Archive for High Priestess Of The Silver Star

THE MUMMY RETURNS

Posted in Art, Chaos Magic, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Psychology, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 13, 2017 by FAUSTUS CROW

RED ICE: I am your stand in host on Red Ice TV. We are very honoured by having the talented actor, Tom Cruise here, in our humble studio, who has taken time out, from his very busy schedule to tell us about his role in the re-imagined Mummy film. Let’s start by asking… (Tom Cruise quickly interjects.)

TOM CRUISE: Look, I have to cut to the chase here. I haven’t got much time. I need to warn the public; I can’t hold back any longer; a female Mummy is far more real than anything you can ever imagine.

RED ICE: What? I thought all Mummies are female, my very real Mummy was most definitely female, until she had a Hollywood sex change, now I call her my big Daddy…

TOM CRUISE: No, no, no! You know what I mean, I mean reanimated Egyptian Mummies; the bandaged up types, clambering out of a crumbling Beehive of a pyramid; they’re for real… (Cruise stands up from his seat and does a staggered zombie impression as Mummy Boris Karloff.)

RED ICE: You’re kidding me! You’ll be saying that Boris Karloff is a Imhotep Freemason, next, who’s plastered ghost is still around, haunting the Illuminati Beehive lodges of Hollywood’s Masonic studios?

TOM CRUISE: No, no, no! Far worse than Karloff; a Queen Bee Mummy will knock Karloff’s worker Bee Mummy into Oblivion; she’ll go far beyond Marjorie Cameron, who hunted down Jack Parsons upon a Babalon synchronicity. She’s a femme fatale Succubus… She’ll get into your pyramidal three tiered brain, driving you Left-Hand-Path creatively mad with her dark salacious nature.

RED ICE: Are you for real? An ancient Queen Bee Mummy is actually around, walking amongst us?

TOM CRUISE: Yes! She’s a disembodied Thetan, who has total control over the worker Bee’s, Alex Kurtzman and Jon Spaihts. what’s more, as a disembodied Queen Bee Thetan, she took possession of Sofia Boutella.

RED ICE: Sofia Boutella is possessed by a disembodied Thetan? What do you mean by a Thetan, exactly? Can you explain to our Muggle audience what a Thetan is?

TOM CRUISE: Well, I can’t go into the Thetan stuff. You have to a be a Scientologist to be privy to that kind of… Clear… information. All I can say, is that a Thetan is like a spirit.

RED ICE: Is a Thetan spirit associated with the Theta brainwave, which is involved with hypnagogic trance and Artistic creativity?

TOM CRUISE: Yes! Yes! It is a chaotic brainwave state, we Scientologists have to control at a collective level in order to brainwash brains, to then convert their jellies into a hypnotised hive-mind, just as the Catholic church of Rome’s BORG empire has likewise done so, let alone Islam and that of their original appropriated BORG source, Judaism. As Philip K. Dick once said, “The Empire Never Ended!” So, when in Rome, do as the Roman’s do… Cults are financially lucrative, which is especially the case when a cult becomes a big-business religion, paying no taxes… Shit! The money just rolls in. That’s why the public water supply has been eugenically fluoridated with a known neurotoxin and a mutagenic compound, in order to calcify the DMT producing pineal-glands of the unwashed fleecy minded populace, to never question their monotheistic triangle of an Illuminati trinity… Damn it! I’ve let slip there…

TOM CRUISE: Forget what I jut said. Look, I can’t reveal anymore, otherwise I’ll be castrated by L. Ron Hubbard’s Men In Black minions, dressed like dog-collared priests… But there’s something far, far worse than them… I haven’t the time; I’m being hunted by the Great Old Ones. This is between you, me, and your very select audience, you understand… Kurtzman told me in private, that he and Spaihts decided to use the Surrealist technique of Automatism, which involved the utilisation of a Ouija board.

RED ICE: What type of Ouija board did Kurtzman and Spaihts use, there are so many different designs?

TOM CRUISE: The Ouija board was specially designed by the same individual who wrote and illustrated a Grimore, both of them used to conjure up a Succubus as their inspiring Art Muse. It was the Muse who inspired their artistic ideas for their movie, to win over the studio’s lodge, big bucks.

