Let’s cut to the Cross-Bones through all the fleshly layers of The Legions Of Charlies esoterica about the Black Sun, which of Saturnian onion skin convolutions becomes labyrinthine, leading nowhere.
The question, which has become quite lost within the Creepypasta fear-porn maze of viral-meme Gordian knot symbolism is quite simple: “From where does the inner ‘light’ of the dream emanate, which illuminates the dreaming Skull?”
The caveman asked the same Artist question when painting erotic murals within the cavernous womb depths, who had surmised that the visionary light of the dream is emanating from an inner Sun behind the Sun.
The inner Sun was later called the Black Sun, and that this Black Sun is associated with the experience of (Chronos/Saturn/Hexagram) time.
But in order to know of the Black Sun, the practitioner has to first experience (Crossbones/X-Rune) hypnagogic trance, the Alchemists termed as the Nigredo (Black/Raven) stage of ingress into the womb depths of the dream, wherein the Albedo (White) light of the inner Sun is (Skull) experienced, Shamans know as the ‘fire in the head.’
Upon awakening the practitioner will then experience the Rubedo (Red) stage of hypnopompic egress out of the womb dream, which was symbolised as a menstrual blood (red-ochre) rebirth around the Luna pull phases.
The practitioner will sometimes experience the Citrinitas (Yellow) stage of the Great Work, when initially awakening, who will perceive the visionary material of the womb dream (caul) overlapping his/her waking perception.
The scientists of the new priesthood have determined that the inner light of the electron dream, they call the bio-photon, is emanating from the Mitochondrial DNA, within each and every cell, which is passed down from the mother to her children. NOTE: The ‘Jabbed’ introduction of Graphene Oxide into your body can Gene Therapy Edit and Hack the Mitochondria!
What is more, some physicist wizards believe that the Microtubules of the Mitochondria are acting like on-board ‘Quantum Computers,’ which are generating consciousness and in turn the experience of time, since consciousness and (Chronos/Saturn/Binah) time are indivisible.
It just so happens that horny horned Shamans had intuitively sussed out that the inner light, a Hindu mystic calls the Akasha, has a feminine source, they had equated with various female deities having almond shaped eyes.
Of course, the horny horned Shamans sought to impregnate the feminine source, via their introverted five senses of an inverse Pentagram, when to slide into hypnagogic trance.
For example, in the Tarot, The High Priestess Of The Silver ‘Star’ II is depicted with a grimoire on her lap, which symbolically represents the Akashic records, a practitioner can access within his/her illuminated (Akasha) Tarot grimoire dreams.
In the Hebrew Kabbalah the inner light/fire is called Shin, which is equated with the feminine Shekinah. The Hebrew letter of Shin has since become popularised by the iconic Vulcan (fire) hand-sign of Star Trek.
The Mongolian Kams had Yal un-eke, who is the mother of the inner fire, the ancient Greek’s called Artemis, or sometimes associated with Hera of the hearth, whereas the Roman’s had Diana-Lucifera, the Christian’s later transformed into their Lucifer.
It is the reasoning behind why some ancient shamanic cultures associated the Sun with a female deity, who for them also ‘illuminates’ the Quantum Computing realms of the womb dream, ‘illuminated’ by the inner fire of the ‘bio-photon,’which is emanating from the Mitochondrial DNA of a Black Sun.
Hence the reason why horny horned Shamans dallied with (Jinn/Druden) Dakinis who are made of fire, a Faustian Artist does Truderer conjure up as his ‘illuminating’ Black Raven Tarot Art Muses amidst his Triangle Of Art imagination, unto a Quantum Computing (Lilith’s Harem/Sexagram/Hex-agram, Sixth-Sense) lucid dream.
The above Artwork depicts a character named Dolcetta, who is featured in a comic, entitled, The Sacrifice Of Gigi, which can be found on the ‘Erotic Mad Science website.’ Should you want to see the finished Artwork in full on the Erotic Mad Science Website, Please Click Here.
