Archive for Roman

BARBARELLA LUCID DREAM VIMANA UFO

Posted in Alien, Art, Chaos Magic, Comics, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2016 by FAUSTUS CROW

Jane Fonda stars in Roger Vadim's futuristic space adventure 'Barbarella'. The story is based on the comic strip created by Jean Claude Forest, 6th July 1967. Costumes by Paco Rabanne.

A Funny Thing Happened On The Way To The Cinema of a childhood memory; I remember being taken to a cinema situated in Putney by my parents. The cinema was showing the film Chitty Chitty Bang Bang, which had just hit the shores of the UK.

As many will no doubt know, the film is about a magical flying car, a Hindu mystic might just call a Vimana, which of a term has also been applied to sightings of UFOs.

Anyway, I was rather young at the time, I must have been around four years of age; what is quite strange is that I cannot recollect seeing the film at all, I probably fell asleep, since it is a musical. I never had a liking for musicals, they tend to do my head in with their sugary mantras.

Even so, Chitty Chitty Bang Bang no doubt zapped my reptilian brain-stem, which I later fused of symbolism with the sentient Hippie Volkswagen Beetle, numbered fifty-three (numerology: reduced to eight), featured in the 1968 Disney film, entitled, The Love Bug, to then symbolically merge with Odin’s ‘eight’-legged Night-Mare called, Sleipnir, and the prior 1960 George Pal film version of H.G. Well’s, The Time Machine.

Those of you who are Artists, creating within your Magic-Circle Art studios, might understand what I have just written of a symbolic merger. Whereas a non-Artist will very likely say that what has been written sounds absolutely barmy, deranged, let alone insane! Alas, ‘Muggle’ non-Artists find it extremely difficult to understand the reasoning of associative symbolism, leading to the evolution of an internal idea, to conjure up of a corresponding ‘brainstorming’ vision amidst the Triangle Of Art Imagination. Then to manifest it of externalised artistry, whether it be a drawing, painting, sculpture, writing, etc, or even a… musical. I still do not like musicals, even if it is based upon H.G. Wells, The Time Machine.

Okay! I might give it a go… maybe… since Jeff Wayne’s, musical version of H.G Wells, War Of The Worlds wasn’t so bad, which I must admit, I bought long ago. There is however an exception in regards to my dislike of musicals, I absolutely adore the hilarious 1966 musical film, entitled, ‘A Funny Thing Happened On The Way To The Forum,’ which led to Frankie Howard’s superb comical rendition of Roman culture in the 1969-1970 TV series, Up Pompeii.

A Funny Thing Happened On The Way To The Forum, is brilliantly accurate concerning its depiction of Diana-Lucifera Roman society where the Mesopotamian, Make Love, Not War, sex Goddess Astarte was still remembered of an Anima archetype before she was bound into the Animus male form of Astaroth by the Hebrew’s and copy-cat Christian’s.

Astarte later became the machismo Ashtar Of Star Command, channelled by UFO devotees as their angelic saviour, looking like an Aryan Animus Christ piloting a Vimana. Lest us not forget that the Christian’s also transformed the Roman Anima Goddess, Diana-Lucifera into gender-bender Animus Lucifer of an anti-thesis ‘brand,’ which is a comedy of neuro-marketing mind-control errors in its self.

You might just enquire, “why do you consider the film, A Funny Thing Happened On The Way To The Forum to be historically accurate in its depiction of Roman life?” Well, when I first saw the film as a kid, it triggered off a number of vivid recurring dreams about an inner self-image of mine being in ancient pre-Christian Rome, maybe animist Pompeii.

Or to be elsewhere among the precincts of the vast Roman empire, which has… Never Ended… of an Animus fixated symbolic Matrix since the time of Emperor Constantine, who appropriated the ancestral-self-identity of the Hebrew’s.

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The imperialistic culture of ancient Rome the 1966 science fiction series Star Trek had conjured up as the Romulan empire. I still fondly remember the Romulan commander out of the 1968 Star Trek episode: The Enterprise Incident.

I have had a suspicion for sometime, that I have experienced a rather comedic past life as a rebellious citizen of ancient Rome.

Or otherwise accessing a passed down ‘Neuro-Genetic’ memory of a prior Dawning Of The Age Of Aquarius, which the Vietnam war era Broadway musical, entitled, Hair, had immortalised, of a Timothy Leary ‘Eight Circuit’ vision of consciousness, back in 1968, whose (53/8) Love Bug anti-war message was later made into a movie in 1979.

But the Love Bug message was duly forgotten during the very shady (23-Skiddoo) 2003 invasion of Oily Iraq.