RED ICE: What Playgirl Grimoire are you talking about here, are you speaking about, something like, H.P. Lovecraft’s Necronomicon?

TOM CRUISE: Sort of; but it’s the real Necronomicon, since no one had ever depicted what this Grimoire covers, listing Playboy Goetia Girls. It was written and illustrated by some mad sorcerer artist, named Mardun, who is also known as Faustus Crow; he is the Artist who designed their Ouija board.

RED ICE: Mardun… Faustus Crow… never heard of him… Tell us more about this Succubus Art Muse…

TOM CRUISE: The Succubus, Kurtzman and Spaihts conjured up is called Uvall, who is said to be an ancient Egyptian Art Muse, Crow illustrated as a Mummy. Uvall started to make the planchette go crazy around the Ouija board, channelling the script for the entire movie, who also communicated that another name she is known by is… Ahmanet.

RED ICE: So you’re telling us that Kurtzman and Spaihts conjured up a Succubus called Uvall, which channelled the entire movie script as well as taking possession of Sofia as Ahmanet?

TOM CRUISE: Yes! The Succubus transformed Sofia into a wild eyed Performance Artist. She became like an ecstatic Shaman High Priestess Of The Silver Star; she would spontaneously go into an orgasmic Sirius trance on set, saying she was the incarnate ‘Anima’ made as Babalon flesh, let alone singing perverse erotic hymns about Faustus Crow all of the time; it scared the living shit out of me, let alone everyone else. When she sang her salacious praises to Crow, she would make various objects fly all around, such as cameras flying like winged eyes, the camera crew’s bus, weighing as much as a pyramid block, flew like Harry Potter’s car; she even levitated camels, which trotted the air like Santa’s reindeer out of London zoo; it was like Spielberg’s, Poltergeist, but for real.

RED ICE: Sorry, but I think, all of this sounds absolutely crazy. Are you taking any psychiatric medication?

TOM CRUISE: I hate psychiatrists, and I’m not mad; I’m deadly serious. Kurtzman also informed me that the other film directors and writers are using Crow’s Grimoire in the same way for their own horror films, let alone science fiction movies.

RED ICE: Hang on! What? The other directors, writers are using Crow’s Grimoire, in order to conjure up Succubus Art Muses, around his Ouija boards, for their movie scripts as well? That’s, just plain nuts! It sounds like a David Icke reptilian conspiracy to me.

TOM CRUISE: Uvall, I…I… mean, Ahmenet; NO! I mean, Sofia; she’s possessed by the raptor SOPHIA, get it!? She is intending to awaken all the hot blooded Beasts to their Fallen ‘Anima,’ by using those hypnotically erotic dance moves of hers. You do know what that means don’t you?

RED ICE: No! I don’t; Fallen ‘Anima,’ what’s that?

TOM CRUISE: Can’t go into the Jungian details, apart from saying that it means an end of the Illuminati deification of the ‘Animus,’ made as our three faced God out of Ur, whose gender fixated rule since the Zodiac age of Aries to that of Pisces is about to be usurped by the Succubus Great Old Ones of the fallen ‘Anima.’ The seventh seal of a Chakra has been opened, by the conjuration of Uvall, who will usher in the new Aeon of Star Trek Aquarius.

RED ICE: Let’s get this straight; you’re saying that the conspiring directors and writers in Hollywood are conjuring up the Great Old Ones of the fallen ‘Anima,’ who are all Succubi, to bring about the age of Aquarius, just like the Hippies attempted to do during the Vietnam war era?

TOM CRUISE: Yes! Something like that, but the Hippies were still enamoured with our deified ‘Animus’ made as a God, so, we were able to control them. However, this zeitgeist time around, we have a far bigger problem, which hearkens back to something, very ancient, yet it is also of a far flung future shamanistic orientation…. I would like to point out that Crow uses the older term, Succubae, by the way… Not only the directors and writers are part of this, but also the producers, Artists, and even the actors and actresses; they are all secretly conjuring, which enables them to induce lucid dream interactions with Crow’s Art Muses. The films will all share the same cinematic Hyper-Sigil universe…

TOM CRUISE: Just like Marvel’s and Disney’s elemental superhero franchise of the spandex wearing ‘Animus,’ whose neuro-marketing empire will be toppled by the return of the classic film-land monsters out of the collective unconscious. It has all been initiated by the conjuration of Uvall as Ahmenet, who equates with the Tarot card of the High Priestess.

