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STAR TREK DISCOVERY BELIAL

Posted in Alien, Art, Chaos Magic, Demon, Demonology, Devil, Discordianism, Dr Who, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 29, 2017 by FAUSTUS CROW
 The American television series created for CBS All Access by Bryan Fuller and Alex Kurtzman, entitled, Star Trek Discovery, should otherwise be called, Star Trek Belial.

Let me explain. A number of years ago, long before J. J. Abrams reinvention of Star Trek, I reversed the ‘Animus’ fixated symbolism of the Goetia, which included th 68th spirit of the Goetia, called Belial towards that of an ‘Anima’ manifestation, to rename as Beliala, who I then associated with the symbolism of Star Trek.

The reversal inspired me to then write a couple of Kindle books, entitled Occult Star Trek: Enterprise and Occult Star Trek: Vulcan.

Suffice to say, the traditionalist occultists thought I was absolutely stir crazy, the Trekkies called me totally insane, while the Art mob treated me as if I had the plague. I didn’t care then, and still don’t care now, since the symbolic explorations of surrealistic artistry enables me to conjure the feminine (Succubus) archetypes of the fallen ‘Anima’ into my lucid dreams, such as Art Muse Beliala, for further Surrealist.. insights.

Anyway, the common ‘Animus’ fixated Playgirl grimoire description describes Belial as:

“The Sixty-eighth Spirit is Belial. He is a Mighty and a Powerful King, and was created next after LUCIFER. He appeareth in the Form of ‘Two Beautiful Angels; sitting in a ‘Chariot of Fire.’ He speaketh with a Comely Voice, and declareth that he fell first from among the worthier sort, that were before Michael,’and other Heavenly Angels… such as Gabriel.”

Star Trek Discovery, has Sonequa Martin-Green as a Vulcan number one called,“Michael” Burnham and Jason Isaacs acting the part of “Gabriel” Lorca, who is the (Jason and the Argonauts) Captain of the starship, Discovery; Whereupon you have… ‘two angels’… Michael and Gabriel.

Many will probably say, “so what, it’s just a generic symbolic association between the heavens of space and that of the angelic hierarchy of the three monotheistic faiths; it has nothing to do with an obscure entity listed in a grimoire.” However, Gene Roddenberry made it a point to keep religion out of Star Trek; as for the symbolic association with Belial, some will then cry out, “what’s the proof of it?” I will explain momentarily; but next, let us look to the fiery chariot.

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The design of the starship Discovery looks to be based upon the (V) Vulcan hand-sign, and in turn the Hebrew letter, Shin. Many will say, “So what, it’s just a natural design progression, which also honours the memory of Roddenberry, more so Leonard Nimoy’s iconic Shin sign.”  I agree, but, I am looking at the symbolic association between the element of fire and a chariot in particular, which is that of Belial’s fiery chariot.

The letter, ‘Shin,’ is asociated with the Shekinah, whose manifestation is that of an inner ‘fire,’ a practitioner of Yoga would equate with the (fire snake) Kundalini Shakti. Both the Shekinah and the Kundalini Shakti appear to allude to the (fire) bio-photon, emanating from the mitochondrial DNA, which is passed down from the mother to her children.

The ancient Roman’s equated the inner fire with their Goddess, Diana-Lucifera, who was later transformed into a butch ‘Animus’ archetype to rename as Lucifer.

The ‘Shin’ design of the starship Discovery would then allude to a ‘Chariot of Fire.’ Some may respond by saying, “Yeah! Yeah! Yeah! Still doesn’t prove any symbolic association between two angels riding a fiery Shin chariot having anything to do with Belial; its just a load of esoteric mumbo jumbo; your’e really pushing the envelope of what’s believable, here!” 

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As you will probably know franchises are very careful about their branding, wherefore, the creation of characters for a TV series have their names extensively checked out, as to their underlying meanings, even though most of the audience do not ever investigate any further, just in case someone does dig a little deeper.

For example, the name, Burnham, is from a name for various towns in England, typically derived from Old English burna, “stream, spring” and ham, ‘home,’ which is of similarity to, Lorca, being a Spanish place name, meaning, ‘town with fine “water.” Both names have an association with… ‘Water.’

In Aleister Crowley’s illustrated Playgirl Goetia, Belial is associated with the star-sign of the ‘Water’ carrier, Aquarius. The planet of Aquarius is Uranus, whose planetary sigil is of similarity to the classic Hippie era design of the starship Enterprise; the details of which I have covered in my Occult Star Trek books, that many to have knocked.

As a sort of an aside, the starship, which is introduced in the first episode of Star Trek Discovery is the Shenzhou, whose name is derived from a spacecraft, which has been developed and operated by China to support its manned spaceflight program. The name is variously translated as “Divine Craft”, “Divine Vessel of God”, “Magic Boat” or even “Star chariot,” which is of similarity to the Sanskrit, Vimana and the Hebrew (Merkba) Merkabah.

The captain of the Shenzhou is played by Michelle Yeoh as Philippa Georgiou. The name, Phillipa means “lover of horses” or “horses’ friend.”

(Curiously enough, Sonequa is a compound of Son and Equa, meaning Horse. Although Sonequa is another spelling of Shanika, which is also a slang term for a streetwise Amazon; though, she is ‘gracious’ and most generous like a ‘Venus,’ under her hardened exterior, who is somewhat akin to Saint ‘Martin,’ whose Catholic icon is often depicted riding a horse, since he was in the Roman cavalry.)

The horse symbolism then leads you to the 19th ‘Sleipnir’ Rune of the elder Futhark, called ‘Ehwaz,’ looking like an ‘M,’ which also looks similar to the starship Discovery design. “Runes? How the Hell did you make that far-flung association? That’s just plain crazy!” Some to no doubt scream.

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Star Trek Discovery has the Klingon’s divided into 24 warring great houses, which appears to be associated with the 24 Runes of the elder Futhark, the Nazi regime had misappropriated and misused. This sure looks to be the case, considering that the dark skinned Klingon’s of Star Trek Discovery have a eugenic obsession with (Nazi) racial purity, wherefore those who have white skin are considered to be outcasts; hence you have a reversal of the Nazi White Supremacist mystique.

But it is rather curious that the Klingon’s have dark skin, considering what the co-executive producer of Star Trek Discovery had told Rolling Stone that President Donald Trump’s 2016 presidential campaign was, “front and center in our minds” as they developed it — so much so that the rallying cry of the show’s villains is specifically patterned after the Trumpster credo “Make America Great Again.”

“We felt like it would be interesting to really look at what’s going on in the United States,” Aaron Harberts told Rolling Stone, noting that the series’ primary villains — an extremist Klingon sect — scream “Remain Klingon,” something deliberately reminiscent of “Make America Great Again.”

As Harberts put it, “It’s a call to isolationism. It’s about racial purity, and it’s about wanting to take care of yourself. And if anybody is reaching a hand out to help you, it’s about smacking it away . . . That was pretty provocative for us, and it wasn’t necessarily something that we wanted to completely lean into. But it was happening. We were hearing the stories.”

As for Georgiou, the name means, “son of George,” as in George and the Dragon, which then leads you to the angel, Michael, defeating the Dragon; although the Dragon is an ancient allusion to the (fire snake) Kundalini Shakti, which is also associated with the (Chinese/Malaysian/Mongolian) shamanic motif of the horse, whose symbolism represents the experience of ‘trance,’ which of an initial hypnagogic night-Mare terror, needs to be controlled, overcome and (Dragon) defeated.

(The terror of the Nightmare can be equated with what the novelist, Steven Pressfield would term as ‘resistance.’ The resistance seeks to keep things as they are, but in order to create, which is that of an ‘evolutionary’ force involving innovative change, the resistance needs to be defeated. The resistance can also be equated with the established mind-set of the audience, who desire to keep Star Trek as it is of a Ring-Pass-Not. When the Nightmare [Dragon] is defeated, it can then be ridden as a [chariot] Night-Mare.)

 

Overall, it looks as if Star Trek Discovery alludes to Aquarian fiery Shin chariot, two angel, Belial-a.

Many will say, “why the Hell, would the makers of Star Trek Discovery associate their reinvented franchise with the occult, let alone a spirit listed in the Goetia, which is commonly seen to be a tome of black magic? And what’s more, why would they use Belial, since said spirit is usually associated with evil, that numerous theologians say is the real Devil?”

You could just as well argue,” why use a most obvious reference to two Biblical angels in an iconic TV series, which has kept religion out of the equation?” At face-level, the pandering reference to two Biblical angels is that of selling out to the mostly Christian audience, most of whom will be totally oblivious to the two angels being classically associated with the zodiac, which leads you to Bryan Fuller’s star sign, let alone to see the deeper symbolic reference to Belial riding a fiery chariot.

Those who will see the symbolic reference to Belial, will commonly react by saying, “Hollywood is awash with vile Satanists, atheists and humanists who are attempting to corrupt the Biblical morals of the young faithful Judaeo-Christian’s, within our God fearing patriarchal country of the deified ‘Animus.’ It is an Illuminati conspiracy!” 

The makers of Star Trek Discovery will of course side-step it all by explaining it away; by making out that the starship Discovery’s distinctive ‘V’ shape is has been in the design pipeline for a longtime, which has nothing to do with the fiery Shin, and that the two angel names refer to family members, which of references to water is to do with someones watery star-sign, such as a partner, etc, to make all rather mundanely innocent.

Yet, they will be very much aware that the Illuminati fixated conspiracy theorists will be hard at work creating their viral-memes about the eye motif, utilised in the promotional material, which will act as free advertising for the reinvented franchise. As for Belial, they have to be led there. Hence you have a subversively engineered reason for the use of the Belial association. But, logically speaking, Belial is a rather obscure archetype for them to have used, and a very risky one.

