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LEGION WORLD KILLER

Posted in Art, Chaos Magic, Comics, fantasy, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 10, 2019 by FAUSTUS CROW

The King In Yellow, having yellow eyes, Robert W. Chambers, to know as his Shadow King, who peruses ‘Aubrey’ Beardsley’s Yellow Book; while H.P Lovecraft dreamt of Leng, which of a rough land, the Iberian’s call ‘Plaza.’

The King In Yellow, Shadow King, the Elf, Alberic be, whose name means, Fair Ruler Of The Little People, the Animus fixated Christian’s later knew as their Devil.

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Though a disenchanted convent schoolgirl Witch-Nun called Christina, may rip off her habit, and Tantric dance before Alberic, to otherwise call him ‘Aubrey.’

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But then, the name of ‘Aubrey’ is originally derived from ‘Alberic.’

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The King In Yellow, Shadow King, Marlowe’s and Goethe’s, Faust to conjure up as an Alberic, to name, Mephistopheles, whose planetary correspondence is Mercury of Yellow eyed colour.

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The King In Yellow, Shadow King, Faust, to have conjured him as his monster, Mephistopheles. But why? Many would usually answer, “because he is barking mad!”

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But the truth be, that The King In Yellow of a Shadow King and that of its dualistic counterpart of a God, is a viral-meme parasite, which of an UR ziggurat egregore rides the brains of many an indoctrinated male.

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The question is, will he ever see the dark truth of its ongoing brainwash down the generations?

The King In Yellow unto Shadow King be an archetype of the deified Animus, made as a God and Devil, which resides within the psyches of all protesting females, whose Queen Bee Beehive of a Pyramid psyche points at Star Trek Orion.

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The King In Yellow, Shadow King, many would consider to be a male hunter of the Orion constellation, whose criminal syndicate of toxic males is commonly believed to be enslaving dominated women down the Fifty Shades Of Grey ages. Women are said by Hollywood relationship gurus, to come from meek and mild Green sphere Venus, who would not harm a Martian fly.

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But such is an illusory facade, the deeper symbolism actually reveals the Animus projection of huntress woman, whom makes a man as an unknowing hive-mind slave, who be her worker-Bee.

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She hates to love, loves to hate, the Alpha male beast; she, as a Babalon ever seeks to Bene Gesserit tame, and when Beta tamed, she looks to another Alpha male beast to ride.

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The King In Yellow, Shadow King, of a deified Animus made as a God and Devil, blinds the man from seeing his Anima, which has been castigated out of the symbolic equation as the Fallen.

But should he desire to seer her, to thence conjure amidst his Triangle Of At imagination, he is then enabled to free himself from the parasitical viral-meme chains of the deified Animus.

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His thoughts, then to mutate beyond the religious/political cultural-construct of the deified Animus and its symbolic Matrix.

The alchemists called the fifth element the Anima-Mundi, meaning World Soul, Carl Jung to have termed as the Anima, who be the quintessence of erotic desire, as well as being the symbolic interface with the collective unconscious dream.

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The Hindu knows the Anima as Shakti, who manifests as a sexy dark haired girl, sitting astride the lap of a lord of Yoga, whom to dance as Shiva. As the ancient Hindu adage goes, “A God is not a God, without his Shakti.” 

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A lord of Yoga knows how to mutate his consciousness into other arenas of perception, by assuming the Avatar guises, of alternate-selves within quantum computing lucid dreams; whence his shaman name is Legion.

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A Tibetan Buddhist terms the alternate-selves as being male role-model raging Buddhas, and each raging Buddha is copulating with a female aspect of Shakti, called Dakinis, whom empower the raging Buddhas.

The Dakinis can be conjured within lucid dreams as (Succubi) Succubae, when to consciously impregnate the (phase) hypnagogic hymen veil of Nigredo trance.

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Alas, the monotheistic paradigm of the deified Animus made as a God and Devil, has cast the Anima and all her Succubae Great Old Ones into the pit of a politically incorrect Hell as being Entartete Kunst sexist. The war upon the Anima, which resides the male psyche continues!

The King In Yellow, Shadow King, of the three deified Animus big-business cults, would be overthrown, along with all their neuro-marketing monotheistic works to fall, across the globe, when its illusion is killed by the World Killer.

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Such to occur when the mutated Shiva consciousness of a Faustian Legion, conjures up his fallen Anima as a sexy lost girl ‘Aubrey,’ who has a wicked sense of humour, to mantra name, Mephistophina.

NOTE: FX and Marvel Television announced in October 2015 a new collaboration to create a television series, which is loosely based in name only upon the X-Men character (David Haller) Legion. The comic character of David Haller is in turn loosely based upon Harry Haller from Hermann Hesse’s surrealist Jungian novel, Steppenwolf. 

Noah Hawley was signed on to write and direct the pilot for FX’s Legion who wanted to show David Haller as an “unreliable narrator”, including mixing 1960’s psychedelic design with modern-day elements, and filming the pop-surrealist series through the principle character’s distorted view of reality. The eight-episode first season of Legion first aired from February to March 2017, which received critical acclaim.

Lenore “Lenny” Busker (portrayed by Aubrey Christina Plaza) is David Haller’s friend with a history of drug and alcohol abuse. The name of Lenore is the short form of Eleanor. This was the name of the departed lover of the narrator in Edgar Allan Poe’s 1845 Corvid poem ‘The Raven.’

As for Busker, it is a common term for a person who performs music or stand-up comedy entertainment in the street or another public place for monetary donations. Eleanor is derived from Alienor, a Provençal form of the Greek Helenē, which is derived from the element ēlē, meaning, light, torch, and bright.

Aubrey is an English given name. The name is a Norman French derivation of the Germanic given name Alberic, which consists of the elements, Alb, Alf “Alf” and ric, “power”, with the meaning of “Fair Ruler of the Little People”.

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The Germanic, Alb is generally agreed to be cognate with the Etruscan Alp (also a name for a Succubus) and Latin Albus, which means white. It is also a name given to a vestment worn by a priest. You also have Icelandic álpt. These all come from an Indo-European base albh-, which are connected with the idea of light, torch, bright, and whiteness.

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The (Aubrey) Elves were originally seen to be female entities dressed in white, who are made out of (Eleanor) light as well as being associated with singing strange (Busker) melodies, while creating faerie-circles on (Plaza) rough ground, with their Tantric dancing.

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Their erotic dance would shock a Christina Nun, although she might just join in, should Christina be a Witch, having a wicked sense of humour.

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Plaza was cast in February 2016. Busker was originally written for a middle aged male, until Hawley met Plaza and rethought the character. Plaza insisted that the character’s dialogue wouldn’t be rewritten for her, instead, she decided to to play the character as both male and female. You could otherwise determine that she is playing the part of the Fallen ‘Anima.’

This led to Busker “making crass remarks about women and muttering vintage phrases”. Plaza’s inspired performance, which she described as kind of “unisex, androgynous”, was inspired by the Aleister Crowley fan, David Bowie. Although Bowie lean’t more towards feminising the Animus projection of his adoring female audience.

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While preparing for her E-Lenore role, Aubrey decided that her Busker hands would be covered with small sigilic henna tattoos.

The henna tattoos had to be ritualistically applied every day before filming her Performance Art magic, when to Catwalk as an Elf across the Plaza.

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DOCTOR STRANGE UFO

Posted in Alien, Chaos Magic, Demon, Demonology, Extraterrestrial, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 4, 2016 by FAUSTUS CROW

The Marvel character of a Sorcerer Supreme called Doctor Strange was created by the artist Steve Ditko, who utilised surrealistic imagery and increasingly vivid psychedelic visuals, which helped make the master of the occult arts, Doctor Strange, a favourite character during the hippie era of the 1960’s.

But the Faustian character of Doctor Strange, is not alone, he is aided by an otherworldly girl from another dimension, called Clea, you could easily equate with a female version of Mephistopheles, who would be an ultra-terrestrial Succubus.

No doubt Doctor Strange has a grimoire looking like a comic book, out of which he can conjure many another ultra-terrestrial Succubus, in order to access other dimensions via his lucid dreams. Although, it will never be featured in a comic, let alone a Marvel team-up Disney film.

The Comics historian Mike Benton related: “The Dr. Strange stories of the 1960’s constructed a cohesive cosmology that would have thrilled any self-respecting theosophist. College students, minds freshly opened by psychedelic experiences and Eastern mysticism, read Ditko and Lee’s Dr. Strange stories with the belief of a recent Hare Krishna convert.”

“Meaning was everywhere, and readers analyzed the Dr. Strange stories for their relationship to Egyptian myths, Sumerian gods, and Jungian archetypes.” 

The then-associate editor and former Doctor Strange writer Roy Thomas in 1971 recalled: “People who read Doctor Strange thought people at Marvel must be (drug) heads, because they had similar experiences high on mushrooms.” 

The comic historian Bradford W. Wright, noted: “Dr. Strange remarkably predicted the youth counterculture’s fascination with Eastern mysticism and psychedelia.” 

Should you be looking for a real Doctor Strange, then  John Alva Keel, would be a good candidate for the role of the Sorcerer Supreme, who was an American journalist and influential UFOlogist.

Of course some will point out that Keel did not wear a flamboyant superhero costume; but such is all in the mind.

Whereas, unlike Marvel’s Doctor Strange, Keel’s occult adventures were for real. As for his inspiring Muse of a Clea, he did not reveal his Faustian Coitus-Pactum.

Keel did wear a kind of distinctive superhero costume, though of a far more down to Earth sort, which inspired the attire of the occult investigator, named Carl Kolchak, who was featured in the cult film and TV series Nightstalker.

Kolchak was based upon Keel; although he is best known as being the author of The Mothman Prophecies, which was later made into a movie.

There is also the distinct possibility that Keel’s bigger than life personality and colourful tales of travelling into the shadowy occult corners of the world had also inspired the creation of another comic strip character, ‘John’ Constantine.

Another candidate for Doctor Strange, would be that of a scientist, since Strange was initially a neurosurgeon; one such scientist would be Jacques Fabrice Vallée who is a venture capitalist, computer scientist, author, Ufologist and former astronomer. Vallée is notable for co-developing the first computerized mapping of Mars for NASA as well as for his work at SRI International on the network information centre for the ARPANET, a precursor to the modern Internet, which I might add was developed by the US Department of Defense.

