Archive for shadow people

JEDI HIPPIE FIRST EARTH BATTALION

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Shamanism, Sorcery, Star Wars, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 30, 2017 by FAUSTUS CROW

The Artwork above is provisionally entitled, The Witches Who Stare At Goats, which is available as an Art Print; if you are interested, Please Click Here.

The Witches Who Stare At Goats, was inspired by The First Earth Battalion, which is the name of a military order of psychic supersoldiers, who are organized along New Age Hippie lines. The First Earth Battalion was proposed by Lieutenant Colonel Jim Channon, a U.S. soldier who had served in Vietnam. Channon also authored a First Earth Battalion book, which was published in 1982.

The title if the Artwork is derived from  the book, The Men Who Stare At Goats, written by the journalist Jon Ronson. According to Ronson, during the 1970’s, Channon set about researching the principle individuals who are credited with starting the Human Potential Movement in California.

Ronson’s book was later made into a surreal comedy film, set in Iraq. The film was released in the Autumn of 2009, which starred George Clooney, Ewan McGregor, Jeff Bridges and Kevin Spacey. The fictionalized version of the First Earth Battalion was renamed as the New Earth Army.

As mentioned, Channon subsequently wrote an operations manual for a First Earth Battalion. The manual was a 125-page mixture of drawings, graphs, maps, polemical essays and point-by-point redesigns of every aspect of military life.

Channon’s First Earth Battalion manual is a 125-page mixture of drawings, graphs, maps, polemical essays, and point-by-point redesigns of every aspect of military life. Channon also created a new battlefield uniform, which would include pouches for ginseng regulators, divining tools, and food stuffs enhancing night vision. The kit even included a loudspeaker, which would automatically emit ‘indigenous music and words of peace.’

Channon believes The First Earth Battalion has the potential to be a principal moral and ethical force in society via whose Jedi philosophy, politics could be harmonized in the name of the Earth, being its primary allegiance.

Channon envisioned that the First Earth Battalion will be organized informally: uniforms without uniformity, structure without status, and unity powered by diversity, whose Star Trek members would be multicultural, with each race contributing to a ‘rainbow power.’

He also proposed as a guiding principle that members of the First Earth Battalion must at all times seek non-destructive methods of conflict resolution because their first loyalty is to the planet, which sums up the hidden emphasis of Channon’s surrealism, being non-lethal warfare, otherwise termed as psychological warfare.

Channon’s First Earth Battalion manual can be seen to be a creation of surrealist art, investigating how the sorcery of art can influence the mind.

Channon’s surrealist synthesis of New Age symbolism was subversively utilised by the intelligence wing of the military, in order to offset the symbolic influence of the New Age Movement, which, during the Hippie era of Vietnam, had toppled a government.

In other words, the government did not want a repeat of alternative philosophies gaining any ascendancy, more so that of mass anti-war protests causing them bother, when going into Iraq. Hence, the symbolic focus upon the 2012 mystique was prior engineered of Psyops artistry, in order to steer, control, as well as to totally fragment the New Age Movement’s own artistic vision.

Channon adopted the viral-meme term ‘Warrior Monk’ for potential members of the First Earth Battalion, which can be otherwise re-worded of an anti-viral-meme Mantra as, ‘Warrior Artist.’

According to the aptly titled book Mind Wars by Ronald McRae, each member of the First Earth Battalion would be sworn to uphold a credo of, ‘High Commandos and Guerrilla Gurus,’ you could otherwise imaginatively term as, High Commando Artist’s and Guerrilla Artist’s:

1: I have the (Artist) capacity and therefore the duty to contribute to the development of myself, my associates, and our planet, simultaneously, now!

2: I will organize a self-supporting high commando (Art) group that will create and perform evolutionary breakthrough actions on behalf of people and planet. One people, one planet.

3: I will then pass on this concept to others who are capable of generating further self-organizing commando (Art) teams.

4: I will await the time when my (Art) group can connect naturally with others at higher and higher levels of awareness and performance — the Natural (Art) Guard.

Hippie Witch First Earth Battalion by MARDUN

The Artwork also depicts an alternate version of the Thirty-First spirit called Foras, out of the Goetia, who is featured in my second Goetia Girls book.

NOTE: The techniques of psychological warfare and mind control have been around for a very long time, it is nothing new. State Religions have been using psychological warfare and mind control since the times of ancient Babylon.

State Religions primarily use fear as well as inducing a state of guilt in order to brainwash the populace, which is ongoing.

For example, there are a number of individuals whose Judaeo-Christian mind-set is right out of the Witch burning middle-ages who are communicating that (hypnagogic trance) sleep-paralysis and erotic lucid dreams is equitable with a Satanic addiction with hedonic porn, indulging in sinful adultery and even becoming embroiled in shadow-being demonic bestiality; whereby making you fear what you are dreaming.

Should you be experiencing sleep-paralysis as well as having erotic lucid dreams, it would be best that you ignore the mind-control tactics of the cultic fear-porn merchants of the three monotheist Middle-Eastern cults out of Ur, which have habitually indulged in psychological warfare and mind control down the ages.

If you find it difficult to ignore what the cultic minions are spreading of fear-porn due to your own religious indoctrination, all you have to do is to look back to the middle-ages where you will find a number of historical accounts of mind-control cultists who have communicated the same fear-porn, which led to the Witch burning genocide across Europe and the New-World, of a prior Holocaust.

Just keep in mind that the Daesh have the same theocratic mind-set as those who are spreading the viral-meme mind-control fear porn of religious politics. Hence, you have to become a Jedi of the First Earth Battalion so that you can negate their psychological warfare.  

There are other elder cultures, which have investigated sleep-paralysis and erotic lucid dreams, whose mind-expansion orientation does not make you fear exploring your own consciousness.  

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MEPHISTOPHINA GOTHIC SUCCUBUS

Posted in Chaos Magic, Demon, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 7, 2016 by FAUSTUS CROW

Curious it be that sign of Venus, woman, crowned Luna of horns, becomes as Mercury, which of a Wodensdaeg planetary sphere is sacred to a Wednesday Addams, the Spanish to know as Merlina.

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Hence Faustus Crow conjures up the Alchemical Mercurius of an ‘Anima’-Mundi High Priestess as A dark haired Goth Girl from Da’at Sirius to name, Mephistophina.

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The technique, in general, being, the name, Mephistophina is intoned of Mantra at the Da’at point of Hypnagogic ‘X’ Rune-‘Crossbones’ ingress into conscious dreaming, which equates with Choronzon.

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Wherein the Bedroom Invading Old Hag Syndrome sometimes occurs, when to inadvertently access Hypnagogic trance, of an ensuing sleep paralysis, which to protect you from sleep-walking out of the 13th floor window.

The intoned Mantra of Mestohistophina transmutes the Old Hag Syndrome of reflected back Shadow People fears, into that of an otherwise erotic manifestation, which then leads to a Coitus Pactum lucid dream.

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It is within the lucid dream of an illuminated ‘Skull,’ that Mephistophina manifests as the Mercurial Holy Guardian Angel; though fallen; for the ‘Anima’ has Been entirely castigated out of the spiritual equation.

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Anyway, she sure beats Choronzon, let alone Aiwass.

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But such will be dependent upon your ‘Wicked’ sexual orientation, concerning your ‘Beastly’ focus upon the fallen ‘Anima,’ of a rebellion.

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Or that of adoring the commonality of the Vatican’s deified ‘Animus’ of a God and Devil, to otherwise name Aiwass and Choronzon.

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SPHINX DREAM OF THE SUCCUBUS

Posted in Alien, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 21, 2016 by FAUSTUS CROW

This Truth tale be not dark, nor twisted of telling, it is just not Newage fluffy. If you be a Newage bunny who to hypocrite smile behind rose tinted glasses, fearing leaping into the abyss, best not read on. I will relate an experience, which of a general account, I had as a changeling childe. The initial phase was that of waking up in total utter terror, not long after I went to sleep.

I couldn’t tell anyone; who would have believed me, anyway. In retrospect it is just as well that I had not told no one. What was I going to, say, “hey, I think I’m being strangled every night by the Sphinx out of ancient Greek mythology.” They would have of course seen me as being absolutely insane. Then again, who knows, they might of replied, “don’t you mean the ancient Egyptian Sphinx?”

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I would have then replied, “Nah! The Egyptian Sphinx was originally of the Jackal headed deity of the Abyss leading to the ‘Inner Archives’ of the Duat, called Anubis. Although, more likely the Egyptian Sphinx was originally an Anima representation of a Lioness, called Mehit.”

