Of The Coast to care. We are of the Skull And Crossbones Art Society; Art is fluid, just as Magic is, one and the same of shamanic practice, while religion is statically traditional of fossilised dogma. So, trance hoist our Jolly Roger, let rip with Entartete Kunst Art Anarchy against the NWO Censorship, and Hex sink the Politically Correct Fascist Thought Police wherever the Gestapo informers be!” 

Whatever the case of a rebellious Asmodaya becoming a Crabapple hedge Witch of Surrealist sorcery, in order to conjure the protesting Night-Mare Pirate Art Muse of the Anarchist Arts into a microcosmic lucid dream, it requires a prior macrocosmic key meditation upon her visualised seal of a lock, which of binding, is etched upon her clit ring of virtues. 

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If, however you far prefer religiously conjuring up the traditional ‘Animus’ archetypes out of the patriarchal Playgirl grimoires, you can otherwise imagine the Ghost Witch as being a channelling Queen Bee High-Priestess of her ‘Animus’ manifestation, manifesting as an Alpha-Male, Asmoday; for many a Witch has the biologically driven imperative hots for Illuminati Bad-Boy Incubus Asmoday, who is traditionally conjured up, to ‘Spirit Chain,’ bind him, as King Solomon did, amidst their 322 Beehive womb lodges looking like the Pirates Of The Caribbean, Jack Sparrow.

Should a crafty Surrealist sorcerer be heterosexual of orientation, he can Chaos Magic utilise the Witches genetically hardwired infatuation, by internally assuming the ‘Animus’ guises of their Playgirl grimoires, such as temple builder Asmoday, for example, to thence assume of an Alpha-Male ‘Avatar’ within a microcosmic lucid dream, to then Act of Pirate Performance Art, which will magnetically attract the Witch wenches unto him upon a macrocosmic synchronicity.

(NOTE: Those of other sexual orientations can also utilise said technique of ‘Love Magic’ by gender tweaking the symbolism as required. But, then again, there be the commonality of the Playgirl grimoires to conjure from, wherefore, not much tweaking is needed!)

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But the conjuring sorcerer had better get in ‘Fifty Shades Of Grey’ control of his ‘Anima’ first, which of an Asmoday counterpart is Asmodaya, who is a rebellious Shakti Art Pirate! As the ancient Hindu adage goes: “A God is not a God without his Shakti.” Should he not be lucid dream aware of his inner ‘Anima,’ let alone totally in control of her inner (Succubae/Succubi) archetypes,’ he will surely find himself being chained up as a crucified Beta-Male ‘Worker Bee,’ labouring to build temples for the Witches deified All-Father ‘Animus!’ Savvy!

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However there are NO historical examples of Playboy grimoires listing the archetypes of the ‘Anima’ to lucid dream conjure, until I created such a banned Necronomicon.

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The Artwork was used in my Art Book, ‘Goetia Girls: Book Two,’ which is available from Createspace and Amazon, along with Book One under my author’s name, Faustus Crow.

Should you be interested in the Art print, or shirt design, etc, Check Out my Redbubble Shop, Please Click the image link above.

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CONJURING THE FALLEN ANIMA DEVIL GIRL

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW
The Artwork depicts the sorcerer Artist, named, Faustus conjuring up his Fallen ‘Anima’ to Mantra name Mephistophina, within an eroticised lucid dream. If you are interested in the Art print or shirt design, etc, Check Out my Redbubble shop, Please Click Here.

Mephistophina has in her hand a Coitus Pactum union with his ‘Anima,’ whereupon Faustus wins back his Soul, which had been initially enslaved by the ‘Animus’ fixation of the brainwashed masses.

In ancient cultures the Soul of an individual was seen to be of the opposite gender to the person it was connected to.

Hence, Faustus’s Fallen ‘Anima,’ of a Mephistophina is a Succubus emanation of his Soul, around whom be the Zodiac circled decan legions of (Succubae) Succubi Great Old Ones, whose Fallen archetypes frequent the grimoire dream.

