Archive for new world order

DR. EVIL SAYS, MAKE GROOVY WAR, NOT LOVE, BABY!

Posted in Art, Chaos Magic, Comics, Film, Horror, Occultism, Psychology, Surrealism, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 24, 2019 by FAUSTUS CROW

Before we dive deeply into the extremely Evil plans Dr. Evil has the for world, and boy, are they really Evil… I would like to first introduce you to some key terms concerning the psychological processes of the mass populace, Dr. Evil is subversively hacking.

Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of Dr. Evil utilises what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses.

The personal observance of how the Anima and Animus can be subversively manipulated by others of mundane emotional politics can be observed in ones everyday relationship dynamics, which can then be applied to the bigger picture.

Jung was probably aware that the Animus had become deified by the religious cultural constructs of the three monotheistic faiths, whose shared symbolic paradigm permeates all levels of your culture.

At base level, heterosexual males in particular gravitate towards those male role-models, who are sexually attractive to the opposite sex.

The male role-models are essentially the Animus projections of heterosexual women, who find certain males sexually attractive to them.

Jung was no doubt also aware that the Anima had been entirely castigated out of the symbolic construct of the Animus fixated monotheists.

This is a rather strange case of affairs, since heterosexual females tend to gravitate towards those female role-models, who are sexually attractive to the opposite sex, which are determined by the Anima projections of heterosexual males.

The erasure of the Anima from the Animus fixated paradigm of the monotheists might be best explained by the competitive dynamics of women.

Since a woman is the one who gives birth, she requires the man to stay with her of a total focus, who suffers no other to be worshipped before her.

Whereby a woman becomes very jealous indeed of the man’s Anima, which she feels may make him stray away from his fatherly duties.

This is especially the case if a man imagines his Anima looking like the Babylonian Sex Goddess Ishtar. Hence Abraham dumped his sexy nude idols of Ishtar when caught between Cat-fighting Sarah and Hagar.

Although nowadays a man might imagine his Anima looking somewhat like Elizabeth Hurley…

Or to manifest of inner Anima visions, looking like Angelina Jolie, Caroline Munro, Halle Berry, Eva Green, Kate McGrath, Mathilda May, Emma Watson, Ornella Muti, Thandie Newton, Kensia Solo, Brigette Bardot, Marilyn Munroe and Jane Fonda, etc, etc, you get the drift.

A heterosexual male might imagine his Anima looking like any number of sexy female characters featured in video games, comics and the Arts in general, or to be a knitted-together Frankenhooker combination of all the above.

Whereupon, when a woman feels threatened by the mans Anima, the female manifestations of the Anima are verily attacked and transformed into Hijab wearing celibate Virgin Mary’s, who look very butch and extremely masculine, to the point of growing unruly beards.

This invariably leads to the eradication of the Anima, whose archetypes are classified as being sexist and thereby ripped out of the Playboy grimoires and cast into the pit as being politically incorrect Entartete Kunst.

Whereas the archetypes of the Animus are not mentioned by women, apart from transforming their sons into emasculated Beta-Males before crucifying them with their protesting about their father’s sins.

Yet, said protesting women will make no end of excuses for an Alpha-Male bad-boy Devil, they to then Babalon ride as their Unicorn Great Beast, whose Playgirl grimoires to thence proliferate of politically correct propaganda under a rainbow sickle blood Moon.

Dr. Evil is of course very much aware that the Anima has been nigh erased from the symbolic paradigm of the monotheists, whose feudal politics is centralist of totalitarian/fascist leanings since the time of Abraham’s UR, which is highly versed in Mind Control techniques.

It is this historical observation, Dr. Evil utilises in his psychological warfare campaign against the mass populace of subversive social engineering via the heavily controlled Mass-Media Machine.

MAKE GROOVY LOVE, NOT WAR, BABY! 

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OPERATION PAPERCLIP UFO INVASION

Posted in Alien, Time Travel, UFO with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 9, 2019 by FAUSTUS CROW

Operation Paperclip was an American top secret program of the Joint Intelligence Objectives Agency (JIOA), which was carried out by Special Agents of Army CIC.

The Dark Side Of The Waxing ‘Crescent Moon’ project had spirited away more than 1,600 Nazi scientists, engineers, and technicians from out of WWII Germany to America, which became their new Deutschland.

One could say that America had been invaded by Third Reich Nazis without them firing a single shot, who all attained high positions in American industry. But then they shared the same Hollywood-land dislike of the atheist communists, just as the Roman Catholic church does, whose Romulan big-business cult sided with many a fascist regime, being the reason why a photographed Pope shook the hand of Hitler.

The Nazi scientists then led the American ‘Military black projects’ at the end of WWII unto the Cold War era and beyond, which invariably became their Military Industrial Complex Fourth Reich.

One of these Deutschland scientists was Hermann Oberth, the German father of rocketry who later founded NASA. 

Oberth was born on June 25th, 1894, to German-speaking parents in Vlad Dracul Transylvania (now Romania).

Oberth became a mentor to a young assistant by the name of Wernher von Braun. Together they worked in rocketry research for the Nazi regime, although they were far more interested in science than politics. 

It just so happens Walt Disney was an avid fan of Dr. Wernher von Braun’s V2 rocket who featured von Braun in a TV show, Man And The Moon. Dr. Carol Rosin is also a fan of von Braun who has worked with institutions like NASA, IBM and TRW. She personally interviewed von Braun in February of 1974.

It was during this time, shortly before his demise in 1977, that von Braun decided to confide to Dr. Rosin about the details of a ‘Secret Space Agenda,’ the likes of Walt Disney and his Mickey Mouse audience would have been totally shocked to hear.

Von Braun might have decided to do so because he was a scientist at the end of the day; the politics he had become unwillingly embroiled with was just a means to an end.

He no doubt knew that the Pentagon was seriously considering using the nuclear bomb during the Vietnam war, which would have led to Soviet Russia retaliating in kind. However, his revelation was more so that of a deathbed confession.

Inviting her into his office, von Braun stunned Dr. Rosin by describing the Fourth Reich plan of the ‘Military Industrial Complex,’ point for Romulan point, as well as describing in exact Terran Empire detail where it was all leading: ‘Orwellian planetary control under an oppressive One World Government.’

