Archive for Jupiter

SUCCUBUS ART MUSE SCHOOL

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Succubus, Surrealism, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 28, 2018 by FAUSTUS CROW

If you are interested in seeing the Full Artwork ‘PLEASE CLICK’ The Image Above and each of the Images Below.

The theme of the Artwork is a symbolic merger between Hogwarts and St Trinian’s, which of a Lilith’s Harem Art school is attended by (Succubae) Succubi Art Muses.

The structure of the Harem Art school is based upon the Cabbala and in turn the Tarot paths of the Cabbalistic planetary spheres.

In the grimoires seven Chakra planetary spheres are usually mentioned. The Artwork pertains to each of the seven planetary spheres.

The seven planetary spheres are: Moon/Yesod, Mercury/Hod, Venus/Netzach, Sun/Tiphareth, Mars/Gebdurah, Jupiter/Chesed and Saturn/Binah.

The Harem Art school exists within the realm of dreams, which can be accessed by a conjuring Surrealist Artist when attaining a lucid dream, wherein he can then conjure the Succubi Art Muse archetypes of his Fallen Anima.

The St Trinian’s Motto is: “Semper debeatis percutis ictu primo,” which means, “Always Do You Strike The First Blow,” or, “Always Strike The First Blow.” Perhaps the First Blow alludes to a Boaz and Jachin (BJ) Blow Job, which is very likely.

The Hogwarts Motto is: “Draco dormiens nunquam titillandus,” which means, “Never Tickle A Sleeping Dragon.”

The Motto of Hogwarts, sounds somewhat Freudian concerning a phallic Dragon and its erectile arousal, which to arise when tickled by a wet dream Succubus school girl Witch, who to Vampire hunger not for blood, but to otherwise wildly feast upon what the gobbled Dragon ejaculates of an Albedo fire.

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QUANTUM COMPUTER PARALLEL UNIVERSES ALTERNATE EARTH’S

Posted in Alien, archaeology, Art, Chaos Magic, Dinosaur, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 5, 2018 by FAUSTUS CROW

What if you have an alternate history, among many others, where, for example the ancient Greek’s had developed the first computer, such as the Antikythera mechanism.

The Antikythera mechanism is an ancient Greek analogue computer, used to predict astronomical positions and eclipses for calendar and astrological purposes. The age of the Antikythera mechanism is dated to be approximately 70-60 BC.

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If you allow your imagination to let rip, the ancient Greek’s could have developed a quantum computer over time. But this would have required a prior steam powered industrial revolution, leading to the use of electricity, like our own technological history, to eventually achieve.

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It turns out that the ancient Greek’s could have potentially developed a Steampunk technology based upon the aeolipile (or aeolipyle, or eolipile), which is also known as a Hero’s engine. It is a simple bladeless radial steam turbine, which spins when the central water container is heated. Torque is produced by steam jets exiting the turbine, much like a tip jet or rocket engine.

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In the 1st century AD, Hero of Alexandria described the steam powered device in Roman Egypt, and many sources give him the credit for its invention, but it could be far older, as old as the Antikythera mechanism. If this invention had led to other developments, initiating an industrial revolution, it would have occurred three thousand years before the one that had happened on this Earth. You could imagine that their civilisation would have eventually established off-world colonies like those described in Battlestar Galactica.

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As an aside of a curiosity, there is an asteroid called Oumuamua, meaning, scout, or messenger, in ‘Hawaiian,’ which looks somewhat like the starship out of the science fiction series, Battlestar Galactica. It is an asteroid from another star system, which had zipped past Stanley Kubrick’s version of Arthur C. Clarkes 2001 A Space Odyssey, Jupiter, at about 196,000 miles per hour, too fast to be trapped by the sun’s gravitational pull.

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Oumuamua has captured the interest of the scientists because of its very odd characteristics, some of them are even wondering whether it could be an alien probe, which just so happens looks like a Battlestar.

Perhaps it is being piloted by a female Cylon number Eight called Athena, looking like the actress Grace Park, who made waves with the exit of her Owl eyes from ‘Hawaii’ Five-0.

Anyway, if you have a technology of an alternate Earth, which is three thousand years in advance of our own, they have very likely developed a quantum computer, along with a sentient AI, and even anti-gravity and an ensuing time-travel technology in league with interstellar travel.

Their advanced technology would enable them to access other alternate Earth’s, such as this Earth, in their time-travelling UFO’s. Who knows, maybe one of their Sexagram Cylon Sixes had purposefully crashed her UFO into Roswell, back in 1947!?