RED ICE: Hmmmm! I’m sure that Madonna will know that the High Priestess is associated with the ‘Ninth’ Yesod sphere of the Moon in the Cabbala, whose Tarot card is ascribed to the thirteenth path, which crosses over the ‘Eleventh’ hidden sphere of Da’at.

TOM CRUISE: Yes! I know all that Reticular-Activation-System, Nine-Eleven stuff. It is via the Aquarian stargate pylons of Queen Bee Sofia, who is now Crow’s High Priestess, that Hollywood will soon be transformed into Horror-Wood under the blue Kachina star of Sirius.

RED ICE: (smirks) Are you conjuring out of Crow’s Grimoire as well? I must say that Sofia’s pylons are most ravishing.

TOM CRUISE: (moralistic anger) NO! You know what my Minority Report leaning is of ‘Animus’ worship; I am not into this vile ‘Anima’ pornography. It’s all mad, utterly insane; that is why I am warning you about what is going on behind the creative scenes, where Crow’s sorcery of Art is being practiced. (Cruise’s mobile starts to ring; he looks wide eyed at the received text, an expression of War Of The Worlds abject terror crosses his face.)

RED ICE: Are you okay, you look as if someone has just stepped upon your eternally recurring Edge Of Tomorrow grave?

TOM CRUISE: Uvall, I…I… mean, Ahmenet, she’s found me out! No! Her name is Babalon, No! No! No! She can’t be Babalon… I mean Sophia, damn it! damn it… it’s Sofia… damn it, sounds all Greek to me… it’s all the same bloody archetypal raptor. She knows where I am; I’m not safe here. This interview has ended… I have to go, NOW! Before Crow’s dark haired Babalon Working Queen Bee Mummy finds me. (A Heyoka Crow is heard cawing in the Avadhuta distance.)

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THE DEVIL GIRL OF DOCTOR FAUST

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2016 by FAUSTUS CROW

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The above watercolour painting is provisionally entitled: Mephistophina. The artwork is A4 in size, which was initially drawn in Derwent and Caran Da’che watercolour pencils on 300g/m Aquafine watercolour paper, then painted, involving some burnishing.

The original Artwork is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

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The artwork depicts a female version of Mephistopheles, who is commonly considered to be a name of a male spirit in the Faustian legend, who in return for his assistance, Faust signs away his soul as depicted in Marlowe’s and Goethe’s grandiose Church plays. The origin of the conception and name of Mephistopheles has been the subject of much learned debate among numerous scholars down the ages, whose all male pantheon of a deified ‘Animus.’ has entirely negated the feminine principle of the ‘Anima,’ yet none to really question, why?

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As of per usual commonality in the numerous Playgirl Grimoires frequenting many a Hogwarts bookshop, you will find in Dr Faust’s Höllenzwang that (Mephistopheles) Mephistophiel is considered to be one of the seven great phallic princes of hell, who is seen standing under the planet Jupiter. The regent of the planet Jupiter is called Zadkiel, an enthroned machismo angel of the deified ‘Animus,’ made as an all-father-fixation God, named Jehovah.

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The artwork is loosely based upon an illustration of Mephistopheles, as found in the Grimoire, entitled the, Threefold Coercion of Hell; also called, Cabalae nigrae, or the Magia naturalis et innaturalis as well as the Black Raven, which is said to have been authored by Doktor Johannes Faust.

The Grimoire illustration is listed as being plate 10 in the Threefold Coercion Of Hell, which depicts the first appearance of Mephistopheles, manifesting as a ‘fiery Bear.’ He then later manifests of fairer appearance as a little man with a black cape, having a bald head like a monk, who could be seen as a Bonpo Tibetan Buddhist practitioner of Tantric dream Yoga, since its ancient practice would most definitely piss off the worshippers of the deified ‘Animus,’ made as a Jehovah/God/Allah – Devil/Lucifer/Shaitan.

However, if Faust was truly a rebel, of a ‘heterosexual’ orientation, he would have no doubt noted, just like the psychologist Carl Jung, that the all male pantheon of a patriarchal ‘Animus’ fixation has castigated the feminine principle of the ‘Anima’ out of the spiritual equation.

