Archive for Kundalini Shakti

GOBEKLI TEPE SHAMAN

Posted in archaeology, Chaos Magic, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2017 by FAUSTUS CROW

Göbekli Tepe, is an archaeological site atop a mountain ridge in the Southeastern Anatolia Region of modern-day Turkey, approximately 12 km (7 mi) northeast of the city of Şanlıurfa.

What makes Göbekli Tepe unique is the date, when it was built, which is roughly twelve thousand years ago, circa 10,000 BC, going way beyond anything Hollywood can misdirection conjure up.

Archaeological artefacts have been discovered at Göbekli Tepe, one of which is an image of a human, wearing what looks to be a bird mask in profile, having a pronounced singular (Sun) ‘eye,’ whose spine is represented by the recognisable (Caduceus) symbol of two entwined serpents forming a double (DNA) helix. There are also nine spheres, whose number is considered to be very important in shamanistic systems. The number nine is usually associated with nine spheres of consciousness, planets, worlds or dimensions, which are personified as deities, the nine Rishis and their corresponding ‘wives,’ or as the nine ‘Muses.’

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The motif of the serpent is found elsewhere in Göbekli Tepe along with anthropomorphic bird imagery. The symbolism of the serpent and the bird is well known of in shamanistic practices across the globe. The serpent and bird (feathered serpent) points at the experience of (hypnagogic) trance. When experiencing (hypnagogic) trance, the practitioner experiences the sensation that he/she is swimming like an amphibious fish/serpent in the ‘watery’ realm of the (lucid) dream, which is also equated with (nine planets) space. The serpent describes the experience of an energy rush within the body, which feels as if it is moving up the spine (Chakras/endocrine-system) towards the top of the head, when inducing (hypnagogic) trance.

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This then leads to a ‘flying as a bird,’ like that of becoming a (inner Sun) winged-eye, of an Out Of Body experience, experiencing inner visions:

“In their visions, shamans take their consciousness down to the molecular level and gain access to information related to DNA, which they call “animate essences” or “spirits.” This is where they see double helixes, twisted ladders, and chromosome shapes. This is how shamanic cultures have known for millennia that the vital principle is the same for all living beings, and is shaped like two entwined serpents (or a vine, a rope, ladder…). DNA is the source of their astonishing botanical and medicinal knowledge, which can be attained only in defocalized and “nonrational” states of consciousness, though its results are empirically verifiable. The myths of these cultures are filled with biological imagery, and the shamans metaphoric explanations correspond quite precisely to the descriptions that biologists are starting to provide.”

Jeremy Narby – The Cosmic Serpent, DNA And The Origins Of Knowledge.

Jeremy Narby is a Canadian anthropologist and author. In his books, Narby examines shamanism and molecular biology, and shamans’ knowledge of botanics and biology through the use of entheogens across many cultures.

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Narby has spent several years living with the Ashaninca in the Peruvian Amazon cataloging indigenous use of Ayahuasca.

Dr. Matthew Clark Post-Doctoral Research Associate, SOAS (affiliate), postulated that the ancient Vedic drink of India called Soma could have been an Ayahuasca analogue. If so, a certain pillar in Göbekli Tepe could be describing the Soma preparation of an Ayahuasca counterpart. This would require the plant materials being mixed and crushed together, using ritualistic ‘handled’ tools for the purpose of creating a (Scorpion) poison, which initiates the little death of (hypnagogic) trance.

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There is also an image of an anthropomorphic bird, looking at a circle it is holding, which could represent a sphere, perhaps it is the Earth? If so, they knew that the Earth was spherical, twelve thousand years ago. That or the sphere is an ancient (Soma) pill; but then, both the Earth and a sacred hallucinogen would be seen as being one and the same, all are connected. There are also other symbols, which look like Runes; one of which looks like the 15th Norse (Valkyire) Rune, called Algiz. Although, said (Valkyrie) Rune, in its infancy probably pertained to the motif of the tree and in turn the axis-mundi of the spinal column, and its (Autonomic/Central – Nervous System) three-nerve-channels, which in Hinduism is symbolised by the trident wielded by the shamanic deity called Siva, who partook of (hallucinogen) Soma.

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Little wonder then that the established monotheistic religions are getting in on the act, who are laying claim to Göbekli Tepe as their own to ‘brand,’ since the symbolic focus upon the Middle East has been knocked, which is due to Göbekli Tepe far predating their religious cultural-constructs.

(Much of the shamanistic symbolism has been appropriated by the monotheists, who do not understand it. For example, the symbolism of the horned ‘Cow’ or ‘Bull’ and that of other horned animals are associated with the horns of the shaman, which describe the hemi-synchronisation of the hemispheres of the brain, when accessing [hypnagogic] trance. The shaman will [Serpent] experience the [hypnagogic] trance sensation of having [Cow/Bull] horns growing out of his/her head, or to feel he/she is wearing a crown, or feeling as if his/her head is [pharaoh crown] elongating. This then leads to accessing the inner [Spider] web, which interconnects all things.) 

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However, Göbekli Tepe didn’t just appear out of nowhere, the site was very likely interconnected with other sites. These other sites could potentially far predate Göbekli Tepe, which are yet to be discovered.

That’s if they haven’t been destroyed, since their discovery will totally shatter the theological politics of the monotheistic religious constructs, who are seeking to keep the focus on the Middle East.

(One of the motifs you find in the Middle East is the worship of ‘fire;’ however, this is also known of by other peoples, such as the nomadic Aryans and Mongolian peoples of the steppe, etc. The fire represents the inner [bio-photon] fire, which is associated with the [Mitochondrial DNA] serpent.)

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However much they try to lay claim to Göbekli Tepe their fixation upon a deified ‘Animus’ made as a God, just keeps on getting in the way, which invalidates their shared symbolic constructs of theological politics.

(The monotheists tend to be anti-sex, whereupon when confronted by serpent symbolism, which has a phallic association, they cannot handle it. When accessing [hypnagogic] trance, the conscious awareness of the practitioner is seen to be fertilising the womb of the [lucid] dream, giving birth to visions. The phallic symbolism of the serpent also alludes to the shamanic usage of Psilocybin mushrooms.)

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Their religious cultural constructs are not important here at all, anyway, it is the inner experience, which is of importance; for it is the legacy of everyone upon the planet, which cannot be ‘branded,’ nor owned by any religious cultural construct.

What has been noted is the similarity between the Kundalini Shakti of Yoga practice, out of ancient India and the Göbekli Tepe symbolism of the entwined serpents. The arousal of the Kundalini Shakti (‘Fire’ snake/goddess) is experienced as an inner energy arising along the (Chakras) spinal-column, which then strikes the back of the head like a ‘Scorpion’ sting; this then engenders (hypnagogic) trance visions of the (Muses) Dakinis, the American ethnobotanist Terence McKenna would have equated with his mechanical Elves. The anthropologist and author Carlos Castaneda called the Dakinis, ‘Allies,’ which he described as being an inorganic feminine intelligence associated with power plants. (The stele below is of Siva and two entwined [Caduceaus] serpents from South India) 

This has led to the monotheists getting into a rumble with the animist Hindus, who have come to a shaky agreement that the name of monotheist Abraham could be linked to the animist Hindu deity called Brahma, should you use dodgy etymology as well as moving the letters of Brahma’s name around; they even threw in Siva for good measure. I kid you not!