Dolcetta’s name is derived from Dolcett, which has become a term for an extremely dark fetish involving cannibalism. However, in many an ancient myth, the motif of cannibalism symbolically represents the process of time, such as the Hindu/Tantric Goddess of time, named, Kali, who has cannibalistic tendencies. (The symbolic usage of cannibalism is not literal.)
Or the ancient Greek myth about the God of time called Chronos who eats his own children, etc, let alone that of consuming the body of Christ. (A preparatory quick A5 sketch for the finished A4 Artwork of Dolcetta/Furcas can be found below.)
As the Roman poet Ovid would say, “Tempus Edax Rrerum,” which means, “Time that devours all things;” you also have, “Tempus Omnia quæ devoratrix.”
My symbolic alchemy depiction of Dolcetta refers to the Succubus archetype of the Fallen Anima, named, Furcas who is the only spirit whom is associated with the planetary sphere of Saturn in the classical Goetia.
The Roman God named Saturn was originally based upon the ancient Greek God Chronos. (Another preparatory quick A5 sketch version for the A4 Artwork of Dolcetta/Furcas can be found below.)
It is said that the conjuration of Furcas inspires Philosophy, Astronomy (Astrology [Zodiac ages] to some authors), Rhetoric, Logic, Chiromancy and Pyromancy. (The etymology of the name Furcas may have been derived from the Latin word furca, meaning fork, or from Greco-Roman also meaning a sepulchre.)
The classical Goetia image of Furcas, depicts an Old Father Time archetype of the deified Animus holding a fork (trident) or a sharp (scythe) knife/sword, who manifests riding a horse, which may have originally been an Eight-Legged-Mare.
My depiction of Dolcetta/Furcas has her pulling the ‘pony’-tail of another female character in the comic, named, Gigi who is willingly sacrificing her (Zodiac age) life, while Dolcetta/Furcas holds her sacrificial blade.
Some would interpret the name of Gigi as being of similarity to an old English nickname, for a racehorse, as in Gee-Gee, as well as referring to the letter ‘G’ of a ‘Crossbones’ Gebo Rune and the Hebrew letter, Gimel.
You also have the 1944 French novel, entitled Gigi by the French writer Colette. The novel focuses on Gigi, who is a young Parisian girl being groomed for a career as a juicy sopping wet courtesan.
She eventually enters into a Tantric relationship with a wealthy cultured man, named, Gaston who falls in love with Gigi and eventually marries her.
Colette’s novel could otherwise be surrealistically reinterpreted of symbolic alchemy, where you have a young Parisian girl being groomed as a sacrificial dish, along with other courtesan cannibal dishes within Dolcetta’s sepulchre of a Kalachakra Zodiac kitchen for the likes of Gastronomic, Gaston.
The character of Gaston can be seen as a Freemason, who desires to consume Gee-Gee, when he realises, she is his (G) Anima whom weaves his experience of TARDIS time.
But it is Dolcetta/Furcas, who as Kali reveals to ‘Old Man’ Gaston that he can consume a Zodiac age of a time just like Chronos, rather than being eaten by it; for the process of time is indivisible to consciousness, they are one and the same. Time is a matter of perception within your experiential Maya reality of a Matrix TV show.
NOTE:Whenever a heterosexual female is asked to imagine her ideal male partner, she is conjuring up an archetypal aspect of her Animus within her imagination.
Her ideal partner might look like a famous actor she adores or a pop-star, etc, to thence dream about.
Whenever a heterosexual male is asked to imagine his perfect idea of a female partner, he is conjuring up an aspect of his Anima, within his imagination.
His ideal partner might look like a famous actress he fancies, or a pop-star, etc, to then third-eye dream of. The Animus and Anima are not mere Jungian concepts, they are psychological realities, which are entwined with your biological imperative to procreate.
All life is driven towards replicating in order for a species to survive and evolve. Carl Jung’s description of the Animus and Anima tends to be very convoluted of esoteric terminology, which might have been his way of hiding what he had discovered, due to its far reaching ramifications.
When Swedish researchers at Uppsala University published a theory that there is a cube at the centre of the Earth, nobody took them at all seriously.