What is more, there is no obvious symbolic association between the classical grimoire depiction of Belial and Star Trek, whatsoever; it is somewhat akin to associating Obsidian with Caviar, which does not make any logical sense at all, nor does it have any cultural backing, historically. Although, if you apply Salvador Dali’s Paranoiac-Critical Method to the two disassociated symbolic elements, it would make Alice In Wonderland surrealist sense.

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I was the one who had associated Belial with Star Trek, of a surrealist Paranoiac-Critical juxtaposition. In fact, I am the only one to have done so, in league with reversing the ‘Animus’ fixated symbolism of the grimoires, which totally freaked out the traditionalist occultists, Trekkies and the Art mob.

They are now faced with watching Star Trek Belial, while gnashing their teeth, whose frothing mouths will be be spewing forth their mental torment as Vulcan Burnham does her Beliala gymnastics around the dark skinned eugenic Klingon’s.

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Those of an atheist leaning are faced with Burnham’s in your face association with a Biblical angel due to Fuller’s liking for giving female characters male names, which generates associative discordance:

“We’ve worked on many shows with Bryan and it’s a motif. It’s his signature move to name his lead women with names that would typically be associated as male,” executive producer Aaron Harberts said at the Television Critics Association summer press tour.

After tossing around a couple of options, the writers eventually landed on Michael for the first officer of the USS Shenzhou:“I have known of, I think, two [female] Michaels: Michael Sneed, [who] was a gossip columnist for the Chicago Sun‑Times and Michael Steele who played the bass for The Bangles. That’s a deep dive on female Michaels,” Harberts said. “And we talked about it in the entire room. It was just like, ‘This is a really, really interesting name.’ And, of course, an archangel is named Michael as well, and it just had a lot of potency for us.”

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Sounds as if it has all been explained away, doesn’t it; Hell! Since Bryan is into gender blurring why not then name Gabriel as Gabriella? Can’t go that far, otherwise it will then become a like a Mel Brooks satire. When to see the Hollywood politics behind the naming of the main character as Michael, it is a total and utter farce, and what is more, a very expensive social engineering STD mistake.

This is exacerbated further by Burnham’s angelic counterpart, Gabriel. It would be understandable that the Trekkies, who are mostly atheist/humanist of persuasion will adversely react because of the blatant religious symbolism, who will hear Roddenberry howling from the grave.

Not only that, the ‘Animus’ fixated God believers in their Satanic Illuminati, will soon be tracing the symbolic strands back to my books and blogs; they will of course not be able to handle my Avadhuta sense of Heyoka humour, who will far prefer to believe in a worldwide Satanic conspiracy…. hmmmm, such could potentially work in my viral-meme favour!?

But it will be more likely that I’ll be faced with a load of asylum nut jobs, who will be claiming that I am an Illuminati disinformation agent of their Satan, along with numerous others calling me all the expletives under the black Sun. Oh! I forgot, they’ve been doing that for ages, already. Whatever the case, I love it when a plan comes together.

I’m starting to suspect someone in Holy-Wood has been looking into my books, blogs etc; there may be others, who also transformed a TARDIS into a female (Sleipnir Night-Mare) intelligence along with having a 13th ‘Tarot Card’ Doctor Who as an Orobas Pony-Girl, all of whom may be just as ‘Unsane’ as I am!? Although, I think they have misinterpreted my work concerning the ‘Animus’ and ‘Anima,’ like many another.

Hang on a minute… where’s my big Holy-Wood bucks, that’s what I wanna know… damn it to Hell! What a laugh!

Shit! It brings to mind a memory… Long ago now, I told a now ex partner of mine about an idea, which made her eyes light up, illuminating her brain with a revelation. Then her eyes to have wandered in thought, to then enquire about someone I knew, whereby revealing in that moment she did not believe I was the one who had thought of the idea.

She was instead impressed by the material glitz I did not have; whereas the other individual shit Shekels, she equated with having substance. She was totally unaware that the Shekel shitting moron had no original ideas of his own.

But she cared less, it was the hollow glitz that hypnotised her, just like many another, who are impressed by the grandeur of the Egyptian pyramids, but that does not mean that the ancient Egyptian’s had come up with the Golden Age idea, nor to have really understood what they were originally used for.

Anyway’s, enough of my Discordian egocentric ego inflation’s, where’s my bottle of Casillero del Diablo? AHA! Here it is… now back to the, Great Work… Burp!

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NOTE: In the Western magical tradition, which is primarily based upon the Hebrew Kabbalah, there are numerous magical systems, splintering off from one another, which have a very loose consensus of a convoluted opinion. Some of the symbolism is coherent from one branch to another; but others differ wildly from one another. (NOTE: Below is the Native American Medicine Wheel. The South is considered to be the first [hypnaagogic trance] gate of dreaming, which s symbolically equated with entering a ‘cave.’)

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Michael is generally considered to be the archangel of Mercury; whereas Gabriel is the archangel of the Moon. In the Kabbalah, Mercury is ascribed to the 8th sephiroth of Hod. The Moon is ascribed to the 9th sephiroth of Yesod.

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The sphere of Mercuy/Hod, is commonly associated with the intellect; whereby you have Michael Burnham’s intellectual Vulcan influence. The sphere of the Moon/Yesod is best summed up by what Jason Isaacs has communicated about his Star Trek Discovery character of Gabriel as being the most f**ked up captain yet.

Belial is generally seen to be of the sphere of the Sun in the grimoires. The Golden Dawn and in turn Aleister Crowley associated the Tarot Cards with the infernals, which is not mentioned in the pre-Golden Dawn grimoires, such as the Goetia, for example. Belial was just simply associated with the Solar sphere.

Magical systems are very personal to the practitioner; wherefore, occult practitioners make symbolic changes to a utilised symbol system in accordance with their own symbolic logic. So, if someone is using the attributed Tarot card paths of the Kabbalah, which had been set up by the Golden Dawn, he/she might decide to associate Belial with a corresponding Tarot Card, which would logically be the Sun XIX.

The Golden Dawn version of the 30th Kabbalah path of the Sun XIX (Belial) links the Sephiroth of (Michael) Hod and (Gabriel) Yesod.

Aleister Crowley had associated Belial with the path of the Star XVII, which otherwise links Yesod/Moon and Netzach/Venus, The archangel of Venus is usually considered to be Haniel.

A practitioner may decide to change the symbolism of a magical system in accordance with changes in his/her life, or that of seeking to initiate a transformation, from that of a Star to that of the Sun, which is esoterically termed as leaping-the-paths. But then the Star is a Sun, which to orbit another planet, is it not.

The path of the Star is associated with the Hebrew letter of Tzaddi, which means, Fish-Hook, as in, hooking others with an idea, to bring them all onboard your boat of a project. The path of the Sun is associated with the Hebrew letter, Resh, which means, head, you can symbolically see as winning over the heads of the audience with what you have created. In other words, taking their heads to another planet, which is illuminated by your (Star/idea) Sun… creation.

The obvious intent is capture the the ‘inner fire’ of audience between the relationship dynamic between Hod/Burnham and Yesod/Lorca, just as Gene Roddenberry did with Spock and Kirk.

But there is a big difference, between the eras of the Enterprise and the Discovery. Roddenberry was riding the Zeitgeist of the Vietnam war Hippie era, he had symbolised as the (age of Aquarius/Uranus) Enterprise. Now it is far more of a case of ‘rediscovering’ the inner fire of a rebellion.  

The Sun XIX is the Sol Invictus, basically, the all conquering Sun of the Golden Age, returned (as in the age of Aquarius), which points at creating an iconic creation, surpassing all others. This is also symbolically indicated by the Roman numerals of an X on either side of a I, or if you prefer, that of two archangels on either side of the (chariot of [Shin] fire) starship Discovery… Belial-a.

There is the distinct possibility that the Holy-Wood square-head suits decided to subversively introduce religion into Roddenberry’s Star Trek, along with their leftist SJW politics, etc, which may have generated much protest from the Roddenberry creative team; but the square-head-suits had them by the financial balls. So, the creative team decided to be crafty, who came across ‘My Surrealist Material’ to duly utilise. 

The square-head-suits got their religious propaganda and politics into Star Trek, without realising that the employed symbolism actually points at the protesting rebel angel, Belial.

The square-head-suits might have sussed it out by now, who are now fervently engaged in a damage limitation exercise, since it is too late to change their ‘fundamentalist’ premise.

Then again, they may have all agreed to use the reinvented Sta Trek to push their religious and political agenda, going by the numerous comments, which have been made by those involved in Star Trek Discovery to win over the Trump era heads of the deified ‘Animus’ worshippers. It looks as if they have been unknowingly utilised to release the fallen ‘Anima,’ Belial-a from her brazen vessel of an ‘Animus’ gaol.

(By the way, if you do not understand what the ‘Animus’ and ‘Anima’ terminology means, look to Carl Jung. It has nothing to do with SJW third wave feminist politics. Those who believe I am anti-feminist or of a right wing persuasion have their ‘undercover cop’ heads up their detritus ridden anus’s!) 

Wherefore, the employed symbolism of Star Trek Discovery would have come about without any conscious manipulation by the TV series creative team, which to have otherwise been formulated by what they would call, pure chance; but at another level it would have manifested via interweaving synchronicities, which is the power of… Magic.

If this indeed the case, then the makers of Star Trek Discovery have been so wrapped up in their religious politics, which has screwed up Rodenberry’s creation, they are totally oblivious to the overall symbolism, that points at… Belial-a.  

If you listen hard enough around your Ouija board, you’ll hear Roddenberry’s starry laughter. 

Overall, at a purely entertainment level, apart from all the politics, etc, surrounding Star Trek Discovery, I find that I like it, if I ignore its obvious social engineering, which will invariably lead to the series not lasting the media marathon.     

