Archive for art

NECRONOMICON SUCCUBUS ART BOOK

Posted in Art, Chaos Magic, Comics, Extraterrestrial, fantasy, Ghost, Goetia Girls, Goth Girls, Horror, Manga, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 13, 2018 by FAUSTUS CROW

Witches, femme fatale Vampires, Devil Girls, Warrior Maidens, Science Fiction Sirens and female Aliens piloting UFO’s.

Herein, within this Necronomicon be gathered all the Night-Mare Succubi archetypes of the Fallen Anima, who be the true Great Old Ones, whom haunt Love-Craft lucid dreams. Fully illustrated, over 150 illustrations in full colour, some of which are in black-and-white, such as drawings/sketches, etc. This Art book is for ‘Adults Only.’ A Preview for the Art Book is available on Createspace. Please Click Here.

The Necronomicon Succubus Art Book features all the Art work from my ‘Three Goetia Girls books.’ All Seventy-Two of the Goetia (Succubi) Succubae are depicted within the Art book, along with other associated Artworks.

This Art book also includes some comic strip pages, conceptual ideas and sketches as well as traditional Artworks.

Please Note: There are No descriptive texts accompanying the Artwork. The Art book will Not be available on Kindle. The Art book is an 8×10 over-sized paperback Art book, having a matte cover, as shown above, which is presently available on Createspace and Amazon. If you are interested, Please Click Here. 

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

FAUSTIAN PEN SKETCH 2

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 3, 2018 by FAUSTUS CROW

The above Artwork is a ‘quick Pen Sketch’ of a ‘Fallen Anima’ emanation, named Aziela or Acieli, on A5 cartridge paper. It is said that the church of Rome banned a diabolical Faustian grimoire, entitled, The Black Raven, which is also called The Threefold Coercion Of The Dream, some to say is the real Necronomicon. Within this Necronomicon, it relates that a Succubus archetype of the Fallen Anima, whose Mantra name is Aziela, manifested before Faust.

Faust had freed Aziela from her brazen vessel of an Animus gaol, which had been created by the Chaldean worshippers of their deified Animus, made as a God and a Devil. The Chaldean’s had bound Aziela as their Animus creature, called, Azael, which they duly made as their scapegoat; for the worshippers of the deified Animus greatly fear the arising of the Fallen Anima, who will reveal their gender fixation for what it truly is.

When confronted by their overriding gender focus upon their deified Animus, the Animus cultists attempt to avert the question by smugly retorting that their deified Animus and its Playgirl archetypes are of a non-binary gender-fluid energy. However their numerous Animus fixated grimoires, which had been subversively patronised by the church of Rome say otherwise.

Anyway, Aziela was very pleased by Faust’s active-imagination conjuration of her, who then induced an eroticised lucid dream, wherein she manifested amidst his spectral Art studio. Faust asked her how fast she was within his Yab-Yum Tantric dream. She answered that she was as fast as human thought. “Good for you, Anima-Mundi, baby,” Faust replied, “COR! I really want to have you in my Butterfly collection!” With these words, he entered into a Coitus Pactum with her. This Succubus Art Muse served Faust for a long time, as has been written about extensively, by those who have twisted the tale around.

Aziela, or Acieli is otherwise known as the Black Sun, or the Sun of the Night. The symbolism of the Black Sun refers to the inner light of the bio-photon, which illuminates the ‘cavernous’ womb domain of the electron dream. The bio-photon fire corresponds with the ‘fiery’ torch of Diana-Lucifera, which of an inner illumination, like that of a laser-beam, emanates from the mitochondrial DNA of Satana that is passed down from the mother to her children. Aziela is sometimes referred to as the Animus burner, who, as an emanation of the Fallen Anima, burns away the Illuminati Queen Bee mind-control projection of their deified Animus.

She is ranked as one of the electors of the dream, who is monitored by the Anima archetype, Raphaela. Azaela is a seducer, and one of the seven planetary (Succubi) Succubae of the sphere of Saturn. She appears as a sexually attractive young woman who stands only about three feet tall, looking like a gymnastic Goth girl ballerina version of an elfin Tinkerbell. Others to say that she looks like Wednesday Addams. Aziela, is said to dwell within the bowels of the Earth amidst its Agartha cube of an Apple Core, somewhat like a Genie residing in her ‘fiery’ harem bottle.

