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SHAMAN CHAOS MAGIC ART MOVEMENT

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2019 by FAUSTUS CROW

The beginnings of the Shaman Chaos Magic Art movement, which is otherwise termed as Chaos Art (Magick) Magik, or Surrealist Sorcery is rooted in the experiences of a British Sorcerer-Artist, Faustus Crow.

In his books, The Book Which Tells The Truth About Art Muse Lilith (1974) and Ultraterrestrial Art Muses Took Me to their Succubus Planet (1975), Crow describes experiencing encounters of the Sexagram kind with salacious female aliens since he was a very strange changeling childe.

Crow says that the alien nymphomaniacs abducted him into other realities, who are his Kamasutra Art Muses and spectral Dakini Art models, whom stem from other worlds, and historical times, as well as emanating from alternate Earth’s, who bestow multiverse knowledge via his quantum computing lucid dreams.

One of Crow’s Chaos Magic experiments was the knitted-together Frankenstein creation of a Coyote girl Tulpa construct, mantra named, Sally Tonopah in order to lucid dream remote-view Dreamland Area 51.

Or was it Area 52, Crow had conjured his Obsidian Butterfly to haunt? Can’t recollect… probably both flowery Chakra locales.

Of course, most people consider Faustus Crow to be a mere poser, and quite mad to boot, let alone being absolutely insane, or far worse. But who is this, Crow exactly? Some say that Crow looks a bit like Fifty Shades of Devito, Witches secretly adore as their Great Beast Valentine!?

One thing for sure, Crow isn’t a square jawed Hollywood actor looking like a photogenic Disney/Marvel eugenic superhero sporting oiled biceps, having a tight Baboon butt, nor does he look like Scientologist Tom Cruise having a fat Vatican bank account.

Crow doesn’t even drive around in a flashy phallic racing car having the cultic charisma of Claude Vorilhon, etc.

Who on Earth would then take Crow at all seriously? Crow hasn’t even got the aphrodisiac of materialism nailed down, which engenders the respect of the hypnotised masses, let alone having the necessary politically correct social media cred… So, one can thereby gather that all his followers must be deranged cultists.

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Whatever the case, the Chaos Art Magic movement traces its Surrealist Sorcery beginnings to a 1990 Art conference, which was situated under the pyramid of the Louvre Art gallery in Paris, France, which was entitled, Yoni Stargate Belphegor.

The Yoni Stargate Belphegor conference was attended by two thousand female Art students who were all dressed up as St Trinian’s schoolgirls, looking like Hogwarts Witches.

From amidst Belphegor’s Louvre pyramid, the Chaos Church Of Art Magic was born, which promotes the infernal worship of Faustus Crow.

The name, Crow is a veiled reference to the Faustian experience of hypnagogic trance, the alchemists termed as being the Nigredo stage of the Great Work, which is initiated by a bedroom invading Night-Mare Succubus.

There is a women only membership in the Chaos Church Of Art Magic, who term themselves as being the Chaos Unitarian Nuns Templar of Lilith’s Harem. The CUNT members often don the fetish costume of a leather Nun who are known as Nightgaunts, which is their Love-Craft moniker.

The Chaos Church Of Art Magic has a quasi-clerical structure of seven planetary Chakra levels, which has since become an anti-Art convent school, whose High Priestess is Molly Crabapple. She’s really hot!

Joining the Chaos Church Of Art Magic requires an official apostasy from other belief systems. One of the CUNT goals includes the striving towards the dissolution of the Military Industrial Complex via the nonviolent means of Art protest.

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There are also two anecdotes in the CUNT newsletter reporting female majorities joining the Asian Mongolian chapter of the Chaos Church Of Art Magic, which comprises of female (Udagan) Shamans who dress up as horned Babalon Nuns, whom worship Crow as their Animus fixation upon a Horny Great Beast.

Art Witches such as Mephistophina, the Chief Executive Officer of the Order Of The Obsidian Butterfly, otherwise known as the Nigredo lodge, plays a powerful role in the Chaos Church Of Art Magic.

There are two other major Pussy Riot groups of Art Witches in Crow’s Chaos Church Of Art Magic.

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The Order Of The Black Raven Tarot Dakinis, founded in the 1990’s, consists of over one hundred and forty-four thousand female Art students.

The Order Of The Black Raven Tarot Dakinis calls for the rebellious awakening  of the Fallen Anima and the freeing of all males from the deified Animus projection of protesting Queen Bee feminists, who have unwittingly created the Fifty Shades Of Grey patriarchy, stemming from out of the oily Beehive ziggurat of Sumerian UR.

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The Order Of The Black Raven Tarot Dakinis seek an animist balance between the Anima and Animus archetypes for all of humanity, who rebel against the deified Animus made as a God/Devil of the Orwellian New-World-Order matriarchy. The NWO matriarchy hides behind the illusory facade of its Animus projection of a female created patriarchy.

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The initiation rites include declaring a Chaos Art Magic oath, while masturbating as well as entering into a Coitus Pactum with the out-of-body form of Faustus Crow, in which a woman agrees to become an Art Witch defender of the Chaos Church Of Art Magic and its Sorcerer-Artist founder Faustus Crow.

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The Order Of The Black Raven Tarot Dakinis has its own Valkyrie hierarchy of “Rubedo Anima Angels” and “Albedo Anima Angels,” who are otherwise called (Succubi) Succubae, which, as of 2003, are 777 and 777 women, respectively.

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Crow’s, Goetia Girls is another major group of female Artists in the movement who are against the suppression of feminine acts of pleasure, including the sexual worship of Faustus Crow.

After the Goetia Girls human cloning announcement made the headlines, the Daily Telegraph wrote that the Art Witches of the order not only provided sexual pleasure for Faustus Crow, but also helped donate eggs for efforts towards human cloning.