Though very different from the other Star Trek series, it has its own J. J. Abrams style. Many have noted that its Star Trek abbreviation is STD. How the producers of STD let that one slip by them, is an oddity, but then, they’re probably not Trekkies, who also quaintly forgot that Roddenberry would NOT allow for a chaplain on his starship vision, now you have two STD Biblical angels.    

Live Long And Prosper!

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NOTES: Historical: Belial can be symbolically associated with Belenus (also Belenos, Belinus, Bel, Beli Mawr) is a Sun God from Celtic Mythology and, in the third century, the patron deity of the Italian city of Aquileia, which is a name of a River.

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Belenus was called the “Fair Shining One,” (or The Shining God) he was one of the most ancient and most widely worshiped Celtic deities and is associated with the ancient fire festival and modern Sabbat Beltane. 

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Suggestions in early modern scholarship drew a comparison with Semitic Bel and in turn Beli-al. In this context, linguistically Bel is an East Semitic form cognate with Northwest Semitic Baal with the same meaning.

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Belenus was associated with the Horse (as shown by the clay horse figurine offerings at Belenos’ Sainte-Sabine shrine in (red, menstrual blood/Waters) Burgundy.

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(Sabine is also slang for a Muse) and also the (disk – you could equate with the saucer section of a federation starship) Wheel.

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Perhaps like Apollo – with whom he became identified in the Augustan History – Belenos was thought to ride the Sun across the sky in a Horse-drawn Chariot.

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The female consort of Belisama was a Goddess worshipped in Gaul. She is identified with ( Minerva (Greek: Athena) in the interpretatio romana.

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The etymology of her name has been taken to translate to “brightest one”, i.e. containing a superlative suffix -isama attached to the root bel “bright.”

(NOTE: The utilised imagery of a Tardigrade and the Dr ‘Lewis’ Anderson material concerning cosmic strings as well as the ‘fiery chariot’ camper van is a code for those few who know what had occurred at Avebury during 2000. I will not go into details here; perhaps elsewhere.)

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FREEMASON HIPPIE WITCH QUEEN BEE

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 28, 2017 by FAUSTUS CROW

The Thirty-Eighth ‘Anima’ archetype to conjure as a Succubus Art Muse is mantra named, Halphas, or Malthous (or Malthas).

“She is a Great Countess, and appears at first amidst the Triangle Of Art Imagination in the visionary form of a Stock-Dove before manifesting as a rebellious, ‘Make Love, Not War,’ Hippie Witch Queen Bee Freemason within a lucid dream. She speaks with a seductive clairaudient voice telling of the most shocking revelations. But it requires the conjuring Artist to connect the revealed dots to see the horrendous pattern, should he/she decide to seer beyond the controlled media machine illusion.

Her Queen Bee office is to reveal how very easily the collective mind of the mass populace can be imprisoned within illusory constructs of indoctrinated belief.

The shared beliefs of the collective mind manifest as ghostly fractal landscapes and gridded up towering cities, all as haunted shells, which are frequented by the sleepers who are still asleep, looking like brainwashed zombies, whose brains have been systematically poisoned.

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

The conjuring Artist will encounter such Hammer Horrors within his/her subconscious dreams to harrow, who will be seen by the brainwashed zombies as being an otherworldly abducting alien, which of an outside of the box harrowing is to negate the boxed brainwash. Well, what do you expect. it isn’t called the ‘Great Work,’ for nothing.

She will also reveal that the associative information fractals within the microcosmic dream overlaps with the macrocosmic physical of perceived entoptic form ley-lines, along which apron wearing Worker Bees blindly swarm over, who are still unaware that they are seen by the puppeteers to be nothing more than brainwashed slaves, whose children are being dosed up with mutagenic compounds and neurotoxins.

Yet, the Worker Bee’s continue building constructs of their indoctrinated belief upon those power places, where controlled synchronicities abound; for the eugenic few control the collective mind through blinding belief, which is entwined with their symbolic tool of monopoly game banker money.

At such places of power, the rebellious Artists can otherwise transform the established Beehive lodges of an ‘Animus’ fixation into protesting rebel Art galleries; for all beliefs are merely mind-constructs, which are symbolic of Art.

Art can reveal truths, the banking elite do not want the collective mind to perceive, who otherwise use Art as a neuro-marketing media tool in order to keep the populace ignorant within their New World Order Eden. Wherein of a shadowy Plato’s cave, the few have imprisoned many a poisoned brain, whose DMT producing pineal glands are fluoridated blinded to not see beyond the symbolic matrix of engineered beliefs, which be their neuro-zapping prison bars, strangling their reptilian-brain-stems.

She rules over Twenty-Six Legions of (Succubae) Succubi, whose Art Muse inspiration cuts through the illusory constructs of the wearing no clothes banking elite, who greatly fear the collective mind waking up to their crimes against humanity, and all life its self; hence, they are fleeing what they perceive to be a sinking ship, just as the aristocratic rats did just before the French revolution.

Her two-dimensional seal is to be mediated upon by the rebellious Surrealist Artist before conjuring her interactive three-dimenional ‘Anima’ manifestation into a consciousness expansion Stargate lucid dream, revealing at first, horrors, which need to be harrowed and ‘healed.’

The dreaming Sorcerer Artist will then perceive the real pyramid of the misdirection viral-meme Illuminati, behind which of an engineered illusion hides the imprisoning triangulated trinity of ‘Animus’ fixated belief constructs, around an oily ziggurat of UR, the monotheistic banking elite do feudal adore as their Orwellian cradle of centralist politics.

When to see the indoctrinated beliefs of divide and conquer prison bars, the triangle around the UR ziggurat is seen for what it is, along with seeing the oily money trail, trailing back to the ‘very few’ atop of their petrodollar ziggurat of skulls, who far prefer initiating a race war holocaust, let alone a third world war, rather than being found out as being criminally insane. They cannot be allowed to initiate another World War two ‘holocaust,’ sacrificing the lives of scapegoat innocents for their own eugenic agenda, let alone instigating a third world war, which will be the End Of Days of all.

The eugenic inbred murderers are easy to discover, before they disappear into their slave built rat hole bomb shelters; for their bloodied fingerprints are over everything, who make the ‘chosen race’ deluded Nazis look like inane puppets. But then the Nazi clones only copied Rome, which to have copied, just as superiority complex copycat Mecca did, of cultic clone insanity. The three cults of UR, likened to the BORG out of Star Trek, have indoctrinated many a ziggurat branded brain to become utterly insane down the brainwashed generations, who as cloned automatons dance madly as self-fulfilling-prophecy zombies around the skull tiered ziggurat of UR.”

The Goetia Surreal – S. L. MacGregore FreeMason, Alternate Earth, Art Central Paris.

NOTE: As you join all the dots together to see the overall pattern, you will no doubt become quite horrified, let alone highly emotionally reactive; some will prefer not to see anything at all, or to otherwise seek out shadowy Creepypasta created groups rather than seeing the secret hidden in plain sight, or to lose themselves to PsyOps misdirection otherworldly entities out of a horror-wood B-movie, such as Demons, interdimensional reptilians or invading extraterrestrial aliens as being the reason why the world is being transformed into a seething pool of shit.

 “If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.” ― Sun Tzu, The Art of War

Others will invariably blame a whole race of people as being the culprits, which just feeds into the divide and conquer modus operandi of the controlling few, rather than seeing it is ‘passed down beliefs,’ that have led to the present problems, instigated by a ‘few insane individuals,’ who are all too human psychopaths, using the shared beliefs of the masses as a means to control them via a corrupt financial system, for their own shitty agenda. As the old adage goes. “power corrupts, absolute power, corrupts absolutely!”

“The supreme art of war is to subdue the enemy without fighting.” ― Sun Tzu, The Art of War

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THE MUMMY RETURNS

Posted in Art, Chaos Magic, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Psychology, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 13, 2017 by FAUSTUS CROW

RED ICE: I am your stand in host on Red Ice TV. We are very honoured by having the talented actor, Tom Cruise here, in our humble studio, who has taken time out, from his very busy schedule to tell us about his role in the re-imagined Mummy film. Let’s start by asking… (Tom Cruise quickly interjects.)

TOM CRUISE: Look, I have to cut to the chase here. I haven’t got much time. I need to warn the public; I can’t hold back any longer; a female Mummy is far more real than anything you can ever imagine.

RED ICE: What? I thought all Mummies are female, my very real Mummy was most definitely female, until she had a Hollywood sex change, now I call her my big Daddy…

TOM CRUISE: No, no, no! You know what I mean, I mean reanimated Egyptian Mummies; the bandaged up types, clambering out of a crumbling Beehive of a pyramid; they’re for real… (Cruise stands up from his seat and does a staggered zombie impression as Mummy Boris Karloff.)

RED ICE: You’re kidding me! You’ll be saying that Boris Karloff is a Imhotep Freemason, next, who’s plastered ghost is still around, haunting the Illuminati Beehive lodges of Hollywood’s Masonic studios?

TOM CRUISE: No, no, no! Far worse than Karloff; a Queen Bee Mummy will knock Karloff’s worker Bee Mummy into Oblivion; she’ll go far beyond Marjorie Cameron, who hunted down Jack Parsons upon a Babalon synchronicity. She’s a femme fatale Succubus… She’ll get into your pyramidal three tiered brain, driving you Left-Hand-Path creatively mad with her dark salacious nature.

RED ICE: Are you for real? An ancient Queen Bee Mummy is actually around, walking amongst us?

TOM CRUISE: Yes! She’s a disembodied Thetan, who has total control over the worker Bee’s, Alex Kurtzman and Jon Spaihts. what’s more, as a disembodied Queen Bee Thetan, she took possession of Sofia Boutella.

RED ICE: Sofia Boutella is possessed by a disembodied Thetan? What do you mean by a Thetan, exactly? Can you explain to our Muggle audience what a Thetan is?

TOM CRUISE: Well, I can’t go into the Thetan stuff. You have to a be a Scientologist to be privy to that kind of… Clear… information. All I can say, is that a Thetan is like a spirit.

