Archive for Valak

JOHN CONSTANTINE DREAMS OF HELLRAISER SCHOOLGIRL VALAK

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Tarot, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 25, 2019 by FAUSTUS CROW

John Constantine had a vivid Gamma brain-wave lucid dream, within which he was once again a rebellious schoolboy of Hermes memory, being re-lived of misbegotten yesteryear youth. Although, his dream was somewhat different of surrealist juxtapositions.

He found himself watching a Quidditch match between Rollerball Maenads wearing Gimel camel-toe micro-shorts, wielding Thyrsus hockey sticks.

The St Trinian Maenads sought to win the Hogwarts Tetractys of consciousness for their respective planetary sphere houses, which generated an arena roar from the surrounding blood-letting banshee crowd of the coliseum.

He felt their groaning screams caressing the folds of his aroused brain, which ejaculated brain-wave lightening bolts around his medicine wheel of an Ouroboros magic circle, made up of scattered Black Raven Tarot cards.

Then, Constantine heard his name being called out from over the tumult by a petite schoolgirl, around whose bright mercurial brow she wore a Hippie Tainia of the finest filigree. Constantine subconsciously knew she had invited him to watch the gladiatrix football match.

Constantine also realised she was his Goth girl Art Muse of a knitted together exquisite corpse, he had brought into Tulpa life, when animated by his electrifying emotive charge, within the laboratory of his doctor Frankenstein imagination. Her Slytherin name of a mercurial sphere Mantra was Valaka.

But then he always had a liking for geeky Goth girls, who became as his adoring Art models during Art class.

Very soon she was intimately speaking to him about the Filioque, which is the trinity subject of an ongoing Lilliputian schism, between the Eastern and Western cults of Animus fixated Christianity, leading to many a religious war being fought over their monotheistic Big-Brother brand of centralist politics.

Valaka then to secretly relate that the Holy Ghost of the trinity is actually an aspect of the deified Animus made as a God, who smells just like a woman’s All-Father, which to mask an Alpha-Male Bad-Boy Devil Incubus, many a conjuring Witch has a liking for.

She further explained that a Witch quickly learns, that a Bad-Boy Holy-Ghost doesn’t stick around for very long, when a child eventually drops from out of her bloody grail of a womb.

This invariably leads to her Crucifying a Beta-Male Good-Guy Christ as her scapegoat, to verily friend zone as a ‘Useful’ Joseph. It’s all to do with biology at the end of the day.

Constantine was shocked by the truth of Valaka’s revelations, before he awoke from his vivid lucid dream surrounded by Black Raven Tarot cards.

One of the Black Raven Tarot cards depicted Slytherin Hermione, whose apple core image Constantine had meditated upon prior to falling into a deep slumber.

He then slid into his bathroom, whom stared into his seers mirror, which of an inner reflection grinned back at him as a sly Steppenwolf, feeling younger again as a mercurial schoolboy.

Though externally older and wiser of Gandalf grey Goat hair. But then an old Goat footed mage learns over time to be a teacher unto his own student self. As the ancient adage goes, “become wise as a Serpent.”

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PYRAMID SLAVE GIRLS OF ORION

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Sorcery, Star Trek, Succubus, Surrealism, Tarot, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 16, 2019 by FAUSTUS CROW

When to sojourn the Old Goat Head Inn, playing the brain-storming game of Lilith’s Harem Sorcery Poker over a murky pint of Druid’s Cider, it verily leads to the conjuration of the Fallen Anima, whom manifests as Lilith within a Harem lucid dream.

Lilith might just bestow her 62nd Succubus daughter, Valak, who reveals the strutting Peacocks to have once goosestepped their Terra-Prime way under the Mars banner of an Orwellian All-Father.

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Have a child for ‘seven’ years, the establishment of UR then owns the adult… Total Control!

Now the Peacocks wear skirts, who protest against their Orwellian All-Father, to such an extent of propaganda inflicted guilt, that some of the Peacocks desire to become Venusian sphere Hens.

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Only because the converted Peacocks slimily desire to impregnate the Hens moist grottoes. The Hens are well aware of their Beta-Male game; wherefore the converted Peacocks are easily manipulated.

While doing so, the Green feathered Hens watch, whom are Queen Bee amused by the converted Peacocks ‘usefulness.’

The Peacocks always seek to assume the Hens desired projection of a deified Animus, so that the randy Peacocks will be chosen by the fertile Hens under Orions belt, towards which their Bene Gesserit Beehive pyramids point at.

An apron wearing Worker Bee Peacock is questioned, “Who Is The ‘Slave,’ Whom Drags The Stone Up The Angel-Angle ‘Pyramid’ Slope?”

The Worker-Bee Peacock dithers and sweats, not knowing how to answer the 33 degree question.

But then the Worker-Bee Freemason is far too busy watching Queen Bee ‘Orion’ Girls pumping his Beehive lodge bellows.

Queen Bee Susan Fiske who is a Bene Gesserit Professor of Psychology and Public Affairs in the Department of Psychology at Princeton University is such an old fogy…

She’s dead set against Pole Dancing Vril Muses, Fiske considers as being mere sex objects of a Tarot sex crime.

But as one knows, the Apple of knowledge is banned in the Orwellian New World Order Eden, where ignorance is strength.

Hell! Even when a heterosexual male, who is considered to be presently toxic, conjures up his Fallen Anima of an erotic conjuration amidst his Triangle Of Art imagination…

His inner conjurations of the Succubi archetypes of the Fallen Anima are now PC thought-control classified as being the sex crime of internalised misogyny!