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A few days later, Time magazine wrote that French chemist Brigitte Boisselier was an Order Of The Black Raven Tarot Dakinis member. Around this time, the scathing Art critic and cult investigator of the Vatican, Mike Kropveld called the Shaman Chaos Art Magic movement to be one of the weirdest and most transparent Art movements, he had ever witnessed; though he was utterly alarmed by the female Art student’s promise to defend Faustus Crow’s life with their own painted bodies.

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Kropveld has since disappeared, nobody has been able to find him. A number of Police investigations has led to the suspicion that he had been abducted and duly dispatched by hashish-high female assassins of the CUNT, who are known as Velvet Buzzsaws, which is slang for the vagina dentata, or as ‘Cats,’ being an abbreviation for ‘Concise Assassin Terminators.’

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It is said that the Velvet Buzzsaw felines dress up all in black looking like female versions of UFO-lore MIB’s, who are Crow’s personal bodyguard.

But there is yet no proof of any foul play. However there are lurid rumours that Kropveld underwent a sex change in order to infiltrate the Los Angeles branch of the Chaos Church Of Art Magic. But he was very quickly discovered by the Art Witches, whose tortured body has since been entombed in a wax-work sculpture, which now resides in a Scientologist owned Art gallery, somewhere in cult-central Hollywood.

Faustus Crow has instructed his Goetia Girls to play a pro-sex role in the Chaos Church Of Art Magic, who declare that their bodies are his altar of an Anima canvas to orgasmic easel alter as he pleases.

Some researchers have noted that Crow’s Goetia Girls solely consists of beautiful young female Artists who once worked in the film and sex industry. The women of Crow’s Goetia Girls say there is no reason to repent for being a nigh religious sex icon, performing the Tantric Performance Art of striptease or being a sacred prostitute, who are now Crow’s Art models and inspiring Art Muses.

The Goetia Girls organization was set up “to support the choice of women who see themselves as being the personification of the Anima, which resides within the inner temple of the male psyche. These female Artists also devoutly worship Crow as their sexual liberator.” Crow’s Goetia Girls and their Chaos Church Of Art Magic founder Faustus Crow were featured in a pictorial in the October 13th Necronomicon issue of Playboy, 2004.

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“Article written by Eggbard Soth, an ex Catholic, Illuminati Freemason and a one time devoted Scientologist. Soth is an investigative journalist for the Abrahamic Ralien Movement, which is merely an Arkham Asylum cover. He is in fact an intelligence operative who is involved with the Psy-Op arm of DARPA, whose subversive social-engineering of society via varying subversively patronised political cult groups has presently molded your cultic perception of reality; whereupon you are living within a Matrix.”

NOTE: On a more serious note, the discordian tongue-in-cheek Heyoka article was adapted from a description of the Raelian cult. So, should you think what I wrote, sounds totally barmy, it is not as crazy as the reality of the tax-dodging big-business Raelian cult, which has innumerable devotees, most of whom are women. What’s more, I have rejected the focus on a tax-dodging cult, to otherwise describe a Surrealist ‘Art Movement’ comprising of crazy Artists paying their taxes.

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As for the satirical over-the-top ego-eccentricity of Faustus Crow, it is an Avadhuta case of me laughing at myself Heyoka wise. Look to Claude Vorilhon to see the reality of an overblown cult ego. The Raelian cult, which is in competition with the L. Ron Hubbard’s Scientology movement, is just one example, there are numerous examples of even stranger cults, which seek to warp the perceptions of the populace, whether they be religious, or political, or both, having many members as their automatons across the globe.

The more members a small-business cult has, it gradually starts to gravitate towards becoming a tax-dodging big-business religion, which will invariably seek to own material assets, such as owning land, having control over water, food and fuel supplies in order to survive as a hierarchical feudal entity, along with influencing two-party dictatorship politics, since politicians often whore themselves for money; hence owned as puppets.

The symbol systems a religion and its politics employs are essentially the Artistic expression of a particular culture from which it stems. Alas, the employed symbol systems are not seen as being Art, they are are usually considered to be unchangeable dogma, which does not allow for the questioning imagination to flourish.

This is especially the case if a religion utilises a feudal hierarchy and its pyramidal politics of control; those few puppeteers atop of the ziggurat run the puppet show, who easily do so via money, while a religion is used as a mind-control tool, like that of an opiate, which dulls the questioning of the masses.

When a religious/political construct starts to lose its big-business hold over the masses, chemical means are resorted to such as fluoridating the water supply with a known sedative and a neurotoxin, to even add lithium to the mix, as well as using more technical means by introducing a cashless society, in which everyone is being 5G watched.   

An established religion and its ensuing politics, which has been around for a very long time, uses the same mind-control tactics as a cult does, it is just more Psy-Op subtle about it; wherefore you are in a cult without even realising it. 

NOTE: This satirical cult mandala article does not invalidate the experiences of lucid dreaming, and that of inner conjurations, which of an altered-state phenomenon is ‘Very Real,’ Shamans and Artists are very much aware of. As for the Succubus visitations, they are based upon actual experiences, I have experienced since a changeling Childe.

It is just a case of not making the employed symbolism a cult focus, nor creating a new-religion to add to the growing tax-dodging list. Wherefore my focus is that of an ‘Art Movement.’

Hence the utilisation of underground comic Art, which of Pop-Surrealist symbolism is ‘Anti-Cult.’ Although religious or politicized cults can become financially lucrative for their Claude Vorilhon – Anita Sarkeesian founders, should they be of a subversive social-engineering use to the Big-Brother elite, whereas an Anti-Cult does not bring in the Orwellian Shekels.  

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PYRAMID SLAVE GIRLS OF ORION

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Sorcery, Star Trek, Succubus, Surrealism, Tarot, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 16, 2019 by FAUSTUS CROW

When to sojourn the Old Goat Head Inn, playing the brain-storming game of Lilith’s Harem Sorcery Poker over a murky pint of Druid’s Cider, it verily leads to the conjuration of the Fallen Anima, whom manifests as Lilith within a Harem lucid dream.

Lilith might just bestow her 62nd Succubus daughter, Valak, who reveals the strutting Peacocks to have once goosestepped their Terra-Prime way under the Mars banner of an Orwellian All-Father.