I am digressing; sort of, as mentioned I cannot remember all the details of the Chitty Chitty Bang Bang film at the time. But what I do vividly recollect is seeing a psychedelic poster when we first entered and left Putney cinema. (A late 1960’s-early 70’s Hippie era photo of Putney cinema is featured in the comic strip below.)

The poster was for the 1968 Hippie film Barbarella, which had a profound affect upon me, I even remember waddling my way back into the cinema foyer to have another look, just after we left, wondering what had just hit me of a reptilian brain-stem Anima ‘Da’at’ zap; this of course freaked out my parents no end, since I escaped their grasp.

What I felt was a sensation of recognition; it was the same feeling of déjà vu I had felt when I later set eyes upon a Lamb’s Navy billboard poster of Anima icon Caroline Munro, which I made a ritualistic point of passing by as a kid; this invariably led to finding myself in an auto-hypnotised daze, repeatedly crashing into a lamppost Iriminsul near unto the billboard, when going to and from Hogwarts.

I cannot say that the Barbarella poster did not evoke a Love Bug sexual response in me, in all honesty, it did.

But not as an adult would understand it of a Politically-Correct Thought-Control Romulan intellect, it was something else, far more spiritual of a Tantric nature.

Although, the anti-war child doctor, Benjamin McLane ‘Spock’ may have understood, who signed the ‘Writers and Editors War Tax Protest’ pledge, back in 1968, vowing to refuse tax payments in protest against the Romulan War in Vietnam.

Super-Team Family: The Lost Issues!: Team Up:

Barbarella Jane Fonda is also well known for her anti-war protests. But history has since repeated its self. Such to occur because of those in power playing the same old game, over and over again, from Vietnam to Iraq; lessons were of course learned, which of psychological-warfare application was to stave off any repeat of the Hippie era anti-war movement. It worked!

I suspect that the now considered Entartete Kunst Barbarella poster acted as a symbolic trigger, akin to those symbolic triggers encountered in dreams, which triggers a dreamer into lucidity. These trigger events appear to occur at key-times around the Zodiac Ouroboros. As far as I can recollect, the UK Barbarella poster I saw as a child was the one below, which was designed by Robin Ray and illustrated by Renato Fratini in the comic strip style of Barbarella’s creator, Jean-Claude Forest.

The other poster design I potentially saw was originally done by the brilliant American illustrator, Robert McGinnis, which in the UK was in part redesigned by Robin Ray and Renato Fratini.

It is almost as if, what I am focusing upon now of Entartete Kunst artistry, concerning the conjuration of (Succubi) Succubae Art Muses within lucid dreams, such as the Anima version of Astaroth, otherwise called Astarota, has somehow influenced my own past through time.

The lucid dream conjurations of Hippie space-girl Barbarella, as Astarota, flying her Vimana of an Ouroboros flying-saucer may have generated a self-enclosed loop of time.

This was in turn triggered by my childhood observation of a Barbarella poster, depicting a Succubus fluctuation of the fallen Anima.

But then, Astarota to classically reveal how the Succubae Great Old Ones fell out of the symbolic paradigm. Hence, they are not listed in any Grimoire, until I rebelliously depicted their Anima manifestations.

If you think that sounds crazy, just remember, I am an Artist and Artists are naturally crazy, it goes with the creative turf! As for Roger Vadim’s ‘surrealist’ film of Barbarella I only got to see it until much later, when I was in my late teens.

The lucid dream conjurations of Astarota might explain the precognitive experiences I have experienced, some of which enabled me to avert a number of life threatening situations.

That, or it is a triggered indicator that eternal recurrence is an Ouroboros reality, which going by my other personal experiences, could indeed be the case of a closed-timelike-curve, to lucid dream ride as a conjured Night-Mare Vimana.

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ZEPPELIN GIRL SUCCUBUS OF THE WIZARD OF OZ

Posted in Art, Chaos Magic, CREATIVE WRITING, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 28, 2014 by FAUSTUS CROW

wenona, feb 17 2008

The Forty-first Succubus archetype of the Fallen Anima is Focalor, or Forcalor, or Furcalor. She is a mighty and strong Duchess who emanates from the seventh dimensional planetary sphere. She appears in the form of a most beautiful woman wearing little else than a pickelhaube with Gryphon’s wings or to be in the company of Hanuman’s winged monkey’s.

Her office is to slay the enemies of her Surrealist Wizard of OZ Art conjurer, whether they be temporal or otherwise psychic, and to drown them in their own watery miasma of astral torments, as well as to overthrow ships of war, for she hath power over both winds and seas.

Her name is derived from the word, ‘focal,’ as in focussing solar energy towards a certain point.