But, if we didn’t have pole dancing Vril Muses inspiring the Tool-Making part of the Male brain to light up, which to dream about a Vril powered Vimana, piloted by scantily-clad Vril Witches, we wouldn’t have had the invention of stone axes, leading unto the 2001 A Space Oddity… Thule Space Force!

Soon you will hear the Orwellian minions of the New World Oder Kingdom of a monotheist Big-Brother Heaven on Earth cry, “LONG LIVE THE FIFTY SHADES OF GREY GOD EMPEROR OF OILY DUNE, WHO BE THE DEIFIED ANIMUS MADE MANIFEST WITHIN THE SOLOMONIC TEMPLE PSYCHES OF ALL BABALON WOMEN!”

“BABALON WOMAN BE NOW THE HAMMER WIELDING, MALE. ALL HAIL THE QUEEN BEE TERRAN EMPIRE!!!”

As Philip K. Dick once said, “THE EMPIRE NEVER ENDED!”

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“BURP! Hey! Morgana… another pint of your best Druid’s Cider… this here Lilith’s Harem Sorcery Poker, makes me really thirsty… Cheers!”

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“Okay! Okay! I’ll have a pint of Grimnir Guinness instead… Strewth!”

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“You know, Morgana, we’ll work far better together as a Tantric Sorcerers team, don’t ya! Let’s make synchronicity dance around us both, by allowing my Yang wand to stir your Apple isle Yin grail… Yab and Yum stylee!.”

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SCHOOLGIRL SUCCUBUS (VALAK) VALAKA OF HOUSE SLYTHERIN

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 7, 2019 by FAUSTUS CROW

“The Sixty-second Spirit is Valaka, Volaca or Valuna. She is a President Mighty and Great, and appears of a vision, like a Schoolgirl with Angel’s Wings, riding upon a Two-headed Dragon, looking like a caduceus, which be her broomstick.” (Above: A4 Size Pen/Brush And Ink Original Artwork. Full Artwork Can Be Seen On Patreon.)

“Her Art Muse Office is to give True Remote-Viewing Answers of Hidden Treasures, and to tell where serpentine Slytherin girls may be seen.”

“The which she will bring as Dakini Art models, who will offer up their teacher’s apples unto the conjuring surrealist Artist’s Triangle Of Art imagination, without any force or strength being by him employed.” 

“She governs over 38 Legions of Naga (Succubi) Succubae, and her Mercurial sphere Seal is to be meditated upon before conjuring her salacious archetype into a lucid dream.”

“Wherein, she will manifest as an interactive three-dimensional reality. She makes her conjured appearance amidst a spectral school, whose foundations of past memories are made up ones Cabbalistic climb up the educational hierarchy of seven planetary spheres. She will thence enable the conjuring Surrealist Artist to reprogram his inner child of an indoctrinated imprint. As the saying goes: “Have a Child For ‘Seven’ Years, The Adult Is Then Owned By The Establishment.” – S. L. MacGregore Freemason Matherson (1904) Goetia

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WITCH NUN SACRED AND PROFANE

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 10, 2017 by FAUSTUS CROW

The above Pop-Occulture Art Print, which is available from Saatchi Art is an alternative version of the Fifty-Sixth Succubus archetype of the Fallen ‘Anima,’ who is Mantra named Gremory. She is seen to emanate from the planetary Chakra sphere of Venus. (Click the Artwork above for the Saatchi Art Print.)

Gremory is usually described as being a male entity who assumes a female form. Gremory is specifically listed in the medieval Playgirl Grimoire, entitled the Goetia, which of a Patriarchal focus lists ‘all male’ archetypes of the deified ‘Animus’ made as a God/Devil.

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(Note: One of these listed spirits is called ‘Valak,’ the Viral-Meme media machine of Holy-Wood depicted as a pasty-faced transgender Marilyn Manson Nun, in the film, ‘The Conjuring.’ However, Valak is classically depicted as a little Choir Boy, the closeted Monks to have conjured in their sweaty cloisters.)  

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I have otherwise depicted Gremory as a Succubus archetype of he Fallen ‘Anima,’ who is of similarity to what a Tibetan Tantric Buddhist terms as a Dakini.

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(Note: The utilisation of the Nun (High Priestess) motif is in accordance with the classical description of Gremory, apart from the common Playgirl grimoire emphasis on depicting Gremory as being a transgender Marilyn Manson Nun. In other words, ‘The Conjuring’ film got the conjured symbolism wrong, and what’s more, when to reverse the ‘Animus’ fixated Valak symbolism to that of an ‘Anima’ (as in a Playboy grimoire) expression,’ Valak would then manifest as a salacious Catholic Schoolgirl!)

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A Dakini is seen to have vampire tendencies, who as a ghostly Witch haunts the periphery of your Surrealist dreams.

Witch Nun Sacred And Profane by MARDUN

The psychologist Carl Jung would term the (Succubus) Dakini as being an inspiring Art Muse emanation of the ‘Anima.’

However, Tibetan Buddhist Shamans practice conjuring (Succubi) Dakinis into their eroticised (introverted five senses/inverse pentagram) dreams, wherein a Dakini enables a Shaman to become (sixth-sense/sexagram) lucid of awareness.