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But the experience of the Kundalini Shakti is known of in other cultures, under differing names, which of a symbolic communication has its source in ancient shamanistic practices. For example, the symbol of the (Kundalini Shakti) Caduceus was originally carried by Apollo, who it is said had migrated from Hyperborea, which is the ancient Greek name for Siberia.

(The specific Hyperborean area in question could be the Altay [Altai] region of Southern Siberia, which had been hit by a massive Atlantean inland flood during the last ice age. This also ties in with the intriguing genetic findings of the 2012 genome project concerning a genetic cradle from the [Altai] Altay to Lake Baikal that a number of dispersed peoples share.) Apollo then exchanged his Caduceus with Hermes for his seven-stringed lyre, when Apollo eventually reached the land of the Hellenes.

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As for shamanism, it is not and never was a religion, it has no dogma, nor religious texts, it is otherwise that of a system of ‘experiential’ techniques, which enable consciousness expansion. Shamanism is essentially the science of consciousness, anyone can engage in exploring.

When symbol systems are employed as ‘tools’ by shamans, the primary symbolism alludes to experiences of the inner reality, such as the serpent representing the energy rush of (hypnagogic/Phase) trance, the bird symbolising (OOBE) ecstasy, while other animals would represent differing states of consciousness, along with symbolism referring to being re-birthed from the inner visionary world of the (lucid) dream.

Wherefore you will  find similar symbolism across the globe, which is due to our shared neurology and DNA, linking us with other life-forms, like that of being connected by a ‘Spider’s’ web.

(This does not mean that the exploration of the inner reality is disengaged from probable stellar observations, which have been noted at Göbekli Tepe, the two mutually support each other. The star-clock indicates [circadian rhythm] key-times for [hypnagogic] trance ingress into inner space.) 

Whereas a religion has a total focus upon the symbolism of a particular culture, which tends to bury the primary symbolism of an inner experience, to either negate, or keep secret, that, or demonising it. The reason why religious constructs do this, is because, it’s priests who attain power and influence over others, do not want you becoming aware of your own shamanic legacy. Should you become aware of your own inner reality, the priests of the established religious construct will then lose their illusory power over you and others, which they do not want. Otherwise they’re out of their big-business; no more Shekels!

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You can thereby conjecture as to why the builders of Göbekli Tepe later buried what they had built, who may have had the visionary foresight to protect it for their future descendents to rediscover. It does appear they were fully aware that a religious construct and its priests would have destroyed what it communicates of a shamanic legacy.

You might think that all of this sounds crazy; But there are other sites of interest, which may be of similar importance to Göbekli Tepe, the archaeologists are yet to investigate, if they ever do so, since these sites are no doubt considered as being dangerous to those who seek to keep their academic reputations intact, but more so by the present establishment.

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The monotheistic religious constructs have been around for a very long time, their shared establishment is very much entwined with politics, finance, the acquisition of land, material assets, having control over the world’s need for water, food and energy, etc, whose ‘Animus’ fixated symbolism permeates your language and every level of culture.

Hence, they do not want such discoveries being made, since it will utterly destroy the illusory symbolic focus on the religious politics of the ever warring Middle East, upon which your present ‘Oil’ dependent culture is entirely based.

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NOTE: The ancient Greeks most often associated Apollo’s name with the Greek verb ἀπόλλυμι (apollymi), “to destroy,” which is of similarity to the Hindu deity Siva, who is known as the destroyer. However, Siva destroys the illusion of [belief/Ring-Pass-Not/Limit] form, which is that of a rebellion against the accepted norm, symbolically equating with war, this leads to questioning the reality, upheld by an establishment; Siva is an anarchistic evolutionary force, who in many respects represents what a scientist should be.

Apollo is also associated with the ‘serpent’ and with ‘light.’ Hence he was seen to be a titan of the Sun; whereas, his twin sister, Artemis was associated with the Moon, whose Roman name Diana-Lucifera, refers to her being the mother of ‘fire,’ of similarity to the Altaic, Yal-un eke, the Hindus would call the Kundalini Shakti. Apollo’s association with light, is that of the inner light/fire [Diana-Lucifera/Yal-un eke] illuminating your [bio-photon] dreams.

In this context it then links Apollo with the “Southern Siberian” Altaic name, Odqan, which means, ‘Fire King,’ this then leads you to the Norse shamanic deity called Odin, the Saxons called Woden, whose name means ‘Light/ecstasy master,’ who has similarities with Siva and in turn with Apollo. Overall, Apollo – Siva – Odin/Woden was probably a deified [Altaic/Odqan] shaman.  

In regards to the term, Altaic, it is a proposed language family of central Eurasia and Siberia, including the Turkic, Mongolic, and Tungusic groups, which are invariably included in the family. These languages are spoken in a wide arc stretching from Eastern Europe, through Central Asia to Anatolia [Göbekli Tepe] and to the Korean Peninsula and Japanese archipelago in East Asia. The group is named after the Altai mountain range in Central Asia.

The Altaic language group is considered to be highly controversial, as many linguists think that the common features of alleged Altaic languages resulted from borrowing rather than descending from a common ancestral tongue. A few scholars, however, take the opposite perspective and argue that Altaic is a genuine family. It just so happens that many of the peoples speaking these languages appear to have a curious [2012 genome project] genetic link with the [Altai] Altay.

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SHAMAN DRUM SIBERIAN TRANCE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 22, 2017 by FAUSTUS CROW

The design features a Finno-Ugric Siberian shaman. The word Shaman originates from Siberia, which is said to be derived from the Evenki word “šamán,” most likely from the South-Western dialect spoken by the Sym Evenki peoples. If you are interested in the Art pint, shirt design, etc, Check Out my Redbubble shop, Please Click Here.

The Tungusic term, Shaman, was subsequently adopted by Russian explorers interacting with the indigenous peoples in Siberia. The word, Shaman can also be found in the memoirs of the exiled Russian churchman Avvakum.

The term Shaman has since been adopted by anthropologists as a coverall term for numerous other cultures who share similar shamanic techniques, which enable a practitioner to alter his/her (brain wave) states of consciousness.

The Siberian shaman in particular utilises the drum. The drum is often referred to as being an eight-legged-mare; which is in turn is associated with the abode of a (Anima emanation) Spirit Wife, somewhat like a genie in her (drum) bottle. In other words, the drum, Mare and Spirit Wife are seen to be the same. (The Eight legs of the Mare, being the eight compass directions of a symbol painted upon the skin of the drum, which is also associated with the motif of the World Tree.)

 

The shamanic motif of the Mare and the Spirit Wife leads to the term ‘Nightmare,’ which originally referred to the Old-Hag Syndrome.