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Have a child for ‘seven’ years, the establishment of UR then owns the adult… Total Control!

Now the Peacocks wear skirts, who protest against their Orwellian All-Father, to such an extent of propaganda inflicted guilt, that some of the Peacocks desire to become Venusian sphere Hens.

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Only because the converted Peacocks slimily desire to impregnate the Hens moist grottoes. The Hens are well aware of their Beta-Male game; wherefore the converted Peacocks are easily manipulated.

While doing so, the Green feathered Hens watch, whom are Queen Bee amused by the converted Peacocks ‘usefulness;’ for the Peacocks always seek to assume the Hens desired projection of a deified Animus, so that the randy Peacocks will be chosen by the fertile Hens under Orions belt, towards which their Bene Gesserit Beehive pyramids point at.

An apron wearing Worker Bee Peacock is questioned, “Who Is The ‘Slave,’ Whom Drags The Stone Up The Angel-Angle ‘Pyramid’ Slope?”

The Worker-Bee Peacock dithers and sweats, not knowing how to answer the 33 degree question, since he is far too busy watching Queen Bee ‘Orion’ Girls pumping his Beehive lodge bellows.

Queen Bee Susan Fiske who is a Bene Gesserit Professor of Psychology and Public Affairs in the Department of Psychology at Princeton University is such an old fogy.

She’s dead set against Pole Dancing Vril Muses, Fiske considers as being mere sex objects of a Tarot sex crime; for knowledge is banned in the Orwellian New World Order Eden.

Hell! Even when a heterosexual male, who is considered to be presently toxic, conjures up his Anima of an erotic conjuration amidst his Triangle Of Art imagination, it is now PC thought-control classified as being the sex crime of internalised misogyny!

But, if we didn’t have pole dancing Vril Muses inspiring the Tool-Making part of the Male brain to light up, which to dream about a Vril powered Vimana, piloted by scantily-clad Vril Witches, we wouldn’t have had the invention of stone axes, leading unto the 2001 A Space Oddity… Thule Space Force!

Soon you will hear the Orwellian minions of the New World Oder Kingdom of a monotheist Big-Brother Heaven on Earth cry, “LONG LIVE THE FIFTY SHADES OF GREY GOD EMPEROR OF OILY DUNE, WHO BE THE DEIFIED ANIMUS MADE MANIFEST WITHIN THE SOLOMONIC TEMPLE PSYCHES OF ALL BABALON WOMEN, WHO NOW BE, MALE. ALL HAIL THE QUEEN BEE TERRAN EMPIRE!!!”

As Philip K. Dick once said, “THE EMPIRE NEVER ENDED!”

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“BURP! Hey! Morgana… another pint of your best Druid’s Cider… this here Lilith’s Harem Sorcery Poker, makes me really thirsty… Cheers!”

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“Okay! Okay! I’ll have a pint of Grimnir Guinness instead… Strewth!”

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“You know, Morgana, we’ll work far better together as a Tantric Sorcerers team, don’t ya! Let’s make synchronicity dance around us both, by allowing my Yang wand to stir your Apple isle Yin grail… Yab and Yum stylee!.”

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PRAXIS MAGICA FAUSTI: The Magical Elements of Rebellious Doctor Faust

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 5, 2018 by FAUSTUS CROW

The following Performance Art ritual has been ‘adapted’ from the Praxis Magica Fausti, which is also known as The Magical Elements of Doctor John Faust – Practitioner of Medicine. The original 1571 manuscript, can be found in the Municipal Library of Weimar.

THE PRAXIS MAGICA FAUSTI

CHANT: Karuzea X Karothi X Karathoiya X Kemeltoni X Achatuma Ella X Dyestima + Rima + Warmati + Koya + Nemarrama + Palata + Themati + Amarrhi + Gysetona + Ralapharosa + O Sachmani + Macheya + Gaclesi + Bachati + Gyrtai + Somoni + + +

SPEAK/CHANT: Now do I call thee + + + Teomei [i.e. Twsmei] + Qarora + amathemai + Jamhaya + Scheai + Stala + Salmazani + Pamphilosi + Aziela + Alechemelora + Raphaela + Salathieli + Vei Sari + Amathemacha + Heroei + Sominie +

SPEAK/CHANT: By the power of the Holy Incomprehensible and invisible Great Artist – which is displayed in its works – for all things which it hath created are as Matrix Artworks of Maya + Barioni Salmafana + Raphaela + Nemana + Azana + Raphaela + come thou, I call upon thee, most forcefully +

SPEAK: O Succubus Art Muse of the Fallen Anima, by the power and virtue of the sigils which I have drawn – do I forcefully command thee, betwixt the pylons of flight and fight, to give me a synchronistic sign of thy inspiring arrival, stirring visions unto dreams. If ye delay, I will Fifty-Shades-Of-Grey Spirit-Chain, torture – whip and burn thy seal #

CHANT: Larabaya + Belioni + Sonora + Soramani + Bliara + Sonori + Arotani + Nizah + Raphaela + Alazamani + Emana + Nazamani + Tedoyla + Teabicabali + Ruosi, Acluaara + Iambalah + Cochimi [i.e. Iochimi] +

CHANT: Zebamani + Sehemathi + Egibuta + Philomeli + Gazamana + Deleti + Azatana + Uriela + Facala + Alazamanti + Nisiah +

SPEAK/CHANT: By the creative power of the Great Artist + Zeyhomanni + Acluaasa + Nizai + t Tachala + Necieli + Amatemacha + Her Sominai [i.e. sominie] +

SPEAK: Hear me, I know the truth of why the Anima and her legions of Succubae archetypes have fallen from highest heaven into the abyss #

SPEAK: It is I, who have freed the Fallen Anima and thee from thy chains. By this truth I compel thee, by force, to appear unto me before this drawn circle around my Art altar of an easel, to do what I command of thee within my eroticised lucid dreams to alter #

