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GOBEKLI TEPE SHAMAN

Posted in archaeology, Chaos Magic, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2017 by FAUSTUS CROW

Göbekli Tepe, is an archaeological site atop a mountain ridge in the Southeastern Anatolia Region of modern-day Turkey, approximately 12 km (7 mi) northeast of the city of Şanlıurfa.

What makes Göbekli Tepe unique is the date, when it was built, which is roughly twelve thousand years ago, circa 10,000 BC, going way beyond anything Hollywood can misdirection conjure up.

Archaeological artefacts have been discovered at Göbekli Tepe, one of which is an image of a human, wearing what looks to be a bird mask in profile, having a pronounced singular (Sun) ‘eye,’ whose spine is represented by the recognisable (Caduceus) symbol of two entwined serpents forming a double (DNA) helix. There are also nine spheres, whose number is considered to be very important in shamanistic systems. The number nine is usually associated with nine spheres of consciousness, planets, worlds or dimensions, which are personified as deities, the nine Rishis and their corresponding ‘wives,’ or as the nine ‘Muses.’

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The motif of the serpent is found elsewhere in Göbekli Tepe along with anthropomorphic bird imagery. The symbolism of the serpent and the bird is well known of in shamanistic practices across the globe. The serpent and bird (feathered serpent) points at the experience of (hypnagogic) trance. When experiencing (hypnagogic) trance, the practitioner experiences the sensation that he/she is swimming like an amphibious fish/serpent in the ‘watery’ realm of the (lucid) dream, which is also equated with (nine planets) space. The serpent describes the experience of an energy rush within the body, which feels as if it is moving up the spine (Chakras/endocrine-system) towards the top of the head, when inducing (hypnagogic) trance.

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This then leads to a ‘flying as a bird,’ like that of becoming a (inner Sun) winged-eye, of an Out Of Body experience, experiencing inner visions:

“In their visions, shamans take their consciousness down to the molecular level and gain access to information related to DNA, which they call “animate essences” or “spirits.” This is where they see double helixes, twisted ladders, and chromosome shapes. This is how shamanic cultures have known for millennia that the vital principle is the same for all living beings, and is shaped like two entwined serpents (or a vine, a rope, ladder…). DNA is the source of their astonishing botanical and medicinal knowledge, which can be attained only in defocalized and “nonrational” states of consciousness, though its results are empirically verifiable. The myths of these cultures are filled with biological imagery, and the shamans metaphoric explanations correspond quite precisely to the descriptions that biologists are starting to provide.”

Jeremy Narby – The Cosmic Serpent, DNA And The Origins Of Knowledge.

Jeremy Narby is a Canadian anthropologist and author. In his books, Narby examines shamanism and molecular biology, and shamans’ knowledge of botanics and biology through the use of entheogens across many cultures.

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Narby has spent several years living with the Ashaninca in the Peruvian Amazon cataloging indigenous use of Ayahuasca.

Dr. Matthew Clark Post-Doctoral Research Associate, SOAS (affiliate), postulated that the ancient Vedic drink of India called Soma could have been an Ayahuasca analogue. If so, a certain pillar in Göbekli Tepe could be describing the Soma preparation of an Ayahuasca counterpart. This would require the plant materials being mixed and crushed together, using ritualistic ‘handled’ tools for the purpose of creating a (Scorpion) poison, which initiates the little death of (hypnagogic) trance.

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There is also an image of an anthropomorphic bird, looking at a circle it is holding, which could represent a sphere, perhaps it is the Earth? If so, they knew that the Earth was spherical, twelve thousand years ago. That or the sphere is an ancient (Soma) pill; but then, both the Earth and a sacred hallucinogen would be seen as being one and the same, all are connected. There are also other symbols, which look like Runes; one of which looks like the 15th Norse (Valkyire) Rune, called Algiz. Although, said (Valkyrie) Rune, in its infancy probably pertained to the motif of the tree and in turn the axis-mundi of the spinal column, and its (Autonomic/Central – Nervous System) three-nerve-channels, which in Hinduism is symbolised by the trident wielded by the shamanic deity called Siva, who partook of (hallucinogen) Soma.

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Little wonder then that the established monotheistic religions are getting in on the act, who are laying claim to Göbekli Tepe as their own to ‘brand,’ since the symbolic focus upon the Middle East has been knocked, which is due to Göbekli Tepe far predating their religious cultural-constructs.