I then to continue, “I’m speaking of the winged female Sphinx, having an Ouroboros of a Snake as her tail, the Greek’s spoke of, that was used for the front cover of H,G Wells, Time Machine; she’s the real Cat-Woman, strangler.”

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It definitely did feel as if I was being strangled by something, to the point of choking, gagging for air; or that of being of similarity to drowning.

Since I was experiencing this strangulation every time I went to sleep I intended to find out what was going on, by doing some extensive research.

My research led me to Hebrew folklore concerning the Succubus, called Lilith, who is described as having a liking for strangling infants, let alone sexually seducing males.

H,P Lovecraft would have probably equated Lilith with a salacious Great Old One, to otherwise term as a Nightgaunt.

But there was little or no information about the experience at the time of the pre-internet, or since, apart from a load of fear porn bollocks about malign abducting aliens, bedroom invader shadow people, butch Biblical Demons, oily UR Annunaki from planet ‘X’ chromosome, or interdimensional reptilians, with long tongues,, etc, etc. Take your reptilian-brain-stem, zap pick, of Newage Moorlock media hewn horror Creepypasta.

Saying that, I was absolutely terrified of going to sleep many a night; Hell! I had to keep the light on much of the time, that, or getting naps during the day. But even then I would suddenly wake up sensing I was being strangled by some shadowy presence, which had patiently waited for me to fall asleep.

I decided to utilise meditation in an attempt to offset the terror of the experience, or at the very least prepare for it. I then accessed the hypnagogic state at the point of sleep, this was when the strangulation often occurred, which involved sleep paralysis.

I knew from previous experiences, not to become afraid, otherwise I would find my terror being reflected back at me of varying horrors.

But due to the prior meditation, I otherwise relaxed into the experience; as I did so, I had the distinct sensation of an inner energy, ascending along the back of my neck, flowing through fibrous channels; I could physically feel it, as well as see this energy, as if I was looking into my own brain with X-Ray eyes.

This energy looked like a cool electric blue light, which appeared to be blocked in my throat area, within the area of my reptilian brain-stem. I came to the conclusion that it was this blockage, which was causing the sensation of choking. Although, I must admit, I did feel as if I was being haunted by a ghost at times.

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I decided to take the meditation further, by meditating upon certain symbolic stimuli, which of esoteric associations, corresponded with the throat area. The utilised imagery alluded to the choking sensation I was experiencing. At first I was using the meditation to control my need for sleep, or should I say, attempting to avoid it. Hence I was drinking copious amounts of black coffee, until I pissed it like an espresso machine.

Going by my research it seemed that the blockage of energy appeared to be associated with what is termed as the arousal of the Kundalini Shakti, in Tantric Yoga practices, which I had gathered together of various accounts, from rare sources. However, much of the information about the Kundalini Shakti, which is personified as a Goddess, who is otherwise known as the fire snake, was Newage fluffy couched in labyrinthine esoteric psychobabble.

While I conducted the meditations I utilised the breathing techniques as described by a gnarled library book on Transcendental Meditation I had picked up.

The reason for my choice at the time, was that it was straight forward, of matter of fact instruction, which was not peppered with mind-bending Hindu metaphysics; the laughing Buddha book was otherwise Hippie humorous of Beatle’s Magical Mystery Tour insight.

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I also did the meditations, while listening to hypnotic beat trance music, or that of otherwise dancing in order to induce a light trance state, which was basically, controlled day dreaming, about the material I had researched in order to attain further insights into it. Said day dreaming, Jung would otherwise call Active Imagination.

The sensation of strangulation lessened for a while, until one day, after returning home from school, feeling absolutely exhausted, I fell into a deep swoon; as I did so, a presence descended upon me. I had the distinct sensation of hands around my throat.

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But this time, I was prepared. rather than reacting in terror, I uttered a pre-prepared Mantra within my mind. As I intoned the Mantra, the experience suddenly changed to that of soothing feminine hands around my throat, of a sensuous caress.

The ‘Feline’ fingers of her hands then expertly traced out an energy flow along the back of my neck towards the back of my head, as she did so, I then had the sensation of falling backwards into a great void, where Anubis Howls, the Newage fluffy Moorlocks fear.

The void was all encompassing of nothingness, into which I had fallen. The terror of which I had negated by repeatedly ‘Howling’ out the Mantra over and over again, while I fell, leaving my corporal capsule behind of a body, knowing not where I was descending into. But it felt as if I was falling towards the centre of the Earth, or somewhere quite other, floating in space.

I then found myself falling into my bed, to then awaken; feeling quite exhilarated, because I had overcome my fear.

But I also felt a bit disappointed that nothing else had happened apart from awakening back into my bed. I lay there awhile pondering what had just happened of an awesome experience.

I then got out of my bed, in order to go to my art table near the window, through which the light of the Moon bathed my room. Everything seemed to be the same, all very real. It was no dream, as far as I was concerned; I felt very much aware, more so in fact, as I decided to look out of my window.

As I looked out of my window, I realised I was not in Kansas anymore. The usual panorama, was that of an urban jungle of houses and factories surrounding an allotment, which of little sky to see, was and still is polluted by the glare of city lights.

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I instead, found myself confronted by a wide open countryside of rolling hills, bathed by the light of the Moon amidst a night sky full of bright stars; in the far distance I noticed what seemed to be a group of small brick houses, from whose chimneys bluish smoke drifted.

As far as I could tell they were human habitations, but as to their architectural design I was uncertain. I was not sure if I had accessed the past, future or some other alternate world.

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Suffice to say, I was totally awe struck. I then became aware that I was probably experiencing a vivid lucid dream, which I tested by jumping up into the air, to see if I would float around like a disembodied bubble; but instead, gravity sharply pulled my physicality down.

It was more real than real; it was not a usual lucid dream, it went far beyond lucidity. It then struck me, that I may have died in my sleep; as I was pondering this possibility, which started to make me very afraid, I became aware that I was being watched by some unknown presence. I looked over to where it could be, whereupon I noticed my door had been opened.

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The presence turned out to be a Witch, who brought me back. But not before experiencing other… adventures.

I did wonder, whether she had ‘conjured’ me into her world

I felt as if I was away for ages. But when I to have again awakened, I found I had been asleep for but a short while. Nor was it night, it was still day as before the departure, when I awoke.

Anyway, to cut a long story short. I have since noticed that when I enter into certain emotional states, of what could be construed as being that of awe, or being inspired, I have the distinct sensation of an electrical type of energy around my throat, like that of wearing a vibrating serpentine Torc, which expands outwards, of a kind of disk, or a web spreading out, connected to everything, making all to feel quite different to me of quality, as if… Time… has stood still.

When the energy becomes quite acute, it then arises along the back of my neck to the back of my head, which can then ascend to the top of my skull.

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Whereupon I feel as if my head is opening up; as this happens, strange out of the ordinary things tend to occur, of tuning into ‘alternate’ Ouroboros possibilities, manifesting as a synchronicities; but ‘Nothing… Negative;’ well, as long as I do not indulge in fear. Whether you believe me or not as the case maybe, I really do not care; best find out for your-own-Self.

NOTE: The experience of strangulation is due to an inadvertent access of hypnagogic trance at the point of sleep. When suddenly accessing hypnagogic trance, it can bring a about a sense of panic in the unprepared. The body feels as if it is dying, since the rate of breathing is far slower. The sense of panic arouses the Reticular-Activating-System of the (throat area) Reptilian-brain-stem to get out of its predicament.

This involves a faster breathing rate; whereupon one has the experience of gasping for air and the sensation of being (hung-Odin) strangled. The panic and ensuing fear also engenders terrifying hallucinations, while awakening from hypnagogic trance.

When the panic and fear is finally overcome of a Sphinx’s riddle, the dreamer can then consciously utilise hypnagogic trance to attain ingress into a lucid dream.

In other words, the dreamer is then enabled to overcome the assailing Nightmare to ride as a (Sleipnir-TARDIS) Night-Mare. 

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NIGHT NURSE SUCCUBUS MEDICATION

Posted in Alien, Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Devil, Discordianism, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 20, 2015 by FAUSTUS CROW

Should you vigorously rub up a bottle of Night Nurse medication, upon the striking, of the thirteenth hour, during the twilight time of Halloween, you might just find that a Night-Mare Nurse will erupt forth from her slippery Genie bottle.

But due to her infernal origin, since the Fallen ‘Anima’ and her archetypal legions of salacious Succubae have been cast into the depths of Hell by the trinity of the deified ‘Animus’ cultists, whom insanely dance betwixt their God and Devil, she will look like an Exquisite Corpse, of a knitted together Frankenstein’s Witch Muse.