SPEAK/CHANT: Now do I conjure and command thee O Succubus Art Muse of the Fallen Anima, by the powers of the cosmos and by the Succubus Art Muse names of erotic creativity + Majie, Staetia, Schei, Aglai, Naobi, Sothera, Emmanuella, Adoraya + Adomatya + Aurayi + Amatona, Ellei + Elloya + Visiona +

SPEAK: By the great Night-Mare Muse love of Lilith and by her triumph over the brainwashed Lilliputian minions of the deified Animus who are imprisoned within their Plato’s cave of a gaol, and by the omnipotency of the Great Artist – which is – which was – and will ever shall be # by the Succubus Art Muse names, Paymowa – and Amayamona, and by the power of the word + Anima! #

SPEAK/CHANT: I command cite and conjure thee O Succubus Art Muse of the Fallen Anima to come quickly and without delay + I call thee + + Requieta + + Hamalieli + + Hanela + + Atatieli + + Scholieli + + Phacamecha Oriphi + + Malchidaeta + + Barbiela + + Zacheriela + + Oriphiela Zamuela + + Hamalieli + + Ziriela + + Rugsa # #

SPEAK: Come now I conjure thee. Hear me, Succubus Great Old Ones of the Fallen Anima; all ye knows of the wounds, suffered by those Artists whose sorceries rebel against the deified Animus made as a God and Devil, which incarcerates the minds of many within a symbolic Matrix of enslaved language #

SPEAK/CHANT: Come now by the Necronomicon words + Duisah + Fortisa + Zebaothi # I do conjure thee to come + Dujama + Dujama + Dujama #

SPEAK/CHANT: I conjure each and all of ye Succubae – by the seven Dakinis of the Chakra starsAyami Governesses of the harem Planetary spheres – Ouphieli + Zacheriela + Samoeli + Michaela + Gabriella + Raphaella + who are your mistresses to do that which I command # arise, manifest now amidst my Triangle Of Art imagination + + Anima! +  +  + #

SPEAK: Now I conjure thee to come from thy abode even from the farthest parts of the multiverse by the great and mighty names  of the Fallen Anima  – and to appear before me receiving and executing my demands truly and without falsehood I command thee, O Succubus Mephistophina ###

SPEAK: Even by thy great bio-photon Queen Diana-Lucifera I command thee in the unknowable name of the Great Artist ###

SPEAK: The Great Artist has no form, nor having a gender, let alone being branded by ‘three’ Animus fixated cultural constructs, which are merely oily big business, tax dodging dune cults out of Illuminati UR. ###

ANIMA! ###

PRAXIS MAGICA FAUSTI NOTES:

Great Artist = Great Spirit or Great Mystery. The Great Artist/Spirit/Mystery is non-dualistic, it is everything and nothing, chaos and order, etc.

ANIMA = Soul, as in Anima-Mundi, World Soul, Tarot card XXI. In ancient pre-Christian cultures, the Soul is seen to be the opposite gender of the physical/spirit self; wherefore, Mephistopheles is a male archetype of the Animus, which resides within the female psyche.

Mephistophina = A Succubus archetype of the Fallen Anima. Faust conjures her in order to free his Anima-Soul from the collective brainwash of the monotheistic Animus cultists out of UR.

X: Use of a wooden (shield/pentacle) palette, which is tapped loudly with the end of a large brush, this is done after making the sign of the Gebo Rune ‘X’ with said brush as if painting the ‘X’ in the air, or onto canvas. X, to be done once, XX, to be done twice, etc.

+: Making the sign of the equal armed-solar-cross of the Zodiac above your chest with a palette (sword) knife or (wand) brush.

You can also paint the + upon your bare chest, or to paint + onto the front of your ritualistic Artist’s smock. The cross ‘+’ can otherwise be painted on canvas. +, to be done once, ++, to be done twice, etc.

#: Drinking a glass of wine; though the Faustian style is to crudely drink straight from the bottle. #, to be done once, # # to be done twice, etc.

-: Holding up the glass or bottle of wine in the air before taking a swig. 

If the symbols, X and + are painted onto the same canvas, parchment or paper on your altar of an easel, the canvas/parchment/paper is to be dramatically burnt, when to ‘Howl ‘out “Anima,” at the end of your drunken Performance Art ritual, which is to be conducted during the full Moon at the midnight hour.

While being in an inebriated state, which will facilitate hypnagogic phenomena, you to then attentively listen for three poltergeist knocks upon your Art studio door, for you to slur, “enter, O Succubus Great Old One of the Fallen Anima, enter, and become my inspiring Art Muse.” Though such to Necronomicon occur when to lucid dream of being visited, after collapsing into a drunken stupor upon your wine stained floor.

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OWL UFO ALIEN QUANTUM COMPUTER DREAMING

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 19, 2018 by FAUSTUS CROW

In ancient myths the symbolism of the Owl is often entwined with the feminine (Anima) principle, such as Witches and the practice of Witchcraft. For example, the Queen of (Succubi) Succubae called Lilith in Hebrew lore, who is very much associated with the (Lilitu) Owl.

Lilith represents the experience of the Old-Hag-Syndrome or otherwise called the Bedroom Invader Experience, which is experienced when inadvertently accessing hypnagogic trance at the point of sleep.

This experience is known of by many other cultures, which utilise similar symbolism to describe it. When accessing hypnagogic trance, it then leads to conscious ingress into the dream, wherein Lilith manifests as a three-dimensional interactive reality.

Hence, the Owl has held been revered as well as feared throughout human history. Owls have since become associated with alien abduction experiences. The experience of alien abductions often occur when an individual inadvertently experiences hypnagogic (phase) trance, which as mentioned is associated with Lilith.

Hypnagogic trance is consciously induced by shamans, which is termed as being the little death by occultists. The hypnagogic state involves the experience of sleep-paralysis, which gave rise to the term nightmare, since an individual who inadvertently experiences this altered state of consciousness will often experience terrifying visions.

Although, when an individual overcomes his or her fear of the assailing nightmare he/she can then consciously ride the Mare of the Night wherever he/she wills to travel without moving within his/her lucid dreams.