(Much of the shamanistic symbolism has been appropriated by the monotheists, who do not understand it. For example, the symbolism of the horned ‘Cow’ or ‘Bull’ and that of other horned animals are associated with the horns of the shaman, which describe the hemi-synchronisation of the hemispheres of the brain, when accessing [hypnagogic] trance. The shaman will [Serpent] experience the [hypnagogic] trance sensation of having [Cow/Bull] horns growing out of his/her head, or to feel he/she is wearing a crown, or feeling as if his/her head is [pharaoh crown] elongating. This then leads to accessing the inner [Spider] web, which interconnects all things.) 

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However, Göbekli Tepe didn’t just appear out of nowhere, the site was very likely interconnected with other sites. These other sites could potentially far predate Göbekli Tepe, which are yet to be discovered.

That’s if they haven’t been destroyed, since their discovery will totally shatter the theological politics of the monotheistic religious constructs, who are seeking to keep the focus on the Middle East.

(One of the motifs you find in the Middle East is the worship of ‘fire;’ however, this is also known of by other peoples, such as the nomadic Aryans and Mongolian peoples of the steppe, etc. The fire represents the inner [bio-photon] fire, which is associated with the [Mitochondrial DNA] serpent.)

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However much they try to lay claim to Göbekli Tepe their fixation upon a deified ‘Animus’ made as a God, just keeps on getting in the way, which invalidates their shared symbolic constructs of theological politics.

(The monotheists tend to be anti-sex, whereupon when confronted by serpent symbolism, which has a phallic association, they cannot handle it. When accessing [hypnagogic] trance, the conscious awareness of the practitioner is seen to be fertilising the womb of the [lucid] dream, giving birth to visions. The phallic symbolism of the serpent also alludes to the shamanic usage of Psilocybin mushrooms.)

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Their religious cultural constructs are not important here at all, anyway, it is the inner experience, which is of importance; for it is the legacy of everyone upon the planet, which cannot be ‘branded,’ nor owned by any religious cultural construct.

What has been noted is the similarity between the Kundalini Shakti of Yoga practice, out of ancient India and the Göbekli Tepe symbolism of the entwined serpents. The arousal of the Kundalini Shakti (‘Fire’ snake/goddess) is experienced as an inner energy arising along the (Chakras) spinal-column, which then strikes the back of the head like a ‘Scorpion’ sting; this then engenders (hypnagogic) trance visions of the (Muses) Dakinis, the American ethnobotanist Terence McKenna would have equated with his mechanical Elves. The anthropologist and author Carlos Castaneda called the Dakinis, ‘Allies,’ which he described as being an inorganic feminine intelligence associated with power plants. (The stele below is of Siva and two entwined [Caduceaus] serpents from South India) 

This has led to the monotheists getting into a rumble with the animist Hindus, who have come to a shaky agreement that the name of monotheist Abraham could be linked to the animist Hindu deity called Brahma, should you use dodgy etymology as well as moving the letters of Brahma’s name around; they even threw in Siva for good measure. I kid you not!

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But the experience of the Kundalini Shakti is known of in other cultures, under differing names, which of a symbolic communication has its source in ancient shamanistic practices. For example, the symbol of the (Kundalini Shakti) Caduceus was originally carried by Apollo, who it is said had migrated from Hyperborea, which is the ancient Greek name for Siberia.

(The specific Hyperborean area in question could be the Altay [Altai] region of Southern Siberia, which had been hit by a massive Atlantean inland flood during the last ice age. This also ties in with the intriguing genetic findings of the 2012 genome project concerning a genetic cradle from the [Altai] Altay to Lake Baikal that a number of dispersed peoples share.) Apollo then exchanged his Caduceus with Hermes for his seven-stringed lyre, when Apollo eventually reached the land of the Hellenes.

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As for shamanism, it is not and never was a religion, it has no dogma, nor religious texts, it is otherwise that of a system of ‘experiential’ techniques, which enable consciousness expansion. Shamanism is essentially the science of consciousness, anyone can engage in exploring.

When symbol systems are employed as ‘tools’ by shamans, the primary symbolism alludes to experiences of the inner reality, such as the serpent representing the energy rush of (hypnagogic/Phase) trance, the bird symbolising (OOBE) ecstasy, while other animals would represent differing states of consciousness, along with symbolism referring to being re-birthed from the inner visionary world of the (lucid) dream.

Wherefore you will  find similar symbolism across the globe, which is due to our shared neurology and DNA, linking us with other life-forms, like that of being connected by a ‘Spider’s’ web.

(This does not mean that the exploration of the inner reality is disengaged from probable stellar observations, which have been noted at Göbekli Tepe, the two mutually support each other. The star-clock indicates [circadian rhythm] key-times for [hypnagogic] trance ingress into inner space.) 