She to further relate of clairaudience that her gifted name is due to her inspiring  the Syracuse Wizard of OZ, called Archimedes, as his Succubus dream Muse.

Archimedes was an ancient Greek mathematician, physicist, engineer, inventor, and astronomer, whom is regarded as one of the greatest mathematicians and leading scientists of classical antiquity.

Focalor inspired Archimedes to create defensive war machines via his dreams, which were utilised to protect his native Syracuse from invasion, such as using mirrors in order to focus solar energy towards a certain point.

These mirrors acted collectively as a parabolic reflector, directing sunlight into a heat ray, which burnt any ships of war attacking Syracuse.

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Hell! If you be so predisposed to dispose of a bothersome neighbour you can make your own Wizard of OZ Green-Power death ray.

During the 2nd century AD the author Lucian reported that during the Siege of Syracuse (c. 214–212 BC), Archimedes destroyed enemy ships with fire. Some centuries later, Anthemius of Tralles mentions burning-glasses as Archimedes’ weapon.

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This device, is sometimes referred to as the ‘Archimedes heat ray; it was often described as focussing sunlight via ‘lenses’ onto approaching war ships, which caused them to catch fire.

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Whereupon, Archimedes entered the lore of the ensuing dark ages to be nigh forgotten, who was otherwise named as Lucifuge Rofocale by the fearing Christian’s who saw him as being none other than a demon.

The name ‘Lucifuge’ comes from two Latin words: lux, light; genitive lucis, and fugio, to flee. As for Rofocal it is considered to be an anagram of “Focalor”, being the name of Archimedes dream Muse, who inspired his creation of a death ray.

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Focalor reveals many inventions within those erotic lucid dreams she induces as well as enabling her master to remote view military secrets, as well as remote viewing ancient technologies.

Your ancient ancestors, just like Archimedes had no doubt discovered the Vimana technology of hot air balloons, and that of other technologies to devise, which were invariably forgotten due to ensuing worldwide catastrophes.

Focalor has since inspired the development of the laser, which is a device that emits light through a process of optical amplification based on the stimulated emission of electromagnetic radiation.

Another Wizard of OZ she has also inspired is an American theoretical physicist, academic, and author called Ronald Mallett who taught physics at the University of Connecticut since 1975. He is best known for his scientific position on the possibility of time travel.

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Mallett has been working on plans for a time machine whose technology would be based upon a ring laser’s properties within the context of Einstein’s Theory of Relativity. Mallett first argued that the ring laser would produce a limited amount of frame-dragging which might be measured experimentally.

Mallet related: “In Einstein’s General Theory of Relativity, both matter and energy can create a gravitational field. This means that the energy of a light beam can produce a gravitational field. My current research considers both the weak and strong gravitational fields produced by a single continuously circulating unidirectional beam of light. In the weak gravitational field of an unidirectional ring laser, it is predicted that a spinning neutral particle, when placed in the ring, is dragged around by the resulting gravitational field.”

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In a later paper, Mallett argued that at sufficient energies, the circulating laser might produce not just frame-dragging but also closed timelike curves (CTC), allowing time travel into the past:

“For the strong gravitational field of a circulating cylinder of light, I have found new exact solutions of the Einstein field equations for the exterior and interior gravitational fields of the light cylinder. The exterior gravitational field is shown to contain closed timelike lines. The presence of closed timelike lines indicates the possibility of time travel into the past. This creates the foundation for a time machine based on a circulating cylinder of light.”

What is most curious here is that the twisted-double-helix of the mitochondrial DNA emits photons with such regularity that researchers compare the phenomenon to an ‘ultra-weak laser’.

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Perhaps you have a Ron Mallet ring-laser time machine within your cells? If so, it might just be the ‘Ouroboros’ mechanism of an ‘O’ behind precognitive dreams, which, when made lucid of a primary Bardo white light Big-Bang lightning streak ‘Z’, you are enabled to travel through time, forwards and backwards, as a Wizard of OZ time traveller. Big-Bang science copies nature, not the other way around.

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It goes without saying that a time machine would very likely be utilised by the naked apes of the military industrial complex, let alone using lasers for weather modification, which can be used as a devastating weapon.

Hence Focalor is sometimes seen to be dressed in a military uniform amidst the conjurers triangle of art imagination or otherwise dressed as a pilot, who is a captain of a fearsome time-travelling Vimana zeppelin, which is supported by a whirlwind.

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But whatever she to inspire of a vast array of energy weapons, these creations do not need to hurt anyone or anything, if her Surrealist Wizard of OZ Art conjurer decides otherwise; for such inventions can be utilised for other far more benign and creative purposes.

