Archive for art

BARBARELLA STAR CRASH PEN SKETCH

Posted in Alien, Art, Comics, Film, Science Fiction, Succubus, Surrealism with tags , , , , , , , , , , , , , , , on September 17, 2019 by FAUSTUS CROW

The above A4 pen sketch, which can be seen in full on Patreon, is a generic science fiction depiction of Barbarella who is a comic book heroine created by the Artist, Jean-Claude Forest.

His two-dimensional comic book heroine was later made manifest in the three-dimensional form of the actress, Jane Fonda in the 1968 science fiction film, entitled, Barbarella, directed by Roger Vadim.

As for the name, Barbarella, it is a variant of Barbara, which is of Latin origin. The meaning of Barbara means, ‘foreign (Alien) woman.’

The adjective was originally applied to anyone who did not speak Greek; it has the same root as, ‘barbarian.’

In Roman Catholic custom, Saint Barbara is conjured as a Queen Bee spiritual protector against fire and lightning.

She is also a patron saint of fortifications and an Art Muse of architects as well as stonemasons, one can otherwise term as being Freemasons, who as worker Bees frequent Beehive lodges. If you are interested in seeing the sketch in full, Please Click Here.

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART III

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 26, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 3, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

Part three of the Al Azif Necronomicon covers an alternate version of H.P. Lovecraft’s short story, ‘Pickman’s Model.’

The story revolves around a Bostonian Artist named Richard Upton Pickman, which was written in September 1926.

‘Pickman’s Model’ was first published in the October 1927 issue of Weird Tales.

The story was later adapted for television in a 1971 episode of the Night Gallery anthology series.

The first part of the Al Azif Necronomicon is based upon H.P. Lovecraft’s own description and history about Abdul Alhazred’s book, which I have taken into the Twilight Zone.

As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

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SEX ROBOT ART MUSE SINGULARITY

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 14, 2019 by FAUSTUS CROW

A feminist researcher going by the name, Susan Fiske conducted an experiment to prove that men see women as sex objects. One can darkly guess that the underlying agenda of Fiske’s research is to devise a pill in order to nullify men’s brains from doing so.

A number of male brains were scanned, while they were shown a series of Arty images depicting scantily clad females, one can otherwise consider as being inspiring Art Muses. The Art Muses would be termed by the psychologist Carl Jung as being aspects of the ‘Anima,’ which of a female archetype resides within the male psyche.

It was discovered that the tool making part of the heterosexual male brain immediately lights up when seeing scantily clad females, or when to imagine a sexy Muse.

The same also occurred within the brains of males who considered themselves to be homosexual or bisexual, etc. This neurological phenomenon does not occur in female brains, concerning being shown images of males, whether they be heterosexual, lesbian or bisexual, etc, wherein of the female psyche the male archetype of the ‘Animus,’ resides.

Fiske presented her research as an unassailable poof that males see women as mere tools; the controlled mass media frenziedly backed up Fiske’s interpretation of the findings, whose politically correct minions are very likely looking into Orwellian chemical measures to rectify, what she and her extremist sisters in the hood see as a social problem. No doubt said chemical will be dumped into the public water supply, etc.

Oh! I forgot, they are already doing so, by fluoridating the water supply with a known sedative, neurotoxin and a mutagenic compound, which of adverse affects primarily targets a certain part of the male brain, the most, as well as affecting those males belonging to other species. Hell! It goes way beyond the psychotropic drug of Aldous Huxley’s Brave New World for mass control of a subservient population. It is the reason why the Chinese banned fluoridation, since they found it had reduced the intelligence quota among their two-child policy workers.

As for Fiske, she entirely missed the point of the research due to her illogical gender politics, which actually revealed that the sexual impulse is the evolutionary drive behind the development of technology, from that of a stone age ax unto a rocket, let alone that of a robot. One such robot is based on sexy Audrey Hepburn, named Sophia. The Science Fiction author Philip K, Dick would have probably associated Sophia with his inspiring Art Muse of a Dark Haired Girl.

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Then again, may be Fiske and her fellow researchers are well aware that the sexual impulse is the evolutionary drive behind innovative thought processes. Like that of those inspired thoughts, storming through the Thor minds of individuals, who intelligently question the Space Force motives of the Military Industrial Complex, which pulls the puppet strings of a whoring two party dictatorship. Why does the Military Industrial Complex use an inane puppet show? Such is conducted in order to distract public attention from its Orwellian perpetual wars, which are reaching into space.