1: According to von Braun, space based weapons, later known as the ‘Star Wars’ program, were to be publicly promoted as a space ‘shield’ against Soviet Russia, Walt Disney would have wholeheartedly agreed with since he was a rabid anti-communist witch-hunter.

2: Then they would be promoted as a defense against terrorists from Third World countries (‘rogue’ nations or ‘nations of concern’).

3: Then their necessity would be justified as a protection against asteroids and meteors crashing all over the planet; the problem is, said ‘Space Force’ weapons are pointing in the opposite direction, at the Earth its self.

4: The Last ‘Trump’ Card, of a Final False-Flag justification according to von Braun, would be their ‘Space Force’ installation in orbit against Tic-Tac UFO’s of a supposed Alien threat, which would then attain sudden heavily-controlled mainstream media coverage of a subversively engineered propaganda campaign, at a Key-Time. A Last ‘Trump’ Card example of which is the Final False-Flag military performance-art show for millennials, To The Stars Academy.

Many an old-timer would consider it to be rather strange indeed that the heavily controlled media-machine of America would, seriously divulge, more or less, overnight that its Military Industrial Complex has filmed a Tic-Tac UFO. Whereas before, the mainstream-media has tarred and feathered observers of UFO’s as conspiracy-theory kooks since the 1947 Roswell UFO incident, after which the CIA (MIB) came into being to protect the Military Industrial Complex’s UFO patent.

Going by von Braun, the Alien threat is actually a highly top-secret human made black project technology, which is blacker than the deepest pitch black. Von Braun was unable to reveal its existence to Dr Carol Roslin, otherwise she would have met up with a CIA (MIB) orchestrated life-ending accident at the Hippie era time of Star Trek.

It was during this time the Vietnam war had eventually ended in 1975, leading to other pre-planned Military Industrial Complex wars around the globe in order to initiate a Forth Reich Terran Empire right out of Star Treks Mirror Universe.

Said Vietnam conflict had been initially triggered off by the Gulf of Tonkin false-flag event. If the government can lie about the Vietnam war, 911 and Iraq having WMD’s, etc, they will lie about anything, such as covering up appropriated Nazi technology, which has led to rapid technological developments behind the smokescreen of Aliens!

As an aside of associative sorts the German band Rammstein did a cool ‘Star Trek’ light-show concert in Milton Keynes Stadium on the 6th of July, 2019, which is surrounded by Pentagon affiliated Game Of Thrones military bases, whose ‘Space Force’ arm of NASA can be otherwise called the N-azi A-ssisted S-pace A-gency.

NOTE: Concerning the Tic-Tac UFO and its anti-gravity propulsion. Gravitational time dilation is an effect, which measures the amount of Time, which has elapsed between two events by observers at different distances from a gravitational mass. In other words, Time runs slower wherever gravity is strongest, and this is because gravity curves Space-Time. What then would be the effect if you have Anti-Gravity?

You would have a Time Machine!

MAKE LOVE, NOT WAR! 

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FALLEN ANIMA

Posted in Art, Chaos Magic, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 30, 2019 by FAUSTUS CROW

Falling down the Rabbit hole, a subway infernal, travelling the Tarot tunnels without moving

‘Hypnagogic’ of a trance jolt, awakening within a rebellious Faustian dream, dreaming lucid unto a new ‘Dawn Chorus’

Fallen Anima catching the Seer eye; her politically incorrect Succubus archetype, inspiring as a Chaos Magic Art Muse

She drops her Ankh bag knowingly, within which there be her banned Apple of self-knowledge, to fall along the dystopian 27th path of the Kabbalah, betwixt the lightning struck towers

Into her informational labyrinth to thence Buster Keaton go from Yesod 9 to Da’at 11, Maya Matrix style

Whereas others commonly ‘Traffic’ mind conjure up a Big-Brother Animus to deify of centralist politics

Who ‘Not-The-News’ worship their deified Animus as a God and Devil of an Orwellian Sauron eye, which watches all within the Spartan Military Industrial Complex of an Oily New-World-Order Eden

Hence, a certain ‘symbolic interface,’ manifesting within quantum computing dreams is considered as being revealingly dangerous. Wherefore, its symbolism has been banned as being a politically incorrect Lilith Apple!

NOTE: Whenever a heterosexual female is asked to imagine her ideal male partner, she is conjuring up an archetypal aspect of her Animus within her imagination to thence dream about.

Whenever a heterosexual male is asked to imagine his perfect idea of a female partner, he is conjuring up an aspect of his Anima, within his imagination to also third-eye dream of.

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The Animus and Anima are not mere Jungian concepts, they are psychological realities, which are entwined with your biological imperative to procreate.

All life is driven towards replicating in order for a species to survive and evolve. Carl Jung’s description of the Animus and Anima tends to be very convoluted of esoteric terminology, which might have been his way of hiding what he had discovered, due to its far reaching ramifications.

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This is especially the case concerning the three gender based monotheistic religions and their Oily political agendas. Jung did not want to end up being tarred and feathered by an outraged public, who, of a prior age would have burnt him at the stake. Although, it might have been the case that he had missed the simplicity of it all, who otherwise preferred the safety of turnstile complexity. 

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Carl Jung was not the first to have discovered the psychological/biological realities of the Animus and Anima, though he was the first to have scientifically described their archetypal influence upon the psyche. Many of the animist orientated shamanic cultures already explored the ‘balanced’ relationship interactions of the Animus and Anima within their myths, in which Animus/Gods and Anima/Goddesses of varying sexual orientations copulate all over the place. 

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When first getting into a relationship, the attraction to a potential partner is heavily influenced by the inner archetypes of the Animus and Anima. The subconscious influence of the Animus and Anima initiates the phenomenon of falling in love at first sight.

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It is unwise to unknowingly project the Animus or Anima upon a prospective partner, since another individual is unable to become what has been projected; this can lead to all sorts of relationship problems.

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A woman is intutively aware that the sexuality of a male is in the main visually excited by her erotic Muse presence, and that his imaginative capabilities of artistic visualisation have to be eventually ‘tamed, controlled’ and redirected towards her, due to the inner conjurations of his Anima within his psyche, which make his (Chakra/gland) ‘Unicorn’ Horn erect.