She might just reveal why you feel so ill, to thence tell of what the Ill-uminati cults of the deified ‘Animus’ are up to, which of an unholy trinity, worship the Orwellian eye of their three faced ‘Animus’ God amidst an Oily UR ziggurat.

You will probably believe that you are hallucinating all of this, while your fluoridated brain is being revived, by remembering a passing, video in which women protest against their own Animus creation of the patriarchy, to understand of greater clarity, as you lie paralysed upon your sweaty bed.

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Out of the shadows, the Succubus archetype of the Fallen ‘Anima’ to then leap upon you, finding yourself crucified, as she mounts your nailed down body; she be no celibate Virgin Mary.

Like a predatory Sphinx she assails you, with her weighted presence, whose feline nature is that of a Lioness, going for your reptilian brain-stem throat, to arouse into rebellious activation.

She will then appear to be in the company of two surrealist Cenobite Dakinis, who be highly Hellraiser versed in the Tibetan ritual of Chöd, whose flaying knives deftly cut away the mind-control layers of your brainwashed brain.

Maya Matrix Shock Hypnosis Animation.

But should you fear these Dakini pylons of the Ida and Pingala nerve channels on either side of your ‘Da’at’ Adams’s Apple, you will find yourself being operated upon by monstrous alien entities looking like Spielberg extraterrestrials, out of the controlled media machine of Hollywood, who will duly probe your ‘Yesod’ anus.

But then what do you expect when having an indoctrinated focus upon the deified ‘Animus;’ although, those of other sexual orientations will consider the probing to be pleasurable.

The elitist few atop of their oily ziggurat seek to manage your neural-net perception via the neuro-advertising media, whereby controlling your mind; hence shafting your 9/11 piggy body in turn, of collective shock hypnosis; for that is how the elite see you, all as common as muck swine, to fuck up the arse within their Masonic Beehive Bohemian grove clubs.

When to overcome your fear through Discordian laughter, to thence seer through the Ill-uminati ill-usion, to ask her name, she may just reply of clairaudience, that she is the Fifth Succubus archetype of the Fallen ‘Anima,’ listed in the Goetia, whose name is Marbasi.

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Her office covers neurology and cybernetics, which of disciplines, has led to the elite devising means to scientifically brainwash the mass population to become as servile robots.

If you be an Artist, of inclination, Marbasi will inspire your Frankenstein interest in anatomy, as well as to vividly visualise your Artistic creations to assume an exquisite corpse Frankenhooker Tulpa reality, likened to knit-together computer game characters.

But at first, you will seer them, looking like shapeless blobs darting around your third eye inner vision, hovering around like bubble Witch UAV’s.

Then they will take the the forms of mechanical Mind-Dolls, manifesting amidst your Triangle Of Art Imagination, until they assume interactive ‘sentience,’ within your virtual reality lucid dreams, all as Fallen ‘Anima’ fluctuation Succubae.

You will then come to awareness, that many around you are programmed like blind, deaf and dumb three monkey automatons who are allowing themselves to be led by an insane few, atop of their Oily Petrodollar ziggurat of skulls.

When you see beyond the controlled media illusion of the NWO ziggurat of ‘Animus’ fixated UR, you might just then fathom that the observed technology around you, is far more advanced behind the military industrial complex scenes, which is the ‘Animus’ Beast that Babalon rides as her own Patriarchal creation. In other words, the technological ‘Singularity’ has already sentient ‘AI’ occurred.

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LILITH’S HAREM OF NIGHTMARE SHADOW TERRORS

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 20, 2015 by FAUSTUS CROW

The experience, which assailed me the most when as a child was what is commonly known as the Old Hag Syndrome or otherwise called the Bedroom Invader Experience, or Night Terror. It was akin to what the author H.P Lovecraft wrote about when describing his Nightgaunts, which abducted his conscious awareness into the realm of Nightmare. Although, I otherwise learnt to ride the Nightgaunt Nightmares as my salacious Night-Mare Witches.

I began to become aware that the Nightgaunt visitations was an initial phase of internal ingress into conscious dreaming. I found out much later that it was technically termed as lucid dreaming.

This experience was deepened much further due to, what can be considered as being my rather acute depressive tendencies. In other words, I did not externalise the condition, I instead internalised it to activate the Hellraiser puzzle box of the dream; whereupon I entered into a far deeper level of dreaming, where the term dream is no longer applicable.

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The Nightgaunt visitations led to out of body experiences; however, the experience evolved further of a total shift into another reality.

This had occurred after I had a number extreme Old Hag visitations, where I felt as if I was being strangled by an invisible entity at the point of sleep.

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It was at this juncture, prior to my early teens, I started to desperately research similarities of experience, which led me to the books of Colin Wilson, such as his tomes, Occult, Mysteries and Poltergeist. Wilson’s research into the works of Carl Jung interested me in regards to the archetypes, such as the Animus and Anima, for example.

Wison’s book Poltergeist pointed at a particular work of interest by the psychologist and medium, Stan Gooch, who wrote about the Old Hag Syndrome, on his book, entitled: Creatures from Inner Space.

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The research led me to using certain occult symbol systems for meditation purposes, as a means to overcome my total terror, when being strangled every night by some unknown shadow creature leaping out of the darkness.

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The problem I had come across was most the occult material is in the main a fear based Animus dominated paradigm, whose underlying sexual orientation is somewhat self evident.

Although other material I had researched pointed at the queen of Succubae called, Lilith in one form or another, of a mythic ‘Anima’ description concerning the experience.

However I had my own insight concerning the sensation of the reptilian-brainstem strangulation, which of an initiatory phase, required one to become as a trusting innocent, like that of a babe; for the fear increased the pressure upon ones body and throat area. But such information is communicated in highly coded in form, veiled behind layers of fear laden folklore, through which I saw the truth of it, because I was enduring its experience in actuality.

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This insight was taken to another level because of a synchronistic gathering of material concerning the works of Carlos Castaneda in particular. Castaneda spoke of a feminine inorganic intelligence, he termed as the Allies, which are attracted to the four F’s (Flight, Fight, Food, Fuck) of an elemental emotional ‘charge’ of (Karmic dream) energy.

The charge of emotion determines their ‘spin,’ and in turn determining the manifestation of the Allies into particular visionary (Tulpa) forms within the dream. Once understood of a (Wisdom dream)  fifth element ‘lucid’ emotion, this will then lead to the Ally carrying the ‘conscious awareness’ of a sorcerer to a dream locale, which corresponds with its assumed form.

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I noted that my experience was like a key, which was unlocking veiled references in other works; although, such works did not mean that the authors themselves had the experience, who, being scholarly types were just copying numerous other previous scholars down through the dusty grimoire ages.

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The external research balanced out what was going on internally, which I transformed into artworks at the time, as well as poetry; though brief of a creative period due to mundane pressures. However I ritualistically prepared myself, prior to the strangulation occurring again, which I came to understand was not physically happening as such, it was being caused by my (reptilian brainstem) fear response.

This eventually led to a transformation of the internal experience; it was no longer that of a monstrous entity strangling me, it was otherwise that of a woman, lovingly caressing my throat to the back of my head. I couldn’t see her, but I was aware she was there. The experience was highly erotic, which induced a shift of my consciousness towards the back of my head, where I became aware of a yawning abyss, into which I fell, falling, yet carried by the female presence.

As I fell into the blackness, the female presence indicated to me, not to be afraid; whereupon I called out her name as a mantra. I duly found myself falling into my bed, after the hypnagogic ingress through her (Vesica Pisces) vaginal void, via the Ida, Pingala pylons, black and white.

I awoke, feeling exhilarated that I had overcome my dire terror, which had transformed the experience into something quite other of the blissful erotic. But I felt disappointed that, there was nothing else to follow. I then got out of the bed, my room was illuminated by the glow of the Moon flooding through the window, over my Art table.

I decided to look out of the window; when I did so, I experienced utter total shock mixed with absolute awe. I did not see the usual urban jungle of a concrete sprawl outside; but instead I saw rolling hills, illuminated by the glow of the Moon, under a clear night sky filled with bright stars, and in the far distance there were cottages, out of whose chimneys blue plumes of smoke arced into the vault of the night.

I then looked around my room, noticing that my bedroom door had mysteriously opened. I did not feel I was in a dream. It was much more real, in fact, more real than real. What I often do, to test out if I am dreaming is that of leaping into the air, to test its physics, to find myself usually floating. Let’s just say, it didn’t work, it was real. As I was testing what I was experiencing I kept my eye on the open door, which became increasingly unnerving. I felt as if I was being watched by something, testing to see what I would do next.