If Fiske is indeed aware of the evolutionary influence of the Muse lighting up the male brain, you might have a shadow-government, which is subversively funding Fiske’s research; so that the war profiteers can find an Orwellian means to dumb down the mass populace even further, more so that of the males in particular, who are already being targeted by the mass medication of the water supply, which of course also permeates their food; hence you have an ever increasing dosage!

Where Have All The BOYS Gone ? Biphenyl A (BPA) – The Disappearing Male from joan sanders on Vimeo.

The shadow-government will then utilise Fiske’s research for a psychological warfare campaign whose aim is to negate the influence of the sexual impulse among the male population; whence making them more servile. Oh! I forgot, they are already doing so via PsyOp engineered ‘divide and conquer’ gender politics, since 9/11.

Anyway, I digress, and to verily slip into dystopian scenarios. In nature, Hens choose those Cockerels with the flashiest plumage, which is the same for most other species concerning physical attributes. This also applies to human females, who choose those men having an indication that they can physically provide a safe and secure environment for them and their children.

Men do not choose the women, it is always the other way around, unless a man is surrounded by adoring females, who are attracted to his worldly influence, which of an aphrodisiac is perceived as having temporal power. Well, what do you expect, men cannot give birth!

In ancient times, when Sabre toothed Tigers prowled the forests along with Cave Bears and Dire Wolves, having Woolly Mammoths thundering over the tundra, a man who had developed the best hunting tools to deal with the raw savagery of unforgiving nature, won the attention of the females. It is the women who determine those male role-models, which are most sexually attractive to them, a man then aspires to become, such as assuming the role of the Great Hunter, Orion.

A caveman was inspired by a scantily clad cave-woman to devise new and inventive ways to hunt for game, while she birthed his children. It is she who had chosen him for his inventive prowess, as mentioned, not the other way around; just as a Hen chooses a Cockerel having flashy plumage. And should the Cockerel get eaten by a rapid Fox, the Hen will crucify another Cockerel to watch over her Easter eggs.

Hence, the male tends to be rather expendable, his biological role is to invent better ways to protect and empower a female and her children, who perpetuate the survival of the species, to one day attain the technological singularity. She is the Fifth Element meaning of his Great Hunter existence.

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When you look at the present age, it has been found that the driving force behind the rapid development of the internet, is in the main due to its male engineers browsing for (Muse) porn, which had exited the tool making part of their hunter brains. The lit up brains of the male engineers have also discovered the five elemental types of males, women from across the globe find to be most sexually attractive, which are determined by their ‘Animus.’

Porn can of course lead to a nigh uncontrollable addiction for some, just as other behaviors can become problematic addictions. It is the reason why ancient Shamans learned to introvert their sexual impulse, in order to utilise an erotic focus upon the feminine to empower the attainment of hypnagogic trance unto a lucid dream; wherein the tool making part of their brains light up, which is termed as the ‘Fire In The Head.’

The goal being the transmutation of porn, which of a habitual hedonistic addiction is transmuted into an evolutionary expansion of consciousness by utilising the symbolic alchemy of Art. The addiction is then spiritualised and thereby utilised as a means to induce an evolutionary leap in intelligence. Such is especially the case when it leads to a ‘Fire In The Head’ Eureka moment of creative insights, which facilitates evolutionary Muse leaps in the Arts and that of technological developments.

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As for the Art Muse drive behind the evolution of the internet it has invariably led to the rapid development of an A.I. whose programmed personas tend to be that of sexy females, which will one day be housed in very human looking robots, who will eventually become sentient.

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Although, the first Art Muse manifestation will be that of interactive female A.I. characters populating virtual reality games.

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Somewhat like that of a Shaman Artist conjuring up Art Muses amidst his Triangle Of Art imagination as his interactive sentient programs, whom to then manifest within his quantum computing (virtual reality) lucid dreams, which lights up his brain to create and invent.

Little wonder then that women are intensely jealous of a man’s ‘Anima,’ whose erotic archetypes inspire invention.

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Women tend to be far more intuitively aware than men, who subconsciously sense what the Art Muses of the ‘Anima’ are erotically inspiring of a technological singularity. 

NOTE: Pornography originally mean’t: “sexual images, whether actual or ‘Imagined,’ which excite an erotic response in the observer.” The term primarily covered literature, which in the main involves the readers ‘Imagination.’

I must admit, I prefer not to use the word, ‘Porn,’ since it has been hijacked by a political agenda, and used to smear anything, which is considered as being politically incorrect by the mob mentality of the herd-mind.