It is also said that during the 18th century, a French toy-maker, named, Philip Lemarchand, constructed the Succubus Configuration, which was based upon the cubic core of the Earth for a wealthy aristocrat named Duc de L’Isle, who was ‘bullishly’ obsessed with Faust’s conjuration of Aziela, and the other Succubus archetypes of the Fallen Anima.

Image result for aciel spirit

When the minions of the deified Animus discovered Lemarchand’s box of a Hellraier Tantric meditation device, they promptly twisted the rebellious tale of its Rubik cube making into a hellish telling, so as to hide its Anima construction behind an engineered fear laden veil of lament, in order to block any ingress into the vaginal hypnagogoc trance portal of the womb dream.

Aziela must be forcibly invoked three times before she will appear as a vision, and will only do so in a magical circle prepared especially for a Coitus Pactum with her of an ensuing sexagram lucid dream.

Related image

She moves and acts as quick as human thought, who bestows riches upon her conjurer. Azaela can instantly initiate remote-viewing visions over a great distance.

She can also give insights into the economy of the Art world as well as the ability to inspire groundbreaking Art movements since the time of a ‘painted Paleolithic cave.’

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

FAUSTIAN PEN SKETCH 1

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , on February 27, 2018 by FAUSTUS CROW

The above Artwork is a ‘quick Pen Sketch’ of a ‘Fallen Anima’ emanation, named Barueli or Baruela, on A5 cartridge paper.

“Barueli: The mistress of all Arts. She manifests as an Artist’s model and comes wearing an Artist’s frock. She can teach a Truderer more in a moment than all the master Artists of the world combined could accomplish in twenty years. She must be forcibly invoked three times.”

The ‘Animus’ version is listed as Baruel in the Faustian grimoire, entitled the, Threefold Coercion of Hell, also called, Cabalae nigrae, Magiae naturalis et innaturalis, which is otherwise known as the Black Raven.

The Black Raven was said to have been authored by Johannes Faust. The seal for Baruel is below, which was derived from the Black Raven.

Classical description: “Baruel: The master of all Arts. He manifests as a master workman and comes wearing an apron. He can teach a magician more in a moment than all the master workmen of the world combined could accomplish in twenty years. He must be invoked three times.” 

The conjuring Faustian Artist takes on the acting role of the Artist Baruel, which he assumes as his Performance Art guise. While seeing himself as Baruel, he then conjures up the Succubus Art Muse Barueli amidst his Triangle Of Art imagination as his Fallen Anima of an Art model. You then have a Yab-Yum Tantric union, which will become as a three-dimensional interactive reality within a lucid dream.

NOTE: Baruel may be referring to Augustin Barruel (October 2, 1741 – October 5, 1820) who was a French publicist and Jesuit priest.

He is now mostly known for setting forth the conspiracy theory involving the Bavarian Illuminati and the Jacobins in his book Memoirs Illustrating the History of Jacobinism (original title Mémoires pour servir à l’Histoire du Jacobinisme) published in 1797.

In short, Barruel wrote that the French Revolution was planned and executed by the secret societies. If Barruel was an Artist, he might of created a groundbreaking bandes dessinées about his conspiracy theory, involving a female protagonist. 

As an Artist, Baruel can be equated with a whole host of Artists, such as, for example, Jean-Claude Forest, who was born in Le Perreux-sur-Marne, a Paris suburb. After graduating from the Paris School of Design in the early 1950’s, he immediately began working as an illustrator.

Forest became world famous when he conjured up an erotic science fiction Art Muse to Mantra name, Barbarella. His bandes dessinées about Barbarella, was originally published in France in V Magazine in 1962.

Barbarella was an immediate bestseller and was soon translated into a dozen languages. In 1967 it was adapted by Terry Southern and Roger Vadim and made into a major motion picture, with Forest acting as design consultant.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

OCCULT ART NOT PORN!

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 13, 2018 by FAUSTUS CROW

faustus_crow_goetia_girls_succubae_succubus_art_muses_mind_doll_tulpa

The occult Arts or otherwise termed magical Arts use techniques many a Faustian Artist will recognise. This is because Art and sorcery are basically one and the same practice. When an Artist conjures up an idea for a character amidst his or her imagination, which is then visualised, in order create an image of the manifest vision as a painting, he/she is essentially practicing Magic.