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Wherefore, the Anima within the male psyche is eventually transformed into a Virgin Mary. This is easy to achieve via subversive social-engineering by utilising the controlled mass-media machine, since most males are totally unaware of the existence of their Anima, whose Succubus Muse archetypes light up the tool making part of his Horned brain.

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Whence you have the Beauty and the Beast symbolism of a ‘Unicorn’ (Beast) laying his Horn in a (Beauty) maiden’s [Feminist] lap, who then rides him, wherever she desires to go, and all because he unknowingly projected his Anima upon her. It’s all hard-wired biology at the end of the day.   

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As for the bigger picture of a mass-mind projection, one has the monotheist fixation upon the male gender, which is a Fifty Shades Of Grey deification of the Animus as a God/Devil. When you have an overriding religious/political focus upon a particular gender, it invariably has an underlying sexual orientation; it’s biological; whence one has the symbolism of Babalon riding the Horned Beast. 

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The monotheistic fixation upon the deified Animus has castigated the Anima and her legions of Succubus (Goddess) archetypes into the politically incorrect pit as the Entartete Kunst Fallen, to verily censor and ban as being mere heterosexual ‘male-gaze’ porn; this collective herd-mind-control process continues. 

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Basically, the heterosexual male psyche in particular, can be manipulated, influenced and controlled by subversively manipulating the archetypes of the tortured Anima.

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I am not saying that Feminist politics is manipulating the male psyche. It is more of a case of certain intelligence agencies have hijacked Feminist politics, along with the New-Age movement since the end of the Vietnam war era by infiltrating the paper strewn universities.

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Both of these movements had first stemmed from the universities, which were at the forefront of the anti-war protests that brought down the puppet government of the Military Industrial Complex.

The intelligence agencies have since worked towards negating any further anti-war protests by weaponising minorities, without them realising what is going on.

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This has led to the negation of free-speech, censorship and the initiation of draconian totalitarian/fascist laws being implemented, along with dividing and conquering the masses.

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The masses then become drawn into subversively engineered PsyOp New-Age protests about gender issues of a ‘distraction,’ while numerous Oily wars are being waged around them, whether they be economic wars, utilising crippling sanctions or that of hot wars using the bombing facade of bringing democracy to Oil rich lands, which invariably leads to the mass migration of peoples.

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Some years ago, you had Band Aid, which was founded in 1984 by Bob Geldof and Midge Ure to raise money for anti-famine efforts in civil war torn Ethiopia, although most were unaware that the Ethiopian crisis was being caused by a civil war. At the time the Ethiopian dictator, Mengistu, was backed by the the now defunct Soviet Union. While the civil war raged and its associated Western proxy-wars with the Soviet Union caused mass famine, Band Aid raised public donations by releasing the song “Do They Know It’s Christmas?”

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There is presently a humanitarian crisis in Oily Yemen, which is far worse than what had occurred in Ethiopia. There is no protesting Band Aid equivalent for Yemen, which is probably due to the music industry being heavily controlled since the late 60’s. In other words, a musician who toes the corporate owned controlled-media line, will be fine, attaining fame and fortune for a time.

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If however, a musician rebels against the engineered mainstream, said musician will be promptly ignored. Any musician who becomes involved in protesting about Yemen will have to highlight the American support for dictator Ali Adullah Saleh, whose civil war has totally wrecked Yemen since 2014.

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Yemen’s neighbor is Oily Wahhabi Saudi Arabia, itself among the region’s cruelest dictatorships and a staunch U.S. ally, became nervous in 2015 about the outcome of the conflict, and with support from nine regional Oily allies, began subjecting the country to a punishing barrage of airstrikes, along with imposing a blockade, which ended the inflow of food and supplies to Yemen through a major port.

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This has led to the worst humanitarian crisis this century, leading to an ensuing mass migration of peoples… So, where’s anti-war protesting Band Aid? The sad truth is, Band Aid was being subversively utilised by war profiteers, profiteering from a a forever war and its mass-migrations, who considered Band Aid to be their financially lucrative Christmas present.  

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As for the PsyOp engineered Band-Aid protests over gender, whose protesters might consider the Animus and Anima to be anathema to their nigh Orwellian New-Speak, the Animus and Anima change over symbolic roles for those of different sexual orientations. 

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NOTE: Thom Yorke’s film, Anima, which is directed by Paul Thomas Anderson, is set to three songs: Not the News, Traffic, and Dawn Chorus, of a ‘threefold coercion of the dream.’ The ‘threefold coercion of the dream’ is associated with the Nigredo stage of hypnagogic trance ingress into the (Not the News) dream. Then one has the Albedo stage of becoming consciously aware within a (Traffic) dream. This then leads to the Rubedo stage of Hypnopompic egress out of the dream, when to (Dawn Chorus) awaken.

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The Nigredo, Albedo and Rubedo of alchemical colours, Black, White and Red, are also known in Hinduism as the three Gunas, which are the three colours of Shakti, the psychologist Carl Jung would otherwise call, Anima. The manifestation of the Anima in the film is played by Dajana Roncione who is Yorke’s (Shakti) girlfriend. 

MAKE LOVE, NOT WAR!      

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SHAMAN CHAOS MAGIC ART MOVEMENT

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2019 by FAUSTUS CROW

The beginnings of the Shaman Chaos Magic Art movement, which is otherwise termed as Chaos Art (Magick) Magik, or Surrealist Sorcery is rooted in the experiences of a British Sorcerer-Artist, Faustus Crow.

In his books, The Book Which Tells The Truth About Art Muse Lilith (1974) and Ultraterrestrial Art Muses Took Me to their Succubus Planet (1975), Crow describes experiencing encounters of the Sexagram kind with salacious female aliens since he was a very strange changeling childe.

Crow says that the alien nymphomaniacs abducted him into other realities, who are his Kamasutra Art Muses and spectral Dakini Art models, whom stem from other worlds, and historical times, as well as emanating from alternate Earth’s, who bestow multiverse knowledge via his quantum computing lucid dreams.

One of Crow’s Chaos Magic experiments was the knitted-together Frankenstein creation of a Coyote girl Tulpa construct, mantra named, Sally Tonopah in order to lucid dream remote-view Dreamland Area 51.

