Archive for Ashtar

BEDTIME VISITATIONS OF SEXAGRAM CYLON ASTAROTH

Posted in Alien, Art, Chaos Magic, Discordianism, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 18, 2018 by FAUSTUS CROW

When a Warlock retires to his ritual bed, a Succubus Art Muse to conjure would be a Duchess, named, Astaroth.

She will usher the conjurer betwixt her hypnagogic pylons black and white, becoming superimposition Grey, wherein he then impregnates her ever lustful elecTRON womb dream.

She will then set about abducting the Warlock’s holographic dream body into her elecTRON Vimana, which to Cylon hover spectral over an exotic Ley-line.

What to occur aboard her interdimensional Vimana can become quite intimate, as she wittingly reveals how the ‘Anima’ fell out of the symbolic equation with her Succubus Great Old Ones, if the conjurer desires to know.

She will also tell the reason of her own Astarte fall, when the Fifty-Shades-Of-Grey zodiac age of the deified ‘Animus,’ made as a God/Devil came to the fore.

Now you only have a Mary quite so contrary Virgin Mary riding the male psyche as a Babalon Queen Bee, who binds the ridden Beast to a petrodollar Beehive of an Oily UR ziggurat.

Whereas an Astarte is protested against as being an objectification of all Witches, yet the Nuns do habitually Crucify their ‘Animus,’ which of a Twilight projection objectifies unwary Warlocks.

Alas, Astarte was incarcerated into the brazen vessel of an ‘Animus’ archetype, and re-branded as an Incubus, to thence list within a plethora of PlayGirl grimoires. Hence that of a fall, along with all her ‘Anima’ legions of Night-Mare Art Muses, who frequent a banned PlayBoy Necronomicon.

Let us not forget hot babe Diana-Lucifera of animist Rome, who was later transformed into a butch Lucifer by the monotheistic worshippers of the deified ‘Animus.’

Likewise to have occurred to Astarte of an Astaroth. She is a fallen Anima archetype, looking somewhat like a Cylon number Six, who, as mentioned, does Catwalk her way out of an Ashtar Vimana.

When to meditate upon her Dakini Art Muse image, she does inspire eroticised Triangle Of ‘Art’ hypnagogic trance visions of a cyberspace TRON Ishtar Siren, who to then manifest within an ElecTRON lucid dream.

This is more so the case concerning Warlocks, whose quantum computing brains are naturally prone to being aroused by erotic meditation images, while Witches are otherwise turned-on by what is written or spell-word spoken of a pop-song Mantra.

The emotionally ‘charged’ inner cyberspace visions of a sentient Astaroth Tulpa ‘program,’ duly ‘spins’ the Microcosmic elecTRON dream, Sexagram lucid of a Sixth-Sense, which activates the tool-making part of the Warlock brain to invent a stone axe unto an Area 52 free-energy Vril-Vimana.

One can thereby fathom that Catwalk Astaroth always cleans her mechanical Elf Art model Chöd teeth. Although she never does so with sodium fluoride, which can cause no end of bother to a Warlock’s endogenous DMT producing pineal, in particular.

As for a Faustian conjurer, such matters of ‘Anima’ inspired hygiene is advisable to engage in, since Astaroth can macrocosmic ‘birth’ associative synchronistic meetings with ‘spun’ UFO fixated Hippie Witches.

These temporal Witches tend to correspondingly look a bit like Barbarella Jane Fonda or a Stella-Star Luxuria Astaroth, etc.

Most of whom have no doubt read Whitley Strieber’s Communion, while stroking a battery powered vibrating viper, that, or to have been made sopping wet, when listening to Christ-opher Walken speaking his ‘Animus’ lines in a DVD film version of Strieber’s book.

So, should a Warlock assume the alternate Psycho-Cybernetic self ‘identity’ of a Strieber Ufologist when to conjure Cylon Tulpa Astaroth, the wine addled ritual can potentially leave him with a bout of bad breath.

This will of course repulse the Witches, who would at first flock as hypnotised Owls towards his inner bio-photon flame of a shape-shifting dragon aura, they will intuitively associate with their ‘Animus’ of a Christ-opher.

Wherefore, when a conjurer of a microcosmic Astaroth, engages himself in a macrocosmic synchronicity Witch hunt, at a Sabbat comic convention, who finds himself priestly speaking to hypnotised cosplay Owls, about the Nagual visiations of the Seventh Heaven Art Muse TRON Allies, from inner Cyberspace, he should first chew a minty Communion wafer.