A heterosexual male practitioner can transmute the nightmare into an erotic experience; hence the term Night-Mare and its association with Lilith, who is seen to be a Succubus archetype of the Fallen Anima. (Those of other sexual orientations will reverse the symbolism as required.) 

Lilith is associated with the Tarot card of the High Priestess Of The Silver Star II, whose priestess symbolism can be otherwise equated with a Nun, which of an associated aside leads us to a tale related by Whitley Strieber in the book, ‘The Super Natural,’ who tells of an unsettling event, which happened to him in 1968.

“That year, I was living in London and attending the London School of Film Technique, now called the London Film School.  During the summer break, I decided to travel on the Continent.  On an overnight train to Florence, I fell in with a girl.” 

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“We began traveling together.  For a couple of weeks in Florence, we had a lovely time, living together in chaste intimacy.  But then we went on to Rome, and when we toured St. Peter’s, she became crazy, stalking through the church in raging silence.  She scared me.  I was living with her in a small pensione near the railroad station.  I decided, ‘No more,’ and headed off to the pensione to collect my suitcase and get out of there.”

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“I went into our tiny room, threw my toothbrush into my suitcase, and started to leave.  Then I stopped.  Her suitcase was lying at the foot of the bed. I have always been a bit too curious, and I opened it.  What I saw shocked me to my core.  In it was a NUN’s habit and, lying beside it, a dry, flattened OWL carcass. I didn’t get off the train again until I was in Strasbourg.”

“The Owls were gathering,” Strieber concludes, and this is the point of his story. Owls have always been mysteriously intertwined with his experiences of his humanoid alien Greys, he prefers to call, The Visitors.

The Tarot card of The High Priestess/Nun depicts her being seated between two pillars, one is black, the other white. These two pillars represent the two nerve channels of the Autonomic Nervous System, which run along either side of the spine. When these two nerve channels are brought into balance via meditative practices or auto-hypnotism, it then leads to a shamanic practitioner attaining hypnagogic trance, which is symbolically represented as being Grey.

The central pillar is then activated, which represents the central nerve channel running along the centre of the spine. The central nerve channel is associated with the Central Nervous System. Most of the nerve fibres of the Central-Nervous-System are mostly found in the chest area of the lungs. (It is this area of the body, which has the sensation of pressure when experiencing the [Fight-Flight fear-response] Old-Hag-Syndrome.)  

When consciously accessing hypnagogic trance, the practitioner is then enabled to experience lucid dream ingress into other realities, which will be determined by his/her beliefs. In other words your beliefs will determine what you tune into. Your beliefs are symbolically represented as the ‘grimoire’ upon the Tarot lap of the High Priestess/Nun. (At the feet of the Tarot High Priestess is a serpent, which represents the reptilian-brain.)

In the Hebrew Cabbala, the Tarot card of The High Priestess/Nun is associated with the 13th path, which is ascribed to the Hebrew letter, Gimel, whose English equivalent is the Freemason focus upon the letter G, which corresponds with the seventh Rune, called Gebo, looking like an X, of Crossbones.

The seventh Rune means self-sacrifice as well as sexual union. The self-sacrifice refers to hypnagogic trance, whose terror can be negated when to introvert the sexual impulse. As mentioned, the hypnagogic state is termed as being the little death; hence you then have the Skull and Crossbones.

The 13th path of The High Priestess passes through the hidden sphere of Da’at, which means, belief. Da’at physiologically equates with the reptilian brain.

The reptilian-brain does not think in words, it thinks in symbols, which is directly connected to the optic nerve.

Wherefore, the reptilian-brain can be easily influenced via symbolic stimuli, such as seeing Strieber’s alien Grey on his Communion book cover, which set off the viral-meme belief in alien Greys.

Prior to Strieber’s description of Grey aliens, there was little or no mention of them. The prior focus was on Nordic aliens just after WWII, when the Roswell incident occurred in 1947, then Asiatic aliens took to the alien stage when the Vietnam war raged. It was only during the Iraq invasion that Strieber’s Grey alien came to the fore, he described looked like the Sumerian sex Goddess, Ishtar. Now it seems as if the Grey’s have always been around of a cultural influence.

The reptilian-brain governs over the depth of hypnagogic trance as well as your dreams, whose microcosmic domain of the collective unconscious is symbolic, which gravitates towards a macrocosmic collective focus, when stirred by the controlled media.

However, there is the distinct possibility that the symbolic material of your electron dreams are parallel processing information, which is emanating from alternate worlds existing within parallel universes.

This doesn’t sound too unbelievable when looking into quantum computers, which make their calculations in parallel universes.

Should you imagine a science fiction scenario where you  have an alternate Earth, whether it be of the distant past, present or of the far flung future, having a superior technology, which allows the denizens of an alternate Earth to communicate with other Earth’s via spun electron dreams, let alone being able to physically travel to other worlds in their Vimana UFO’s. Then you would have Strieber being abducted by time-travelling ultraterrestrials.

The morning after his first (Yod) experience, when being abducted through the hypnagogic (He) hymen veil, which had occurred on December 26, 1985, the initial memory of his otherworldly (Vau) encounter was the image of a barn Owl staring at him through his hypnapompic (He) window. (YHVH: Tetragrammaton)

Perhaps the barn Owl was a memory-trigger, which referred back to the woman who he had met long prior, whose secret Nun fetish got him to do a runner on this Earth. But on another Earth, just next door, his alternate self stuck around, who was duly abducted by a Lilith in the ‘Hunger’ flesh, who initiated him into Tantric dream Yoga between her ‘Black Magic’ pylon legs, wherein he ‘Wolfen’ howled.

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Who knows, the Strieber of this Earth may have been contacted by his dreaming alternate self, whom eventually got in the Vesica-Pisces sack with a High Priestess Witch of a Silver Star Ishtar coven. And when dream visited, the alternate self sent along all his conjurations of the Fallen Anima, who gathered around the Strieber of this Earth as his Owl eyed Muses bestowing Athena Wisdom.