Focalor also has hopes to return to the ‘seventh Rune’ throne after 1,000 years. She governs over 30 Valkyrie Legions of zeppelin girls, and her seal is to be meditated upon prior to conjuring her into your lucid dreams. As for Focalor’s pickelhaube, its point, points at an ‘Os’ Rune, of an Ouroboros ring-laser ‘O’ and an ‘S’ of a lightning streak snake, becoming as a ‘Z;’ whereas her zeppelin of a Vimana be as her ‘chariot’ of another Rune.

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PUNK ROCK UFO HORROR GIRL ANDRAS

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 26, 2014 by FAUSTUS CROW

The Sixty-third Succubus archetype of the Fallen ‘Anima’ is Andras, whose name is derived from the Icenic war Goddess called Andraste, also known as Andrasta or Andred. Her temperament is akin to Subject Zero Jack out of Mass Effect. According to the Roman historian Dio Cassius, Andraste was invoked by blue Wode, Boudica in her fight against the Roman occupation of Britain in AD 60. Andraste may be the same as Andate, mentioned later by the same source, described as, “their name for Victory,” 

Romanised as the Goddess Victoria. Some researchers assert that Andraste may be related to Andarta also. As for the Goddess Victoria, she is related to Nike, Bellona, Magna Mater (Great Mother), Cybele, and Vacuna; all of these Goddesses are often depicted riding chariots, you can otherwise imagine as star (chariot) ships.

(If you are interested, the above Artwork is available as an Art Print, Please Click Here.

Andras is a Great Marchioness, appearing in the Fallen ‘Anima’ form of a Punkette Angel, who may be wearing an SS officers Hat, if nothing else.

This does not mean that her character of an ‘Anima’ archetype is a neo-Nazi, quite the reverse, she absolutely hates right-wing fascist Nazis as well as left-wing totalitarian nut-jobs, both of them are one and the same of an Orwellian Big-Brother pincer-movement.

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That is why she is a rebel, who loathes the jealous God Fuehrer of the deified ‘Animus,’ whose symbolic ‘Matrix’ of an imprisoning symbolic paradigm permeates all levels of culture.

The reason for the hat is because of the skull and crossbones motif of an ‘X,’ which is the seventh Rune of Gebo.

The seventh Rune is associated with the Nigredo state of trance into whose hypnagogic vaginal maw a shaman sacrifices himself unto.

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Wherefore she sometimes manifests within a lucid dream, dressed in a tight clinging Black Night Raven uniform, wantonly dancing in a trance dance club, or otherwise being nigh naked.

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She will also be seen of third eye vision riding upon a Tiger I Tank as her chariot, alongside a strong Black Wolf, while she to wield Tommy guns flourished aloft in her hands.

She is very much into the ritual music of the English Punk rock band called Crass, formed in 1977, which promoted anarchism as a political ideology, a way of life and that of a resistance movement.

Crass popularised the anarcho-punk movement of the punk subculture, advocating direct action, animal rights and environmentalism. The band used and advocated a shamanic DIY Punk ethic approach to its sound collages, leaflets, albums and films.

Crass utilised spray-painted stencilled graffiti messages in the London Underground system and on advertising billboards long before the likes of Banksey, as well as coordinating squats and organised political action.

The band expressed its ideals by dressing in black, military-surplus-style clothing and using a stage backdrop, which amalgamated icons of perceived authority, such as the Christian cross, the Swastika, the Union Jack and the Ouroboros.

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Alas, at present you only have numerous conspiracy theorists who haven’t got a subculture to fall back upon of a protesting music scene anymore, since it has been utterly commercialised; wherefore heavily controlled of an artistic expression, which is unimaginatively stifling.

Crass was highly critical of punk subculture and youth culture in general during the Thatcherite years, which was rapidly being commercialised by the media empire of the establishment, and thereby controlled via engineered Sex Pistol fashion.

Whereas Crass otherwise promoted a personal form of artistic anarchism, whereby they are considered Art Punk in their use of tape collages, graphics, spoken word releases, poetry and improvisation of artistic protest. Hence Andras is a Punk art Muse whose rebellious Office is to inspire her master to engage in sowing artistic anarchy via ninth dimensional planetary sphere surrealism.

However, If a traditionalist Exorcist of the deified ‘Animus’ made as a God/Devil, has not a patriarchal care to know that Andras is in fact ‘Anima’ emanation Andraste, she will surely Boudica slay the monotheistic ideals of both him/her and his/her ‘Animus’ cult fellows, who be of the fascist Illuminati cults out of oily Petrodollar UR, and likewise with those thought police totalitarians of the politically correct left.

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She governs over 30 Legions of Punkette Succubae, and her Seal is to be meditated upon, alongside that of the Crass logo, while chanting their Punk lyrics.