You could of course go much further back into time, to take note of Göbekli Tepe as well as to imaginatively fathom that there was once an ancient civilisation, which had experienced its own Steampunk industrial revolution long before its catastrophic demise, when the great mammals still walked the Earth. If this ancient civilisation exists on an alternate Earth, which had not disappeared 10,000yrs ago, who knows what it could have achieved, just next door to this Earth.

Sounds absolutely crazy doesn’t it, just a weird science fiction yarn. However, you have Dr David Deutsch, who is a visiting Professor of physics at the Centre for Quantum Computation, the Clarendon Laboratory and Oxford University, who considers alternate realities existing in parallel universe, along with their alternate histories are for real.

Deutsch works on fundamental issues in physics, particularly the quantum theory of computation and information, and constructor theory. Dr. Deutsch has written two books — The Fabric of Reality and The Beginning of Infinity — both of which are written for the general audience. Maybe Deutsch was inspired by a quantum tunneling ulraterrestrial Owl eyed Muse signal from another alternate Earth.

Other authors may have also been neural-net zapped by a quantum tunneling ‘Messenger’ Muse signal, which spun their watery electron dreams, into Sexagram ‘Sixth’ sense ‘browsing’ lucidity. Their zapped dreams inspiring weird science fiction stories, who didn’t realise that denizens from an alternate Earth had sent an Athena ‘Message,’ indicating they would like to… visit…

But before doing so, they will of course Oumuamua ‘Scout’ around first, in their ‘Raptor’ UFO’s, to Owl spy if anyone’s ‘Five’ pentagram senses has figured out their Aloha Cylon ‘Message.’ Well, you have to be Metis-Sophia Wise about creating Stargates between alternate Earth’s.

Dr. David Deutsch said; “The quantum theory of parallel universes is not the problem, it is the solution. It is not some troublesome, optional interpretation emerging from arcane theoretical considerations. It is the explanation — the only one that is tenable — of a remarkable and counter-intuitive reality.” — The Fabric of Reality (1997)

So, you have a highly respected Theoretical Physicist and a pioneer of quantum computing, along with Geordie Rose who is the founder of one of the leading quantum computer companies, D-Wave (whose clients include Google and NASA), talking about parallel universes. What is more, they are not talking about parallel universes as a fanciful science fiction theory, but as something factual, which exists.

Rose says,“we have built machines that can exploit (not explore) other worlds (parallel universes).” Meaning, they are already doing this and acquiring something out of the process. Should we explore something and learn about it and how it works just as the ancient Greek’s would do, like Star Trek’s T’Pol, rather than exploiting it, of similarity to Rome’s Romulan empire, because we can?

Accessing information from parallel universes, will no doubt lead to contacting other far more advanced alternate civilisations than our own. Wherefore, exploiting their technologies, could potentially lead to a negative outcome, a ‘Wise Owl’ does remind.

Then again, an advanced alternate Earth and that of others are very likely policing the situation with their Vulcan eared M.I.B’s. let alone to have engineered the time-line of this Earth, along with numerous other alternate Earth’s, which they would see as being Morpheus simulations.

If the present D-Wave computer is accessing information from parallel universes then the aforementioned weird science fiction scenario isn’t too farfetched as it sounds, which would lead to the conclusion that our present civilisation is surrounded by numerous other alternate Earth civilisations, which are far more advanced than our own.

The few who are financially affluent beyond the ken of the general populace who are seeking to escape from the present Earth, will be looking to contacting the denizens of the alternate Earth’s in order to have access to superior technologies, such as immortality engineering for example.

Let’s say that the science fiction scenario is actually true. How would a shadow government, who have established contact with other alternate Earth civilisations go about disclosing their secret space program truth to the general public?

The lead up would be that of subversively educating the general public to believe in aliens. This would be fuelled by various UFO contactees who just so happens often describe the aliens as being mostly humanoid in appearance. The reason for the humanoid forms of the aliens is because they are human, or otherwise being evolved humans.

Hence their differing characteristics. Some of whom may have been born off-world, since interstellar travel will require the prerequisite of having time-travel capability, whose humanoid frames have adapted to their off-world environments. But they will all be human, who emanate from alternate Earth’s.