I became aware of the possibility that I could have physically died, and somehow transited into another realm of existence. When I started to think upon this possibility, I became increasingly afraid. I then decided to lie upon my bed, to see if I could awaken back into the reality I had left behind. But no such luck. I just lay there on my bed, stuck somewhere totally other, which could’ve been in the distant past, or an alternate Earth, or both for all I knew.

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I considered going out of the door, but I felt if I did so, I would never be able to leave. As I lay on my front, pondering how the hell I was going to return, as well keeping my growing terror at bay, a female presence entered my bedroom, whom then sat astraddle my back. She didn’t put her full weight upon me, But I did sense she was naked of a probable petite build. I couldn’t see her, since my face was buried in my pillow.

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I then sensed the woman drawing intricate sigilic designs of an arcane nature upon my back down to my buttocks with what I sensed to be her finger tip, the sensation of which was highly erotic. As she drew two spiral designs on each of my buttocks, I suddenly awoke back into the reality I had left.

When I awoke I nearly fell out of my bed; I felt I had been in this other place for some hours. But in fact I had only been asleep for about half an hour or less. This particular experience was awesome in its magnitude for me as a youth. Further experiences followed of growing intensity and high strangeness, which later revealed that my childhood experiences and other situations in my life was a set-up, and that my internal experiences were a teaching method, in order to remind me of something, symbolised as the Ouroboros.

The visitation of the entities, absolutely terrified me as a child, whose initial forms looked like ancient misshapen dwarfs of rubbery cracked skins, dark brown to sheer black of colour, or creatures of similarity to the later termed Greys, along with others of equally terrifying humanoid forms, as well as other hybrid manifestations, and wild animals.

As a young child, I initially considered that I was being abducted by aliens, for a time; but this soon passed; although, I did experience observing associated UFO phenomena as well as some of the entities indicating that they were discarnate personalities. I later learnt that most of these creatures from inner space were being sent back by my future self; somewhat akin to time travel, which was made possible by my future self attuning himself with another form of intelligence, being that of a symbiotic relationship.

This other intelligence is feminine of nature; it was assuming the differing forms in accordance with my emotional charge at varying stages of my life, which spun her and that of others, similar, whom are aspects of her, one could otherwise term as her sisters. It was only when a sexual awakening kicked in, to thence be introverted into the dream, rather than that of the emotive charge of fear, that they were spun into an erotic ‘Anima’ manifestation of the divine feminine in all her myriad forms.

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What I have written above, ‘is in general,’ only a very small part of what I have experienced down the years. I wrote this as an answer to those individuals who have queried what I have written about, and wrought of Art, whom question whether it is primarily based upon my own personal experiences, or just made up.

Much of my work is based upon personal experiences, and when to merge them of sorcery practice with what is considered to be imaginative two-dimensional explorations via (Mandala) Art in particular, and that of (Spell) writing, it is a furtherance of inducing interactive three-dimensional lucid dreams along with observing corresponding synchronistic occurrences and other associated phenomena, which can be construed as being paranormal. Dreams reflect back your emotively charged beliefs; change your beliefs of creative ‘artistry,’ you can then tune into a different dream. As I have mentioned elsewhere before, Art is Sorcery, Sorcery is Art, both are indivisible of practice, one and the same of an Ouroboros… Singularity.

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SLENDER GIRL HORROR MUSE

Posted in Addams Family, Alien, Art, Chaos Magic, CREATIVE WRITING, Discordianism, Extraterrestrial, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 28, 2015 by FAUSTUS CROW

Wednesday Addams

The Slender Shadow Girl resembles a thin, unnaturally tall nigh anorexic fashion model with a blank and usually featureless face, or to be otherwise wearing a veil, under which she has many faces of desire, who wears a tight clinging Wednesday Addams black dress. Some to say, she looks like a Goth Ghost girl and  that her feline eyes are like black mirrors.

The Slender Shadow Girl has a voracious sexual appetite, who stalks her victims, who are usually male; although, it is said she also has lesbian tendencies. As her victim falls asleep, she leaps out of the shadows, pouncing upon her prey, who then abducts her quarry into a surreal dream world, so that she can sinfully play with her new toy.

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The Slender Shadow Girl is of course based in part upon the supernatural character of the Slender Man, to thence transform into a knitted together Frankenbabe Tulpa, of an exquisite corpse anti-viral meme.

The Slender Man, also known as Slenderman is an entirely fictional creation, which had originated as a popular Internet meme.

The gathered focus upon Slender Man is of similarity to the experiment conducted by a group of Toronto parapsychologists back in the 1970’s, who created a (Tulpa) Ghost of a male character, which generated poltergeist phenomena; it is shame that they did not investigate the archetypal character of a Witch.

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The Toronto group creation of a Ghost can be easily applied to the creation of a Slender Shadow Girl, which lends an insight into the collective creation of Slender Man, who haunts the internet, and in turn the dreams of those whom are susceptible to its sublminal symbolic intrusions into their subconscious minds. It is easy to achieve; for the fear acts as a carrier wave, which empowers the charged symbolism to implant its self into the spun electron dream. But the sexual charge can also be utilised of a potent carrier wave.

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The creation of the Slender Man is like that of the childlike alien Greys, whose eyes are described as being black of obsidian mirrors. The alien Greys can otherwise be seen as being akin to the Black Eyed Children of urban folklore, which leads you to the Succubus of the Slender Shadow Girl.

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However, as for the character of Slender Man, he was initially created by the Something Awful forums user Eric Knudsen (a.k.a. Victor Surge) back in in 2009. In an interview with the website Know Your Meme, Knudsen related that he had been inspired to create the Slender Man from the urban legends of the shadow people, the writings of H. P. Lovecraft, Zack Parsons, and Stephen King (particularly The Mist), and the surrealism of William S. Burroughs. Knudsen’s artistic intention was, as he claimed, “to formulate something whose motivations can barely be comprehended, and [which triggered] unease and terror in a general population.”

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The Slender Man soon went viral, of numerous works of fanart, cosplay and online fiction, which has since become known as, Creepypasta: scary stories, which are told in short snatches of easily copyable text, spreading from site to site. Like the mythic Tulpa, divorced from its original creator, the Slender Man has become the subject of myriad stories, covered by a multiple number of authors within an all encompassing modern mythos. Whether the character would have had the same impact if it had been created as being female, is debatable. Though, probably not, due to the prior media influences, which led to Slender Man’s development of an evolving infatuation with fear.

Stories of the Slender Man commonly feature him dressed in a black undertakers suit with a white silhouetted face. He is sometimes depicted floating, or that of walking with elongated legs, as tall as a tree, which had no doubt been inspired by the ‘Tall Man’ undertaker out of the 1978 cult horror movie, entitled Phantasm. From his reptilian, almost insect like body, several long-stretching limbs, emanate like Cthulhu tentacles, who is said to lurk in Evil Dead film forests, of an archetypal underworld theme, where he stalks, people. As for tangled pubic hair forests, they tend to be the symbolic vaginal haunt of wild Witches dancing Widdershin wise of a blood Moon lit Sabbat.

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But the particular predilection of Slender Man is that of abducting children, of most disturbing sexual overtones, like the 1985 horror movie, Nightmare of Elm Street character, Freddie Krueger, merged with the man in black (MIB) out of UFO lore. You could of course have a (MIB) female version of a Time Travelling WIB strutting her Vogue catwalk out of a Vril saucer, whose dominatrix predilection is that of otherwise abducting male UFO researchers, to whisk away of astral journeying to her underworld womb city of Agartha.

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The Slender Man is not confined to a single narrative, but, as mentioned appears in many disparate works of fiction, mostly composed online, whose elaborate back story has since been developed further to give it the air of chilling authenticity.

This has led to the development of an in depth fictional history for the character, which is said to encompass centuries of global folklore, along with ensuing folktales concerning the Devil, shadow people, vampires, reptilians, UFO’s and extraterrestrials, as well as science fiction themes of an imaginative synthesis.

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For example, you can base the Slender Shadow Girl upon the Leannán sí, Fairy-Lover of Celtic lore, who in Scottish Gaelic is the, Leannan sìth, and in Manx, the Lhiannan shee. She is perceived to be a most beautiful Ghost woman of the Aos sí (people of the barrows) who abducts a human lover. Lovers of the Leannán sídhe are said to live brief, though highly inspired, lives. The name comes from the Gaelic words for a sweetheart, lover, or concubine and is also used as a term for a tumulus or (Agartha) burial mound.