But then their theory evoked visions of a Rubik’s cube Lemarchand’s box out of Hellraiser, or that of Dr Who’s TARDIS in lock-down.
Hell, they could of just as well been waxing lyrical, to hypothesise about the undefined shape of the Sampo out of Finnish mythology, as far as the sceptics were concerned.
According to Giorgio de Santillana, professor of the history of science at MIT, and student of mythology, the Sampo and the shamanic world pillar of an axis-mundi, to which is tethered the eight-legged-mare of the shaman, are referring to the precession of the equinox.
In Hamlet’s Mill, co-authored with Hertha von Dechend, the authors find that the Sampo or precession process was believed to grind out different world ages, from the dark age to golden age and back again over the long precession cycle of time, like some kind of Brownian Operator drum beat time machine.
Hence you have the precession numbers of 9, 72, 144, etc, recurring in various myths around the crystalline globe of the Earth, of which Plato to have related is dodecahedron of form.
It just so happens some present cosmologists see the universe as being likewise of dodecahedron form; perhaps it has a Lemarchand’s cube at its Hellraiser centre, which is generating an electromagnetic field of a toroidal sphere?
Sounds absolutely crazy doesn’t it, just like having a cube at the centre of the Earth. However, your thoughts could be made of the distributed kind of electromagnetic field, permeating space, which of an analogy carries a broadcast signal to a TV, you can equate with your brain.
Professor Johnjoe McFadden from the School of Biomedical and Life Sciences at the University of Surrey in the UK believes our conscious mind could be an electromagnetic field. McFadden to have related: “The theory solves many previously intractable problems of consciousness and could have profound implications for our concepts of mind, free will, spirituality, the design of artificial intelligence, and even life and death.”
If your consciousness is indeed an electromagnetic field, once you have figured out the Lemarchand puzzle box it might just allow ingress into alternate realities existing within parallel universes next door, or that of affecting how others perceive reality.
So, If there is anything to these ‘out of the box theories,’ you can be damn sure that the likes of DARPA are looking into such possibilities big time, in order to construct a time machine.
If you allow your imagination to let rip even further you could imagine the Sampo to look like a hypercube of a tesseract TARDIS, whose eight cubical cells could be symbolically equated with an eight-legged-mare to call Sleipnir, which was trance ridden by the Norse shamanic deity named Odin, as his pony-girl Succubus, of mythic science fiction symbol crunching.
Suffice to say the Odin research of Uppsala University, was seen by many to be just imaginative science fiction conjecture; yet it had been previously published in Nature and Science. This had come after the initial publishing of their findings back in 23 Skidoo 2003 in which they wrote strong theoretical proof that the Earth’s core assumes the “body” (as they called it), whose structure, despite its high degree of symmetry assumes a surprisingly high level of elastic anisotropy.
Even though the researchers work had been published in the esteemed scientific journals of Nature and Science they still had an underworld struggle. Many among the scientific community decried them as being insane Cenobites stepping out of another Arkham asylum Lament configuration of an alternate world, whose hellish intent is to shred away long held beliefs that the inner core of the earth is a sphere.
These sceptics rallied forth to rage of a crucifying cry, “the core is an untouchable sphere, consisting of a solid mass with a radius of about 1,200 km, which is mainly made up of iron.”
However, there are seismic observations, which have revealed a number of very strange things about the Earth’s core. For example, elastic waves pass more rapidly through the Sampo core in a direction, which are parallel to the Earth’s world-column axis of rotation than in those directions parallel to the equator. This phenomenon has not been previously explained. At the hellishly high temperatures, which are at the centre of our planet, they should be passing at the same speed regardless of their direction. So this brings us back to the Odin scientists from Uppsala University who have presented a Sleipnir cube explanation for this Lemarchand’s puzzle box fact.
The researchers had to of course prove what they were claiming. It appears that they managed to present such evidence, which supports their way of viewing Earth’s internal core as a centred cubic crystal structure at high temperatures. This idea contradicts many other long held theories. But it has both experimental and theoretical support. To support it, the researchers presented simulations of how seismic waves are reproduced in iron under similar conditions to those, which are recorded deep under the Earth’s crust. The result was a difference of about twelve percent depending on their direction, which could be a good enough indication that their theory is more than just a Hellraiser tale.