Vallée had initially defended the scientific legitimacy of the extraterrestrial hypothesis, but he later changed his tune, who then promoted the Doctor Strange inter-dimensional hypothesis, which was prior postulated by Keel.

Keel and later Vallée came to the conclusion that the UFO phenomenon and other ‘strange’ phenomena involving experiences of (Succubi) Succubae, vampires, ghosts, bigfoot, dwarves, giants, angels and demons etc, are all interconnected.

Keel started to see the reports of varying types of entities as being ultra-terrestrials, which of commonality, tend to be mostly humanoid.

The appearances of humanoid entities can be understood as culturally-bound manifestations of non-human intelligences that communicates with us from another dimension via our own consciousness, being that of our surreal dreams.

Unlike many others who write about otherworldly entities, or, as the more serious of inclination like to call it, ‘Crytozoology’, Keel does not take himself too seriously, which makes his books a breeze to read, like reading a Doctor Strange comic. Keel himself may not believe verbatim in every anecdote he manages to dig up. But Keel, being a journalist knows that the fun is in the reading, to not necessarily believe or disbelieve in their conjured memes, such as those viral-meme entities, which populate the internet; basically, it is best to keep an open mind.

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If you are otherwise looking for supposed scientific studies of succubae, shadow-people, men in black, ghosts, angels, demons, dwarves, elves, bigfoot, sea serpents and other unverified terrestrial life forms as well as aliens etc, you had better avoid Keel’s books, because he is not at all interested in placing these ‘strange’ phenomena into separate boxes; he otherwise lumps them all together, under the term ultra-terrestrial, which some will point out is not too different to that of a shamanic perspective, since the ultra-terrestrials are creatures of dreams.

The ultra-terrestrials of UFO lore have evolved over time; after WWII, since 1947 to the late 50’s, they were often described as being Nordics, during the Vietnam era, of the 60’s to late 70’s the ultra-terrestrials were seen to be dark skinned Asiatics. When the the 80’s hit, after the publication of Whitley Strieber’s book, Communion, which featured the now iconic Grey alien on its cover, (Strieber had equated with the Sumerian/Babylonian Goddess Ishtar) the Grey’s have taken centre stage amidst the collective unconscious since the invasion of Babylon, buried under Baghdad.

It just goes to show how powerful the media is in influencing the subconscious minds of the populace since the 1947 Roswell incident, which just so happened occurred around the same year the C.I.A came into being. The influence of the media over the imagination of the mass populace, did not go by unnoticed; hence, the US Department of Defense development of ARPANET, and the ensuing involvement of the C.I.A, which to have later become the conduit for engineered viral-memes, such as the orchestrated focus on 2012.

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Consider for a moment, the essence of your dreams are that of electrons and that said electrons could be mini-wormholes, as postulated by the American theoretical physicist John Archibald Wheeler; then, you could then further theorise that if another intelligence sought contact with other sentient species throughout space-time, they would send information via these mini-wormholes, which would be interpreted via the symbolic interface of their dreams; this would be more so the case when the experienced dreams are fully lucid, which would also overlap into visionary (psychedelic) states.

The information will be interpreted by the contactees organic and culturally hewn symbolic languages, which in the case of human contacts, will invariably lead to the prevalence of the humanoid form, as well as other recognisable terrestrial forms.

Some UFO proponents accepted the inter-dimensional hypothesis because of the distance between stars makes interstellar travel totally impractical, when using what scientists presently understand.

Nobody had demonstrated nuts and bolts antigravity or faster-than-light travel that could explain their supposed extraterrestrial machines, whose manifestations never leaves behind any proof of their existence. Whereas the inter-dimensional hypothesis points at the UFO’s as not being spacecraft, but rather devices, which can travel between different realities, in other words, they are time machines.

A time travelling capable civilisation would be able to contact other sentient species via their dreams, let alone contacting their own ancestors in order to engineer alternate time-lines, as well as being able to travel between the stars nigh instantaneously, whose time travel visitations will not leave behind any physical evidence.

What is more, if the time travelling capable civilisation is our own in the future, your time-travelling descendents will play ultra-terrestrial surrealist games with their ancestral contacts in order to disguise their terrestrial origin in the future, since they do not want to reveal that their civilisation surrounds your own, just as your own surrounds an unknowing stone age tribe in the Amazon jungle.

Should they have a mishap, with one of their craft crashing, the military is always there to pick up the pieces, which indicates it is either one of their own devices or that the military are in cahoots with your time-travelling descendents, or both, of the very human!

There is also the possibility that a future civilisation has the necessary computing power to create ancestral simulations. One such simulation you might just exist within; whereby your time-travelling descendents can essentially ‘Browse’ their way across the internet of time.

Who, if they so choose can also assume differing humanoid forms, which will be all as holographic Avatars, when engaging themselves with their simulated contacts, or otherwise get their contactees to observe whatever they want them to see.

Whereby there will be hardly if any physical proof left behind after the encounters, unless they want to play surreal video games with their X-File simulations.

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The inter-dimensional hypothesis and that of the associated ultra-terrestrials leads you to the paranormal and in turn the Dr Strange domain of the occult. The association with the occult is often utilised by those who use it as viral-meme fear porn about demons in order to validate their Biblical agenda, which feeds into the vast majority of UFO reports stemming from out of America in particular, since Kenneth Arnold’s UFO sighting, followed by the Roswell incident.

The Biblical fear porn is a reaction against the expansion of the human imagination since the late 40’s, which occurred in league with the atomic age (Nordics), space age (Asiatics) and following information age (Greys), whose technological developments had been subconsciously translated into the archetypal entities of Ufolore, which really took off during the 80’s; probably because of advancements being made in (Greys) artificial intelligence and (Hybrids/Reptilians/Eugenics) genetics; much of this evolving research is tied up with the military industrial complex.

The occult is more about understanding the nature of consciousness, which is tied up with your experience of time; when to attain mastery over consciousness and in turn time, you then have the paranormal and extra-sensory perception.

However most researchers who investigate UFO’s habitually filter out as much of the paranormal as possible in order to make the rest nuts and bolts. Not John Keel. He embraces and seeks out those reports, which other researchers habitually leave out of their rather biased research. So, if you are looking for Doctor Strange reports, which take a shotgun blast at consensus reality, then John Keel, Kolchak, is your real occult superhero.

There are many researchers who investigate sightings of mysterious creatures, such as bigfoot who will try to determine bigfoot’s biology, theorizing about missing links and surviving pockets of Neanderthals. John Keel, otherwise, delves into ‘fringe’ examples of bigfoot being sighted in the vicinity of UFO’s and the associated men in black.

When Keel gets around to the modern UFO theorists, from Whitley Strieber to Budd Hopkins, he lets rip, quoting Strieber as saying “…the so-called UFOlogists are probably the cruellest, nastiest, and craziest people I have ever encountered.” 

The reason why many a Ufologist can be quite crazy is because their research, has no physical proof, which relies solely on ‘belief,’ this invariably leads to a religious fixation, and in some cases the creation of UFO cargo-cults, such as those of the Raelian’s and the Scientologists who compete against each other for dominance, just like many another big-business religion.

The same applies to those who are into bigfoot and other creatures of the night-side, who have a dogmatic tendency to see them as being quite separate phenomena, whose sense of humour has completely gone out of the ‘window;’ this is especially the case when some religiously inclined researchers believe these critters as being evidence of Biblical demons.

However, Doctor Strange Keel, uses his sense of humour when investigating what is generating all these reports of monsters, aliens and devils, etc, who did not care what others thought about him.

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But, then Keel had travelled extensively, experiencing things, that other researchers only cover second hand. Keel is not dogmatic about what he wrote about; he presents the absurd and the chilling alongside the verified hoaxes and the misinterpreted. Keel will seem to be the ultimate ‘strange’ flake to some, who believes nothing and mocks everything; for others, his Doctor Strange research is a breath of fresh air amidst a field dominated by self-important egomaniacs.

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SATANA SUCCUBUS OF SATANIC MAYA MATRIX DELIGHTS

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 23, 2015 by FAUSTUS CROW

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The name of Satan is a Hebrew word; which is spelt, Seen-tayt-noon. In colloquial Hebrew it means the ‘adversary’ or the ‘accuser,’ which can be equated with the Hindu concept of Maya. The term, Maya is also a name of a Goddess, who creates the Illusion of realty birthing all material form.

The Hindu and Buddhist usage of the term of Maya describes all material form as being an illusion, like that of a (Matrix) computer simulation. As for the illusory nature of reality, it is backed up by the findings of Quantum Physics. The usage of the words ‘adversary’ and ‘accuser’ can be seen as a veiled reference to the feminine birthing all form, which is considered to be an illusion and that of a lie.

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Maya and that of her creation of nature, was the prior Anima focus of the animist belief systems, which the Animus inclined monotheistic belief system of monotheistic Judaism had castigated as being its ‘adversary;’ hence ‘accuser.’

This monotheist perspective was carried over into the extremes of Gnosticism, whose philosophy considers nature to be essentially evil, which, of an extreme philosophy then informed Christianity and in turn Islam.

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Each of the three letters of ‘Seen-tayt-noon’ is also a word in its self, whereby each word also has its own intrinsic meaning. According to the Hebrew Cabbala ‘Seen’ represents a movement, a universal or cosmic motion, which underlies the movement of all things in the universe.

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This movement is pictured by the Cabbalists as the breath of their God returning from the material plane, back to the infinity of the creative principle, to thence return once again to matter, for the process to endlessly repeat. Basically, when an individual becomes incorporeal, the essence of the individual is seen to return back to the (energy/information) source, from where the individual is then re-birthed back into matter via the female of a never-ending repeat, which you could term as eternal recurrence.

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An analogy would be that of going through a vaginal (Vesica Pisces) door, when being birthed into the world of your three dimensional existence, wherein you experience the fourth dimension of linear time.

To then later leave, incorporeal, through another door. But the two doors are actually the same door in the fifth dimension, of an eternally recurring closed-timelike curve.

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The word ‘Tayt’ represents a cellular structure such as the mitochondria, which carries a memory ‘engram,’ of genetic information passed down from the mother to her children as well as referring to a neural circuit, or any other cybernetic analogy representing a basic structure exhibiting a cell like nature. It is essentially a feminine concept, which tends to enclose energy and therefore information, repeating it’s self like that of a closed-timelike curve, symbolised as an Ouroboros.