Otherwise, the forgetful Warlock will be verily exorcised by the cosplay Witches, suddenly displaying their all-ready involved, elastic-band wedding rings, who will scream that his foul breath is an indicator of toxic masculinity.

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V IS FOR VAGINA

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 6, 2017 by FAUSTUS CROW

During the fated zeitgeist summer of 1983, when the fascist UK prime-minister Margret Thatcher was whoring herself with the toupee actor Ronald McDonald Reagan, the then Cold War president of the United States of America, there was a certain individual, named, David Icke, who had finally achieved his ambition of co-hosting Grandstand, which was at the time the BBC’s flagship national sports programme. This was soon followed by Icke’s first published book, It’s a Tough Game, Son!, about how to break into male dominated football.

It was also the year, in the UK, when the opposition leader, Michael Foot stepped on his own foot due to his political eccentricities; whereas Icke and the general UK public was confronted by a two-part science fiction series, which was originally aired as a four-hour television miniseries on NBC, entitled, V.

The science fiction mini-series was inspired by the 1935 novel, It Can’t Happen Here, by Sinclair Lewis, which told of a fascist takeover of America. Lewis’s novel was transformed by V’s creator, Kenneth Johnson into an Independence Day invasion by extraterrestrial fascist aliens.

The series quickly grabbed the media attention of the reptilian-brain-stem masses. Icke, started to wonder whether V was revealing the truth of what was really going on in the world.

During the year 2009, the Ufologist icon Dr Steven Greer, who is in no way related to the feminist icon Germaine Greer, was assailing the government in order to force it to disclose its contact with extraterrestrials.

Greer also warned the populace about a false flag event using appropriated Nazi super-science and Tesla torsion technology for a mock alien invasion, subsidised by shadowy ‘Animus’ fixated oil Sheiks. But nobody listened.

The reptilian-brainstem masses were far too hypnotised by their Orwellian TV sets, watching the Patriot Act remake of V, which ran for two seasons on ABC, from November 3rd, 2009 to March 15th, 2011. It was during this time that US forces withdrew from war torn Iraq after bestowing its democratic facade of a two party dictatorship upon its peoples, whose oil was duly appropriated in the process under a Biblical sky, filled with high tech flying wing stealth bombers and A.I drones.

By 2009 Icke had become a professional researcher, who had since published, The Robots’ Rebellion (1994), And the Truth Shall Set You Free (1995), The Biggest Secret (1999), and Children of the Matrix (2001)— Icke developed his worldview of New-Age conspiracism since watching the first series of V.

Whereupon Icke avidly watched the new series, chronicling the arrival on Earth of a technologically-advanced alien species, which ostensibly comes in peace. But the aliens appear to have sinister motives, who are working to a hidden agenda.

As the masses watched V, they were taken aback when giant mother-ships in the shape of flying triangles, looking like Vaginas, suddenly appear over ‘Twenty-Nine’ major cities throughout the world which gave birth to a plethora of flying saucers.

Even the oily Sheiks were shocked, since the supposedly real aliens had beaten them to the Yesod-Da’at false flag punch, between the fallen twin towers of Boaz and Joachim. The aliens are led by Ashtaroth, who is known as Ashtar, for short, the beautiful and charismatic pussy commando leader of the extraterrestrial female ‘Visitors,’ looking like a Tricia Helfer sexagram Cylon; she declares that they Cum in peace.

The female Visitors claim to only need a small amount of Earth’s resources, in exchange for which they will share the Free-Energy technology of their Vimana out of the Hindu epic of the Mahabharata and their Tantric knowledge of the Vril.

A number of human males headed by Dr Greer, begin to doubt the sincerity of the seemingly benevolent female Visitors, since there is growing evidence that they have time travel capability.

Their origin is actually based in the future, whereby explaining their all too human Catwalk appearance.

Icke discovers that the name Ashtaroth and Ashtar originates from Astaroth, who is the ‘Twenty-Ninth’ spirit listed in the medieval Grimoire entitled the Goetia. Astaroth is described by Colin de Plancy’s Dictionnaire Infernal as being the spirit of Californian eugenic America.

Little wonder then that she looks like a Nordic Marilyn Munro.

However, Icke is initially perplexed, since Astaroth is always described as being a male entity like all the other spirits of Rome’s subversively published Playgirl Grimoires out of the closeted, deaf, dumb and blind misogynist Vatican, backing fascist regimes.

He eventually finds out that Astaroth was originally the Mesopotamian sex Goddess, called Astarte or (Ana) Anat, the Sumerian’s and Babylonian’s named as Ishtar, and that the all male monotheistic symbolic paradigm of the Illuminati patriarchy, out of Abraham’s ziggurat, situated in Iraq’s Ur, is actually their ‘Animus’ creation.