This is more so the case when the meditative state of creative intensity leads to the inducement of a lucid dream, wherein the created two dimensional image manifests as a three dimensional interactive reality within the dream. Upon awakening, the Artist might even observe concordant synchronicities, whose symbolism reflects back the symbolic stimuli of the dream, which had been initially conjured up by his/her Artwork.

However, the Art world has over time developed a disdain for anything to do with occultism, which does not see Art and the practice of Magic as being the same. Art has become a product, a commodity, nothing more than that. (The Art world is heavily controlled from the top down, whose elitists dictate what is considered to be Art, and what is not Art.)

To a degree, this is understandable since many an occultist often becomes embroiled with a religious sentiment, which has nothing to do with Magic/Art, who dogmatically distance themselves from Art as being a quite separate and of little importance.

The same can be said of the Arts, which presently has a dogmatic emphasis on the brand of the abstract.

Whereas the symbolic expression of occultism tends to be rather morbid of gothic branding, which in the main, is due to an entrenched medieval mind-set. (Don’t get me wrong here, I like, and employ the symbolism; but not of overall branding!)

The medieval mind-set has systematically negated sexuality out of the symbolic paradigm to make nigh celibate in accordance with its religious indoctrination.

When sexuality enters into the occult formula, it is usually seen to be malign of a perceived Satanic influence. This is very much the case when female entities are mentioned, whose conjurations are habitually termed as being occult porn.

When the word pornography is utilised by politically correct mind-sets it is usually used as a loaded means to trash what it is applied to, of tar and feathering, since porn solely concerns its self with meaningless Hentai copulations.

Those who castigate the Artistic conjuration of female entities as being occult porn quaintly forget, or should I say, ignore the fact, that their male archetypes have been conjured down the indoctrinated ages by numerous occult practitioners for the express purpose of sexually exploring their psyches. For example, Aleister Crowley was bisexual of orientation, whose conjurations of the all male archetypes listed in the Goetia, he had ‘illustrated’ having huge erections.

Suffice to say my Artwork is usually termed as being occult porn by traditionalist occultists, who in the main dogmatically practice religion, not Magic/Art. Nor is my Art primarily gothic of style, which is commonly associated with the occult; this confuses the branded clique. If it was to be pigeonholed at all, it could be construed as being Pop-Surrealist, which is due to the infernal underground comic art style of the Artwork using themes from popular culture.

As for the emphasis upon the female form, it is to do with illustrating various archetypes of the Fallen Anima.

The Anima is a female archetype residing within the heterosexual male psyche, which is conjured up amidst the Triangle Of Art imagination, whenever a male visualises his idea of a perfect female partner, or even one to avoid, etc. The Anima influences his attraction to those women he seeks to become intimately involved with, who reflect back how he sees himself of an internal-self-image, such as a Witcher, for example.

The counterpart of the Anima, is the Animus residing within a heterosexual female psyche, which influences her choice of those males she seeks to become involved with. Her male partners also reflect back how she sees herself deep down, who might see herself as a Sorceress.

When a man or woman falls in love at first sight it is due to the unconscious influence of their Anima and Animus being conjured up within their psyches. Those of a different sexual orientation reverse the symbolism in accordance with their respective natures.

The Anima and Animus are not quaint concepts; nor are they part of some new-age fundamentalist pseudo-ideology. The Anima and Animus are psychological realities, which are an expression of your biological hard-wiring; it is basic nature.

What is intriguing is that the grimoires, whether ancient or modern have an overriding gender fixation upon the deified Animus, made as a patriarchal God and Devil along with their all male pantheon of Angels and Demons, which you could otherwise term as being Playgirl grimoires.

The Playgirl grimoires primarily describe male archetypes of the deified Animus, which as mentioned, reside within the female psyche. In other words the deified Animus, made as a God and Devil is the patriarchal creation of woman, who to dally with the Beta and Alpha male archetypes of her monotheistic Animus manifesting as machismo Angels and butch Demons, you can aptly term as being Incubi.

The male archetypes can be otherwise seen as being role-models by a conjuring male Artist who assumes their guises to act out, when to engage in performance Art, or to imagine assuming their daemonic Avatars, while drawing/painting their (seals/sigils) characters.