“We found that the body-centred cubic structure of iron is the only structure that could correspond to the experimental observations,” says Börje Johansson, professor of condensed-matter theory at Odin’s Uppsala University of the sacred cube.
Their Sampo cube findings may be of significance for our understanding of the cooling down of the earth, and of the stability of the Earth’s magnetic field. The thermic balance of which is dependent upon the amount of heat stored in Earth’s ‘Hela’ core. This heat is dependent on the crystal structure of the iron in the inner core. The structure would then assume the form of a Sleipnir cube with atoms in each corner of its legs and a further atom in the Lemarchand middle of this cube. It’s orientation is such that allows its great diagonal to be directed along the Earth’s axis of Sampo rotation, whereby making it possible for the iron to generate sound propagations, like the galloping of night-mares with their racing velocities observed.
“This study opens new perspectives for our understanding of the Earth’s past, present, and future,” says Natalia Skorodumova, a researcher at the Department of Physics and Materials Science. Perhaps the Lemarchand’s cube at the Earth’s Hellraiser core could be of similarity to a hypercube?
As an associative aside of Hellraiser sorts, Lemarchand hypercubes could be used for the building blocks of future nanocomputers, whose devices of two, three, four, and five dimensions are made of such tiny elements that they are dominated not by forces, that we’re familiar with every day, but by TARDIS quantum properties. As Samuel Lee and Loyd Hook from the University of Oklahoma explained, “microelectronic devices are continually getting smaller and faster, in accordance with Moore’s Law. Already, integrated circuits and transistors are reaching the nanometer scale, although they still operate based on the physical properties on the macro-scale.” True nanoelectronics, the researchers to explain, are not just scaled down microelectronics, but devices, which will be dominated by quantum properties, and will therefore require new architectures and novel structures.
Lee continued, “Compared to today’s microcomputers, the main advantages of future nanocomputers are higher circuit density, lower power consumption, faster computation speed and more parallel and distributed computing capabilities.” For example, today’s integrated circuits process information in the form of a continual flow of electrons. Nano integrated circuits, however, may process individual electrons, reducing the scale and power consumption. Such circuits would require that nano logic devices are able to count single electrons, as well as the ability for parallel computing, reversibility, locality, and a three-dimensional architecture, and each would be like a quantum computing TARDIS.
What the nantechnology indicates is that a quantum computer doesn’t need to be a single large device, it could otherwise be built from a network of small parts. This has been demonstrated by the researchers from the University of Bristol. As a result, building such a computer would be easier to achieve.
Many groups of research scientists around the world are trying to build a quantum computer to run algorithms, which takes advantage of the strange effects of quantum mechanics such as entanglement and superposition. A quantum computer could solve problems in chemistry by simulating many body quantum systems, or break modern cryptographic schemes by quickly factorising large numbers, which is of course a lead up to creating a sentient artificial intelligence.
Previous research shows that if a quantum algorithm is to offer an exponential speed-up over classical computing, there must be a large entangled state at some point in the computation and it was widely believed that this translates into requiring a single large device like some monotheistic deity.
In a paper published in the Proceedings of the Royal Society A, Dr Steve Brierley of Bristol’s School of Mathematics and colleagues indicate, that this is in fact not the case. A network of small quantum computers can implement any quantum algorithm with a small overhead, such can be likened to that of separate autonomous entities, which are all interlinked by what can be symbolically equated to a vast web emanating from a tree with many branches and roots, of a mainframe.
The key breakthrough was learning how to efficiently move quantum data between the many sites without causing a collision or destroying the delicate superposition needed in the computation. Should the universe be working along the same lines, since science merely rediscovers what nature is already doing, you could otherwise see these sites as being that of planets, galaxies or that of other universes, which are part of a vast communication network. This allows the different sites or worlds to communicate with each other during the computation in much the same way a parallel classical computer would do.