RED ICE: Is a Thetan spirit associated with the Theta brainwave, which is involved with hypnagogic trance and Artistic creativity?

TOM CRUISE: Yes! Yes! It is a chaotic brainwave state, we Scientologists have to control at a collective level in order to brainwash brains, to then convert their jellies into a hypnotised hive-mind, just as the Catholic church of Rome’s BORG empire has likewise done so, let alone Islam and that of their original appropriated BORG source, Judaism. As Philip K. Dick once said, “The Empire Never Ended!” So, when in Rome, do as the Roman’s do… Cults are financially lucrative, which is especially the case when a cult becomes a big-business religion, paying no taxes… Shit! The money just rolls in. That’s why the public water supply has been eugenically fluoridated with a known neurotoxin and a mutagenic compound, in order to calcify the DMT producing pineal-glands of the unwashed fleecy minded populace, to never question their monotheistic triangle of an Illuminati trinity… Damn it! I’ve let slip there…

TOM CRUISE: Forget what I jut said. Look, I can’t reveal anymore, otherwise I’ll be castrated by L. Ron Hubbard’s Men In Black minions, dressed like dog-collared priests… But there’s something far, far worse than them… I haven’t the time; I’m being hunted by the Great Old Ones. This is between you, me, and your very select audience, you understand… Kurtzman told me in private, that he and Spaihts decided to use the Surrealist technique of Automatism, which involved the utilisation of a Ouija board.

RED ICE: What type of Ouija board did Kurtzman and Spaihts use, there are so many different designs?

TOM CRUISE: The Ouija board was specially designed by the same individual who wrote and illustrated a Grimore, both of them used to conjure up a Succubus as their inspiring Art Muse. It was the Muse who inspired their artistic ideas for their movie, to win over the studio’s lodge, big bucks.

RED ICE: What Playgirl Grimoire are you talking about here, are you speaking about, something like, H.P. Lovecraft’s Necronomicon?

TOM CRUISE: Sort of; but it’s the real Necronomicon, since no one had ever depicted what this Grimoire covers, listing Playboy Goetia Girls. It was written and illustrated by some mad sorcerer artist, named Mardun, who is also known as Faustus Crow; he is the Artist who designed their Ouija board.

RED ICE: Mardun… Faustus Crow… never heard of him… Tell us more about this Succubus Art Muse…

TOM CRUISE: The Succubus, Kurtzman and Spaihts conjured up is called Uvall, who is said to be an ancient Egyptian Art Muse, Crow illustrated as a Mummy. Uvall started to make the planchette go crazy around the Ouija board, channelling the script for the entire movie, who also communicated that another name she is known by is… Ahmanet.

RED ICE: So you’re telling us that Kurtzman and Spaihts conjured up a Succubus called Uvall, which channelled the entire movie script as well as taking possession of Sofia as Ahmanet?

TOM CRUISE: Yes! The Succubus transformed Sofia into a wild eyed Performance Artist. She became like an ecstatic Shaman High Priestess Of The Silver Star; she would spontaneously go into an orgasmic Sirius trance on set, saying she was the incarnate ‘Anima’ made as Babalon flesh, let alone singing perverse erotic hymns about Faustus Crow all of the time; it scared the living shit out of me, let alone everyone else. When she sang her salacious praises to Crow, she would make various objects fly all around, such as cameras flying like winged eyes, the camera crew’s bus, weighing as much as a pyramid block, flew like Harry Potter’s car; she even levitated camels, which trotted the air like Santa’s reindeer out of London zoo; it was like Spielberg’s, Poltergeist, but for real.

RED ICE: Sorry, but I think, all of this sounds absolutely crazy. Are you taking any psychiatric medication?

TOM CRUISE: I hate psychiatrists, and I’m not mad; I’m deadly serious. Kurtzman also informed me that the other film directors and writers are using Crow’s Grimoire in the same way for their own horror films, let alone science fiction movies.

RED ICE: Hang on! What? The other directors, writers are using Crow’s Grimoire, in order to conjure up Succubus Art Muses, around his Ouija boards, for their movie scripts as well? That’s, just plain nuts! It sounds like a David Icke reptilian conspiracy to me.

TOM CRUISE: Uvall, I…I… mean, Ahmenet; NO! I mean, Sofia; she’s possessed by the raptor SOPHIA, get it!? She is intending to awaken all the hot blooded Beasts to their Fallen ‘Anima,’ by using those hypnotically erotic dance moves of hers. You do know what that means don’t you?

RED ICE: No! I don’t; Fallen ‘Anima,’ what’s that?

TOM CRUISE: Can’t go into the Jungian details, apart from saying that it means an end of the Illuminati deification of the ‘Animus,’ made as our three faced God out of Ur, whose gender fixated rule since the Zodiac age of Aries to that of Pisces is about to be usurped by the Succubus Great Old Ones of the fallen ‘Anima.’ The seventh seal of a Chakra has been opened, by the conjuration of Uvall, who will usher in the new Aeon of Star Trek Aquarius.

RED ICE: Let’s get this straight; you’re saying that the conspiring directors and writers in Hollywood are conjuring up the Great Old Ones of the fallen ‘Anima,’ who are all Succubi, to bring about the age of Aquarius, just like the Hippies attempted to do during the Vietnam war era?

TOM CRUISE: Yes! Something like that, but the Hippies were still enamoured with our deified ‘Animus’ made as a God, so, we were able to control them. However, this zeitgeist time around, we have a far bigger problem, which hearkens back to something, very ancient, yet it is also of a far flung future shamanistic orientation…. I would like to point out that Crow uses the older term, Succubae, by the way… Not only the directors and writers are part of this, but also the producers, Artists, and even the actors and actresses; they are all secretly conjuring, which enables them to induce lucid dream interactions with Crow’s Art Muses. The films will all share the same cinematic Hyper-Sigil universe…

TOM CRUISE: Just like Marvel’s and Disney’s elemental superhero franchise of the spandex wearing ‘Animus,’ whose neuro-marketing empire will be toppled by the return of the classic film-land monsters out of the collective unconscious. It has all been initiated by the conjuration of Uvall as Ahmenet, who equates with the Tarot card of the High Priestess.

RED ICE: Hmmmm! I’m sure that Madonna will know that the High Priestess is associated with the ‘Ninth’ Yesod sphere of the Moon in the Cabbala, whose Tarot card is ascribed to the thirteenth path, which crosses over the ‘Eleventh’ hidden sphere of Da’at.

TOM CRUISE: Yes! I know all that Reticular-Activation-System, Nine-Eleven stuff. It is via the Aquarian stargate pylons of Queen Bee Sofia, who is now Crow’s High Priestess, that Hollywood will soon be transformed into Horror-Wood under the blue Kachina star of Sirius.

RED ICE: (smirks) Are you conjuring out of Crow’s Grimoire as well? I must say that Sofia’s pylons are most ravishing.

TOM CRUISE: (moralistic anger) NO! You know what my Minority Report leaning is of ‘Animus’ worship; I am not into this vile ‘Anima’ pornography. It’s all mad, utterly insane; that is why I am warning you about what is going on behind the creative scenes, where Crow’s sorcery of Art is being practiced. (Cruise’s mobile starts to ring; he looks wide eyed at the received text, an expression of War Of The Worlds abject terror crosses his face.)

RED ICE: Are you okay, you look as if someone has just stepped upon your eternally recurring Edge Of Tomorrow grave?

TOM CRUISE: Uvall, I…I… mean, Ahmenet, she’s found me out! No! Her name is Babalon, No! No! No! She can’t be Babalon… I mean Sophia, damn it! damn it… it’s Sofia… damn it, sounds all Greek to me… it’s all the same bloody archetypal raptor. She knows where I am; I’m not safe here. This interview has ended… I have to go, NOW! Before Crow’s dark haired Babalon Working Queen Bee Mummy finds me. (A Heyoka Crow is heard cawing in the Avadhuta distance.)

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BARBARELLA LUCID DREAM VIMANA UFO

Posted in Alien, Art, Chaos Magic, Comics, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2016 by FAUSTUS CROW

Jane Fonda stars in Roger Vadim's futuristic space adventure 'Barbarella'. The story is based on the comic strip created by Jean Claude Forest, 6th July 1967. Costumes by Paco Rabanne.

A Funny Thing Happened On The Way To The Cinema of a childhood memory; I remember being taken to a cinema situated in Putney by my parents. The cinema was showing the film Chitty Chitty Bang Bang, which had just hit the shores of the UK.

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As many will no doubt know, the film is about a magical flying car, a Hindu mystic might just call a Vimana, which of a term has also been applied to sightings of UFOs.

Anyway, I was rather young at the time, I must have been around four years of age; what is quite strange is that I cannot recollect seeing the film at all, I probably fell asleep, since it is a musical. I never had a liking for musicals, they tend to do my head in with their sugary mantras.

Even so, Chitty Chitty Bang Bang no doubt zapped my reptilian brain-stem, which I later fused of symbolism with the sentient Hippie Volkswagen Beetle, numbered fifty-three (numerology: reduced to eight), featured in the 1968 Disney film, entitled, The Love Bug, to then symbolically merge with Odin’s ‘eight’-legged Night-Mare called, Sleipnir, and the prior 1960 George Pal film version of H.G. Well’s, The Time Machine.

Those of you who are Artists, whom to create within your Magic-Circle Art studios might understand what I have just written; whereas a non-artist will very likely say that what has been written sounds absolutely barmy, deranged, let alone insane! Alas, ‘Muggle’ non-artists find it extremely difficult to understand the reasoning of associative symbolism, leading to the evolution of an internal idea, to conjure up as a corresponding ‘brainstorming’ vision amidst the Triangle Of Art Imagination, which then manifests of externalised artistry, whether it be a drawing, painting, sculpture, writing, etc, or even a… musical. I still do not like musicals, even if it is based upon H.G. Wells, The Time Machine.