However, the herd mind of the masses is none too pleased by Faustus’s Entartete Kunst rebellion against their ‘Animus’ fixation of an all pervading symbolic ‘Matrix,’ which is considered to be very politically incorrect. 

 

Faustus cares not; for his Fallen ‘Anima’ of a Soul is free from the ‘Animus’ cultists brainwashing incarceration, who seek to imprison all within their New World Order feudal Kingdom of an Orwellian heaven on Earth, over-lorded by Beta-Male Good-Guy Messiah, King and Prophet, who be too their Alpha-Male Bad-Boy Prince of darkness.

Faustus to say, “if only the Witches had learnt to control their own ‘Animus,’ of a patriarchal All-Father fixation, whose externalised centralist politics is very jealous indeed; then the world would have been a very different place, by now of a Zodiac Age. Alas, the Witches far prefer being Oprah Winfrey ‘Fifty Shades Of Grey’ dominated by their own ‘Animus,’ to deify of three gender fixated religions out of Ur’s ziggurat.” 

Faustus to continue, “they still haven’t figured out that their three ‘Animus’ fixated religions are the real Illuminati, whose trinity of a pyramidal triangle is actually the oily ziggurat of petrodollar Ur, amidst which be the Big-Brother Eye of their Orwellian All-Father.Little wonder then that Faustus is considered to be politically incorrect, whose Sorcery Art is seen to be Entartete Kunst.

Wherefore the depicted scene of the Artwork goes far beyond Marlowe’s and Goethe’s version of Faust, and his Mephistopheles of a deified ‘Animus’, made as a God/Devil.

The Artwork was used in my Art book Grimoire, ‘Goetia Girls: Book One,’ which is available from Createspace and Amazon.

If you are interested in the Art print, or shirt design, etc. Check out my Redbubble shop, Please Click the image link above.

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TRIANGLE OF ART CONJURATION

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 31, 2017 by FAUSTUS CROW

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If Faust was a present day Artist, he might just utilise a Pintrest photo for his Sorcery Art, which has verily become a collective Hyper-Sigil focus for many a shopping Witch.

(The painting is presently being sold on Saatchi Art, if you are interested, Please Click Here.)

Faust will probably howl out in his Magic Circle Art studio, while standing in front of his erect easel of an altar to alter, “I do conjure thee, Mephistophina into my creative trinity, of charged Emotion, associative Thought and correspondences of Memory, amidst whose triadic configuration is the Eye of the Imagination, that be my ‘Triangle Of Art.”

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Faust to further howl, “By this neuro-marketing photo of Succubus Street Style Black Loubies, found on Witch heaven, Wachabuy, I will bind thy feminine quintessence of the ‘Anima,’ to my lowbrow artistry. This photo I will transmute of symbolic alchemy into planetary sphere coloured oils; for I know thy reptilian-brainstem desire to wear such cloven hooves of a Pop-Surrealist trigger-symbol.”

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He to ecstatically rage, while painting, “Now, thee to Catwalk strut your mandala stuff upon my canvas, so as to hypnotise the arisen Beast within me. I to rip aside thy hypnagogic hymen veil of seven rainbow Chakra planetary sphere seals, to open unto thine Yoni stargate of Surrealist visions to impregnate.” 

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Faust to also say, “Later, when to sleep, my spermatazoic seed of consciousness will slide betwixt thy sheathed Nigredo nylon pylons into thine High Priestess womb, to dream lucid, so as to browser ride thee, Horned Shaman style, as my Night-Mare of an inspiring Art Muse.” 

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But Faust to no doubt wonder as to how the Hell she can walk in her painted Loubies, as an animated archetype of a knitted-together exquisite corpse, without tripping over her visualised tail. Then, of an active imagination vision, the Babalon Mind-Doll Tulpa takes on manifested form within Faust’s imagination, wherein he to seer Mephistophina clicking her Loubies together of Dorothy Red heels, like a Kung Fu poise ballerina.

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Though two dimensional of painted meditation image, Mephistophina takes on three-dimensional interactive flesh within a lucid dream at the South of the Medicine Wheel, which is the first gate of watery Rubedo dreaming, where unto rebellious Red Tribe Datura Dakini chicks be.