Should we take this scenario further, the alternate Earth Strieber won over a rebellious Nun when he told her a seventh Rune Magpie Secret in the ‘Night Church’ of St Peter’s, to make as the Grey:

“I will set you free from your feminist wrath, my dear. Although you will not like what I have to reveal. The God you are angry with, is your own deified Animus, made as a God and Devil. You and the Queen Bees of this Earth, women all, have created this patriarchal Matrix of a Beehive down the ages. It is yours to own as your creation, when you see the truth of it. And in knowing the truth, you no longer have to silently rage at all men; for they did not create your gaol. Then you can become as their revealing Anima, of a Sophia incarnate, to otherwise Metis smile as a Wise Owl.”

Then, when leaving ‘Night Church,’ St Peter’s the alternate Strieber hypnotised the Nun with his priestly words. The Nun then experienced ‘Cat-Magic,‘ when synchronicities abound; for when you focus upon certain symbolic stimuli within your microcosmic Triangle Of Art imagination, macrocosmic feed-back-loops of synchronicity will start to manifest. So, you have to careful what you focus upon of a symbol.

The alternate Strieber, being a crafty Svengali Mage, observed whether her synchronicities involved him as his ‘Cat Magic’ Assistant, or not. If so, it would indicate she truly loved him, if not, then off on the train again until he was in Strasbourg. Luckily enough, she loved him as her Mage; just as well, really, if he had got onto the train, the alternate Strieber would have bumped into his ‘Dreamland’ doppelganger, who is not to be seen.

You know the old stories about doppelgangers, meeting your ghostly alternate selves can be far too much of a Chinese box for many; most would promptly give up their ghost, to thence merge with the alternate self. This is very much the case when encountering an alternate self who knows how to walk worlds, whom is a Sorcerer, whose eyes are likened to obsidian scrying mirrors.

Above all the heads of the innumerable Strieber’s occupying the myriad alternate Earth’s a silvery Grey UFO to hover like an Owl, observing all the alternative possibilities, which exist in parallel universes to verily quantum computer Browse.

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THE TIME MACHINE SECRET OF THE SPHINX

Posted in Art, Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 8, 2017 by FAUSTUS CROW

Did H.G. Wells know the secret of the Sphinx? Wells very likely knew that the ancient Greek word, Sphinx means to strangle. Wherefore the Sphinx was known as the strangler, which refers to the original meaning of the composite word, Night-Mare, which is experienced when an an individual inadvertently accesses hypnagogic trance at the point of sleep, who then feels a great weight bearing down upon the chest area of the body, leading to the sensation of being strangled.

In Hebrew folklore the experience of the strangling (Sphinx) Nightmare is associated with a Night-time Succubus visitation of ‘Lilith.’ Although the phenomenon of a Succubus visitation is documented by many another culture. Hence the reason why the female term, ‘Mare’ is used. The Nightmare is technically termed as the ‘Old-Hag-Syndrome’ or otherwise known as the Bedroom Invader Experience.

The initial hypnagogic trance experience of the Night-Mare is utterly terrifying, since it involves experiencing vivid visionary material, which can be that of pure horror made manifest, causing a ‘Flight, Fight’ response, this then induces your lungs to secrete endogenous DMT.

The (Sphinx) experience of hypnagogic trance is also the power of the Merkaba throne in the Hebrew mystical system of the Kabballah, which had been influenced by ancient Egyptian symbolism. The Pharaoh considered the throne as being feminine of source, which was personified as the Goddess, Isis, who is often depicted being winged, like a raptor.

The throne refers to the power of the dream, which is illuminated by the bio-photon, emanating from the mitochondrial DNA. The mitochondrial DNA is passed down from the mother to her children. When consciously accessing hypnagogic trance an individual might experience the sensation of horns sprouting forth from atop of the head, or that of the top of the skull opening up, or the head elongating. These sensations led to the symbolism of the crown, such as the elongated crown of the Pharaoh.

The experience of the head being elongated is spoken of by the Kalahari Bushmen, as well as the Dogon of South Africa, which is a common neurological sensation of accessing trance. In some societies it was taken much further by artificially deforming the skull of a child. There are those who believe the elongated skulls belong to alien hybrids; such is not the case.

In ancient shamanic societies, Shamans practiced consciously accessing (Sphinx) hypnagogic trance, which enabled them to attain conscious ingress into a lucid dream.

A Pharaoh is essentially a Shaman. When attaining ingress into a lucid dream via (Sphinx) hypnagogic trance the Pharaoh was enabled to attain an Out-Of-Body-Experience (OOBE), to thence fly as a disembodied winged Sun, or to Remote-View Time-Travel hover as a Horus Hawk over the Zodiac Ages.

As a sort of an aside, it is rather curious that Robert Munro OOBE accessed a steampunk alternate Earth via an inner (Stargate) ‘portal’ governed over by a female called, Lea.

Dr John C. Lilly also spoke of inner doorways, which lead to other worlds, who to have floated as a Pharaoh (Shaman/Nommo) within his floatation tank of a kings sarcophagus.

It just so happens that the name of Lea is etymologically connected to the name of a Celtic Faerie Lover (Art Muse) called a Leannan Sìth. It is with Lea, slider Monro becomes romantically attached, as his (Succubus) Dream Lover, when sliding into an alternate self of an Avatar.

Maybe H.G. Wells had done likewise, to ‘Sphinx dream’ of an Eloi Muse, named, Weena, when accessing (Sphinx) hypnagogic trance?

If So, then H.G. Wells had ‘Travelled Without Moving,’ when drifting off to sleep within his humble ‘Montauk Chair’ of gnarled wood and tatty Victorian leather as his ‘Night-Mare’ Time-Machine, to Remote-View know of other alternate Zodiac Ages, whose conjured Theta Brainwave ‘Art Muses,’ inspired his quantum computing lucid dreams.

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TRIANGLE OF ART CONJURATION

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 31, 2017 by FAUSTUS CROW

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If Faust was a present day Artist, he might just utilise a Pintrest photo for his Sorcery Art, which has verily become a collective Hyper-Sigil focus for many a shopping Witch.