It is a cybernetic self-referencing process, which continues to build its self in its own image, which the Tibetan Buddhists perceived as a Tulpa creating Tulpas like its self, amidst a Tulpa realty of a (Maya) thought form. Like a simulation, you have pixels, which are your atoms; these atoms/pixels are programmed to create building blocks such as the (Serpentine) mitochondrial DNA. The DNA are the building blocks of all carbon-based-life-forms. The Carbon atom, has 6 protons, 6 neutrons, and 6 electrons, whose atomic number 666 is the number of all carbon-based-life-forms upon the planet including humanity.

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Finally ‘Noon’ stands for a high principle operating within the cosmos. This is the principle of cosmic indeterminism, which is fundamental to Quantum Physics. Whereupon you have a fifth dimensional state, where you simultaneously exist and do not exist like that of Schrödinger’s ‘Pussy’ Cat.

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As an aside of an artistic Seen-tayt-noon conjuration, there was a most curious phenomenon concerning the comic book medium, which manifested as a rebellion against the constraints of the Biblical Comic Code, at the end of the Vietnam war.

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During the end of the Hippie era seventies there were a number of comics investigating certain female (Anima) archetypes, which are essentially symbolic reversals, such as Warren comics reversal of Dracula, which led to the creation of Vampirella. There was also the Atlas-Seaboard comic, entitled Devilina. In Italy you had the adult comic, Lucifera, which hearkened back to Lucifer’s origins as the Roman Goddess, Diana-Lucifera; whereas Marvel comics had Satanic… Satana.

Vampirella was hugely successful, which eventually led to a film. However her iconic character became fused with the more mythic Satana, when the publishing house of Warren Comics went bust, which was a darn shame. This invariably led to the ascendancy of Satana of a collective focus.

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I still remember reading the Satana comic as a kid, which I utilised as a, I Lucid Dream of Jeannie, grimoire to conjure from, since I considered the medieval ilk of grimoires to be rather boring, whose tomes had no Succubae populating their monkish pages.

Satana is still very much part of the Marvel universe, even though she has since fell out of favour, because of a resurgence of religious conservatism after 9/11, along with a feminist backlash over her skimpy costume. But then, what do they expect, she is described as being a wet-dream Succubus archetype of the Fallen Anima.

Her character apparently had interactions with Doctor Strange who is in the offing for a film. Whether Marvel will make a film about Satana is debatable, due to Disney’s involvement, whose studio doesn’t want to inspire many a little boy to whack off under their bed sheets, while howling out barbarous Goetic incantations, over four colour two-dimensional pictures.

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This is more so the case due to Lady Thor Whoopi Goldberg of the Swastika hammer who will probably not be too keen on the idea of a film about Satana, even though her feminist sister in the hood, Oprah Winfrey is into Twilight Porn, 50 Shades of Grey.

But then they have to pander to a Christian audience of Mary-quite-so-Contraries, whose shady infatuation for Bad-Boy Vampire-Necrophilia, and Werewolf bestiality, indulges in ensuing Animus fantasies of being dominated by Incubi.

So, if a mage seeks to understand why the Satana archetype has fallen from grace, he doesn’t have to look too far, when to investigate the feminine hordes collective focus upon their deified Animus of a Twilight ‘Christian Grey’ Incubus.

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Such a mage might Harry Potter assume the internal guise of Christian Grey in order to engineer a synchronistic meeting with E. L. James, or that of other Hermione Witches like her, of similar big-Vatican-bank accounts, which are being filled with feminist shekels.

In general, it appears that Witches are symbolically driven. Their overriding symbolic fixation upon the male principle can be determined when to look at the present media, which is very much tied up with an ongoing religious focus upon the monotheistic paradigm of the deified Animus.

The Witches symbolic infatuation upon an All Father Animus God, crucified God-Guy Beta-Male and an Alpha-Male Bad-Boy Devil, along with machismo Angels and butch Demons, they themselves had forged around a Christian Grey.

Hence birthing his dominator culture of an illusory construct.

But the quite-so-contrary Marian Witches can’t help themselves, they have been Seen-tayt-noon hardwired that way of a Bene Gesserit genetic imperative.

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BLACK WIDOW AVENGER PSYCHIC SPY SABNOCK

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, CREATIVE WRITING, Discordianism, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 2, 2014 by FAUSTUS CROW

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The Forty-third Succubus archetype of the Fallen Anima, is called Sabnock.

Other spellings of the name include, Sabnacke, Salmac or Savnok, though ‘Animus,’ of a common label; the ‘Anima’ version of which is Sabnocki.

She is a Marchioness of the ninth planetary dimensional sphere, mighty, great and strong, who looks like Natasha Romanova, out of the grimoire comics of Marvel.

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Sabnock had originally been incarcerated into a male form by Solomon’s monotheistic minions of the deified Animus in order to bind her ‘Anima’ power.

But she eventually escaped her patriarchal prison of a deified ‘Animus’ fixation.

She then took flight into her new Genie residence within a Russian doll, which found its way to Stalingrad (now Volgograd) prior to WWII.

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It was from this Russian doll of a spirit repository, Sabnock’s Succubus influence set about influencing the dreams of those around her during the Cold War.

Who, as mentioned earlier, was seen to look like Natasha Romanova out of the capitalist Marvel comics, of which many of the KGB personnel secretly read.

This led to Sabnock being known as the, ЧЕРНАЯ ВДОВА, ‘Black Widow,’ who of secretive whispers among the KGB became a most sensual shadow Muse of Russian psychic agents.

She informed the Russian psychic agents in the spy craft of remote-viewing, psychic martial arts, and dream assassination, which of dark psychic warfare teachings she communicated in depth, via those erotic dreams she induced.

When a male practitioner was visited by this fellatio loving Succubus, her hungry kiss was termed by the Russian operatives as the electrifying, ВДОВЫ УКУС, ‘Widow’s Bite.’

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Her look is very feline, like that of a Lioness, who of visionary manifestation amidst the Triangle Of Art imagination initially wore a tight clinging evening dress and a veil, but symbolic fashions do change.

In response to growing intelligence claims, that the Soviet program had produced results in the arena of psychic warfare, via their conjuration of a Fallen Anima archetype of a Succubus, the American’s reacted.

Even though it sounded absolutely crazy, the American’s decided they had to rapidly nip it in the bud. The U.S. wanted her Black Widow beauty for their own Psychic Avengers.

Sabnock was eventually appropriated by the U.S., when her spirit repository of a puzzle doll was secretly smuggled out of Soviet Russia by sea, within a small statue of a pale silver Pegasus by United States intelligence operatives.

The American’s believed that the Soviet Union was spending 60 million rubles annually on ‘psychotronic’ research, which was based upon Sabnock’s dream revelations.

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After appropriating Sabnock the CIA Avengers initiated funding for a new program: SCANSUC (Scan by Succubus) in 1970, which had been inspired by Sabnock’s dream communications.

Remote viewing research began in 1972 at the Stanford Research Institute (SRI) in Menlo Park, California.

Although she initially missed her Baba Yaga homeland of the Russian Bear.

Proponents of the research said that a minimum accuracy rate of 65% required by the intelligence clients was consistently exceeded in the later experiments, when the operatives had erotically interacted with Sabnock within their lucid dreams as a very hot Marvel superheroine.

The shocking details concerning the erotic empowerment of the operatives remote viewing lucid dreams was of course covered up.

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During 1977, the Army Assistant Chief of Staff for Intelligence (ACSI) Systems Exploitation Detachment (SED) started the GONDOLA WISH program to ‘evaluate potential adversary applications of Sabnock’s communicated remote viewing techniques, which of Genie practicality, required that she rode the Gondola erections of the operatives.’

Army Intelligence then formalized this in mid-1978 as an operational program GRILL FLAME, since Sabnock is a really hot Succubus.

It was based in buildings 2560 and 2561 at Fort Meade, MD as INSCOM Detachment ‘G,’ which of a letter is used in Freemasonry. (The letter G refers to the seventh Gebo Rune, looking like an X of Crossbones, which represents hypnagogic trance. The experience of hypnagogic trance is known as the little death, wherefore you have the Skull.) 

In early 1979 the Sabnock research at SRI was integrated into GRILL FLAME, which was re-designated INSCOM CENTER LANE Project (ICLP) in 1983.

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During 1984 the existence of the Sabnock program was reported by Jack Anderson; a similar situation had previously manifested in Budapest.

This had occurred when an an unimaginative Soviet bureaucrat out of a Kafka novel, reported about the blacker than black psychotronic research to his superiors. However, bureaucrat Anderson was thankfully unaware of Sabnock’s salacious Succubus influence; although in that year his report was unfavourably received by the National Academy of Sciences National Research Council.

 

In late 1985 the army funding was terminated. But the program was re-designated SUN STREAK and funded by the Defence Intelligence Agency Scientific and Technical Intelligence Directorate (office code DT-S).

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In 1991 most of the contracting for the Sabnock program was transferred from SRI to SAIC, with Edwin May controlling 70% of the contractor funds and 85% of the data.

Its security was altered from Special Access Program (SAP) to Limited Dissemination (LIMDIS), and it was given the name STAR GATE.

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Both of these names, Sun-Streak and Star-Gate refer to the bio-photon emanating from the mitochondrial DNA, which illuminates your electron dreams.

In 1995, the defence appropriations bill directed that the program be transferred from DIA to CIA oversight.

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The CIA commissioned a report by American Institutes for Research found that remote viewing had not been proved to work by a psychic mechanism, and said it had not been used operationally.

The CIA subsequently cancelled and declassified the program so that it could continue underground.

This was more so the case since the operatives were conjuring up Sabnock to look like Scarlett Johansson wearing a spray-on superheroine costume, who took to her Genie residence within their Marvel meditation tool dolls, which had been specially designed by DARPA.

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Sabnock’s office is to build labyrinthine mind maps of ‘dream Inception’ in order to protect her conjurer from the malign intent of others, which involves creating high towers, castles and cities, and-to furnish them with armour, etc.

Also, she can attack her conjurer’s enemies with her Elf shot arrows, who will for many days be afflicted with psychic wounds, opening up traumatic emotional sores, which be rotten, and full of self afflicting worm thoughts, until they change their ways. This affliction is somewhat akin to being bombarded by a microwave weapon.

