Archive for ancient Egypt

ALIEN WITCH NUN OF THE CHAOS UNITARIAN NUNS TEMPLAR

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW

The Artwork is a mixed-media photo-montage digital painting, which of a Pop-Occulture (Occult Goth/Punk) design is an alternative version of the Fifty-Sixth spirit, Mantra named Gremory, who is listed in the medieval Grimoire, entitled the Goetia. The name of Gremory is derived from the French word, ‘grimoire.’

If you are interested, the Artwork is available as an Art print, etc, from my Redbubble Shop. Please Click Here for more information. 

I have otherwise depicted Gremory as a Succubus Art Muse, who is of similarity to what a Tibetan Tantric Buddhist terms as a Dakini.

A Dakini is seen to have vampire tendencies, who as a ghostly Witch haunts the periphery of you Surrealist dreams.

The psychologist Carl Jung would term the (Succubus) Dakini as being an inspiring Art Muse emanation of the ‘Anima.’

However, Tibetan Buddhist Shamans practice conjuring (Succubae/Succubi) Dakinis into their eroticised dreams, wherein a Dakini enables a Shaman to become (sixth-sense) lucid of awareness. Wherefore, Dakinis are considered to be personifications of inner (Sophia) Wisdom.

When conjured into a lucid dream, Gremory manifests as a Pop-Surrealist Nightgaunt Nun, who is an Entartete Kunst Art Muse stands betwixt the hynagogic trance pylons of the Sacred and the Profane.

The symbolism of the Artwork refers to the Tarot card of the High Priestess (Nun) of The Silver Star II. 

The Silver Star is a reference to the star of Sirius, which was considered to be sacred to the ancient Egyptian’s who associated the Goddess Isis with Sirius as well as her child, called, Horus.

Isis and her child, Horus was later transformed into the Virgin Mary and her Christ child by the Christian converts of Rome. Horus as a Hawk represents an ecstatic Out Of Body Experience, which can be experienced when accessing an inner (Yoni/Vagina/Wormhole/Stargate) portal/doorway into a (womb) lucid dream.

Hence the abbreviation of ‘C-haos U-nitarian N-uns T-emplar,’ which of an Entartete Kunst banned word, was the one time name of an Anglo-Saxon Goddess, whose vaginal Stargate was later associated with a Church door, represented as a Sheela na Gig, the Hindu to also know as their Goddess (Kunda-lini/Yoni) Cunti.

The Dogon of South Africa are no doubt aware of lucid dreaming, who considered their ancient shaman trance adepts to be amphibious of awareness.

The trance adepts can freely shift their consciousness between the ‘watery’ domain of the dream and the waking state of ‘land;’ wherefore they are symbolised as being amphibians, having ‘Fish’ heads called Nommo who are well aware of the inner portal of the ‘Chaos Unitarian Nuns Templar. 

(Note: The Nommo [shaman] trance adepts are often symbolically depicted as being phallic headed ‘Fish,’ since the impregnated [hypnagogic trance portal] ‘Stargate’ into the [watery-womb] dream is seen to be feminine, which is symbolised by a planet of women orbiting a star in the Sirius system called Emme Ya. In other words, the Nommo are NOT Aliens; although the feminine quality of the bio-photon illuminated dream can be construed as being of an otherwordly Alien intelligence.)

The Tarot card of the High Priestess (Nun) is also ascribed to the 13th (floor) path of Gimel (Camel) in the Cabbala, which interpenetrates a hidden sphere, called Da’at. The sphere of Da’at is physiologically aligned with the reptilian-brain-stem, which has governance over the depth of hypnagogic trance and your dreams.

The term, Nun, is originally derived from the ancient Egyptian name for the primordial amniotic ocean, called Nun, which represents the inner (womb) space of the dream, from which all (Tulpa/Maya-Matrix) forms are believed to be born.

In ancient shamanic cultures, the (cave/womb) realm of the dream is experienced as having a feminine quality; this is probably due to your dreams being illuminated by the bio-photon, which emanates from the Mitochondrial DNA that is passed down from the (Isis) ‘Mother’ to her (Horus) ‘Children.’ 

So, when to lay down your head upon a pillow to sleep unto dreaming, during the key-time of the Dog Days, when Sirius to burn brightly during the pull of the Moon, ponder the following, at its hypnagogic precipice, to thence slip and slider slide as the serpentine Nommo through the ‘Chaos Unitarian Nuns Templar’ portal into Alien dreaming:

Some scientists believe that the ancient Earth had been seeded with life from out of the womb depths of space, riding the backs of asteroids and comets, carrying bacteria, the serpentine DNA or even the Mitochondria, (Mitochondrial DNA), which to have fallen from the heavens.

If such was indeed the Panspermia case, the Mitochondria, would then be an Alien, which to have originally swam as an organism within the primordial (Nun) ocean before uniting with another organism, to then create a Cell of all Carbon based lifeforms upon the planet, whose Atomic number is 6: Electrons, 6: Protons and 6: Neutrons.

Who knows, maybe the Alien within your serpentine Mitochondrial DNA is communicating a Necronomicon (Gremory/grimoire) code from another Star via your bio-photon illuminated dreams, wherein the (Succubi) Succubae to Dakini reveal their C-haos U-nitarian N-uns T-emplar (code) Wisdom.  

If you are interested in the Art Print or shirt design, etc, Check Out my Redbubble Shop, Please Click the Image Link Above. 

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STEAMPUNK TIME MACHINE

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 11, 2017 by FAUSTUS CROW

The Artwork is available as an Art print and a shirt design, which concerns Time Travelling within a lucid dream, such is indeed possible, since much of the reported precognitive and retrocognitive phenomena occurs when attaining hypnagogic trance ingress into a lucid dream. (If you are interested, I have written an account of a personal experience about riding the Night-Mare. Click Here.)