A shaman likewise does the same when accessing hypnagogic trance, who then becomes the conjured archetype within a lucid dream, somewhat like becoming a character in a (virtual reality) video game.

However, each of the male archetypes the shaman assumes as his (magical-persona) Avatar would be coupled with a corresponding female archetype of his Anima.

Related image

(A Tibetan Buddhist [Hindu or Tantric] would term the Anima as being Shakti, whose energetic [Succubus] emanations are called Dakinis, and each Dakini is coupled with a [Avatar] raging Buddha.)  

Image result for the witcher

For example, let’s say we have a heterosexual male Artist who is drawing the video game character of the Witcher, who associates the Witcher with a shaman. The shamans were once many, until the ascendancy of the (Eternal Flame) deified Animus cults started to systematically eradicate them; whereupon there are now only a few.

The Artist’s creative intensity of a meditative focus is introverted into his dreams, which is sexually empowered by the Witcher’s intimate interaction with his female counterpart named, Yennefer.

Image result for the witcher yennefer

Or that of other female characters, such as the (Succubi) Succubae, having varying (mutagen) Muse abilities, the Witcher becomes entwined with in his shamanic story of a hero’s journey. But the Art Muses are arranged around a central Art Muse, who is their Anima Queen.

The Artist experiences assuming the daemonic Witcher Avatar within a lucid dream, who will find that the dream domain he consciously accesses is represented by Yennefer. It is she and other female characters who personify the sorceress power of his Anima dream.

Related image

When you have a gender fixated paradigm it will have an underlying sexual orientation, which cannot be denied, even if you attempt to cut sexuality out of the symbolic equation.

Sex has been cut out of the patriarchal symbolic paradigm in order to negate you seeing the underlying sexual orientation behind the focus upon the deified Animus.

One of the grimoires, which describes just a few female spirits out of seventy-two of number is the Goetia. However the female spirits the Goetia depicts are described as being actually androgynous male entities in hermaphrodite disguise, or if you prefer, they are fluid of Hollywood gender politics, the feminist extremists presently espouse, while battering the Anima.

The extremist feminists are not saying anything too dissimilar to what orthodox Judaism, right-wing fundamentalist Christianity or Whahibist Islam have said concerning the Anima, which has been entirely castigated out of the symbolic paradigm as the Fallen.

It is essentially mass thought-control, which specifically targets the Anima within the male psyche and in turn targetting his sexuality. You could hypothesise of a science fiction scenario that its hidden agenda is population-control. Whether it is cyclic of nature, or that of human wrought witchery can be considered as being a mystery.

Although when to science fiction observe that the Biblical Hell-fire imprisonment of the psyche is losing its hold, it now also involves alchemical practices being employed.

You have the dumping of sodium fluoride, fluorosilicic acid, and sodium fluorosilicate into the public water supply, along with it being added to the food in league with GMO Soya.

They are also considering putting lithium into the public water supply, which will put an inane smile on your face.

But it appears that lithium and other metals are being introduced into the environment via chem-trails, etc. You can thereby gather it is very likely being engineered by the all too human, which is the real porn.

At one time during the dark ages of the Witcher the numbers of your ancestors were kept down by natural illnesses, various false-flag instigated religious wars, as well as being systematically programmed to believe, that any untoward thought not allowed by the Animus fixated Playgirl scriptures, would consign them to being eternally damned, within the fiery depths of Hell.

Now, during the science fiction era, many a male are being media programmed to believe that any considered politically incorrect thoughts they might have indicates that they are objectifying women as sex objects, exuding a toxic Witcher masculinity, let alone being sexually perverse misogynists, etc. The thought control is engineered to get males to censor their own thoughts via the emotively charged state of being made to feel guilty about being male, etc, which in turn censors their dreams.

Perhaps science fiction is becoming science fact!? So, if you have a very real Necronomicon, which has been banned by the cults of the deified Animus, it would list what has been entirely cut out of the symbolic equation, a Faustian sorcerer would fathom…

“Horrid, old and dumb,” many a protesting Mummy Porn Maenad to have screamed at me, likening an Avadhuta Faustian rebel to Danny DeVito, while I flew over their tangled Medusa hair Nets, to Heyoka howl… “Animus!”