You will also have alternate Earth histories in which other life-forms also achieved their own technologies. For example, there would be an alternate Earth history where the dinosaurs weren’t wiped out; whereas on another alternate Earth the insects who ruled over the Earth before the dinosaurs, have attained their own form of technology. All you have to do is to just look at some species of termites who had learned to farm and harvest fungi long before humans got round to farming their own food. This isn’t to say aliens don’t exist, the thing is, going by the varied life-forms, which frequent this Earth, a real non-Terran alien, will be very Lovecraftian alien indeed.

The next step of a disclosure would be that of revealing the scientists are developing a quantum computer, which makes its calculations by accessing information from parallel universes. The quantum processes of the quantum computer is based on how consciousness works, which is tied up with string theory, the physicist James Gates has revealed is the same computer code used in… browsers.

The quantum computer also reveals that the present universe is a simulation among a myriad other simulated universes, which makes up the matrix of the multverse. The multiverse its self is a computer, whose computations are the parallel universes, wherein of alternate realities it replicates its self ad-infinitum via the simulated denizens who create quantum computers.

You might just say, “if there is an truth to this weird science fiction scenario, where’s the proof?” Well, you do have a quantum computer in your midst now, albeit, still in its primitive form. Although, what is publically revealed often hides a superior version your tax dollar eating military industrial complex has created.

The most superior version of which is your own brain, whose electron dreams are the parallel processing of information from alternate realities. In some rare cases, there are those who will experience a conscious slide into an alternate self existing upon an alternate Earth without forgetting their prior locale, which may explain what is quaintly termed as the Mandela Effect.

There will be others who can consciously access other alternate realities, when attaining a lucid dream, wherein they can then remote-view exotic technologies just like Nikola Tesla did.

Or to otherwise contact conjured alternate Earth denizens, when experiencing (phase) hypnagogic trance, the ancient shamans extensively practiced.

Others may find themselves being Old-Hag-Syndrome abducted by the denizens of an alternate Earth at the point of inadvertently accessing hypnagogic trance, since the contact goes both ways, who will claim they were abducted by Owl eyed faeries, angels, aliens, or even by Owl winged (Succubi) Succubae.

You can thereby hypothesise that a disclosure about the truth will drive many to insanity let alone initiating a rebellion against the established religious and political paradigm.

Should you then indulge yourself in a bit of Creepypasta fear porn to thence imagine a scenario for a horror movie, you can gather that there are those few, who insanely claim temporal control over this Earth, will not want the general public to know anything at all, since it will invariably lead to them losing their illusory power over the masses.

The controllers will use the mass media as a means to distort the mass perception as much as possible, as well as looking for the genetic disposition, which enables some people being able to consciously access other realities, in order to then negate the shamanic ability, which may involve engineering a targeted gene bomb virus to achieve this nefarious end. Although they have already dosed up the public water supply with a known sedative and a neurotoxin as well as dosing your food with the same shit, along with crapping chem-trails all over the globe.

You might then ask, “why would the controllers having control over this nightmare Earth make a show of a disclosure, when they could just as well keep everyone ignorant by playing dumb?” It is because they are not and never were in control of the disclosure. The disclosure has been ongoing for sometime, which is being instigated by a far more advanced alternate Earth civilisation.

Whereby it is being done in bits and pieces across the spectrum of time, which at first, will look to be totally disconnected like a randomly scattered jigsaw puzzle, but when you notice the Owl pattern, the jigsaw pieces start to fall into place.

Hence the reason why the controllers would be making out they are presently disclosing information about the UFO phenomenon, because they are scared shitless that the masses are starting to see the revealing pattern, they themselves have only just noticed. The controllers would thereby be seeking to have control over what is manifesting, which for them is their Karmic horror movie. At the end of the day, this is merely weird science fiction conjecture… but, may be not!

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SUCCUBUS SUCKER PUNCH DAKINIS

Posted in Art, Chaos Magic, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 15, 2015 by FAUSTUS CROW

In Tibetan Buddhism you have female spirits called Dakinis who are akin to Succubae; although they are far more than just being sexual entities.

The Dakinis can be seen in modern guise; for example, you have five elemental Wisdom Dakinis who can be equated with the five female characters featured in the American fantasy action film, Sucker Punch, directed by Zack Snyder and co-written by him and Steve Shibuya.

The five female characters of Sucker Punch are, Babydoll, Blondie, Amber, Rocket and Sweet Pea. The storyline of the film follows the surreal Alice In Wonderland adventures of a young woman called Babydoll who is committed to an asylum, from which she seeks to escape.

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Babydoll’s surreal adventures can be equated with the Bardo visions as described in the Bardo Thödol. The term Bardo refers to a discarnate existence, between death and rebirth where you experience the intermediate reality of the dream.