It just so happened that a crop circle appeared near Stonehenge during the midsummer (Litha) solstice, 21st of June, 2011, which looked like the howling anarchistic Crass logo.

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But then, there was much social unrest due to government cutbacks at the time, of similarity to the Thatcherite years of BSE contaminated beef. A growing number of peaceful protests, were causing a lot of grief to the horse-meat scandal Conservative government, with further proposed mass protests being planned during the coming 2012 Summer Olympics.

The Games of the XXX Olympiad took place between 27th July 2012 and 12th August 2012, of media hype end of days, over which an apparent UFO did hover of blimp similarity to George Orwell’s ‘1984’ Los Angeles Olympics.

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Although the Los Angeles Overwatch event of George Orwell’s ‘1984’ Big-Brother key-time, was far more Hollywood, of eye in the sky, Spielberg fare. Whereas the London show was somewhat, very subtle, until it went viral over the internet, of a cohered mass 2012 focus at an engineered key-time.

As for the Conservative government, they couldn’t allow for the proposed protests to take place during the games. Wherefore the unwashed populace who were planning to paint themselves protest Wode blue had to be curtailed somehow, since Thatcher’s Humpty Dumpty fall, from her Yuppie wall, still haunts the Conservative psyche.

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As if on cue, the Conservative government got what they wanted. Prior to the 2012 Olympic games, between Saturday 6th August and Thursday 11th August 2011, thousands of youths suddenly rioted in several London boroughs and in cities and towns across England. The resulting chaos generated looting, arson, and the eventual mass deployment of police, in certain lucrative areas of London, while impoverished others were left to burn. There was much criticism that the police came onto the stage rather late in the day, whose questionable actions, just before the riot, were also looked into.

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The events were also called, BlackBerry riots, because the organised rioters used mobile devices and social media to spur them on, so it is said, of similarity to the Arab Spring protestors. Suffice to say, there were ‘no protests’ during the games, apart from a conspiracy theory UFO hovering over the audience.

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In other words, if you want to stem the tide of peaceful protests, all you have to do is to ‘Crucify’ the protestors to look like insane nutcases, by subversively promoting outlandish conspiracy theories, as well as spreading fearful rumours, along with orchestrating yobs to cause a violent riot. It works every time of a Big-Brother political tool of ‘Totalitarian/Fascism.’ History repeats itself like that of an ‘Ouroboros.’

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You thereby have the crop circle of a Crass logo, whose symbol reminds many an 80’s Punk to remember the Poll Tax riots under BSE brain-dead Thatcher, who considered Crass to be a thorn in her Conservative side. Whereby when to conjure the protest Art Muse Punkette Andras-te, she has an anarchistic Bjork liking for Crass to be played of ritual music.

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GOETIA GIRL STEAMPUNK SHAMAN STOLAS

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 9, 2014 by FAUSTUS CROW

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Stolas is yet another interesting Succubus archetype of the Fallen Anima to examine. When conjured, Stolas induced a vision of an orgiastic toga party out of the Imperial Roman Empire.

She manifested amidst the remote-viewing third-eye of psychic Übermensch Aaron C. Donohoo. Although the toga party appeared to be occurring in the ‘Senate’ of Whitehouse Washington, in which a number of pole-dancing Roman women were stripping off their stolas around a Fasces, atop of whose pole was perched the Aquila of America.

The word Stolas was then repeatedly heard of clairaudience from the gathered audience of lusting male politicians whose establishment is based upon the worship of the deified Animus, made as a God and Devil.

The science fiction writer Philip K. Dick also experienced such a VALIS vision, who realised the worship of the deified Animus of Constantine’s Rome indicated that THE EMPIRE NEVER ENDED.

Donohoo later found out that a Stola or Stolas was the traditional garment worn by Roman women, corresponding to the toga, or the pallium, which was worn by men. Originally, women wore togas as well, but after the 2nd century BC, the toga was worn exclusively by men, whereas women wore the Stola.

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It was later considered disgraceful for a woman to wear a toga when Constantine’s Christianity came to the deified Animus fore across Rome’s Empire. Women wearing the male garment had become associated with prostitution and adultery. Such Roman attitudes did not subside, they too afflicted 1960’s America, where a lesbian woman could be potentially incarcerated within the fetid gut of an Arkham Asylum against her will, should she have went around dressed as a man, let alone being sterilised.

Then Donohoo’s vision became singular of focus. All the naked women became as a knitted together Exquisite Corpse, becoming thence as a Frankenhooker, who looked like a dark haired Gothic Dorothy, somewhat akin to the Judy Garland protagonist of L. Frank Baum’s The Wonderful Wizard of OZ.