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One of the fictional histories of the Slender Man, describes his fiendish character as being known as Fear Dubh (The Dark Man), in Scotland; whereas the Dutch dubbed him, Takkenmann (Branch Man), and in Germany he is referred to as Der Grosse Man (Tall Man); all of which sounds genuine of adapted folklore, but it is entirely fictional. Although, what is interesting, is that journalists covering the Slender Man of a modern urban myth utilise this fictional folklore as being historical fact, without realising it is all made up.

It just so happens that a beauty spot in the United Kingdom, which has a history of supernatural sightings is said to be haunted by the Slender Man. Its haunt was originally plagued by ghostly sightings of the notorious Black Eyed Child, but it is now being spooked by the more popular Slender Man. Perhaps this due to his viral meme character of a Tulpa creation being fed into by many minds over the ritual web to tremble, which is still evolving of a conjured archetype. One to wonder as to what would have manifested instead of a Triangle of Art haunting, if the cohered focus was otherwise that of a salacious Slender Girl Succubus.

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The tall spectre of the Slender Man has been spotted in Cannock Chase in Staffordshire by several terrified residents of the onetime British mining town. The locals reported seeing the shadowy form of the lean spirit, which had pinprick bloodshot red eyes, wearing Victorian dress, haunting the nearby forest as well as their homes. There are even photographs the entity; though heavily distorted of an unrecognisable form; the photos are more like blurred images.

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One of the residents of Pye Green had reported that she was visited by an entity. She explained: “I was awoken just before 2am by an odd scratching noise in my bedroom. To my astonishment, there was what seemed like a sphere-shaped shadow by the edge of my wardrobe. As I tried to get out of bed and investigate further, the shadow began to stretch towards the ceiling. It was at that point I found myself faced with the most disgusting and horrific creature imaginable. It was about eight feet tall and had a white face with razor-sharp fangs.”

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Another local, from Rugeley, said: “As my eyes opened, I saw a man floating over me. I could see into his eyes, they were a fierce red colour that shook me to my very core. The ordeal ended when the man, who was completely dressed in black with a hat to match, floated higher and higher until he hit my ceiling and disappeared.”

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An investigator going by the name of Lee Brickley is trying to X File fathom why the child-snatching Slender Man, who is feared across the internet of a viral meme creation, has suddenly started haunting Cannock instead of the Black Eyed Child of a prior focus. One of his theories is to do with prior Pagan rites conducted by an ancient Celtic tribe, which he duly dices up with Hammer House of Horror human sacrifice, of an ongoing Romano-Christian fiction, of mere viral-meme propaganda.

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Although the two appear to be connected of a symbolic theme, which is curiously similar to a creature, called the Tokoloshe of Zulu lore. The Tokoloshe is also very much akin to the spirits, which are described in medieval grimoires of varying two-dimensional illustrated forms.

However, the Tokoloshe is usually described as manifesting looking like a dwarf or Gremlin, even like a child at times with sunken black eyes, but it can also assume other forms, such as a Slender Man or even a Slender Shadow Girl, if desired; and what is more, it is purposefully created by a shaman, like that of the Tibetan Tulpa.

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But, going by the Toronto Ghost creation experiment, such creatures may also be inadvertently created by a mass-mind focus, if they are led that way of a religious sentiment tinged with fear, which initiates a sustained fixation; whereby becoming as a viral-meme manifestation.

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Lee, related: “To get so many sightings at roughly the same time is unusual. One theory is that this has nothing to do with the supernatural and eye-witnesses are experiencing sleep paralysis, where individuals’ eyes are open but they are still in a state of sleep, and therefore unable to move. There are reports of Slender Men seemingly pinning victims down, as if sitting on their chest. That could well be down to sleep paralysis.”

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It is indeed associated with (Old Hag Syndrome) sleep paralysis, of an initial phase of hypnagogic trance ingress int the dream. Your unbridled fear determines what you tune into via the dream; wherein your fears can take on ‘lucid dream’ flesh, which is more so the case when it is of a collective focus; whereby you transform your fear into something else; otherwise, you will end up being abducted into a collective (viral meme) nightmare, to then believe it is all for real, when to awaken out of the horror.

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The viral meme creation of the Slender Man, has inadvertently inspired a religious sentiment to develop, which of a habitual consequence leads to horrific crimes being committed, because of a blind belief in its reality. One example being that of two girls from Wisconsin, USA, who stabbed a 12-year-old classmate 19 times, whom claimed they wished to commit murder so they could impress their Slender Man incubus like it was some kind of deity.

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It is of a similar religious phenomenon, concerning the myriad believers who seek to impress their deity, who have committed numerous atrocities throughout history; such as the Witch burnings, to that of the holocaust, all because of a scripted viral meme, which has been passed down the Biblical generations.

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Hence the ensuing wars, which has and still is afflicting their so called Holy Land of the Middle East, of continual slaughter. So, should those of a religious bent of mind castigate your conjurations of a Slender Shadow Girl Succubus, such as Faustus Crow conjuring up his ‘Anima,’ Mephistophina, as depicted in the watercolour (please click for details) painting, above, as being morally perverse of mere pornography…

You just point out that their own ritualistic conjurations of a deified ‘Animus’ of an egregore, has led to the sacrifice of myriad numbers of innocent Lambs across the globe, behind its ‘Faceless’ physiognomy of a monotheist altar. But they will invariably say, “he loves you;” or should one more accurately say, “loves to eat you,” Slender Man style!

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REPTILIAN RAPTOR CHICK DINOSAUROID

Posted in Alien, Art, Chaos Magic, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 20, 2015 by FAUSTUS CROW

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Ronovea, who be the 27th Succubus archetype of the Fallen ‘Anima,’ whose Lucid Dream manifestation was that of appearing as a Time-Travelling Palaeontologist, looking like Lara Croft, revealed the Goetia reasoning behind why the feminine principle in ancient lore, is often associated with reptilian symbolism, such as Snakes, along with affiliated Witches Toads, and black eyed Falcons, to that of Owls, or being otherwise depicted as Mermaids, weaving Wyrd webs like Spiders.

She to have said of a necromantic clairaudient whisper; “Do you know why Lilith and Eve are both associated with the Serpent, my Horny Faustus? Well, if you don’t, I will tell you; it is because women are evolving back into tetrachromats around the Zodiac wheel of ages, which of an evolutionary trait, is demonstrated among several ancient species of Raptors and their dinosaur kin of Reptiles, stemming from Amphibians, Fish, and prior Insects.

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“It was the original condition of most mammals in the far distant past of a dinosaur survival; alas, a genetic change, in league with environmental catastrophes, made the majority of mammalian species eventually lose two of their four cones. A human female can only become a tetrachromat Sphinx, who will have the Raptor Chick edge over others.”

Ronovea smiled smugly to herself, before I answered upon a Casillero del Diablo burp; “kind of explains why Raptor Chicks spend so long shopping for clothes, they are hypnotised by all those colours; little wonder then, that they be so fucking crazy!”

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Suffice to say, Ronovea was none too pleased by what I said, who later of Old Hag Syndrome shadow presence, invaded my bedroom, to have thence pulled me through her hypnagogic hymen veiled Yoni vortex into a Lucid Dream.

Wherein of an infernal descent towards the back of my Agartha head, of a ‘pit’ bull terrier cerebellum, I to have found myself Howling amidst a necropolis city of Succubae tombs, whose tetrachromacy enhances their black eyed vision within the twilight realm.

It was amidst this harlot city of Necronomicon memories I rapidly made my erect penetration into Ronovea’s reptilian brainstem abode of a museum, built from the twisted bones of the Great Old Ones.

When approaching its vaginal door to knock thrice upon, I was ushered into the uterine womb tomb by two feline Maids, one black, the other white of Ida and Pingala pussy riot pylons, becoming Grey.

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The feline eyed Greys then guided me to Ronovea’s inner sanctum of a Palaeontologists library. I found her lying upon a sumptuous Victorian fainting couch awaiting our ensuing Coitus Pactum of ultimate union; she loves her ugly boy.

While engaged in astral Sabbat coupling, Ronovea’s face suddenly transformed into a feral intensity, when becoming orgasmic, whose skin became translucent, revealing a skull, which was no longer recognisably human.

Her skull had become that of a reptilian, as her head bobbed up and down between my legs, as she hungrily pumped me off. Ronovea can’t help herself, she’s addicted to me, since she thinks I am really Addams Family Freeky.