The Old Hag Syndrome is otherwise known as the Bedroom Invader Experience, which is experienced when an individual inadvertently accesses hypnagogic trance.

An unprepared individual will invariably become terrified when accessing hypnagogic trance, wherein he/she will experience the manifestations of his/her deepest fears, which often involves sexual scenarios.

Whereupon the term, Old-Hag Syndrome refers to the visitation of a Succubus, whose initial manifestation is nightmarish, which induces the experience of intense pressure upon the body, the sensation of being (Sphinx) strangled, sleep paralysis, vivid hallucinations, and eventual lucid dreams.

Wherein an individual will feel as if he is being abducted by otherworldly (Alien) entities as well as experiencing out of body experiences.

The Shaman learns to control his fear, in order to ride the (inner TARDIS) ‘Night-Mare,’ rather than being ridden by her.

Whereupon she becomes his (Ally) Spirit Wife; hence the carved (World Tree/Axis-Mundi) handle of the Shamans (Mare) drum in the design, which represents his (trance) Spirit (Anima-Mundi) Wife.

(NOTE: The Mare/drum [trance symbol and tool] is seen to be tethered to the World Tree, which symbolically represents the spinal column of the Shaman. The Spirit Wife refers to what Yoga practitioners call the Kundalini Shakti, which is experienced as a liquid energy that is aroused to arise along the (World Tree) spinal column. the Kalahari Bushmen of South Africa call this inner energy, Num, which is aroused when a practitioner accesses hypnagogic trance, which the Bushmen call, Kia. In ‘trance dance’ culture of the [Rave] dance clubs, this inner energy is known as ‘The Rush!’)

 

The monotonous beat of the drum stimulates the Theta brain wave, which induces hypnagogic trance. The experience of hypnagogic trance is basically hypnotic induction.

The Theta brain wave is also associated with anxiety reduction, the active (day dreaming) imagination, lucid dreams and Zen meditative states.

Shaman Drum Siberian Trance by MARDUN

The Theta brain wave is depicted in the design, which is also known as the hyper-suggestible state.

The inducement of the Theta brainwave allows for mental programming via the use of repetitive Mantas, such as the ecstatic songs (and trance dancing) of a shaman are effective at dispersing fear states, when sung in conjunction with the (Spirit Wife/Mare/Pony-Girl) drum.

Shaman Drum Siberian Trance by MARDUN

The above Art and information is covered in my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon, under my author’s name, Faustus Crow.

If you are interested in the Art print or shirt design, etc, Check Out my Redbubble shop, Please Click the Image Link below.

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CONJURING THE FALLEN ANIMA DEVIL GIRL

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW
The Artwork depicts the sorcerer Artist, named, Faustus conjuring up his Fallen ‘Anima’ to Mantra name Mephistophina, within an eroticised lucid dream. If you are interested in the Art print or shirt design, etc, Check Out my Redbubble shop, Please Click Here.

Mephistophina has in her hand a Coitus Pactum union with his ‘Anima,’ whereupon Faustus wins back his Soul, which had been initially enslaved by the ‘Animus’ fixation of the brainwashed masses.

In ancient cultures the Soul of an individual was seen to be of the opposite gender to the person it was connected to.

Hence, Faustus’s Fallen ‘Anima,’ of a Mephistophina is a Succubus emanation of his Soul, around whom be the Zodiac circled decan legions of (Succubae) Succubi Great Old Ones, whose Fallen archetypes frequent the grimoire dream.

However, the herd mind of the masses is none too pleased by Faustus’s Entartete Kunst rebellion against their ‘Animus’ fixation of an all pervading symbolic ‘Matrix,’ which is considered to be very politically incorrect. 

 

Faustus cares not; for his Fallen ‘Anima’ of a Soul is free from the ‘Animus’ cultists brainwashing incarceration, who seek to imprison all within their New World Order feudal Kingdom of an Orwellian heaven on Earth, over-lorded by Beta-Male Good-Guy Messiah, King and Prophet, who be too their Alpha-Male Bad-Boy Prince of darkness.

Faustus to say, “if only the Witches had learnt to control their own ‘Animus,’ of a patriarchal All-Father fixation, whose externalised centralist politics is very jealous indeed; then the world would have been a very different place, by now of a Zodiac Age. Alas, the Witches far prefer being Oprah Winfrey ‘Fifty Shades Of Grey’ dominated by their own ‘Animus,’ to deify of three gender fixated religions out of Ur’s ziggurat.” 

Faustus to continue, “they still haven’t figured out that their three ‘Animus’ fixated religions are the real Illuminati, whose trinity of a pyramidal triangle is actually the oily ziggurat of petrodollar Ur, amidst which be the Big-Brother Eye of their Orwellian All-Father.Little wonder then that Faustus is considered to be politically incorrect, whose Sorcery Art is seen to be Entartete Kunst.

Wherefore the depicted scene of the Artwork goes far beyond Marlowe’s and Goethe’s version of Faust, and his Mephistopheles of a deified ‘Animus’, made as a God/Devil.

The Artwork was used in my Art book Grimoire, ‘Goetia Girls: Book One,’ which is available from Createspace and Amazon.

If you are interested in the Art print, or shirt design, etc. Check out my Redbubble shop, Please Click the image link above.

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THE CONJURING 2 OF VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2016 by FAUSTUS CROW

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Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.

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The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.

Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes, which is otherwise, mundanely interpreted as the remote viewing discovery of enemies.

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The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.

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Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst artistry. At the end of the day, the practice of art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.

This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.

For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is that of an all male pantheon of an ‘Animus’ fixation.

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As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic. But it is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun.

The reasoning behind the schoolgirl motif is because I am employing symbolic logic; Valak originally refers to a little boy of a Hermes, whose feminine name is Hermione.

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This then leads you by association to the modern archetype of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning.

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This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.

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However, as for Valak’s serpentine association, it would lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.

Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear; but then I am not into living in fear; are you?.

Basically, the artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.

You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious reversal.

Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.

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Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a viral-meme Tulpa ghost Nun.

Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.

As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits; but they are depicted as being essentially male entities in disguise. This perpetuates the all male paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.

The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?

Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”

The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.

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The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.

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Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.

If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.

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But when to find that its symbolic emphasis is that of an all male pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting ghost of an old man, whose disturbing disposition is that of a dirty old Goat.

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But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.

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You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.

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The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’

For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.

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However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.

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But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God.

Alas, no film has as yet covered the fallen ‘Anima,’ but then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.

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NOTE: As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’

Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown. 

In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’ 

The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet. 

The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film. 

But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans. 

Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of  a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man, although, you do have Gremory as depicted in the shirt design. (Click the image link for more information.)

 

In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit, such as Faustus Crow’s Succubus named, Mephistophina as depicted in the watercolour painting below. (Click the image for more information.) 

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The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.

Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet. 

The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.

The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.

The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.  

In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix! 

So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded. 

Art Prints available from my Redbubble shop.