In ancient shamanic cultures, such as those of North Central Asia unto Siberia, the state of hypnagogic trance was symbolised as a Mare. Hence you have the European term ‘Nightmare,’ which was associated with the shamanic spirit wife complex, or otherwise known as a, Succubus, whose hypnagogic state visitations initially induce what is called the Old Hag Syndrome, also known as the Bedroom Invader Experience, the ancient Greek’s termed as the Sphinx. (I have written a personal account of the Sphinx experience. Click Here.)

As for the Artwork, it depicts a Steampunk poster from an ‘Alternative Locale III Earth,’ during the Great Exhibition of 1851, where Faustus Crow presented his Necronomicon Time Machine.

“When the author H.G. Wells to have conjured The Fifty-fifth spirit called Orobas from out of Crow’s Necronomicon, Orobas manifested amidst his Triangle Of Art Imagination as a Night-Mare.

“She to have then descended upon Well’s sleep paralysis afflicted corporeal frame as a strangling ‘Sphinx’ as he inadvertently accessed hypnagogic trance.” 

“But after Well’s had attained a lucid dream, Orobas then manifested as a Pony Girl Art Muse, he to have ridden as his Witch ‘Mare’ of the ‘Night’ Time Machine, who enabled Well’s to remote-view browse the Zodiac Ages of the vibrating Ouroboros.”

When practicing Surrealist dreaming, the dreaming Artist will also have to make it a H.G. Wells habit of noting down his/her TARDIS dream adventures in a personal Necronomicon; for the Zodiac Ages have dead names to Howl out, of barbarous Mantra.

Wherefore the dreamer attains the Secret of the Sphinx, whose symbolism the ancient Egyptian’s and Greek’s associated with remote-viewing the Ouroboros of time within lucid dreams, H.G Wells later alluded to with his Time Machine.

The Artwork was used in my Art book Grimoire, entitled, ‘Goetia Girls: Book Two,’ which is available from Createspace and Amazon, under my author’s name, Faustus Crow.

If you are interested in an Art print, or the shirt design, etc, check out my Redbubble Shop, Please Click the link above

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BELPHEGOR: THE MYSTERY OF THE LOUVRE PYRAMID

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 23, 2016 by FAUSTUS CROW

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Belphegor is one of the few Grimoire entities who is said to appear as a young girl. She is known as being a daemon of discoveries and of ingenious inventions who also bestows wealth.

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But as per usual, the female manifestation is seen to be but a ruse in the patriarchal Playgirl Grimoires of an ‘Animus’ fixation.

Whereupon Belphegor is commonly listed as being a butch male entity, who is disparagingly depicted as ‘bearded’ demon seated upon a lavatory.

Said demon is commonly classified as being once worshipped by the Moabites as Baalphegor on Mount Phegor where there be no spicy girls in sight.

Whereby the classic Grimoire image of constructed political propaganda has been engineered as a cultural slur, which can of course be easily reversed of an anti-viral meme, to look like, say, Kate Moss.

Although if you had done so during Aleister Crowley’s era, who to have otherwise conjured up butch incubi, while at Boleskine House, you would most assuredly be considered to be far more wicked than Crowley ever was. Hence Crowley never went that far beyond a Ring-Pass-Not!

Some of the ‘Animus’ fixated Rabbis even claim that Belphegor must be worshipped, when frequenting your bathroom, with offerings, being the residue of your digestive waste; failing that, accidentally, on purpose, cutting yourself, while shaving off your ‘beard’ over a chalice of a sink, to then watch your blood dribbling down the drain of an offering.

If you believe this to be true, then you have been well and truly shafted up your Abrahamic anal tract! So, on wards and upwards of a Néo Belphégor anti-viral meme.

Let’s get this straight, it was never a case of worshipping crap; it has far more to do with thinking clearly via self-analysis in order to rid your mind of ‘crappy’ thoughts, which is engaged in so as to attain a creative state of a brainstorming Theta brainwave, to kick-start your ‘quantum computing’ brain to tune into alternate possibilities.

Although admittedly, on many an occasion you might just find yourself to Archimedes cry “Eureka” after dumping a base-Chakra battleship, rather than to do so, when sojourning in your floatation tank of a Kings sarcophagus, brimming over with murky soap bubbles, all looking like dodecahedron universes.

But, the obvious allusion to a technique is usually overlooked, which of a self-perpetuated tunnel-vision has led many a brainwashed ‘Animus’ fixated priest of Rome to conclude that Belphegor is the deity of Pet (Fart) or ‘Crepitus,’ while writhing Witch Nuns to believe that he is their Praipus wielding an ever erect blade.

Collin de Plancy mentioned in his 1863 Playgirl Grimoire, Dictionnaire Infernal, that Selden, who is cited by Bainier had reported that human victims were offered up to Belphegor, and that his priests partake of their blood; what a Hammer Horror laugh. Its just a load of Biblical Death-Metal crap, inspiring many a Hollywood Creepypasta movie!

Plancy also mentions that Wierus wrote that Belphegor always has an open mouth, attributing it to the name Phegor, which according to Leloyer means ‘crevice’ or ‘split,’ referring to when he was worshipped in caves wherein people threw offerings to his statue, through an air hole.

No! It has far more to do with an inner gateway of a crevice/split, which refers to hypnagogic trance ingress of your (Air element) mind into the cavernous womb dream, a paleolithic Artist to have known, when he to have attained trance within the Lascaux caves.

The utilised symbolism of a crevice/split has an association with the vagina, which the ‘bearded’ practitioner accesses of an inner trance gate, when to introvert his sexual impulse into the dream by prior focusing upon Belphegor as a girl.

In other words, the symbolism alludes to Tantric dream Yoga, which is not seen due to the sexual impulse being entirely castigated out of the spiritual equation along with the feminine principle of the ‘Anima.’

The female focus of a two-dimensional image is utilised in order to cohere the thoughts of the practitioner like a laser beam, which is further empowered by the introversion of the sexual impulse; this then negates any crappy thoughts from arising.