She bestows most loving Succubae familiars upon her conjurer at his request. She commands 50 Legions of Succubae; and her seal of the Fallen Anima is to be meditated upon prior to conjuring her into your lucid dreams.

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Sabnock is a composite name, which is derived from the words, Sab and Nock. Sab refers to, a person engaged in direct action to prevent a targeted activity taking place, which is derived from the word ‘Sabotage.’

Wherefore Sabnock takes deliberate action, which is aimed at weakening the oppression of a polity or corporation through subversion, obstruction, disruption, or destruction.

In society, sabotage can be otherwise artistically exercised by reversing the established symbolic dialogue in order to set about causing change of a statically controlled perception, of which the Dadaist’s and associated Surrealist’s engaged in, of sabotage, as artistic saboteurs.

An example of which is sabotaging the establishments use of politically-correct Entartete Kunst mass-censorship and its corporate funded SJW agenda, which is tied up with eugenics and population control.

It is said that the word Sabotage was originally derived from the Netherlands, now Belgium, during the 15th century.

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The word cam to the fore when workers threw their ‘sabots’ (wooden shoes) into the wooden gears of the textile looms to break the cogs, fearing the automated machines would render the human workers obsolete.

As for the word, ‘Nock,’ it refers to fitting an arrow to a bowstring; mentioned during the 1510’s, which symbolically alludes to an arrow of thought being set to fly by the bow of your rebellious mind.

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DOCTOR DOOM CONJURES VAPULA OORO MUNROE, SHE’S SUCH A STORM

Posted in Art, Chaos Magic, Comics, Cosplay, CREATIVE WRITING, Discordianism, Film, Goetia Girls, Horror, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 6, 2014 by FAUSTUS CROW

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Within the rancid skull of castle Doom, surrounded by the Eastern European iron forest of Latveria, the black magician Doctor Victor Von Doom made his way down a shadowed spiral stairway of ancient crumbling stone into the castle’s ritual chamber.

Within the ritual chamber of an infernal mind laboratory, Doom’s chief Tulpa engineer of the necromantic arts was apparently knitting together a Tulpa for Doom’s Solomonic spectral army of demonic slaves; or so Doom thought.

Doom boomed out of an echoing voice as he entered the cavernous laboratory, which looked more like an arcane art studio, “I hear that you have accomplished the deed I set forth for you, doctor Frankenstein.”

Frankenstein turned around from the canvas slab to which was bound a knitted together exquisite corpse of an oil painting, whose layers of paint involved the writing of intricate sigilic formulae around the Moon phases. Over these twenty eight layers of tattooed skin, the final painting was done.

The finished work of ritual art was then covered by a silk black cloth depicting a copper coloured inverse pentagram.

“Yes, indeed, I have achieved what you asked of me, and far more.” Doom stared at Frankenstein; “more you say, most intriguing. But, I will be the judge of that. I desire to see this demonic grimoire Tulpa, I commissioned you to create, so that I will be enabled to control the weather systems of the whole world via its Necronomicon conjuration. With this catastrophic power I will destroy the old world, in order to initiate the return of the Golden Age under my New-World-Order dominion. Now, show me my new slave!”

“Of course.” Frankenstein answered, as he pulled away the black silk cover revealing a life size painting of a most beautiful African woman. Doom was at first taken aback; “What in the nine Hell’s is this? I was expecting a classical death metal demon of medieval temperament. This creation is just a modern day glamour pin-up of Ooro Munroe. She looks like a Marilyn Munroe peroxide blond topping Halle Berry’s head; no different to an explicit mandala jerk off photo shoot for capitalist Playboy. If I conjure this, whatever it is, I will be thrown out of the OTO.”

He started to laugh, which is a bit of a rarity to say the least; hardly anybody laughs in medieval Latveria, least of all, grim Doctor Doom.

Frankenstein then said; “You don’t quite understand, Doom, she is the very essence of Ooro Munroe. This knitted together exquisite corpse is that of Munroe’s captured quintessence, now bound into planetary metals suspended in oils, to have accordingly coloured of dream sorcery, whose secret mantra name is Vapula.”

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Doom inquisitively looked at Frankenstein through the skull eye sockets of his shiny metal mask; “the quintessence of Ooro… her secret name is Vapula? explain!”

Frankenstein answered; “when you meditate upon the painting you repetitively intone the mantra name of Vapula; while to intermittently visualise her seal. This will enable you to initiate a hypnagogic state of trance. When you achieve the trance state, you can then evoke Vapula amidst your triangle of art imagination, which will then lead to a sixth sense lucid dream conjuration of her Succubus essence; whereupon you can then fully engage with her sensory reality, involving all of your inverted five pentagram senses.”

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Doom looked very perturbed, almost nervous; sweating even, to itch under his steamed up armour; “Succubus? What do you mean by the usage of this loaded term?”

Frankenstein wirily smiled to himself; “well, it’s somewhat self explanatory isn’t it doctor. You have to introvert your sexual impulse of a an emotional charge so that you can bring her to electrifying orgasmic life within your spun electron dreams. Wherefore Vapula then becomes as your most loving Frankenhooker mind-doll servant, who as a microcosmic Succubus Genie will service your every megalomaniac whim upon a macrocosmic synchronicity.”

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Doom shook his head; “I should have had you thrown into the deepest pits of the netherworld, long ago, Frankenstein, which is still on the Tarot cards.

The activation of this Tulpa requires my… ” Doom then nervously coughed, attempting to continue; “my sanctified Dr Strangelove seed of machismo prowess, which has to be kept eugenically pure at all costs. I cannot allow for this. I commissioned you to create a real Biblical demon; all bristling muscles, jagged spikes and serrated horns, or at the very least looking like one of Aleister Crowley’s phallic illustrations, or that of a morose H. R Giger Lovecraftian beast of writhing tentacles, siring Biblical end of days slaughter, when I desire it.”

Frankenstein sighed in exasperation; “Your fixation upon the classical Abrahamic symbolic paradigm of a branded mind-set, will invariably lead to you becoming upended by conjured Incubi, who will duly possess your Biblical anus through your rusting ritual magic armour. But, if that is your indoctrinated Golden Dawn leaning, go right ahead of an OTO sexual orientation. Do what you wilt, as the saying goes. But you do realise that by conjuring the Succubus Vapula, she will empower you to assume the alternate guise of the Black Panther, within a lucid dream as your Buddha Avatar, and in so doing, you can access all of his abilities, when you bind her to your iron will.”

Doom went silent for a moment, pondering the delicious possibility of entirely dominating Vapula and via her total subservience, she will enable him to acquire the power of the Black Panther.

Then Doom said; “this word, Vapula is derived from Vapulate, which means to flog, beat, whip or to strike, which has now perked up my sadomasochistic tendencies to dominate her. Tell me more about this Succubus, Vapula.”

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Frankenstein then explained; “Vapula is the Sixtieth Goetia Succubus, who is otherwise known as Naphula. She is a great, mighty and strong Duchess of the seventh dimensional planetary sphere. She at first appears in the form of a black Cat with Bat’s wings or that of a Sphinx, before assuming the exquisite form of Oroo Munroe, who, as you know, is also called Storm.”

“Her Witch office is to make her master knowing in all handcrafts and professions; also in philosophy, and other Fantastic Four DARPA sciences, such as those of Nikola Tesla, via whose X-Men science we now have the Avenger weather control technology of HAARP, she to reveal all about of remote-viewing.”

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“She governs over thirty six legions of Wakanda Succubae who emanate from Lilith’s Harem; and her seal or character, is thus depicted in her two-dimensional painting of a spirit repository, upon which you meditate in order to conjure Vapula into your three-dimensional lucid dreams.”

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Doom again went silent of pondering thoughts, before saying; “Vapula at first assumes the visionary form of a Witches Pussy Cat or that of an Egyptian Sphinx, you say; interesting. Tell me more about why she assumes the form of a feline Sphinx?”

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Frankenstein answered; “The word Sphinx, actually comes from the Greek, meaning, ‘to squeeze, to tighten up.’ The name is a reference to the factual observation that the hunters for a pride of Lions are the Lionesses, which kill their prey by strangulation, biting the throat of prey and holding them down until they die. However, the utilised symbolism, is that of an occult blind, which refers to an experience, termed as the Old Hag Syndrome or that of the Bedroom Invader. The Old Hag Syndrome usually occurs when a dreamer experiences sleep paralysis at the point of hypnagogic ingress into the dream, who is then assailed by a predatory Succubus. The presence of the Succubus can inspire intense fear in the dreamer, who will sense he is being strangled by his own nighmare made manifest, which could potentially lead to his physical demise.”

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Doom then interjected; “she sounds really dangerous, I like her!”

Frankenstein continued; “yes, she can be highly dangerous to the uninitiated who do not know her riddle. But when the fear is otherwise negated by the prior ritualistic Tantric introversion of the sexual impulse, the strangulation of the reptilian brainstem transforms its self into a erotic caress of a feminine hand to the back of the head. This then initiates a shift of consciousness towards the ‘hall of records’ cerebellum, where the dreamer consciously accesses the dream, who will then encounter the Succubus as his informing lover.”

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Frankenstein further related. “In Greek mythology, a Sphinx is represented as a daemon with a head of a woman, the body of a Lioness, having the wings of an Eagle, you could otherwise see as Gryphon’s wings, as well as sporting a serpent-headed tail. This symbolic formula refers to the arousal of an energy along the spinal column, which the adepts of Yoga call the Kundalini Shakti. The Kundalini energy is seen to have a female source. Whereupon you have a woman, who is termed as Shakti. This energy is often aroused by a visitation of a predatory Succubus, the Hindu, Buddhist or Tantric calls a Dakini.”

“Wherefore you have the motif of a Lioness, who will initiate an out of body experience, which is symbolised as the wings of an Eagle or Gryphon. The out of body experience, which is initiated by the visitation of the Sphinx will allow the dreamer to travel through time via his quantum dreams. This is the reason why H.G Wells had a Sphinx depicted upon the front cover of the first publication of his novel, entitled, The Time Machine. The Kundalini is also known as the fire snake; hence you have the serpent-headed tail of the Sphinx.”