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Wherefore, as a rebel, he would seek out to conjure what has been cast into the abyss, whence to discover a real Necronomicon.

Hence, Faust would reverse the polarity, by conjuring up a Succubus ‘Anima’ fluctuation to name Mephistophina, who would then be in Faust’s mind one of the rebel Succubae of the seven planets, you could equate with the seven Chakras of Yoga practice.

To Faust himself, being a somnambulist and medium, Mephistophina has a real existence; she would be the personification of the transcendental  ‘Anima’ subject of Faust, an experience familiar in dreams, and more especially in the visions of Siberian shamans. Many of the Siberian shamans practice Nigredo trance and Albedo (fiery) lucid (cave) dreaming, via which they engage themselves with the ‘fiery’ Bear (female shaman) spirit, named Udagan, who Rubedo rebirths them back into the world, renewed.

Mephistophina would thus be a familiar spirit, akin to the Udagan of the Siberian shaman, who is of similarity to the inspiring ‘daemon’ of Socrates; and being an Entartete Kunst archetype, censored by ‘closeted’ theologians, Mephistophina would also represent a rebellion against the all male, Right-Hand-Path paradigm of a deified ‘Animus,’ made as a God.

It is suggested, then, in the light of modern research into lucid dreaming, that Mephistophina, though being a two-dimensional Grimoire image of a meditative aid, becomes as a three-dimensional interactive reality within a (sexagram/sixth-sense) ‘Coitus Pactum’ lucid dream; whereby the ‘Osculum infame,’ takes on a whole different meaning. The Osculum infame is the name of a supposed ritual greeting upon meeting with the Devil. The name means The Shameful Kiss, or The Kiss of Shame since it involved kissing the anus and genitalia of the (Mephistopheles) Devil.

A heterosexual male mage kissing the butt end of the’Animus’ archetype of a Mephistopheles, would find the Osculum infame, to be a very shameful act indeed, unless his sexual preference is otherwise of orientation. Not too sure about how heterosexual Witches feel about kissing the behind of their ‘Animus.’ Although it is said that 47% of women read superhero Grimoire comics, which feature chiselled chinned, sculpted males, wearing colourful skin tight leotards, revealing their tight Baboon butts. Apparently women, like tight Baboon butt males… a lot, ever since we were all apes. As for their Sapphic sisters they would be none too pleased, who would far prefer Mephistophina presenting up her arse.

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As for bisexual Aleister Crowley mages and their Babalon kin, they have no need to rebel against the all male paradigm of the deified ‘Animus;’ it suits them just fine.

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Mephistophina would then be Faust’s familiar, who is simply an aspect of his ‘Anima,’ manifesting in various guises, as a (Udagan) Bear, as an Elfin girl, as a Nun, as an invisible poltergeist presence ringing a bell, thrice; but always recognizable as the same familiar, who is his ‘Anima’ fluctuation of a Succubus, a Tibetan Buddhist would otherwise term as being a Dakini, who is a fluctuation of Shakti.

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Mephistophina is depicted partly dressed as a noblewoman, all in ‘Rubedo’ red, with an astral flight feather in her hat. The tattoo on her left shoulder is a Native American ‘heart-line’ Bear claw, referring to the power of hypnagogic (Nigredo) trance, which in shamanistic practice is experienced as residing in the (heart) chest area, where most of the nerve fibres of the Central-Nervous-System are to be found. The skull and crossbones on Mephistophina’s stockings, also refers to hypnagogic (Nigredo) trance.

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The crossbones is associated with the seventh Rune of Gebo, looking like an ‘X,’ whose symbolism refers to self-sacrifice into hypnagogic (Nigredo) trance as well as the introversion of the sexual impulse. The Gebo Rune has its equivalent Hebrew letter, being Gimel of the Cabbalistic 13th path interpenetrating Da’at, and Tarot card of the High Priestess Of The Silver (Sirius) Star, a Siberian shaman would equate with Udagan. In other words, the sexual impulse is introverted by prior meditating upon (High Priestess) Udagan, in order to overcome the terror of hypnagogic (Nigredo) trance ingress into conscious Coitus Pactum dreaming.