My preference is using the word, ‘Erotic.’ But, in context of the ARTicle, it does not get the message across, concerning the transmutation of the hedonistic into the spiritual. When using the word, spiritual I am not referring to a fluffy Newage paradigm populated with fairies and unicorns.

When using the word, Porn, nowadays it initiates an emotive reaction, which is often tied up with controlled mass-media programming of the audience brains to immediately go into a ‘Fight, Flight’ response.

Tantric Artworks from the far East were once considered as being Pornographic, prior to the present hijacking of the term, which was applied by neutral scholars, it soon became moralistic of association.

Should an individual communicate that he/she ‘Imagines,’ having sexual congress with various deities looking like Hollywood film stars, etc. Said individual will be seen by the herd-mind as being a vile Pornographer, which is especially the case, if he/she draws, paints, sculpts, photographs or sings about his/her Tantric liaisons.

The word has been weaponised as a means to tar and feather your ‘imagined’ conjurations, which is essentially Mind-Control.

(It is somewhat intriguing that a ‘word’ can be weaponised, whose prior ‘symbolic’ associations have been politically engineered in another direction. Neuro-marketing/advertising utilises the same ‘Propaganda’ technique, which of a science had been derived from how a cult/religion manipulates minds.

When an individual knowingly manipulates his/her own mind, by using a similar technique it is Sorcery, which is indivisible to the practice of Art, since a ‘word,’ instantaneously conjures associative ‘symbols amidst your Triangle Of Art Imagination.’ It is how language works. If a ‘word’ has no associative ‘symbol,’ it is just a sound.)

Mind-Control is very easy to achieve. For example, the ‘controlled mass-media’ will utilise a convicted sexual-predator as an asset to make everyone feel guilty about their own sexuality; however the collective guilt is ‘imagined!’

The programmed (fight, flight response) herd-mind will then go into a viral-meme witch-hunt mob-mentality, who will invariably align innocent others with the establishment asset of a sexual-predator, should their views be considered as being politically incorrect.

If the controlled masss-media asset of a sexual-predator is seen to be tied up with an ‘Eyes Wide Shut’ scenario, having ‘Occult’ overtones, it invariably becomes a witch-hunt, which will viral-meme spread and permeate all levels of society.

As for the hypnagogic state of trance, which is the power behind hypnosis, you might find that your inner ingress will be influenced by the associative symbolic stimuli around you. It is one of the reasons why practitioners retreated to a cave in the wild hinterlands, so that they could get away from the subliminal programming of their subconscious minds.

When practicing in an urban environment a Mahasiddha has to be always vigilant.

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DOCTOR FRANKENSTEIN CREATED A FRANKENHOOKER NIGHT-MARE

Posted in Art, Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 7, 2019 by FAUSTUS CROW

Doctor Frankenstein’s Frankenhooker Night-Mare: “Her Exquisite Corpse Had Been Knit-Together From Exhumed Memories Of Astral Flesh, Of Which Frankenstein To Have Dug Up From Out Of The Infernal Necropolis Of The Love-Craft Dream-lands.”

“Frankenstein’s Electrifying Desires Animated Her Into Sentience, He To Have Then Dream Ridden As His Tulpa Time Machine.”

“H.G. Wells Also Conjured Frankenstein’s Necronomicon Night-Mare As His Remote-Viewing Zodiac Muse, He To Chronos Ride of Hypnagogic Visions, When To Abdul Alhazred Mantra Chant Her Frankenhooker Mind-Doll Name, Orobasi.”

“Later, The Dr John C. Lilly Likes Of A Randolph Carter conjured Obobasi, While To Sojourn A Floatation Tank Of A Titus Crow Coffin, Upon Whose Ornate Lid Is A Zodiac, Whence It Is Verily Called, The Clock Of Dreams.” 

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART I

Posted in Alien, archaeology, Art, Chaos Magic, Comics, Demonology, Discordianism, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 1, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

The first part of the Al Azif Necronomicon is based upon H.P. Lovecraft’s own description and history about Abdul Alhazred’s book, which I have taken into the Twilight Zone.

As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

Lovecraft’s surrealist creation of the Al Azif Necronomicon transmuted the dualism of a religious fixation upon a war in Heaven and Hell into the realms of science fiction.

Ancient alien entities are in perpetual conflict with one another, whose shadowy existence has engendered bored humans to engage themselves in exotic cargo-cult religions.