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LILITH, SUCCUBUS WITCH QUEEN OF THE HAREM DREAM

Posted in Chaos Magic, Demon, Demonology, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 25, 2016 by FAUSTUS CROW

Lilith is said to have been the first wife of Adam, who was made of the same mud as he; but, she then rebelled against his dominating ways, wherefore Adam’s God of a deified Animus, cast Lilith into the pit, who then became the Witch Queen of Succubae.

Lilith is generally considered to be a sex demon, who seduces males in their sleep as well as having a liking for strangling babies. She has since been transformed into a Vampire. However, Lilith is not and never was a Vampire, which of a mystique has evolved since the late nineteenth century into a fascination with teenage romances of Twilight trysts and True Blood Necrophilia. If you follow Lilith further down, she will take you into her apple core harem dream.

Although, the Vampire mystique does point at the throat area of commonality, where you can find the reptilian-brain-stem, which of a symbolic correspondence is associated with the symbolism of the serpent. The symbol of the serpent is very much entwined with Lilith, who is said to have tempted, Adam’s second wife, Eve to taste of the apple of Knowledge.

The apple of knowledge is associated with the hidden sphere of Da’at in the Cabala, which corresponds with the throat area of the reptilian-brainstem. The reptilian-brainstem determines the lupine depths of hypnagogic trance and the intensity of your underworld dreams.

When to inadvertently access hypnagogic trance at the mid-point between waking and sleeping you my experience what is termed as the Old Hag Syndrome, or otherwise called the Bedroom Invader Experience.

For the unprepared it can be an intensely frightening experience, which involves sleep paralysis, the sensation of another presence pressing down upon your body, as well as the presence assuming terrifying forms, which will reflect back your deepest fears. When your fears mount to a pitch of total abject Hellblazer horror, you will also feel as if you are being strangled, before awakening, feeling utterly drained; wherefore, you have to take control over the experience, just like John Constantine would do.

The motif of Lilith having a liking for strangling babies, is an occult blind, which actually alludes to an inadvertent access of hypnagogic trance. The strangled baby being that of an unprepared dreamer, who cannot control the mounting fear of being assailed by the bedroom invading presence of the Old Hag Syndrome, which is otherwise represented as Lilith.

It is your own fears, which will lead to the sensation of being strangled. The experience of hypnagogic trance, will reflect back at you your beliefs, which you will then have to harrow, whether they be personal or otherwise moulded by cultural conditioning; hence you have the Hebrew word: Da’at, which means, belief.

When you eventually realise that the hellish presence, which is assailing you is due to your own emotively charged beliefs creating fearful potions, poisoning your brain, that have been given terrifying dream form, because of what you have been led to believe, you then attain, ‘Knowledge’ of yourself.

The fear of accessing hypnagogic trance can be negated by introverting the sexual impulse; whereupon Lilith will be transformed into a Succubus, who will then guide the dreamer into a lucid dream via her vaginal star-gate.

At a deeper level, Lilith can be seen as representing a Tantric technique of dream Yoga, which of a sexual practice, enables the dreamer to attain lucid dreaming.

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It is within a lucid dream, the dreamer can then consciously conjure Succubae, who are manifold aspects of Lilith; whereby she is considered to be their Queen, the psychiatrist Carl Gustav Jung would otherwise term as the Anima, of an alchemical term.

Lilith is of the dream, being the implicate-order of the microcosm; whereas Eve is of the waking world, which is the explicate-order of the macrocosm. When a dreamer consciously conjures a Succubus within the microcosmic dream reality of Lilith, the conjured Succubus will then initiate corresponding synchronicities to manifest within the macrocosmic reality of Eve, who can be otherwise equated with, Maya, of the Hindu. Maya can be seen as being like that of a simulated reality right out of the Matrix films.

Basically, Adam is the dreamer who stands between Lilith and Eve. The tree of knowledge symbolises the spinal column of Adam’s radio-active neural-net tuning into other realities via the dream, whose reptilian-brainstem is the serpent of Lilith, wound around an apple. The apple symbolises the hidden ‘dream’ sphere of Da’at, whose core is consciously accessed via hypnagogic trance.

The motif of the serpent is also associated with an experience the Tantric Yoga practitioner terms as the Kundalini Shakti, which is personified as a Goddess, who is also seen to be a fire snake. The Kundalini Shakti fire snake describes the life-force, which is intuitively felt to have a feminine source. Such could indeed be the case, since the energy output of every cell in your body is determined by the mitochondria, which is passed down from the mother to her children.

The Kundalini Shakti is aroused from the base of your spinal column to the top of your head; as the Kundalini Shakti arises along your spine, the fire snake penetrates seven (seals) Chakras to open, which in the classical grimoires are associated with seven planetary spheres.

The Chakras are seen to be the abodes of the Dakinis, which are essentially Succubae, who are energetic Genie fluctuations of the Kundalini Shakti; whereby you can see the Kundalini Shakti as being Lilith.

The Kalahari Bushmen of South Africa who are highly versed in the trance dance, are also aware of this inner energy, they call Num. As the Num arises along the back of the neck (throat area) to then hit the back of the head, hypnagogic trance is attained, which is termed as Kia.

Overall, the symbolism of Lilith pertains to the introversion of the sexual impulse in order to attain conscious dreaming. If however, you believe otherwise, just be aware that your Da’at beliefs, which have been primarily moulded by your Animus fixated culture will determine what you experience internally; whence becoming programmed as a brainwashed automaton, wandering around like a zombie.

But when to taste of Lilith’s apple to become more human than human, you will be verily cast out of the Abrahamic Eden; for within the New World Order Kingdom Of God’s Eden, knowledge is a sin, where the Orwellian virtue of indoctrinated ignorance is bliss.

NOTE: I really do not give a toss about the biblical classification of Lilith, which of a subjective perception was symbolically moulded of an artistic expression by the Bronze age mind-set of the time.

So, if anyone claims that what I have described concerning Lilith as being falsities due to their bible-thumping biblical education, such can only be applied if you are dealing with an objective reality, which Lilith is not; she is a subjectively experienced archetype, whose inner reality is subject to ‘artistic’ transformations depending upon the (Da’at) beliefs of an individual, more so that of an indoctrinated collective focus.

Just do a Google image search to find out how the collective mind-set presently sees Lilith. You will duly find, that Lilith is one of the few female archetypes, who has a symbolic consistency, depending on what media influence has dominance. In the main, Lilith is usually perceived to be a dark haired seductress.   

Lilith has since evolved as an archetypal character over time in accordance with cultural transformations, fulfilling differing roles, whether it be is as a feminist icon or as a Vampire due to mass-media machinations. But what is not often investigated, if at all, is what Lilith refers to of an inner experience, which other cultures also speak of. This inner experience being the technically termed, Old Hag Syndrome or Bedroom Invader Experience.

I am also unconcerned whether people take me seriously or not, concerning the material I illustrate and write about, merely because I do not solely couch its symbolism within the symbolic commonality of the medieval Gothic, which many have have been trained to ‘believe’ as being seriously inclined of morbid indulgences. 