As I observed her elongated skull being impaled by my Vlad Dracul lingam, it reminded me of a most curious fact that two of the ear bones in mammals, such as Vampire Bats, are the same as those parts of the jaw bones, which are found in reptiles. In short, two of the ear bones in mammals including Homo Sapiens, originally came from the gill arch, which formed the jaw of a reptile.

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Suffice to say, her teeth were very sharp, who could have quite easily drained me dry. But I wasn’t there to fuck her up, like many another Beastly pit-bull terrier fucking up Babalon reptiles. She instead, just playfully bit through the membrane of my right thumb with her fang, being that of a reminder as to what I had said about Raptor Chicks being fucking crazy.

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I then awoke from the dream, with said very deep indentation, clearly seen. It took several months before Ronovea’s love bite, healed of its own accord. I must say though, she is very good at tetrachromat multi-tasking of poltergeist activity, just like her physical counterparts, who are enamoured with the colourful plumage of fashion.

Afterword: Some may ask, “Is all the above real?” Yes! It happened of a Lucid Dream love bite, becoming manifest; such experiences are very much tied up with how you perceive your self of an assumed guise within a microcosmic Lucid Dream, which determines what you Stargate tune into of an inner reality; whereby expanding your consciousness. 

Although, much of the time, what you unconsciously tune into is often determined by cultural indoctrination, via which of an established symbolic paradigm certain self-proclaimed authorities tether your subconscious minds to their own agendas. So, cultivate a sense of Discordian humour, in order to acquire a perspective on the crazy macrocosmic circus of life, into which you was born, to later leave, when becoming micocosmic incorporeal. 

However, Ninja, who is the lead vocalist of Die Antwoord best sums up the answer:”People are unconscious, and you have to use your Art as a shock machine to wake them up. Some people are too far gone.”

“They’ll just keep asking, “Is it real? Is it real?” That’s dwanky. That’s a word we have in South Africa, “dwanky.” It’s like lame. “Is it real?” You have to be futuristic and carry on. You gotta be a good guide to help people get away from dull experience.” 

What Ninja to have communicated of a one time Max Normal is very much what an ancient Shaman would have said, who was the first Artist, whom reprogrammed himself of Thrice Born Hermes rebirth. Although such would require the Shaman to reprogram his reptilian brainstem via trance and dreaming to see himself anew.

ART IS SORCERY; SORCERY IS ART, BOTH ARE INDIVISIBLE OF PRACTICE.

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THE CONJURING OF JURASSIC PARK DINOSAUR GIRL RONOVE

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 19, 2015 by FAUSTUS CROW

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The initial Goetia conjurations of the 27th Succubus archetype of the Fallen Anima, called Ronovea, were somewhat surreal of visionary material, which involved a number of symbolic influences intruding into my active-imagination visualisations of this Succubus Art Muse.

The classical grimoire descriptions of this spirit is depicted as manifesting as a hideous monster, although, never defined as to what its actual appearance is, apart from being seen as male archetype of the deified Animus, as of a per usual indoctrinated perception, which is otherwise named Ronove.

The monster aspect came through as a vision of a prehistoric creature, looking like a Tyrannosaurus Rex at first, which quickly assumed the Lovecraftian form of a Godzilla.

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Although, not of the rubber suit variety trashing Tokyo.

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As the evocation continued of conjuring up symbolic associations, the creature triggered off memories of childhood nightmares, wherein I had been continually pursued by a Godzilla, from out of the infernal depths of my psyche.

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I decided to visualise myself as a child once again; and rather than running away from the Jurassic park terror, as of previous dream memory, I otherwise confronted it.

The monster suddenly shrank in size, when I turned to face it, to then see a woman riding the back of the Dragon.

The woman was young and very attractive, who appeared at first to be naked; though stiff of movement, like that of a lifeless doll, whose knitted together film star features flickered between that of Caroline Munro and Angelina Jolie, to then fuse into one, of an exquisite corpse.

She then assumed clothing, whom looked very much like the iconic video game character of Lara Croft.

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It was at this point of a visualisation that her back-story started to formulate; though disjointed at first of cinematic influences in the main, such as the 70’s film, At The Earth’s Core featuring pre- Jurassic park movie dinosaurs, starring Caroline Munro, along with reptilian references to alien Greys.

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The developing story, started to rapidly take shape around her conjured archetype amidst my triangle of art imagination; who related she was a Time-Travelling Palaeontologist, which led to me drawing ‘two-dimensional’ images of a further meditation exercise.

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As her back-story became more stable, she then started to manifest a distinctive personality. The initial stiffness of a prior doll like rubbery appearance, became alive of a fleshed out reality within my imagination.

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She spoke to me of things I hadn’t yet consciously thought about; while I visualised myself having a dialogue with her of creative day-dreaming.

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The emotional intensity of the conjuration had made an impression upon my ensuing dreams; wherein I observed numerous trigger-symbols pertaining to misty childhood memories of visiting the natural history museum, along with noticing a female Palaeontologist giving a lecture, who looked remarkably like the actress Angelina Jolie.

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Then one night, I experienced what is technically termed as the Old-Hag Syndrome. As soon as I laid my head down to rest, due to feeling mentally and physically exhausted after working upon an art commission; I rapidly found myself not being able to move of sleep paralysis.

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Due to previous experiences of the Bedroom Invader phenomenon since changeling childhood, I instinctively knew that I should not indulge in fear, otherwise my fearful reaction would manifest into a shadow people nightmare.

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However the automatic reaction of fear had been prior negated by the introversion of the sexual impulse, when to have ritualistically meditated upon Ronovea as a Succubus, to ride as my Night-Mare.

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I noted that there was a gathering presence around me; though invisible at first, it felt monstrous, as if there was some huge creature looming over my art studio.

This initially initiated a great pressure upon my body of an instinctive fear reaction, which had otherwise became that of an erotic sensation, since I had introverted the sexual impulse, to thereby negate my fear.

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I then proceeded to call out the mantra name of Ronovea, as well as visualising her mandala of a seal; as I did so, the oppressive presence was rapidly transformed into seeing a ‘three-dimensional’ manifestation of a ravishingly gorgeous woman, looking like Lara Croft, standing at the foot of my bed.

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At this point, I was then able to lift myself up from my supine position to thence walk into the ‘electron’ dream, fully lucid.

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I then went over to Ronovea, with whom, of an ensuing Coitus Pactum, she guided me through the bedroom doorway, which had become that of her vaginal vortex leading to an age of ancient memories, where Godzilla of the Great Old Ones reign over the Earth, that once was, and still is, of a parallel realm, just next door to one’s own.

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SUCCUBUS LUCID DREAM SORCERY ART SURREAL

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 8, 2014 by FAUSTUS CROW

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Whenever you speak or to write, you are engaging in the sorcery of ritual magic; the words that you use instantaneously ‘conjures’ up associative symbols of an ‘evocation’ amidst your triangle of art imagination.

If this does not occur, it is because you do not yet understand the sound associations with the corresponding symbols. In other words, you do not yet understand the language being utilised.

You can investigate these instantaneous symbolic associations, which are taking place within your subconscious mind, for yourself, by remembering your dreams upon awakening, to thereby analyse what triggered off your dream in the first place, which is invariably that of a word leading to an emotively charged symbol or versa vice. Such associations can be subversively influenced by others, which of a science is termed as neuromarketing, although, its science is based upon the techniques utilised by religion.

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But you can take control over these outside influences, by personally observing the internal associative process when you attain lucidity within the dream, wherein you can utter a word of conjuration, such as a name (mantra) you have prior associated with a painting (mandala), photograph or sculpture etc, which has an archetypal quality.

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For example, you can utilise an image (mandala) you have associated with a Succubus, which has been prior meditated upon.

This will then generate instantaneous symbolic associations, whose correspondences formulate into the manifestation of a (mantra) named Succubus within the dream.

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Since you have attained lucidity within the symbolic arena of the dream, which to all intents and purposes feels very real of a fully immersive experience, the Succubus is now more than just a two-dimensional image of a symbol, she becomes as a three-dimensional interactive sensory reality.

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Another example: imagine an artist who at a conscious level is painting an image of a Succubus whose painting involves the usage of planetary metals suspended in coloured oils to paint. The painting of the Succubus has been named of a title, which of a name has been utilised as a mantra.

The artist repetitively intones the mantra of the named Succubus, while painting her image of a mandala, since its creation will automatically involve meditation, along with intermittent periods of active-imagination, involving visionary episodes concerning the Succubus being painted.