She to thence dream reveal of a Coitus Pactum seduction, whose silken voice is comprised of all the coven voices of the Witches across the inter-Wyrd-Dream-Web unto Northern conceptualisation.

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Faust heard her to Sophia say: “This is thy last chance Faust. After this, there is no turning back. If thee to take the Sodium Fluoride Blue path—the dream Yoga story ends, thee to wake up in thy bed and believe whatever thee want to Maya Matrix believe.” 

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She then said, “If thee to take me forcibly by my Dakini heels, gripping my Red arches, to penetrate my sopping wet Ninth gate—thee to stay within my electron dream Wonderland, which be illuminated by the bio-photon fire of Diana-Lucifera, and then I will show thee how deep my hungry rabbit worm-hole goes, when spinning me orgasmic as a star barrelled vaginal tunnel.”

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Mephistophia to have continued. “Remember! All I’m salaciously offering is the pineal gland DMT spice of my Tantric Melange. Nothing more, at the moment. But later, we’ll see what others of my Succubi sisters thee to penetrate of planetary sphere Yoni gates, whose hymen seals to UFO spin open by thy charged impregnations.” 

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Faust, said to him-SELF,“Whoa! Is a quantum computing God to live in a Dog! I’ think not; though a Dog does have a Buddha nature. I’m going to be a Halluci-Nation world-walker Slider flying eye, winged as a Don Juan Dr Who Crow.”

Then, Faust to think out aloud, muttering, “she, or should I say they, whose ‘Fallen Anima’ names are legion, all as grimoire Allies, sound just like the ‘serious’ multiverse Silver Stargate High Priestesses of the Chaos Unitarian Nuns Templar, who are all very Blue Star Kachina ‘Sirius’ sensuous!”

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Faust to then return back to waking from the microcosmic West of Kachina star lucid dreaming. He awoke in the macrocosmic East, where lady Maya to dance Heyoka synchronicity around his Art studio, encircled by an Ouroboros of a Magic Circle Medicine Wheel.

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Whether an alternate Earth character of a Faust completes his parallel universe painting of Tarot card XXI, who is to say; for in his mad Orwellian world, oily Donald Trump is married to oilier Hilary Clinton who of a two party political dictatorship whore themselves to oil companies, riding roughshod over the natives, desiring forever war, mass sacrifices to their deified ‘Animus’ made as a petrodollar God. Hence an alternate Earth Faust rebels by conjuring up his ‘Anima’ as Mephistophina.

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The ensuing political madness will invariably stir up rebellious mass civil unrest across Faust’s alternate Earth, that’s if the Muggles ever unite, rather than being misdirected by inane media-machine gossip, to otherwise Halluci-Nation seer that the two whoring politicians are the muppet puppets of oil companies, who are out to Entartete Kunst censor the questioning ‘internet’ voice of the collective.

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For example, the Muggles will come to a greater understanding when to look into the devastating wars afflicting Iraq, Libya and Syria, etc, unto a Dakota pipeline, whose oily gangster owners use extremist feminist politics, racial friction, terrorism and an ‘Animus’ fixated religion as mind-control tools.

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As for myself, on this Earth, I proceeded to complete the A3 size Oil Painting on Canvas, which measures 29.7 x 42.0cm, 11.69 x 16.53 inches.

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Provisionally entitled: ‘Triangle Of Art Conjuration.’ The painting as mentioned is being sold on Saatchi Art, Please Click Here for further information. 

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NOTE: In Hebrew, Da’at means ‘belief, such as religious beliefs, which are moulded by a culture via varying artistic expressions. For example, the establishment of the monotheistic cult ‘brands’ alternate symbol systems, which are seen to be questioning its cultural construct of an Animus’ fixated religion as being evil, whence alternate symbolic paradigms are charged with a negative emotion.