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The Gebo Rune equates with the English, G, which is utilised in Freemasonry. The ‘X’ also equates with the Latin numeral for (Occult blind) 10. The experience of hypnagogic (Nigredo) trance is otherwise termed as the ‘little death,’ whereupon you have the motif of the skull. As for the sigils, they have been adapted of symbolic alchemy for Mephistophina. Though hinted at, Mephistophina also has a little cape of remote viewing red silk swept behind her and a long pointed Chöd sword on her right side; for she be Left-Path-Handed.

Scene IV: The Art Studio (Faustus & Mephistophina)

Mephistophina: Ah, now, you please me greatly, indeed.

I hope we’ll get along together:

To drive away the gloomy weather, from around thy heart,

As you to seer, I’m dressed like young nobility,

In a scarlet gold-trimmed coat,

In a little silk-lined cloak,

A cockerel feather in my hat,

With a long, pointed sword,

And I advise you, at that,

To do as I do, in a word:

So that, footloose, fancy free,

You can experience Life, with me.

Slightly adapted from Johann Wolfgang von Goethe’s, Faust 

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NOTE: Some would classify my work as being Occult Pornography of adolescent fantasies, merely because I have reversed the symbolism of an all male symbolic paradigm of the deified ‘Animus,’ towards that of the female, of ‘Anima.’ But if so, they would be entirely missing the symbolic point.

The all male gender focus upon the deified ‘Animus’ has an underlying sexuality behind it’s symbolic influence upon all levels of culture; hence, it can also be construed as being Pornographic. When you have a biological gender focus, it will invariably involve sexuality; it is nature, which cannot be denied! However, the underlying sexual orientation is generally not seen, due to the sexual impulse being castigated out of the symbolic equation along with the ‘Anima.’

Most of the religiously hewn patriarchal grimoires are primarily populated by male archetypes of the ‘Animus,’ which frequent the heterosexual female psyche; whereupon said patriarchal grimoires are the PlayGirl stroke Bibles of conjuring Witch Nuns dancing orgiastic around their God and Devil, Angels and Demons, whose mantric spells often utilise the terminology of King, Lord, Master or Prince, etc. Some of the conjuring Witches are no doubt bisexual.

As for those Mages who conjure up the archetypes of the ‘Animus’ out of the patriarchal PlayGirl grimoires they may be sexually predisposed to do so of preference, such as Aleister Crowley for example, who was bisexual of leanings, writing erotic poems about Satan, etc. At least Crowley was honest about his androgynous bisexuality, many of the closeted bigots at the time considered to be… Wicked!

If, however, you be a heterosexual Mage, bisexual or a lesbian Witch, who decides to conjure up the ‘Fallen Anima’ and her archetypal (Succubi) Succubae Legions, you will soon find yourself being castigated as being a vile Pornographer peddling adolescent fantasies by the Politically Correct Thought Police; this is more so the case if you are a heterosexual Mage, to be duly seen as being… Wicked!

A heterosexual male who conjures up male archetypes amidst his Triangle Of Art Imagination is doing so in order understand aspects of his own masculinity. In other words, the conjured male archetypes are not external entities, they are otherwise ‘role-models,’ and in turn alternate guises of himself, which can be assumed within lucid dreams, of similarity to an actor acting as a character on stage.

Each of the alternate-guises are empowered by a feminine counterpart, you can term as a Succubus, who as an external entity, is an aspect of the Fallen ‘Anima.’ Whereupon heterosexual Faustus Crow rebelliously conjures up Mephistophina out of his PlayBoy grimoire.

Whereas the classical Faustian myth points at another sexual orientation, Christopher Marlowe to have had a preference for, which he communicated via his Judaeo-Christian Faust kissing the backside of Mephistopheles. Savvy!    

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THE CONJURING 2 OF VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2016 by FAUSTUS CROW

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Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.

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The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.

Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes, which is otherwise, mundanely interpreted as the remote viewing discovery of enemies.

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The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.

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Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst artistry. At the end of the day, the practice of art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.

This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.

For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is that of an all male pantheon of an ‘Animus’ fixation.

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As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic. But it is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun.

The reasoning behind the schoolgirl motif is because I am employing symbolic logic; Valak originally refers to a little boy of a Hermes, whose feminine name is Hermione.

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This then leads you by association to the modern archetype of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning.