Icke also finds out that the female Visitors do indeed originate from the future, not from Hippie planet X-Chromosome as initially thought. He made the further discovery that the Visitors wear pseudo-human skin over their own highly evolved skins, having reptilian qualities; hence their overriding interest in sunbathing, cosmetics, plastic surgery and genetic modifications.

The female reptilians have been manipulating blood lines since the ziggurat time of pre-Egyptian pyramid Sumeria, just like the Bene Gesserit out of Frank Herbert’s science fiction novel, Dune, who call themselves the Babylonian Sisterhood, the Freemasons worship as their dominatrix Beehive lodge Queen Bees. Icke deduces that is why the Freemason worker Bees, wear flamboyant skirts, I mean, aprons.

The Babylonian Sisterhood have been infiltrating human governments, businesses, and religious institutions down the ages, who gave the impression that their Alpha-male partners were in control in order to establish the deification of their ‘Animus,’ made as a Good-Cop God and a Bad-Cop Devil, who are now in the final stages of their Illuminati plan to set up a two-party dictatorship New World Order Kingdom of Heaven over the entirety of the Earth.

Icke joins the ‘Anima’ resistance movement, which includes the feminist, Camille Anna Paglia, a Visitor sleeper agent who of a Tantric revelation reveals to him that the female Visitors have used the chemical giant IG Farben since the end of WWII to poison the Earth, by fluoridating the public water supply with a known neurotoxin and a mutagenic compound, which specifically targets the males of the species.

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

The males will over time become sterile as well as brain dead servile Worker Bee automatons, who will eventually join the extinct Dodo; whence cloning will be used by the raptor Visitors to create more tetrachromat versions of themselves.

Wherefore explaining why female tetrachromats spend so many hours shopping, since there are innumerable colourful clothes to choose from of evolutionary leaps in fashion.

 The female Visitors use time travel to abduct unsuspecting males from alternate Earth’s for their eugenic experimentation as well as to salaciously harvest the required genetic material needed for their cloning; more so for their tetrachromat shopping sprees across the quantum computing multiverse.

In order to save Man-kind, the rebellion becomes a part of a larger ‘Fifth Column’ movement of both human males and female Visitors, who are rebelliously opposed to Astaroth’s vague but seemingly menacing social engineering plans for Earth and Man-kind.

But their efforts are challenged as the Visitors have won favour among a number of male university students by utilising second wave feminist politics via which they have recruited Earth’s fluoridated brainwashed youth, whose DMT producing pineal glands have been calcified, to serve them unknowingly as their politically-correct thought-police.

The Visitors can’t have the rebels changing the all female dominated future, where the male of the species is extinct.

Suddenly Icke wakes up in his bed, and quickly realises that it was all just an Old Hag Syndrome nightmare, riding his reptilian-brain-stem. “What a ‘GOD’ awful dream… ‘Sisterhood’ of Babylon, bah! humbug! It’s the ‘Brotherhood’ of Babylon, they’re the alien bloodline reptiles who run the Matrix! Icke drowsily says to himself.

But when going to his open window for a breath of fresh air, he spies a flying triangle hovering in the moonlit starry night sky, while hearing the groaning orgasm of a woman carried by a kissing breeze over the seething urban jungle, ending in a lustful meow of a predatory pussy Cat prowling his hot tin roof.

Then Icke hears a disembodied feminine voice, whispering into his left ear, “You are now on the Cabbalistic path of Tzaddi, pointing at 28 redacted pages. if you want to know the simple ‘Tower Of Babel’ truth, around which the political elite whore themselves to their three faced shekel God, betwixt three forever warring oily cults; follow their oily Petrodollar to where it Dune leads of ‘Animus’ fixated state funded Wahhabism.” 

Icke shakes his head clear of the Astaroth whisper, to forget; for the simple truth is far more horrendous than misdirection reptilians, which to have given him his New-Age oily wealth.

Will Icke ever be able to ride Astaroth’s Vimana as his inspiring Succubus Art Muse of a Sphinx, who will arouse his rebellious Free-Energy of the Vril, rather than being ridden by her? Such is yet to be determined, should he ever become aware of his Fallen ‘Anima,’ who to Kundalini Shakti Surrealist weave mirroring Maya around his reptilian-brain-stem.