Imagine the world of Harry Potter being set in a psychedelic setting; would anyone take it seriously? Of course they wouldn’t. But why not? It is because the mass-perceptions of the audience has been trained to associate the arena of the occult with a medieval Gothic theme in the West, which has become as heavy death metal, concerning the musical sphere. Hence it is indicative that the collective perceptions of the mass-mind can be easily manipulated via symbolism; in other words, the established symbolic paradigm is that of a self-perpetuated (Da’at) brainwash. 

The reasoning for my own symbolic stance concerning the material is because I do not desire to indulge in accessing hellish dream states and their ensuing synchronicities. For example, a mediated upon two-dimensional image of Lilith can become a three-dimensional interactive reality within a lucid dream.

As for those who worship Lilith or other entities, whether female, male or neutral of varying deities to dally with of internalised external relationship dynamics, such is your religious sentiment; not mine. I am not at all interested in religion, apart from artistically exploring its symbolic language form, which permeates all levels of culture.

I do not worship the archetypes; this isn’t to say they do not have an interactive three-dimensional dream reality beyond their two-dimensional depictions. But their interactive aspect is not set in stone of an indoctrinated religious fixation; such is a cult perspective, of similarity to comic fans getting aggravated when an Artist changes the costume of an idolised super-heroine.  

When a religious sentiment rears its head, you are no longer practicing the Art of Magic, which of an Art form is indivisible from the creative practice of Art, they are one and the same.  

As Faustian Johann Wolfgang von Goethe once said:  “The artist alone sees spirits. But after he has told of their appearing to him, everybody sees them.” 

When an Artist creates characters to either paint or to write about it often involves visualising their varying characteristics, along with engaging in active imagination dialogues with them. It is of similarity to a child conjuring up invisible friends; which, depending upon the intensity of the creative work, it can then overlap into the domain of dreams, becoming lucid of quality; this may then lead to the observation of synchronicities, which reflects back the intense focus.

But it doesn’t lead to the Artist worshipping his/her creations, whether they be figurative or abstract. Such idol worship tends to be the province of the fans; although, I am not saying that this is wrong. But, when it becomes nigh religious of sentiment, the fixation is then fixed of scripted dogma, which invariably leads to all sorts of problems; such as occultists becoming rather aggravated when you reverse their all male pantheon of an ‘Animus’ focus towards that of the ‘Anima,’ which is analogous to comic fans getting pissed off, should an Artist decide to make stylistic changes in regards to their idolised characters.  

An artist had first created the Abrahamic propaganda story of Lilith, which others have literally believed to be true, leading thence to the castigation of the feminine principle and sexuality out of the spiritual equation up to the present day. Whereupon, in order to negate the established viral-meme of a 2000 yr old brainwash, you have to ‘rebelliously’ create an anti-viral-meme of Artistry.  

Because I have personally experienced the phenomenon I illustrate and write about, I do not care if nobody believes me. If you are seeking proof, best find out for yourself by conjuring up an ‘Anima’ fluctuation of a Succubus amidst your Triangle Of ‘ART’ Imagination, in order to keep the brainwashing Abrahamic Exorcist at bay, whose fixation is that of a deified ‘Animus,’ made as a God and Devil, Angels and Demons, all as Incubi!     

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KUNDALINI SHAKTI MEPHISTOPHINA, GOING BEYOND MEPHISTOPHELES

Posted in Addams Family, Chaos Magic, Demon, Demonology, Devil, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2015 by FAUSTUS CROW

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The name of Mephistopheles is a composite of the Greek word, Megistos, which means, Greatest, and the name of the Olympic spirit of Mercury called, Ophiel, who is mentioned in many Grimoire. Ophiel is otherwise named Ariel in William Shakespeare’s, play, The Tempest. The name of Ophiel is also a composite name, which comprises of the Greek for Serpent (Oph) and the Hebrew El, meaning lord, or deity.

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The translation of which would then be: ‘Greatest Serpent Deity.’ You then have, Megistos-Ophiel, thence leading you to Mephist and Opheles, who as Mephistpheles is essentially an alternate version of the ancient Greek God, called Hermes, the Roman’s called Mercury, whose symbol was the serpentine Caduceaus, looking like a (trident) trisula.

This is more so the case concerning the Hermetic deity, called, Hermes Trismegistos, Thrice ‘Greatest’ Hermes, the early Christian’s had demonised, whose name probably developed into the composite of Mephistopheles. This invariably led to the name of Mephistopheles being commonly interpreted from the Hebrew word, Mephitz, meaning ‘destroyer,’ and Tophel, ‘liar.’

The literal translation of the name would then be: ‘Destroyer Of Liars.’ This does not of course equate with the common Christian perception of Mephistopheles, who, as the, ‘Destroyer Of Liars,’ sounds more like a Hindu deity, as the ‘Destroyer of Maya/Illusion.’

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Mephistopheles of German folklore leads you to the ancient Germanic tribes, who once worshipped the shamanic deity called Wotan, the Norse named as Odin, the Saxon’s knew as Woden, who the Roman’s had equated with Mercury.

Woden also has cultural links with ancient India; for his sacred colour is blue, as well as being singular of eye, who wields the trisula, called Gungnir; just like blue-nectar Shiva of the Hindu’s, who is the third-eye lord of Yoga, wielding the trisula, called Pashupatastra. Both of whom are the ‘Destroyers Of Worlds,’ being that of Maya/Illusions.

Although, one should actually say, that these deities communicate shamanic teachings of ‘Solve et Coagula,’ metaprogrmming, which destroy your limited illusions of reality. Woden’s name in particular was allocated to the third day of the week, which in German is Wodensdaeg, in English, Wodens-day, becoming Wednesday.

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Should you then seek out a feminine version of Mephistopheles, to make modern of expression, to otherwise name as Mephistophina, the closest associative parallel would be Charles Addams artistic creation of Wednesday Addams, who has since become rather archetypal of a Goth icon; although Wednesday Addams is more akin of Gothic characteristics to the sphere of Saturn, rather than Mercury.

However, there is a more Mercurial version of Wednesday Addams, whose Goth girl character was depicted in the TV series: Lost Girl, called Kenzi, who is somewhat of a witty comedian and a fast talking thief. It just so happens that Mercury was classically associated with comedy and thieves.

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You might say that a female version of Mephisopheles is pushing the envelope of symbolic believability or to otherwise point out that, such investigations into the symbolism behind an archetype, which has influenced popular culture down through the ages, has no value; or to growl, that one should not upset the established apple cart.

However, when to refer back to translation of,’Greatest Serpent Deity,’ you can equate said serpent with the Kundalini Shakti, as described in the practice of Yoga. The Kundalini Shakti is usually personified as a Goddess, who is also described as being a, ‘Fire Snake,’ which of an energy arises along your trisula spine of a Caduceaus, through the three levels of the unconscious, subconscious and conscious mind.

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The Kundalini Shakti is also associated with three trisula colours, known as the Gunas, being black, white and red, which in the practice of Alchemy equates with the Nigredo, Albedo and the Rubedo stages of the (Hermes Trismegistos) Great Work.