Interestingly, you find the same transmutation of religious symbolism into the domains of science fiction when looking into the UFO mystique, where Angels and Demons have been transformed into Aliens, whether they be hovering around amidst the cosmos, or hiding away in underground bases.

Lovecraft described Al Ahazred’s book to be a very dangerous tome, because it revealed the archetypal theme of a cosmic war fought by deities as being, in actuality, a conflict between monstrously ancient alien races, who far predate humanity and even predating the formation of the solar system.

However, Lovecraft’s subject matter would not be too Earth shattering of a revelation to a cultist whom worships deities, who is then told that his/her deities are actually aliens, whose technology is indivisible from magic. The cultist would just shrug his/her shoulders and make the symbolic transition quite easily.

In other words, Lovecraft’s Al Azif Necronomicon wouldn’t be considered as being dangerous at all, nor would it be banned, since it validates the established religious orientation from a scientific perspective.

There are numerous historical examples of grimoires, which are in archetypal accord with the religious paradigm, even when they veer into what can be considered as being the arena of proto-science fiction, such as, for example, Dr John Dee’s Enochian system.

I am more concerned about what has actually been banned, and totally castigated out of the symbolic equation.

Also, I am not saying another order of alien intelligence does not exist, far from it, since what has been cut out of the equation is a particular expression of the ‘symbolic interface,’ which facilitates communication with other forms of intelligence via the informational realms of electron dreams.

Hence, a certain form of the ‘symbolic interface’ is considered as being dangerous. Wherefore, it has been banned!

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CHAOS MAGIC COMIC ART 2: Austin Osman Spare

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , on May 11, 2019 by FAUSTUS CROW

The above Artwork is an example of some of the Art I have done for a Chaos Magic comic, which depicts the Sorcerer Artist, Austin Osman Spare.

The Artwork was done in pen and ink on A4 Bristol Board. If you are interested in seeing the Full Comic strip, Please Click Here.

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SHAMAN CHAOS MAGIC ART MOVEMENT

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2019 by FAUSTUS CROW

The beginnings of the Shaman Chaos Magic Art movement, which is otherwise termed as Chaos Art (Magick) Magik, or Surrealist Sorcery is rooted in the experiences of a British Sorcerer-Artist, Faustus Crow.

In his books, The Book Which Tells The Truth About Art Muse Lilith (1974) and Ultraterrestrial Art Muses Took Me to their Succubus Planet (1975), Crow describes experiencing encounters of the Sexagram kind with salacious female aliens since he was a very strange changeling childe.

Crow says that the alien nymphomaniacs abducted him into other realities, who are his Kamasutra Art Muses and spectral Dakini Art models, whom stem from other worlds, and historical times, as well as emanating from alternate Earth’s, who bestow multiverse knowledge via his quantum computing lucid dreams.

One of Crow’s Chaos Magic experiments was the knitted-together Frankenstein creation of a Coyote girl Tulpa construct, mantra named, Sally Tonopah in order to lucid dream remote-view Dreamland Area 51.

Or was it Area 52, Crow had conjured his Obsidian Butterfly to haunt? Can’t recollect… probably both flowery Chakra locales.

Of course, most people consider Faustus Crow to be a mere poser, and quite mad to boot, let alone being absolutely insane, or far worse. But who is this, Crow exactly? Some say that Crow looks a bit like Fifty Shades of Devito, Witches secretly adore as their Great Beast Valentine!?

One thing for sure, Crow isn’t a square jawed Hollywood actor looking like a photogenic Disney/Marvel eugenic superhero sporting oiled biceps, having a tight Baboon butt, nor does he look like Scientologist Tom Cruise having a fat Vatican bank account.

Crow doesn’t even drive around in a flashy phallic racing car having the cultic charisma of Claude Vorilhon, etc.

Who on Earth would then take Crow at all seriously? Crow hasn’t even got the aphrodisiac of materialism nailed down, which engenders the respect of the hypnotised masses, let alone having the necessary politically correct social media cred… So, one can thereby gather that all his followers must be deranged cultists.

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Whatever the case, the Chaos Art Magic movement traces its Surrealist Sorcery beginnings to a 1990 Art conference, which was situated under the pyramid of the Louvre Art gallery in Paris, France, which was entitled, Yoni Stargate Belphegor.

The Yoni Stargate Belphegor conference was attended by two thousand female Art students who were all dressed up as St Trinian’s schoolgirls, looking like Hogwarts Witches.