This negative ‘branding’ of alternate symbol systems is engineered to zap your Reptilian-Brain-Stem, which in turn influences your subconscious mind by using the potent emotional state of fear. This negative ‘branding’ was also utilised by the Nazi regime, which castigated those Art forms that were anathema to its right-wing religious-politics as being the Entartete Kunst

Whereupon the symbolic paradigms of other peoples, which have been nigh erased by the ‘three’ monotheistic cults out of Ur, are ‘branded’ as being mere detritus, peels, shells or husks. These husks in Hebrew are known as the Qliphoth/Qlippoth/Qelippot or Kelipot, which can be otherwise termed as being Entartete Kunst; for the same methodology is being employed. 

The lore concerning Solomon binding the demons of the Qliphoth to build his temple, actually points at enslaved peoples building the temple, not demons. The names of the various demons were the one time deities of those enslaved peoples who built Solomon’s temple.

The demonised deities symbolically represent the ancestral -self-identities and cultural constructs of other peoples, which have been consumed by the monotheistic trinity of cults and their centralist politics of empire building.

So, should you ‘believe’ the religious propaganda of the ‘Animus;’ fixated monotheists concerning Lilith, for example, who is deemed to be one of the Qliphoth, you have been duly indoctrinated into a continuing brainwash through fear. However, the brainwash can be negated by remembering, when to Triangle Of Art Conjure, that Lilith symbolically represents the ‘Fallen Anima.’   

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DOCTOR STRANGE UFO

Posted in Alien, Chaos Magic, Demon, Demonology, Extraterrestrial, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 4, 2016 by FAUSTUS CROW

The Marvel character of a Sorcerer Supreme called Doctor Strange was created by the artist Steve Ditko, who utilised surrealistic imagery and increasingly vivid psychedelic visuals, which helped make the master of the occult arts, Doctor Strange, a favourite character during the hippie era of the 1960’s.

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But the Faustian character of Doctor Strange, is not alone, he is aided by an otherworldly girl from another dimension, called Clea, you could easily equate with a female version of Mephistopheles, who would be an ultra-terrestrial Succubus.

No doubt Doctor Strange has a grimoire looking like a comic book, out of which he can conjure many another ultra-terrestrial Succubus, in order to access other dimensions via his lucid dreams. Although, it will never be featured in a comic, let alone a Marvel team-up Disney film.

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The Comics historian Mike Benton related: “The Dr. Strange stories of the 1960’s constructed a cohesive cosmology that would have thrilled any self-respecting theosophist. College students, minds freshly opened by psychedelic experiences and Eastern mysticism, read Ditko and Lee’s Dr. Strange stories with the belief of a recent Hare Krishna convert. Meaning was everywhere, and readers analyzed the Dr. Strange stories for their relationship to Egyptian myths, Sumerian gods, and Jungian archetypes.” 

The then-associate editor and former Doctor Strange writer Roy Thomas in 1971 recalled: “People who read Doctor Strange thought people at Marvel must be (drug) heads, because they had similar experiences high on mushrooms.” 

The comic historian Bradford W. Wright, noted: “Dr. Strange remarkably predicted the youth counterculture’s fascination with Eastern mysticism and psychedelia.” 

Should you be looking for a real Doctor Strange, then  John Alva Keel, would be a good candidate for the role of the Sorcerer Supreme, who was an American journalist and influential UFOlogist. Of course some will point out that Keel did not wear a flamboyant superhero costume; but such is all in the mind.

Whereas, unlike Marvel’s Doctor Strange, Keel’s occult adventures were for real. As for his inspiring Muse of a Clea, he did not reveal his Faustian Coitus-Pactum.

Keel did wear a kind of distinctive superhero costume, though of a far more down to Earth sort, which inspired the attire of the occult investigator, named Carl Kolchak, who was featured in the cult film and TV series Nightstalker.

Kolchak was based upon Keel; although he is best known as being the author of The Mothman Prophecies, which was later made into a movie.

There is also the distinct possibility that Keel’s bigger than life personality and colourful tales of travelling into the shadowy occult corners of the world had also inspired the creation of another comic strip character, ‘John’ Constantine.