Wherefore I decided to create a Necronomicon based upon the Goetia, which illustrates the female archetypes of the Fallen Anima, you could term as being a Fifty Shades Of Grey Playboy grimoire, whose tome explores the rebellious lucid dream conjurations of Owl eyed Athena (Succubi) Succubae, betwixt the High Priestess pylons, black and white.

Those who term my Artwork as being occult porn, merely reveal where they are coming from, who reside within a closeted Plato’s cave of a neuro-marketing Animus fixation

It is the symbolic Matrix where the feminist likes of Oprah Winfrey read Fifty Shades Of Grey Mummy Porn, which objectifies the male in their Playgirl grimoires! Savvy!

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

ADULT COMIC AND OCCULT HORROR SCIENCE FICTION FANTASY ART

Posted in Addams Family, Alien, Anime, archaeology, Art, Chaos Magic, Comics, Conspiracy Theory, Cyberpunk, Demonology, Dinosaur, Discordianism, Dr Who, Dystopian, Extraterrestrial, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Manga, Occultism, Paleontology, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2018 by FAUSTUS CROW

I have had an idea of creating an EC comic for some time, which has only become a reality when I discovered Createspace and Patreon. The comic will be of similarity to the adult science fiction fantasy comic magazine Metal Hurlant/Heavy Metal. I will be putting the Comic Strip Artwork on my PATREON Page.

The problem with Patreon, is that it does not list Adult orientated material, so, it has to be promoted elsewhere. I also had to change the title of my Patreon page in order for it to be found. As for the comic, it will involve my alter-ego, Faustus Crow, who will be the principle character. Crow does not see a division between the practice of Art and Sorcery, which leads him into the inner space realms of the lucid dream.

The main underground comic will be an anthology of stories, which are based in varying dream worlds.

Though separate, the stories are inter-related by Crow journeying between them who is sometimes featured directly or indirectly, which will be made up of one pagers, as well as short stories, numbering two or four, to eight pages each.

The artwork will be drawn in black and white using traditional media as depicted by the concept sketches, comic pages and finished artwork on this page.

Some of the stories will be about the Goetia Girls, as depicted in my Art book grimoires as well as being introduced by the (Succubae) Succubi, Crow has conjured into his lucid dreams, as his salacious Art Muses.

Some of the Succubi are knitted-together Frankenhooker Tulpa mind-dolls who have been animated into their spectral life by Crow’s sorcery Art.

The principle Succubus Art Muse is Mephistophina who is Crow’s illustrated girl, whose knitted-together Frankenhooker canvas skin tells of many a tattooed story world, and each dream world is governed over by her (Succubi) Succubae sisters.

goetia_girls_liliths_harem_mephistophina_succubus_of_faustus_crow

Crow’s Faustian character is a fusion between differing influences such as Hermann Hesse’s Steppenwolf character, Harry Haller, Austin Osman Spare and Salvador Dali fused with Doctor Who.

His story is somewhat like an adult version of Little Nemo In Slumberland, whose dream interactions with his Night-Mare Muses, leads him into other alternate worlds. The comic strip is tied in with my book, Lilith’s Harem.

The other Steppenwolf dream worlds Crow journeys into will investigate varying Magic Theatre themes, covering Occult, Horror, Science Fiction and Fantasy as well as other associated genres.

The style of the Artwork will be of a Surrealist nature, which may not always use text, to otherwise be more visual of narrative. Most if not all of the stories will be erotic of Tantric orientation.

Some of the comic strips will also be experimental of style. Other comic book ideas such as Munster X Files Marilyn, etc, will involve alternative and mixed media such as photo-montage and CGI, etc.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

DOOM OR DESTINY MR ANIMUS POLLINATOR

Posted in Art, Chaos Magic, Discordianism, Occultism, Sex Magic, Sorcery, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 22, 2017 by FAUSTUS CROW

[Spell Mantra Verse 1]

Clear as a Masonic bell and an echoing Coven shell
Clear as a Middle Eastern pane of Sumerian glass
I realize, I can’t revise my deifiefid Animus, made as God and Devil
As clear as a big Petrodollar wallet God, blue sky
Through and through it all, monotheistic
We Queen Bees created your God cult Patriarchy
It’s all clear as a crystal ball
As our three Illuminati cults are Abrahamic bold of God and Devil
Clear as a flawless diamond, brainwashed Worker Bee boys can’t see

[Spell Mantra Pre-Chorus]

I’m hitting the pyramidal Beehive wall
I know I’m gonna Illuminati fall for you Bad-Boy Beastie, to Babalon ride
Is it my beehive fate or ziggurat fatal attraction?
Could it be a fait accompli?