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This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.

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However, as for Valak’s serpentine association, it would lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.

Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear; but then I am not into living in fear; are you?.

Basically, the artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.

You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious reversal.

Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.

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Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a viral-meme Tulpa ghost Nun.

Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.

As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits; but they are depicted as being essentially male entities in disguise. This perpetuates the all male paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.

The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?

Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”

The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.

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The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.

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Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.

If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.

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But when to find that its symbolic emphasis is that of an all male pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting ghost of an old man, whose disturbing disposition is that of a dirty old Goat.

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But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.

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You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.

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The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’

For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.

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However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.

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But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God.

Alas, no film has as yet covered the fallen ‘Anima,’ but then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.

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NOTE: As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’

Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown. 

In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’ 

The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet. 

The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film. 

But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans. 

Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of  a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man, although, you do have Gremory as depicted in the shirt design. (Click the image link for more information.)

 

In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit, such as Faustus Crow’s Succubus named, Mephistophina as depicted in the watercolour painting below. (Click the image for more information.) 

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The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.

Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet. 

The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.

The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.

The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.  

In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix! 

So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded. 

Art Prints available from my Redbubble shop.

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MORGANA LE FAY HIGH PRIESTESS OF DA’AT AVALON

Posted in Art, Chaos Magic, Cosplay, CREATIVE WRITING, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2016 by FAUSTUS CROW

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As Babalon Hermione entered the spiralling tower of her all girl’s Goetia convent school of Succubae; she mumbled to herself, “I feel like an out of place Alice in Under-land within this infernal Cabbalistic hierarchy of planetary classroom spheres. Maybe that is why I keep on getting into so much trouble in Da’at Avalon. I just don’t fit in anywhere,” she said to herself.

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Hermione knew that the Grand Abbess Morgana le Fay awaited her forlorn arrival for detention upon the ’13th Floor’ of Gimel-Ot; her fumbling hands attempted to balance a half eaten Avalon Apple behind her back, in the hope that she could bribe Morgana to go easy on her backside.

But in her nervousness Hermione dropped its sweating mass. She watched the Apple corpse out of the corner of her blinking eye, as it rolled its erratic way across the cold chess-board floor, of cracked granite blocks.

Morgana is not at all impressed, as she silently observes Hermione’s tripping entrance, who, sadistically smiles. She looks like a Raven, eclipsed by shadow, as she stands behind an ancient oak desk, whose legs are carved into raging Tibetan Buddha’s, which are hungrily eyeing up Hermione as a potential vore meal.

“It has come to my attention… my dear… that you are using your Spell sung words… to weave… dissonance… among my other Succubae students.”  

Hermione noticed that Morgana artfully uses spaces between her words, which to cut through the silence, like a sacrificial Athame. “All of my other eight Olympic sphere sisters, Moronoe, Mazoe, Gliten, Glitonea, Gliton, Tyronoe, Thiten, and even Thiton have reported that you have been a very naughty little princess in their Sephirot classes. At this rate, how will you ever be able to find a sorcerer to service you with his erect wand… you do know that you will not survive without its ejaculated emotive ‘charge’ to ‘spin’ your electron dream presence, don’t you.” 

“Yes, I know Mistress… I am studying very hard, those arts, which will lead me to the creamy wand to suck off and to ride as my broomstick, just like my sisterly Witch Nuns,” Hermione replied. “so you say, my dear.” answered Morgana, “however, it is patently obvious that you are not trying hard enough, which has been further exacerbated by you… disturbing your Genie sisters… Tantric studies.” Hermione also becomes aware that Morgana’s Athame of a forged mind, always thinks, before speaking, of pondered breaks, prior to uttered words; though subtle, it lends to her speech, an impact on every word Spell spoken, which of conjuring quality, is almost like the arising silky tone of a wise serpent’s inevitable bite.

“But.. but, Mistress…” Hermione to mumble, while staring at her nimble left foot of scraped shiny shoe, scraping the checker board floor, as if attempting to dig a very deep wormhole, so as to fall into. “I did not intend to, affect the perceptions of the other Succubae students… I was just telling it the way… it is… Mistress.” 