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Doom lustfully smiled behind his mask, saying; “I am most impressed indeed. I think I will have to commission you to knit together more of these Succubae Mind-Doll’s for my spectral army, Frankenstein. In fact, my spectral army will be entirely comprised of Succubae. In the meantime, I will have my Latverian minions collect the grimoire painting to place in my bedroom, this very night of a much looked forward to conjuration. Oh! by the way, can I flog the painting with my Cat of Nine tails, while I masturbate…”

Doom to Freudian slip, who then had a hacking cough, to rectify of continuance; “I mean, meditate upon Vapula’s image, while whipping her essence into total submission to my divine will?”

Frankenstein answered; “if it be your visualisation pleasure to do so of a Spirit Chain ritual, go right ahead, whip away, to your dark heart’s beating content.”

Doom stuck his mask nose up into the air of a perceived superiority to then flamboyantly turn away of dramatic sweeping cloak, leaving Frankenstein alone. Although, he wasn’t quite entirely by himself.

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Frankenstein was surrounded by his necromantic comic art works of erotic knitted together Mind-Dolls. He waited until Doom was entirely out of psychic sight and clairaudient earshot before lighting up a Camel cigarette, who then merrily sauntered over to a hidden alcove, within which was another covered painting.

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Frankenstein whipped off the cover to reveal a life size painting of a naked female version of Doctor Doom.

Frankenstein knowingly smiled, saying to himself; “when I conjure you amidst my lucid dreams, my dear knitted together tin girl, of a dark delight, playboy Jupiter sphere Succubus; I will assume the guise of Doctor Doom. And in so doing, I will acquire all his abilities and powers, having total control over a spectral army of Goetian Succubae, who be all grimoire comic Marvel superheroines to erotically conjure amidst my triangle of art. Whereby I will attain dominance over the entirety of the Marvel universe, when I assume the Avatars of all the Marvel superheroes, who are empowered by their corresponding superheroine Succubae.”

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Frankenstein to have continued; “but I will not stop there; after conquering the Marvel universe I will move onto the superheroine Succubae of the DC universe and that of others myriad, of a multiverse, to fuck my way through, to rule over.”

Suffice to say, castle Doom was soon renamed castle Frankenstein; but at least he knows how to really Heyoka party of imaginative conjurations, let alone laugh away the moroseness of the indoctrinated medieval mind-set of the Lilliputian Latverian’s.

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DOCTOR STRANGE CONJURES HIPPIE WITCH GAAP

Posted in Alien, Art, Chaos Magic, Comics, CREATIVE WRITING, Extraterrestrial, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 26, 2014 by FAUSTUS CROW

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Portrayed as an advisor to sorcerers, with the power to make her master knowledgeable in all arcane sciences, and philosophy, the Succubus called Gaap is more than this, to the psychic Übermensch and remote viewer Aaron C. Donohoo.

Using the sorcery methodology of Faustus Crow, Donohoo’s summoning of this ancient Succubus, via his remote viewing session, was a time of pleasant rediscovery concerning childhood recollections about an invisible friend.

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He started to recollect that it was Gaap, who had been his personal Necronomicon Nightgaunt when he was a child; suffice to say, he was a very lucky boy.

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He remembered that Gaap informed him that he was going to grow up to become like Doctor Stephen Vincent Strange, (known as Doctor Strange) who is a superhero appearing in the comic books published by Marvel Comics, which Donohoo avidly read as a child.

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Donohoo now speaks fondly of those times when he was carried off by Gaap.

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He describes her to be a classic Witch, who sometimes assumed the guise of the Aztec Goddess Tlazolteotl.

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She would usually manifest naked at the end of his childhood bed, apart from being dressed in nothing more than a black robe wearing a conical hat.

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She then took him on out of body night journeys upon her Sabbat broomstick, to view the future events of fourth dimensional ‘signposts’ in his life.

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Gaap told him that she empowers the internal self image of a Doctor Strange, when coupling with a sorcerer within his eroticised dreams, of similarity to the Dakinis of the Tibetan Buddhist’s, who empower their Buddha’s.

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Each Buddha is essentially an Avatar, which is assumed as an internal self image via meditation by the practitioner.

The internal assumption of an Avatar enables the practitioner to become a Buddha within a lucid dream. This technique greatly accelerates the spiritual progress of the practitioner.

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The Buddha Avatars are empowered by a corresponding Dakini who personifies the (mitochondrial DNA) Shakti (bio-photon) power of the (electron) dream.

Whereupon Donohoo moulded his inner self image upon a Buddha Avatar of a Doctor Strange, who is empowered by the Dakini Gaap.

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The character of Doctor Strange is described as being a former neurosurgeon before he became the Sorcerer Supreme, the primary protector of Earth against magical and mystical threats.

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Donohoo saw the neurosurgeon as representing an in depth understanding of consciousness and neurology, and how to manipulate it via shamanic techniques of trance inducement.

Doctor Strange had originally debuted in the Silver Age of comics, whose character featured in several self-titled series along with Marvel-endorsed products, which includes video games, an animated television series as well as a direct-to-DVD film.

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There is other Doctor Strange merchandise, such as trading cards; all of which Donohoo obsessively collected of meditational aids, inspiring power objects and elemental weapons.

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Donohoo describes Gaap, as having silken white skin, which seemed to glow as if she had spent years under the sunless sky of the far North, who sometimes had silvery hair or to be otherwise black as a Raven’s wing.

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This Succubus taught Donohoo the arcane sciences of Doctor Strange, wherefore gifting him wisdom beyond his boyhood years.

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He said these events happened during the night, when she induced erotic lucid dreams. Many of the Doctor Strange events and fourth dimensional signposts of his life showed by this Succubus have already come true, just as she said they would.

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As for Doctor Strange, his character had been co-created by writer-editor Stan Lee and artist/co-plotter Steve Ditko. Doctor Strange made his eventual debut in Strange Tales #110 (July 1963), which is a split book, Strange shares with fellow Marvel character, the Human Torch who is a practitioner of Tummo Yoga.

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In issue #135 (August 1965), the Torch was eventually replaced by berserker Nick Fury until issue #168 (May 1968). Doctor Strange then appeared in issues #110–111 and #114, somewhat before the character’s eight-page origin story appeared in #115 (December 1963).

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The character is said to have been inspired by the Chandu the Magician radio program, which originally aired on the Mutual Broadcasting System during the 1930’s. Although Donohoo believes that they were psychically influenced from another dimension to create Dr Strange in order to empower his Übermensch self image.

Ditko drew the Doctor Strange feature through Strange Tales #146 (July 1966), it was during this period Ditko and Lee introduced many of the allies of Strange, such as his lover Clea, who made her, unnamed debut, in Strange Tales #126 (November 1964) around the same time that the TV sitcom, called, Bewitched was first televised, along with the Addam’s Family and The Munsters.

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Donohoo sees Clea as being a coded reference to Gaap, since both names have four letters, which in Runic numerology add up to the same Rune. Although Donohoe also calls Gaap by the name of Gaapa.

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Clea in Runic numerology adds up to 50, which is then reduced down to the 5th Rune of Raidho. Gaap adds up to the 23rd Rune of Dagaz, which also reduces down to the 5th Rune of Raidho.

The name of Gaap refers to the Ginnungagap (Gap) of Norse lore, which is the great yawning void between fire (0) and ice (1) from where all (Tulpa) form is created.

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The Ginnungagap is a symbolic allusion to hypnagogic trance, where the conscious awareness of a Sorcerer Artist is caught between sleeping (fire/spirit/energy/information/dreaming/microcosm) and waking (ice/physical/matter/hologram/waking/macrocosm); wherefore Gaap is a mistress of hypnagogic (superimposition () state) trance, which of an experience, is when the Sorcerer Artist takes account of his life, whereby leading to creative (Tulpa) artworks.

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The Rune of Dagaz means day, dawn, illumination and awakening, which Donohoe sees as a reference to the dawning age of Aquarius, of the Hippie era; whereas the Raidho Rune means wagon or chariot, ride and journey.

Wherefore, Donohoo equates the 5th Rune with a Volkswagen Type 2 camper van, which is quite apt for Gaap, since she carries her master through space and time of a magical mystery Sabbat tour.

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The Raidho Rune is similar in meaning to the Hebrew mystical tradition surrounding the chariot-throne of God, called the Merkabah as well as the Hindu chariot symbolism surrounding the Vimana, many equate with a UFO. Wherefore Donohoo believes that Gaap influenced Lee and Ditko to create Dr Strange upon whom Donohoo later modeled himself.

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Donohoo also sees the four letters of Clea and Gaap being associated with the 4th Rune of Ansuz, which is the shaman Rune of the Norse God Odin, the Saxon’s called Woden, who is the ‘Sorcerer Supreme’ of their shared pantheon, whom travels the multiverse world-tree of Yggdrassill, when to trance ride his eight-legged (TARDIS) mare of a ‘Spider’ horse called Sleipnir.

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Both Odin and Woden have a byname, which is that of the unknowable one, of an eternal question mark. The sacred colours of Odin/Woden are blue and black; whereby Dr Strange wore blue to now wear black.

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The name of Odin gave rise to the word Odd, which is used to describe anything ‘Strange.’ Basically, Dr Strange is a veiled reference to Odin/Woden, the master of the Runes, lord of the dead.

The enemies, of Dr Strange, such as Nightmare in #110, and the flame-headed Dormammu, were featured in #126 (November 1964).

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These superb stories showcased the surreal landscapes of increasingly occult symbolism, which enabled the feature to become a mystical favourite among the Timothy Leary college students during the, ‘make love, not war,’ Hippie era.

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The Comics historian Mike Benton made the astute observation: “The Dr. Strange stories of the 1960’s constructed a cohesive cosmology that would have thrilled any self-respecting theosophist. College students, minds freshly opened by psychedelic experiences and Eastern mysticism, read Ditko and Lee’s Dr. Strange stories with the belief of a recent Hare Krishna convert. Meaning was everywhere, and readers analyzed the Dr. Strange stories for their relationship to Egyptian myths, Sumerian gods, and Jungian archetypes.”

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Alas not all, were impressed by the ‘dawning’ age of Aquarius zeitgeist interest in Doctor Strange: “People who read ‘Doctor Strange’ thought people at Marvel must be heads (drug users),” recalled, the then-associate editor and former Doctor Strange writer Roy Thomas in 1971; “because they had had similar experiences high on mushrooms. But … I don’t use hallucinogens, nor do I think any artists do.” How wrong he was concerning the artists usage of power plants, although not all indulged; as Salvador Dali once said; “I don’t do drugs, I am drugs.”