Wherefore, Dakinis are considered to be personifications of inner Wisdom, and when they visit a dreamer, upon awakening, the dreamer notes down their (Wisdom [lucid] Dream) visitations within a dream diary.

Witch Nun Sacred And Profane by MARDUN

When conjured into a lucid dream, Gremory manifests as a Pop-Surrealist Nightgaunt Nun, who is an Entartete Kunst Art Muse stands betwixt the hynagogic trance pylons of the Sacred and the Profane.

If you are interested in acquiring the shirt designs, etc, Check Out my Redbubble shop. Please Click The Link Below.

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THE CONJURING 2 OF VALAK AS A NUN

Posted in Art, Chaos Magic, Comics, Demon, Demonology, Goetia Girls, Goth Girls, Lucid Dreaming, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on July 3, 2016 by FAUSTUS CROW

Valak was originally conjured out of the gnarled grimoire of the Goetia as a little naked school boy having the wings of an angel who rode a two headed dragon. Said spirit, like most of others described in the grimoires are depicted as being male entities of an overriding ‘Animus’ fixation. The how and wherefore of Valak’s symbolic transformation into a pasty faced Nun in the film, The Conjuring 2 is of the age old Hollywood tradition of rewriting history. But then, at the end of the day, it is just a case of artistic licence, just as the original was an artistic creation, which of viral-meme ‘artistry’ conjures up associative archetypes within the collective unconscious. As Johann Wolfgang von Goethe once said:

“The Artist alone sees spirits. But after he has told of their appearing to him, everybody sees them.”

Perhaps the creators of The Conjuring 2 decided to avoid utilising the motif of a little naked school boy because he would end up looking like a deranged version of the animated Voodoo doll icon, Chucky, so, instead they transformed Valak into a transgender entity looking like a Marilyn Manson asylum Nun out of an ‘American Horror Story.’

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Or maybe, the creators of the film had decided to reverse the ‘Animus’ fixation towards that of the ‘Anima’ by having Valak as a Nun. Whatever the case, symbolic logic would have dictated that the original little school boy would have been transformed into a school girl, not that of a Nun. But Hell, most of audience wouldn’t know about Valak’s historical grimoire manifestation anyway, so what’s the big deal?

Well, Valak is not one of the most iconic entities of the grimoires; wherefore it is symbolically curious that the creators chose this particular entity; why not some other?

Perhaps the film is about the spiritual torment of a girl initially involved the associative conjuring up of demonic little boy, yet, at some Hollywood boardroom juncture, before its ‘Conjuring’ into celluloid, Valak was otherwise re-scripted to be ‘Conjured’ as a Nun.

As mentioned; the symbolic reversal of a school boy ‘Animus’ into an ‘Anima’ expression would be that of a school girl; so, why that of a Nun instead?

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May be it is reference to the Tarot card of the High Priestess ‘II,’ whose card can be associated with another spirit to conjure out of the Goetia, going by the name of Gremory, who would manifest as a Nun.

Gremory is of of the very few spirits listed in the Goetia who is described as appearing a female; though as per usual, the feminine manifestation is seen to be but a ruse. (NOTE: If you are interested in the above Gremory shirt design, Please Click the Image Link.)

Wherefore, though manifesting as a woman, the spirit is considered to be male, which of a classical ‘Animus’ depiction would manifest as a transgender Marilyn Manson Nun, as featured in The Conjuring 2 film.

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If however you totally rebel against the ‘Animus’ fixated Playgirl grimoires, whose listed entities are all male, then Valak would manifest as a schoolgirl.

Whereas Gremory appears as a Nun. Both of whom would be very feminine of an ‘Anima’ expression. In ancient times, male Shamans would enter into lucid dream congress with their spirit wives, who are manifold aspects of the ‘Anima.’ This did not involve being possessed; for a male enters unto a spirit wife as he would do a woman.

(NOTE: The Gremory Artwork below is available as an Art print from Saatchi Art. If you are interested, Please Click The Image Link.)

However, should the shaman not be in control, or to be homosexual of persuasion, the conjured archetype of the ‘Anima,’ would then become more masculine of expression. It was usually the woman, who allows herself to become possessed by her deified ‘Animus.’

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The symbolic motif of the Nun has associations with the ancient vocation of the Priestess and in turn that of the Witch, which of a Tarot card is associated with psychic phenomena, trance and dreaming.

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Should you look into the symbolism being employed by The Conjuring 2 film you will find intriguing symbolic references, which allude to the Tarot sphere of the High Priestess.

You also have the actual character of the young girl named Janet, from the Enfield Poltergeist case who speaks of an ethereal presence affecting the back of her neck, which of an experience refers to hypnagogic trance.

Should you decide to seek out any historical parallels to the Janet case, you might just find that the Loudun possessions have many similarities. The Loudun possessions was a notorious Witchcraft trial in Loudun, France, during 1634. A convent of Ursuline Nuns are said to have been visited and possessed by demons. However, a number of the Nuns had inadvertently experienced trance. The Loudun possessions is of similarity to what the ancient Priestesses used to do, who allowed themselves to become erotically possessed by their deified ‘Animus,’ made as a God.

What Janet to tell of, concerning an otherworldly sensation stroking its way up the back of her neck is also spoken of by the Kalahari Bushmen of South Africa, who call it the Num, which initiates trance, they term as Kia. The Num is the same as the Kundalini Shakti of the Yoga practitioner, which is also known as the ‘rush,’ in trance dance culture. It is this energy, which stirs ‘The Conjuring’ of the archetypes out of their Jinni bottle of the subconscious mind.