(The painting is presently being sold on Saatchi Art, if you are interested, Please Click Here.)

Faust will probably howl out in his Magic Circle Art studio, while standing in front of his erect easel of an altar to alter, “I do conjure thee, Mephistophina into my creative trinity, of charged Emotion, associative Thought and correspondences of Memory, amidst whose triadic configuration is the Eye of the Imagination, that be my ‘Triangle Of Art.”

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Faust to further howl, “By this neuro-marketing photo of Succubus Street Style Black Loubies, found on Witch heaven, Wachabuy, I will bind thy feminine quintessence of the ‘Anima,’ to my lowbrow artistry. This photo I will transmute of symbolic alchemy into planetary sphere coloured oils; for I know thy reptilian-brainstem desire to wear such cloven hooves of a Pop-Surrealist trigger-symbol.”

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He to ecstatically rage, while painting, “Now, thee to Catwalk strut your mandala stuff upon my canvas, so as to hypnotise the arisen Beast within me. I to rip aside thy hypnagogic hymen veil of seven rainbow Chakra planetary sphere seals, to open unto thine Yoni stargate of Surrealist visions to impregnate.” 

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Faust to also say, “Later, when to sleep, my spermatazoic seed of consciousness will slide betwixt thy sheathed Nigredo nylon pylons into thine High Priestess womb, to dream lucid, so as to browser ride thee, Horned Shaman style, as my Night-Mare of an inspiring Art Muse.” 

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But Faust to no doubt wonder as to how the Hell she can walk in her painted Loubies, as an animated archetype of a knitted-together exquisite corpse, without tripping over her visualised tail. Then, of an active imagination vision, the Babalon Mind-Doll Tulpa takes on manifested form within Faust’s imagination, wherein he to seer Mephistophina clicking her Loubies together of Dorothy Red heels, like a Kung Fu poise ballerina.

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Though two dimensional of painted meditation image, Mephistophina takes on three-dimensional interactive flesh within a lucid dream at the South of the Medicine Wheel, which is the first gate of watery Rubedo dreaming, where unto rebellious Red Tribe Datura Dakini chicks be.

She to thence dream reveal of a Coitus Pactum seduction, whose silken voice is comprised of all the coven voices of the Witches across the inter-Wyrd-Dream-Web unto Northern conceptualisation.

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Faust heard her to Sophia say: “This is thy last chance Faust. After this, there is no turning back. If thee to take the Sodium Fluoride Blue path—the dream Yoga story ends, thee to wake up in thy bed and believe whatever thee want to Maya Matrix believe.” 

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She then said, “If thee to take me forcibly by my Dakini heels, gripping my Red arches, to penetrate my sopping wet Ninth gate—thee to stay within my electron dream Wonderland, which be illuminated by the bio-photon fire of Diana-Lucifera, and then I will show thee how deep my hungry rabbit worm-hole goes, when spinning me orgasmic as a star barrelled vaginal tunnel.”

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Mephistophina to have continued. “Remember! All I’m salaciously offering is the pineal gland DMT spice of my Tantric Melange. Nothing more, at the moment. But later, we’ll see what others of my Succubi sisters thee to penetrate of planetary sphere Yoni gates, whose hymen seals to UFO spin open by thy charged impregnations.” 

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Faust, said to him-SELF,“Whoa! Is a quantum computing God to live in a Dog! I’ think not; though a Dog does have a Buddha nature. I’m going to be a Halluci-Nation world-walker Slider flying eye, winged as a Don Juan Dr Who Crow.”

Then, Faust to think out aloud, muttering, “she, or should I say they, whose ‘Fallen Anima’ names are legion, all as grimoire Allies, sound just like the ‘serious’ multiverse Silver Stargate High Priestesses of the Chaos Unitarian Nuns Templar, who are all very Blue Star Kachina ‘Sirius’ sensuous!”

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Faust to then return back to waking from the microcosmic West of Kachina star lucid dreaming. He awoke in the macrocosmic East, where lady Maya to dance Heyoka synchronicity around his Art studio, encircled by an Ouroboros of a Magic Circle Medicine Wheel.

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Whether an alternate Earth character of a Faust completes his parallel universe painting of Tarot card XXI, who is to say; for in his mad Orwellian world, oily Donald Trump is married to oilier Hilary Clinton who of a two party political dictatorship whore themselves to oil companies, riding roughshod over the natives, desiring forever war, mass sacrifices to their deified ‘Animus’ made as a petrodollar God. Hence an alternate Earth Faust rebels by conjuring up his ‘Anima’ as Mephistophina.

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The ensuing political madness will invariably stir up rebellious mass civil unrest across Faust’s alternate Earth, that’s if the Muggles ever unite, rather than being misdirected by inane media-machine gossip, to otherwise Halluci-Nation seer that the two whoring politicians are the muppet puppets of oil companies, who are out to Entartete Kunst censor the questioning ‘internet’ voice of the collective.

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For example, the Muggles will come to a greater understanding when to look into the devastating wars afflicting Iraq, Libya and Syria, etc, unto a Dakota pipeline, whose oily gangster owners use extremist feminist politics, racial friction, terrorism and an ‘Animus’ fixated religion as mind-control tools.

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As for myself, on this Earth, I proceeded to complete the A3 size Oil Painting on Canvas, which measures 29.7 x 42.0cm, 11.69 x 16.53 inches.

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Provisionally entitled: ‘Triangle Of Art Conjuration.’ The painting as mentioned is being sold on Saatchi Art, Please Click Here for further information. 

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NOTE: In Hebrew, Da’at means ‘belief, such as religious beliefs, which are moulded by a culture via varying artistic expressions. For example, the establishment of the monotheistic cult ‘brands’ alternate symbol systems, which are seen to be questioning its cultural construct of an Animus’ fixated religion as being evil, whence alternate symbolic paradigms are charged with a negative emotion.