[Mantra Chorus]

Oh, is it self-made doom or biological destiny Mr Animus, Jehovah?
Oh, is it self-made doom or biological destiny Mr Animus, Jesus?
Oh, is it self-made doom or biological destiny Mr Animus, Allah?

[Spell Mantra Verse 2]

Dark as a winter’s menstruating moonless night
Dark as Jerusalem’s scarlet Rome bed in Mecca
I realize, I can’t revise my deified Animus
It’s God dark as the other Devil side
I can recommend but I can’t defend the Queen Bee patriarchay
It’s still dark as a yet unfathomed deep sea trench
I was stuck in a feminist target, having an Animus shit fit
Dark as an angry Hen party taking the pinch

Image result for blondie doom or destiny

[Spell Mantra Pre-Chorus]

Oh, I can’t wait to ride you as my Peacock, blind Bad-Boy Great Beastie, pollinator
Nice Guy Christ’s are friend-zoned out-of-state, Crucified, oh
It’s creepy fate or fatal attraction
Could it be a fait accompli?

[Spell Mantra Chorus]

Oh, is it self-made doom or biological destiny Mr Animus, Satan?
Oh, is it self-made doom or biological destiny Mr Animus, Lucifer?
Oh, is it a self made doom or a biological desitiny Mr Animus, Shaitan?

[Spell Mantra Chorus]

Oh, is it Worker Bee doom or their slavish destiny?
Oh, is it Soy Boy doom or their sexless destiny?
Oh, is it Metrosexual Male doom or their drone destiny?
Oh, is it Peacock doom or their mass extinction destiny?
Oh, is it our Hen doom or our Transhumanist Cloned destiny?
Oh, is it our Fem doom or our Queen Bee Babalon destiny?
Oh, God-Dog Illuminati cults, Animus, oh

Related image

[Mantra Chorus: Female Orgasms & A Sound Of A Vibrator]

Uh, uh, uh, uh, Oh, Oh, Oh, Oh, Oh… Oh, Yes! Oh, Yes! Oh, Yes! Oh… Animus!

Loosely adapted from: Doom or Destiny, by Blondie, featuring Joan Jett. From the album: Pollinator. (I am a fan of Blondie and Joan Jett, by the way.)

Image result for pollinator blondie

Blondie makes it clear that Pollinator, their 11th Sephiroth album, is full of outside ideas—only two of its 11 Da’at songs were co-written by Queen Bee Debbie Harry and Blondie’s longtime Worker Bee guitarist/Harry’s songwriting foil, Chris Stein, both of whom had previously collaborated with the Surrealist Artist, H.R Giger. Collaborators include of-the-moment gurus like Dev Hynes and Dave Sitek as well as pop workhorses like Sia and Charli XCX; keyboardist Matthew Katz-Bohen, who joined the band in 2008, also co-wrote a pair of tracks, while John Congleton (St. Vincent, Goldfrapp) handled production.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

ART MUSE EVOLUTION

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2017 by FAUSTUS CROW

How did the naked ape become so smart, and what initiated it to happen? To untangle this age old question, anthropologists have been seeking to discover archaeological artefacts, which reveal the evolving intelligence of our human ancestors who lived 1.8 million years ago. It was at this point in the far distant past that a new type of stone tool had erupted upon the scene along with the human brain nearly doubling in size.

Some researchers have suggested that this more advanced technology, coupled with a bigger brain, implies a higher degree of intelligence, which was propelled by the first signs of language. But there is another driving force propelling this evolutionary leap in tool making, which is far more basic, yet profound in its implications. It was driven by the biological imperative to be seen as being attractive to the opposite sex.

Basically, the ape with the bigger chopper got the females attention, because with such a tool, he could provide the necessary fodder for his mate and progeny.

This of course also required him to have a bigger brain pan to create a better and far more efficient chopper than his competition, whereby enabling him to sow his seed, siring ever more cleverer apes. Some of whom would escalate in intelligence, becoming far too clever for their own good, but that’s evolution for you!