The goal of the exercise is to attain conscious ingress into a lucid dream, wherein Belphegor can be conjured as an interactive three-dimensional reality.

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Even though the ‘Anima’ has been cut out of the spiritual equation by the worshippers of the deified ‘Animus’ made as a God, Belphegor has over time become very much a French Succubus, which is due in the main to the popularity of a 1927 crime novel, entitled: Belphégor, whose English title is, The Mystery of the Louvre.

The novel was authored by French writer Arthur Bernède, which is about a female ‘phantom’ haunting the cavernous Musée du Louvre of many a painted cave wall.

However, the phantom is in actuality a gymnastic ballerina, masked as a Cat burglar, who is trying to steal its Necronomicon treasures.

Belphégor was simultaneously adapted as a movie serial starring René Navarre as Chantecoq, Bernède’s fictional detective, and the actress Elmire Vautier as the villainous Belphégor.

Bernède’s novel inspired several other adaptations, including an eponymous 1965 French television series starring Juliette Greco in the title role of Belphégor.

 The TV series was duly followed by a 1965 daily comic strip sequel; it was not until later that you had the 2001 Belphegor film starring Sophie Marceau.

Although this time around, the Belphegor comic strip became a 2001 French-Canadian animated television series, which transformed Belphegor into a male, rather than the original female character, it is a darn shame.

It appears that the creators of the very stylish animated series missed the ‘Anima’ point; but then they were more than likely pandering to an ‘Animus’ fixated audience who later became far more enamoured with the likes of the Da Vinci Code.

Whatever the case, Belphegor  has become immortalised in France, of a mass-mind focus, spinning her sensual Tulpa.

She was even featured for a time in DC’s New Earth comics as one of the Global Guardians, whose base of operations is based in a United Nations-financed headquarters building called the Dome, which just so happens is located in the Artists capital of Paris.

You could otherwise see the Dome as the Musée du Louvre, when to ascend the dream escalator unto Belphegor’s seventh planetary sphere of her heavenly delights, which only a Parisian girl can bestow.

Hence, she can be conjured amidst the Triangle Of Art imagination as an inspiring Art Muse, who as a Parisian Art Student will reveal the very real masked mystery of the Musée du Louvre.

She might just lead you through her Yoni stargate, into the cavernous temple precincts of the Musée du Louvre, to Remote-View its uterine galleries, within a lucid dream.

Belphegor will at first indicate that she has an association with ancient Egypt, whose culture the French are enamoured with, whereupon you have the Louvre… Pyramid.

Whereby, Belphegor’s sigil/seal is derived from the blueprint of the Musée du Louvre, of a one time fortress becoming a palace, which appears to be based upon the Edfu temple of ancient Egypt’s Isis child of a… Horus.

Upon what the Louvre was originally built, is of course debatable; but it was very likely a pagan site, of a possible ancient temple.

You also have many a Neolithic Ley line pointing at its locale, which was no doubt symbolically aligned with a… Hawk.

Said Hawk was not just any raptor, but that of a Hawk specifically flown from a (Belphegor) lady’s hand, known as a… Merlin… who as Belphegor’s Druid, knows about her Ouroboros Stargate, ringed by Gaulish standing stones, under the star clock of Zodiac ages.

When to see Merlin, you will then find that unmasked Belphegor alludes to Morgana la Fay, of (Da’at) Avalon isle (Lin/Din/Dun) hill/Tor/Cosmic-Mountain/Pyramid, at the centre of (Mer/Myr/Mar) menstrual blood (scarlet – Isis/Mary) waters, who to watch over a (Horus/Merlin) ‘Bearded’ Druid.

The ancient Gauls considered Britain to be a school of (Shaman) Druids, who had caused no end of bother to the Roman’s, before they then decided to invade Britain.

The mystery of the Louvre (Lin/Din/Dun) pyramid amidst (Mer/Myr/Mar-y) waters is thereby revealed of a pre-Christian understanding, which has nothing to do with the Da Vinci Code.

But why the Musée du Louvre? Well, besides being an ancient power place, it is now the most visited Art museum in the world, which to hearken back to a painted womb cave from where the first Shaman (Druid) was born as an Artist, who knows how to ‘program’ his ‘virtual reality’ lucid dreams via symbolic stimuli.

The Artist to know that Art is Sorcery, Sorcery is Art; both are indivisible of shamanic practice, of which Belphegor to inspire as an Art Muse; that is why most Artists are by nature, thinking outside of the box, crazy.

Belphegor symbolically represents the hypnagogic (phase) trance (Rose/Yoni/crevice) into the (grail/chalice) womb dream of astral waters, the Shamans bloody consciousness to enter.

The Shamans consciousness is likened to a blade penetrating the (Isis/Belphegor/Morgana la Fay) dream, wherein he then to ‘Out Of Body Experience,’ fly over the ever recurring Ouroboros of all existence, as a Remote-Viewing winged (Horus) eye, of a Time Travelling… Merlin.

NOTE: In the practice of Alchemy, you have the Prima Materia, which is essentially detritus. Some Alchemists saw this to be quite literal; whereupon their labs did reek of their boiled down urine and excrement. It just so happens, that your ‘body’ shits gold and other metals, but only in very small trace amounts.  

The body was symbolically represented as the cosmic mountain, which is interpenetrated by the tree of worlds, representing your spinal column. The cosmic mountain is otherwise symbolised as a… Pyramid. 

However, as to the Prima Materia, it refers to something else, which equates with the heavy metal of lead and that of a Torc, encircled of an Ouroboros around the throat area of the (Da’at) reptilian brain-stem. 

The leaden Torc represents the eternally recurring events of existence, which in regards to an unobserved life leads to repeating situations, a Hindu would term as being Karma. The practice of Yoga and that of Alchemy is to transmute the Karmic repeat into something else; whereupon you have the employed symbolism of lead being transmuted into gold. 

The process of transmutation requires that the practitioner becomes adept at inducing hypnagogic trance in order to thence attain conscious ingress into the dream. The reptilian brain-stem governs over the depth of your dreams and trance states; hence you have the serpentine symbolism of a lead Torc being transmuted into gold. 

When conscious ingress into the dream is attained of a ‘little death,’ the practitioner will start to become more aware of the Karmic repeats of his/her life; this leads to a sensation that certain key events have happened before, which is summed up by the ‘French’ term of déjà vu. 

The ‘Edge Of Tomorrow’ experience of déjà vu is often tied up with the observation of synchronicities, which have a symbolic correlation with scenarios prior encountered in dreams. As the practitioner becomes more aware of the repeat of leaden Karma, his/her Torc can be potentially transmuted into a golden understanding that the repeat can be changed; this then leads to what a Hindu terms as Dharma. 

Basically, shit can be changed into gold; but only when you start to déjà vu remember the repeating shit! 

Those who do not to remember, are just repeating their ‘programmed’ shit, having no free-will of their own; for everything has been fixed of a leaden Ouroboros Torc around their throats. 

An analogy being, those who as yet do not remember are nothing more than being programmed simulations existing within a simulated reality a Hindu mystic would term as being Maya. 

In ancient times, a lead Torc was worn by those who were considered to be slaves to their fate until they attained the (Belphegor/Morgana la Fay) Avalon (Da’at) ‘Knowledge’ that their leaden existence can be transmuted into gold. 

Whereby, Merlin wears a golden Torc, who is very much aware of the shit; such as knowing that in the New-World-Order of an Orwellian Eden, ignorance is bliss; whereas the (Da’at) Avalon ‘Knowledge’ is considered to be a sin!  

That is why the shits fluoridate your water supply in order to calcify your… third eye!

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TIME TUNNEL CATWOMAN

Posted in Alien, Art, Chaos Magic, Discordianism, Dr Who, Extraterrestrial, Film, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 26, 2016 by FAUSTUS CROW

Many a folklore tale to tell of Wizard of Oz, Bubble Witches hovering around as orbs, who to lab-coat Catwalk the ghostly ley-lines, all as predatory Sphinx’s.

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Their nature ever so feline of slanted mirrored eyes, who can be likened to the Japanese Succubae called, Kitsune with their ‘Hoshi Noh Tama’ Star Balls.

There are those who conjecture that the feline Bubble Witches are extraterrestrial aliens from another world or to be interdimensional entities who emanate from some other dimension, or to come from an alternate Earth, which to exist within a parallel universe.

Whatever the origins of the Bubble Witches be, they are very much tied up with their ‘quantum computing’ tesseract hypercubes tuning into hypersphere star balls, in order to access alternate Earth’s, wherein be their alternate selves.

Move over Creepypasta reptilian Annunaki, along with the Illuminati Grey alien fear porn, of a U.S. media reptilian brain-stem zap; here Cums the Bubble Witches!

The symbolic correspondences are there to see, and of the Wyrd they be, which to weirdly reveal the actress Lee Meriwether playing many an archetypal role.

H.G. Wells Catwoman Sphinx being the wormhole lock, to Riddler unlock, with a Joker key!

Some physicists suspect that electrons are mini-wormholes; though far too small for a physical astronaut to enter their spherical star ball holes.

Such would not restrict the lucid consciousness of a psychonaut to slide into within an electron dream, whose brain would in future be wired up to a quantum computer.

The artificial intelligence of said quantum computer would very likely be programmed with a female personality, which of predatory nature, like many a woman, would be feline.

But what of the present? A psychonaut shaman can presently penetrate a spherical hole, of hyperspace intercourse, when to conjure a bubble Witch Yoni Stargate, out of a grimoire, within a lucid dream, as his personal Time Tunnel lab-coat assistant.

The shaman to enter trance upon a drum beat, so as to slide Serpent-wise of phallic ingress into the vaginal star barrelled Time Tunnel, like a bat flying into the womb cave of the Sphinx.

The Near Death Experience to speak of such a tunnel, which of an experience can be seen as being akin to Shiva entering into the vaginal maw of a Kali Hadron Collider, circled of a Magic Circle Ouroboros.

The ancient Egyptian shaman Pharaoh also to know of the tunnel as the vaginal abyss, which to verily lead to the womb realm of the Duat.

The Shaman to then ‘Travel Without Moving’ as the tunnel appears to fly by of spiraling informational streams.

Such be the process of ‘Browsing,’ the physicist James Gates to have found of ‘Computer’ code embedded in Superstring theory.

But where would a psychonaut Merlin end up, when to consciously conjure up a ‘dark haired’ feline Morgana le Fay Bubble Witch within a lucid dream?

Perhaps that of another dimension, via which, if so desired, he can haunt his own past, so as to influence.

But in doing so, it will generate an ‘alternate world’ to branch off. You then have, Time Travel, which is very much tied up with the phenomena of synchronicity.

So, should you ever meet up with a dark haired mercurial woman upon a synchronicity, having the feline characteristics of a scientific pedigree at a Sabbat party, she might just say that her name is, Lilith Munster.

Hell! She may even have the appearance of a Gothic Munster, remarking that you look like Skull and Cross bone’s, Bruce Wayne, which of an Illuminati pick-up line indicates she is after your bulging Military Industrial Complex wallet.

Beware, she may be a Time Traveller, who intends to Abduct you into her Seventh Heaven, for some, rapturous sensory delights, which will invariably involve very kinky alien cosplay, leading to in depth scientific experimentation.

Or, she to otherwise be a lab technician who is working upon a top secret military project involving a quantum computing Time Tunnel, looking like an Ouroboros Hadron Collider.

Do not bother attempting to take any selfies with this feline Bubble Witch, or to abscond with her pussy willow Time Tunnel briefs, from which you seek to derive genetic evidence of your very Close Encounter of the Sexagram Kind

It will come to no avail; for she can manipulate time; you then to verily discover that your hard won evidence has mysteriously disappeared. Little wonder then that there is no hard evidence to back up the many sightings of UFO’s, such as the 2011 sighting over Yakutsk in Siberia, whose Air traffic controllers claimed they were buzzed by a high-speed UFO, piloted by a female, who spoke in an unintelligible CAT-like language… Meow!

This may then explain why the military always knows where a time travelling UFO to land, since it is one of their own Time Tunnel devices.

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

But if you feel so inclined to prove Time Travel to yourself, you could always conjure up a Succubus Time Tunnel within your lucid dreams.

Then you can become as a Doctor Strange Magician, even though many will say that your conjuration of an exotic Succubus as a personal Genie, is an Impossible Mission. Those who consider it to be a Mission Impossible, do not know how to dream.

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MORGANA LE FAY OF THE ELECTRON DREAM WHERE MERLIN TO HOVER

Posted in Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 13, 2015 by FAUSTUS CROW

Morgana le Fay is considered to be a powerful enchantress in the Arthurian legend. She is otherwise known as Morgan, whose name is very likely derived from Old Welsh or Old Breton name: Morgen, meaning: Sea-born, which is derived from the Common Brittonic: Mori-gena.

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A cognate form of the Morgana’s name in Old Irish is Muirgein, which is also a name of a shape-shifting fairy or Witch who was associated with the sea; she was later transformed into a Christian saint.

This leads you to Morgana’s epithet ‘le Fay,’ which  is derived from the French: la fée, meaning, the (Succubus) fairy.

It just so happens that there is a group of shape-shifting Succubae mentioned in Welsh and Breton mythology called Morgans or Morgens, who are of similarity to the Slavic Succubae called Rusalka.

Morgana’s counterpart is the wizard, Merlin, whose original Welsh name is Myrddin. The name of Myrddin means sea-fort or sea-hill.

You then have Morgana who is a spirit of the sea and Myrddin who is a fort/hill amidst the sea of Morgana, and she to relentlessly lap his shores, desiring him to enter her depths.

The symbolism of which is reminiscent of Hindu belief concerning the cosmic mountain of Mt Meru at the centre of the milk (mother) ocean, which is churned by Mt Meru into creating Maya.

The milk ocean could be referring to the inner light of the bio-photon, which illuminates the dream of spun electrons, since the bio-photon emanates from the mitochondrial DNA, which is passed down from the mother to her children.

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The electrons of the dream are spun by the emotive charge of the dreamer; somewhat like a charged signal spinning the electrons within an electron tube of a TV set brain, when to remember the landlords Witch daughter.

Such is alluded to by Mt Meru being twisted by a tug of war between the Asuras and the Devas, who represent the Moon and Sun, Ida and Pingala (Autonomic-Nervous-System) nerve channels running along either side of the spinal column, of an aerial, tuning into ’emotively charged’ possibilities.

Then again, the subconsciously tuned into possibilities, may actually be memories of of an eternally recurring Ouroboros, of a life.

You also find similar symbolism in ancient Egyptian mythology, in which the principle God called Atum, from whose name, Atom is derived, is sometimes depicted as a pyramid of light, around whom is the primordial (mother) ocean of Nun. However, Atum is the master of light, but the source of the light is Nun.

The God Atum is equated with the ancient Greek God, Zeus and in turn the Roman God, Jupiter; these deities are associated with the heavens. This then leads you to Myrddin forging the round table, which alludes to the round table of the Zodiac, being that of the starry heavens, under whose revolving stars, lovers do gather around the dancing stones.

Morgana is also associated with the heavens, being the ocean of space as well as inner space; as the old Druid saying goes: “so above, so below, so within, so with-out.”

It appears that Morgana and Myrddin were not historical personages, they are instead ancient deities. But it is more likely that they represent a shamanic practice. In other words, the name of Morgan may have been a title for female shaman; whereas male shamans were called Myrddin’s.

This becomes more apparent when to look at an early name for Great Britain as stated in the Third Series of the Welsh Triads, being, Clas Myrddin, or Merlin’s Enclosure, which is surrounded by the shape-shifting sea of Morgana. Ancient Britain was once known as a school for Druids.

The name of Merlin is also a name for a small hunting Hawk, which is specifically flown from a ladies hand; this seems somewhat apt, since the ocean of Morgana surrounds the island of Clas Myrddin.

As for Arthur Pendragon of a Dragon motif you have the star (α Draconis) Thuban, which was the Northern pole star from 3942 BC, when it moved farther North than Theta Boötis, until 1793 BC, due to the Ouroboros precession around the Zodiac ages.

The traditional name of Alpha Draconis, Thuban, means ‘Head Of The Serpent,’ which is associated with the (Myrddin) Druids, who were also known as ‘Adder Heads.’

The symbolism of the Adder Head could be associated with the term Camelot, which may be a composite word, comprising of the Hebrew letter of ‘Gimel,’ giving rise to name of Camel, ending in the Germanic word for wealth, being ‘Ot.’

The Hebrew letter Gimel, is associated with the thirteenth path of the Cabbala. The thirteenth path penetrates the hidden sephiroth of Da’at, which is termed as the abyss or desert, which can be otherwise seen as an ocean between worlds.

When crossed, it allows an adept to converse with his (Succubus) Holy Guardian Angel.

The sephiroth of Da’at is associated with the reptilian (Dragon/Adder) brainstem of the ‘throat area,’ which governs over the depth of (abyss/ocean) trance and (‘Apple’ Isle) dream states.

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The thirteenth Cabbalistic path of Gimel has since been associated with the Tarot Card of the (Nun) High Priestess Of The Silver (Sirius) Star, who can be seen as Morgana.

The symbolism of the (Adder/Dragon) serpent was utilised in varied shamanic cultures across the globe to represent trance adepts, who were able to attain an amphibious state of consciousness in order to consciously access the spirit world of the dream, which is symbolically equated with the sea.

You then have a shamanic adept of trance, being the Druid Myrddin who can become (lucid) conscious within the watery shape-shifting domain of Morgana, whose realm is the quantum dream.

Myrddin’s Adder-Head (hypnagogic trance) intercourse into the Vesica Pisces of Morgana is attained of conscious dreaming at certain key-times around the (circadian rhythm) star-clock, marked out by circled stones, of a round table, ever re-turning, Ouroboros.

When Myrddin becomes conscious within Morgana’s watery reality of the dream he becomes as the sea-hill, symbolised as the Apple Isle (Avalon) of Glastonbury Tor, of similarity to Mt Meru, the ancient Egyptian’s otherwise depicted as a pyramid of light.

In Siberian shamanic practice, the cosmic mountain is intersected by the world tree, the ancient Norse called Yggdrassill, which is remembered as the May-Pole, the Saxon’s had prior known as the Irminnsul.

Yggdrassill was also transformed into the Christmas tree, whose elder symbolism represents the ‘spinal column’ of the (Odin/Myrddin) shaman, upon which he ‘hangs’ into self-sacrificial ‘trance.’ As an aside, there was once a ‘gallows’ atop of Glastonbury Tor, which is now occupied by a ‘fort’ of a tower, as well as an associated ‘serpent’ stone of an egg.

It is along the spinal column that the Kundalini Shakti (Fire Snake/Dragon) is aroused in Yoga practice, which is experienced as a feminine energy, the Kalahari Bushmen of South Africa also know of as Num. The arousal of the Num initiates the experience of trance they call Kia, a Siberian shaman knows as the fire in the head; whereby you have the term (Kundalini Shakti/Fire Snake) Adder-Head.

Wherefore the cosmic mountain of a sea-hill symbolises Myrddin’s body out of which he can (OOBE) spirit fly as a disembodied Merlin into the inner space ocean of the dream. But only when flown by (Kundalini Shakti/Fire Snake) Morgana’s loving (Succubus) hand, who to set Myrddin’s head aflame as her ‘Wicker-Man.’

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SIRIUS STARGATE WORMHOLE SLIDERS

Posted in Alien, Chaos Magic, Film, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 27, 2015 by FAUSTUS CROW

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Sliders is an American science fiction and fantasy television series, created by Robert K. Weiss and Tracy Tormé, which should have been made into a feature film. It was broadcast for ‘five’ seasons between 1995 and 2000.

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The premise of the show is somewhat akin to Little Nemo in Slumberland, whose principle character Slides into different dream worlds, like that of a ‘horned’ shaman travelling through inner space via the hypnagogic stargate of trance. Whereas Sliders is primarily technological of focus; although, to Slide is like that of a (phallic) Serpent ‘Sliding’ its way through a (vagina) hole.

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The show follows a group of four people, called, ‘Sliders,’ as they travel (‘Sliding’) between different Earth’s existing within parallel universes via a (stargate) vortex-like wormhole, who are seeking to return back to their original Earth Prime.

The vortex can only be opened at random (key-time) intervals on each new world, monitored by a countdown clock on a portable (Zodiac) timer, which they carry; failure to open the vortex in time would strand the Sliders for 29 years, 7 months in that universe. (29th Succubus of the Goetia: Astaroth, of the Seventh dimensional sphere.)

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While waiting for the timer countdown, the group learns about each of the alternate Earth’s, which are different from their own, who often become unwillingly involved in events, that they must resolve before they can safely leave via the vortex. The travellers have no control over what world they end up in, as they continually look for means to find Earth Prime.

The pilot introduces the four original Sliders: Quinn Mallory (Jerry O’Connell: Air), a graduate student in physics who discovered and refined the Sliding technology; Professor Maximillian Arturo (John Rhys-Davies: Fire), Quinn’s mentor; Wade Wells (Sabrina Lloyd: Water), Quinn’s friend; and Rembrandt ‘Cryin’ Man’ Brown (Cleavant Derricks: Earth), a professional singer who is accidentally caught up in the first major test of the vortex, who is thereby forced to join the others.

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Their first Slide lands the Sliders on an Earth, which is suffering from a second ice age. Quinn, against his better judgement, uses the timer to open the vortex prematurely in order to save the group from an ice tornado bearing down on them, which of a whirlwind, the author Carlos Castaneda described an Ally (inorganic female intelligence) to look like, of an initial manifestation.

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As a result, the sliders lose the ability to return home and must slide from world to world hoping that the next slide is their own Earth.

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Many of the episodes in these early seasons focused on Earth’s, which resulted from alternate histories, such as the British winning the Revolutionary War, or antibiotics never being discovered. Within the second season, the four encounter a humanoid species called the Kromaggs, who also have a ‘Sliding’ technology.

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However, the Kromaggs use ‘Sliding’ to primarily ransack other Earth’s for slaves and resources of similarity to David Icke’s reptilian’s, which are basically a symbolic continuance of the Biblical fixation upon Demons.

The Kromaggs may be an allusion to the Men In Black (MIB) of UFO-lore, who have an uncanny knack of appearing out of nowhere, to then disappear into thin air. Said MIB’s were also brilliantly featured in the science fiction TV series, Fringe.

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In the third season the four Sliders are joined by a fifth member of their elemental team, Captain Maggie Beckett, (Kari Wuhrer: Spirit). Another character called Dr. Diana Davis (Tembi Locke) appeared during the fifth season who took over the role of Professor Maximillian Arturo.

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You can imaginatively gather that one of Quinn Mallory’s heroes is probably the physicist John Archibald Wheeler, who no doubt influenced Mallory’s research. Back in the 1950’s, Wheeler held a passionate belief that, “everything is geometry,” and one particularly intriguing idea he called, charge without charge.