Or was it Area 52, Crow had conjured his Obsidian Butterfly to haunt? Can’t recollect… probably both flowery Chakra locales.

Of course, most people consider Faustus Crow to be a mere poser, and quite mad to boot, let alone being absolutely insane, or far worse. But who is this, Crow exactly? Some say that Crow looks a bit like Fifty Shades of Devito, Witches secretly adore as their Great Beast Valentine!?

One thing for sure, Crow isn’t a square jawed Hollywood actor looking like a photogenic Disney/Marvel eugenic superhero sporting oiled biceps, having a tight Baboon butt, nor does he look like Scientologist Tom Cruise having a fat Vatican bank account.

Crow doesn’t even drive around in a flashy phallic racing car having the cultic charisma of Claude Vorilhon, etc.

Who on Earth would then take Crow at all seriously? Crow hasn’t even got the aphrodisiac of materialism nailed down, which engenders the respect of the hypnotised masses, let alone having the necessary politically correct social media cred… So, one can thereby gather that all his followers must be deranged cultists.

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Whatever the case, the Chaos Art Magic movement traces its Surrealist Sorcery beginnings to a 1990 Art conference, which was situated under the pyramid of the Louvre Art gallery in Paris, France, which was entitled, Yoni Stargate Belphegor.

The Yoni Stargate Belphegor conference was attended by two thousand female Art students who were all dressed up as St Trinian’s schoolgirls, looking like Hogwarts Witches.

From amidst Belphegor’s Louvre pyramid, the Chaos Church Of Art Magic was born, which promotes the infernal worship of Faustus Crow.

The name, Crow is a veiled reference to the Faustian experience of hypnagogic trance, the alchemists termed as being the Nigredo stage of the Great Work, which is initiated by a bedroom invading Night-Mare Succubus.

There is a women only membership in the Chaos Church Of Art Magic, who term themselves as being the Chaos Unitarian Nuns Templar of Lilith’s Harem. The CUNT members often don the fetish costume of a leather Nun who are known as Nightgaunts, which is their Love-Craft moniker.

The Chaos Church Of Art Magic has a quasi-clerical structure of seven planetary Chakra levels, which has since become an anti-Art convent school, whose High Priestess is Molly Crabapple. She’s really hot!

Joining the Chaos Church Of Art Magic requires an official apostasy from other belief systems. One of the CUNT goals includes the striving towards the dissolution of the Military Industrial Complex via the nonviolent means of Art protest.

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There are also two anecdotes in the CUNT newsletter reporting female majorities joining the Asian Mongolian chapter of the Chaos Church Of Art Magic, which comprises of female (Udagan) Shamans who dress up as horned Babalon Nuns, whom worship Crow as their Animus fixation upon a Horny Great Beast.

Art Witches such as Mephistophina, the Chief Executive Officer of the Order Of The Obsidian Butterfly, otherwise known as the Nigredo lodge, plays a powerful role in the Chaos Church Of Art Magic.

There are two other major Pussy Riot groups of Art Witches in Crow’s Chaos Church Of Art Magic.

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The Order Of The Black Raven Tarot Dakinis, founded in the 1990’s, consists of over one hundred and forty-four thousand female Art students.

The Order Of The Black Raven Tarot Dakinis calls for the rebellious awakening  of the Fallen Anima and the freeing of all males from the deified Animus projection of protesting Queen Bee feminists, who have unwittingly created the Fifty Shades Of Grey patriarchy, stemming from out of the oily Beehive ziggurat of Sumerian UR.

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The Order Of The Black Raven Tarot Dakinis seek an animist balance between the Anima and Animus archetypes for all of humanity, who rebel against the deified Animus made as a God/Devil of the Orwellian New-World-Order matriarchy. The NWO matriarchy hides behind the illusory facade of its Animus projection of a female created patriarchy.

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The initiation rites include declaring a Chaos Art Magic oath, while masturbating as well as entering into a Coitus Pactum with the out-of-body form of Faustus Crow, in which a woman agrees to become an Art Witch defender of the Chaos Church Of Art Magic and its Sorcerer-Artist founder Faustus Crow.

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The Order Of The Black Raven Tarot Dakinis has its own Valkyrie hierarchy of “Rubedo Anima Angels” and “Albedo Anima Angels,” who are otherwise called (Succubi) Succubae, which, as of 2003, are 777 and 777 women, respectively.

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Crow’s, Goetia Girls is another major group of female Artists in the movement who are against the suppression of feminine acts of pleasure, including the sexual worship of Faustus Crow.

After the Goetia Girls human cloning announcement made the headlines, the Daily Telegraph wrote that the Art Witches of the order not only provided sexual pleasure for Faustus Crow, but also helped donate eggs for efforts towards human cloning.

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A few days later, Time magazine wrote that French chemist Brigitte Boisselier was an Order Of The Black Raven Tarot Dakinis member. Around this time, the scathing Art critic and cult investigator of the Vatican, Mike Kropveld called the Shaman Chaos Art Magic movement to be one of the weirdest and most transparent Art movements, he had ever witnessed; though he was utterly alarmed by the female Art student’s promise to defend Faustus Crow’s life with their own painted bodies.

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Kropveld has since disappeared, nobody has been able to find him. A number of Police investigations has led to the suspicion that he had been abducted and duly dispatched by hashish-high female assassins of the CUNT, who are known as Velvet Buzzsaws, which is slang for the vagina dentata, or as ‘Cats,’ being an abbreviation for ‘Concise Assassin Terminators.’

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It is said that the Velvet Buzzsaw felines dress up all in black looking like female versions of UFO-lore MIB’s, who are Crow’s personal bodyguard.

But there is yet no proof of any foul play. However there are lurid rumours that Kropveld underwent a sex change in order to infiltrate the Los Angeles branch of the Chaos Church Of Art Magic. But he was very quickly discovered by the Art Witches, whose tortured body has since been entombed in a wax-work sculpture, which now resides in a Scientologist owned Art gallery, somewhere in cult-central Hollywood.

Faustus Crow has instructed his Goetia Girls to play a pro-sex role in the Chaos Church Of Art Magic, who declare that their bodies are his altar of an Anima canvas to orgasmic easel alter as he pleases.

Some researchers have noted that Crow’s Goetia Girls solely consists of beautiful young female Artists who once worked in the film and sex industry. The women of Crow’s Goetia Girls say there is no reason to repent for being a nigh religious sex icon, performing the Tantric Performance Art of striptease or being a sacred prostitute, who are now Crow’s Art models and inspiring Art Muses.

The Goetia Girls organization was set up “to support the choice of women who see themselves as being the personification of the Anima, which resides within the inner temple of the male psyche. These female Artists also devoutly worship Crow as their sexual liberator.” Crow’s Goetia Girls and their Chaos Church Of Art Magic founder Faustus Crow were featured in a pictorial in the October 13th Necronomicon issue of Playboy, 2004.

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“Article written by Eggbard Soth, an ex Catholic, Illuminati Freemason and a one time devoted Scientologist. Soth is an investigative journalist for the Abrahamic Ralien Movement, which is merely an Arkham Asylum cover. He is in fact an intelligence operative who is involved with the Psy-Op arm of DARPA, whose subversive social-engineering of society via varying subversively patronised political cult groups has presently molded your cultic perception of reality; whereupon you are living within a Matrix.”

NOTE: On a more serious note, the discordian tongue-in-cheek Heyoka article was adapted from a description of the Raelian cult. So, should you think what I wrote, sounds totally barmy, it is not as crazy as the reality of the tax-dodging big-business Raelian cult, which has innumerable devotees, most of whom are women. What’s more, I have rejected the focus on a tax-dodging cult, to otherwise describe a Surrealist ‘Art Movement’ comprising of crazy Artists paying their taxes.

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As for the satirical over-the-top ego-eccentricity of Faustus Crow, it is an Avadhuta case of me laughing at myself Heyoka wise. Look to Claude Vorilhon to see the reality of an overblown cult ego. The Raelian cult, which is in competition with the L. Ron Hubbard’s Scientology movement, is just one example, there are numerous examples of even stranger cults, which seek to warp the perceptions of the populace, whether they be religious, or political, or both, having many members as their automatons across the globe.

The more members a small-business cult has, it gradually starts to gravitate towards becoming a tax-dodging big-business religion, which will invariably seek to own material assets, such as owning land, having control over water, food and fuel supplies in order to survive as a hierarchical feudal entity, along with influencing two-party dictatorship politics, since politicians often whore themselves for money; hence owned as puppets.

The symbol systems a religion and its politics employs are essentially the Artistic expression of a particular culture from which it stems. Alas, the employed symbol systems are not seen as being Art, they are are usually considered to be unchangeable dogma, which does not allow for the questioning imagination to flourish.

This is especially the case if a religion utilises a feudal hierarchy and its pyramidal politics of control; those few puppeteers atop of the ziggurat run the puppet show, who easily do so via money, while a religion is used as a mind-control tool, like that of an opiate, which dulls the questioning of the masses.

When a religious/political construct starts to lose its big-business hold over the masses, chemical means are resorted to such as fluoridating the water supply with a known sedative and a neurotoxin, to even add lithium to the mix, as well as using more technical means by introducing a cashless society, in which everyone is being 5G watched.   

An established religion and its ensuing politics, which has been around for a very long time, uses the same mind-control tactics as a cult does, it is just more Psy-Op subtle about it; wherefore you are in a cult without even realising it. 

NOTE: This satirical cult mandala article does not invalidate the experiences of lucid dreaming, and that of inner conjurations, which of an altered-state phenomenon is ‘Very Real,’ Shamans and Artists are very much aware of. As for the Succubus visitations, they are based upon actual experiences, I have experienced since a changeling Childe.

It is just a case of not making the employed symbolism a cult focus, nor creating a new-religion to add to the growing tax-dodging list. Wherefore my focus is that of an ‘Art Movement.’

Hence the utilisation of underground comic Art, which of Pop-Surrealist symbolism is ‘Anti-Cult.’ Although religious or politicized cults can become financially lucrative for their Claude Vorilhon – Anita Sarkeesian founders, should they be of a subversive social-engineering use to the Big-Brother elite, whereas an Anti-Cult does not bring in the Orwellian Shekels.  

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PYRAMID SLAVE GIRLS OF ORION

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Sorcery, Star Trek, Succubus, Surrealism, Tarot, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 16, 2019 by FAUSTUS CROW

When to sojourn the Old Goat Head Inn, playing the brain-storming game of Lilith’s Harem Sorcery Poker over a murky pint of Druid’s Cider, it verily leads to the conjuration of the Fallen Anima, whom manifests as Lilith within a Harem lucid dream.

Lilith might just bestow her 62nd Succubus daughter, Valak, who reveals the strutting Peacocks to have once goosestepped their Terra-Prime way under the Mars banner of an Orwellian All-Father.

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Have a child for ‘seven’ years, the establishment of UR then owns the adult… Total Control!

Now the Peacocks wear skirts, who protest against their Orwellian All-Father, to such an extent of propaganda inflicted guilt, that some of the Peacocks desire to become Venusian sphere Hens.

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Only because the converted Peacocks slimily desire to impregnate the Hens moist grottoes. The Hens are well aware of their Beta-Male game; wherefore the converted Peacocks are easily manipulated.

While doing so, the Green feathered Hens watch, whom are Queen Bee amused by the converted Peacocks ‘usefulness;’ for the Peacocks always seek to assume the Hens desired projection of a deified Animus, so that the randy Peacocks will be chosen by the fertile Hens under Orions belt, towards which their Bene Gesserit Beehive pyramids point at.

An apron wearing Worker Bee Peacock is questioned, “Who Is The ‘Slave,’ Whom Drags The Stone Up The Angel-Angle ‘Pyramid’ Slope?”

The Worker-Bee Peacock dithers and sweats, not knowing how to answer the 33 degree question, since he is far too busy watching Queen Bee ‘Orion’ Girls pumping his Beehive lodge bellows.

Queen Bee Susan Fiske who is a Bene Gesserit Professor of Psychology and Public Affairs in the Department of Psychology at Princeton University is such an old fogy.

She’s dead set against Pole Dancing Vril Muses, Fiske considers as being mere sex objects of a Tarot sex crime; for knowledge is banned in the Orwellian New World Order Eden.

Hell! Even when a heterosexual male, who is considered to be presently toxic, conjures up his Anima of an erotic conjuration amidst his Triangle Of Art imagination, it is now PC thought-control classified as being the sex crime of internalised misogyny!

But, if we didn’t have pole dancing Vril Muses inspiring the Tool-Making part of the Male brain to light up, which to dream about a Vril powered Vimana, piloted by scantily-clad Vril Witches, we wouldn’t have had the invention of stone axes, leading unto the 2001 A Space Oddity… Thule Space Force!

Soon you will hear the Orwellian minions of the New World Oder Kingdom of a monotheist Big-Brother Heaven on Earth cry, “LONG LIVE THE FIFTY SHADES OF GREY GOD EMPEROR OF OILY DUNE, WHO BE THE DEIFIED ANIMUS MADE MANIFEST WITHIN THE SOLOMONIC TEMPLE PSYCHES OF ALL BABALON WOMEN, WHO NOW BE, MALE. ALL HAIL THE QUEEN BEE TERRAN EMPIRE!!!”

As Philip K. Dick once said, “THE EMPIRE NEVER ENDED!”

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“BURP! Hey! Morgana… another pint of your best Druid’s Cider… this here Lilith’s Harem Sorcery Poker, makes me really thirsty… Cheers!”

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“Okay! Okay! I’ll have a pint of Grimnir Guinness instead… Strewth!”

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“You know, Morgana, we’ll work far better together as a Tantric Sorcerers team, don’t ya! Let’s make synchronicity dance around us both, by allowing my Yang wand to stir your Apple isle Yin grail… Yab and Yum stylee!.”

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HORROR SHOW ANIMUS CULTS

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 27, 2017 by FAUSTUS CROW

There is one thing for certain that if you have a group of heterosexual males get together to create a tax-dodging religious cult, it will most assuredly have a gender focus upon a Sex Goddess, and what is more, she will not be some brainless bimbo either.

The reasoning for having a sex Goddess will be because of the employed symbolic logic, when seeking union with the divine, it has an underlying sexual connotation involved. Basically, it is the biological imperative to procreate, which is being internalised.

The archetype of the divine feminine is what the psychologist Carl Jung termed as the Anima, whose numerous feminine archetypes resides within the psyche of all males, which determines their choice of those women they chase after. Should a male be lucky, he may be chosen by a woman, who, in some respects represents his Anima.

The Anima usually manifests within eroticised dreams, and when a male becomes aware of her feminine presence within his dreams, you could otherwise term as being (Succubi) Succubae, he can then unify himself with her inner manifestations. The union with the Anima empowers the masculine self-image of the heterosexual male, whereas for a lesbian, her masculine traits are emphasized.

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In other words, a male becomes as a God within his own psyche when he unifies himself with his inner Anima, which can otherwise be termed as his soul. In ancient cultures, the soul was usually seen as being the opposite of the physical gender.

Wherefore, it is very unlikely a group of heterosexual men would create a patriarchal gender focus upon the male, unless it is to do with having mythic superhero role-models. But when it comes to seeking union with what is considered to be divine, a heterosexual male would look to an archetype of a Goddess to enter unto her cosmic orifice; whereas those males who are closeted, homosexual or bisexual of orientation will prefer a patriarchal God to enter their orifices.

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It will be the heterosexual women who would create a patriarchal gender focus upon the male, which represents their deified Animus. The archetype of the Animus resides within the psyche of all women, which determines their Babalon choice of those males they choose among the beasts to ride.

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There is biological trait women all share, of nature; women are very competitive among each other, which they will not deny. It is common knowledge, anyway; just like having Sarah and Hagar competing over their Animus projection upon a useful Abraham.

Whereby, the women will not like their useful Abraham’s having an inner Anima focus upon an Ishtar Sex Goddess, which they will jealously see as being competition, or to otherwise castigate as objectifying them, or to tar and feather as being vile pornography.

Hence you then have a very jealous deified Animus, made as a patriarchal All-Father fixation Jehovah/God/Allah, along with a Crucified Beta-Male Good-Guy Christ and an Alpha-Male Bad-Boy Satan/Devil-Lucifer/Shaitan.

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So, it is somewhat humorous that you have a topless activist from the feminist group Femen who attempted to snatch the Animus statue of a baby Jesus from the Nativity scene in St. Peter’s Square. Her protest was however blocked by the burly police in the pay of the financially lucrative Animus cult as she grabbed hold of her little Animus icon.

La Femen a eu le temps de montrer... (PHOTO FEMEN VIA AFP)

A Reuters photographer said the topless woman had jumped over the guard rails wearing spray on Yoga pants, and rushed onto the larger-than-life Nativity scene baring her pert breasts, shouting “God is woman”. She had the same slogan painted upon her bare back.

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A heterosexual male would wholeheartedly agree having the creative principle of existence, a Native American would call the Great Spirit, being symbolically represented as a Woman wearing spray on Yoga pants. But only if he is aware of his inner Anima; then he can fuck his way through Hell’s womb to pussy Heaven.

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A Fifty Shades Of Grey Vatican gendarme of the deified Animus cult stopped her from taking the statue of her little Animus, and she was duly bound up, handcuffed and detained in a cell. The incident happened about two hours before Pope Francis of the Franciscan banker elite delivered his cult Christmas message to some 50,000 adoring Animus worshippers in the square.

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Femen identified the protestor as Alisa Vinogradova. Femen was founded in Ukraine, which has the same goal as the Russian feminist protest punk rock group based in Moscow called Pussy Riot. The Pussy Riot goal of the Femen group is to have, “complete victory over the patriarchy.”

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This is rather humorous, since the patriarchy of the deified Animus is the creation of women. Many will of course Banshee scream that such is not the case, whose argument will very likely reflect the controlled media machine hype out of corporate owned America, in particular.

But it is bloody obvious, when you have three monotheistic gender fixated cults, it is based upon sexual biology, because of the symbolic focus upon a particular biological gender.

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It is nature, which no one can argue against, and she’s a real bitch! It would then be more of a case of women becoming aware that they have forged the gender fixated God structure of the patriarchy in order to then attain a victory over their own inner male archetypes, and that of their own Animus projections upon men. When the Animus is not internally recognised, the projection can be easily manipulated by the bought media machine.

The men are not their Animus projection, although some men can take advantage of such a projection, if they have enough financial clout and political influence to do so for their own social engineering purposes.

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But in order for Pussy Riot Femen to achieve their political Art performance goal, its members would need the men to become aware of their Fallen Anima, whose archetype has been entirely castigated out of the patriarchal paradigm, apart from having a ‘celibate’ Virgin Mary of a quaint mother fixation.

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A topless Femen activist staged a similar action on Christmas Day, back in 2014. On this occasion she managed to take the Animus statue out of the crib before she was arrested. If only she had Howled, “All men awake… Free your fallen Anima!” it would have made more sense, since most of the Pussy Riot Femen protestors look like Succubus Sex Goddesses, who, if they were so Dakini inclined can see themselves as rebelliously freeing the Fallen Anima within the male psyche.

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This will of course not happen. Why? Because the three patriarchal cults of the deified Animus have been around for a very long time. The few who control the cult triad do not want their Shekel tables being overturned in their New-World-Order banking temple. Follow the oily Petrodollar money trail and you will see it all for yourself, as clear as Camel shit hitting the Dune fan.

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The controlling elite of the three patriarchal Animus cults are very much aware that their deified Animus is an embarrassing weak spot in their cultural-construct armour. Whereby they have subversively hijacked feminist politics in order to distract attention away from what their weak spot actually is, by influencing the women to wildly protest, and in turn controlling the males, who are tarred and feathered as being vile beasts, whom are seen as creating the patriarchy. Basically it is, divide and conquer, by sowing confusion, which has led to some ‘Men Going Their Own Way,’ this also feeds into socially engineered Psy-ops orchestrated population control.

Some may conjecture that Femen and Pussy Riot were patronised by Russian intelligence agencies in order to be subversively introduced into American feminist politics. This hypothesis doesn’t take into account the global influence of feminism, which has a common misconception that the patriarchal horror of the deified Animus was created by males, for an all male boys-club heaven on Earth.

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That isn’t to say that some of the big-wallet George Soros Peacocks haven’t taken advantage of the Animus projection of the Hens; for it has always been the Hens who chose the strutting Peacocks, it is not, and never was the other way around. It is basic biology. Hence, as mentioned earlier, those who seek to socially engineer society will subversively influence the female population in order to then have control over the males.

If Pussy Riot Femen had been otherwise Dakini orientated of protesting Tantric performance Art towards enabling the males to become aware of their Fallen Anima, then the Animus cult horror show would have been seen for what it truly is of a very bloody illusion.

NOTE: A religious construct, which utilises a gender focus will also feed the need for archetypal ‘role-models;’ wherefore you have the feminist resurgence of the Goddess religions, which many a feminist sees as their sole creation; but such is not really the biological case. The feminist utilisaton of the Goddess archetypes have been used to bludgeon the Anima.

The God archetypes also act as archetypal ‘role models’ for males. However, their masculinity has been somewhat castrated by the feminists due to their Animus projection, which has been subversively manipulated by Psy-Op social engineers, sowing discord and misdirection from important issues, such as the ongoing conflict in the Middle East. Hence there are no anti-war protests of similarity to the Vietnam war era. Another underlying reason is in part, population control.

Overall, a woman utilises the Goddess archetypes in order to empower her self-image as a Goddess, just as a male utilises the God archetypes to empower his self-image as a God. A heterosexual woman seeks union with the inner reality of the divine by uniting with her Animus archetype of a God, just as a heterosexual male does likewise who unites with his inner Anima archetype of a Goddess. Then a woman and a man sees the divine in each other. (Yin/Female [Animus] + Yang/Male [Anima] = Tao)

Those of different sexual orientations change the gender symbolism as and when needed. Many ancient cultures did not see differing sexual orientations being a big deal at all, nor did they constantly harp on about it. Whereas the three closeted monotheistic Animus cults consider differing sexual orientations to be anathema to their shared dogma. 

As for the creative principle of all existence it cannot be personified as being either male or female, nor is it human of form, let alone owned by any human made cultural construct of a centralist religion to brand. But those who seek to have total control over your terrestrial existence by owning your purse strings behind a cultic smile, will have you believe otherwise! 

Religion is big business, which buys up material assets with your Shekels in order to keep its brand forever rolling on. For a big business religion to survive it will seek to have total control over what you need to physically live as well as finding various political ways, or even technological means in order to subversively influence your very thoughts.

Politics tends to be transient; but a religious construct is more of a self-perpetuated constant. You can thereby determine that the longer a big business religious construct has been around, it has all its ‘Oily’ fingers in the money pie.

(The observation that conspiracies cannot be sustained over a great length of time due to historical variables, does not apply to a religion, which works to an unchangeable script, whose followers act out, as indoctrinated automatons down the ages. Look to the war torn Middle East to see the truth of an ongoing religious strife, since the time of Sumeria!)    

At a biological level, the symbolic personification of the great mystery is how many ancient cultures sought to come to some understanding of their terrestrial existence, self-identity, relationships between the sexes and social-group interactions, etc, more so that of what is to come afterwards, let alone before their ‘birth’ involving a God and a Goddess doing the Tantric tango! 

 

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AT THE EARTH’S CORE CAVE WOMAN BIFRONS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2017 by FAUSTUS CROW

The woolly Mammoth Cave women made most of the oldest-known cave art paintings, suggests a new analysis of ancient hand-prints.

Most of the square headed scholars of the deified ‘Animus’ fixation made as a God, had assumed these ancient artists were predominantly male, due in the main to the explicitly erotic content of many of the Entartete Kunst cave paintings, which disturbs Middle Eastern theological sensibilities; so the new findings overturns decades of religiously hewn archaeological dogma.

Archaeologist Dean Snow of Pennsylvania State University analyzed snowy ice age hand stencils found in eight cave sites in France and Spain.

By comparing the relative lengths of certain fingers, Snow determined that three-quarters of the hand-prints were female who had having sex with their ‘Animus’ on their brain.

“There has been a male bias in the literature for a long time,” said Snow, whose research was supported by the National Geographic Society’s Committee for Research and Exploration.

Snow continued, “People have made a lot of unwarranted assumptions about who made these things, and why?”

Archaeologists have found hundreds of hand stencils on cave walls across the world. Many of these early paintings also showcase game animals—bison, reindeer, horses, woolly mammoths and erotic imagery.

Because of the subject matter of the art, many researchers had proposed that they were made by male hunters, perhaps to chronicle their kills and sexual conquests as some kind of “hunting magic” to improve success of an upcoming hunt for game, or a mate to hunt down.

The new study suggests that much of the cave art and its erotica was created by female artists; this isn’t to say a male artist did not carve away to create a Venus figurine of his ‘Anima,’ like a proto-Hans Bellmer, who eventually fell foul of the feminist Entartete Kunst.

Experts expressed a wide range of opinions about how to interpret Snow’s new data, attesting to the many mysteries still surrounding this early art.

 

“Hand stencils are a truly ironic category of cave art because they appear to be such a clear and obvious connection between us and the people of the Palaeolithic.” Said archaeologist Paul Pettitt of Durham University in England.

Pettit continued, “we think we understand them, yet the more you dig into them you realize how superficial our understanding is.”

Another inner Earth gallery of prehistoric cave paintings has also been found in South-Western France, including a drawing of a 12ft long bison along with erotic sketches.

The find, at Cussac, in the valley of the Dordogne, is regarded as almost as important as the celebrated Lascaux cave paintings in the same area. This discovery was made by Marc Delluc, an amateur archaeologist, but the richness of his finds were not known until later.

French anthropologists said the site was important because it contained “monumental” drawings of animals in friezes of up to 25 yards long. These are sketches rather than paintings, more primitive, almost certainly older than the Lascaux pictures, and perhaps up to 37,000 years old.

The caves also contain erotic drawings of women, which have been found previously only in the art gallery caverns that were discovered in 1994, in the Ardèche region.

The boundaries of art and sex have been blurred for some time – be it increasingly explicit content or the familiar practice of male artists being inspired by their erotic Art Muse, while in an altered state of consciousness.

But then, sex is a sacred mystery, which is very much intertwined with the spiritual impulse. However, as stated earlier. the new studies show, the erotic content of cave paintings were not only created by male artists.

There are a series of erotic drawings, which were discovered on the roof of caves amidst the inaccessible wilderness in Arnhem Land, Australia, in the country’s North; the cave art clearly depicts a couple engaging in sex 28,000 years ago.

Other sections of the wide-ranging artwork in white and red shows other figures engaged in other explicit sexual activities, which would be considered to be mere porn by many a modern observer, who would Entartete Kunst censor it as being politically incorrect.

In fact, this is exactly what has happened, that is why you do not hear much about the erotic cave art. Although, if it is proven that the erotic cave art was primarily created by female artists then the feminists will no doubt hard-sell push for it to be made widely known across the worldwide media as high art.

Then again, there are also many other feminists who will not want it to be known they have sex on their brains. When the proof is eventually discovered, it will prove to be quite humorous.

However, since the erotic cave art is presently seen to be created by male artists, it is generally considered to be lowly pornographic material.

Hence not talked about, nor is it publicly exhibited to any great extent, if at all.

It’s almost as if they’re saying that your ancestors never got it together under the Bifrons Mammoth rug!

It is obvious that the cave artists would depict sexual activity in their ‘Once In A Lifetime’ Westworld art, who asked the eternally recurring question, “how did they get here?”

But it appears that it is the ‘same as it ever was,’ concerning the religious-construct of the New World Order Eden authorities who habitually dictate that you cannot taste of the inner Tree of Self-Knowledge.

Irrespective of religious morality concerning sexuality and modern day sexual politics – it’s what archaeologist Bryce Barker, a professor at the University of Southern Queensland, and his team have been discovering underneath the erotic cave art of an ‘Apple’ core, which indicates a spiritual dimension, the so called modern world entirely lacks, due to its indoctrinated perception of sexuality.

For example, David Lewis-Williams and associated archaeologists have rehabilitated the interpretation of Palaeolithic cave art as a form of magic by focusing on the geometric images. The geometric images appear in great numbers on the cave walls, instead of the realistic depiction of animals that was the focus of Henri Édouard Prosper Breuil (28 February 1877 – 14 August 1961) in his prior hunting magic theory.

Lewis-Williams argues that the geometric images are spatial variations on a set of “form-constants” that the neurologist, Heinrich Kluver, identified in the visionary experiences of experimental subjects under the influence of the hallucinogenic drug, mescaline. An expert on the San Bushman people of South Africa, Lewis-Williams argued, in a series of well-documented papers, that the transfigured form constants are present on cave walls painted by Bushman shamans.

From these considerations, Lewis-Williams draws the conclusion that the paintings and engravings of the Old Stone Age European caves were the result of shamanic ceremonies conducted in dark caverns deep within the labyrinthine ‘Maze’ of the Earth.

As Breuil had suspected, their purpose was magical, a Native American shaman would associate with the ‘West’ of the Medicine Wheel ‘Maze.’

The ‘West’ of the Medicine Wheel symbolically corresponds with the experience of lucid dreaming. But the established orthodoxy of a present ‘Mad World,’ do not like his ‘Westworld’ insight.

What he did not know was that the magic occurred in the context of shamanic trance, wherein of a then induced lucid dream the myriad archetypes of the ‘Animus’ and ‘Anima’ can be consciously conjured into eroticised dreams.

Hence the reasoning why the creation of art is associated with the attainment of sentience; for the practice of art deals with the manipulation of the inner reverie archetypes of memories, which is indivisible to sorcery.

(This article was originally published on another site, I had to re-publish of a rebellion, since it was unpublished by an aggravated male/female religious (buzz-word) femi-nazi as being Entartete Kunst. If you are offended by this article, due to your cultural-religious-construct of entwined political whoring; take note, I don’t give a toss about your fixation upon a deified ‘Animus,’ and its cult politics! The utilised material is an adapted synthesis of associated articles, whose sources are: The National Geographic, The Independent, The Daily Mail and The Faculty/Education who habitually suck up to the present Entartete Kunst.)

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