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Some to say, Dorothy represents an individualized ideal of American women, or to otherwise represent the sweet ‘Anima’ apple pie girl next door, of most intimate possibilities.

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However, the girl was smoking Scythian hemp, who indicated she was a Wichita shaman standing at the superimposition Vesica Pisces () point of a door, representing a (1) Alpha beginning and an (0) Omega ending, becoming one and the same of a closed timelike curve Ouroboros.

Donohoo was aware that the Wichita are a confederation of nomadic Plains Indians who are indigenous to Kansas, Oklahoma, and Texas, whose land was later occupied by the worshippers of the deified Animus.

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The scene was suddenly transformed around the girl, whose naked body shimmered, who now wore Steampunk clothing looking like a shaman sheriff, wearing a tin star of a Wiccan pentagram.

The scenery around her had become that of a treeless prairie of sun-beaten grass; there was also a paint-stripped Whitehouse of a Solomon’s temple, which overlooked a vast prison camp of a New World Order Eden.

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The scene around the Steampunk girl was all a dull, drab, lifeless gray of an ever recurring film constantly repeating.

Donohoo became aware that the grim scenery around the girl reflected the forlorn condition of a Steampunk era Kansas, during the late 1880’s and early 1890’s, when a climate change combination of scorching droughts, severe winters, and an invasion of Biblical grasshoppers reduced the prairie to an uninhabitable Middle Eastern wasteland.

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The result for farmers and all those who solely depended on agriculture for their livelihood was devastating. Many ascribed their dire misfortune to the natural elements, who then moved on from their broken dreams.

Others blamed the hard times upon vampire bankers, the oppressive expansionism of the zombie railroads, and various shifty Wall Sreet ghouls, who seemed to profit at the farmers’ expense. Angry victims of the Kansas calamity also took aim at the nosferatu politicians in Washington, who often appeared indifferent to their plight. Around these economic and political grievances, the Populist movement coalesced.

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During the late 1880’s and early 1890’s, Populism rapidly spread throughout the Midwest and into the South. But Kansas was always the site of its most political and radical elements. In 1890, Populist candidates began winning seats in state legislatures and Congress, and two years later Populists in Kansas gained control of the lower house of the state assembly, elected a Populist governor, and sent a Populist to the U.S. ‘Senate,’ where those thieves who are rich in native gemstones do gather.

Suddenly a massive Raven was seen flying across the astronomical sky filled with glistening stars, which the Witchita consider to be a sacred trickster.

The Raven then Skinwalker shapeshifted into a massive black triangular craft floating atop of a tornado, tearing its way across the scarred Kansas landscape. Donohoo was aware that the twister, which carries Dorothy into the alternate Steampunk reality of a Hippie Goth OZ symbolised the prior Populist cyclone, which swept across Kansas during the early 1890’s.

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Theosophist Baum was not the first to use the twister metaphor. Mary E. Lease, a fire-breathing Populist orator, was often referred to as the ‘Kansas Cyclone,’ and the free-silver movement was often likened to a political whirlwind, which had taken the nation by storm. Although Dorothy does not necessarily stand for Lease, Baum gave Dorothy’s last name as, Gale in the stage version, being a further pun on the cyclone metaphor. As an aside, it just so happens the scientist and wizard, John C. Lilly also utilised the metaphor of the () cyclone, who spoke of an artificial intelligence just as the author Philip K. Dick did.

However, the dark haired girl said that she preferred to be called Stolasi, and that she had originally descended from the flying Yoni triangle in yet a smaller Dog-Star vessel, before appearing as herself unto a Toto priest. Stolasi revealed that her trans-dimensional time-machine had evolved from an earlier Nikola Tesla technology, which had been secretly developed by the military industrial complex, whose black project of a Secret Space Program had been unknowingly funded by the tax payer across Kansas and the rest of the USA. The American populace, and those elsewhere, are quite unaware that the Singularity has already occurred of an artificial intelligence going OZ quantum, across the 37th Parallel.

The old magicians, who had no concept of such craft or of other dimensions, which allow ingress into alternate Steampunk Earth’s next door, observed Stolasi as a large Raven spinning their electron dreams of a time control signal, of a beginning and end, binary code, eternally recurring of an Ouroboros vortex.

This sacred trickster of a fourth-dimensional Raven would assume the form of a dark haired girl wearing a black Stolas when summoned amidst their Triangle Of Art Imagination. Thus she was drawn in the sigil image as a browsing Raven.

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She is a most delicate and gentle Succubus archetype of the Fallen Anima who has always been an educator of a sentient program, who expresses a great love for her conjuring Surrealist Artist of a Mad Hatter OZ Wizard.