In the Bardo Thödol the five Wisdom Dakinis shockingly manifest of Sucker punches to the navel Chakra during the first five days within the Bardo. There is one Sucker Punch Dakini for each successive day. The five Sucker Punch Dakinis are seen to be in sexual union with one of the five Sambhogakaya Buddhas who have conjured the Dakinis, the psychologist, Carl Jung, would term as being aspects of the ‘Anima.’

(For example, the four elemental Dakinis are arranged around a fifth element Dakini, such as Mephistophina, who is the [fallen-‘Anima’] Dakini of Faustus. In other words, the fifth element [Anima-Mundi] is the [Quintessence] soul, who is not sold to the deified ‘Animus’ made as a God/Devil by the cultic monotheists, but otherwise found.)

When practicing dream Yoga, while still incarnate, each of the five Buddhas are internally assumed as alternate guises (Avatars) by a male practitioner. This is achieved by mediating upon each of the five corresponding Sucker Punch Dakinis, in order to come to an understanding of the Bardo via lucid dreaming. Whereupon the Wisdom Dakinis are otherwise called Awareness Dakinis, since they initiate lucidity within the Bardo dream.

The Sucker Punch Dakinis are believed to have also manifested as five women who were the physical consorts of the Wise Man, Padmasambhava.

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His name means Lotus-Born, who is also known as Guru Rinpoche. Padmasambhava is considered to be a teacher of Tantric Buddhism, which has a ‘dream Yoga’ focus upon the Dakinis.

A number of colourful legends have grown around Padmasambhava’s life and deeds, and he is widely venerated as a ‘second Buddha’ across Tibet, Nepal, Bhutan, and the Himalayan states of India unto ‘Japan,’ who is said to have greatly influenced Tibet with his Buddhist philosophy.

However, it was more of a case of a fusion between the shamanistic Bon tradition of Tibet and that of Buddhism, which makes Tibetan Buddhism quite distinctive of a Tantric orientation.

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Padmasambhava was also a renowned scholar, meditator, and a powerful magician who caused quite an Avadhuta stir wherever he went; basically, he was a shaman who had a sense of Heyoka humour.

It appears that Padmasambhava is alluded to in the film, in which you have the character of the Wise Man, who is guiding the five Sucker Punch Dakinis. The characteristics of the five Sucker Punch Dakinis are somewhat akin to the ancient Norse Valkyries, who are the martial consorts of the shaman deity Odin.

BABYDOLL: represents the Buddha-Dakini Akashadhatvishvari, who is at the centre of the four elemental Dakinis.

Buddha-Dakini Akashadhatvishvari is often depicted being  in sexual union with the Buddha, Vairocana. Her colour is White, and her element is Ether. As Babydoll, she represents the Wisdom of Universal Law.

First day of the Bardo: Babydoll trance slides into an alternate Earth where she is a new arrival in an Illuminati run brothel, which is owned by a male character called Blue, who she envisions as being an underworld mobster, of jealous Jehovah similarity to an all-father Jupiter.

The alternate reality of the Abrahamic brothel is overlapping the Plato’s Cave of a mental asylum where she and the other female patients are sex slaves of an ‘Animus’ fixation.  

BLONDIE: represents Vajra-Dakini Locana who is associated with the East. She is often depicted being in sexual union with the Buddha, Aksobhya.

Vajra-Dakini Locana’s colour is Blue, and her element is Water. As Blondie, she represents the Wisdom of the Mirror.

Second day of the Bardo: Babydoll trance slides into an alternate Manga reality of Buddhist Japan whose waters have been hardened into the unforgiving ice of patriarchal dogma; it is here she meets up with the Wise Man. 

After Babydoll expresses her desire to escape the asylum, the Wise Man presents her with weapons to fight the Bardo horrors to come. He informs his Babydoll ‘Anima’ who is the quintessence of the four elements, that she needs to collect five elemental power objects, in order to accomplish her escape from the Abrahamic asylum of a brazen vessel, which has been forged by the the All-father fixation of the ‘Animus’ worshippers. 

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AMBER: represents Ratna-Dakini Mamaki who is associated with the South. She is often depicted being  in sexual union with the Buddha, Ratnasambhava.

Ratna-Dakini Mamaki’s colour is Yellow, and her element is Earth. As Amber, she represents the Wisdom of Equality.

Third day of the Bardo: Babydoll trance slides into an alternate steampunk reality, whose Earth is scarred by the New-World-Order banker horrors of trench warfare.