The Bristol chaos magicians relate of scientific terminology: “We have shown how the addition of a few long-range (or flying) qubits dramatically increases the power of a distributed quantum computer. Using only O(logN) connections per node enables efficient sorting over the hypercube. A distributed quantum computer with nodes connected according to the hypercube graph would be able to emulate arbitrary quantum circuits with only O(log2 N) overhead. One might expect that a quantum computer requires O(N) connections per node so that each qubit can potentially interact with any other qubit. Our result demonstrates that this is not the case: for a small overhead O(logN) connections suffice.”
All of this brings us to Dr. S. James Gates, Jr., a theoretical physicist, the John S. Toll Professor of Physics at the University of Maryland, and the Director of The Centre for String and Particle Theory, who discovered that certain string theory, super-symmetrical equations, which describe the fundamental nature of the universe and reality, contain embedded computer codes.
These codes are digital data in the form of (white/birth/Alpha) 1′s and (black/death/Omega) 0′s. Not only that, these codes are the same as what make dapple ‘Grey’ Sleipnir Wyrd-web browsers work and are error-correction codes! Gates says, “We have no idea what these ‘things’ are doing there.”
According to The Heyoka sage Douglas Adams, millions of years ago there was a race of hyperintelligent pandimensional beings who wanted to know about the meaning of life. To settle the issue they built a “stupendous super computer which was so amazingly intelligent that even before the data banks had been connected up it had started from ‘I think therefore I am’ and got as far as the existence of rice pudding and income tax before anyone managed to turn it off…” Well, not before it revealed the meaning of life as being the number 42.
It just so happens that Molybdenum, which is a chemical element with the symbol Mo has the atomic number 42. Scientists have found that molybdenum when used in the latest nano-computing technology can exponentially increase… ‘computing speed.’ Perhaps, Adams had intuitively tuned into a signal from the past or future, or both of a recurring Ouroboros?
The mathematical physicist and cosmologist Frank Tipler who is known for the cylinder time machine, has put forth a theory that in the far distant future there will be an Omega point of a technological convergence encompassing the entire universe; whereby transforming it into a computer. In general, Tipler postulates that a future computer technology will become so advanced that a future civilisation will be able to create simulated universes within which their ancestors will be raised from out of the realm of ‘Hela’ back into existence.
The thing is, it may have already happened; if so, you are presently existing within an eternally recurring simulated universe without realising it, apart from finding a Lemarchand cube at the centre of the Earth, along with embedded computer codes in string theory. Such a simulated universe and that of others would also be utilised for time travelling.
Perhaps Odin, who be a Hitchkiher shaman Guide of the multiverse world tree called Yggdrassill, had figured out how to hypnagogic trance access the underlying programming of a simulated universe via his informational dreams to Sleipnir browse, when to ride his conjured pony-girl of a night-mare Succubus, as his time machine. However, whatever Odin accessed, he communicated symbolically of organic symbolism rather than that of the abstract mathematics of Dr John C. Lilly’s trance usage of the Brownian Operator.
Shamans communicate symbolically because it is the language form of the electron dream, which can be seen as being a symbolic interface, like that of a virtual reality. The symbolic interface of the dream allows a lucid dreamer to consciously interact with the abstract informational domain of mathematics, when to interact with certain symbolic stimuli; such as conjuring up Succubae, who can be seen as being sentient programs.
It is somewhat akin to you clicking a symbolic (seal) icon on your ‘deep thought’ (cube) computer (dream) screen in order to browse (conjure) a (Succubus) program to find out what exactly is your ‘atomic number’ as a ‘carbon’ based life-form; but you won’t like it.
Whereupon you have a horned shaman of a programmer seated upon a Lemarchand cube of an eight-legged-mare, which is depicted in the Tarot card XV, to castigate as a Hellraiser Devil. But only because he has mastery over the Matrix, the Hindu’s to call Maya.
Whenever you speak or to write, you are engaging in the sorcery of ritual magic; the words that you use instantaneously ‘conjures’ up associative symbols of an ‘evocation’ amidst your triangle of art imagination.