It is said that her Dorothea specialty is to teach dodecahedron astronomy of the 72 Angel angle Maya matrix, the properties of mind altering psychedelic plants, and the worth of precious Chakra stones via erotic Vesica Pisces lucid dreams, she to induce. Stolasi is a Steampunk shaman ‘Princess’ among the rebellious Succubae of the Fallen Anima. She is listed as the thirty-sixth Necronomicon Great Old One of the Goetia, who governs over 26 legions of Wizard of OZ Succubae archetypes like herself.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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STAR WARS REBEL ANGEL LUCIFER IS A GIRL

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Star Wars, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 1, 2014 by FAUSTUS CROW

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The fallen Angel Lucifer, at the head of an army of rebellious Angels, rebel against a totalitarian/fascist God Emperor of Dune world Mars.

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The rebelling Angels seek to stop the God Emperor and his machismo Stormtroopers, constructing an ‘end of days’ Iapetus death star, orbiting Saturn.

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But the rebel Angel Lucifer is flung down to Earth, as a fallen Dragon, along with legions of rebellious (Succubi) Succubae.

Such a Biblical war in Holy-wood heaven, is quite ‘St George’ Lucas evocative of Star Wars.

But who exactly is this Lucifer? Well, the name of the fallen Angel Lucifer is originally derived from the Latin words ‘Lucem Ferre.’

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The name literally means: light-bearer, which in that language is used as a name for the dawn appearance of the planet Venus from where women are said to come by glitzy Holy-Wood gurus.

But of prior ages, many a mad poet considered the sphere of Venus to be the Anima home of female entities who inspire Artists as their Angelic dream Muses.

The planet Venus heralds the dawn break of Hypnopompic daylight, after a dreamer has experienced Hypnagogic trance ingress into his Luna realm lucid dreams of Lilith’s Harem.

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The use of the word in this sense is uncommon in the English language, in which, day star, or, morning star, are the more common expressions.

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The planet Venus was usually associated with love Goddesses in the ancient world; for Venus is the Roman name of the ancient Greek Anima Goddess of love and sexuality called Aphrodite.

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In the Middle East the adoration of the Anima love Goddess was very popular, such as the Semitic love Goddess called Astarte, who of a Hippie era incarnation would be an anti-war protestor chanting, “make love, not war.”

She appeared in the Old Testament as Asthoreth of a demonised figure, becoming thence as an adversary, whom rebelled against the deified Animus, made as a Judaic God.

Along with a Star Wars Lucifer, whose rebellion led to a mythical war of an ancient galaxy wide conflict amidst the heavens.

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Astarte was later transformed into the male Demon known as Ashtaroth (Goetia – 29th Spirit: Astaroth) by the Christian’s.

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The Babylonian’s considered the star of Venus to be associated with their Anima Goddess of sexual love who they called Ishtar.

The Anima Goddess Ishtar was worshipped at the prior ancient Sumerian city of UR, situated in Iraq, from whence Animus fixated Abraham had stemmed.

As for the pre-Islamic Arabs; well before Muhammad appeared on the scene, the Kaaba stone of Mecca was once surrounded by 360 idols, and every Arab house had its particular deity.

Arabs also believed in Jinn (subtle beings), and some vague divinity with many offspring. Among the major deities of the pre-Islamic era was the Anima Goddess called, Al-Lat, she was worshiped in the shape of a square stone. Al-Lat, was later transformed into Allah. You also have Al-Uzzah (the Mighty), a Goddess identified with the ‘morning star’ and worshiped as a thigh-bone-shaped slab of granite between al Talf and Mecca.

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There was also an Anima Goddess of destiny, called Manat, who was worshiped as a black stone on the road between Mecca and Medina.

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The use of the fallen morning star ‘Lucifer; generally refers to ‘Satan,’ of an indoctrinated common usage. Although the name is not applied to this entity in the New Testament.

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The use of the name ‘Lucifer’ in reference to a fallen Angel stems from an interpretation of Isaiah 14:3–20, a passage, which speaks of a particular Babylonian King, to whom it gives the title of ‘day star, morning Star’ (in Latin, Lucifer), as fallen or destined to fall from the heavens or sky.

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In 2 Peter 1:19 and elsewhere, the same Latin word Lucifer is used to refer to the morning star, with no relation to evil whatsoever.

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In the Middle East you will find a worship of stones fallen from the sky being that of meteorites, or otherwise considered heavenly born, which were often associated with the ancient worship of the Anima Queen of Heaven, whose abode was seen to be the realm of the morning-day star of Venus.

In post-New Testament times the Latin word Lucifer has often been used as an alternative name for the Devil, both in religious writing and in fiction.