 

Babydoll makes her way through the steampunk slaughter, in order to infiltrate an underground bunker protected by the reanimated corpses of WWI German soldiers, so that she can acquire one of the five items, which is a mandala map. 

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ROCKET: represents the Padma-Dakini Pandaravasini, also called Pandara. She is associated with the West, who is often depicted as being  in sexual union with the Buddha, Amitabha.

Pandara’s colour is Red and her element is Fire. As Rocket, she represents the Wisdom of Distinction and Discernment.

Fourth day of the Bardo: Babydoll experiences trance sliding into an alternate world of a medieval Dragon-age, which is afflicted by the insanity of Hell-fire religious fundamentalism, where she is storming an Orc-infested castle.

Babydoll is seeking to retrieve two fire-producing crystals from inside the crucified guts of an infant Dragon, whose jealous parent spews Hell-fire from its pulpit. 

SWEET PEA: represents the Karma-Dakini Samayatara, also called Samaya Tara. She is associated with the North, who is often depicted in sexual union with the Buddha, Amoghasiddhi.

Samaya Tara’s colour is Green, and her element Air. As Sweet Pea, she represents the Wisdom of Action and Accomplishment.

Fifth day of the  Bardo: Babydoll experiences a trance slide into an alternate science fiction world of a potential ‘future’ beckoning back to the past.

It is here she descends from a helicopter, whose vicious blades slice the air, before she boards a speeding train, which involves her fighting an artificial-intelligence in order to disarm a terrorist bomb. 

Overall, It appears that the film Sucker Punch is loosely based upon the five Wisdom Dakinis of Tibetan Buddhism, whose surreal dream worlds depict the Bardo visions.

Whether such is indeed the elemental case of an archetypal Muse influence is debatable, since Zack Snyder and Steve Shibuya did not indicate that the Sucker Punch girls are Tibetan Dakinis.

Whatever the subconscious Muse influence be, if you feel inclined of (Bardo) dream Yoga, to escape from the black prison of the asylum, you can become as the Wise Man Padmasambhava, in order to then meditate upon the Sucker Punch girls as Dakinis, prior to conjuring them into your Triangle Of Art lucid dreams as Tantric Succubae. For example, you can conjure up the Dakini, Sweet Pea, to thereby tune into another Bus Stop future, should you desire it so, to then start all over again, around the ‘squared’ Magic Circle, of an Ouroboros.

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MORGANA LE FAY OF THE ELECTRON DREAM WHERE MERLIN TO HOVER

Posted in Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 13, 2015 by FAUSTUS CROW

Morgana le Fay is considered to be a powerful enchantress in the Arthurian legend. She is otherwise known as Morgan, whose name is very likely derived from Old Welsh or Old Breton name: Morgen, meaning: Sea-born, which is derived from the Common Brittonic: Mori-gena.

A cognate form of the Morgana’s name in Old Irish is Muirgein, which is also a name of a shape-shifting fairy or Witch who was associated with the sea; she was later transformed into a Christian saint.

This leads you to Morgana’s epithet ‘le Fay,’ which  is derived from the French: la fée, meaning, the (Succubus) fairy.

It just so happens that there is a group of shape-shifting Succubae mentioned in Welsh and Breton mythology called Morgans or Morgens, who are of similarity to the Slavic Succubae called Rusalka.

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Morgana’s counterpart is the wizard, Merlin, whose original Welsh name is Myrddin. The name of Myrddin means sea-fort or sea-hill.

You then have Morgana who is a spirit of the sea and Myrddin who is a fort/hill amidst the sea of Morgana, and she to relentlessly lap his shores, desiring him to enter her depths.

The symbolism of which is reminiscent of Hindu belief concerning the cosmic mountain of Mt Meru at the centre of the milk (mother) ocean, which is churned by Mt Meru into creating Maya.

The milk ocean could be referring to the inner light of the bio-photon, which illuminates the dream of spun electrons, since the bio-photon emanates from the mitochondrial DNA, which is passed down from the mother to her children.

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The electrons of the dream are spun by the emotive charge of the dreamer; somewhat like a charged signal spinning the electrons within an electron tube of a TV set brain, when to remember the landlords Witch daughter.

Such is alluded to by Mt Meru being twisted by a tug of war between the Asuras and the Devas, who represent the Moon and Sun, Ida and Pingala (Autonomic-Nervous-System) nerve channels running along either side of the spinal column, of an aerial, tuning into ’emotively charged’ possibilities.