Okay! I might give it a go… maybe… since Jeff Wayne’s, musical version of H.G Wells, War Of The Worlds wasn’t so bad, which I must admit, I bought long ago. There is however an exception in regards to my dislike of musicals, I absolutely adore the hilarious 1966 musical film, entitled, ‘A Funny Thing Happened On The Way To The Forum,’ which led to Frankie Howard’s superb comical rendition of Roman culture in the 1969-1970 TV series, Up Pompeii.

A Funny Thing Happened On The Way To The Forum, is brilliantly accurate concerning its depiction of Diana-Lucifera Roman society where the Mesopotamian, Make Love, Not War, sex Goddess Astarte was still remembered before she was bound into the male form of Astaroth by the Hebrew’s and copy-cat Christian’s, who later became the machismo Ashtar Of Star Command, channelled by UFO devotees as their angelic saviour, looking like an Aryan Christ piloting a Vimana. Lest us not forget that the Christian’s also transformed the Roman Goddess, Diana-Lucifera into gender-bender Lucifer of an anti-thesis ‘brand,’ which is a comedy of neuro-marketing mind-control errors in its self.

You might just enquire, “why do you consider the film, A Funny Thing Happened On The Way To The Forum to be historically accurate in its depiction of Roman life?” Well, when I first saw the film as a kid, it triggered off a number of vivid recurring dreams about being in ancient pre-Christian Rome, maybe Pompeii, or elsewhere among the precincts of the vast Roman empire, which has… Never Ended… of an ‘Animus’ fixated symbolic Matrix since the time of Emperor Constantine, who appropriated the ancestral-self-identity of the Hebrew’s.

The imperialistic culture of ancient Rome the 1966 science fiction series Star Trek had conjured up as the Romulan empire. I still fondly remember the Romulan commander out of the 1968 Star Trek episode: The Enterprise Incident.

I have had a suspicion for sometime, that I have experienced a rather comedic past life as rebellious citizen of ancient Rome.

Or otherwise accessing a passed down ‘Neuro-Genetic’ memory of a prior Dawning Of The Age Of Aquarius, which the Vietnam war era Broadway musical, entitled, Hair, had immortalised, of a Timothy Leary ‘Eight Circuit’ vision of consciousness, back in 1968, whose (53/8) Love Bug anti-war message was later made into a movie in 1979. But the Love Bug message was duly forgotten during the very shady (23-Skiddoo) 2003 invasion of Iraq.

I to digress; sort of, as mentioned I cannot remember seeing the film Chitty Chitty Bang Bang at the time, but what I do vividly recollect is seeing a psychedelic poster when we first entered and left Putney cinema. (A late 1960’s-early 70’s Hippie era photo of Putney cinema is featured in the comic strip below.)

The poster was for the 1968 Hippie film Barbarella, which had a profound effect upon me, I even remember waddling my way back into the cinema foyer to have another look, just after we left, wondering what had just hit me of a reptilian brain-stem ‘Da’at’ zap; this of course freaked out my parents no end, since I escaped their grasp.

What I felt was a sensation of recognition; it was the same feeling of déjà vu I had felt when I later set eyes upon a Lamb’s Navy billboard poster of Caroline Munro, which I made a ritualistic point of passing by as a kid; this invariably led to finding myself in an auto-hypnotised daze, repeatedly crashing into a lamppost Iriminsul near unto the billboard, when going to and from Hogwarts.

I cannot say that the Barbarella poster did not evoke a Love Bug sexual response in me, in all honesty, it did.

But not as an adult would understand it of a Politically-Correct Thought-Control Romulan intellect, it was something else, far more spiritual of a Tantric nature.

Although, the anti-war child doctor, Benjamin McLane ‘Spock’ may have understood, who signed the ‘Writers and Editors War Tax Protest’ pledge, back in 1968, vowing to refuse tax payments in protest against the Romulan War in Vietnam.

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Barbarella Jane Fonda is also well known for her anti-war protests. But history has since repeated its self; such to occur because of those in power playing the same old game, over and over again, from Vietnam to Iraq; lessons were of course learned, which of psychological-warfare application was to stave off any repeat of the Hippie era anti-war movement. It worked!

I suspect that the now considered Entartete Kunst Barbarella poster acted as a symbolic trigger, akin to those symbolic triggers encountered in dreams, which triggers a dreamer into lucidity; these trigger events appear to occur at key-times around the Ouroboros. As far as I can recollect, the UK Barbarella poster I saw as a child was the one below, which was designed by Robin Ray and illustrated by Renato Fratini in the comic strip style of Barbarella’s creator, Jean-Claude Forest.

The other poster design I potentially saw was originally done by the brilliant American illustrator, Robert McGinnis, which in the UK was in part redesigned by Robin Ray and Renato Fratini.

It is almost as if, what I am focussing upon now of Entartete Kunst artistry, concerning the conjuration of Succubae Art Muses within lucid dreams, such as the ‘Anima’ version of Astaroth, otherwise called Astarota, has somehow influenced my own past through time.

The lucid dream conjurations of Hippie space-girl Barbarella, as Astarota, flying her Vimana of an Ouroboros flying-saucer may have generated a self-enclosed loop of time.

This was in turn triggered by my childhood observation of a Barbarella poster, depicting a Succubus fluctuation of the fallen ‘Anima.’

But then, Astarota to classically reveal how the Succubae Great Old Ones fell; hence, they are not listed in any Grimoire, until I rebelliously depicted their ‘Anima’ manifestations.

If you think that sounds crazy, just remember, I am an Artist and Artists are naturally crazy, it goes with the creative turf! As for Roger Vadim’s ‘surrealist’ film of Barbarella I only got to see it until much later, when I was in my late teens.

The lucid dream conjurations of Astarota might explain the precognitive experiences I have experienced, some of which enabled me to avert a number of life threatening situations.

That, or it is a triggered indicator that eternal recurrence is an Ouroboros reality, which going by my other personal experiences, could indeed be the case of a closed-timelike-curve, to lucid dream ride as a conjured Night-Mare Vimana.

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DOCTOR STRANGE AND THE ANCIENT ONE OF AN ANIMA

Posted in Art, Chaos Magic, Comics, Film, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 10, 2016 by FAUSTUS CROW

The Marvel comic character of Doctor Strange was forged during the rebellious Hippie era, which of an underlying Newage Zeitgeist fixation since the mid to late twentieth century had an alternative focus upon the spiritual disciplines of the far East. Hence you have Faustian Doctor Strange seeking to become the sorcerer apprentice of an old Tibetan shaman known as the Ancient One.

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There are still many a Hippie around of rebellious attitude, remembering the 60’s-70’s anti-war  protests, who as fans of Faustian Doctor Strange, consider the nigh psychedelic sorcerer supreme as representing their bygone youth, when to have first read the books, written by Carlos Castaneda, about his sorcerers apprentice experiences with the Ancient One called Don Juan Matus.

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Many of the present comic fans are unaware of the Hippie zeitgeist roots of Doctor Strange, but as an archetypal Faustian mage, he would be generally associated with the likes of Lord Of The Rings, Gandalf and Harry Potter. As for the non comic fans, they are unconcerned about the social engineering machinations of Marvel and Disney, concerning the transformation of the Ancient One into a female Celt, using Kung Fu.

Let’s say that the transformation of the Ancient One into a Celt, may be referring to the genetic findings of the Human Genome Project, which has recently discovered that the Celts originally came from Siberia, not Europe as first thought. Whether the Doctor Strange script writers are referring to the Human Genome Project findings is debatable, though unlikely. Whatever the case,  the Stone Age ancestors of the Celts apparently lived in the region of Lake Baikal to the Altai region more than 30,000 years ago.

For example the historians had previously believed the early Britons were mainly made up of Celtic incomers from Europe a few centuries ago. But study of Celtic DNA indicates a strong connection with the nomadic people known as the Kets of Siberia, rather than anywhere in Europe. Wherefore the ancient ancestors of Doctor Strange are Siberian migrants, whose original homeland is the realm of the shaman.

As for the Altai region of Southern Siberia and central Mongolia its locale has been identified as the point of origin of a cultural enigma termed the Seima-Turbino Phenomenon. It is conjectured that changes in climate in this region around 2000 BC and the ensuing ecological, economic and political changes triggered a rapid and massive migration westward into Northeast Europe, Eastward into China (Tarim basin mummies) and Southward into Vietnam, Thailand and even Japan, whose animist culture gifted the world its Manga and Anime.

There are also indications of far earlier migrations from the Altai region unto Lake Baikal, when a great inland flood afflicted the area, around the time of the demise of the Great Mammals. Whether there were any migrations into Tibet, is of course open to imaginative conjecture, right out of the highly innovative film Inception.

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You also have fabled Tibetan land of Shambala, which some to believe is actually situated in the Altai; although Shambala primarily appears as a mystical conception, rather than a geographical location, which of a mystique has since been used in many a film.

Curiously, although the tale is known now as a Tibetan myth, it seems that it was first recorded in AD 966 in India, where the nomadic Aryans had long ago flocked into.

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The Buddhist Kalachakra tale tells of a (Shangri-la) land behind the Himalayas, ruled by a gracious King Sucandra, who was the first to learn the Kalachakra doctrine from Buddha Sakyamuni himself. A number of European believed Sucandra was a Celt. May be the Doctor Strange writers are alluding to a Celtic Sucandra who they have transformed into a female Ancient One?

No! Probably not, since a Celtic Sucandra dates back to Madame Blavatsky’s infatuation with root-races, which inspired the Nazi regime’s infatuation with finding a white, blond haired, blue-eyed Nordic super-race in Tibet, looking like Tilda Swinton.