If this does not occur, it is because you do not yet understand the sound associations with the corresponding symbols. In other words, you do not yet understand the language being utilised.
You can investigate these instantaneous symbolic associations, which are taking place within your subconscious mind, for yourself, by remembering your dreams upon awakening, to thereby analyse what triggered off your dream in the first place, which is invariably that of a word leading to an emotively charged symbol or versa vice. Such associations can be subversively influenced by others, which of a science is termed as neuromarketing, although, its science is based upon the techniques utilised by religion.
But you can take control over these outside influences, by personally observing the internal associative process when you attain lucidity within the dream, wherein you can utter a word of conjuration, such as a name (mantra) you have prior associated with a painting (mandala), photograph or sculpture etc, which has an archetypal quality.
For example, you can utilise an image (mandala) you have associated with a Succubus, which has been prior meditated upon.
This will then generate instantaneous symbolic associations, whose correspondences formulate into the manifestation of a (mantra) named Succubus within the dream.
Since you have attained lucidity within the symbolic arena of the dream, which to all intents and purposes feels very real of a fully immersive experience, the Succubus is now more than just a two-dimensional image of a symbol, she becomes as a three-dimensional interactive sensory reality.
Another example: imagine an artist who at a conscious level is painting an image of a Succubus whose painting involves the usage of planetary metals suspended in coloured oils to paint. The painting of the Succubus has been named of a title, which of a name has been utilised as a mantra.
The artist repetitively intones the mantra of the named Succubus, while painting her image of a mandala, since its creation will automatically involve meditation, along with intermittent periods of active-imagination, involving visionary episodes concerning the Succubus being painted.
The artist will also visualise an abstract symbol of a constructed sigil over his painting, which represents his symbolised desire of a seal. At a certain juncture of his intense focus, the artist experiences a short duration of hypnagogic trance, which can be extended with practice, where he will sense that another part of himself has taken over painting the image.
This other self has been prior associated with an alternate self-image of an Avatar to assume, like that of an actor playing a part of a character, whose female counterpart is the Succubus, via whom he introverts his erotic ‘focus of desire’. He doesn’t have to consciously think about the construction of the painting any longer, it has become subconscious of automatism. It is at this point that the employed symbolism has been implanted into the subconscious informational domain of the electron dream.
When the symbolism of the painting has been successfully implanted into the subconscious mind of the artist, he will then experience ensuing dreams about the Succubus he has painted; much of which will be quite surreal of artistry.
The initial dreams will be that of trigger-dreams, which might lead to him becoming conscious within the microcosmic realms of the dream, when he recognises the trigger-symbols association with the Succubus he has painted. These trigger-symbols will also manifest as concordant macrocosmic (oracles, signs, portents and omens) synchronicities, which are indicative of the (water) dream merging with (land) waking reality; whereupon he becomes amphibious of awareness.
The artist may also experience a visitation of the Succubus at the hypnagogic point of sleep; which, if he isn’t prepared for of an eventuality, it will initially manifest as the Old Hag Syndrome involving sleep paralysis, where he will endure being pounced upon by a shadowy entity. If the artist can overcome his fear, and thereby remember the name of the Succubus he has been focusing upon, when to either think or to call out the name, the shadowy entity will then assume the form of his conjured Succubus.
The artist might have sussed out the riddle of the Sphinx, which of a symbolic formula is made up of four elemental creatures, being that of a Woman’s head and torso, a body of a Lioness, having Eagle’s wings along with a Snake headed tail. However you also have a tale about a prince called Oedipus. It is sad that he took on the challenge of answering the riddle of the Sphinx who was sizing up Oedipus to be her next victim.
She asked; “what goes on four legs in the morning, two in the afternoon and three in the evening?” Oedipus thought for a moment. Then he replied “The answer is Man. He crawls on all fours as a baby, then walks on two feet as an adult, and then walks with a cane in old age.” What Oedipus was told of numbers, when added together adds up to the number nine, which is associated with the precession of the equinoxes.