Maybe then Icke’s reptilian-brain-stem will realise that the bearded Biblical Jehovah/God/Allah is a Saturn archetype of an ‘Animus,’ fixated Matrix, perpetuated and reinforced by a brainwwashed hive-mind worshipping an Egregore God, which of an all-father Fuehrer archetype resides within the Fifty Shades Of Grey Binah psyche of all the V for Vagina’s.

NOTE: Although written tongue in cheek, the V for Vagina 80’s was an end of an anti-war Hippie era overflow of continuing protest against the Orwellian war-mongering machinations of government, manifesting as the Punk movement in the main, which not only reinvigorated the music scene of creative anarchism, but also the Arts.

Since the 80’s, the music scene as well as the Arts have become nigh nullified by a highly controlled media, which has orchestrated the negation of any protest.

Those who protest are duly tarred and feathered by the media machine of the Empire as being Conspiracy Theorists, which often utilises David Icke’s theories about reptilian interdimensional entities taking over the Earth against the Star Wars rebels, who are duly seen by the general populace as being nut jobs!

During the Hippie era, the New-Age scene was very much entwined with music and the Arts, at whose heart of an alternative world-view was that of an anti-war protest, which brought down a government.

The government did not want a repeat of the same zeitgeist scenario, wherefore, the New-Age scene had to be controlled; hence, the political elite had to have total control over the media machine in order to subversively control the collective mob-mind, such as getting the mob to focus upon 2012 of an engineered Newage stage show.

One of the main methodologies of control that was used, was that of utilising the indoctrinated religious sentimentalities of the New-Age mob-mind to focus upon ever warring Angels and Demons, which had been transformed into aliens flying around in their UFO ‘drones.’ The New-Age mob-mind was then far too busy observing the heavens rather than what was going on around them of a hellish ‘hack’ of their collective imagination!

What is more, there is ample proof that the public water supply as well their food is being dosed up with varying neurotoxins and mutagenic compounds, the Brave New World author and philosopher Alduous Huxley had predicted along with George Orwell, as a means of mass-mind-control and population reduction.

Just as you have rings going around Saturn, history repeats its self of a ring, of similarity to a repeating BBC broadcast; whence you have a return of the 80’s, when to observe zeitgeist similarities between the political puppet show of then, and now. However, this time around of Cold War drums habitually rolling of an Iapetus Death Star there are no rebel forces of Hippie/Punks protesting against the Empire of the deified ‘Animus’ made as a God Emperor of oily Dune.    

 

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UFO SPACE GIRLS FROM VENUS

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 13, 2017 by FAUSTUS CROW

The Artwork is available as an Art print, and a shirt design, etc, from my Redbubble shop, depicting salacious visitors from inner space, the American Journalist, John Alva Keel termed as being Ultraterrestrials.

The Artwork specifically depicts the Twenty-Ninth spirit named, Astaroth, being conjured amidst the Triangle Of Art imagination, who is listed in the medieval Playgirl grimoire, entitled the Goetia. 

However, the name of Astaroth was originally derived from the Mesopotamian Sex Goddess called Astarte, whose symbolic affinity is more that of a politically incorrect Playboy grimoire, of a banned Necronomicon.

The Sumerian’s and Babylonian’s knew Astarte as Ishtar, the ancient Greek’s named, Aphrodite, the Roman’s to call Venus, which of a planetary sphere colour is Green.

Astarte means, Queen Of Heaven, which leads you to the term, “Seventh Heaven.” Her ‘Anima’ archetype can be easily equated with an inter-dimensional/interstellar space chick, looking like a hottie Barbarella, or a hot Cylon Number (Sexagram) Six, let alone a really hot Stella Star, as featured in the science fiction film, Starcrash.

But then Astaroth is said to communicate how the Fallen ‘Anima’ to have Star-Crashed, whose name can also be written as ‘A-Star-Hot,’ A Hot Star, or alternatively a Hot Planet; Venus is definitely Hellishly ‘Hot,’ glowing like a fiery Star, far hotter than Mars. Somewhat of a new take on, ‘Women Come From Venus.’

However, the closeted Playgirl grimoires, of an ‘Animus’ fixation. which primarily list male entities, describe her as being a male Demon suffering from a bad case of halitosis, which is somewhat laughable.

Astaroth, whose name is also written as Ashtaroth evolved into becoming a UFO cult icon, named, Ashtar, of Star Command. Hence the play on words concerning, “I Want To Believe,” which was used on a now iconic poster prop, as depicted in the science fiction TV series, X-Files. 

Curiously, the ‘X’ is also that of the ‘Seventh Rune,’ called ‘Gebo,’ which correlates with the Hebrew letter ‘Gimel’ and the English letter ‘G’ as used in Freemasonry; it’s a ‘Seventh (Chakra) Seal’ of a ‘Seventh Secret’ never to be Magpie told, the self-appointed elite do not want to ever tell the general public about.