Then again, the subconsciously tuned into possibilities, may actually be memories of of an eternally recurring Ouroboros, of a life.

You also find similar symbolism in ancient Egyptian mythology, in which the principle God called Atum, from whose name, Atom is derived, is sometimes depicted as a pyramid of light, around whom is the primordial (mother) ocean of Nun. However, Atum is the master of light, but the source of the light is Nun.

The God Atum is equated with the ancient Greek God, Zeus and in turn the Roman God, Jupiter; these deities are associated with the heavens. This then leads you to Myrddin forging the round table, which alludes to the round table of the Zodiac, being that of the starry heavens, under whose revolving stars, lovers do gather around the dancing stones.

Morgana is also associated with the heavens, being the ocean of space as well as inner space; as the old Druid saying goes: “so above, so below, so within, so with-out.”

It appears that Morgana and Myrddin were not historical personages, they are instead ancient deities. But it is more likely that they represent a shamanic practice. In other words, the name of Morgan may have been a title for female shaman; whereas male shamans were called Myrddin’s.

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This becomes more apparent when to look at an early name for Great Britain as stated in the Third Series of the Welsh Triads, being, Clas Myrddin, or Merlin’s Enclosure, which is surrounded by the shape-shifting sea of Morgana. Ancient Britain was once known as a school for Druids.

The name of Merlin is also a name for a small hunting Hawk, which is specifically flown from a ladies hand; this seems somewhat apt, since the ocean of Morgana surrounds the island of Clas Myrddin.

As for Arthur Pendragon of a Dragon motif you have the star (α Draconis) Thuban, which was the Northern pole star from 3942 BC, when it moved farther North than Theta Boötis, until 1793 BC, due to the Ouroboros precession around the Zodiac ages.

The traditional name of Alpha Draconis, Thuban, means ‘Head Of The Serpent,’ which is associated with the (Myrddin) Druids, who were also known as ‘Adder Heads.’

The symbolism of the Adder Head could be associated with the term Camelot, which may be a composite word, comprising of the Hebrew letter of ‘Gimel,’ giving rise to name of Camel, ending in the Germanic word for wealth, being ‘Ot.’

The Hebrew letter Gimel, is associated with the thirteenth path of the Cabbala. The thirteenth path penetrates the hidden sephiroth of Da’at, which is termed as the abyss or desert, which can be otherwise seen as an ocean between worlds.

When crossed, it allows an adept to converse with his (Succubus) Holy Guardian Angel.

The sephiroth of Da’at is associated with the reptilian (Dragon/Adder) brainstem of the ‘throat area,’ which governs over the depth of (abyss/ocean) trance and (‘Apple’ Isle) dream states.

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The thirteenth Cabbalistic path of Gimel has since been associated with the Tarot Card of the (Nun) High Priestess Of The Silver (Sirius) Star, who can be seen as Morgana.

The symbolism of the (Adder/Dragon) serpent was utilised in varied shamanic cultures across the globe to represent trance adepts, who were able to attain an amphibious state of consciousness in order to consciously access the spirit world of the dream, which is symbolically equated with the sea.

You then have a shamanic adept of trance, being the Druid Myrddin who can become (lucid) conscious within the watery shape-shifting domain of Morgana, whose realm is the quantum dream.

Myrddin’s Adder-Head (hypnagogic trance) intercourse into the Vesica Pisces of Morgana is attained of conscious dreaming at certain key-times around the (circadian rhythm) star-clock, marked out by circled stones, of a round table, ever re-turning, Ouroboros.

When Myrddin becomes conscious within Morgana’s watery reality of the dream he becomes as the sea-hill, symbolised as the Apple Isle (Avalon) of Glastonbury Tor, of similarity to Mt Meru, the ancient Egyptian’s otherwise depicted as a pyramid of light.

In Siberian shamanic practice, the cosmic mountain is intersected by the world tree, the ancient Norse called Yggdrassill, which is remembered as the May-Pole, the Saxon’s had prior known as the Irminnsul.

Yggdrassill was also transformed into the Christmas tree, whose elder symbolism represents the ‘spinal column’ of the (Odin/Myrddin) shaman, upon which he ‘hangs’ into self-sacrificial ‘trance.’ As an aside, there was once a ‘gallows’ atop of Glastonbury Tor, which is now occupied by a ‘fort’ of a tower, as well as an associated ‘serpent’ stone of an egg.