This negative ‘branding’ of alternate symbol systems is engineered to zap your Reptilian-Brain-Stem, which in turn influences your subconscious mind by using the potent emotional state of fear. This negative ‘branding’ was also utilised by the Nazi regime, which castigated those Art forms that were anathema to its right-wing religious-politics as being the Entartete Kunst

Whereupon the symbolic paradigms of other peoples, which have been nigh erased by the ‘three’ monotheistic cults out of Ur, are ‘branded’ as being mere detritus, peels, shells or husks. These husks in Hebrew are known as the Qliphoth/Qlippoth/Qelippot or Kelipot, which can be otherwise termed as being Entartete Kunst; for the same methodology is being employed. 

The lore concerning Solomon binding the demons of the Qliphoth to build his temple, actually points at enslaved peoples building the temple, not demons. The names of the various demons were the one time deities of those enslaved peoples who built Solomon’s temple.

The demonised deities symbolically represent the ancestral -self-identities and cultural constructs of other peoples, which have been consumed by the monotheistic trinity of cults and their centralist politics of empire building.

So, should you ‘believe’ the religious propaganda of the ‘Animus;’ fixated monotheists concerning Lilith, for example, who is deemed to be one of the Qliphoth, you have been duly indoctrinated into a continuing brainwash through fear. However, the brainwash can be negated by remembering, when to Triangle Of Art Conjure, that Lilith symbolically represents the ‘Fallen Anima.’   

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LILITH, ANNO DOMINI

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Love Magic, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 1, 2016 by FAUSTUS CROW

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Sometime ago in my misbegotten youth, as a changeling childe, I remember being left alone in my parents Munster car one fateful night after a day out visiting the British Natural History museum. My parents had dashed off to acquire a meal of soggy fish and chips from the local chippie, before returning home.

While waiting for my parents return with the aforementioned Innsmouth meal, I looked out of the passenger window and noticed a billboard featuring a huge Lamb’s Navy poster of the most beautiful woman I had ever seen.

Even though I was but a kid, with no bristles to yet erupt forth upon my physiognomy, requiring copious amounts of Noxzema shaving cream, she stirred something deep within me.

I felt that my head was going to explode, it was like a mystical revelation. The experience was of similarity to what I had far earlier experienced when seeing a poster for space vixen Barbarella, but that’s another story.

The sensation was not necessarily sexual, more like that of recognition, as if she had triggered a memory I could not as yet remember in its entirety; the only way I can describe it as being like déjà-vu.

But then I was nightly experiencing the Old Hag Syndrome with its ensuing sleep paralysis, prior to attaining conscious ingress into the dream, which in retrospect, probably made me more sensitive to something quite other.

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The woman I later to find out was Caroline Munro who I started to notice was being featured in an advert for Manikin Cigars on my parent’s flickering black and white TV set, which I made a point of seeing, to the point of becoming nigh obsessed; I’m surprised I didn’t end up becoming a chain smoker, let alone an alcoholic.

I was not the only one who had been hypnotised by Munro’s High Priestess looks, Hammer Films CEO, Sir James Carreras, also spotted Munro on a Lamb’s Navy Rum poster of a Tarot card. He asked his right-hand man, James Liggett, to find and screen test her.

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She was quickly signed to a one-year contract. Her first film for Hammer had proven to be something of a turning point in Munro’s career, who as a Muse, stirred my unusual dreams.

It was during the making of the 1972 film, Dracula A.D., Munro decided from this film onward that she was a fully-fledged actress.

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Munro acted in Captain Kronos – Vampire Hunter, in 1974, which is one of my childhood favourites.

The film was directed by Brian Clemens, in which Munro plays the part of a barefoot gypsy girl named, Carla.

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In Paramount Pictures DVD commentary, Clemens explains, he had initially envisioned the role as being played by a fiery, Raquel Welch type, red-head; but Munro was far more archetypal of Witch looks for the part.

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Munro has the distinction of being the only actress to have ever been signed to a long-term contract to Hammer Films. She later turned down the lead female roles in Hammer’s Dr. Jekyll and Sister Hyde, Frankenstein and the Monster from Hell, and the unmade Vampirella film, since they required nudity.

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It was not a case that Munro was a prude, she had a raw sensuality anyway, oozing eroticism upon a look, which did not require her to be nude. Although I could not help wondering what was hidden behind her Genie veil.

Whereupon when my stirred sexual impulse was introverted, the nightly Old Hag Syndrome was transmuted into another experience by prior meditating upon her two-dimensional picture.

Wherein of the dream, I encountered a Succubus Anima archetype looking just like a Caroline Munro of a three-dimensional interactive reality, to otherwise Mantra name as Lilith, the worshippers of the deified Animus have castigated into the depths of their politically incorrect Hell as the Fallen.

Well, what do you expect; since a Changeling Childe I have been rebelling against the established religious fixation upon the deified Animus made as an Owellian God and Devil, which has an underlying sexual orientation.

Whereas the Anima is its opposite, which has been nigh erased out of the symbolic paradigm by the theocratic thought-police.

Hence one has the Hogwarts commonality of all those Playgirl grimoires listing Animus archeype Incubus Angels and Demons, which permeate all levels of popular culture.

The symbolic rebellion of Sorcery Art would lead a Horny heterosexual Sorcerer Artist to Playboy conjure up what has been totally cut out of the symbolic equation as being the politically incorrect Fallen.

Curiously, when to utilise the browsing capabilities of the internet to thence tremble the world-wide-web of Wyrd, by using the mantric key-word name of Lilith, you will duly find innumerable images of dark haired women, in the main.

The dark haired woman can also be equated with another Anima character, such as Mephistophina. Although, Mephistophina doesn’t have a mass-mind focus like Wednesday Addams/Morticia has of Tulpa spun cultural icons.

In other words, the Succubus Anima archetype of Lilith has a ritualistic mass-mind focus, which stirs her symbolic existence within the collective-unconscious of the dream, whose lucid dream manifestation would be that of a Fallen Anima Goth girl looking very much like Caroline Munro.

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