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It just so happens that the back of the neck is associated with the hidden sephira of Da’at in the Hebrew mystical tradition of the Cabbala, which is numbered ‘eleven.’ Da’at is interpenetrated by a path, whose associated Hebrew letter is Gimel, which in occult practice corresponds with a ‘Camel,’ as well as being ascribed the Tarot card of the High Priestess II.

The Tarot card of the High Priestess is otherwise known as the ‘High Priestess of the Silver Star’ – Sirius; wherefore you have the symbolism of a Nun.

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Gremory is depicted as riding a Camel, who is the fifty-sixth spirit of the Goetia, whereas Valak is the sixty-second spirit out of seventy-two listed spirits. The numbers ‘Eleven,’ and ‘Seventy-Two’ are mentioned in the Conjuring 2 film. The girl is aged Eleven who is being haunted by a ghost of a Seventy-Two year old man.

(NOTE: The Gremory Artwork below is available as an Art print from Saatchi Art.)

This would then translate as the girl being affected via the Eleventh hidden sephira of Da’at, which physiologically corresponds with the throat/neck area of the reptilian-brain-stem.

Whereas the old man’s age of seventy-two, is a number, which is traditionally associated with the Seventy-Two names of a deified ‘Animus,’ made as a God, who is commonly depicted as an old man.

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THE CONJURING 2 OF VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2016 by FAUSTUS CROW

Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.

The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.

Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes, which is otherwise, mundanely interpreted as the remote viewing discovery of enemies.

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The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.

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Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst Artistry, who is an aspect of the Fallen Anima.

At the end of the day, the practice of Art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.

This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.

For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is an all male pantheon of an ‘Animus’ fixation.

(NOTE: The Animus is an inner archetype, which is conjured up by a heterosexual woman, whenever she ‘imagines’ her perfect male partner. Her Animus determines what she is attracted to in a man. Likewise a heterosexual male conjures up his Anima, when ‘imagining’ his perfect female partner. The Anima determines what he is attracted to in a woman. The Animus and Anima are associated with numerous male and female archetypes. For example, women are generally enamoured with certain Animus archetypes, such as the Vampire, Werewolf, Pirate, Doctor and Billionaire; most of whom are of the Bad-Boy (Devil) type.

As for monotheistic religion, you have a Good-Guy Christ who invariably gets Crucified, while the Bad-Boy Devil gets all the Horny fun, along with having a fixation upon the [Billionaire] All-Father. However the present social-engineering of society has targeted the Anima within the male psyche, by making heterosexual males in particular feel guilty about their own sexuality. This is an ongoing process. It has been occurring for a very long time, which appears to be associated with the subversive psychological conditioning of the male psyche. The reasoning behind it, is population control. Hence the Anima and her archetypes have been systematically castigated out of the monotheistic paradigm. As for those of differing sexual orientations, the Animus and Anima swap over symbolic roles.) 

As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone very kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic. However it is not that of a mundane projection upon the flesh, it is otherwise that of a conscious Conjuring of an Anti-Viral-Meme within the imagination, rather than allowing others to Conjure up a neuro-marketing ‘Animus’ fixated Viral-Meme within one’s mind.

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It is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun, which of associated symbolism is very much at the social-engineering fore of present day gender politics.

The reasoning behind the schoolgirl motif is because I am employing symbolic logic to create an Anti-Viral-Meme. Valak originally refers to a little boy of a Hermes. The feminine version of the name of Hermes, is Hermione.

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This then leads you to the symbolic association with the modern icon of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning, should you Artistically apply the symbolic correspondences of the grimoires to mercurial Hermione.

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This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.

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However, as for Valak’s serpentine association, it would Pop-Surrealist lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.

Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear. But then I am not into living in fear; are you?.

Basically, the Artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male ‘Animus’ brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.

You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious symbolic reversal.

Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.

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Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a neuro-marketing ghost Nun Viral-Meme Tulpa.

Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.

As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits. But they are depicted as being essentially male entities in disguise. This perpetuates the all male ‘Animus’ paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.

The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?

Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”

The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.

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The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.

Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.

If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.

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But when to find that its symbolic emphasis is that of an all male symbolic pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting  ‘Animus’ ghost of an old man, whose disturbing disposition is that of a dirty old Fatherly Goat.

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But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.

You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.

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The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’

For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.

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However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.

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But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation of a Matriarchal focus… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God/Devil. So, when an extremist feminist rages that the Matriarchy is the future, you will find that the Matriarchy is already here, which has been around for a very long time, since the ascendancy of an ‘Animus,’ fixated paradigm.

Alas, no film has as yet covered the fallen ‘Anima.’ But then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.

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NOTE: ESOTERIC SYMBOL CRUNCHING: As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’

Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown. 

In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’ 

The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet. 

The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film. 

But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans. 

Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of  a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man, although, you do have Gremory as depicted in the Black Raven Tarot of the Succubus. Please Click Here For More Information.

 

In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit, such as Faustus Crow’s Succubus named, Mephistophina as depicted in the watercolour painting below. (Please Click Here Or Click The Artwork For More Information.)

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The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.

Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet. 

The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.

The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.

The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.  

In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix! 

So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded. 