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The Nigredo is associated with hypnagogic trance ingress into the third-eye dream, wherein your emotion is implanted. This then leads to the Albedo of the bio-photon light, which illuminates your spun electron dreams of a fractal association, of thoughts, formulating into a corresponding dream scenario; said dream domain will be empowered by your initial emotional charge.

When to eventually awaken of rebirth, you then have the Rubedo of the Hypnapompic stage, where you feel that the dream experience has imprinted your nervous system; since the nervous system cannot tell the difference between a so called real experience, or that of a vividly imagined one; this is very much the case when you experience a (Great Work) lucid dream.

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When these three alchemical colours of the Gunas are seen in relation to the physical characteristics of a Goddess, you then have her black hair, white skin and red lips, which would make her look like a Goth chick.

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The Kundalini Shakti is also known of in the practice of Alchemy, as the, Philosophers Stone, Quintessence, Anima-Mundi (World ‘Soul’/Tarot XXI) or the Mercurius, which is described as being an inner light.

This inner light of the bio-photon, emanates from amidst the mitochondrial (Double-Helix/Caduceaus/Serpentine) DNA, which is passed down from the mother to her children; hence, being feminine (Shakti) of source, whose light illuminates your dreams.

In other words, the ‘Great Serpent Deity,’ probably refers to the Kundalini Shakti, which of an inner experience is known of by other cultures, to term by other names; although, of commonality the serpent motif entwined with the feminine principle, unifies them all.

Wherefore, Mephistopheles was originally a female character, who as the Kundalini Shakti , to otherwise name as Mephistophina, she is conjured up by Faust, to thence Coitus Pactum arise along his (Gungnir/Pashupatastra) Caduceaus of a spinal column, who then illuminates his skull, like that of the orgasmic Big-Bang birth of the universe.

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Whereupon, Faust is more akin to a Yogi, a Western practitioner would equate with a Hermes Trismegistos, upon whose lap is seated his Succubus, Mephistophina.

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A Yogi would consider a Succubus as being an energetic fluctuation of his (World ‘Soul’) Shakti, to call a Dakini.

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Faust does not sell his (Shakti) Soul of Abrahamic fear porn, he otherwise enters into a ‘Coitus Pactum’ with her of a ‘Sacred Marriage,’ when to contact his (Shakti) Soul within a (Great Work) lucid dream.

The ancient Norse shaman would call the Soul the, Fylgja; should the practitioner be a heterosexual male, the Fylgja will manifest as a (‘Anima’ Mundi) woman; hence Faustus Crow has conjured up Mephistophina.

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THE MAGIC CHRISTIAN

Posted in Chaos Magic, Conspiracy Theory, Film, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 8, 2015 by FAUSTUS CROW

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Erik Jan Hanussen was a stage magician, publicist, charlatan, hypnotist, mentalist and clairvoyant performer, whose name was synonymous with psychic phenomena in Central Europe, during the Weimar Republic of Germany, who also had a part to play when the National Socialist Party ascended into power.

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In Berlin, Hanussen was an occult rock star before there were rock star occultists, who had a vast business enterprise, which traded in on the voracious German hunger for all things paranormal of a prior neo-Gnostic Christian Newage infatuation.

Although Hanussen claimed to be a Danish aristocrat, he was in fact a Moravian Jew, born as Hermann Steinschneider in Vienna.

Hanussen is said to have instructed Adolf Hitler in his hypnotic performances of having a charismatic effect upon the crowd.

He apparently predicted the Reichstag fire, which of a false flag event allowed the recently appointed Chancellor of Germany, Adolf Hitler to seize absolute power in 1933; it is considered to be his most famous feat of clairvoyance. However, It may have been a miscalculated use of inside information, in order to warn the public, which probably led to his death shortly thereafter.

Hanussen was assassinated on March 25, 1933, whose corpse was hastily buried in a field on the outskirts of Berlin, near Stahnsdorf.

There are those who believe that he was murdered because of the competition with Hermann Göring and Joseph Goebbels for the attention of their Führer. Hanussen’s body was discovered over a month later.

There are unsubstantiated claims that he may have been involved in the Reichstag fire, hypnotizing and directing Marinus van der Lubbe, the convicted arsonist, to commit the act.

Hanussen is a curious historical oddity, which has led to much convoluted myth making concerning the Nazi’s being intimately entwined with the occult, as well as seeking to usher in a pagan religion, worshipping the Sun; however, Christianity is a Sun worship religion, whose Cross represents the Solar Cross of the Zodiac amidst the twelve signs of the Apostles.

The Nazi regime was far more interested in the scientific developments of having total control over the population. Should the Nazi regime had indulged in the occult, it would be because of using its archetypal symbolism for propaganda purposes, of psychological warfare, as well as for mass-mind control via viral-meme advertising.

One of the technological tools to achieve control over the populace, was, and still is the dosing up the public water supply with the known sedative, Sodium Fluoride, which calcifies the pineal gland.

It appears that the Nazi regime first used Sodium Fluoride in the ghettos and concentration camps, whose scientists no doubt knew about its effects upon the inmates.

Another stage magician and practicing occultist called, Franz Bardon, claimed that Hitler was a member of a Masonic lodge calling its self, the Freimaurerischer Orden der Goldenen Centurie, F.O.G.C.

Bardon related that the supposed ‘Golden Dawn’ members of the F.O.G.C were all possessed by Goetic demons, of similarity to the present fixation upon the Illuminati being controlled by ultraterrestrial reptilians, or extraterrestrial Greys.

Such myths appear to be engineered as viral-memes, for the express purpose of disinformation, which of design, are used to get the general populace to look elsewhere, rather than to see the most obvious.

If you otherwise see the obvious, you are then tarnished as being a nut job, of similarity to those, who have been led to believe in Biblical demons or aliens running the world.

The wholesale Nazi involvement in the occult is not in fact true, it is a fanciful blind, which shrouds the truth amidst a cloak of engineered disinformation, in order to distance Christian involvement in the horror of the holocaust.

This is due to the Church of Rome, along with many a Christian industrialist, who were far more concerned about the Atheist Communists attaining power in Germany. Suffice to say, they would prefer the general public to forget their support of the Nazi regime, since it is very bad for their big-business image.

But, in order to remember, all you have to do is to look into the Spanish Civil war when the Church backed the fascist regime against the Communists, which is of similarity to what has occurred, and sill goes on in South America, let alone Africa.

Factual history reveals that when the National Socialist Party came to power in Germany, they set about banning numerous occult orientated organisations, such as the Masons in particular, as well as neo-pagan groups, whose alternative viewpoints differed from that of Christianity.

Whereupon Bardon was sent to a concentration camp due to his occult affiliations, not because he refused to be involved in a Nazi occult group. This may explain why Hanussen was assassinated, because he was far too close to Hitler; hence considered to be an embarrassment.

This would be more so the case if Hitler had found out that Hanussen was in fact Jewish. Hitler was essentially a Christian, who explicitly said so in his book, Mein Kampf, whom sought to usher in a ‘Golden Dawn’ of an Aryan Christianity.