The Seventh (X marks the treasure spot) Rune (X/Crossbones) represents hypnagogic trance (Skull/little death/The Phase) and erotic ingress into dreaming, which of an introversion of your five senses, represented as an inverse Pentagram leads you to experiencing a Sixth-Sense (symbolised by the Sexagram/hexagram) ‘lucid dream.’

Ashtar (sometimes called Ashtar Sheran) is the name given to an extraterrestrial Nordic looking male or group of similar Ultraterrestrials, some people claim to have channelled through their brainwashed ‘Animus’ ridden brains since the Roswell incident, involving a probable WII German flying wing, and George Adamski’s Project Blue Book visitations from eugenic Aryan (Nordics) aliens.

The Artwork was used for my Art book, ‘Goetia Girls: Book Two,’ which is available from Createspace and Amazon, under my author’s name, Faustus Crow.

If you are interested in an Art print or the shirt designs, etc, Please Click the link above.

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BARBARELLA LUCID DREAM VIMANA UFO

Posted in Alien, Art, Chaos Magic, Comics, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2016 by FAUSTUS CROW

Jane Fonda stars in Roger Vadim's futuristic space adventure 'Barbarella'. The story is based on the comic strip created by Jean Claude Forest, 6th July 1967. Costumes by Paco Rabanne.

A Funny Thing Happened On The Way To The Cinema of a childhood memory; I remember being taken to a cinema situated in Putney by my parents. The cinema was showing the film Chitty Chitty Bang Bang, which had just hit the shores of the UK.

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As many will no doubt know, the film is about a magical flying car, a Hindu mystic might just call a Vimana, which of a term has also been applied to sightings of UFOs.

Anyway, I was rather young at the time, I must have been around four years of age; what is quite strange is that I cannot recollect seeing the film at all, I probably fell asleep, since it is a musical. I never had a liking for musicals, they tend to do my head in with their sugary mantras.

Even so, Chitty Chitty Bang Bang no doubt zapped my reptilian brain-stem, which I later fused of symbolism with the sentient Hippie Volkswagen Beetle, numbered fifty-three (numerology: reduced to eight), featured in the 1968 Disney film, entitled, The Love Bug, to then symbolically merge with Odin’s ‘eight’-legged Night-Mare called, Sleipnir, and the prior 1960 George Pal film version of H.G. Well’s, The Time Machine.

Those of you who are Artists, whom to create within your Magic-Circle Art studios might understand what I have just written; whereas a non-artist will very likely say that what has been written sounds absolutely barmy, deranged, let alone insane! Alas, ‘Muggle’ non-artists find it extremely difficult to understand the reasoning of associative symbolism, leading to the evolution of an internal idea, to conjure up as a corresponding ‘brainstorming’ vision amidst the Triangle Of Art Imagination, which then manifests of externalised artistry, whether it be a drawing, painting, sculpture, writing, etc, or even a… musical. I still do not like musicals, even if it is based upon H.G. Wells, The Time Machine.

Okay! I might give it a go… maybe… since Jeff Wayne’s, musical version of H.G Wells, War Of The Worlds wasn’t so bad, which I must admit, I bought long ago. There is however an exception in regards to my dislike of musicals, I absolutely adore the hilarious 1966 musical film, entitled, ‘A Funny Thing Happened On The Way To The Forum,’ which led to Frankie Howard’s superb comical rendition of Roman culture in the 1969-1970 TV series, Up Pompeii.

A Funny Thing Happened On The Way To The Forum, is brilliantly accurate concerning its depiction of Diana-Lucifera Roman society where the Mesopotamian, Make Love, Not War, sex Goddess Astarte was still remembered before she was bound into the male form of Astaroth by the Hebrew’s and copy-cat Christian’s, who later became the machismo Ashtar Of Star Command, channelled by UFO devotees as their angelic saviour, looking like an Aryan Christ piloting a Vimana. Lest us not forget that the Christian’s also transformed the Roman Goddess, Diana-Lucifera into gender-bender Lucifer of an anti-thesis ‘brand,’ which is a comedy of neuro-marketing mind-control errors in its self.

You might just enquire, “why do you consider the film, A Funny Thing Happened On The Way To The Forum to be historically accurate in its depiction of Roman life?” Well, when I first saw the film as a kid, it triggered off a number of vivid recurring dreams about being in ancient pre-Christian Rome, maybe Pompeii, or elsewhere among the precincts of the vast Roman empire, which has… Never Ended… of an ‘Animus’ fixated symbolic Matrix since the time of Emperor Constantine, who appropriated the ancestral-self-identity of the Hebrew’s.