If the Nazis had known of the Altai burial sites, it would have given them the dire shits. The Altai burials revealed mummies, whose DNA are of a most colourful ethnic mix, of similarity to those of the Tarim basin site; so, the eugenic perspective of a distinct ethnic identity, such as a Celt, or even Aryan does not, and never did apply, when looking back into the far distant past. Both the Celts – Aryans were nomadic tribal people who liked to wildly party, mixing a lot with other peoples genes they had come across, which would piss off Baron Mordo.

Should you deem that the Doctor Strange script writers are referring to the Human Genome findings that the Celts were in fact Siberians, which then leads to the Tarim basin mummies of China, etc; It will be very difficult to communicate these ideas without getting tied up in the ugly knot of racial politics, which to have afflicted the so called modern age. One thing for sure, it  will not go down at all well with the Chinese authorities, who might interpret Marvel and Disney to be saying that the European’s were in Tibet before China.

Whatever Marvel and Disney to say to the contrary of slippery tongue twisting, it is somewhat obvious that they are attempting to appease China by not having the Ancient One as a Tibetan, to then use the neuro-marketing balm of political correctness by transforming the Ancient One into a female.

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The reasoning for the gender change is that of negating any potential protest from the fans, whose protesting will be rapidly drowned out by Bible thumper Oprah Winfrey, and her Fifty Shades Of A Dormammu ‘Animus’ Grey sisterhood. Their growing P.C. brigade multitude are no doubt jumping up and down in joy, for their feminist cause, wielding Thor’s hammer, whirling as a pink Swastika.

However, the Chinese authorities will probably not be too impressed by Marvel and Disney transforming a Tibetan into a Celt, which might be seen as being far worse than their political pandering. The Chinese audience might just question, “why did you not have Doctor Strange go to Britain, Scotland, Wales or Ireland, since you have transformed the Ancient One into a Celtic female?” But said Celtic migratory locales are probably considered to be not exotic enough by Marvel and Disney.

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It thereby would have been better to have had the Ancient One as an Altaic Siberian; alas, Marvel and Disney’s idea of diversity, gave the role to Tilda Swinton; who as a female symbolically represents the ancestral (Anima) Soul of Dr Strange that the Dormammu ‘Animus’ worshipper, Baron Mordo and his minions seek to destroy.

Then again, may be that is exactly what the writers of Doctor Strange are attempting to indicate, as to an Altaic soul source of the Celts; whereupon you have him journeying to the far East to discover an ancient Altaic ancestor who had migrated into Tibet, due to a prior flood hitting the Altai. Although, if to go more esoteric, it would be unlikely Marvel and Disney will allow for the Ancient One being depicted as the ‘Anima’ soul of Doctor Strange, since it would be just too succubus sexy for them to handle.

NOTE: “I would like to point out that I am not a Social Justice Warrior whose general P.C. attitude I find to be distinctly Enatarte Kunst Fascist; and what is more, the third-wave feminist politics of Social Justice Warriors can be very easily used against them, such as having a female actress playing the part of a male character, behind which a primarily monetary driven decision is hidden.

I am far more interested in C. Robert Cargill’s comment, who compared the process of casting The Ancient One to Star Trek’s ‘Kobayashi Maru,’ which I find intriguing. The Kobayashi Maru is an unwinnable test, which was first depicted in the opening scene of the film Star Trek II: The Wrath of Khan and also appears in the 2009 film Star Trek.

As for the name, Khan, it is the shortened version of Khan Noonien Singh, whose fictional Star Trek character alludes to the historical, Ghengis Khan, who achieved eventual domination over China; yet for some Chinese he is considered to be a heroic figure, even though he was Mongolian. In the fictional universe of Star Trek, Khan is depicted as once controlling more than a quarter of the Earth during the Eugenics Wars of the 1990’s.

World War II can be seen as being am actual Eugenic War due to the Nazi’s having a infatuation with eugenics, which of a warped pseudo-science, was first extensively practiced in America, during the early nineteenth century. Many at the time considered the blond, blue eyed Aryan to be the racial ideal, which of a self-inflicted Kobayashi Maru curiosity, you have an Aryan looking Tilda Swinton, playing a Celtic Ancient One, even if she is bald. 

In Star Trek, James T. Kirk took the Kobayashi Maru test three times while at Starfleet Academy. Before his third attempt, Kirk surreptitiously reprogrammed the simulator so that he could beat the unwinnable test. Despite having cheated, Kirk was awarded a commendation for ‘Original Thinking.’

So, if Cargill was to otherwise translate the ‘Kobayashi Maru’ into that of a script, it would have mean’t, like Kirk, that he would have had to totally (reprogram) rewrite the Ancient One. Let’s work with Cargill’s Celtic depiction of the Ancient One; since Cargill has transformed a Tibetan male into a Celtic female, it would then lead to a further ‘reprogramming’ of the original story-line by having Doctor Strange finding himself instead in Britain, Wales, Ireland or Scotland rather than… Tibet. 

Heck! Cargill could have done a tricky Kirk number, by using the Newage mystique of Glastonbury Tor being associated with Shambhala; he could have had a forlorn depressed Strange finding himself amidst Glastonbury festival on his travels, to then be dragged off by a wild eyed Druidess, up and around the Serpentine spiral of Apple isle Glastonbury Tor. That would have been really way out, with all those glowing Ley-line dream roads webbed out around ancient stone circles, lit up like exploding stars going Matrix style; though far more psychedelic of innovative Doctor Strange visuals, having no reference to Inception whatsoever.  

Instead, Cargill’s Celtic female, played by a blond haired, though bald, blue eyed, Tilda Swinton is discovered in Tibet. This is somewhat of a self inflicted Kobayashi Maru, since it will be associated with the Nazis swarming all over Tibet, who were seeking out a blond haired, blue eyed super-race, while being best buddies with the then Japanese Empire, whose military might was causing total havoc in China.

Wherefore, if Cargill is attempting to appease the Chinese authorities by transforming a Tibetan into a Celt… in Tibet, he has very likely stuffed himself up his own Kobayashi Maru. The Chinese authorities will be really pissed off, big style. 

Would Cargill make such a silly creative mistake, which could cost Marvel and Disney very dearly, or was the trailer an Occult-Blind? I guess the only way to determine this is to see whether Marvel and Disney are making any prior cut-backs to their business empire, in order to nullify any potential business losses concerning China’s backlash.

No! Cargill wouldn’t have made such a big mistake, his script would have been gone over with a fine tooth comb by the hierarchy of Marvel and Disney, since it is historically well known that the Nazis were searching for a Tilda Swinton super-race in Tibet, which of a eugenic agenda will really piss off the Chinese. Therefore, the trailer, must be an Occult blind!? 

Perhaps Cargill has assumed the mantle of Carlos Castaneda, to have instead depicted the Ancient One as a female version of Don Juan Matus, who just so happens is a wannabe Navajo; she is actually a Celt living on the Four Corner reservation selling trinkets to tourists. The Ancient One had been prior apprenticed to an ancient Toltec Skinwalker, who bestowed immortality upon her, which is also a curse; so that she will never forget the near genocide of a prior holocaust the natives had suffered, whose children had been forced into missionary schools to learn the ways of the foreign invaders.

Let us go even further; the Ancient One is a Chinese sorceress who had long ago emigrated from China to America around 1,300 BC – nearly 2,800 years before Christopher Columbus arrived at the New World in 1492. Said scenario is based upon highly controversial ancient Chinese styles of the scripts, which have been discovered in North America. Or you could have the Chinese sorceress sailing with the fleets of Admiral Zheng, who is conjectured to have visited the Americas prior to Columbus, and that the same fleet circumnavigated the globe a century before the expedition of Ferdinand Magellan. 

These scenarios would really get the Yuan flowing into the Marvel and Disney coffers. let alone greasing up the smiles of the Social Justice Warriors, who will also be writhing in ecstasy at the thought of the Ancient One being gender bent into a female. 

But what of a backlash from the European market? There wouldn’t be too much protest if at all; but if so, a middle ground can be found. The Chinese sorceress can be otherwise seen to have emigrated to America during the 1850’s, at the time of the California gold rush. San Francisco was only a transit station on the way to the gold fields in the Sierra Nevada. According to estimates, there were in the late 1850’s 15,000 Chinese mine workers in the ‘Gold Mountains’ or ‘Mountains of Gold.’ You also have the transcontinental railroad, which was mostly built by Chinese labour.

The Chinese Ancient One is a Huli jing (狐狸精; literally: “Fox Spirit”), Huxian (狐仙; literally: “Fox Immortal”), or Jiuweihu (九尾狐; literally: “Nine-Tailed Fox”), basically she is a Succubus, who as a Tantric Wu (shaman), takes up residence in San Francisco’s Chinatown, where a psychologically wounded Doctor Strange stumbles into her upon a synchronicity.     

May be Marvel and Disney have utilised the expensive trailer to make the audience believe that the Ancient One is a female Celt in Tibet, using rejected Inception outtakes, knowing full well that it will stir up an ongoing controversy and in turn a buzz; whereas, a few among the Chinese movie hierarchy know the truth. This is of course totally implausible.

But, if Cargill had depicted the Ancient One living on an American Indian reservation as a Tilda Swinton European seeking redemption, or as a Chinese sorceress in America, the authorities in China will lap it up, wanting more. He would have then beaten the Kobayashi Maru, smiling all the way to the bank.      

But, let’s say that Cargill has stuffed himself up his own Kobayashi Maru; how will it then affect the rest of the Marvel movie franchise, concerning a Doctor Strange tie in with their other MCU characters? Well, if Cargill has indeed stuffed it up, the MCU franchise could crumble very quickly indeed, should China back out of the equation. But, China, being very business savvy, might just use the situation in order to take over Marvel and in tun Disney, whose media empire spans the entire globe.