You might say, that an Aryan Christianity sounds rather contradictory, since Jesus was a Jew; this is where it becomes absolutely crazy.

The Roman Catholic Church since the medieval era had a habitual dislike of the Jews, who were collectively castigated as being the (Judas) murderers of Jesus, which of a racialist rot in society, invariably led to the ant-Semitism of WWII Germany.

Why did the Church of Rome target the Jews? well, it is quite obvious, Christian Rome had appropriated the ancestral-self-identity of the Hebrews, hook line and sinker, which is undeniable!

It was then forced upon all those under the rule of Rome; this then led to the eradication of the ancestral-self-identity of the Europe during the Witch burning era, in order to convert the then pagan people’s of Europe to Christianity; wherefore forcing the populace of Europe to assume the ancestral-self-identity of the Hebrew’s.

When you apply psychology to the matter, an individual who copies another person, will at first seek to be better than the original, who will duly claim to be superior; this insanity can lead to the copy attempting to murder the original. You can thereby determine that the mass populace of Europe went quite insane, due to Rome’s appropriation of the ancestral-self-identity of the Hebrew’s.

The appropriation of the ancestral-self-identity of the Hebrew’s, was not the first time that Rome used this technique of Empire building, it habitually copied other cultures throughout much of its long history, such as copying the ancient Greek’s for example; whereby assimilating them until they no longer existed of a former glory; or that of otherwise being decimated, like Carthage.

If these other cultures survived the process of assimilation, they became as hollowed out shells of what they once were, like that of Egypt. An analogy would be that of the Star Trek Borg assimilating (converting) other species into its centralised collective. The tried and tested technique of assimilation worked, which made Rome the most powerful city in the ancient world, whose empire lasted for approximately a thousand years, due to its Borg mentality.

Although Rome eventually fell, it has the knack of resurfacing as a political influence via its religion. But why did Rome assimilate Christianity in the first place? It was purely because of political power. Much of Rome’s grain, gold and exotic goods was derived from the Middle East. The native population of the Middle East were well aware of this weak spot in Rome’s imperial armour; wherefore, you had Jewish rebels kicking up a dreadful stink in the Middle East, who had Rome’s Romulus and Remus sweaty balls in a vice.

Hence the reason why their temple of Solomon was burnt to the ground by Rome; although, the Jewish rebels got their revenge when they nearly burned Rome to the ground, during Nero’s stint in power; he didn’t know what had hit him. This singular event led to the rounding up of the early Christian’s to feed the bloody arena, who were considered to be vile terrorists.

You might point out that there were other people’s in the Middle East, who rebelled against Rome’s Empire; however the Jews were a very different kettle of fish, due to their religious zeal, which cohered their rebellious focus as being the chosen super-race of their God.

When the Emperor Constantine eventually assumed power in Rome he set about using Humanist Greek philosophy against the religious cohesion of the Jews as being the self perceived chosen race, by creating the opposite religious perspective of Christianity, that all humanity are chosen by their God. He basically used their religion against them!

Constantine was a crafty fellow, who recognised that the Jewish rebels suffered from a superiority complex, just like many a Roman emperor!

A Roman emperor can be psychologically profiled, or even a group of people, as well as a nation, should the peoples therein, be cohered by a shared belief system, which determines their thoughts and actions.

The use of psychological profiling is not a modern technique, which of a tool, Constantine, as a military man, would have utilised in order to predetermine the moves of his enemies, by coming to understanding of their shared religion, to thereby use their beliefs against them.

This act of psychological warfare was empowered further by utilising the religious zeal of the Germanic tribes, who also caused Rome a lot of bother in Northern Europe.

Constantine was quite impressed by the religious cohesion of the Germanic tribes when he was stationed in the Danube after leaving his birth place of Woad blue Britain.

Constantine noted that the religious fervour of the Germanic tribes gave them the martial edge on the battlefield, who saw themselves as being the ecstatic warriors of a singular (pineal gland) eyed God called (Woden) Wotan, who hung himself upon the world tree, Yggdrassill, as a self-sacrifice.

Alas, the Germanic tribes eventually fell under the yolk of Rome’s Empire, just as the Gauls had previously fallen; but at a very great cost to Rome.

Most of Constantine’s legions were thereby duly made up of Germanic conscripts, who as legionnaires of Constantine, they needed to have a continuum of a religious focus.

If they had otherwise been all Egyptian, Constantine would have probably utilised the third-eye (pineal gland) symbolism of Horus.

However the Runes of the Germanic Mercurial God were reconfigured into a Labarum ‘Bind-Rune,’ as well as transforming their hanged God upon a tree into a God looking like Apollo, crucified upon a cross of wood; whereby transforming the Middle East into their holy land of the ‘Golden Dawn.’

The Labarum is made up of two Runes, being an ‘X,’ Rune caled Gyfu and a ‘P’ Rune called Wunjo. Gyfu essentially means, self-sacrifice, as well as being associated with sexual love, more so, sacred union; whereas Wunjo means joyous ecstasy.

These two Runes are also numbered 7 (X) and 8 (P), when added to together of a Labarum Bind-Rune, you then have the 15th Rune of Algiz, looking like an upright Hippie peace symbol, which means, sacred protection.

The Algiz Rune is also associated with the angelic (Succubae) daughters of Wotan, called Valkyries, who protect warriors; wherefore you also have the sexual union aspect of the Gyfu Rune and that of Wunjo ecstasy.

The 15th Rune then reduces down to the 6th Rune of Cen, looking like a ‘C,’ meaning, torch, which refers to an inner (Odin/Odqan) fire; being a fire (light) in the head.

If Constantine had used Greek letters for his Labarum, the German conscripts would not have understood the symbolism painted upon their shields; whereas the usage of Runes, they obviously knew of a sacred script, which they saw as being gifted to them of a Logos by their singular (pineal gland) eyed God, when he hung himself into trance upon Yggdrassill.

As an aside, the Roman God, Mercury, who is named Hermes, in Greek exchanged his lyre for the Caduceus. The Caduceus originally belonged to the God, Apollo, who had come from Hyperborea, which is the Greek word for Siberia.

Hermes and Apollo are seen to be similar to the Germanic God Wotan, who the Scandinavians called Odin. The name of Odin is derived from the Southern Siberian Altaic word, ‘Odqan.’ Basically, Odqan is a deified horned shaman, whose name means fire king, which in Scandinavian is Odin, meaning light master; fire and light being that of an inner illumination, equated with a state of shamanic ecstasy. This state of shamanic ecstasy is associated with the third-eye of the pineal gland.

In other words, there was a prior cross-cultural shamanic connection between people’s, from Europe, across the steppe unto Siberia as well as India and elsewhere, which had been observed and duly utilised by Rome via the manipulation of the shared symbolism.

But in order to have total dominion over its weave of symbolic interconnections between numerous peoples, the prior understanding had to be utterly destroyed to thereby brand it anew.