It is along the spinal column that the Kundalini Shakti (Fire Snake/Dragon) is aroused in Yoga practice, which is experienced as a feminine energy, the Kalahari Bushmen of South Africa also know of as Num. The arousal of the Num initiates the experience of trance they call Kia, a Siberian shaman knows as the fire in the head; whereby you have the term (Kundalini Shakti/Fire Snake) Adder-Head.

Wherefore the cosmic mountain of a sea-hill symbolises Myrddin’s body out of which he can (OOBE) spirit fly as a disembodied Merlin into the inner space ocean of the dream. But only when flown by (Kundalini Shakti/Fire Snake) Morgana’s loving (Succubus) hand, who to set Myrddin’s head aflame as her ‘Wicker-Man.’

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JUPITER ASCENDING JUST LIKE SPACE GIRL BARBARELLA

Posted in Alien, Art, Chaos Magic, Discordianism, Extraterrestrial, Film, Goetia Girls, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 15, 2015 by FAUSTUS CROW

Jupiter Ascending is the title of a 2015 American–Australian space opera, which was written, produced, and directed by Lana and Andy Wachowski. The film can be generally described as being a cross between The Matrix, Star Wars and a politically correct version of Barbarella. Many of the visuals of the film appear to be heavily influenced by Roger Vadim’s Barbarella as well as by Terry Gilliam’s artistic style. Gilliam’s influence is obvious, since he has a small part in the movie as well. The film also cleverly utilises the UFO mystique concerning the now iconic Greys and UFO abductions.

The principle Barbarella character is Jupiter Jones, who is living her life as an ordinary cleaning woman, until she meets up with Caine Wise, an interplanetary warrior sporting Vulcan ears, though Lupine of hybrid source, who has been sent to protect her from being murdered by Balem of the House of Abrasax, the most powerful of the alien dynasties.

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It is a shame that Jupiter Ascending takes itself so seriously, it would have been far better if it had the slick Barbarella humour of Space Girl.

The Barbarella Space Girl episodes were created by Tom Small, written by the Barely Political Team and Edward Einhorn, which stars sexy Lauren Francesca. As for the name of Balem, it is derived from the 51st Goetia spirit called Balam; whereas Abrasax is the name of Abraxas, who is a Gnostic deity, being a fusion of God and the Devil.

Anyway, it turns out that Space Girl, I mean Barbarella, damn it, sorry, Jupiter Jones is the reincarnation of Balem’s mother. Balem is essentially the male equivalent of Barbarella’s Great Tyrant, otherwise called the Black Queen of Sogo; she is the one who said; “pretty, pretty,” in a most sensual way.

The population of Earth are totally unaware that their far flung ancestors had been originally seeded upon the planet after the then dominant dinosaurs were purposefully eradicated by a technologically advanced seventh type Barbarella civilisation.

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Countless other worlds throughout the universe have also been likewise seeded by the ruling families of trans-human and alien royalty who are somewhat akin to the Gnostic Archons, fused with Vampires, whose genetically enhanced butch stormtrooper soldiers have wings of Angels.

The trans-human Archon families seeded the Earth and that of other planets for the express purpose of later harvesting humans to produce a serum for the elite Vampires, which enables them to become immortal.

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Balem has inherited an enormous serum refinery on Jupiter after his mother’s demise who, like jealous Jehovah seeks to harvest the Earth’s human population, so, he is none too happy that she has been resurrected as a Diana-Lucifera on Earth, since his mother rebelled against the continuance of harvesting humanity’s life-force, for an elite few in Heaven.

The themes of immortality, reincarnation and resurrecting the dead are the main themes of the Barbarella type movie, which is tied up with the planetary sphere of Jupiter.

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The film’s focus upon Jupiter may in part have something to do with the Toynbee tiles (also called Toynbee plaques), which are messages of unknown origin found embedded in the asphalt of streets scattered around two dozen major cities in the United States as well as four South American cities. Perhaps it is a Dadaist joke, or a Surrealistic rebellion, or both, to go viral, of art meme.

Resurrect Dead – The Mystery of the Toynbee Tiles (2011) from Shabda on Vimeo.

Since the 1980’s, several hundred of these tiles have been discovered. They are generally about the size of an American license plate (roughly 30 cm by 15 cm), sometimes considerably larger. The tiles communicate variations of the following inscription: TOYNBEE IDEA, IN MOViE `2001, RESURRECT DEAD ON PLANET JUPITER.