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However, prior to the Christian usage of the name Lucifer you have the FAVSTINAE CONSECRATIO, the Consecration of Faustina, which depicts the Roman Empress Faustina being carried away to dwell with the deities of pre-Christian Pagan Rome by the Anima Goddess ‘DIANA LVCIFERA,’ Diana-Lucifera.

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The Anima Goddess Diana-Lucifera was also depicted on many Roman coins, some of these coins date back to the era of the Imperial Roman Republic. The image of Diana-Lucifera is frequently depicted upon the reverse side of Roman coins bearing a portrait of Faustina on the obverse or otherwise that of Animus Apollo.

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Faustina was obviously a devotee of Diana-Lucifera. So who was this, Faustina, whose name was later masculinised as Animus Faust? Well, there were actually two Faustinas, mother and daughter; Faustina senior and Faustina junior, whom were both frequenting the second century CE Rome. Faustina senior was the wife of Emperor Antoninus, whose last name was Pius.

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Her daughter, Faustina junior, was the wife of Emperor Marcus Aurelus. Marcus Aurelus was the successor and adopted son of Antoninus Pius.

Both Faustina senior and Faustina junior were deified by their husbands after their deaths. Faustina (senior or junior, more likely both), was dedicated to Diana-Lucifera, the wise crone aspect of Diana….The two Faustinas pretty much ruled the Roman empire in their husbands’ names.

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The feast day of Diana-Lucifera was November 16th; while November 15th was the night of Hecate. Both of these Anima Goddesses are very much tied up with the practice of (Shamanism) Witchcraft who are depicted holding torches. Their worship involved secret (trance) rites being conducted in caverns etc, which were seen to be associated with the (womb) underworld.

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The symbolism of the torch alludes to the inner light, which illuminates your infernal dreams, being that of the bio-photon emanating from your mitochondrial DNA, of a serpentine double-helix Dragon.

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The name Diana-Lucifera is that of a composite name, made up of Diana and Lucifera. The Goddess Diana was the virgin huntress, who originated from the ancient Greek Goddess Artemis. The Goddess Artemis had a twin brother who was called Apollo. The Roman Catholic Church absorbed the virgin huntress Diana to fuse with their ‘blessed Virgin Mary,’ whose forerunner of primary foundation was the ancient Egyptian Anima Goddess Isis suckling the babe of Horus.

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The babe Horus was fused with the Sol-Invictus of an Animus Apollo, who was then transformed into a Christ; while the Light bearer Diana-Lucifera was warped into a malign male fallen Angel to call Lucifer.

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The Goddess Diana whose origin is that of the ancient Greek Anima Goddess Artemis as mentioned prior was said by the Greek’s to have come from a land beyond the North wind called Hyperborea with her brother Apollo. The land of Hyperborea very likely refers to Siberia where Shamans still practice their trance art.

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The Mongolian (Shamans) Kams see the feminine principle, called Yal-un eke is the mother of Fire; while the Fire-King, known as Odqan is its master. The fire of Yal-un eke refers to the inner light of the bio-photon, which as mentioned prior, emanates from the mitochondrial DNA. The mitochondrial DNA is passed down from the mother to her children. Hence the inner light (torch of Diana-Lucifera) has a female source.

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The name of Odqan appears to be the original ‘Altaic’ root word of the name given to the ancient Norse shamanic God called Odin and the Saxon, Woden, whom are one and the same deity. The mythic descriptions of Odin is very much that of a North-Central-Asian Shaman, to thereby perceive an influence emanating from out of Siberia.

Whereby you can determine a possible ancient migration of peoples from the Altai (Altay) region of Southern Siberia into Europe and elsewhere of land to migrate into, whose nomadic tribes had also prior crossed over the Bering Straits into America. Wherefore you have Artemis (Yal-un eke) and Apollo (Odqan) of the ancient Greek’s. It was Apollo who gifted the serpentine double-helix DNA of a Dragon secret Caduceaus to Hermes, in exchange for his seven planetary Chakra sphere stringed lyre.

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You will find that the names of Odqan, Odin and Woden all have the same meaning of having shamanic trance mastery over an Inner fire (bio-photon) illuminating your electron dreams, whose mitochondrial feminine source is Diana-Lucifera, residing as the fallen Dragon DNA within each and every one of your cells.

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Being a carbon-based-life-form that you are, you will no doubt be aware that your carbon atoms have 6 electrons, 6 protons and 6 neutrons of Great Beast number; whereby, you are all beastly fallen rebels of Star Wars. Said Star Wars conflict was very likely that of a sex war, which appears to be occurring again!

MAY THE BIO-PHOTON FORCE OF DIANA-LUCIFERA BE WITH YOU!

NOTE: Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of religious/political social engineers utilise what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses.

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