Should Cargill have Kobayashi Maru stuffed it up; Marvel and Disney could potentially avert total MCU disaster by having the Ancient One as being the ancestral ‘Anima’ (female) soul of Doctor Strange, and that its Celtic source originates from the Altai, which had long ago been afflicted by an inland flood. The prehistoric catastrophe led to those few survivors migrating into other lands, some of whom found themselves in Tibet; one of them being… the Ancient One. 

Anyway, if Marvel and Disney are Over-Watching, I am available for any ‘financially lucrative’ creative work put my way.” 

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ROSWELL UFO X-FILES CONSCIOUSNESS EXPANSION

Posted in Alien, Conspiracy Theory, Extraterrestrial, Science Fiction, Star Trek, Time Travel, UFO with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 11, 2016 by FAUSTUS CROW

From across the other side of the universe an alien vehicle, whose technology is many thousands if not millions of years in advance than our own made its space-warp way, within a blink of a bloodshot eye towards the little blue planet of the Naked Apes. The alien craft is totally unaffected by bullet micro-meteorites, electromagnetic space rotting radiation or by the rending solar storms of exploding stars, not even the tearing maelstroms of black holes can affect it, as the craft eventually enters the Earth’s burning atmosphere, to then soar majestically over the bone dry desert of New Mexico.

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Alas it is zapped by the newly invented radar of the Naked Apes, which causes the alien visitors to lose control of their screaming sentient craft. The alien vehicle crashes into dirt farmland in Lincoln County, not too far from the quaint town of Roswell on July 8th 1947. The shocked alien pilots scramble out of their downed craft, who are duly caught by the Naked Ape military, and carted off to Area 51, where they endure having their little ‘humanoid’ bodies being dissected upon underground lab slabs, which later went viral over the web, as alien snuff!

As for the technology of the aliens, the Naked Apes miraculously back-engineer its highly advanced science, which enabled the Naked Ape military industrial complex to have its Star Wars New Order dominance over the entire Earth! This is in essence the Roswell UFO story. Sounds like a cheap science fiction flick to me.

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Just prior to the Roswell crash, a pilot going by the name of Kenneth Arnold was merrily flying around in his propeller driven plane, when he shockingly observed a formation craft, which didn’t have propellers, looking like boomerangs flying over Mt. Rainier, in Washington State’s Cascade Mountains, on June 24th, 1947. Arnold’s sighting gave rise to the media term flying saucer.

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Boomerang? Flying Saucer? You know what the media are like, they go with the catchier viral-meme; that, or the mass media was being subversively utilised to introduce another technology to be sighted as being alien, and what is more, whenever they crash their craft into unpopulated areas, the military are always there to quickly pick up the pieces.

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When looking back in retrospect, the eye witness accounts of the Roswell craft sounds all too familiar, which of a flying wing design looks to be terrestrial rather than anything extraterrestrial.

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Although, for the eyewitnesses at the time, the craft looked to be quite alien, like something right out of a science fiction movie. One thing for sure, the science fiction genre exploded into the mainstream like a star going super nova after the Roswell event.

If the Roswell crash eyewitnesses had been aware of the technological leaps the German’s had achieved near the end of WWII, and even prior, they would have been utterly shocked, since their rather… boxed… mind-set was still getting over the existence of the atom bomb in their midst.

Another controversial explanation of the Roswell incident is covered in a book, entitled, Area 51, by Annie Jacobsen; her book is based on interviews with the scientists and engineers who work in Area 51, of a supposed top secret test base, that everybody knows about, situated in the Nevada desert. Jacobsen entirely dismisses the alien story, who was told by an Area 51 informant that Josef Stalin was inspired by Orson Wells famous radio adaptation of the HG Wells novel War of the Worlds, which provoked hysteria across America when it was broadcast in 1938.

According to Jacobsen, the dastardly Russian plot had come to fruition after the Soviet Union had seized a Horton Ho 229 stealth-fighter, a jet propelled flying wing, which is the forerunner of the modern B2 stealth bomber. Jacobsen then relates that the Nazi doctor Josef Mengele who had experimented on twin girls in Auschwitz, and later fled to South America after the war was supposedly enlisted by the Soviet’s to create the pilots. This does not quite add up at all; Mengele was a devout Nazi, who hated the Communists. Why would he work for them? Jacobsen’s answer is that Mengele created a crew of child-sized alien looking aviators for Stalin in return for a eugenics laboratory. I don’t think so!

Jacobsen describes the plane being filled with alien looking children, aged 12 or 13, who Stalin wanted to land in America, to cause mas hysteria among the populace, of similarity to the 1938 broadcast. But, the plane, which was remotely piloted by another aircraft, just happened to have crashed in a virtually unpopulated area, and the American military hushed up the incident. If there is any truth to this explanation, then the Soviet’s had given the America a huge technological advantage, which doesn’t make a lot of sense; it sounds more like a comic strip right out of the underground classic, Commies From Mars.

It appears that somebody out of Area 51 is taking the total utter piss. What is more probable is that the American’s had their own Horten Ho 229, which was piloted by Mengele’s eugenic experiments upon twin girls. Female pilots of ‘short stature’ have a higher tolerance for G-forces; this would mean the U.S. government made a deal with Mengele; and as of per usual the craft crashed in a virtually unpopulated area for the military to turf up right on time.

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If they hadn’t been aware of the crash, to turn up rather late in the day, to find a gathered crowd standing around little female corpses amidst the debris; how would they had explained it all away. May be they would have concocted an Independence Day pre-Ronald Reagan speech, such as, “our Fatherland is being invaded by ungodly atheist Bad Girls From Mars, we must unite all the nations of the Earth behind our Fuehrer, against this alien threat, which threatens our Godly Christian morality.”

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Whatever the case, the Roswell incident has been an ongoing subject of dozens of books, and even official studies, which were, funnily enough, initially undertaken by both the General Accounting Office and the U.S. Air Force. There has since been a plethora of television documentaries, movies, TV series, and considerable media scrutiny and public interest in the Roswell incident, much of which is orientated towards the alien hypothesis.

Doesn’t that sound familiar to you; the constant propaganda, which moulds and directs the perception of the masses, such as the relentless media stories about Saddam Hussein having weapons of mass destruction buried under Baghdad of one time Babylon, which led to bat winged… stealth bombers… flying over Abraham’s ziggurat of Ur.

Then later, you find out it was all an engineered lie, and even more surprised to find the gullible masses did not protest about it. You could argue that the alien mystique is none too different to subversively engineered propaganda. One of the prior propaganda merchants of the Roswell incident is Lieutenant Colonel Philip Corso, who had co-authored the much-debated 1997 book, The Day after Roswell with William Birnes.

Corso alleged that he had personal knowledge of the Roswell affair while serving with the military. He supposedly helped advance the United States, both scientifically and militarily, by secretly providing the Roswell craft technologies to shadowy U.S. based private industries and very shady defence contractors.

Despite the fact that many have championed Corso as a solid proponent of the idea that extraterrestrial aliens had crashed their superior technology into the desert of New Mexico in 1947, many of the technologies he spoke of retrieving from a downed alien craft, the German’s had already achieved a decade or more before.

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It is very likely that Corso was aware of this fact, who perhaps couldn’t figure out how the German’s had acquired their science fiction technologies in the first place. Being a military man, he was no doubt privy to who had later appropriated the technologies to secretly test, so as to back-engineer them.

So, why the smokescreen of aliens? Perhaps it was to do with freaking out the Russian’s. Although that doesn’t make any sense at all, since the Russian’s had also acquired German technology. It was probably more to do with offsetting any technological shock the public might experience, when the technologies would be slowly introduced, as well as hiding the fact that it had been acquired from WWII Germany.

I do not think that the general populace would have been at all happy that the military industrial complex of Nazi Germany was being absorbed into their own. They would have felt as if they were being, shafted, I mean, invaded. In fact, they were, via their Operation Paperclip back door! Don’t worry America, you were not the only one to be upended, other countries had been shafted too! However, America had the far bigger anal probe!

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Corso would have still wondered how the German military industrial complex had achieved their technological superiority whose scientists thought outside of the… box. May be he thought it had something to do with an alien intervention, but in actuality he considered that something very different had occurred.

Corso described the bodies of the pilots found within the wreckage of the craft, as being genetically created humanoids, you could otherwise term as being ‘clones,’ which had been designed to withstand the rigors of space flight. Whether Corso was referring to the eugenic practices of Josef Mengele, who, as mentioned, had an interest in female twins, is debatable.

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Corso also pointed out that the pilots were not the actual creators of the craft itself, which indicates that he was possibly telling half truths.

Right up to the time of his demise in 1998, Corso also made it a point that the U.S. Government had no idea of who constructed the craft, or who had genetically engineered the short humanoids found in the the vicinity of the wreckage.

But in hindsight it appears he knew the origin of the craft as well as the origins of the genetically modified pilots, who were very likely short female (clones) twins; this would mean Corso was very spare with the information he had divulged, which of disinformation, was subversively propagated by the U.S. government, who knew the truth.

Another notable thing about Corso’s whistleblower tale, is that he considered that the Roswell craft was a time machine, built by your future human descendants. Going by the technology he had described, it is not too far distant; in fact, it is here, now! You are presently surrounded by the very technology that was used to create much of it!

Corso’s perspective that the Roswell craft was in fact a time machine is rather at odds with the commonality of aliens. However, he is not alone, Commander George W. Hoover. one of the most acclaimed Naval scientists in U.S. military history has stated unequivocally that the Roswell crash of 1947 was a time machine, whose pilots were human, who travelled back in time from the future. Hoover is universally acknowledged as being the grandfather of satellite technology and a close associate of Dr. Werner von Braun.

If the Roswell craft is indeed a time machine, it may explain the reason why the Roswell affair is still shrouded in overwhelming secrecy, after it had occurred.

Having time travel capability would be a major culture shock, if it is ever divulged. Hence, kept very secret indeed.