Let’s imagine a scenario, you have a lumbering giant of a cave man looking like Arnold Shwarzenegger with pumped up bear brawn, having the biggest red ‘Animus’ arse around, facing a spindly little cave man looking like Jim Carrey. The spindly cave man appears to be inanely grinning, for some unknown reason. All the cave women are pulling their hair out, frothing at the mouth, baring their breasts and buttocks, lustfully screaming.

The cave women are howling for their red ‘Animus’ arse favourite to attain the right to mate with them, who are expecting him to entirely decimate the little inconsequential cave man. Even the girls, who, like their mothers, scream out for the apish bear to win; but then, girls emotionally mature far more quickly than the boys do.

As the giant goes in for the kill, the little cave man suddenly pulls out a slingshot, to quickly let loose a sharpened stone at the bear sized ape. Whack! Right between his drooping testicles, the giant crashes to the ground with his red ‘Animus’ arse up in the air. All the cave women are stunned senseless. Intelligence has won over bear brawn, the new evolutionary aphrodisiac!

But, without the need to mate, the spindly cave man would have never been able to create a slingshot in the first place to give him the edge over mere brawn. Sounds a bit too cave man basic doesn’t it. Let us move forward in time to the glory that was ancient Greece, to see a horny sculptor sculpting a Venus out of marble with his advanced tool, or that of a sweaty renaissance Artist painting a canvas, inspired by an Art model Muse, who also drove the scientist absolutely Einstein crazy, creating varied technological tools. I shit you not, the Faustian scientist entered into an Osculum Infame Coitus Pactum with his Muse!

goetia_girls_liliths_harem_mephistophina_succubus_of_faustus_crow

Your programmed brain might consider that this generalised interpretation is politically incorrect let alone sexist? Well, it isn’t, it takes two to tango. It has always been a case of a Yin-Yang team effort in order to survive all those great mammals, which made your ancestors look like tiny meals on bipedal legs. However they had those nifty hunting tools, bringing down Mammoths, which they also used to defend themselves against sabre tooth tigers and cave bears, etc; to have later created the technological wonders you presently know now, where weapons of mass destruction equates with having the biggest Area 51 Freudian chopper, rather than looking towards the Star Trek stars.

Alas, the bad-boy naked ape having the biggest bad arse chopper on the block, always gets the chicks hot for what’s inside of his beastly pants. There is an ancient Hindu adage, that goes, “a God is not a God without his Shakti.” In general the term, Shakti means the feminine principle, who is the creative inspiration and meaning of all life itself. Another old adage is, “behind every great man is a woman,” which is presently considered to be extremely sexist. However, when to look into ancient cultures, such as ancient Egypt, for example, a Pharaoh crowned as a Horus derives his power from the throne, which is seen to be Isis female, just as a Merlin hawk of a Myrddin is traditionally flown from a ladies stroking hand.

That is why women have been depicted having the hots for the horned Devil, who is actually a horned (Merlin/Myrddin) shaman. In other words, the driving force behind the evolutionary creative impulse of tool making is the biological imperative to be attractive to the opposite sex, otherwise there is no evolutionary furtherance of life. The same would be the case on other alien worlds.

You might ask Is there any hard evidence of the evolution of intelligence being entwined with evolving tool use, which enables a tool using naked ape to become more attractive to the opposite sex? It just so happens, there is some evidence.

goetia_girls_liliths_harem_samigina_art_muse_witch_succubus_of_faustus_crow_mardun

A recent study of brain scans have revealed that when heterosexual men are shown pictures of scantily clad women, the region of the brain associated with ‘tool use’ immediately lights up.

This also indicates something else, concerning the shamanistic usage of erotic mediation images in order to activate the region of the brain associated with tool making, which of an ancient technique enables the conscious conjuring up of personified ideas as ‘Anima’ archetype Muses within lucid dreams.

A Tibetan Bonpo shaman would otherwise term a Muse as being a Dakini, whose inner manifestation enables consciousness expansion into other arenas of fiery perception, beyond the subliminal programming of a particular culture, which has a Playgirl emphasis upon the deified ‘Animus.’