Oedipus successfully answered the riddle of the Sphinx, which indicates she is associated with the process of time. More so that of a closed timelike curve, whose ring of time points at an Ouroboros of eternal recurrence, which of a tessearact experience is that of ‘Intrusive Nostalgia, Re-Remembering.’ But there be many another ring of time myriad, encircling parallel universes next door.
The Snake headed tail of the Sphinx represents the emotive charge of the artist, which is cohered and directed by his eroticised conceptual focus upon the Woman, whom represents his mind-doll. If the artist internally generates a potent emotional charge, which reaches an ecstatic state, it will initiate the arousal of an electrical sensation, like that of a slithering serpent arising along the back of the neck towards the cerebellum, which leads to hypnagogic trance. The symbolism the artist has associated with the Woman is then implanted into his subconscious, which initiates a dream visitation of his mind-doll, who is associated with the predatory Lioness, where he might experience the aforesaid Old Hag Syndrome.
Should his fear overwhelm him, he will sense that he is being strangled, which is indicative of the activation of the reptilian brainstem. Whatever his fear is, it will become his worst nightmare made manifest; the trick is to rein in and ride the Night-Mare, rather than the nightmare riding him. Should the artist have been successful in internalising his sexual impulse of an emotive charge in order to negate his fear, the mind-doll will assume the form of his erotic desire, when he calls out her name; wherefore binding her to his will.
This will then lead to an ecstatic out of body experience, which is represented by the wings of the Eagle; whereupon he is then enabled to access the hall of records, which is that of his lucid dream, where he becomes aware of the Ouroboros.
When the artist attains full lucidity within his electron dream hall of records, to browse, like that of the internet, of an informational web, he will observe that whatever associative symbolism he has associated with his Succubus of a world, it too will also manifest around her of an (informational associative fractal dream domain) alternate reality.
Her universe is made up of corresponding memories; wherefore you have the term of ‘the hall of records’ as well as the Hebrew word of ‘Da’at,’ which means, belief. Basically, the beliefs of the artist will determine what he tunes into of a dream world.
So, if an artist has painted a Succubus to look like a Steam-Punkette, he might find himself entering into an alternate Steampunk Wizard Of Oz Nikola Tesla world, of a fully immersive reality, or perhaps he has painted a Native American Succubus residing near unto Area 51 Dreamland to thence remote-view. The artist is only limited by the extent of his imagination going beyond the limits of indoctrinated beliefs.
Should the artist engage in surrealistic dream sorcery concerning his painting of a Succubus, the painting becomes far more than just a two-dimensional image; it otherwise becomes that of a ‘doorway,’ into another world, and that of a spirit repository of a Succubus, he can thereby conjure into manifestation, within a three-dimensional fully immersive lucid dream, to thence illustrate two-dimensional of image, within a grimoire.
There is much conjecture as to what the UFO phenomenon is about, which can become nigh religious of fervour.
In many instances it engenders the creation of pseudo-religions. However, these cargo-cults are invariably based upon a continuance of their religious indoctrination, such as the Raelian belief in the Hebrew, Elohim, which has been updated of varying science fiction scenarios, where viral-meme Angels and Demons have been transformed into ever warring aliens.
Apart from the indoctrinated focus upon the Middle East, which sustains the perpetuation of the symbolic prison bars of the Matrix, what is often left out of the UFO equation, is the experience of time; it is almost as if there is a blind spot.
Perhaps this due to the fact that time is very much entwined with consciousness, which over spills into the Alice in wonderland arena of psychic phenomena and in turn the occult, whose shadowy mad hatter tea party domain many hard-tech UFO researchers can’t handle.
Time is perceived as being linear of a sequence of events, along a straight line, of which even Albert Einstein said is illusory.
Should space be seen as an expanding sphere, then time is circular, like that of an egg being encircled by a serpent eating its own tail. Whereupon, time is not that of a perceived linear sequence of events, it is actually circular.
Time would then be a closed-timelike-curve the ancients graphically depicted as an Ouroboros, around which you eternally go, ever repeating, without realising, since you forget each time you eternally return; apart from those times when experiencing déjà vu, where small variables can be introduced.