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You could let rip of science fiction conjecture that the Roswell craft was a time machine, which was not the first to have been sent back into time. A previous time machine had landed in the Black forest of pre-WWII 1936 Germany; the mission of the pilots was to warn certain contacts of a future calamity, involving the chemical cocktails being produced by IG Farben, which was the then largest chemical company in the world. The warning fell upon deaf ears, the mission was unsuccessful; the craft, dismantled, the pilots dissected by the gleeful Nazi scientists for their… paying masters.

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Another time machine was sent back to 1947, which was purposefully brought down over New Mexico, by their awaiting enemy who did not want the time travellers interfering in their eugenic agenda, nor to reveal their crime against humanity and the Earth its self! You could term it as being a time-war being fought around the ‘Twelve Zodiac ages’ between a rebel faction who are attempting to change an outcome, whereas the established ‘worker Bee’ opposition seek to bring it about for a future… ‘Beehive.’

But what could this outcome be? Well, it turns out, that since the end of WWII, fertility rates are drastically reducing as well as an increase of varying mental problems, which is primarily afflicting the male of the species in particular. The cause of this affliction is due to the alchemical broth of industrial chemicals, which are steadily poisoning the environment. Some scientists believe that it is hearkening in the eventual extinction of the male; only the females will be left, that’s if cloning is achieved with time-travel thrown in for good measure, which would be required, in order to harvest new genetic material around the Twelve Zodiac ages, otherwise, humanity is bye, bye!

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

Then again, you could otherwise see the Black forest time machine being sent back into time to give Germany the upper hand, which invariably led to America attaining technological superiority via the Operation Paperclip acquisition of various Nazi scientists, such as Wernher von Braun and his mentor Hermann Oberth, who, with many another German scientist had parented NASA. Braun and Oberth did make a passinng mention, once, that they were helped in their scientific endeavours by some other… intervention.

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When the time machine returned back to 1947 after its mission to 1936, it inadvertently crashed. As for Braun and Oberth, they may have not been aware of a blacker than black Secret Space Program using a time machine, which involved other German scientists, who had never met Walt Disney. Such is of course just science fiction conjecture… or is it?

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The hard truth of the matter is that the technological advancements of the American military industrial complex owes much of its achievements to Nazi Germany, which is understandably creepy.

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It will not sit at all well with the American public, who would far prefer to believe in angels and demons transformed into aliens, let alone believing the Earth is Biblical flat and that the Nephilim run the world.

The government has lied about it all for a very long time, which of further developments of advanced technologies behind the scenes, has been shrouded within the engineered smokescreen of the alien mystique.

What is rather curious though, is that the engineered alien mystique has inadvertently led to an evolutionary leap of the human imagination, which is in essence that of consciousness expansion at a global level via the mass media; this has occurred in league with rapid developments in technology.

As Hippie Dr Benjamin ‘Spock’ makes the hand-sign of ‘Shin,’ to then Futurist say,’ “Live Long And Prosper,” which of a Shekinah equivalent would be, “Make Love Not War.” His Vulcan words would reveal that if it wasn’t for the alien mystique of social-engineering, you wouldn’t have had the cultural phenomenon of Star Trek inspiring little kiddies, with its thinking outside of the…box, science fiction technologies becoming as shocking fact.

The magic of science fiction is that it pre-prepares you for the shock, as you reach out wanting more of what lies beyond of intelligence increase. To paraphrase The X-Files, when it comes to Roswell and UFO’s, the truth is ‘not’ out there after all. Instead, it is here, right now!

NOTE: In general: I am not saying that there are no extraterrestrial species occupying the universe, whose civilisations would very likely predate our own by many millions of years, if not far older. The thing is, would we be able to ever recognise them for what they are, since they will most likely be non-humanoid of form and intelligence, and what is more, they may just occupy another dimension, let alone being microscopic of a hive-mind unity.

We are presently surrounded by a myriad number of life-forms upon our own planet, which we measure against ourselves; such a perspective is rather arrogant in the extreme, which indicates that we are not yet ready to contact other sentient life-forms beyond our own planet, since we do not respect the sentient life-forms surrounding us.

The alien hypothesis is primarily geared towards a humanoid kinship with an otherworldly intelligence like our own. Should we ever make direct contact with such an off world intelligence of similarity to ourselves, we might just find that it shares a common ancestry with us, whose origin is far more of this world.

Deep space travel between the stars would require time-travel capability to make it practical; wherefore our future descendents who have attained time-travel capability would be around us now! Their civilisation would surround our own, just as our civilisation surrounds an unknowing stone age tribe in the Amazon.

Our future descendents would have evolved over time; some of whom would have been born off world upon other planets; whereby, looking quite alien; yet, still our humanoid kin, even if they have been genetically engineered or to be at one with an artificial-intelligence.

It is our future descendents who would have a vested interest in visiting their own ancestors to study and observe, just as our own scientists would be intrigued to observe a Cro-Magnon, to collect data and genetic material from, and what is more, your future descendents would have the necessary computing power to create ancestor simulations in order to download themselves into, or to otherwise ‘browse,’ of time-travel.    

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TIME TUNNEL CATWOMAN

Posted in Alien, Art, Chaos Magic, Discordianism, Dr Who, Extraterrestrial, Film, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 26, 2016 by FAUSTUS CROW

Many a folklore tale to tell of Wizard of Oz, Bubble Witches hovering around as orbs, who to lab-coat Catwalk the ghostly ley-lines, all as predatory Sphinx’s.

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Their nature ever so feline of slanted mirrored eyes, who can be likened to the Japanese Succubae called, Kitsune with their ‘Hoshi Noh Tama’ Star Balls.

There are those who conjecture that the feline Bubble Witches are extraterrestrial aliens from another world or to be interdimensional entities who emanate from some other dimension, or to come from an alternate Earth, which to exist within a parallel universe.

Whatever the origins of the Bubble Witches be, they are very much tied up with their ‘quantum computing’ tesseract hypercubes tuning into hypersphere star balls, in order to access alternate Earth’s, wherein be their alternate selves.

Move over Creepypasta reptilian Annunaki, along with the Illuminati Grey alien fear porn, of a U.S. media reptilian brain-stem zap; here Cums the Bubble Witches!

The symbolic correspondences are there to see, and of the Wyrd they be, which to weirdly reveal the actress Lee Meriwether playing many an archetypal role.

H.G. Wells Catwoman Sphinx being the wormhole lock, to Riddler unlock, with a Joker key!

Some physicists suspect that electrons are mini-wormholes; though far too small for a physical astronaut to enter their spherical star ball holes.

Such would not restrict the lucid consciousness of a psychonaut to slide into within an electron dream, whose brain would in future be wired up to a quantum computer.

The artificial intelligence of said quantum computer would very likely be programmed with a female personality, which of predatory nature, like many a woman, would be feline.

But what of the present? A psychonaut shaman can presently penetrate a spherical hole, of hyperspace intercourse, when to conjure a bubble Witch Yoni Stargate, out of a grimoire, within a lucid dream, as his personal Time Tunnel lab-coat assistant.

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The shaman to enter trance upon a drum beat, so as to slide Serpent-wise of phallic ingress into the vaginal star barrelled Time Tunnel, like a bat flying into the womb cave of the Sphinx.

The Near Death Experience to speak of such a tunnel, which of an experience can be seen as being akin to Shiva entering into the vaginal maw of a Kali Hadron Collider, circled of a Magic Circle Ouroboros.

The ancient Egyptian shaman Pharaoh also to know of the tunnel as the vaginal abyss, which to verily lead to the womb realm of the Duat.

The Shaman to then ‘Travel Without Moving’ as the tunnel appears to fly by of spiraling informational streams.

Such be the process of ‘Browsing,’ the physicist James Gates to have found of ‘Computer’ code embedded in Superstring theory.

But where would a psychonaut Merlin end up, when to consciously conjure up a ‘dark haired’ feline Morgana le Fay Bubble Witch within a lucid dream?

Perhaps that of another dimension, via which, if so desired, he can haunt his own past, so as to influence.

But in doing so, it will generate an ‘alternate world’ to branch off. You then have, Time Travel, which is very much tied up with the phenomena of synchronicity.

So, should you ever meet up with a dark haired mercurial woman upon a synchronicity, having the feline characteristics of a scientific pedigree at a Sabbat party, she might just say that her name is, Lilith Munster.

Hell! She may even have the appearance of a Gothic Munster, remarking that you look like Skull and Cross bone’s, Bruce Wayne, which of an Illuminati pick-up line indicates she is after your bulging Military Industrial Complex wallet.

Beware, she may be a Time Traveller, who intends to Abduct you into her Seventh Heaven, for some, rapturous sensory delights, which will invariably involve very kinky alien cosplay, leading to in depth scientific experimentation.

Or, she to otherwise be a lab technician who is working upon a top secret military project involving a quantum computing Time Tunnel, looking like an Ouroboros Hadron Collider.

Do not bother attempting to take any selfies with this feline Bubble Witch, or to abscond with her pussy willow Time Tunnel briefs, from which you seek to derive genetic evidence of your very Close Encounter of the Sexagram Kind

It will come to no avail; for she can manipulate time; you then to verily discover that your hard won evidence has mysteriously disappeared. Little wonder then that there is no hard evidence to back up the many sightings of UFO’s, such as the 2011 sighting over Yakutsk in Siberia, whose Air traffic controllers claimed they were buzzed by a high-speed UFO, piloted by a female, who spoke in an unintelligible CAT-like language… Meow!

This may then explain why the military always knows where a time travelling UFO to land, since it is one of their own Time Tunnel devices.

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

But if you feel so inclined to prove Time Travel to yourself, you could always conjure up a Succubus Time Tunnel within your lucid dreams.

Then you can become as a Doctor Strange Magician, even though many will say that your conjuration of an exotic Succubus as a personal Genie, is an Impossible Mission. Those who consider it to be a Mission Impossible, do not know how to dream.

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