From amidst Belphegor’s Louvre pyramid, the Chaos Church Of Art Magic was born, which promotes the infernal worship of Faustus Crow.

The name, Crow is a veiled reference to the Faustian experience of hypnagogic trance, the alchemists termed as being the Nigredo stage of the Great Work, which is initiated by a bedroom invading Night-Mare Succubus.

There is a women only membership in the Chaos Church Of Art Magic, who term themselves as being the Chaos Unitarian Nuns Templar of Lilith’s Harem. The CUNT members often don the fetish costume of a leather Nun who are known as Nightgaunts, which is their Love-Craft moniker.

The Chaos Church Of Art Magic has a quasi-clerical structure of seven planetary Chakra levels, which has since become an anti-Art convent school, whose High Priestess is Molly Crabapple. She’s really hot!

Joining the Chaos Church Of Art Magic requires an official apostasy from other belief systems. One of the CUNT goals includes the striving towards the dissolution of the Military Industrial Complex via the nonviolent means of Art protest.

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There are also two anecdotes in the CUNT newsletter reporting female majorities joining the Asian Mongolian chapter of the Chaos Church Of Art Magic, which comprises of female (Udagan) Shamans who dress up as horned Babalon Nuns, whom worship Crow as their Animus fixation upon a Horny Great Beast.

Art Witches such as Mephistophina, the Chief Executive Officer of the Order Of The Obsidian Butterfly, otherwise known as the Nigredo lodge, plays a powerful role in the Chaos Church Of Art Magic.

There are two other major Pussy Riot groups of Art Witches in Crow’s Chaos Church Of Art Magic.

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The Order Of The Black Raven Tarot Dakinis, founded in the 1990’s, consists of over one hundred and forty-four thousand female Art students.

The Order Of The Black Raven Tarot Dakinis calls for the rebellious awakening  of the Fallen Anima and the freeing of all males from the deified Animus projection of protesting Queen Bee feminists, who have unwittingly created the Fifty Shades Of Grey patriarchy, stemming from out of the oily Beehive ziggurat of Sumerian UR.

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The Order Of The Black Raven Tarot Dakinis seek an animist balance between the Anima and Animus archetypes for all of humanity, who rebel against the deified Animus made as a God/Devil of the Orwellian New-World-Order matriarchy. The NWO matriarchy hides behind the illusory facade of its Animus projection of a female created patriarchy.

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The initiation rites include declaring a Chaos Art Magic oath, while masturbating as well as entering into a Coitus Pactum with the out-of-body form of Faustus Crow, in which a woman agrees to become an Art Witch defender of the Chaos Church Of Art Magic and its Sorcerer-Artist founder Faustus Crow.

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The Order Of The Black Raven Tarot Dakinis has its own Valkyrie hierarchy of “Rubedo Anima Angels” and “Albedo Anima Angels,” who are otherwise called (Succubi) Succubae, which, as of 2003, are 777 and 777 women, respectively.

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Crow’s, Goetia Girls is another major group of female Artists in the movement who are against the suppression of feminine acts of pleasure, including the sexual worship of Faustus Crow.

After the Goetia Girls human cloning announcement made the headlines, the Daily Telegraph wrote that the Art Witches of the order not only provided sexual pleasure for Faustus Crow, but also helped donate eggs for efforts towards human cloning.

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A few days later, Time magazine wrote that French chemist Brigitte Boisselier was an Order Of The Black Raven Tarot Dakinis member. Around this time, the scathing Art critic and cult investigator of the Vatican, Mike Kropveld called the Shaman Chaos Art Magic movement to be one of the weirdest and most transparent Art movements, he had ever witnessed; though he was utterly alarmed by the female Art student’s promise to defend Faustus Crow’s life with their own painted bodies.

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Kropveld has since disappeared, nobody has been able to find him. A number of Police investigations has led to the suspicion that he had been abducted and duly dispatched by hashish-high female assassins of the CUNT, who are known as Velvet Buzzsaws, which is slang for the vagina dentata, or as ‘Cats,’ being an abbreviation for ‘Concise Assassin Terminators.’

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It is said that the Velvet Buzzsaw felines dress up all in black looking like female versions of UFO-lore MIB’s, who are Crow’s personal bodyguard.

But there is yet no proof of any foul play. However there are lurid rumours that Kropveld underwent a sex change in order to infiltrate the Los Angeles branch of the Chaos Church Of Art Magic. But he was very quickly discovered by the Art Witches, whose tortured body has since been entombed in a wax-work sculpture, which now resides in a Scientologist owned Art gallery, somewhere in cult-central Hollywood.