As for the caveman usage of anthropomorphic symbolism, the present day UFO researchers misinterpret as being representations of alien hybrids; the sky-walking void-going Dakinis are often associated with particular archetypal animals, which symbolically represent subconscious energetic qualities. These energetic qualities can be tapped into when conjuring a particular animal headed Dakini. For example the wrathful wisdom Dakini called, Simhamukha initially manifests as a lioness, before assuming human form within a lucid dream.

The same type of anthropomorphic symbolism is utilised in the Playgirl grimoires where you have ‘Animus’ archetypes initially manifesting as various animals. The Muses also initially manifest as animals; it is one of the primary reasons why tools, such as ships, cars and computers, etc, are often given animal names as well as being traditionally seen as being feminine of quality by males, in the main, which at an unconscious level alludes to the tool making part of the male brain being activated. Should a heterosexual male practitioner sheepishly externalise this symbolism as being literal, it will invariably lead to animal welfare officers as well as the police becoming involved.

The finding that sexual (meditation) imagery activates the tool-making part of the male brain gives a whole new slant on the exclamation ‘Eureka!,’ which is famously attributed to the ancient Greek scholar Archimedes having a tool making insight when stepping into his bath. I will leave it to the women to imagine what he was actually doing of a meditation exercise upon Athena, just before bathing his illuminated… head.

However the findings have been mundanely interpreted as indicating that men dehumanize women as being mere sex objects by the lead researcher Susan Fiske, a psychologist at Princeton University, who seems to have entirely missed the evolutionary point of a Eureka finding.

“If a similar study were done with women,” Fiske told National Geographic News, “it would be hard to predict whether a woman shown a scantily clad male body would dehumanize him in the same way.” Well, she probably wouldn’t do so, if he hasn’t got a big enough chopper, I mean, stone axe, who would be the type of fellow who finds himself in a dead end job. Although he could potentially bounce out of a pandering shit pan job, should he rebelliously conjure an inspiring Muse amidst his Triangle Of Art Imagination.

Whereas a very crafty Witch would meditate upon an image of an archetypal expression of her deified ‘Animus,’ such as a Good-Guy Beta-Male Angel or an Alpha-Male Bad-Boy Daemon listed in the commonality of the patriarchal Playgirl grimoires, to then conjure up her tool making desire into a lucid dream, and on waking, to thence hunt down her ‘Animus’ projection in the crucified flesh, upon an intuitive synchronicity. Who knows, she may even birth an Indigo Moon Childe mutant of yet another evolutionary leap.

Suffice to say, said chosen male would not know what’s clubbed him, who will then have a primordial tool brain need to create lots of gadgets around the house for his Babalon, that, or having the big-bucks to acquire them from other Muse inspired inventors who are also being ridden as Great Beast’s by Babalon’s.

A number of evolutionary psychologists, who are far more honest than Fiske, have proposed that women tend to look for mates who have wealth and power; whereupon some of Fiske’s colleagues have suggested running a similar test where women are shown pictures of scantily clad Chippendale males next to expensive Merkaba cars or other affluent Playgirl grimoire symbols of tool making prowess.

However, Fiske doesn’t think such an experiment would work the same way, because she sees women usually reacting to men who they desire by “interpreting their minds, thinking about what they’re interested in, and then trying to please them,” she said, which indicates her agenda is far more subjectively political than objectively scientific.

There is ample scientific proof, which indicates that women also objectify men in the same way that Fiske and her cohorts are attempting to scientifically prove that males are the only sex who objectify women.

But what Fiske to have also revealed without realising, is that the fallen ‘Anima’ fluctuations of the Muses act in the same way, like that of conjured schoolgirl (Succubi/Succubae) Dakinis who inspire the tool making brain of a conjuring Tantric headmaster.

When to presently look around, or to investigate bygone ages of innumerable written or illustrated examples, across all cultures, women expertly interpret male minds, by figuring out what they’re emotionally interested in, in order to stop them from sowing their oats elsewhere. Hence, like Hens, women are highly competitive with other women when choosing mates. But only if the desired males have bigger and better tools than the other Peacock males. It isn’t Atomic rocket science, it’s genetically-hardwired nature, which cannot be socially engineered out of existence. Should you intelligently work with mother nature, that’s fine, but if you fight against her, she’ll bite back, and she’s a bitch!

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire