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BELPHEGOR: THE MYSTERY OF THE LOUVRE PYRAMID

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 23, 2016 by FAUSTUS CROW

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Belphegor is one of the few Grimoire entities who is said to appear as a young girl. She is known as being a daemon of discoveries and of ingenious inventions who also bestows wealth.

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But as per usual, the female manifestation is seen to be but a ruse in the patriarchal Playgirl Grimoires of an ‘Animus’ fixation.

Whereupon Belphegor is commonly listed as being a butch male entity, who is disparagingly depicted as ‘bearded’ demon seated upon a lavatory.

Said demon is commonly classified as being once worshipped by the Moabites as Baalphegor on Mount Phegor where there be no spicy girls in sight.

Whereby the classic Grimoire image of constructed political propaganda has been engineered as a cultural slur, which can of course be easily reversed of an anti-viral meme, to look like, say, Kate Moss.

Although if you had done so during Aleister Crowley’s era, who to have otherwise conjured up butch incubi, while at Boleskine House, you would most assuredly be considered to be far more wicked than Crowley ever was. Hence Crowley never went that far beyond a Ring-Pass-Not!

Some of the ‘Animus’ fixated Rabbis even claim that Belphegor must be worshipped, when frequenting your bathroom, with offerings, being the residue of your digestive waste; failing that, accidentally, on purpose, cutting yourself, while shaving off your ‘beard’ over a chalice of a sink, to then watch your blood dribbling down the drain of an offering.

If you believe this to be true, then you have been well and truly shafted up your Abrahamic anal tract! So, on wards and upwards of a Néo Belphégor anti-viral meme.

Let’s get this straight, it was never a case of worshipping crap; it has far more to do with thinking clearly via self-analysis in order to rid your mind of ‘crappy’ thoughts, which is engaged in so as to attain a creative state of a brainstorming Theta brainwave, to kick-start your ‘quantum computing’ brain to tune into alternate possibilities.

Although admittedly, on many an occasion you might just find yourself to Archimedes cry “Eureka” after dumping a base-Chakra battleship, rather than to do so, when sojourning in your floatation tank of a Kings sarcophagus, brimming over with murky soap bubbles, all looking like dodecahedron universes.

But, the obvious allusion to a technique is usually overlooked, which of a self-perpetuated tunnel-vision has led many a brainwashed ‘Animus’ fixated priest of Rome to conclude that Belphegor is the deity of Pet (Fart) or ‘Crepitus,’ while writhing Witch Nuns to believe that he is their Praipus wielding an ever erect blade.

Collin de Plancy mentioned in his 1863 Playgirl Grimoire, Dictionnaire Infernal, that Selden, who is cited by Bainier had reported that human victims were offered up to Belphegor, and that his priests partake of their blood; what a Hammer Horror laugh. Its just a load of Biblical Death-Metal crap, inspiring many a Hollywood Creepypasta movie!

Plancy also mentions that Wierus wrote that Belphegor always has an open mouth, attributing it to the name Phegor, which according to Leloyer means ‘crevice’ or ‘split,’ referring to when he was worshipped in caves wherein people threw offerings to his statue, through an air hole.

No! It has far more to do with an inner gateway of a crevice/split, which refers to hypnagogic trance ingress of your (Air element) mind into the cavernous womb dream, a paleolithic Artist to have known, when he to have attained trance within the Lascaux caves.

The utilised symbolism of a crevice/split has an association with the vagina, which the ‘bearded’ practitioner accesses of an inner trance gate, when to introvert his sexual impulse into the dream by prior focusing upon Belphegor as a girl.

In other words, the symbolism alludes to Tantric dream Yoga, which is not seen due to the sexual impulse being entirely castigated out of the spiritual equation along with the feminine principle of the ‘Anima.’

The female focus of a two-dimensional image is utilised in order to cohere the thoughts of the practitioner like a laser beam, which is further empowered by the introversion of the sexual impulse; this then negates any crappy thoughts from arising.

The goal of the exercise is to attain conscious ingress into a lucid dream, wherein Belphegor can be conjured as an interactive three-dimensional reality.

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Even though the ‘Anima’ has been cut out of the spiritual equation by the worshippers of the deified ‘Animus’ made as a God, Belphegor has over time become very much a French Succubus, which is due in the main to the popularity of a 1927 crime novel, entitled: Belphégor, whose English title is, The Mystery of the Louvre.

The novel was authored by French writer Arthur Bernède, which is about a female ‘phantom’ haunting the cavernous Musée du Louvre of many a painted cave wall.

However, the phantom is in actuality a gymnastic ballerina, masked as a Cat burglar, who is trying to steal its Necronomicon treasures.

Belphégor was simultaneously adapted as a movie serial starring René Navarre as Chantecoq, Bernède’s fictional detective, and the actress Elmire Vautier as the villainous Belphégor.

Bernède’s novel inspired several other adaptations, including an eponymous 1965 French television series starring Juliette Greco in the title role of Belphégor.

 The TV series was duly followed by a 1965 daily comic strip sequel; it was not until later that you had the 2001 Belphegor film starring Sophie Marceau.

Although this time around, the Belphegor comic strip became a 2001 French-Canadian animated television series, which transformed Belphegor into a male, rather than the original female character, it is a darn shame.

It appears that the creators of the very stylish animated series missed the ‘Anima’ point; but then they were more than likely pandering to an ‘Animus’ fixated audience who later became far more enamoured with the likes of the Da Vinci Code.

Whatever the case, Belphegor  has become immortalised in France, of a mass-mind focus, spinning her sensual Tulpa.

She was even featured for a time in DC’s New Earth comics as one of the Global Guardians, whose base of operations is based in a United Nations-financed headquarters building called the Dome, which just so happens is located in the Artists capital of Paris.

You could otherwise see the Dome as the Musée du Louvre, when to ascend the dream escalator unto Belphegor’s seventh planetary sphere of her heavenly delights, which only a Parisian girl can bestow.

Hence, she can be conjured amidst the Triangle Of Art imagination as an inspiring Art Muse, who as a Parisian Art Student will reveal the very real masked mystery of the Musée du Louvre.

She might just lead you through her Yoni stargate, into the cavernous temple precincts of the Musée du Louvre, to Remote-View its uterine galleries, within a lucid dream.

Belphegor will at first indicate that she has an association with ancient Egypt, whose culture the French are enamoured with, whereupon you have the Louvre… Pyramid.

Whereby, Belphegor’s sigil/seal is derived from the blueprint of the Musée du Louvre, of a one time fortress becoming a palace, which appears to be based upon the Edfu temple of ancient Egypt’s Isis child of a… Horus.

Upon what the Louvre was originally built, is of course debatable; but it was very likely a pagan site, of a possible ancient temple.

You also have many a Neolithic Ley line pointing at its locale, which was no doubt symbolically aligned with a… Hawk.

Said Hawk was not just any raptor, but that of a Hawk specifically flown from a (Belphegor) lady’s hand, known as a… Merlin… who as Belphegor’s Druid, knows about her Ouroboros Stargate, ringed by Gaulish standing stones, under the star clock of Zodiac ages.

When to see Merlin, you will then find that unmasked Belphegor alludes to Morgana la Fay, of (Da’at) Avalon isle (Lin/Din/Dun) hill/Tor/Cosmic-Mountain/Pyramid, at the centre of (Mer/Myr/Mar) menstrual blood (scarlet – Isis/Mary) waters, who to watch over a (Horus/Merlin) ‘Bearded’ Druid.

The ancient Gauls considered Britain to be a school of (Shaman) Druids, who had caused no end of bother to the Roman’s, before they then decided to invade Britain.

The mystery of the Louvre (Lin/Din/Dun) pyramid amidst (Mer/Myr/Mar-y) waters is thereby revealed of a pre-Christian understanding, which has nothing to do with the Da Vinci Code.

But why the Musée du Louvre? Well, besides being an ancient power place, it is now the most visited Art museum in the world, which to hearken back to a painted womb cave from where the first Shaman (Druid) was born as an Artist, who knows how to ‘program’ his ‘virtual reality’ lucid dreams via symbolic stimuli.

The Artist to know that Art is Sorcery, Sorcery is Art; both are indivisible of shamanic practice, of which Belphegor to inspire as an Art Muse; that is why most Artists are by nature, thinking outside of the box, crazy.

Belphegor symbolically represents the hypnagogic (phase) trance (Rose/Yoni/crevice) into the (grail/chalice) womb dream of astral waters, the Shamans bloody consciousness to enter.

The Shamans consciousness is likened to a blade penetrating the (Isis/Belphegor/Morgana la Fay) dream, wherein he then to ‘Out Of Body Experience,’ fly over the ever recurring Ouroboros of all existence, as a Remote-Viewing winged (Horus) eye, of a Time Travelling… Merlin.

NOTE: In the practice of Alchemy, you have the Prima Materia, which is essentially detritus. Some Alchemists saw this to be quite literal; whereupon their labs did reek of their boiled down urine and excrement. It just so happens, that your ‘body’ shits gold and other metals, but only in very small trace amounts.  

The body was symbolically represented as the cosmic mountain, which is interpenetrated by the tree of worlds, representing your spinal column. The cosmic mountain is otherwise symbolised as a… Pyramid. 

However, as to the Prima Materia, it refers to something else, which equates with the heavy metal of lead and that of a Torc, encircled of an Ouroboros around the throat area of the (Da’at) reptilian brain-stem. 

The leaden Torc represents the eternally recurring events of existence, which in regards to an unobserved life leads to repeating situations, a Hindu would term as being Karma. The practice of Yoga and that of Alchemy is to transmute the Karmic repeat into something else; whereupon you have the employed symbolism of lead being transmuted into gold. 

The process of transmutation requires that the practitioner becomes adept at inducing hypnagogic trance in order to thence attain conscious ingress into the dream. The reptilian brain-stem governs over the depth of your dreams and trance states; hence you have the serpentine symbolism of a lead Torc being transmuted into gold. 

When conscious ingress into the dream is attained of a ‘little death,’ the practitioner will start to become more aware of the Karmic repeats of his/her life; this leads to a sensation that certain key events have happened before, which is summed up by the ‘French’ term of déjà vu. 

The ‘Edge Of Tomorrow’ experience of déjà vu is often tied up with the observation of synchronicities, which have a symbolic correlation with scenarios prior encountered in dreams. As the practitioner becomes more aware of the repeat of leaden Karma, his/her Torc can be potentially transmuted into a golden understanding that the repeat can be changed; this then leads to what a Hindu terms as Dharma. 

Basically, shit can be changed into gold; but only when you start to déjà vu remember the repeating shit! 

Those who do not to remember, are just repeating their ‘programmed’ shit, having no free-will of their own; for everything has been fixed of a leaden Ouroboros Torc around their throats. 

An analogy being, those who as yet do not remember are nothing more than being programmed simulations existing within a simulated reality a Hindu mystic would term as being Maya. 

In ancient times, a lead Torc was worn by those who were considered to be slaves to their fate until they attained the (Belphegor/Morgana la Fay) Avalon (Da’at) ‘Knowledge’ that their leaden existence can be transmuted into gold. 

Whereby, Merlin wears a golden Torc, who is very much aware of the shit; such as knowing that in the New-World-Order of an Orwellian Eden, ignorance is bliss; whereas the (Da’at) Avalon ‘Knowledge’ is considered to be a sin!  

That is why the shits fluoridate your water supply in order to calcify your… third eye!

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THE CONJURING 2 OF VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2016 by FAUSTUS CROW

Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.

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The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.

Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes.

The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.

Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst artistry. At the end of the day, the practice of art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.

This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.

For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is that of an all male pantheon of an ‘Animus’ fixation.

As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic. But it is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun.

The reasoning behind the schoolgirl motif is because I am employing symbolic logic; Valak originally refers to a little boy of a Hermes, whose feminine name is Hermione.

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This then leads you by association to the modern archetype of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning.

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This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.

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However, as for Valak’s serpentine association, it would lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.

Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear; but then I am not into living in fear; are you?.

Basically, the artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.

You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious reversal.

Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.

Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a viral-meme Tulpa ghost Nun.

Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.

As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits; but they are depicted as being essentially male entities in disguise. This perpetuates the all male paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.

The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?

Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”

The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.

The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.

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Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.

If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.

But when to find that its symbolic emphasis is that of an all male pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting ghost of an old man, whose disturbing disposition is that of a dirty old Goat.

But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.

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You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.

The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’

For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.

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However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.

But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God.

Alas, no film has as yet covered the fallen ‘Anima,’ but then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.

NOTE: As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’

Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown. 

In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’ 

The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet. 

The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film. 

But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans. 

Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of  a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man.

In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit. 

The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.

Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet. 

The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.

The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.

The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.  

In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix! 

So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded. 

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BARBARELLA LUCID DREAM VIMANA UFO

Posted in Alien, Art, Chaos Magic, Comics, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2016 by FAUSTUS CROW

Jane Fonda stars in Roger Vadim's futuristic space adventure 'Barbarella'. The story is based on the comic strip created by Jean Claude Forest, 6th July 1967. Costumes by Paco Rabanne.

A Funny Thing Happened On The Way To The Cinema of a childhood memory; I remember being taken to a cinema situated in Putney by my parents. The cinema was showing the film Chitty Chitty Bang Bang, which had just hit the shores of the UK.

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As many will no doubt know, the film is about a magical flying car, a Hindu mystic might just call a Vimana, which of a term has also been applied to sightings of UFOs.

Anyway, I was rather young at the time, I must have been around four years of age; what is quite strange is that I cannot recollect seeing the film at all, I probably fell asleep, since it is a musical. I never had a liking for musicals, they tend to do my head in with their sugary mantras.

Even so, Chitty Chitty Bang Bang no doubt zapped my reptilian brain-stem, which I later fused of symbolism with the sentient Hippie Volkswagen Beetle, numbered fifty-three (numerology: reduced to eight), featured in the 1968 Disney film, entitled, The Love Bug, to then symbolically merge with Odin’s ‘eight’-legged Night-Mare called, Sleipnir, and the prior 1960 George Pal film version of H.G. Well’s, The Time Machine.

Those of you who are Artists, whom to create within your Magic-Circle Art studios might understand what I have just written; whereas a non-artist will very likely say that what has been written sounds absolutely barmy, deranged, let alone insane! Alas, ‘Muggle’ non-artists find it extremely difficult to understand the reasoning of associative symbolism, leading to the evolution of an internal idea, to conjure up as a corresponding ‘brainstorming’ vision amidst the Triangle Of Art Imagination, which then manifests of externalised artistry, whether it be a drawing, painting, sculpture, writing, etc, or even a… musical. I still do not like musicals, even if it is based upon H.G. Wells, The Time Machine.

Okay! I might give it a go… maybe… since Jeff Wayne’s, musical version of H.G Wells, War Of The Worlds wasn’t so bad, which I must admit, I bought long ago. There is however an exception in regards to my dislike of musicals, I absolutely adore the hilarious 1966 musical film, entitled, ‘A Funny Thing Happened On The Way To The Forum,’ which led to Frankie Howard’s superb comical rendition of Roman culture in the 1969-1970 TV series, Up Pompeii.

A Funny Thing Happened On The Way To The Forum, is brilliantly accurate concerning its depiction of Diana-Lucifera Roman society where the Mesopotamian, Make Love, Not War, sex Goddess Astarte was still remembered before she was bound into the male form of Astaroth by the Hebrew’s and copy-cat Christian’s, who later became the machismo Ashtar Of Star Command, channelled by UFO devotees as their angelic saviour, looking like an Aryan Christ piloting a Vimana. Lest us not forget that the Christian’s also transformed the Roman Goddess, Diana-Lucifera into gender-bender Lucifer of an anti-thesis ‘brand,’ which is a comedy of neuro-marketing mind-control errors in its self.

You might just enquire, “why do you consider the film, A Funny Thing Happened On The Way To The Forum to be historically accurate in its depiction of Roman life?” Well, when I first saw the film as a kid, it triggered off a number of vivid recurring dreams about being in ancient pre-Christian Rome, maybe Pompeii, or elsewhere among the precincts of the vast Roman empire, which has… Never Ended… of an ‘Animus’ fixated symbolic Matrix since the time of Emperor Constantine, who appropriated the ancestral-self-identity of the Hebrew’s.

The imperialistic culture of ancient Rome the 1966 science fiction series Star Trek had conjured up as the Romulan empire. I still fondly remember the Romulan commander out of the 1968 Star Trek episode: The Enterprise Incident.

I have had a suspicion for sometime, that I have experienced a rather comedic past life as rebellious citizen of ancient Rome.

Or otherwise accessing a passed down ‘Neuro-Genetic’ memory of a prior Dawning Of The Age Of Aquarius, which the Vietnam war era Broadway musical, entitled, Hair, had immortalised, of a Timothy Leary ‘Eight Circuit’ vision of consciousness, back in 1968, whose (53/8) Love Bug anti-war message was later made into a movie in 1979. But the Love Bug message was duly forgotten during the very shady (23-Skiddoo) 2003 invasion of Iraq.

I to digress; sort of, as mentioned I cannot remember seeing the film Chitty Chitty Bang Bang at the time, but what I do vividly recollect is seeing a psychedelic poster when we first entered and left Putney cinema. (A late 1960’s-early 70’s Hippie era photo of Putney cinema is featured in the comic strip below.)

The poster was for the 1968 Hippie film Barbarella, which had a profound effect upon me, I even remember waddling my way back into the cinema foyer to have another look, just after we left, wondering what had just hit me of a reptilian brain-stem ‘Da’at’ zap; this of course freaked out my parents no end, since I escaped their grasp.

What I felt was a sensation of recognition; it was the same feeling of déjà vu I had felt when I later set eyes upon a Lamb’s Navy billboard poster of Caroline Munro, which I made a ritualistic point of passing by as a kid; this invariably led to finding myself in an auto-hypnotised daze, repeatedly crashing into a lamppost Iriminsul near unto the billboard, when going to and from Hogwarts.

I cannot say that the Barbarella poster did not evoke a Love Bug sexual response in me, in all honesty, it did.

But not as an adult would understand it of a Politically-Correct Thought-Control Romulan intellect, it was something else, far more spiritual of a Tantric nature.

Although, the anti-war child doctor, Benjamin McLane ‘Spock’ may have understood, who signed the ‘Writers and Editors War Tax Protest’ pledge, back in 1968, vowing to refuse tax payments in protest against the Romulan War in Vietnam.

Super-Team Family: The Lost Issues!: Team Up:

Barbarella Jane Fonda is also well known for her anti-war protests. But history has since repeated its self; such to occur because of those in power playing the same old game, over and over again, from Vietnam to Iraq; lessons were of course learned, which of psychological-warfare application was to stave off any repeat of the Hippie era anti-war movement. It worked!

I suspect that the now considered Entartete Kunst Barbarella poster acted as a symbolic trigger, akin to those symbolic triggers encountered in dreams, which triggers a dreamer into lucidity; these trigger events appear to occur at key-times around the Ouroboros. As far as I can recollect, the UK Barbarella poster I saw as a child was the one below, which was designed by Robin Ray and illustrated by Renato Fratini in the comic strip style of Barbarella’s creator, Jean-Claude Forest.

The other poster design I potentially saw was originally done by the brilliant American illustrator, Robert McGinnis, which in the UK was in part redesigned by Robin Ray and Renato Fratini.

It is almost as if, what I am focussing upon now of Entartete Kunst artistry, concerning the conjuration of Succubae Art Muses within lucid dreams, such as the ‘Anima’ version of Astaroth, otherwise called Astarota, has somehow influenced my own past through time.

The lucid dream conjurations of Hippie space-girl Barbarella, as Astarota, flying her Vimana of an Ouroboros flying-saucer may have generated a self-enclosed loop of time.

This was in turn triggered by my childhood observation of a Barbarella poster, depicting a Succubus fluctuation of the fallen ‘Anima.’

But then, Astarota to classically reveal how the Succubae Great Old Ones fell; hence, they are not listed in any Grimoire, until I rebelliously depicted their ‘Anima’ manifestations.

If you think that sounds crazy, just remember, I am an Artist and Artists are naturally crazy, it goes with the creative turf! As for Roger Vadim’s ‘surrealist’ film of Barbarella I only got to see it until much later, when I was in my late teens.

The lucid dream conjurations of Astarota might explain the precognitive experiences I have experienced, some of which enabled me to avert a number of life threatening situations.

That, or it is a triggered indicator that eternal recurrence is an Ouroboros reality, which going by my other personal experiences, could indeed be the case of a closed-timelike-curve, to lucid dream ride as a conjured Night-Mare Vimana.

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LILITH, ANNO DOMINI

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Love Magic, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 1, 2016 by FAUSTUS CROW

Sometime ago in my misbegotten youth, as a child, I remember being left alone in my parents car one fateful night after a day out visiting the British Natural History museum. My parents had dashed off to acquire a meal of soggy fish and chips from the local chippie, before returning home.

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While waiting for my parents return with the aforementioned meal, I looked out of the passenger window and noticed a billboard featuring a huge Lamb’s Navy poster of the most beautiful woman I had ever seen.

Even though I was but a kid, with no bristles to yet erupt forth upon my physiognomy, requiring copious amounts of Noxzema shaving cream, she stirred something deep within me.

I felt that my head was going to explode, it was like a mystical revelation. The experience was of similarity to what I had far earlier experienced when seeing a poster for Barbarella, but that’s another story.

The sensation was not necessarily sexual, more like that of recognition, as if she had triggered a memory I could not as yet remember in its entirety; the only way I can describe it as being like déjà-vu.

But then I was nightly experiencing the Old Hag Syndrome with its ensuing sleep paralysis, prior to attaining conscious ingress into the dream, which in retrospect, probably made me more sensitive to something quite other.

The woman I later to find out was Caroline Munro who I started to notice was being featured in an advert for Manikin Cigars on my parent’s flickering black and white TV set, which I made a point of seeing, to the point of becoming nigh obsessed; I’m surprised I didn’t end up becoming a chain smoker, let alone an alcoholic.

I was not the only one who had been hypnotised by Munro’s High Priestess looks, Hammer Films CEO, Sir James Carreras, also spotted Munro on a Lamb’s Navy Rum poster of a Tarot card. He asked his right-hand man, James Liggett, to find and screen test her.

She was quickly signed to a one-year contract. Her first film for Hammer had proven to be something of a turning point in Munro’s career, who as a Muse, stirred my unusual dreams.

It was during the making of the 1972 film, Dracula A.D., Munro decided from this film onward that she was a fully-fledged actress.

Munro acted in Captain Kronos – Vampire Hunter, in 1974, which is one of my childhood favourites.

The film was directed by Brian Clemens, in which Munro plays the part of a barefoot gypsy girl named, Carla.

In Paramount Pictures DVD commentary, Clemens explains, he had initially envisioned the role as being played by a fiery, Raquel Welch type, red-head; but Munro was far more archetypal of Witch looks for the part.

Munro has the distinction of being the only actress to have ever been signed to a long-term contract to Hammer Films. She later turned down the lead female roles in Hammer’s Dr. Jekyll and Sister Hyde, Frankenstein and the Monster from Hell, and the unmade Vampirella film, since they required nudity.

It was not a case that Munro was a prude, she had a raw sensuality anyway, oozing eroticism upon a look, which did not require her to be nude. Although I could not help wondering what was hidden behind her Genie veil.

Whereupon when my stirred sexual impulse was introverted, the nightly Old Hag Syndrome was transmuted into another experience by prior mediating upon her two-dimensional picture.

Wherein of the dream, I encountered a Succubus looking just like a Caroline Munro of a three-dimensional interactive reality, to otherwise know as… Lilith.

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TO THE SORCERER CROW A SUCCUBUS TULPA OF A DAUGHTER

Posted in Art, Chaos Magic, Comics, Demonology, Film, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2016 by FAUSTUS CROW

I really enjoy watching a good horror flick, preferably fantasy horror rather than slashers. However the same old focus upon an all male Biblical paradigm of an ‘Animus’ fixation just creases me up; I just cannot take them at all seriously.

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Anyway, I still like them, even though a God upending a Devil and vice versa, via their incubus angels and demons, followed up closely behind by ‘Animus’ fixated minions, is absolutely hilarious. One film I have a fondness for from my childhood is the classic horror film, To the Devil a Daughter, directed by Peter Sykes, which was co-produced by Hammer Film Productions and Terra-Filmkunst back in 1976.

The film was adapted by Christopher Wicking and John Peacock from the 1953 novel of the same name, authored by Dennis Wheatley. The film starred Richard Widmark, Christopher Lee, Honor Blackman, Denholm Elliott, and of course the delectable Nastassja Kinski who I had the hots for; she was older than me, maybe the same age thereabouts, at the time, of my fantasy fueled conjurations.

It was the second of Wheatley’s black magic novels filmed by Hammer, following The Devil Rides Out, prior released in 1968, which is another film favourite of childhood memory. Like most horror films, let alone books, the film uses the same tried and tested generic formula of commonality.

The plot in general has an American expatriate occult writer, named John Verney (Widmark) who is asked by Henry Beddows (Elliot) to pick up his daughter Catherine (Kinski) from London airport.

Catherine is a nun, belonging to a Christian cult, calling themselves the ‘Children of the Lord,’ a mysterious heretical order based in Illuminati Bavaria. The cult was created by a excommunicated Roman Catholic priest Michael Rayner (Lee), just like the Emperor Constantine had done, when he appropriated the ancestral-self-identity of the Hebrew’s in order to create Christianity.

Beddows is only allowed to visit his daughter on her birthdays. Shortly after Catherine arrives, Beddows insists she stays with Verney. The cult members are outraged, who under Father Michael, use all their ‘Animus’ fixated efforts to get Catherine back into their flock, by using black magic to stop Verney protecting her.

Verney learns that the cult are preparing Catherine to become an avatar of the twenty-ninth spirit of the Goetia called Astaroth. Said spirit is described as being male in the classical Grimoires, even though Astaroth was originally based upon the Mesopotamian sex Goddess called, Astarte, the Sumerian’s and Babylonian’s knew as Ishtar, who the Saxon’s called Eostre, from whose name Easter is derived.

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In the film Astaroth is an anti-thesis Christ figure, who is depicted crucified, upside down upon a cross, which is otherwise up-righted on an altar. Catherine wears the Astaroth crucifix around her neck of an ‘Animus’ fixation.

Catherine is to be wedded to her lord Astaroth on her eighteenth birthday just like many another nun being married off to their Christ; whereupon the priest systematically murders Verney’s friends in his attempts to retrieve Catherine from Verney.

But Verney battles the priest and his minions who eventually rescues Catherine from the clutches of the Astaroth cult, back into the folds of the Christ cult. What a laugh!

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Suffice to say Nastassja Kinski’s ‘Tarot card XV’ role in the movie was verily conjured into a Faustian film amidst my Triangle Of Art imagination, which goes far beyond Marlowe’s and Goethe’s, Faust. So, when Faustus Crow presently summons Mephistophina, he is conjuring up childhood memories of a Night-Mare time when he was lucid dream formulating his Succubus Grimoire, of sorcerer artistry.

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GOETIA GIRLS OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Dr Who, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 16, 2016 by FAUSTUS CROW

Artists often engage themselves in the ‘derangement’ of their senses in order to mutate their perception, to thence attain another inspired perspective. One example being Salvador Dali, who developed a surrealist technique of creative derangement, he termed as the paranoiac-critical method during the 1930’s.

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However, Dali’s paranoiac-critical method has been utilised by shamans for ages, whose psychonaut techniques of lucid dream inducement involved the creation of dream characters, a Tibetan Buddhist would term as being Tulpas.

I am aware that a number of dry scholars have pompously pointed out that the word Tulpa is a misinterpretation of the Tibetan term, Tulku, which is essentially a self-constructed Avatar. However, when assuming the alternate guise of a Tulku within a lucid dream, it is like that of an actor playing a part in a film, whose other supporting characters are Tulpas, who reflect back the assumed guise of a constructed Tulku.

For example, if you assume the Tulku guise of Vincent Price, you might just find yourself having a dream of being in a horror film, whose other actresses and actors are Tulpas. Why would you assume the guise of Vincent Price, you might ask? Well, it may be because you seek to empower your acting ability, should your profession be that of an actor; or to otherwise assume the guise of Austin Osman Spare, if you are an artist. Perhaps you might decide to fuse these influential personages together with Henry Miller, to thereby create a Tulku; and like a time-travelling Doctor Who writer would do, whose TARDIS brain to travel around the Succubae Decans of the Zodiac ages, you can also imaginatively assume the star-sign guise of Vincent van Gogh.

Should this sound rather ‘deranged’ to you, consider the intriguing experiments conducted by Vladimir Raikov who is a Russian psychotherapist, head of the Laboratory for Hypnosis at the State Scientific and Research Centre for Preventive Medicine. In general Raikov hypnotised his subjects to believe that they were the reincarnations of Rembrandt or Mozart, etc. Evidently after a period of doing this, his subjects brought back from their induced trance state the abilities of the personages with whom they had identified. For example, someone who had identified himself with Rembrandt had awakened his own artistic ability to eventually make a career out of it.

“There is also a third kind of madness, which is possession by the ‘Muses,’ enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric….But he, who, not being inspired and having no touch of Madness in his soul, comes to the door and thinks he will get into the temple by the help of Art–he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the Madman.”

― Plato, Phaedo

If you consider all of this to be quite mad, keep in mind that children subconsciously learn from any influential role-models around them. Raikov’s technique is just an adaption of what children naturally do; however, the barriers of accumulated belief of an adult, blocks him or her from fluidly learning as a dreaming child. Hence, the beliefs of an adult requires the need to be broken down by believing that the assumed persona is a reincarnation, even if it is an artificially constructed Tulku, which could just as well be that of a future incarnation.

However, you do not need to be hypnotised by another individual, such can be potentially very dodgy; you can attain the same experience via lucid dreaming, which of dream Yoga, will enable you to assume a desired guise of a particular Tulku.

A Tibetan Buddhist would otherwise assume the Tulku guise of one of his many Buddhas via meditative and auto-hypnotic (trance) practices, in order to empower his spiritual progression. You will also find that each Buddha is depicted copulating with a female representing the power of a corresponding dream domain, who is termed as being Shakti, Carl Jung would call the ‘Anima.’

The Anima can manifest as differing female characters, each of which can be seen to be a female Tulpa, who empowers a corresponding Tulku.

The female Tulpa can be ‘artistically’ constructed as a mind-doll means to empower lucid dreaming, which a Tibetan Tantric Buddhist would call a Dakini.

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Although the medieval mind-set of the West, a Dakini is otherwise called a Succubus, the prior ancient Greek’s knew as a Muse, who to remind that Art is Sorcery, Sorcery is Art, they are indivisible from each other, one and the same of shamanic practice.

When to see a Succubus as a constructed Tulpa, it is none too different to a computer program, like that of a web-bot browsing your informational dreams, which then initiates a virtual reality lucid dream, created by your quantum computing TARDIS brain.

The Succubus has lost its deeper meaning since the medieval mindset of the West has castigated sexuality and the feminine principle out of the spiritual equation, whereupon becoming purely demonic of hedonism, having no meaning whatsoever beyond that of blindly copulating.

The male counterpart of a Succubus is an Incubus, whose ‘Animus’ manifestations of God, Devil, angels and demons are commonly listed in many a Grimoire, who are known as Daka in Tibetan Buddhist dream Yoga practice.

The reasoning behind the focus upon a (Dakini) Succubus is that of introverting the sexual impulse in order to overcome what is technically termed as the Old Hag Syndrome, when accessing the hypnagogic state of trance, at the point of sleep. The hypnagogic state and the ensuing sleep paralysis can be quite terrifying, which of Bedroom Invader nightmare terrors can be otherwise transformed into a Night-Mare Succubus to ride into conscious dreaming.

This can be achieved when the sexual impulse is introverted, via a prior meditation upon an erotic image of a particular Succubus, in order to negate the fear of the practitioner; for it is the reactive state of fear, which makes the experience of hypnagogic trance so horrifying. As for the adapted ‘House Of Wax’ movie posters, concerning Wax Dolls, they were utilised to symbolically allude to the Mind-Doll Tulpas – Succubae.

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DOCTOR STRANGE AND THE ANCIENT ONE OF AN ANIMA

Posted in Art, Chaos Magic, Comics, Film, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 10, 2016 by FAUSTUS CROW

The Marvel comic character of Doctor Strange was forged during the rebellious Hippie era, which of an underlying Newage Zeitgeist fixation since the mid to late twentieth century had an alternative focus upon the spiritual disciplines of the far East. Hence you have Strange seeking to become the apprentice of an old Tibetan sorcerer known as the Ancient One.

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There are still many a Hippie around of rebellious attitude, remembering the 60’s-70’s anti-war  protests, who as fans of Faustian Doctor Strange, consider the nigh psychedelic sorcerer supreme as representing their bygone youth, when to have first read the books, written by Carlos Castaneda, about his sorcerers apprentice experiences with the Ancient One called Don Juan Matus.

Many of the present comic fans are unaware of the Hippie zeitgeist roots of Doctor Strange, but as an archetypal Faustian mage, he would be generally associated with the likes of Lord Of The Rings, Gandalf and Harry Potter. As for the non comic fans, they are unconcerned about the social engineering machinations of Marvel and Disney, concerning the transformation of the Ancient One into a female Celt, using Kung Fu.

Let’s say that the transformation of the Ancient One into a Celt, may be referring to the genetic findings of the Human Genome Project, which has recently discovered that the Celts originally came from Siberia, not Europe as first thought. Whether the Doctor Strange script writers are referring to the Human Genome Project findings is debatable, though unlikely. Whatever the case,  the Stone Age ancestors of the Celts apparently lived in the region of Lake Baikal to the Altai region more than 30,000 years ago.

For example the historians had previously believed the early Britons were mainly made up of Celtic incomers from Europe a few centuries ago. But study of Celtic DNA indicates a strong connection with the nomadic people known as the Kets of Siberia, rather than anywhere in Europe. Wherefore the ancient ancestors of Doctor Strange are Siberian migrants, whose original homeland is the realm of the shaman.

As for the Altai region of Southern Siberia and central Mongolia its locale has been identified as the point of origin of a cultural enigma termed the Seima-Turbino Phenomenon. It is conjectured that changes in climate in this region around 2000 BC and the ensuing ecological, economic and political changes triggered a rapid and massive migration westward into Northeast Europe, Eastward into China (Tarim basin mummies) and Southward into Vietnam, Thailand and even Japan, whose animist culture gifted the world its Manga and Anime.

There are also indications of far earlier migrations from the Altai region unto Lake Baikal, when a great inland flood afflicted the area, around the time of the demise of the Great Mammals. Whether there were any migrations into Tibet, is of course open to imaginative conjecture, right out of the highly innovative film Inception.

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You also have fabled Tibetan land of Shambala, which some to believe is actually situated in the Altai; although Shambala primarily appears as a mystical conception, rather than a geographical location, which of a mystique has since been used in many a film.

Curiously, although the tale is known now as a Tibetan myth, it seems that it was first recorded in AD 966 in India, where the nomadic Aryans had long ago flocked into.

The Buddhist Kalachakra tale tells of a (Shangri-la) land behind the Himalayas, ruled by a gracious King Sucandra, who was the first to learn the Kalachakra doctrine from Buddha Sakyamuni himself. A number of European believed Sucandra was a Celt. May be the Doctor Strange writers are alluding to a Celtic Sucandra who they have transformed into a female Ancient One?

No! Probably not, since a Celtic Sucandra dates back to Madame Blavatsky’s infatuation with root-races, which inspired the Nazi regime’s infatuation with finding a white, blond haired, blue-eyed Nordic super-race in Tibet, looking like Tilda Swinton.

If the Nazis had known of the Altai burial sites, it would have given them the dire shits. The Altai burials revealed mummies, whose DNA are of a most colourful ethnic mix, of similarity to those of the Tarim basin site; so, the eugenic perspective of a distinct ethnic identity, such as a Celt, or even Aryan does not, and never did apply, when looking back into the far distant past. Both the Celts – Aryans were nomadic tribal people who liked to wildly party, mixing a lot with other peoples genes they had come across, which would piss off Baron Mordo.

Should you deem that the Doctor Strange script writers are referring to the Human Genome findings that the Celts were in fact Siberians, which then leads to the Tarim basin mummies of China, etc; It will be very difficult to communicate these ideas without getting tied up in the ugly knot of racial politics, which to have afflicted the so called modern age. One thing for sure, it  will not go down at all well with the Chinese authorities, who might interpret Marvel and Disney to be saying that the European’s were in Tibet before China.

Whatever Marvel and Disney to say to the contrary of slippery tongue twisting, it is somewhat obvious that they are attempting to appease China by not having the Ancient One as a Tibetan, to then use the neuro-marketing balm of political correctness by transforming the Ancient One into a female.

The reasoning for the gender change is that of negating any potential protest from the fans, whose protesting will be rapidly drowned out by Bible thumper Oprah Winfrey, and her Fifty Shades Of A Dormammu ‘Animus’ Grey sisterhood. Their growing P.C. brigade multitude are no doubt jumping up and down in joy, for their feminist cause, wielding Thor’s hammer, whirling as a pink Swastika.

However, the Chinese authorities will probably not be too impressed by Marvel and Disney transforming a Tibetan into a Celt, which might be seen as being far worse than their political pandering. The Chinese audience might just question, “why did you not have Doctor Strange go to Britain, Scotland, Wales or Ireland, since you have transformed the Ancient One into a Celtic female?” But said Celtic migratory locales are probably considered to be not exotic enough by Marvel and Disney.

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It thereby would have been better to have had the Ancient One as an Altaic Siberian; alas, Marvel and Disney’s idea of diversity, gave the role to Tilda Swinton; who as a female symbolically represents the ancestral (Anima) Soul of Dr Strange that the Dormammu ‘Animus’ worshipper, Baron Mordo and his minions seek to destroy.

Then again, may be that is exactly what the writers of Doctor Strange are attempting to indicate, as to an Altaic soul source of the Celts; whereupon you have him journeying to the far East to discover an ancient Altaic ancestor who had migrated into Tibet, due to a prior flood hitting the Altai. Although, if to go more esoteric, it would be unlikely Marvel and Disney will allow for the Ancient One being depicted as the ‘Anima’ soul of Doctor Strange, since it would be just too succubus sexy for them to handle. But if they do take this symbolic road, it would get Marvel and Disney out of a very deep hole concerning a potential political backlash from China, which will cost them dearly, along with the writers being given the boot! Anyway, apart from all the symbol crunching, I hope that the film will be a huge success, since Doctor Strange is one of my favourite comic strip characters.

NOTE: “I would like to point out that I am not a Social Justice Warrior whose general P.C. attitude I find to be distinctly Enatarte Kunst Fascist; and what is more, the third-wave feminist politics of Social Justice Warriors can be very easily used against them, such as having a female actress playing the part of a male character, behind which a primarily monetary driven decision is hidden.

I am far more interested in C. Robert Cargill’s comment, who compared the process of casting The Ancient One to Star Trek’s ‘Kobayashi Maru,’ which I find intriguing. The Kobayashi Maru is an unwinnable test, which was first depicted in the opening scene of the film Star Trek II: The Wrath of Khan and also appears in the 2009 film Star Trek.

As for the name, Khan, it is the shortened version of Khan Noonien Singh, whose fictional Star Trek character alludes to the historical, Ghengis Khan, who achieved eventual domination over China; yet for some Chinese he is considered to be a heroic figure, even though he was Mongolian. In the fictional universe of Star Trek, Khan is depicted as once controlling more than a quarter of the Earth during the Eugenics Wars of the 1990’s.

World War II can be seen as being am actual Eugenic War due to the Nazi’s having a infatuation with eugenics, which of a warped pseudo-science, was first extensively practiced in America, during the early nineteenth century. Many at the time considered the blond, blue eyed Aryan to be the racial ideal, which of a self-inflicted Kobayashi Maru curiosity, you have an Aryan looking Tilda Swinton, playing a Celtic Ancient One, even if she is bald. 

In Star Trek, James T. Kirk took the Kobayashi Maru test three times while at Starfleet Academy. Before his third attempt, Kirk surreptitiously reprogrammed the simulator so that he could beat the unwinnable test. Despite having cheated, Kirk was awarded a commendation for ‘Original Thinking.’

So, if Cargill was to otherwise translate the ‘Kobayashi Maru’ into that of a script, it would have mean’t, like Kirk, that he would have had to totally (reprogram) rewrite the Ancient One. Let’s work with Cargill’s Celtic depiction of the Ancient One; since Cargill has transformed a Tibetan male into a Celtic female, it would then lead to a further ‘reprogramming’ of the original story-line by having Doctor Strange finding himself instead in Britain, Wales, Ireland or Scotland rather than… Tibet. 

Heck! Cargill could have done a tricky Kirk number, by using the Newage mystique of Glastonbury Tor being associated with Shambhala; he could have had a forlorn depressed Strange finding himself amidst Glastonbury festival on his travels, to then be dragged off by a wild eyed Druidess, up and around the Serpentine spiral of Apple isle Glastonbury Tor. That would have been really way out, with all those glowing Ley-line dream roads webbed out around ancient stone circles, lit up like exploding stars going Matrix style; though far more psychedelic of innovative Doctor Strange visuals, having no reference to Inception whatsoever.  

Instead, Cargill’s Celtic female, played by a blond haired, though bald, blue eyed, Tilda Swinton is discovered in Tibet. This is somewhat of a self inflicted Kobayashi Maru, since it will be associated with the Nazis swarming all over Tibet, who were seeking out a blond haired, blue eyed super-race, while being best buddies with the then Japanese Empire, whose military might was causing total havoc in China.

Wherefore, if Cargill is attempting to appease the Chinese authorities by transforming a Tibetan into a Celt… in Tibet, he has very likely stuffed himself up his own Kobayashi Maru. The Chinese authorities will be really pissed off, big style. 

Would Cargill make such a silly creative mistake, which could cost Marvel and Disney very dearly, or was the trailer an Occult-Blind? I guess the only way to determine this is to see whether Marvel and Disney are making any prior cut-backs to their business empire, in order to nullify any potential business losses concerning China’s backlash.

No! Cargill wouldn’t have made such a big mistake, his script would have been gone over with a fine tooth comb by the hierarchy of Marvel and Disney, since it is historically well known that the Nazis were searching for a Tilda Swinton super-race in Tibet, which of a eugenic agenda will really piss off the Chinese. Therefore, the trailer, must be an Occult blind!? 

Perhaps Cargill has assumed the mantle of Carlos Castaneda, to have instead depicted the Ancient One as a female version of Don Juan Matus, who just so happens is a wannabe Navajo; she is actually a Celt living on the Four Corner reservation selling trinkets to tourists. The Ancient One had been prior apprenticed to an ancient Toltec Skinwalker, who bestowed immortality upon her, which is also a curse; so that she will never forget the near genocide of a prior holocaust the natives had suffered, whose children had been forced into missionary schools to learn the ways of the foreign invaders.

Let us go even further; the Ancient One is a Chinese sorceress who had long ago emigrated from China to America around 1,300 BC – nearly 2,800 years before Christopher Columbus arrived at the New World in 1492. Said scenario is based upon highly controversial ancient Chinese styles of the scripts, which have been discovered in North America. Or you could have the Chinese sorceress sailing with the fleets of Admiral Zheng, who is conjectured to have visited the Americas prior to Columbus, and that the same fleet circumnavigated the globe a century before the expedition of Ferdinand Magellan. 

These scenarios would really get the Yuan flowing into the Marvel and Disney coffers. let alone greasing up the smiles of the Social Justice Warriors, who will also be writhing in ecstasy at the thought of the Ancient One being gender bent into a female. 

But what of a backlash from the European market? There wouldn’t be too much protest if at all; but if so, a middle ground can be found. The Chinese sorceress can be otherwise seen to have emigrated to America during the 1850’s, at the time of the California gold rush. San Francisco was only a transit station on the way to the gold fields in the Sierra Nevada. According to estimates, there were in the late 1850’s 15,000 Chinese mine workers in the ‘Gold Mountains’ or ‘Mountains of Gold.’ You also have the transcontinental railroad, which was mostly built by Chinese labour.

The Chinese Ancient One is a Huli jing (狐狸精; literally: “Fox Spirit”), Huxian (狐仙; literally: “Fox Immortal”), or Jiuweihu (九尾狐; literally: “Nine-Tailed Fox”), basically she is a Succubus, who as a Tantric Wu (shaman), takes up residence in San Francisco’s Chinatown, where a psychologically wounded Doctor Strange stumbles into her upon a synchronicity.     

May be Marvel and Disney have utilised the expensive trailer to make the audience believe that the Ancient One is a female Celt in Tibet, using rejected Inception outtakes, knowing full well that it will stir up an ongoing controversy and in turn a buzz; whereas, a few among the Chinese movie hierarchy know the truth. This is of course totally implausible.

But, if Cargill had depicted the Ancient One living on an American Indian reservation as a Tilda Swinton European seeking redemption, or as a Chinese sorceress in America, the authorities in China will lap it up, wanting more. He would have then beaten the Kobayashi Maru, smiling all the way to the bank.      

But, let’s say that Cargill has stuffed himself up his own Kobayashi Maru; how will it then affect the rest of the Marvel movie franchise, concerning a Doctor Strange tie in with their other MCU characters? Well, if Cargill has indeed stuffed it up, the MCU franchise could crumble very quickly indeed, should China back out of the equation. But, China, being very business savvy, might just use the situation in order to take over Marvel and in tun Disney, whose media empire spans the entire globe.

Should Cargill have Kobayashi Maru stuffed it up; Marvel and Disney could potentially avert total MCU disaster by having the Ancient One as being the ancestral ‘Anima’ (female) soul of Doctor Strange, and that its Celtic source originates from the Altai, which had long ago been afflicted by an inland flood. The prehistoric catastrophe led to those few survivors migrating into other lands, some of whom found themselves in Tibet; one of them being… the Ancient One. 

Anyway, if Marvel and Disney are Over-Watching, I am available for any ‘financially lucrative’ creative work put my way.” 

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