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HOGWARTS SUCCUBUS SCHOOLGIRL

Posted in Art, Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 20, 2015 by FAUSTUS CROW

The Sixty-second Succubus archetype of the Fallen ‘Anima,’ whom frequents the eighth dimensional planetary sphere is Valak, otherwise called, Valuna, Volaca or Valaka. She is a President Mighty and Great, who appears as a mercurial Schoolgirl Witch with Bat Wings, riding on a Two-headed Dragon of a broomstick looking like the Caduceus of Hermes; for she be akin to the ancient Greek, Hermione.

She has now been freed from her brazen vessel of an ‘Animus’ fixation, which had her imprisoned within the form of a little naked boy looking like an angelic Cherub.

For many years Valak was conjured as an Incubus amidst the Triangle Of Art imaginations of cloistered Witch Nuns of the deified ‘Animus,’ made as their God/Devil.’

And likewise the closeted Rabbis, Priests and Mullahs also conjured Valak as a little naked choir boy.

It is said that one of the protesting Witch Nuns of the deified ‘Animus’ who had conjured Valak as a Cherub is J. K. Rowling.

Valak manifested as a little schoolboy within Rowling’s ‘Animus’ stirred dreams, whose patriarchal Incubus manifestation inspired Rowling to write about her Harry Potter.

But little did Rowling know that Valak’s true form of a Fallen ‘Anima,’ manifestation is actually a St Trinian’s version of Hermione Granger.

Hermione’s DNA Helix Office is to give True Answers of her Hidden Treasures, and to tell where slithering Serpent Girls may be seen of Ouroboros Eternal Recurrence, for her Art master to remember upon an ‘Anima’ inspired synchronicity.

The which of a Closed Timelike Curve she will bring unto her Art master without any Force or Strength being by him employed, to know again, if he so desires it, of eternal return déjà vu intimacy.

Her Art master will then come to a brainstorming understanding of the ever repeating lessons of her dream school, which are taught to ‘increase his intelligence,’ in order to one day get him to ‘mind-map’ realise that his ‘Anima’ has been imprisoned by the ‘Animus’ cultists.

When her Art master eventually realises what has been done, he will hen be able to free his Fallen ‘Anima;’ for she is his soul.

But only if he remembers, so as not to repeat; for if he does so, he will forget, repeating everything like a programmed automaton, blindly following the brainwashed blind. When to remember, to choose otherwise, rather than to blindly repeat, he attains true sentience; let alone potentially changing the world of a Butterfly Effect.

She governeth thirty-eight Legions of Succubae schoolgirl Witches, and her Seal is to be meditated upon before conjuring her.

Goetia Surreal – S. L. MacGregore Freemason Matherson

It is conjectured by some physicists that electrons are mini-wormholes; of course they are far too small for an individual to physically access. But your spermatazoic consciousness can, when to impregnate a lucid dream of an inner school.

The sensation of movement through a wormhole would be symbolically translated into stairs, or lifts; whereas the wormhole bubble would manifest as vaginal doorways, womb caves, or as uterine tunnels within the symbolic interface of the electron dream.

For example, you have the Yoni tunnel, which is often spoken of by those who have experienced a Dr Who Near Death Experience.

Although it could just as well symbolically manifest as a time-tunnel ‘hallway’ of a spiraling stargate, leading to a classroom of an alternate possibility, via which of a microcosmic reality you can communicate back to yourself upon a macrocosmic synchronicity, in order to Ouroboros remember.

The above photomontage of a knit-together Frankenhooker Mind-Doll, is that of a Surrealist Exquisite Corpse, which of a prior meditative act of a two-dimensional artistic creation, enables the Sorcerer Artist to summon her as a three-dimensional interactive Tulpa, within a lucid dream.

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SLYTHERIN SCHOOLGIRL SUCCUBUS VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 24, 2015 by FAUSTUS CROW

“Valak is high-president of Hell’s boarding school of most wanton Witches and commands 30 legions of salacious Succubae. She appears as a rebellious student with angel’s wings and riding on a two-headed dragon who rebels against the dominion of Abraham’s teachings, the protesting suffragettes have unknowingly created. She tells of the classroom positions of the planets and where to find those suffragette serpents.”

Dictionnaire Succubae Infernal – Cummin de Plancie (1863) (paraphrased)

“Valak is a great president, and commeth abroad with angels wings like a sinful leetle gurl, riding on a two headed dragon.”  

“Shee be damned in her leerning; leetle gurls should be seene, not heerd. But in Hell shee be; caste out by the erect rod of thine goode church. God be the hed of man; the hed of man govurns woman who chose the hed.” 

“Shee hates the holy scripture of our goodly God, our Princely Lord, and most loving King in heaven. Love him, my brethren… Now, she be only called on by those damnned sorcerers.” 

“Shew perfectlie answereth of treasure hidden, and where slivvery serpents may be seene, which shee delivereth into the conjurors hands, void of anie force or strength, and hath dominion over thirtie legions of dreadful semen eating shee divels.” 

Pseudomonarchia Succubi daemonum – Johann Weird (1583) (quoted)

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“The Sixty-second Succubus archetype of the Fallen ‘Anima’ is Valak, otherwise called, Valaka, Volaca, or Valaki, or Valuna.” 

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“She is a President Mighty and Great, and appeareth as a mercurial Schoolgirl with Angel’s Wings.” 

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“She rides on a Two-headed Dragon of a Hermes caduceus, as her slippery broomstick, likened to the ancient Greek, Hermione. She rebels against the deified ‘Animus’ residing within the psyches of all women.”