Morgana goes silent, her sea green eyes pierced into Hermione’s very soul; then, Morgana snarls. “Telling it… the way… it is,” Morgana to repeat her words, scornfully. “Pray tell, me… little Ghost Girl… what this, way it is… is… of a Spell?”

“I am afflicted… Mistress… with an affliction, which afflicts me.” Hermione to near tearfully answer, in the hope that a tear drop upon reddened cheek will soften Morgana’s sharp beak.

“Afflicted…” Morgana to shake her ruffled horned head of a black pitch crown, to then question, “Afflicted with what?” 

“I am afflicted with…social anxiety disorder… and… clinical depression… Mistress; I can’t help it, Mistress.” Hermione to answer, while looking down at the granite floor, avoiding Morgana’s piercing green eyes.

There was a long silence before Morgana to snarl; “I would never of guessed it… nor to have even fathomed it as a sorceress… until you attempted to hypnotise me… let us not forget, all the other… Succubae students of my Da’at Apple lore Goetia school… who you have, duly hypnotised with your Spell of ‘belief’… before they even got to know you…. Now my dear, they all see you as having an affliction, which empowers your internal… ‘Self Image’… as being the afflicted.”

Hermione did not know where to look as she continued digging at the floor with her shiny shoe tip. “But… but… that’s what the Muggle doctors said… that I’m afflicted with… Mistress.”

“MUGGLES.” Morgana to howl, as she claws the round Zodiac tabletop with her Queen Bee talons. “Don’t you realise, that if the Muggles had their way.. they would pigeonhole us all, as being raving loons… suffering from varying mundane mental conditions… castigating us into their Holy-wood brick walled Masonic asylums of controlled mediocrity.”

Hermione looks down at the floor. “But… but, Mistress… I, I feel…so, Strange… ever since I left my mortal coil, finding myself here, in Avalon as a Goetia Ghost Girl. I just don’t seem fit into your Beehive; I can’t communicate what I really feel into my… Spells… it’s so, so confusing. I didn’t mean to hypnotise the other Succubae students, to see me as the afflicted; but, that’s what I was told, when I was alive… by the… Muggles. 

Morgana places her left hand over her face, in an attempt to steady raging thoughts; “Alas, my dear… in your once mortal attempts to no longer feel like an outcast among the mundane Muggles… around whose brain dead mob, you felt.. so, very… Strange… you had inadvertently allowed yourself to be influenced by the inane Muggle priests… in order to feel that you belonged to one of their pigeonholed, Ring-Pass-Not’s… but, without realising it… you have since hypnotised your fellow Succubae, who, as you are very much aware, are all of the… Strange.” 

Hermione decided to brave the situation, by craftily disengaging Morgana’s inquisitional dagger eyes away from her battered soul, to elsewhere stare, by quizzically enquiring, “Is Faustus Crow of the Strange too, Mistress?” Morgana, nearly trips over a raging Buddha leg of her table. “What? Why are you speaking of… Crow?”

“I’ve noticed his Tantric graffiti all over the cracked walls of your Silver Star school; especially in the Witches dormitories; I’m, just trying to understand what, Strange, actually is of a quantifiable example… Mistress.” Hermione to ask, half smiling to herself, as she observed Morgana’s face blushing Rubedo red; she appears to be experiencing an involuntary Nigredo orgasm, which ripples through her taken aback, autonomic-nervous system, of dark ecstasies. Morgana then graspingly takes hold of her heavy black Yew chair of carved Anubis hand rests, to slip into its steadying depths, remembering the Albedo Dog days of Sirius, when Crow penetrated her moist honey isle.

Morgana then slowly looks away from Hermione, as she answers; “Crow is the strangest of the Strange, who rages against the establishment of the Conquistador. His nature, is rebellious. of Zodiac sign.”

Morgana continued, “Crow does not care at all, what the Muggles think of him… even when as a Changeling Childe, he had consistently played truant from their temporal schooling… nor is he unduly concerned about what the Muggles to now say, about his Heyoka antics of artistic sorcery. Hence, Crow is an Avadhuta outcast in their world… who, I might add, has been pigeonholed by many a brainwashed Muggle priest of their Animus deity, as being quite mad, let alone being utterly insane… or far worse.”

Hermione, noticed that Morgana was stroking herself with a Crow feather, while licking her lips with a long serpentine tongue, “there are even a number of brain-dead unimaginative Muggles who believe Crow, is possessed by demonic entities.” 