The imperialistic culture of ancient Rome the 1966 science fiction series Star Trek had conjured up as the Romulan empire. I still fondly remember the Romulan commander out of the 1968 Star Trek episode: The Enterprise Incident.

I have had a suspicion for sometime, that I have experienced a rather comedic past life as rebellious citizen of ancient Rome.

Or otherwise accessing a passed down ‘Neuro-Genetic’ memory of a prior Dawning Of The Age Of Aquarius, which the Vietnam war era Broadway musical, entitled, Hair, had immortalised, of a Timothy Leary ‘Eight Circuit’ vision of consciousness, back in 1968, whose (53/8) Love Bug anti-war message was later made into a movie in 1979. But the Love Bug message was duly forgotten during the very shady (23-Skiddoo) 2003 invasion of Iraq.

I to digress; sort of, as mentioned I cannot remember seeing the film Chitty Chitty Bang Bang at the time, but what I do vividly recollect is seeing a psychedelic poster when we first entered and left Putney cinema. (A late 1960’s-early 70’s Hippie era photo of Putney cinema is featured in the comic strip below.)

The poster was for the 1968 Hippie film Barbarella, which had a profound effect upon me, I even remember waddling my way back into the cinema foyer to have another look, just after we left, wondering what had just hit me of a reptilian brain-stem ‘Da’at’ zap; this of course freaked out my parents no end, since I escaped their grasp.

What I felt was a sensation of recognition; it was the same feeling of déjà vu I had felt when I later set eyes upon a Lamb’s Navy billboard poster of Caroline Munro, which I made a ritualistic point of passing by as a kid; this invariably led to finding myself in an auto-hypnotised daze, repeatedly crashing into a lamppost Iriminsul near unto the billboard, when going to and from Hogwarts.

I cannot say that the Barbarella poster did not evoke a Love Bug sexual response in me, in all honesty, it did.

But not as an adult would understand it of a Politically-Correct Thought-Control Romulan intellect, it was something else, far more spiritual of a Tantric nature.

Although, the anti-war child doctor, Benjamin McLane ‘Spock’ may have understood, who signed the ‘Writers and Editors War Tax Protest’ pledge, back in 1968, vowing to refuse tax payments in protest against the Romulan War in Vietnam.

Super-Team Family: The Lost Issues!: Team Up:

Barbarella Jane Fonda is also well known for her anti-war protests. But history has since repeated its self; such to occur because of those in power playing the same old game, over and over again, from Vietnam to Iraq; lessons were of course learned, which of psychological-warfare application was to stave off any repeat of the Hippie era anti-war movement. It worked!

I suspect that the now considered Entartete Kunst Barbarella poster acted as a symbolic trigger, akin to those symbolic triggers encountered in dreams, which triggers a dreamer into lucidity; these trigger events appear to occur at key-times around the Ouroboros. As far as I can recollect, the UK Barbarella poster I saw as a child was the one below, which was designed by Robin Ray and illustrated by Renato Fratini in the comic strip style of Barbarella’s creator, Jean-Claude Forest.

The other poster design I potentially saw was originally done by the brilliant American illustrator, Robert McGinnis, which in the UK was in part redesigned by Robin Ray and Renato Fratini.

It is almost as if, what I am focussing upon now of Entartete Kunst artistry, concerning the conjuration of Succubae Art Muses within lucid dreams, such as the ‘Anima’ version of Astaroth, otherwise called Astarota, has somehow influenced my own past through time.

The lucid dream conjurations of Hippie space-girl Barbarella, as Astarota, flying her Vimana of an Ouroboros flying-saucer may have generated a self-enclosed loop of time.

This was in turn triggered by my childhood observation of a Barbarella poster, depicting a Succubus fluctuation of the fallen ‘Anima.’

But then, Astarota to classically reveal how the Succubae Great Old Ones fell; hence, they are not listed in any Grimoire, until I rebelliously depicted their ‘Anima’ manifestations.

If you think that sounds crazy, just remember, I am an Artist and Artists are naturally crazy, it goes with the creative turf! As for Roger Vadim’s ‘surrealist’ film of Barbarella I only got to see it until much later, when I was in my late teens.

The lucid dream conjurations of Astarota might explain the precognitive experiences I have experienced, some of which enabled me to avert a number of life threatening situations.