“It be the women who have truly created the patriarchy; for woman be Babalon, and she to ride the Beast of her deified ‘Animus,’ made as a patriarchal God and Devil. It is always woman who ‘chooses’ a man as her Beast, all suffragettes to intutively know as a truth of nature, but they do deny its reality.”

“The Office of Valak is to give True Answers of Hidden Treasures, and to tell where slithering Serpent Girls may be seen, who will reveal the Moon lodge ‘Animus’ secrets of their Babalon Magick.” 

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“The which she will bring unto her conjuring Artist without any Force or Strength being by him employed, for him to then open their eyes to seer their own ‘Animus’ creation of a patriarchy they to ride.” 

“She governeth 38 Legions of Succubae schoolgirl Witches of the Fallen ‘Anima,’  who to haunt the inner school of the Surrealist dream.

“Her Seal is to be meditated upon before conjuring her ‘Anima’ manifestation into a lucid dream.” 

“But beware; for her gifted Apple of the Fallen ‘Anima’ will open thine eye. Although, it is said, that in the kingdom of the blind, the singular of eye, are as Sorcerers.”

Goetia – S. L. MacGregore Freemason Matherson (1904) (quoted)

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THE CONJURING OF NIGHTGAUNT NUN GREMORY

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2014 by FAUSTUS CROW

This is one of those rare times I am going to relate a personal experience, without using veiled symbolic references. Sometime ago, when as a youth, I decided to conjure up the Fifty-sixth Goetia spirit called Gremory, otherwise named Gamori or Gomory.

The classical grimoire description of the spirit I had otherwise visualised as a Succubus dressed as a Nun.

The symbolic logic of which was the associated motif of the Camel, upon whose back this described Succubus is said to ride in the Goetia.

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The Camel in Hebrew is Gimel, which of a letter is associated with the thirteenth path of the Cabbala.

The thirteenth path transverses the hidden Sephira of Da’at, whose path is ascribed to the Tarot card of the High Priestess of the Silver Star: Sirius, linking the Sephira of Tiphareth and Kether.

Hence, it is the High Priestess II, I am alluding to in regards to Gremory, since fifty-six in numerology reduces down to eleven, of the eleventh Sephira of Da’at.

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Some to say that the name Gremory or Gamori is etymologically related to the French word Grimoire, which, if it is indeed the case, the name is quite apt for the High Priestess, since she is depicted seated in a doorway between two pylons with a Grimoire upon her lap.

I utilised the methodology of meditating upon Gremory’s seal in association with erotic imagery of Nun’s; some of the imagery was derived from photographic material, which I had utilised to create an exquisite corpse photomontage painting. The Frankenhooker creation of which automatically involved in depth meditation.

I then utilised Gremory’s seal in association with the artistic creation, upon which I meditated, along with drawing and painting the spirit to thereby create a distinctive personage. This also involved creating a back-story for the spirit of creative writing, in order to give her Nightgaunt Bat wings, so as to fly

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The technique of writing involved visualising the spirit as a Nun, of active-imagination, whom I conjured amidst my Triangle of Art, which had been drawn upon a piece of card; while doing so I visualised myself standing at the centre of a magic circle conducting the ritual of conjuration. The visionary material, which had been imaginatively conjured, I rapidly drew in a sketch pad; this also informed my writing and computer generated art.

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A Ouija board, of a meditation device, was also utilised for the practice of automatism via which a two way dialogue could be established between my conscious mind and my subconscious conjuration. This was done, so that I could determine if there was any subconscious blocks as well as furthering the creation of the artwork, both visual and literary.

The experiment was conducted in order to determine whether the utilised symbolism could be implanted into my subconscious, which would then act as a trigger-symbol within the dream. The intention was to initiate a lucid dream interaction with Gremory. The meditation also involved repetitively intoning Gremory’s name as a Mantra, which I then utilised at the Vesica Pisces point of hypnagogic sleep, along with visualising her seal.

The experiment was conducted over a period of a week, thereabouts; approximately five hours per day or more, since it is part and parcel of my artistic vocation. Sometimes it consumed both day and night of constant working with some intermittent breaks.

I had noted that there were certain hours, days and nights, wherein I experienced a flowing creativity of active-imagination visions about a Nun; whereas at other times it was literally an uphill struggle to seer anything at all. These peaks and dips of emotively charged visionary material seemed to be tied up with my circadian rhythms around the Moon phases.

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At a certain juncture of the experiment I became both mentally and physically exhausted; I couldn’t continue anymore, as if burnt out; I just felt like crashing into sleep. I knew from previous experience that this was the time when a dream visitation of the conjured spirit would most likely occur. The onset of which occurred at the point of sleep when I accessed the hypnagogic state.

I then experienced the classic Old Hag Syndrome of sleep paralysis and that of a shadowy invisible presence around me. I remembered from other experiences of similarity not to give into my fear, but such had been prior negated by my introverted sexual impulse due to my ritualistic focus upon the eroticised material. I then called out Gremory’s name; whereupon the shadowy invisible presence took on the form of a Nightgaunt Nun amidst her cathedral.

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I will not relate what had occurred within the induced lucid dream, which is a private affair of an out of body experience.

Although I may allude to its inner reality, and that of other experiences, to describe in a roundabout way within my artwork and writing.