Another candidate for Doctor Strange, would be that of a scientist, since Strange was initially a neurosurgeon; one such scientist would be Jacques Fabrice Vallée who is a venture capitalist, computer scientist, author, ufologist and former astronomer. Vallée is notable for co-developing the first computerized mapping of Mars for NASA as well as for his work at SRI International on the network information centre for the ARPANET, a precursor to the modern Internet, which I might add was developed by the US Department of Defense.

Vallée had initially defended the scientific legitimacy of the extraterrestrial hypothesis, but he later changed his tune, who then promoted the Doctor Strange inter-dimensional hypothesis, which was prior postulated by Keel.

Keel and later Vallée came to the conclusion that the UFO phenomenon and other ‘strange’ phenomena involving experiences of succubae, vampires, ghosts, bigfoot, dwarves, giants, angels and demons etc, are all interconnected.

Keel started to see the reports of varying types of entities as being ultra-terrestrials, which of commonality, tend to be mostly humanoid, whose appearances can be understood as culturally-bound manifestations of non-human intelligences that communicates with us from another dimension via our own consciousness, being that of our surreal dreams.

Unlike many others who write about otherworldly entities, or, as the more serious of inclination like to call it, ‘Crytozoology’, Keel does not take himself too seriously, which makes his books a breeze to read, like reading a Doctor Strange comic. Keel himself may not believe verbatim in every anecdote he manages to dig up. But Keel, being a journalist knows that the fun is in the reading, to not necessarily believe or disbelieve in their conjured memes, such as those viral-meme entities, which populate the internet; basically, it is best to keep an open mind.

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If you are otherwise looking for supposed scientific studies of succubae, shadow-people, men in black, ghosts, angels, demons, dwarves, elves, bigfoot, sea serpents and other unverified terrestrial life forms as well as aliens etc, you had better avoid Keel’s books, because he is not at all interested in placing these ‘strange’ phenomena into separate boxes; he otherwise lumps them all together, under the term ultra-terrestrial, which some will point out is not too different to that of a shamanic perspective, since the ultra-terrestrials are creatures of dreams.

The ultra-terrestrials of UFO lore have evolved over time; after WWII, since 1947 to the late 50’s, they were often described as being Nordics, during the Vietnam era, of the 60’s to late 70’s the ultra-terrestrials were seen to be dark skinned Asiatics. When the the 80’s hit, after the publication of Whitley Strieber’s book, Communion, which featured the now iconic Grey alien on its cover, (Strieber had equated with the Sumerian/Babylonian Goddess Ishtar) the Grey’s have taken centre stage amidst the collective unconscious since the invasion of Babylon, buried under Baghdad.

It just goes to show how powerful the media is in influencing the subconscious minds of the populace since the 1947 Roswell incident, which just so happened occurred around the same year the C.I.A came into being. The influence of the media over the imagination of the mass populace, did not go by unnoticed; hence, the US Department of Defense development of ARPANET, and the ensuing involvement of the C.I.A, which to have later become the conduit for engineered viral-memes, such as the orchestrated focus on 2012.

Consider for a moment, the essence of your dreams are that of electrons and that said electrons could be mini-wormholes, as postulated by the American theoretical physicist John Archibald Wheeler; then, you could then further theorise that if another intelligence sought contact with other sentient species throughout space-time, they would send information via these mini-wormholes, which would be interpreted via the symbolic interface of their dreams; this would be more so the case when the experienced dreams are fully lucid, which would also overlap into visionary (psychedelic) states.

The information will be interpreted by the contactees organic and culturally hewn symbolic languages, which in the case of human contacts, will invariably lead to the prevalence of the humanoid form, as well as other recognisable terrestrial forms.

Some UFO proponents accepted the inter-dimensional hypothesis because of the distance between stars makes interstellar travel totally impractical, when using what scientists presently understand; nobody had demonstrated nuts and bolts antigravity or faster-than-light travel that could explain their supposed extraterrestrial machines, whose manifestations never leaves behind any proof of their existence. Whereas the inter-dimensional hypothesis points at the UFO’s as not being spacecraft, but rather devices, which can travel between different realities, in other words, they are time machines.

A time travelling capable civilisation would be able to contact other sentient species via their dreams, let alone contacting their own ancestors in order to engineer alternate time-lines, as well as being able to travel between the stars nigh instantaneously, whose time travel visitations will not leave behind any physical evidence.