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Toynbee’s idea” stems from a passage in Arnold Toynbee’s book Experiences, pp. 139–142: “Human nature presents human minds with a puzzle which they have not yet solved and may never succeed in solving, for all that we can tell. The dichotomy of a human being into ‘soul’ and ‘body’ is not a datum of experience. No one has ever been, or ever met, a living human soul without a body… Someone who accepts—as I myself do, taking it on trust—the present-day scientific account of the Universe may find it impossible to believe that a living creature, once dead, can come to life again; but, if he did entertain this belief, he would be thinking more ‘scientifically’ if he thought in the Christian terms of a psychosomatic resurrection than if he thought in the shamanistic terms of a disembodied spirit.”

Going by Tonybee’s quote he hadn’t figured on how far computers have technologically evolved, which may lead to individuals uploading (Ascending) their (Jones/John the Baptist/Head) consciousness into a (Matrix) virtual reality, at their eventual ‘Omega Point’ demise. As for the tiles usage of Jupiter, it can be seen as a possible allusion to an occult focus upon Jupiter’s planetary sphere, which is traditionally associated with the number, ‘four.’

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The number four is also used to describe a level of a civilisation’s evolutionary progress concerning the Kardashev scale. The Kardashev scale is used to investigate hypothetical technological levels of future human civilisation as well as possible extraterrestrial civilisations.

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However, the Kardashev scale only describes three types of civilisation; our present civilisation is not even a first type. Although many extensions beyond the three types of the Kardashev scale have been proposed by theoretical scientists.

A type four Kardashev rating for a civilisation can control or use the entire universe. Such a civilization approaches or surpasses the limits of speculation based on current scientific understanding, its technology would be indivisible from magic.

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A Type four civilisation is also capable of manipulating individual atoms, creating nanotechnologies on the atomic scale as well as creating complex forms of artificial life; wherefore overcoming death.

The ‘Omega Point’ theory of physicist Frank J. Tipler would presumably occupy this fourth level, as would the Biocosm hypothesis. Tipler’s Omega Point describes human personalities, being run as simulations within a universe, which has been transformed into a vast computer.

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As a result, after the Omega Point has been reached, humans will have omnipotence, who are able to see all of history and predict all of the future.

Additionally, as all history becomes available, past personalities will be able be to run as (Tulpa) simulations within the (Maya) simulation, who are essentially the resurrected dead.

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Tipler equates this Jupiter (Zeus/Jehovah) state with the Christian heaven. However, it may be a case we are already simulations within an ancestor simulation, being run by a future ‘Jupiter’ level civilisation, which has the capability to time travel browse, through their ‘eternally recurring’ simulation; whereby we are all the resurrected dead within a Matrix.

As an aside, Jupiter Jones is eventually swept up in the Angel wings of Cain Wise who had initially lost his wings for being a bad-boy lupine.

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Cain is somewhat like the blind Angel named Pygar who helps Barbarella in her quest to save the universe from the Great Tyrant.

Pygar states in the Barbarella movie that he is the last of the ornithanthropes and that he has lost his will to fly; but Barbarella soon gives him the will to fly again by riding his rocket.

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Barbarella is a cult classic, which transformed Jane Fonda into a Venus icon, though later considered to be sexist by many feminists; this would have been have been more so the case if her curvaceous form was being assaulted by the ‘fifty’ slimy ‘grey’ alien tentacles of Lovecraftian entities, seeking to devour her aroused flesh.

Whereas Jupiter Ascending has become a favourite of female science fiction fans who are no doubt fans of the Twilight saga, concerning a girl bound between necrophiliac Vampires and bestial Werewolves, which led to bondage Fifty Shades of Grey.

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However, Jupiter Ascending didn’t go down too well with a larger audience who are presently living through the Orwellian war on terror after the Iraq conflict, though some to say it will become a cult classic, just like the space flick, Gravity.

But it will not be in the same league as Barbarella. When you have a film about techno Vampires, immortality and death, it invariably conjures up the opposite of erotica, since sex equals life and creativity. Jupiter Ascending was far too politically correct to depict erotic themes, you to find in Barabarella, which had surfed the Make Love, Not War Hippy zeitgeist age of Aquarius, to also have a sense of Terry Gilliam humour during the era of the Vietnam war.

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Overall, I liked Jupiter Ascending as well as all the other art movies by Lana and Andy Wachowski. The special effects and visuals are quite stunning of an updated similarity to Vadim’s Barbarella. But if a TV series of Barbarella ever gets off the ground, which of a production, is also Entartete Kunst politically correct, due to the Twilight pandering to Fifty Shades of Grey feminists, it will fall like a leaden Angel, without any wings!

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