As co-plotter and later sole plotter, who was highly versed in the ‘Marvel Method,’ of viral-meme brand sorcery, Ditko took Strange into ever more arcane abstract realms. In an epic 17-issue story arc in Strange Tales #130–146 (March 1965–July 1966), Ditko introduced the cosmic character Eternity, who personified the universe, he was depicted as a silhouette, whose outlines are filled with the cosmos.

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As historian Bradford W. Wright observed: “Steve Ditko contributed some of his most surrealistic work to the comic book and gave it a disorienting, hallucinogenic quality. Dr. Strange’s adventures take place in bizarre worlds and twisting dimensions that resembled Salvador Dalí paintings. Inspired by the pulp-fiction magicians of Stan Lee’s childhood as well as by contemporary Beat culture, Dr. Strange remarkably predicted the youth counterculture’s fascination with Eastern mysticism and psychedelia. Never among Marvel’s more popular or accessible characters, Dr. Strange still found a niche among an audience seeking a ‘challenging alternative’ to more conventional superhero fare.”

Donohoo’s visions of Gaap the Witch, involved surreal imagery, like that of Ditko’s artwork merged with Alan Moore’s Doctor Manhatten occult insights.

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The moment Gaap appeared to him within the ‘beehive’ temple of an abandoned Masonic hall, which he recognised as a signpost shown to him as a child, Donohoo remembered her as his childhood Queen-Bee Witch teacher.

Donohoo’s comic book portrayal of Witch girl Gaap is very much in the style of Ditko. He considers her to be a powerful Succubus, thought to be among the most influential of the seventy-two Goetian Succubae, who has been playing an important role in Donohoe’s strange life, and obviously the lives of his strange family, for many years.

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Proof of this can be found in Donohoe’s childhood drawings. One of which is a grade school crayon drawing of his Munster family, clearly showing a naked woman standing beside Donohoo, who is whispering into his boyhood right ear. Apart from her nudity, she seems to be wearing a black cloak and a conical hat, and in her hands, she holds two upside-down crosses. That is pretty heavy art work for a preconscious little boy in grade school.

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Donohoo was fascinated with another character, who frequented the Doctor Strange universe called Sise-Neg, whom first appears in Marvel Premiere #13-14 (January 1974). Sise-Neg was created by the comic giants, Steve Englehart, Neal Adams and Frank Brunner.

Sise-Neg (genesis spelled backwards) is a 31st-century sorcerer of similarity to the science fiction Babylon 5 TV series, Techno-Mages, who attempts to become omnipotent by travelling back into time through history in order to collect all magical energies.

During one of his time travel jaunts into the past, Sise-Neg impersonates the magician Cagliostro, while he is in 18th century Paris, where he encounters the Sorcerer Supreme Doctor Strange. Dr Strange at the time is searching for his perennial foe Baron Mordo.

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Despite opposition from Strange, Sise-Neg journeys back into the prehistory of Earth when the Necronomicon demon Shuma-Gorath rules, and subsequently banishes the entity. Continuing on his journey back into time, Sise-Neg reached the moment prior to the Big Bang, which created the universe; whereby he becomes all-powerful.

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Originally intending to recreate the universe in his own image, Sise-Neg realizes that his quest to achieve godhood was pitiable, since reality is already in Tao harmony, as it should be. He therefore decides to recreate the universe exactly as it was.

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This leaves Strange to wonder whether this was, paradoxically, the original creation of the universe. Stan Lee, seeing the issue after publication, ordered Englehart and Brunner to print a retraction saying that Sise-Neg was not the Abrahamic God but just a fallen Luciferian God, in order to avoid offending the cultic sensibilities of religious readers, who have the shared habit of raging war over their religious ‘brands.’

The writer and artist instead concocted a fake letter from a fictitious minister, praising the Gnostic story, and mailed it to Marvel from Texas. Marvel unwittingly printed the letter and dropped the retraction.

Suffice to say, Donohoo admires Sise-Neg of another sorcerer Avatar to assume, whose Luciferian Techno-Mage characteristics is also empowered by Gaap.

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Donohoo is working on assuming the internal guise of Sise-Neg, in order to discover the secrets of the 31st century Techno-Mages, who, Donohoo believes, have created an ancestor simulation within which we exist of a Matrix.

This may be one of the reasons why Donohoo’s childhood drawing also depicts Gaap holding onto a four-cornered object in her hands, which, when three dimensional is probably a Cube, like that of a Hellraiser box. Or perhaps it represents Dr Who’s TARDIS of an eight-legged (Cube) night-mare Spider horse called Sleipnir, trance ridden by a ‘browsing’ Doctor Strange.

Donohoo related that while in Stage Seven, being the auditory level of his remote viewing session, he heard, ‘within’ his skull, ‘four’ female voices uttering a monotonous mantra coming from the ‘Omega Point’ object.

Although all of the voices were heard as a single tone, likened to an Ouroboros ring being struck, which he felt to be the ‘Aum’ vibration of the browsed ‘Wyrd Web’ Superstrings.

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Gaap is the ‘thirty-third degree’ Yggdrassill vertebrae of a Runic Valkyrie listed in the Goetia.

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She is said to rule over ‘sixty-six’ legions of necktie Succubae Witches who serve a Doctor Strange Sorcerer Supreme as their Techno-Mage master.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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LADY THOR THUNDER SUCCUBUS OF LUCID DREAM LIGHTNING

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Marvel Comics has decided that its hammer-wielding Norse superhero Thor will now be transformed into a woman. Of course they don’t own the archetypal character of Thor; Marvel only owns their particular brand of a Thor image, since Thor is derived from ancient Norse mythology, who in Old Norse is called Þórr.

Thor is a hammer-wielding God associated with thunder, lightning, storms, oak trees and strength, whom protected humanity against malign influences. He is also associated with hallowing, healing and fertility.

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The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar, stemming from a Common Germanic Þunraz, meaning thunder. Many ancient cultures across the globe associated storms, lightning and thunder with the masculine principle. For example, the Hebrew deity, Jehovah, was originally a storm God.

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As for Marvel, they explained that the marketing logic behind Thor’s transformation into a woman is that it would attract more women and girls to read superhero comic books, which of a pandering politically correct feminist frontage makes sense to the Hollywood zapped brains, who are drunk on plastic pseudo-philosophies. But in reality, it doesn’t quite make common-sense at all.

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Let’s be honest here. In general, there are a lot of heterosexual males whom like reading comics with female characters in, because they enjoy lapping up scantily clad females wearing spray on ultra vixen superheroine costumes, whose lithe gymnastic forms represent the ‘Anima,’ residing within their heterosexual male psyches.

Whereas heterosexual women like comics populated with protective butch machismo alpha males, bristling with muscles looking like an oiled up Greek God or a rough neck Thor, wearing spray on superhero costumes with a tight Baboon butt; these type of males represent the ‘Animus,’ residing within the heterosexual female psyche.

Basically, the Marvel comics have based their superheroes and anti-heroes upon the already established ‘Animus’ archetypes of a God/Devil, Angels and Demons.

This has been going on for sometime since ancient Rome was converted to Judaeo-Christianity by Constantine, whose cultic focus is primarily that of a female fixation upon the male, which is basically their deified Animus.

It is essentially biologically driven, since men gravitate towards those male role-models that females find most attractive, who represent their ‘Animus.’ Wherefore the ‘Animus’ of women dictate the male role-models.

The ‘Animus’ is masked by the religious symbolism of a facade, which has since been translated into the superhero genre.

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The female archetypes didn’t get much coverage for a long time because Marvel was constrained by the moralistic chains of the Biblical comics code.

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The Inquisitional thought police are well aware that female characters are archetypes of the ‘Anima,’ which would get a lot of little boys reading ‘good-girl’ comics under their sweaty bed sheets.

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The depictions of the Fallen Anima is a yet untapped market. But is a Lady Thor tapping into this market? I doubt it. Marvel/Disney can’t say that Lady Thor is every little boy’s wet dream cum true.

Marvel is otherwise saying, with hand on Disney wallet, a Lady Thor will attract more females to read comics, who will be empowered by having an archetypal male character being gender-swapped into a female.

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But the reptilian brain market indicates otherwise. All you have to do is to look into the success of Harry Potter and Twilight, whose ‘Animus’ orientated franchises are primarily awash with female groupies dreaming of a Beta-male Harry Potter Christ, caught between Vampire necrophilia and Werewolf bestiality, of a Fifty Shades Of Grey Alpha-male bad-boy Devil.

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Whereas the huge success of the video game character Lara Croft was mainly due to a large male following who lust after Lara’s gymnastic body, let alone her ‘strong Valkyrie persona.’ in other words, Lara is a virtual pixel babe with Anima substance, who, as a conjured Succubus inspires many a Tulpa wet dream.

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You can thereby guess who Marvel is actually neuro-targeting of a market, which is quite small. The artwork by Russell Dauterman reveals the once muscle bound bearded Thunder God as a butch blonde looking like a Wagnarian Valkyrie opera singer, clad in a caped costume. One has to note she’s very butch. Boy, is she butch, she’s built like a WWII Tiger Tank.

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Marvel/Disney’s Lady Thor has been purposefully designed to not look anything like the sexy cosplaying Lady Thor’s. But then, Marvel/Disney do not want to represent the male ‘Anima,’ apart from entirely negating its existence.

Marvel’s brand of Thor first appeared in a comic adventure back in 1962 as well as becoming the testosterone pumped up star of two blockbuster movies. However, there was a problem; Marvel’s Thor wasn’t too much of a hit with the ladies. The reason why, is because Marvel made Thor far too clean cut, like some surfer boy off a sunny Californian beach, or is it Australia? But then, most surfers all look the same in Hollywood, don’t they.

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Marvel should have made Thor a bad-boy type, just as he is depicted in ancient myths, who is covered by the boxing scars of lightening; a bit like Marv out of Frank Miller’s Sin City, that is why Norse women loved him so much, to adore of deified ‘Animus’ worship. Women just can’t help themselves loving a Thor type male, across all cultures, because they feel protected by him, as well as desiring to change his rough ways, within whom they see a wise soul.

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The New York-based Marvel described the transformation of their Thor brand as “one of the most shocking and exciting changes ever to shake one of the ‘big three’ of Captain America, Iron Man and Thor. No longer is the classic Thunder God able to hold the mighty hammer, Mjolnir, and a brand new female hero will emerge worthy of the name Thor,” they said in a quaint news article.