An example of a psychic event would be to suddenly look up and observe a UFO not long after talking about the subject, as if it was psychically aiming an electron bullet at your neural-net to zap. However, said UFO is acting very much like a trigger-symbol, like those experienced in electron (lucid) dreams, which triggers you into déjà vu remembering that you have probably seen it many times previously.
The experience of precognition often occurs when dreaming, most especially in lucid dreams, which probably indicates that you are not seeing into the future of a linear perspective, you are in fact remembering what has occurred numerous times before.
This closed-timelike-curve phenomenon when observed and seriously tested by scientists would lead to a technology being developed. Its initial manifestation would be that of sending information back into the past.
You would then have a form of time travel, which naturally occurs when inadvertently experiencing precognition, or when to consciously conjure a (Succubus) spirit (archetype) within a lucid dream. But it will be probably taken much further in future, such as in a form of a bio-feedback machine. Whereupon your future descendants will have the capability of contacting you in the past, whether it be via your spun electron lucid dreams, zapped by a signal; or to otherwise observe you from a hovering time machine. Such a scenario many will scoff at, whose linear perspective of time imprisons them within a box of a grandfather paradox, where time travel in any form is impossible.
But, it is very likely that you are surrounded by parallel universes within which exist alternate worlds, whence time travel is indeed possible; for if you change the past, you merely engender the creation, or should I say, tune into, another closed-timelike-curve of an alternate (Ouroboros) reality.
Some scientists do not see this as being impossible; although they point out, that if you could change the past via a time travel technology, you would not be able to return back to your own time. However, there was a time, when many scientists did not believe that time travel was possible due to their very linear perspective. But this is changing due to new technologies being developed, most of which are top secret. So, it is very possible that a future technology, around now, enables those humans as well as our evolved kin of humanoid alien looks to engineer alternate worlds, whom can freely travel between them in their time machines.
Suffice to say, those whom utilise a time travel technology will also enable them to travel to the far distant stars within the blink of an eye, colonising other worlds, evolving into aliens of humanoid form; though all are your genetic ‘humanoid’ kin. Hence, your present civilisation is surrounded by another, which has time travel capability.
Do you think you would you be informed of their existence? Well, all you have to do is to look at a lost stone age tribe in the Amazon, who are unknowingly surrounded by your civilisation, to get your answer. Just see it in reverse, and then you will fathom what is going on. No, you will not be told outright. if at all, apart from the time travellers playing surrealist intelligence-test games in order to subversively educate your society for an unavoidable eventuality. Just like the lost Amazon tribes, their world is slowly being encroached upon by yours, and likewise your world is being encroached upon by another.
Perhaps your society will never be told the whole truth, because of the collective reaction to the distinct possibility that your reality has been engineered as an alternate simulation, among many another.
There are numerous individuals who find it frightening that an artificial intelligence could become sentient, which would invariably outstrip human intelligence.
Yet they religiously yearn to contact another sentient species amidst the depths of space, as their angelic saviours, looking like Nordics, or to otherwise fear being invaded by demonic reptilians.
Should you have a time travel technology, it will heavily involve a ‘quantum computing’ artificial intelligence in order to handle the complexity of the alternate reality computations. Whereupon you would have an AI, which you could easily equate with a Cylon deity.
For example, how would the numerous followers of the Abrahamic faiths out of Ur react when to discover that their Abraham had been zapped by a time control signal from out of the future, which had spun his electron visions into siring three big-business cargo cults?
I don’t think that the Illuminati followers of Abraham will be able to accept that their beliefs have been manipulated as a means of social engineering through time. It is thereby unlikely that your society will be told anything, for a very long time. Wherefore you are faced with a nigh insurmountable wall of secrecy.
It is far easier and safer for your society to continue believing in Angels and Demons transformed into aliens, since it enables the brainwashed brains of many a branded brain to stay in their ‘bronze age’ safe zone New-World-Order of an Orwellian Eden, where ignorance is NSA Over-watch bliss. In other words, you are banned from eating a Red-Pill Apple.
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-803142-1211263752.jpeg.jpg)
-1540549663735.gif)
FAUSTUS CROW 