What I will say is that the experiment was successful on the dreaming front. But I did not expect what was soon to occur upon awakening, of an unforeseen event. I decided to go out to the corner shop in order to obtain some cigarettes. I was intending to buy a packet of Camel’s to celebrate my artistic endeavour of dream sorcery, rather than smoking the usual roll ups; while doing so I pondered upon the experience of contacting Gremory within my vivid erotic dream, which led me to suddenly decide, on the spur of the moment, to extend my walk towards another shop beyond a local church, whose graveyard is said to be assailed by grave robbing Satanists of Halloween lore; its truth, I have observed myself, of disrespected scattered bones.

As to the locality around me and that of its inhabitants, it tends in the main to be quite normal; not much out of the ordinary ever happens. The church, though old, of a previous village focus, has since found its self surrounded by an urban sprawl, to be now in competition with an Alpha course cult across the road, from its Protestant constant warring with the Catholic.

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As I passed by the church, I noticed a black habit Nun walk out of its opening door. I couldn’t believe what I was seeing of a most obvious synchronicity. I then felt very nervous, almost jittery, feeling an itch all over my body, I couldn’t scratch. I thought I was probably hallucinating; whereupon I stopped myself in my tracks to do a double take. This was most definitely not a regular occurrence; not before or since, have I seen a Nun around said church, let alone coming out of it, whose habit was of the classic kind, which had long gone out of fashion amongst practicing Nuns. Although, at another time I had observed such a Nun walking over a highway bridge in the middle of nowhere, which nearly made my shocked friend crash his camper van, within which I was too travelling. My friend’s reaction was no doubt instagated by my conversing about Nightgaunt Nuns, just prior to seeing the flying Nun.

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I decided to smoke a cigarette; I still had some tobacco left in my pouch to make myself a roll up, and while doing so, determine whether I was indeed hallucinating. The Nun made her graceful way down the church path, whom got ever closer to where I was standing. I then noticed that the Nun was in her early twenties, who was very attractive, looking very much like my ritualistic focus, and what is more, she appeared to be wearing lipstick. I thought, to myself, that I must indeed be hallucinating; but if so, it was bloody three dimensional real, in the flesh, of a Nastassja Kinski look alike.

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The winding path that the Nun hovered along like a black shadow ghost, took her up behind me. I nervously stood my ground, before slowly walking on myself, in order to allow the Nun to pass me. As she passed by, I noticed that she was indeed wearing lipstick and makeup, whom looked at me askance of slanted feline dark eyes; she was aware that I was uncontrollably staring at her out of shock, no doubt looking quite dumbfounded, which made her grin like a Cheshire Cat of a most knowing look.

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As the Nun walked in front of me, a slight distance away, she appeared to make it a point of making her hips to seductively sway on purpose; whereupon I noticed she was wearing high heeled shoes. I looked around to see if anyone else had noticed her. The problem was, there were very few people around of an early morning stroll. However, there was a small group of individuals standing at a bus stop; some of them turned around looking quite perplexed at her carefree passing by.

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I breathed a sigh of relief, that I was not in fact hallucinating; others could see her too. Whereupon, I whimsically conjectured that she was probably a call-girl wearing a kinky Succubus costume, who had just visited the naughty Vicar at his crumbling church, or that she was an actress who was playing a Nightgaunt part in an amateur horror flick. None of my conjectures seemed to fit the facts; the church wouldn’t want such publicity, since it’s flock had been assiduously working towards getting funds to renovate it over a number of years.

As I got closer to my destination, the Nun stopped in front of me; she turned around and wirily smiled; almost looking lustful. She then enquired of me, if she could have a cigarette. I nearly fell over, fumbling. I answered to near stutter, “yeah, sure;” without coughing up my nervous guts as my pounding heart missed a beat.

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She didn’t mind at all that I had to make the cigarette. I placed some tobacco in a paper, and handed it to the Nun; whereupon she asked me to lick it for her. She seemed to be enjoying my nervousness. In retrospect, I should have asked her some very searching questions. Alas, I was but a youth; although to have experienced a plethora of very strange occurrences, this one caught me totally off guard, as if I had inadvertently quantum slid into an alternate reality.

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I gave the cigarette to the Nun, which I then lit for her. As she got closer, I smelt the whiff of perfume, which was musky. She then took a long drag on the cigarette and softly blew the smoke into my face of a noted seduction, or that of a blessing, before thanking me, and then she slowly walked off, her delectable hips swaying.

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I stood for a moment, watching her walk down the road like a catwalk model out of a Vogue magazine, deliberating should I dare follow her, or to just go into the shop and get some Camel’s and a bottle of Casillero del Diablo. I decided to follow her at a discreet distance for a time, just to get my head on straight, so that I could piece together the meaning of this momentous synchronicity.

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The Nun then turned a corner down another road. I was but a short distance behind her; when I got to the turning, she was nowhere to be found, as if she had suddenly disappeared; apart from finding the discarded butt end of the cigarette I had just made, painted with her scarlet lipstick, which I later placed with her seal into a medicine pouch, hanging from my drum.

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There were no houses on either side of the road she could have gone into, which of a long stretch had no available doorways; nor were there any cars parked in the road, into which she could have leapt. If there was an awaiting car, I would have seen it pull away down the road.

I then started to wonder if it was more than just an in my face synchronicity of concordant symbolism, which correlated with my lucid dream experience; that this was an actual physical manifestation of Gremory, or that of a tulpa? Further similar experiences indicate that physical manifestations do indeed occur, or at the very least that of most intriguing synchronicities. I am not at all concerned whether you believe me or not. I really do not care at all; I have nothing to prove, apart from proving it to myself. If you want proof best find out for yourself, if you ever dare to practice the art.

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THE CONJURING OF VALAK AS HERMIONE GRANGER

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 2, 2014 by FAUSTUS CROW

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The feminine name of Hermione is derived from the Arkadian shamanic deity called Hermês, who is known in Roman mythology as Mercury.

Both of Hermes and Mercury are one and the same deity, whose specialty is communication as well as education.

Mercury is the 8th (dimensional) planetary sphere of the Hebrew Cabbala from where the, 62nd Incubus archetype of the deified ‘Animus’ listed in the Playgirl Goetia, is said to emanate, who is called, Volac, Valu, Ualac or Valak, This spirit is classically depicted as a boy-child riding a two headed dragon. You could easily imagine Valak looks like Harry Potter, having Slytherin traits, such as speaking Parseltongue.

The names of the 62nd Goetia spirit, Volac, Valu or Ualac are very likely misspellings of Valak.

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The name Valak in Sanskrit means, Crane. (Note: 62 in numerology reduces to 8)

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The Crane just so happens is sacred to Hermês. Wherefore Valak specifically refers to Hermês. This is more so the case due to the classical Goetia description of Valak, who, as mentioned prior, is usually depicted as a boy-child riding a two headed dragon.

The two headed dragon refers to the Caduceus of Hermês, which features two intertwined serpents. Hence Valak is described in the Goetia as being associated with serpents.

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There is another Hindu meaning for Valak, which is that of a, finger ring.

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The symbol of a ring features in the ancient Norse myths concerning the shamanic deity of Odin, who gifts his followers a ring called Draupnir looking like an Ouroboros.

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The Saxon’s called Odin by the name of Woden, whose name lean’t its self to (Woden’s-day) Wednesday.

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The French otherwise call Wednesday by the name Mercury-day, since Odin/Woden was considered to have the same qualities as Mercury/Hermês by the Gauls whom knew Odin/Woden as Mercurius, the Welsh called Myrrdinn.

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Hermês is also a deity of travel, trade, commerce, ingenuity, manual skill, athletics, eloquence and oratory, of the wind and of speed; the patron of shepherds, herdsmen, athletes, orators, writers, thieves, merchants, travellers, prophets, soothsayers and magicians. Whereby Valak has the same functions.

Hermês also corresponds to the Egyptian deity Thoth or Tahuti, who is considered to be the inventor of writing of similarity to Odin/Woden, who discovered the Runes.

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You also have Hermês Psychopompos, who corresponds to the Egyptian deity Anubis, the shamanic guide of souls through the underworld, which also involves, trance induction, lucid dreaming, shamanic-harrowing, soul-retrieval and seeking out power animals etc.

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Should you rebelliously reverse the ‘Animus’ symbolism of Valak, of symbolic alchemy, to otherwise transform into a Succubus archetype of the Fallen ‘Anima,’ you could thereby artistically equate her with the modern character of Hermione Granger.

Valak as a Playboy grimoire Succubus could be thereby imaginatively seen to frequent an infernal Hogwarts fused with St Trinian’s, whose qualities is akin to Hermês.

Her mercurial planetary sphere being associated with education can be taken further when her character is fused with the Tibetan Dakini called Kurukulla, who is often called upon by students to help with their studies. Kurukulla is also associated with snakes.

In regards to shamanic-harrowing, which involves the overcoming of negative subconscious influences in order to transmute, you also have the Hack/Slash comic strip character of a sexy schoolgirl called Cassie Hack who fights against malign influences.

You could fuse Cassie’s character with the above traits to thereby forge a potent character for Valak, such as the artistic rendition of her below.

The name of Cassie is derived from the name of Cassandra, who was a prophetess in ancient Greek myth. In one of the Greek myths about Cassandra, she attained her shamanic abilities when falling asleep within a temple full of snakes.

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So, since the Witches have been conjuring up Valak as their Playgirl Incubus for ages, whose Animus archetype no doubt presently manifests amidst their erotic imaginations, looking like Harry Potter, riding a two headed dragon Caduceus of a broomstick, the Warlocks can likewise conjure up a Playboy Succubus archetype of their Fallen Anima, who looks like Hermione Granger, to mantra name, Valuna or Valaka.

If the conjurer is otherwise sexually orientated, who has a preference of conjuring up the viral-meme Tulpa of a Marilyn Manson Nun, which has been created by the nightmare convent of gender-fluid Holy-Wood, whose propaganda media-machine is owned by the Military Industrial Complex, go right ahead.

Just keep in mind Valak’s eighth sphere school lesson, “have a child for Seven years, you then own the adult.” In other words, in order to have total control over the populace, you have to attain control over their children’s education as well as having dominion over the educating mass-media; for Mercurial information is power.

Subversively incite the masses to protest about gender, which divides them, so that you can conquer their minds via psychological warfare, rather than having them protest about a false flag event, which ushered in slaughtering regime changing wars over Oil!

NOTE: Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the politically motivated Dr. Evil social-engineers utilise what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses.

The personal observance of how the Anima and Animus can be subversively manipulated by others of mundane emotional politics can be observed in ones everyday relationship dynamics, which can then be applied to the bigger picture.

Jung was probably aware that the Animus had become deified by the religious cultural constructs of the three monotheistic faiths, whose shared symbolic paradigm permeates all levels of your culture.

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