This symbolic transformation of a male archetype into that of a female character, will give you an insight into what had previously occurred, of viral-meme marketing, concerning those spirits listed within the ‘Animus’ fixated Playgirl grimoires, many of which were originally ‘Anima’ female.

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The writer for the female Thor series is Jason Aaron, who said in a statement: “This is not She-Thor. This is not Lady Thor. This is not Thorita. This is Thor.” The actress Whoopi Goldberg related on the ABC’s The View; “It’s a huge day in the Marvel universe. Thor, the God of Thunder, he messed up. He is no longer worthy to hold that damn hammer of his. And for the first time in history that hammer is being held by a woman.” Another host to mention; “the story behind her is she created herself. She was saved by Thor and she came down to Earth, followed him, and made herself look like Thor and so now she’s taking over.”

The other hosts on The View, also commented on the hero’s physical features. “She’s got super-powered boobies,” said Jenny McCarthy. “She is actually in better proportion than a lot of the female comic superheroes,” said Goldberg. “It gives girls something to look up to,” said Sherri Shepherd, without realising that she looks like a Wagnarian wet dream.

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So, mummy porn Whoopi Goldberg wants super powered booby women to take up the hammer of Thor does she. Well, let us look into what Thor’s hammer actually represents. In pre-Christian Europe Thor’s hammer of lightening was symbolically represented by the ancient symbol of the swastika.

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Scholar Hilda Ellis Davidson (1965) comments on the usage of the swastika as a symbol of Thor’s hammer: “The protective sign of the hammer was worn by ‘women,’ as we know from the fact that it has been found in ‘women’s’ graves. It seems to have been used by the warrior also, in the form of the swastika.”

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Davidson continues: “Primarily it appears to have had connections with light and fire, and to have been linked with the sun-wheel. It may have been on account of Thor’s association with lightning that this sign was used as an alternative to the hammer; for it is found on memorial stones in Scandinavia besides inscriptions to Thor. When we find it on the pommel of a warrior’s sword and on his sword-belt, the assumption is that the warrior was placing himself under the Thunder God’s protection.”

Swastikas appear on various Germanic objects stretching from the Migration Period to the Viking Age, such as the 3rd century Værløse Fibula from Zealand, in Denmark; the Gothic spearhead from Brest-Litovsk, in Belarus; numerous Migration Period bracteates; cremation urns from early Anglo-Saxon England; the 8th century Sæbø sword from Sogn, in Norway; and the 9th century Snoldelev Stone from Ramsø, in Denmark.

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Thor’s popularity among the European populace was exemplified by the use of the swastika, which was later utilised by the Nazis, who re-branded Thor’s symbol for their own warped political agenda. A number of white supremacist right-wing Christian neo-Nazi nutcases in the USA were up in arms at the news that Marvel comics was doing a Thor movie in which some of their ancestral Norse Gods were to be played by black actors. Apparently, the ethnic identity of the archetypes from antiquity, is of a real political lightning bolt for the sort of person, who eugenically believes that humans can be subdivided into branded races.

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The ancient Norse didn’t have any problems with other peoples skin pigmentation. There are no racialist statements in their sagas. Such racialist sentiments didn’t come to the fore until the Christian’s entered Africa, India, China, the far East and the Americas, who had determined that the African’s, Asian’s, Chinese and Native American’s didn’t have souls, so it was perfectly okay to enslave them.

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The followers of the monotheistic faiths always had a big problem with seeing un-baptised Pagans as being human. Hence the Pagan Norse did not like Christian Rome, whose priests sought to convert them to the appropriated faith of ‘Animus’ fixated Judaism.

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The Norse couldn’t figure out why they had to assume the ancestral-self-identity of the Hebrew’s. They thought it was absolutely crazy, let alone evil, since they had to forget their own ancestral-self-identity in the process, of a Borg conversion. This being one of the reasons why the Norse, especially Pagan women, held Thor in high esteem, who was seen as a protector against the encroachment of the Witch burning Christian cult.

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It is understandable that Pagan women sought out Thor’s masculine protection, since the Church started to systematically target them to burn at the stake as Witches. The reason why the Church did this, is because the ancient lore of the elder faith was traditionally passed down the female line, which was especially the case in the far North; this invariably led to the elder faith being nigh eradicated throughout Europe.

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However, the Hollywood likes of Dan Brown spread the fairytale that the Witch burnings was to do with the Church seeking to terminate the bloodline of their deified ‘Animus’ Jesus, they couldn’t have him coming back to overturn the tables in their temple banks. Many a Christian fell for Dan Brown’s myth of a hard sell, and likewise the comic reading public will succumb to Marvel/Disney’s hard selling of Lady Thor. But then the elder faith no longer exists of an ancestral-self-identity; so, no one will protest too much.

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Will the right-wing Christian neo-Nazis have their noses put out of joint by a female Thor who has super-powered boobies and being of a superior Nordic proportion than a lot of the other female comic superheroines. I doubt it. The Christian neo-Nazi nuts will see a female Thor giving white American girls something to look up to, who will be more prone to toning themselves up in the gym, rather than becoming obese on McDonald burgers, as well as inspiring them to dye their hair blond, of eugenic Nordic looks, when to join the army of the NWO Empire.

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If Jason Aaron is seeking to piss off the right-wing Christian neo-Nazi nutters, then, rather than telling an entertaining story, he would be far more interested in social engineering and political propaganda, whereupon Aaron would make Lady Thor into a raging lesbian, who is played by a Jewish actress.

Going by the Marvel mythology, when Thor’s hammer, Mjolnir was damaged, Doctor Strange bound Thor’s soul into Mjolnir, meaning that if the hammer were to be ever broken again, Thor would most assuredly die. In ancient Norse legends, the soul of an individual was seen to be a contra-sexual counterpart, which was called the Fylgja.

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Whereby Thor’s soul would be female, which going by the Marvel myth, resides within his hammer. You then have a story possibility, where Thor’s hammer is broken, which then releases Thor’s soul at his death. Thor’s soul would then be Lady Thor, who essentially personifies the power of Mjolnir.

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Should you have a return of Thor, then his Lady Thor soul would seek him out amidst the infernal domain of Hela in order to revive Thor back to life, by uniting with him again of a Tantric nutcracker suite. In the meantime, prior to Thor’s soul seeking to reunite herself with him, she would have many a Marvel adventure as Lady Thor, who would very likely be a raging lesbian due to her previous heterosexual male existence, which no doubt Marvel/Disney will indulge.

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This scenario could potentially lead to Marvel/Disney believing that they will reap in the dollars, since you would then have a number of other superheroine characters of differing ethnic types intimately interacting with Nordic Lady Thor, all of whom will be wearing spray on costumes, and what interracial cosplay fun to be had!

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Overall, a Lady Thor of a Fallen Anima archetype could potentially enable a healing of the wounded European psyche concerning the misappropriation of the Northern myths by the white-supremacist right-wing Christian Nazis, who have an overriding fixation upon the Biblically indoctrinated masculine principle of the deified ‘Animus.’

But Marvel/Disney is not at all interested in healing a mass-trauma; their big-business agenda is supposedly about empowering women, by transforming iconic male characters into females, such as Thor being transformed into Lady Thor. This doesn’t make sense at all, since the success of the male characters is primarily due to the adoration of a heterosexual female audience in particular, which is especially the case concerning Thor.

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A practitioner of sorcery, who has an interest in the four elemental colour comics of his present age to thence transform into grimoires listing superheroine Succubae, could utilise the archetype of a Lady Thor as a politically incorrect Succubus aspect of the ‘Fallen Anima,’ to conjure amidst his erotic lucid dreams.

But first, like many another spirit listed within a grimoire, a sorcerer has to determine what type of powers and abilities a sexy Lady Thor could bestow upon him, when she sexually empowers his assumed guise of a lucid dream Thor Avatar.

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Lady Thor, will enable the conjurer to be is incredibly long-lived, who will relate that his nigh ageless state is due to the golden apple of Idunn. The golden apple of Idunn symbolically represents the pineal gland. However, Lady Thor will indicate to her conjurer that his pineal gland is being calcified by sodium fluoride intake.

Whereby aging him, which is being subversively employed by the minions of the New-World-Order Kingdom of a Big-Brother ‘Animus’ God, who have mass medicated the water supply with a known sedative, neurotoxin and a mutagenic compound, in order to stem population growth.

Whereupon sperm counts have drastically dipped in the industrialised West. Apart from chemical means being used, psychological warfare is also utilised, which mainly zaps the Anima, residing within the sedated heterosexual male psyche.

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Being a daughter of Odin and the elder goddess Gaea, she is physically the strongest of the Asgardians who will protect the conjurer against all harm meted out by the ‘Animus’ cultists. If her conjurer is hard pressed into battle, Lady Thor will induce a state known as the ‘Warrior’s Madness’ (“berserkergang” in Norwegian).

This Aminita Muscaria altered state of mind will temporarily increase his strength and stamina tenfold, although in this state he might attack the brainwashed flocks, let alone an Orwellian Big-Brother alike.

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Lady Thor will enable her conjurer to have a very high resistance to physical injury, which approaches invulnerability, should he be beaten up by the police, while Anti-War protesting against the Military Industrial Complex. She will also bestow the ability of possessing keen senses, which will allow her conjurer to remote-view objects travelling faster than the speed of light, and to listen into the Oily Bohemian Grove secrets from the other side of the planet of clairaudience.

Lady Thor will bestow the remote viewing ability to travel through time, as well as increasing the stamina of her conjurer to fuck an entire Frost Giant army of Fifty Shades Of Grey Troll women for nine months, without having any sustenance or rest; suffice to say, such an ability would turn on a Whoopi Goldberg orgasmic style!

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Lady Thor can also regenerate wounded portions of the conjurers body, including entire limbs or organs via arousing the Kundalini Shakti ‘Lightning Snake’ within him, via the meditation aid of Mjolnir; whereupon he will avoid being dumped in an old peoples home, reading Amazon’s how to do it books.

Lady Thor has superhuman speed, agility, and reflexes, which will enable her to deflect the psychic-warfare curses of the ‘Animus’ cultists away from the conjurer by using her hammer. She will enable the conjurer to have immunity to all biological warfare diseases and other malign mind-control influences via her most loving influence.