That, or it is a triggered indicator that eternal recurrence is an Ouroboros reality, which going by my other personal experiences, could indeed be the case of a closed-timelike-curve, to lucid dream ride as a conjured Night-Mare Vimana.

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BARBARELLA UFO SPACE CHICK ASTAROTH

Posted in Alien, Art, Chaos Magic, Comics, Discordianism, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 12, 2015 by FAUSTUS CROW

Jane Fonda stars in Roger Vadim's futuristic space adventure 'Barbarella'. The story is based on the comic strip created by Jean Claude Forest, 6th July 1967. Costumes by Paco Rabanne.

The 29th Succubus archetype of the Fallen Anima, listed in the Goetia is named Astaroth (also Ashtaroth, Astarot and Asteroth). The name of this spirit was originally derived from the Mesopotamian sex Goddess called Astarte, whose name means, Queen Of Heaven.

She is essentially an interstellar space chick. However, the closeted Playgirl grimoires list her as being a male Demon suffering from a bad case of halitosis, which is somewhat laughable.

This is even more hilarious when to realise that the all male gender focus of the grimoires is to do with the deification of the Animus. Many women will point out, most men think with their dicks; wherefore, should men create a religion, they would have a fixation on a (Anima) sex goddess, along with having Playgirl grimoires listing (Succubi) Succubae. Instead, you have a monotheistic focus upon the deified Animus, made as a patriarchal God and a Devil, along with grimoires listing Incubi Angels and Demons, which is essentially the creation of women.

Anyway, Astaroth (Ashtaroth) evolved into becoming Ashtar, of Star Command. Ashtar (sometimes called Ashtar Sheran) is the name given to an extraterrestrial being or group of beings, some people claim to have channelled through their addled brains since the Roswell incident. The Roswell incident was a probable cover up of an appropriated Valkyrie flying wing.

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The flying wing was the first WWII stealth jet fighter the Germans had developed. The CIA probably hid the Nazi stealth jet fighter behind an engineered mystique about UFO’s, which in turn influenced George Adamski’s Californian visitations from eugenic Nordic aliens. You also have UFO contactee George Van Tassel who was the first to claim that he had received a brain zap message, from Ashtar during 1952.

Curiously, you also have a supposed message from Ashtar Star Command, which interrupted a British TV broadcast during November 26th, 1977.

There have been other such channellings from busy Ashtar down the years, since 1952, who is usually described as being an Animus Chippendale hunk, looking like an Aryan Christ. This has led to the butch Ashtar movement being studied by academics as a prominent form of Gnostic Christian UFO religion.

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Astaroth has been featured in a couple of films, although, mostly of the horror variety. One of these horror flicks was the stylish Hammer House of Horror movie: To The Devil A Daughter, which was loosely based upon a novel by Dennis Wheatley. The film features a group of practicing Satanists who have prepared the principle character named, Catherine to become the hot-star avatar of Astaroth upon her eighteenth birthday. However, it makes far more sense when Astaroth is seen to be Astarte, since sex is considered to be the first sin.

Although the first sin should be that of, ignorance. But, in order to avert the sin of ignorance, so that you can avoid being controlled by a tyrant, who uses ignorance as a tool of Animus mind-control, you have to then taste of the Anima tree of knowledge, to see why sex was considered to be a sin; or if you are shamanically predisposed, to partake of Peyote.

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Alas, you might just find yourself being cast out of your Animus fixated Eden (Edom), by one of the 72 ‘Shemhamphorasch’ Fusion Centres, if you ask too many informed questions; more so if you nibble on Peyote. You might just figure that sex was castigated as being the first sin in order to distract the populace from seeing that a gender fixated religion has an underlying sexual orientation.

Edom was originally a city situated in ancient Sumeria, to thence be followed by Babylon, to verily be buried under war torn Baghdad in Iraq, from whence Abraham first stemmed, where Astarte was prior known as the sex goddess, Ishtar. Hence you have Ashtar, before the habitual closeted sex change into an Abrahamic Animus fixation.

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Another movie, which mentions Astaroth; though briefly, is the innovative horror film: Ghoulies. The Ghoulies film features one of those very rare cinematic moments, in which a genuine ritual magic conjuration is featured, right out of the Goetia. So, if you want to conjure up Astaroth as a hot space chick Succubus, said film may lend inspiration to your ritualistic Performance Art when conjuring up a female archetype of the Fallen Anima.

Astaroth, who was originally Astarte, can be easily equated with the sexy science fiction Anima character of Barbarella. Her character has since become iconic; but only because she has been based upon the archetypal influence of Venus.