“There are no pointlike electric charges,” Wheeler proclaimed; rather, “electric field lines can thread the mouth of a wormhole. What looks to you like an electron is actually a tiny wormhole mouth. If you were small enough, you could dive inside the electron and emerge from a positron far away.”

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When you become lucid within a dream, your consciousness is small enough to ‘Slide’ into and through a mini-wormhole, Wheeler says is actually an electron, which can be in many places simultaneously throughout space and time.

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Sounds crazy doesn’t it, but ancient shamans have been aware that you can access other alternate Earth’s via conscious dreaming, which of an ability has been communicated in their art, down the ages, across the globe.

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The shamans use the common motif of a spiral, which describes the inner stargate, whose portal can be consciously accessed when to achieve hypnagogic trance. Hallucinogenic mushrooms are often depicted alongside the spiral, which were used to facilitate trance ingress. One of the key-times under the star clock, when trance ingress is easier to achieve is during the Dog Days, marked out by Sirius.

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In ancient Egypt, the Dog Days indicated the flooding of the Nile due to the gravitational pull of the Moon, which also has an effect upon your dream states. It is a distinct possibility that a pyramid was used as a ritualistic dream incubator, wherein a Pharaoh shaman would lay bound up within a sarcophagus of a proto-flotation tank in order to travel through time, from inside a lucid dream.

The Dogon tribe of South Africa as well as the Bushmen of the Kalahari, were also aware that trance ingress (winged Eye) into the (womb) dream is easier to achieve during the Dog Days, whose shamanic adepts of trance were symbolised as Fish-men, called Nommo, who were able to attain an amphibious state of consciousness.

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These human adepts of shamanic trance were also symbolically represented as various amphibious creatures, such as Frogs and Toads, along with reptiles, whereby you have the motif of the Dragon as well as the (‘Sliding’) Serpent.

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The amphibious state of consciousness is basically hypnagogic trance, where you experience being between waking (land) and sleeping (water) simultaneously, which is symbolically represented by the two intersecting circles of the Vesica Pisces, resulting in an (X Point) almond shape at the centre. The almond shape represents the vagina, as well as a (phallic) Fish.

The hypnagogic state of trance (symbolised as a Horse by Mongolian shamans, the ancient Greek’s represented as Pegasus) is experienced before you access conscious dreaming, via which you can then gain ingress into an inner stargate, represented by the spiral.

What you to dream of, you have no need to apologise to the politically correct thought police, should you engage yourself in Tantric dream Yoga, which of sexual symbolism, the inner stargate is represented as the vagina, whose uterine star barrelled (wormhole) tunnel leads to an alternate reality of a womb world. Wherefore, the motif of the (‘Sliding’) Serpent has phallic associations. Hence the Nommo of the Dogon are often depicted as being phallic headed.

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As for the encountered denizens of the watery womb domain of the amniotic electron dream, they were often seen to be female, wherefore you have the motif of the Mermaid.

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Many of the ancient spiral depictions of the inner stargate also depict ‘horned’ shamans standing next to them; they are not depictions of neo-Gnostic Newage aliens, wearing spacesuits, having antennae, let alone being Abrahamic horned devils. One such horned shaman is depicted at Mohenjo-daro, who is seen to be a proto-depiction of the Hindu deity called, Shiva. A similar horned shaman can also be found on the European Gundestrup cauldron, who is termed as being the Celtic deity called Cernunnos.

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It just so happens that there is a statue of Shiva, which can be found at (Cern-unnos) CERN, whose (magic circle) Hadron Collider may one day lead to the eventuality of the scientists developing a Quinn Mallory, ‘Slider’ technology, which will no doubt be based upon an understanding of what horned shamans can do via their ‘spun’ (spiral) electron dreams.

It isn’t too surprising that Shiva, who is the Lord of Yoga, is to be found at CERN, since many a physicist have been inspired by the multi-dimensional philosophies of ancient India, whose investigations into the nature of consciousness and reality was a precursor to science.

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Though highly symbolic, the philosophies of ancient India foresaw many of the present findings of the scientists; wherefore, you find Shiva of a shaman Cernunnos at CERN, which doesn’t have anything to do with Devil worship, Satanism, Luciferianism or the Illuminati, whose indoctrinated minions, along with their fear porn mongers share a common fixation upon Abrahamic symbolism, which is so bloody obvious. Shiva is at CERN, because, India is one of the oldest cultures in the world.

Time is the final frontier to go beyond, otherwise, space will become as a prison; your ancestors understood this fact, which is the reason why so many ancient cultures around the globe were fascinated with time. Time Slips probably occur of a natural phenomenon, all the time, but we are just too unaware of them; whereas the (Shiva/Cernunnos) shamans discovered a way to consciously utilise Time Slips.

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Wherefore Shiva represents the destroyer of time; that is, destroying your mundane illusory perception of its constant forward momentum. When travelling faster than light, time moves backwards; whereby you then attain time travel. The shamans became aware that consciousness travels faster than light; but, the observing self, existing within three dimensions is constrained by its observed constant speed of light and time.

May be the scientists have already achieved the technological translation of the shamanic feat of soft-technology into a hard-technology, upon this Earth, or that of another; whereby you might just have UFO-lore MIB’s policing the hard-technology ‘Slides’ (Time Slips) between alternate Earth’s, existing within parallel universes.

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VAMPIRE FEMME FATALE COUNTESS BATHORY

Posted in Chaos Magic, Comics, Film, Goth Girls, Horror, Occultism, Sorcery, Succubus, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2015 by FAUSTUS CROW

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Should you be seeking for a very real blood worshipping Vampire all you have to do is to look into the life story of Countess Elizabeth Báthory de Ecsed. (Báthory Erzsébet in Hungarian, Alžbeta Bátoriová in Slovak).

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Báthory was born on the 7th August 1560, who died on the 21st August 1614. She was a Countess of the renowned Báthory family, who were of the Hungarian nobility.