What is more, if the time travelling capable civilisation is our own in the future, your time-travelling descendents will play ultra-terrestrial surrealist games with their ancestral contacts in order to disguise their terrestrial origin in the future, since they do not want to reveal that their civilisation surrounds your own, just as your own surrounds an unknowing stone age tribe in the Amazon jungle.

Should they have a mishap, with one of their craft crashing, the military is always there to pick up the pieces, which indicates it is either one of their own devices or that the military are in cahoots with your time-travelling descendents, or both, of the very human!

There is also the possibility that a future civilisation has the necessary computing power to create ancestral simulations. One such simulation you might just exist within; whereby your time-travelling descendents can essentially ‘Browse’ their way across the internet of time.

Who, if they so choose can also assume differing humanoid forms, which will be all as holographic Avatars, when engaging themselves with their simulated contacts, or otherwise get their contactees to observe whatever they want them to see.

Whereby there will be hardly if any physical proof left behind after the encounters, unless they want to play surreal video games with their X-File simulations.

The inter-dimensional hypothesis and that of the associated ultra-terrestrials leads you to the paranormal and in turn the Dr Strange domain of the occult. The association with the occult is often utilised by those who use it as viral-meme fear porn about demons in order to validate their Biblical agenda, which feeds into the vast majority of UFO reports stemming from out of America in particular, since the Roswell incident.

The Biblical fear porn is a reaction against the expansion of the human imagination since the late 40’s, which occurred in league with the atomic age (Nordics), space age (Asiatics) and following information age (Greys), whose technological developments had been subconsciously translated into the archetypal entities of Ufolore, which really took off during the 80’s; probably because of advancements being made in (Greys) artificial intelligence and (Hybrids/Reptilians/Eugenics) genetics; much of this evolving research is tied up with the military industrial complex.

The occult is more about understanding the nature of consciousness, which is tied up with your experience of time; when to attain mastery over consciousness and in turn time, you then have the paranormal and extra-sensory perception.

However most researchers who investigate UFO’s habitually filter out as much of the paranormal as possible in order to make the rest nuts and bolts. Not John Keel. He embraces and seeks out those reports, which other researchers habitually leave out of their rather biased research. So, if you are looking for Doctor Strange reports, which take a shotgun blast at consensus reality, then John Keel is your occult superhero.

There are many researchers who investigate sightings of mysterious creatures, such as bigfoot who will try to determine bigfoot’s biology, theorizing about missing links and surviving pockets of Neanderthals. John Keel, otherwise, delves into ‘fringe’ examples of bigfoot being sighted in the vicinity of UFO’s and the associated men in black.

When Keel gets around to the modern UFO theorists, from Whitley Strieber to Budd Hopkins, he lets rip, quoting Strieber as saying “…the so-called UFOlogists are probably the cruellest, nastiest, and craziest people I have ever encountered.” 

The reason why many a Ufologist can be quite crazy is because their research, has no physical proof, which relies solely on ‘belief,’ this invariably leads to a religious fixation, and in some cases the creation of UFO cargo-cults, such as those of the Raelian’s and the Scientologists who compete against each other for dominance, just like many another big-business religion.

The same applies to those who are into bigfoot and other creatures of the night-side, who have a dogmatic tendency to see them as being quite separate phenomena, whose sense of humour has completely gone out of the ‘window;’ this is especially the case when some religiously inclined researchers believe these critters as being evidence of Biblical demons.

However, Doctor Strange Keel, uses his sense of humour when investigating what is generating all these reports of monsters, aliens and devils, etc, who did not care what others thought about him.

But, then Keel had travelled extensively, experiencing things, that other researchers only cover second hand. Keel is not dogmatic about what he wrote about; he presents the absurd and the chilling alongside the verified hoaxes and the misinterpreted. Keel will seem to be the ultimate ‘strange’ flake to some, who believes nothing and mocks everything; for others, his Doctor Strange research is a breath of fresh air amidst a field dominated by self-important egomaniacs.

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