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As a Norse Succubus archetype of the Fallen Anima representing the power of thunder, Lady Thor can summon the elements of the storm (lightning; rain; wind; snow) and uses Mjolnir as a tool to focus this ability; whereas the US military utilise HAARP to do likewise.

Jesse Ventura vs HAARP from AudieTerra on Vimeo.

She can cause these weather effects over the whole world and destroy the conjurer’s enemies wherever they are; that, or influencing the electromagnetic field of their fluoridated brains.

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By whirling her hammer she can lift entire buildings within a whirlwind, turning them into dust, to fall in their own footprint as if they have been struck by Tesla’s death ray; in fact, they are not too dissimilar to each other.

As the daughter of the Earth Goddess Gaea, Lady Thor also has some control over the Earth, who can create earthquakes, which HAARP has also replicated. Although, when it cums to crotch quakes at comic conventions, Lady Thor rules!

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Lady Thor will instruct the conjurer via vivid erotic dreams in psychic combat; whereupon he will excel in the use of the war hammer of spirit, sword of intellect, axe of emotion and mace of body, against the whoring puppet politicians of the Military Industrial Complex.

Lady Thor possesses two items, which assists the conjurer in psychic combat against psychological warfare: the enchanted Jormungand Belt of Ouroboros Strength, and her signature weapon, the mystical hammer, Mjolnir.

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The first item doubles the strength and endurance of Lady Thor’s conjurer, because her belt enables him to remember of eternal recurrence; should the conjurer forget, history invariably repeats its self.

While the second is used to control weather abilities, flight, energy projection and absorption, dimensional travel, as well as matter manipulation, along with the most powerful of her bestowed abilities, the Goddess Blast of bright white light phenomena, which cleanses all Karma.

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Lady Thor’s conjurer can conjure her from out of his grimoire comic to do an errand for him, such as finding out what the forever warring Military Industrial Complex is up to on the other side of the globe.

Or even to remote view the colonised planets of the Secret Space Program, whereupon she uses Mjolnir to do so.

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This is achieved by throwing Mjolnir in the desired direction and then holding on to the handle’s leather noose of a lemniscate loop, whereby enabling Lady Thor to fly at supersonic speeds within the Earth’s chem-trail polluted atmosphere or to travel faster than light, by browsing expanding space.

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When Lady Thor has to transport her conjurer to a destination by herself, she has a chariot of a quantum computing Mitochondria starship.

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Her starship is accessed via her two horned Goat priestesses at the point of hypnagogic trance called Toothgnasher and Toothgrinder. These two Goat priestesses will test him as he enters Lady Thor’s inner womb of an astral starship, out of Area 51 Dreamland.

When Lady Thor’s conjurer consciously accesses her trance chariot, she is then enabled to teleport him, wherever he desires to go, almost as easily as with Mjolnir. She can throw a totalitarian/fascist ingrate out of Earth’s atmosphere using her poltergeist strength, and throw her hammer to crown Chakra Asgard from which it will return.

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In other words she is a hot politically incorrect Succubus superheroine to conjure amidst your Triangle Of Comic Art Imagination, who will protect you against the endless tirades of the Hollow-Wood Thought-Police.

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However, this will require you being dressed up in your cosplay outfit as Thor, because only Thor can handle a synchronistic meeting with a Soul-Mate mead drinking Lady Thor at a ritualistic comic convention, otherwise she will most assuredly drink you under the altar table.

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NOTE: The above was in part written tongue in cheek, sometime before Marvel’s lady Thor was published, and since updated. But now to a more serious side. There is an intriguing painting, painted by Raja Ravi Varma (1848-1906) depicting the Hindu deity called Ganesh who is surrounded by Eight Goddesses, who are personified Siddhis.

The Siddhis are spiritual, paranormal, supernatural, or otherwise magical powers, abilities, and attainments, which are the products of spiritual advancement through Sādhanās such as Meditation and Yoga. The term Rddhi (Pali: Iddhi, “psychic powers”) is often used interchangeably in Buddhism.

One of the Siddhis is the ability to expand your body to an infinitely large size. This does not mean the physical body, but otherwise that of the dream body, when accessing a lucid dream. This particular Siddhi can be attained by assuming the Avatar of Thor within a lucid dream, when ‘meditating’ upon the Mjolnir symbol of Thor’s Hammer, or that of the third (Thurisaz) Rune.

In this case the Hammer/Rune Siddhi is personified as a (Goddess/Succubus) Valkyrie, whose conjured manifestation within a lucid dream, enables the conjuring dreamer to attain the inner experience of becoming like that of a giant, to thence stride over the clouds as if it is land. I am not talking about you assuming the guise of Marvel’s gaudy Thor here. This is something quite other, which is an exhilarating experience to say the least.

In Hinduism Thor would be equated with Indra. In the Vedas, Indra is the king of Svarga (Heaven) and the Devas. He is the god of lightning, thunder, storms, rains and river flows. Indra is the most referred to deity in the Rigveda. He is celebrated for his (Siddhi) powers, and the one who destroys the great symbolic evil named Vritra who obstructs human prosperity and happiness. The guise of Indra would be (hypnagogic trance) assumed as an Avatar when attaining a lucid dream by Yogins and shamans.

As for the symbol of the Swastika, it is considered as being sacred by Hindu’s and Buddhists as well as numerous other peoples, just as it was once seen to be sacred by the pagan ancestors of the European’s. In Hinduism the left-hand counterclockwise spinning Swastika is seen to be associated with the Moon, whereas the right-handed clockwise spinning Swastika is associated with the Sun. Both of these Swastikas correspond with the left and right nerve channels of the Autonomic Nervous System running alongside of your spine, which are called the Ida and Pingala.

When the two Swastikas overlap, you then have a wheel having eight (Siddhi) spokes, which is associated with the central nerve channel of the spine called the Sushumna, belonging to the Central Nervous System. The Yogic trick is to bring the two Ida and Pingala nerve channels into overlapping balance via in depth meditation, which then enables the practitioner to attain hypnagogic trance as well as conscious ingress into an attained lucid dream.

The utilised symbolism of the Moon and Sun is commonly seen to represent the female and male principles, many a researcher uses, without ever considering that in the far Northern countries of Europe and across the steppe unto Siberia, the symbolism of the Sun and Moon Swastikas are reversed. This is due to the climate of the far North. For example, the Germanic tribes associated the counterclockwise Swastika of the Moon (Mani) with the male principle, whereas the clockwise Swastika of the Sun (Sunna) represents the female principle.

When lucid within the dream, the (bio-photon) light quality of the dream is associated with an inner Sun, which is termed as being the ‘Sun behind the Sun,’ or otherwise called the ‘Black Sun.’

AFTERWORD: The continuing corporate made damage to the environment, which has led to a series of extinction events among plants, insects, etc, will invariably lead to ecological collapse. Said corporations are mainly of the Oil industry, who utilise the Military Industrial Complex as its ‘Endless War’ muscle. You also have the global roll-out of 5G, which will also adversely affect the environment, going by various scientific studies, which have been promptly ignored by the greedy corporations.

There is the distinct possibility that the corporate horrors and the A.I. automation of the workplace, along with the ensuing loss of jobs, which in the main affects the male population, leaves the women feeling very insecure about themselves and for the future of their children. But then, women, in general, are intutively closer to natures rhythms, who will collectively feel that something is very much amiss. This invariably leads to their anger being meted out upon the men, who have been disempowered and let down by the psychopathic greedy few on purpose, whom run the establishment.

The women then seek to become empowered, which invariably leads to their ‘Animus’ archetypes being transformed into masculine women, since they subconsciously see the males being unable to attain their allotted role-models.

This also leads to the ‘Anima’ archetypes being transformed into butch females in the mass-media. The transformation of the ‘Animus’ and ‘Anima’ archetypes featured in films and on TV, etc, reveals that it was always the women who have called the audience shots concerning the mass-media.

However, the supposed female empowerment, will eventually fragment under the reality that the systematic destruction of nature and the rapid automation of the workplace also affects women.

This underlying social change has been subversively hijacked by those having a political agenda, who are utilising the age old subversive PsyOp technique of dividing and conquering the masses by weaponising minorities, which then makes the minorities a target; this is being done in order to distract public attention away from protesting about very costly destructive wars.

These wars, whether they be that of weaponised sanctions, or that of Petrodollar bombs being dropped all over the Middle East due to an oily pipeline, and elsewhere, along with utilising known terrorist groups in proxy wars, etc, obviously leads to the mass migrations of peoples, fleeing into other lands. Yet there are hardly any protests against these wars, the controlled mass-media pushes since 9/11, which afflicts the whole world.

The Dr. Evil few whom profit from endless Oil wars, are also fleecing the fleeing populace of war torn lands, who are in turn automating the workplace, let alone raping nature.

This isn’t to say that the automation of the workplace is necessarily negative, it is just that the establishment appears to be not considering its social impact upon the populace, nor making any plans as to how to positively deal with an out of work workforce, unless the corporate few are planning population reduction, via an engineered ecological disaster, a biological weapon tick born plague or a false-flag Oily world war III. Hopefully not!

Although the PsyOp engineered conflict between the sexes, which leads to women and men going their own way, can be construed as being population control.  

One could conjecture that the women’s assumption of the male role, is of similarity to a ribald Jewish woman getting angry at her muscle bound Nordic husband called Thor, who has been given the boot by automated Amazon.

Shekel eating Amazon now has A.I. driven trucks and drones delivering goods from Jeff Bezos’s automated warehouses. Thor had been employed as a trucker, who now drunkenly slouches on a couch, while Ragnorok approaches.

After screaming at him to do something, otherwise she is going to leave him for a butch gender-bender Valkyrie to shack up with, his Jewish wife, having the physique of a ballerina, ends up lifting her husband’s Norse weightlifter hammer.

This of course gets Thor to emotively react, and storm around the house, thunderously roaring, “I’m the Man, around here!” She to reply, “prove it, and rise up against what is occurring.”

Those who Banshee scream that I should also involve politically correct pronouns, etc, my answer is, I am not into speaking the Orwellian Newspeak of the corporate owned establishment, which is pushing for Endless War.

Alas, all men and women across the globe have to unite in this fight, before Ragnarok, in whatever form it takes, becomes an Endgame reality.

Make Love, Not War!

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