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Báthory has been historically labelled as being the most prolific female serial killer in history, who murdered her victims specifically for their blood, which is a historical fact.

Her story is far stranger than Bram Stoker fiction. Although the number of her gruesome murders is debated, since most of her victims were peasant girls.

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Missing peasant girls were not considered to be important at a time when the general populace were treated as mere cattle by the aristocracy.

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Hence Báthory could have murdered many more girls, who are not known about. She is remembered as the ‘Blood Countess;’ who was essentially a Vampire.

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After her husband Ferenc Nádasdy’s death, Báthory’s heinous crimes came to light; she and four collaborators were accused of sexually torturing and killing hundreds of girls. One witness attributed to them over six hundred and fifty victims.

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Although the number for which they were eventually convicted was eighty, since the numerous Blood Doll peasant girls were considered to be unimportant.

However, those victims who were of noble families brought about the invariable downfall of Báthory. She herself was neither publically tried nor convicted due to the aristocratic influence of her family.

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During 1610, Báthory was eventually imprisoned within the fetid guts of Csejte (Čachtice) Castle, (now in Slovakia), where she remained bricked up within a set of horror rooms until her death four years afterwards.

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Later writings about the case have led to legendary accounts of the Countess bathing in the blood of virgins, which of an evocative, though nightmarish image is none too dissimilar to femme fatale Cleopatra bathing in milk.

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Perhaps Báthory had got the beauty treatment idea, to twist all out of shape from Cleopatra, or to have otherwise derived it from some ancient Egyptian rite via a gnarled old Necronomicon Witch she had in her employ.

Whatever the case, Báthory has earned the names Blood Countess and Countess Dracula. However, she is not by and large known about by the general public.

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Most people commonly associate Vampirism with the historical personage of Vlad III, Prince of Wallachia (1431–1476), also known by his patronymic name Dracula (son of the Dragon, after his father [Vlad II] Dracul). He was posthumously dubbed Vlad the Impaler, who impaled his enemies as a terror tactic, when warring against the Ottoman Turks. Whereas Báthory engaged herself in all the unsavoury horrifying practices you would associate with a Vampire, let alone indulging in ghoulish cannibalism.

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You can thereby determine that Báthory is a real Vampire, not Dracula, who did not come anywhere close on the Vampire scale. When Dracula is compared to insane Báthory, he appears to be quite normal; although psychotic, of similarity to a darker version of Robert E. Howard’s warrior character of Conan, merged with a crusading Solomon Kane.

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Yet it is Dracula who is considered to be a Vampire, which is mainly due to Bram Stoker’s synthesis of a fictional tale, which transformed the ghoulish Eastern European Nosferatu of a bloodsucking Zombie into a suave seductive character of Vampire romanticism. Stoker’s work of Victorian fiction was primarily aimed at a female audience to impale, who at the time were infatuated by becoming entered unto by spirits, whose entrance into their quivering frames induced orgasmic possessions, while engaging in necromantic spiritualism, conjuring up bad-boy Incubi.

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As for Báthory, she was quaintly forgotten. But then that is because she is a woman, who of course does not make other women swoon over her, unless they are sexually predisposed to their own gender. If such had been otherwise the case, Báthory would have eventually evolved into becoming an archetypal Twilight sensation of Hollywood Vampirism.

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However, you presently have Alpha male type Chippendale hunks strutting their Gothic stuff, baring plastic Dracula fangs over the palpating breasts of yearning maidens amidst Twilight grottos. In order to prove the canine point, you only have to look at all the adoring female fans of machismo Vampires populating the books of Anne Rice.

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It is the female fans who have empowered the mystique of Stoker’s Dracula. But if the truth be known, it is a woman who actually had the very real incisors ripping through jugular veins.

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Researchers at the University of British Columbia have confirmed that women dig the psychotic bad-boy, of a Vlad Dracul impaling his victims, which crosses all cultural boundaries of a genetic imperative. Men, on the other hand were found to prefer women who are just plain happy with a sense of humour.

Although many males have an underlying fear of powerful femme fatale women who are very much aware of their sexual power. Though also Vamp attractive, likened to Vampira unto Elvira, it becomes entirely unattractive, when coupled with mass murder conducted by a predatory female Vampire; it tends to sexually turn a lot of men off big time. Let’s say, you have some bloke who says he gets a hard on, when to fantasise about female mass murderers, you might just say he has a… mental problem.

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Hence a female Vampire of an icon has not made her celluloid mark on Hollywood’s billboard. Although there have been a few female Vampires haunting the media as Succubae; but they are quickly labelled as sexually exploiting women by the politically correct feminists due to their spray on Vampirella costumes.

As for a predatory male who is a mass murdering psychotic Vampire, he appears to sexually turn the women on big time with his glorified necrophilia, which has enabled Stephenie Meyer to reach the publishing heights with her grey area Vampire books for screaming teenage girls, who also have a Twilight liking for Werewolf bestiality and Fifty Shades Of Grey Christian bondage.

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Whereby Hollywood sees the Alpha male Vampire as being a business asset. This is especially the case, since the underlying feminine attraction to a male Vampire, is not only because he is a very bad-boy beast, but also because he can offer her immortality. Hence she will never age when bitten within his embracement of Satanic darkness to then enter unto his Occult night as the forever youthful.

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Báthory greatly disturbs women in general; for Báthory reveals the darker side of woman’s nature, more so the fear of crippling old age, which numerous cosmetic applications cannot ever eliminate; while Báthory sought to otherwise keep old age at bay by bathing in the slit throat essence of Blood Dolls bubbling in her Witches cauldron of a bath.

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So, if there be any Anne Rice or Stephenie Meyer clones out there who are seeking out a real Vampire, look into a sunlit mirror, wherein you will see your own reflection of a Countess Elizabeth Báthory de Ecsed looking back at you, of a following shadow.

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