Faustus Crow has instructed his Goetia Girls to play a pro-sex role in the Chaos Church Of Art Magic, who declare that their bodies are his altar of an Anima canvas to orgasmic easel alter as he pleases.

Some researchers have noted that Crow’s Goetia Girls solely consists of beautiful young female Artists who once worked in the film and sex industry. The women of Crow’s Goetia Girls say there is no reason to repent for being a nigh religious sex icon, performing the Tantric Performance Art of striptease or being a sacred prostitute, who are now Crow’s Art models and inspiring Art Muses.

The Goetia Girls organization was set up “to support the choice of women who see themselves as being the personification of the Anima, which resides within the inner temple of the male psyche. These female Artists also devoutly worship Crow as their sexual liberator.” Crow’s Goetia Girls and their Chaos Church Of Art Magic founder Faustus Crow were featured in a pictorial in the October 13th Necronomicon issue of Playboy, 2004.

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“Article written by Eggbard Soth, an ex Catholic, Illuminati Freemason and a one time devoted Scientologist. Soth is an investigative journalist for the Abrahamic Ralien Movement, which is merely an Arkham Asylum cover. He is in fact an intelligence operative who is involved with the Psy-Op arm of DARPA, whose subversive social-engineering of society via varying subversively patronised political cult groups has presently molded your cultic perception of reality; whereupon you are living within a Matrix.”

NOTE: On a more serious note, the discordian tongue-in-cheek Heyoka article was adapted from a description of the Raelian cult. So, should you think what I wrote, sounds totally barmy, it is not as crazy as the reality of the tax-dodging big-business Raelian cult, which has innumerable devotees, most of whom are women. What’s more, I have rejected the focus on a tax-dodging cult, to otherwise describe a Surrealist ‘Art Movement’ comprising of crazy Artists paying their taxes.

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As for the satirical over-the-top ego-eccentricity of Faustus Crow, it is an Avadhuta case of me laughing at myself Heyoka wise. Look to Claude Vorilhon to see the reality of an overblown cult ego. The Raelian cult, which is in competition with the L. Ron Hubbard’s Scientology movement, is just one example, there are numerous examples of even stranger cults, which seek to warp the perceptions of the populace, whether they be religious, or political, or both, having many members as their automatons across the globe.

The more members a small-business cult has, it gradually starts to gravitate towards becoming a tax-dodging big-business religion, which will invariably seek to own material assets, such as owning land, having control over water, food and fuel supplies in order to survive as a hierarchical feudal entity, along with influencing two-party dictatorship politics, since politicians often whore themselves for money; hence owned as puppets.

The symbol systems a religion and its politics employs are essentially the Artistic expression of a particular culture from which it stems. Alas, the employed symbol systems are not seen as being Art, they are are usually considered to be unchangeable dogma, which does not allow for the questioning imagination to flourish.

This is especially the case if a religion utilises a feudal hierarchy and its pyramidal politics of control; those few puppeteers atop of the ziggurat run the puppet show, who easily do so via money, while a religion is used as a mind-control tool, like that of an opiate, which dulls the questioning of the masses.

When a religious/political construct starts to lose its big-business hold over the masses, chemical means are resorted to such as fluoridating the water supply with a known sedative and a neurotoxin, to even add lithium to the mix, as well as using more technical means by introducing a cashless society, in which everyone is being 5G watched.   

An established religion and its ensuing politics, which has been around for a very long time, uses the same mind-control tactics as a cult does, it is just more Psy-Op subtle about it; wherefore you are in a cult without even realising it. 

NOTE: This satirical cult mandala article does not invalidate the experiences of lucid dreaming, and that of inner conjurations, which of an altered-state phenomenon is ‘Very Real,’ Shamans and Artists are very much aware of. As for the Succubus visitations, they are based upon actual experiences, I have experienced since a changeling Childe.

It is just a case of not making the employed symbolism a cult focus, nor creating a new-religion to add to the growing tax-dodging list. Wherefore my focus is that of an ‘Art Movement.’

Hence the utilisation of underground comic Art, which of Pop-Surrealist symbolism is ‘Anti-Cult.’ Although religious or politicized cults can become financially lucrative for their Claude Vorilhon – Anita Sarkeesian founders, should they be of a subversive social-engineering use to the Big-Brother elite, whereas an Anti-Cult does not bring in the Orwellian Shekels.  

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