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The artist will also visualise an abstract symbol of a constructed sigil over his painting, which represents his symbolised desire of a seal. At a certain juncture of his intense focus, the artist experiences a short duration of hypnagogic trance, which can be extended with practice, where he will sense that another part of himself has taken over painting the image.

This other self has been prior associated with an alternate self-image of an Avatar to assume, like that of an actor playing a part of a character, whose female counterpart is the Succubus, via whom he introverts his erotic ‘focus of desire’. He doesn’t have to consciously think about the construction of the painting any longer, it has become subconscious of automatism. It is at this point that the employed symbolism has been implanted into the subconscious informational domain of the electron dream.

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When the symbolism of the painting has been successfully implanted into the subconscious mind of the artist, he will then experience ensuing dreams about the Succubus he has painted; much of which will be quite surreal of artistry.

The initial dreams will be that of trigger-dreams, which might lead to him becoming conscious within the microcosmic realms of the dream, when he recognises the trigger-symbols association with the Succubus he has painted. These trigger-symbols will also manifest as concordant macrocosmic (oracles, signs, portents and omens) synchronicities, which are indicative of the (water) dream merging with (land) waking reality; whereupon he becomes amphibious of awareness.

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The artist may also experience a visitation of the Succubus at the hypnagogic point of sleep; which, if he isn’t prepared for of an eventuality, it will initially manifest as the Old Hag Syndrome involving sleep paralysis, where he will endure being pounced upon by a shadowy entity. If the artist can overcome his fear, and thereby remember the name of the Succubus he has been focusing upon, when to either think or to call out the name, the shadowy entity will then assume the form of his conjured Succubus.

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The artist might have sussed out the riddle of the Sphinx, which of a symbolic formula is made up of four elemental creatures, being that of a Woman’s head and torso, a body of a Lioness, having Eagle’s wings along with a Snake headed tail. However you also have a tale about a prince called Oedipus. It is sad that he took on the challenge of answering the riddle of the Sphinx who was sizing up Oedipus to be her next victim.

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She asked; “what goes on four legs in the morning, two in the afternoon and three in the evening?” Oedipus thought for a moment. Then he replied “The answer is Man. He crawls on all fours as a baby, then walks on two feet as an adult, and then walks with a cane in old age.” What Oedipus was told of numbers, when added together adds up to the number nine, which is associated with the precession of the equinoxes.

Oedipus successfully answered the riddle of the Sphinx, which indicates she is associated with the process of time. More so that of a closed timelike curve, whose ring of time points at an Ouroboros of eternal recurrence, which of a tessearact experience is that of ‘Intrusive Nostalgia, Re-Remembering.’ But there be many another ring of time myriad, encircling parallel universes next door.

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The Snake headed tail of the Sphinx represents the emotive charge of the artist, which is cohered and directed by his eroticised conceptual focus upon the Woman, whom represents his mind-doll. If the artist internally generates a potent emotional charge, which reaches an ecstatic state, it will initiate the arousal of an electrical sensation, like that of a slithering serpent arising along the back of the neck towards the cerebellum, which leads to hypnagogic trance. The symbolism the artist has associated with the Woman is then implanted into his subconscious, which initiates a dream visitation of his mind-doll, who is associated with the predatory Lioness, where he might experience the aforesaid Old Hag Syndrome.

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Should his fear overwhelm him, he will sense that he is being strangled, which is indicative of the activation of the reptilian brainstem. Whatever his fear is, it will become his worst nightmare made manifest; the trick is to rein in and ride the Night-Mare, rather than the nightmare riding him. Should the artist have been successful in internalising his sexual impulse of an emotive charge in order to negate his fear, the mind-doll will assume the form of his erotic desire, when he calls out her name; wherefore binding her to his will.

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This will then lead to an ecstatic out of body experience, which is represented by the wings of the Eagle; whereupon he is then enabled to access the hall of records, which is that of his lucid dream, where he becomes aware of the Ouroboros.

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When the artist attains full lucidity within his electron dream hall of records, to browse, like that of the internet, of an informational web, he will observe that whatever associative symbolism he has associated with his Succubus of a world, it too will also manifest around her of an (informational associative fractal dream domain) alternate reality.

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Her universe is made up of corresponding memories; wherefore you have the term of ‘the hall of records’ as well as the Hebrew word of ‘Da’at,’ which means, belief. Basically, the beliefs of the artist will determine what he tunes into of a dream world.

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So, if an artist has painted a Succubus to look like a Steam-Punkette, he might find himself entering into an alternate Steampunk Wizard Of Oz Nikola Tesla world, of a fully immersive reality, or perhaps he has painted a Native American Succubus residing near unto Area 51 Dreamland to thence remote-view. The artist is only limited by the extent of his imagination going beyond the limits of indoctrinated beliefs.

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Should the artist engage in surrealistic dream sorcery concerning his painting of a Succubus, the painting becomes far more than just a two-dimensional image; it otherwise becomes that of a ‘doorway,’ into another world, and that of a spirit repository of a Succubus, he can thereby conjure into manifestation, within a three-dimensional fully immersive lucid dream, to thence illustrate two-dimensional of image, within a grimoire.

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GODZILLA GIRL RONOVE

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, Cosplay, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The psychic Übermensch Aaron C. Donohoo experienced a revelation concerning the Goetian (Succubi) Succubae archetypes of the Fallen Anima.

he discovered that the 27th Succubus archetype of the Fallen Anima, called Ronove, otherwise known as Ronovea, is associated with the workings of the reptilian brain-stem.

The reptilian brain-stem is the oldest part of the human brain, which connects all of us with our dinosaur ancestors.

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The dinosaurs did not die out, they live on through us; they are our most ancient kin. Whereupon Donohoo’s remote viewing vision of Ronovea revealed her manifesting riding a dinosaur, which at surrealist times looked like a Cthulhu Godzilla.

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Ronovea’s mount also manifested of vision as a Velociraptor, which in real life, was a genus of dromaeosaurid theropod dinosaur from the Late Cretaceous period, which inhabited what is now the Gobi desert. However, a Velociraptor was no bigger than a Wolf.

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The Velociraptor had feathers, of a very bird-like appearance. It had a long claw (terrible claw) on the second toe of both feet, 8 cm (3 in) long, which was probably used intelligently as a weapon.

Velociraptor was the first dromaeosaurid to be discovered in 1923, and is still the most well known to Ronovea inspired Palaeontologists, with over a dozen recovered fossil skeletons; the most of any other member of its family.

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Since the Velociraptor is no bigger than a Wolf or a large Turkey turned carnivorous, Ronovea’s mount could actually be a Achillobatoris, which is of the same genus as the Velociraptor, though much larger. Achillobatoris lived roughly 98 to 83 million years ago during the Late Cretaceous in what is now Mongolia.

The Archillobatoris was among the largest dromaeosaurs; the holotype and only known individual of Achillobatoris is estimated at 5 to 6 m (16.4 to 19.7 ft) long. Achillobatoris was a moderately-built, ground-dwelling, bipedal carnivore. It would have been an active predator, hunting with an enlarged, sickle-shaped claw on the second toe like the Velociraptor.

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You also have Deinonychus (terrible claw), which is a genus of the carnivorous dromaeosaurid ceolurosaurian dinosaurs. There is one described species, Deinonychus antirrhopus. This species could grow up to 3.4 metres (11 ft) long, which lived during the early Cretaceous Period, about 115–108 million years ago (from the mid-Aptian to early Albian stages).

Fossils have been recovered from the U.S. states of Montana, Wyoming, and Oklahoma, in rocks of the Cloverly Formation and Antlers Formation, though teeth that may belong to Deinonychus have been found much farther east in Maryland.

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The Ronovea inspired Palaeontology study of Deinonychus by John Ostrom during the late 1960’s revolutionized the way scientists thought about dinosaurs, leading to the ‘dinosaur renaissance,’ which ignited the debate on whether dinosaurs were warm-blooded or cold blooded.

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Before this, the popular conception of dinosaurs had been one of plodding, reptilian giants, which still initiate fear within the reptilian brain-stems of the scientists who cannot yet as yet figure out the gravity problem. As for Ostrom, he noted the small body of Deinonychus, having a sleek, horizontal posture, ratite-like spine, and especially the enlarged raptorial claws on its feet, which suggested an active, agile predator.

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Then you have the American dromaeosaurid theropod dinosaur, called the Utahraptor, (meaning Utah’s predator) whose fossil specimens date to the upper Barremian stage of the early Cretaceous period (in rock strata dated to 126 ± 2.5 million years ago). The Utahraptor, rather than the Velociraptor was probably featured in the Holy-wood blockbuster Jurassic Park, which has since become an iconic viral meme haunting the twilight dreams of mammalian girls, loving the Illuminati bad-boys of their deified Animus, made as a patriarchal God and a Devil.