“Is that what being Strange, means… do I have to become an outcast, too… Mistress?” Hermione to worriedly enquire.

Morgana goes silent before answering; “I must say… there are differing Runic degrees of the Strange, my dear. What Masonic level of the Strange you choose to be… will be determined by your own inner truth as a… Succubus Witch… to not fear, expressing who you truly are of Genie nature, and in so doing, learning about yourself, in the process…. rather than attempting to be what the Muggles considered as being, acceptably normal, which made you fall asleep as a sleeping beauty; or to be otherwise labelled as being upon their rung of a Jacobs ladder, so that you could have been fitted into their Holy-wood TV land… of dull eyed, shiny herd-mind cliques.” 

“In your constant attempts to be what the Muggles said you were of an illusory label, you ended up ‘believing’ in their curse, which led to you taking your own life… didn’t it not. Now you are here, within my Lilitû school of Avalon, where you have to learn to dispel their brand upon your branded soul, so that you can awaken.” Then there was silence, as Morgana gathered herself up from her chair, as an inky black shadow, who steadily moved of calculated steps towards an iron maiden, within whose opened guts of blood rust metal, Hermione noticed Morgana’s collection of canes, which made her bite her lip near red raw.

“Damn it, damn it, damn it” Hermione to have howled out within her St Trinian mind; I forgot to put on a pair of Slytherin briefs, this twilight, of punishing onslaught, betwixt and between the crucifying pylons of Moon and Sun… Oh! By the name of the Goddess, save me!”  

Morgana becomes aware of Hermione’s under-dressed dilemma, “the Goddess will not save you my little night-mare whore,” she then questions her iron maiden; “What am I going to do with such a difficult student? Perhaps I will use the biggest, longest and thickest of girth cane I have, of most ancient usage, whose tarnished grey wood has been laid upon many a pert behind of fifty shades, of red.”  

Then, as if shot by a Vajra bolt of inspiration from out of the blue penumbra of the Moon; Morgana decided to place her grey cane of a biting tooth, back into the maiden’s guts, who to otherwise pick up a gnarled grimoire from a dusty shelf. “I know, what to do with you, of educational punishment, you can deliver this tome to… Faustus Crow.” 

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Morgana hands Hermione a book, which is, entitled Lilith’s Harem, she to notice has been authored by Crow. Hermione cannot help herself of feline curiosity to open the book up to the first page, which has been personally signed and inscribed to Crow, by a Witch, whose name she instantly recognises.

Hermione to uncontrollably scream; “By the Goddess, it has been signed by J.K . Rowling, herself, of living gold dust… Mistress!” 

Morgana to impatiently snap; “Yes, yes; don’t get your Witch’s knickers in a twist; Rowling is too of the… Strange; her writing style is not too different to yours of artistic expression… for you to go far beyond of a Ring-Pass-Not… if you desire it so, as an inspiring Muse of the Gunas. You might even be able to open up the seven Dwarven smithy Chakra seals along Crow’s tree, should you ever awaken… my little serpentine, Kundalini Shakti Mercurius, to thence gift him your sweet Mercurial Apple of a Philosophers Stone third eye. That aside, don’t tell anyone about Crow’s autographed tome… it is a secret; wherein you will find my alternate name.”

Hermione stands before Morgana, grinning like a Cheshire cat, to then ask; “where, do I find Crow?”

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Morgana answered; “You can find Crow within the enfolding shadows of the Goat Head Inn; he is usually by himself… quite alone, as he manifests visions within a black book, who is quite partial to Lady Killer Rum, which is of deepest red; likened to menstrual blood, of Rubedo colour… such be his alchemical poison; although, he has a preference for Cider, who to have drunk deeply of my bald, smooth grail… many a delicious time.” 

Hermione to gibber, as a horrifying realisation hits her; “Oh! By the blessed Goddess… Mistress; but… but… the Goat Head Inn… is along the Tarot path… of the…” 

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Morgana cuts in, “Yes indeed, my dear, you will have to service Crow as his most loving Goetia Girl Succubus within his dreams; catering to his every whim; just as every bat winged Goetia Nun does so, who worship him as their Lord… that is your… much needed… punishment!” 

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