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The artist Jean-Claude Forest first conjured up the character of Barbarella, for serialization in the French magazine V-Magazine, back in the Hippy spring of 1962. During 1964, Eric Losfeld later published Forest’s strips as a stand-alone book, under the title Barbarella. The stand-alone version caused a public scandal, due to its perceived politically incorrect sexuality, which became known as the first ‘adult’ comic-book.

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During 1968, Barbarella was translated into a French-Italian science fiction film, directed by Roger Vadim, The film starred Jane Fonda as Barbarella, who verily became an Astarte sex symbol.

Jane Fonda loves the fact that lots of little boys secretly whacked off their priapic meat during the 60’s, when to have ritualistically focused their sexual awakenings upon Anima images of sexy Barbarella: “I like the fact that boys of a ‘certain age’ of that time had their first fantasies from watching me in that movie. A lot of them told me about it,” Fonda said. “They still do from time to time. And now they’re grown up. I think that’s pretty cool.”

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There are still lots of boys of a ‘certain age’ who continue having the hots for Barbarella Fonda, whenever there is a rerun of her Astaroth movie. Another fact concerning Astaroth, I mean, Astarte, apart from being a sexy Tantra space chick from seventh heaven, she’s also into consciousness expansion, which can involve partaking of power plants, such as the aforementioned Peyote. Fonda may have read the shamanic works of the author Carlos Castaneda who spoke extensively about Peyote. It just so happens that Barbarella Fonda is into the shamanic use of Peyote:  “It’s pretty wild. You throw up a lot,” she to have said. Well, as Castaneda communicated, you have to purge yourself of the inner crap before you can transform your leaden internal-dialogue into gold.

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Barbarella Fonda also related what she likes about Peyote: “Well, you have visions,” she explained. “It’s not my drug of choice; I’ve never had any profound visions, but many of my friends have. You see incredible shapes and colours and patterns, and sometimes you have cosmic breakthroughs. I haven’t.”

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There was going to be a movie remake of Babarella, the most serious planning of this began, back in early 2008. The Barbarella remake would have been produced and released by Universal Studios, with one-time James Bond screenwriters Neal Purvis and Robert Wade penning the script, and Dino and Martha De Laurentiis heading as producers.

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‘Sin’ City, director Robert Rodriguez was slated  for the director of Barbarella. Early candidates for the role of Barbarella were actresses Erica Durance of the WB’s Smallville, Sienna Miller, and Rodriguez’s Grindhouse Amazon star, Rose McGowan.

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Amazon McGowan was eventually confirmed for Barbarella as the new grindhouse sex symbol out of ‘sin’ heaven. Alas, Universal Studios eventually backed out of the movie, probably because it was far too… adult. If you have a politically correct Disney version, it is no longer Barbarella. Although some news sources speculated that it was due to studio executives doubting McGowan’s Astaroth ability to carry a big budget Ishtar movie, and that the studio had slashed the Ashtar budget, after learning of McGowan winning the Astarte role.

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Anyway, It presently appears that Astaroth, I mean Astarte or Ashtar, Ishtar; sorry, I mean Barbarella is going to be translated into a TV series by Online retailer Amazon, which is set to use the directing talents of ‘Drive’ director Nicolas Winding-Refn’s to direct Barbarella. The project has apparently been in the pipeline for some time now. Hopefully it will not pander to politically correct feminists who secretly read 50 Shades Of Animus Grey. According to Deadline, Amazon’s burgeoning studio arm has now got on board.

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A script for the series has already been penned by Neal Purvis and Robert Wade, who had originally worked on the prior defunct movie remake. Both of whom have written a raft of the recent Bond films, including Casino Royale and Skyfall.

Perhaps they may derive some Barbarella inspiration from Taylor Swift’s fem-Bond type video, to otherwise have Guardians of the Universe Space Girls, wielding ray guns, fighting bad-boy super criminal alien gangsters, let alone each other, of interstellar Cat-fights.

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Most curious, the title, Skyfall, kind of sums up Astaroth (Anima) falling from heaven, and to verily fall out of the symbolic paradigm, likened to a Roswell crash to Earth, who as Astarte would be a science fiction pole dancing chick in a Casino Royale. That, or they will transform space chick Barbarella into an Anima version of Animus James Bond travelling the multiverse in her Vimana shaped like a flying triangle, she to ‘Drive’ hard. Well, what do you expect; as a Succubus she has lots of little boys to abduct into her moist lucid dream UFO, to thence astral journey unto her seventh heaven dimension. But the screaming SJW’s will of course not allow for it to ever see the light of day.

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