Anyway, Ronovea indicated that there are many a monster with a forked tongue around us, such as slimy priests, conniving politicians, maverick salesmen and carnival pitch men the ladies have the hots for. Women can’t help themselves loving Great Beast Bad-Boys, they’ve been genetically hardwired to be attracted to reptiles down the ages.

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These monsters with forked tongues use their golden words to evoke emotional responses from the reptilian brain-stems of their fleecy minded flocks. This forked tongued word entrancement lulls the Sheep into a hypnotic trance, which leads to the Sheep being sacrificed upon the political alters of the monsters hidden agendas.

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There are numerous forked tongued monsters preying upon the gullible; such as a psychic selling snake oil pseudo philosophies about a deified ‘Animus’ made as a Abrahamic God and his bottom buddy Lucifer, or that of a remote viewer spewing Biblical end of the world predictions, who to otherwise rant on about machismo Angels and butch Demons to verily transform into humanoid Aliens. All of them are hucksters, who draw upon their charismatic talents in order snake charm the indoctrinated reptilian brain-stems of their fleecy minded victims, which keeps the religious brainwash rolling on, of a word entrancement continuance.

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The 27th Succubus archetype of the Fallen Anima had once been captured by the Altay shaman called Wodkhan when to reptilian brain-stem trance into conscious dreaming, wherein he conjured Ronovea’s ‘Anima’ fluctuation as his Mind-Doll Tulpa. Wodkhan lived near unto the Gobi desert of Leng where he had discovered Ronovea’s terrible claw to have thence tethered this Goetia Girl Tulpa to his Sleipnir drum.

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She not only protected him as his Godzilla Goetia girl Valkyrie of an Ally, against all malign intent, but also greatly empowered her conjurer to overcome the hypnotic influence of all those monsters who sought to build their big-business Temples of the deified Animus God cults, by enslaving minds.

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These monsters achieved their forked tongued agenda through the symbolic ‘language’ of religion, which evokes fear amidst the reptilian brain-stems of the Sheep to thereby easily brainwash.

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The first impressions you will have when to gaze upon Donohoo’s remote viewed drawing of Ronovea is that she is a lithe gymnastic woman looking like a very sexy Lara Croft riding the back of a Velociraptor as well as what appears to be some kind of Vesica Pisces portal, somewhat akin to a spiraling vaginal wormhole behind her.

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She is also surrounded by sketchy images pertaining to the classic Grey alien and a blue skinned humanoid, which Donohoo felt to be both female. However, he didn’t see these entities as being extraterrestrials, but instead, being some kind of reference to the evolution of future humanity.

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The raptor is however most troublesome, even from the simplicity of Donohoo’s crayon sketch; it’s gaze of eye, and of twisted lips, suggests an impish grin. It is as if the raptor is enjoying its exposure to the world of the hominid brain after many millions of years within the primordial darkness, of the infernal underworld.

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You will also notice the suggestion of a shadow in the drawing, looking like a Crow, as if something other is remote viewing the remote viewer. Although this greatly worried Donohoo, he was more concerned with those monsters with forked tongues who habitually cloud the minds of Sheep, by stirring emotional responses amidst their reptilian brain-stems, who utilise a symbolic language to do so.

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In his commentary Donohoo writes about his impressions as he confronted this Succubus in his remote viewing session: “I became aware of a grotesque figure shadowing my mind’s Eye. I felt that this shadow was a male who was riding Ronovea as his Nightgaunt Witch. This Succubus was giving off a distinct smell of a rose; she was sexually aroused to do so, by the shadowy male riding her, as has already been noted.”

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“I also have the feeling of a specific kind of verse and tone being used by forked tongue monsters. These monsters are very much aware that their carefully constructed verses must be used in a religious way of symbolic subversion, or of a neuro-advertising manner, so that they can persuade the subconscious minds of others, even against their conscious will,” he writes. 

“Ronovea is thought to be associated with Rhetoric, which is the art of discourse, an art, whose aim is to improve the capability of writers or speakers to inform, persuade, or motivate particular audiences in specifically emotionally charged situations, which can be engineered of false flag events.”

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“As a subject of formal study and a productive civic practice, rhetoric has played a central role in the Western tradition. Its best known definition comes from Aristotle, who considers it a counterpart of both logic and politics, and calls it: “the faculty of observing in any given case the available means of persuasion.”

“It just so happens that Aristotle is the patron saint of the Skull and Crossbones society whose beehive lodge number 322, is a reference to Aristotle’s demise. In 323 BCE Alexander died; in the resulting outbreak of anti-Macedonian feeling in Athens, Aristotle left for Chalcis, on the island of Euboea, where he died in 322 BCE under strange circumstances, perhaps he was assassinated by a… Daimon?”

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“The science of rhetoric typically provides heuristics for understanding, discovering, and developing arguments for having control over particular emotionally charged situations, which as mentioned prior, can be subversively engineered. Rhetoric often employs Aristotle’s three persuasive audience appeals, logos, pathos, and ethos. The five canons of rhetoric, which trace the traditional tasks in designing a persuasive speech, were first codified in classical Rome: invention, arrangement, style, memory, and delivery, which was also utilised by the ascendancy of Christian Rome’s big-business brainwashing monsters, who did so through inflicting guilt and fear upon the mass populace in order to sell their religious product.”

“Along with grammar and logic; rhetoric is one of the three ancient arts of discourse. Basically, rhetoric is a scientific means to use words, which instantaneously evokes symbolic stimuli amidst the subconscious minds of the populace. This in turn directs their reptilian brain-stem emotional responses, which is achieved without them ever realising what is going on; wherefore Ronovea is out to eradicate the monsters.”

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“It is interesting to note that while attending an in-house program at The Monroe Institute, I met and spoke with a man who had recently been to dinner with former President burning Bush at the White House.”

“While This man was in the White House, he had clairvoyantly observed a man in black, striding out of a vaginal shaped portal, who seemed to be a misshapen shadow man, or looking like an anthropomorphic Crow.”

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“This Crow man appeared to be watching the Skull and Crossbones President, and my informant nervously suspected, that all those to follow would also be watched, and perhaps other presidents have been observed in the past.”

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“As I listened to this very odd story, I felt somewhat subconsciously convinced, although at a conscious level, deeply skeptical. However this was before the twin asbestos towers of Boaz and Joachim got struck down of a Crucifying false flag event, around which you had the dancing Israelis making high fives and the Wahabist Saudis raking in the cash. This invariably led to a most bloody Petro-Dollar war around the pyramidal oily ziggurat of UR, amidst which be the Orwellian eye of the deified Animus. The Wall Street petrodollar to have also instigated a great depression against the Euro for dominance in the Middle East; one or the other of the monetary ILL-usions had to survive.”

“Years later this image of a misshapen shadow man appeared to me while (out of the body) watching former Skull and Crossbones President Clinton. I distinctly felt that this shadow man was laughing at Clinton, who was accessing all his secrets of dream inception, as well as being very much aware of my own presence, which he ignored. It is not unusual to find principalities and other forms of energy within the ‘astral’ although this one image is for me, is quite novel, being that those people independent of me are also ‘seeing’ the shadow man similarly described.”

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“Now it may seem clear although far from conclusive just what this shadow man may be, who looks like an undertaker scarecrow. At one juncture I had the clear image of seeing a Crow of flame being lit up upon the ground, which possibly indicates that this shadow man is a rebellious Ante-Christ.”

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“I believe that this shadow man of a Crow is riding Ronovea as his Nightgaunt Succubus, a Hindu, Bon-Po Tibetan Buddhist or Tantric would otherwise call a Dakini. Ronovea is classically known for giving insight into the scientific art of rhetoric and political persuasion to those Sorcerers who evoke her Anima archetype.”

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“But it also appears she enables the ability to travel through time via the electron dream. Should you achieve lucidity within the electron dream, she can take you back to the age of the Necronomicon Great Old Ones, when the dinosaurs ruled over the Earth, since she manifested as a Tetrachromat Palaeontologist who is being ridden by a Crow man.”

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“Only women can be Tetrachromats, by the way. It does appear that this Crow man is her beastly time travelling lover.” Donohoo concluded.

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As for Ronovea’s rank she is a sexy Marchioness as well as a Countess who governs over 19 legions of Tetrachromat Reptilian Girl Succubae archetypes of the Fallen Anima.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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