You will find that many of the Emperors during the early Christian era of Rome unto Constantinople were of Germanic origin and that the Crusaders were primarily of Germanic descent, being Franks, from whose title, the name of France, is derived.

The Frankish Crusaders made war against the rebellious Arabs, who had earlier copied Rome’s tactics by also appropriating the ancestral-self-identity of the Hebrew’s, so that they could attain mastery over the Middle East treasure house of Rome.

The Arabs sought to unify the shamanic Turkic peoples of the steppe, by forcefully converting their God called Tengri, into Allah, just as Rome had transformed the Germanic Wotan into Christ.

Whereby the Jews were caught in the middle between Christians and Muslims alike. But being in the middle can also work in your favour, when to play the other two against each other, by using finance of prior capitalism; well, what do you expect, it was, and still is a case of communal survival, whether it be in an urban ghetto, or that of a fenced off ghetto of a land!

If you was being copied by two other people, who are totally insane, whom seek to murder you, because they now see themselves as being superior to the original; what would you do?

When to step outside of the triangle of the never ending conflict, you will very quickly determine that all three of them are utterly crazy. Easy to do, when you don’t belong to their trinity of Illuminati cults.

You can thereby gather how other peoples see them, whether they be Native American, Aboriginal Australian, Maori, Mongolian, African, Japanese, Chinese, etc; that’s if they haven’t forgotten their own ancestral-self-identity, since the Abrahamic Borg are seeking to convert them all.

This brings us to the intriguing case of the Templars, who were of Norman descent, whose ancestral origins was of the Norsemen. The Norse worshipped the God hanging himself upon the world tree as Odin.

The Templars very likely remembered the pagan original of Rome’s Christ, which caused Rome’s rather vain priests a lot of bother, since the Templars were becoming far too powerful, who could potentially reveal the truth behind their religious construct of political control.

Wherefore greedy Rome had to eradicate the Templars; just as Rome’s Church burnt Witches at the stake, since the pre-Christian lore of Northern Europe in particular, was passed down the female line.

Basically, Rome’s Church was systematically destroying the ancestral-self-identity of Europe in order to usher in their ‘Golden Dawn’ of a ‘New World Order,’ which of a genocide lasted for approximately 500’yrs of theocratic fascist slaughter, torture and relentless propaganda by its holy inquisition.

It is easy to forget, it all, until you step back and place yourself into the position of your ancestors, who had endured a prior holocaust. In other words, much of your ancestral-self-identity has been entirely erased!

It is how cults work, which set out to erase your past, to thereby control your present, whereby owning your future.

What you have is an in your face worldwide conspiracy; it isn’t some insane fantasy. The insanity is that many now believe that a deity revealed it self in the Middle East; but only because they appropriated the cultural construct of a deity, which personifies the ancestral-self-identity of the Hebrew’s, due to their own ancestral-self-identity being systematically eradicated by a cult.

So, when the Nazis eventually came to power in Germany, there was hardly any vestige left of the European ancestral-self-identity across the whole of Europe, apart from the appropriated ancestral-self-identity of the Hebrew’s.

However, because the Church of Rome had an avid dislike of its Jewish original, images of a Semitic Jesus, had evolved to the other extreme over time, to make him look like a pale, blond haired, blue eyed Magic Christian Aryan, who has since been translated into a neo-Gnostic Nordic alien.

The Aryan look of a perceived perfection, was very popular in Californian Eugenics, which came to the fore during the late 19th century, whose proponents in the United States later aided and abetted the Nazi regime in its Eugenic program.

During the early 20th century immigrants into America had to endure Eugenic profiling, many of whom were sterilised; this was especially the case if you was Jewish.

The practice of sterilising the mentally impaired and the poor continued until the late 1960’s in California, which also involved homosexuals, lesbians and political troublemakers being forcefully incarcerated in asylums.

You can also fathom from where the Nazis originally derived their racialist idea of a chosen super-race, who saw themselves as being superior to the copied original.

Wherefore the Nazis initiated their final solution, which the Church of Rome could not achieve; but then, it had been far too busy of a prior age, eradicating the ancestral-self-identity of Europe.

Although all the above is very much a generalisation you will be able to go more in depth, when looking into ‘historical facts,’ which will lead you to determine that it is a nightmarish comedy of errors right out of the 1969 film, ‘The Magic Christian.’

The film is an unrelenting dark satire on capitalist greed, abuse of power, and the total enslavement to money; hence all, are as slaves.

The madness of which has been self-perpetuated down the generations, by all those who have found themselves being indoctrinated into a cultic mind-set, who blindly prefer looking for Franz Bardon Biblical demons under their Masonic beds, rather than seeing the Illuminati truth of the most obvious, that they have appropriated the ancestral-self-identity of another people; wherefore, their ‘nervous systems’ are heavily imprinted; hence totally brainwashed.

An analogy would be that of a European being forced to adopt a Native American Spirituality, who then considers himself/herself to be of a lost Indian tribe, or being a reincarnated Indian, and not only that, he/she would also see himself/herself as being superior to the Indian; wherefore the Indians have to be exterminated, because they occupy the land the wannabe Indian wants as his/her own, of a Skinwalker ‘Golden Dawn.’

There is also the symbolic curiosity of a Magic Christian being crucified upon the Solar Cross of the Zodiac betwixt and between a six pointed Star of the Sun and the sickle Moon, which of symbolism refers to Christ being crucified between a land thief and a murdering terrorist; you might even start to wonder, if the three of these cults secretly got together of an Illuminati triad, to set it all up.

The probable truth of the matter is that all three have blindly appropriated the elder shamanic symbolism, which unified peoples across the globe to make as their own cult brand, to thereby have control over; wherefore the reasoning behind why they they habitually destroy elder cultures.

This is revealed when you look into the third-eye Shiva terminology of Yoga, to find the Pingala (Sun), Ida (Moon) and Sushumna, which refers to the nerve channels of your nervous system. The Pingala nerve channel of the Sun is on the right side of your spine, the Ida nerve channel of the Moon is on the left side; both of which belong to your autonomic-nervous-system.

Whereas the central nerve channel of the Sushumna, running along the centre of your ‘world tree’ of a spinal column, belongs to your central-nervous-system.

When the Ida and Pingala are brought into balance via hypnagogic (third-eye) trance, an inner energy is awakened along the Sushumna, called the Kundalini Shakti, which is personified as a Goddess, who is otherwise known as the ‘fire snake,’ whom illuminates the skull of an (Odqan) adept, as an inner fire. This internal experience is associated with your pineal gland.

You might otherwise theorise that it is all part of some awful process, which is leading humanity towards a global government, just as tribes, became nations, nations became countries, leading thence to empires seeking dominion over the entirety of the globe, by branding an ancient connection between all peoples, as their own.

This however, requires blinding your third-eye; for as a seer, you would sense the connection between all.

The methodology of the Borg, is that of divide and conquer; hence they do not want you to see as a seer.

One thing for sure, Imperial Rome is still around, as the author Philip K. Dick related in his novel Valis, “THE EMPIRE NEVER ENDED.”

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