Whereas a religion has a total focus upon the symbolism of a particular culture, which tends to bury the primary symbolism of an inner experience, to either negate, or keep secret, that, or demonising it. The reason why religious constructs do this, is because, it’s priests who attain power and influence over others, do not want you becoming aware of your own shamanic legacy. Should you become aware of your own inner reality, the priests of the established religious construct will then lose their illusory power over you and others, which they do not want. Otherwise they’re out of their big-business; no more Shekels!

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You can thereby conjecture as to why the builders of Göbekli Tepe later buried what they had built, who may have had the visionary foresight to protect it for their future descendents to rediscover. It does appear they were fully aware that a religious construct and its priests would have destroyed what it communicates of a shamanic legacy.

You might think that all of this sounds crazy; But there are other sites of interest, which may be of similar importance to Göbekli Tepe, the archaeologists are yet to investigate, if they ever do so, since these sites are no doubt considered as being dangerous to those who seek to keep their academic reputations intact, but more so by the present establishment.

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The monotheistic religious constructs have been around for a very long time, their shared establishment is very much entwined with politics, finance, the acquisition of land, material assets, having control over the world’s need for water, food and energy, etc, whose ‘Animus’ fixated symbolism permeates your language and every level of culture.

Hence, they do not want such discoveries being made, since it will utterly destroy the illusory symbolic focus on the religious politics of the ever warring Middle East, upon which your present ‘Oil’ dependent culture is entirely based.

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NOTE: The ancient Greeks most often associated Apollo’s name with the Greek verb ἀπόλλυμι (apollymi), “to destroy,” which is of similarity to the Hindu deity Siva, who is known as the destroyer. However, Siva destroys the illusion of [belief/Ring-Pass-Not/Limit] form, which is that of a rebellion against the accepted norm, symbolically equating with war, this leads to questioning the reality, upheld by an establishment; Siva is an anarchistic evolutionary force, who in many respects represents what a scientist should be.

Apollo is also associated with the ‘serpent’ and with ‘light.’ Hence he was seen to be a titan of the Sun; whereas, his twin sister, Artemis was associated with the Moon, whose Roman name Diana-Lucifera, refers to her being the mother of ‘fire,’ of similarity to the Altaic, Yal-un eke, the Hindus would call the Kundalini Shakti. Apollo’s association with light, is that of the inner light/fire [Diana-Lucifera/Yal-un eke] illuminating your [bio-photon] dreams.

In this context it then links Apollo with the “Southern Siberian” Altaic name, Odqan, which means, ‘Fire King,’ this then leads you to the Norse shamanic deity called Odin, the Saxons called Woden, whose name means ‘Light/ecstasy master,’ who has similarities with Siva and in turn with Apollo. Overall, Apollo – Siva – Odin/Woden was probably a deified [Altaic/Odqan] shaman.  

In regards to the term, Altaic, it is a proposed language family of central Eurasia and Siberia, including the Turkic, Mongolic, and Tungusic groups, which are invariably included in the family. These languages are spoken in a wide arc stretching from Eastern Europe, through Central Asia to Anatolia [Göbekli Tepe] and to the Korean Peninsula and Japanese archipelago in East Asia. The group is named after the Altai mountain range in Central Asia.

The Altaic language group is considered to be highly controversial, as many linguists think that the common features of alleged Altaic languages resulted from borrowing rather than descending from a common ancestral tongue. A few scholars, however, take the opposite perspective and argue that Altaic is a genuine family. It just so happens that many of the peoples speaking these languages appear to have a curious [2012 genome project] genetic link with the [Altai] Altay.

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THE MUMMY RETURNS

Posted in Art, Chaos Magic, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Psychology, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 13, 2017 by FAUSTUS CROW

RED ICE: I am your stand in host on Red Ice TV. We are very honoured by having the talented actor, Tom Cruise here, in our humble studio, who has taken time out, from his very busy schedule to tell us about his role in the re-imagined Mummy film. Let’s start by asking… (Tom Cruise quickly interjects.)

TOM CRUISE: Look, I have to cut to the chase here. I haven’t got much time. I need to warn the public; I can’t hold back any longer; a female Mummy is far more real than anything you can ever imagine.

RED ICE: What? I thought all Mummies are female, my very real Mummy was most definitely female, until she had a Hollywood sex change, now I call her my big Daddy…

TOM CRUISE: No, no, no! You know what I mean, I mean reanimated Egyptian Mummies; the bandaged up types, clambering out of a crumbling Beehive of a pyramid; they’re for real… (Cruise stands up from his seat and does a staggered zombie impression as Mummy Boris Karloff.)

RED ICE: You’re kidding me! You’ll be saying that Boris Karloff is a Imhotep Freemason, next, who’s plastered ghost is still around, haunting the Illuminati Beehive lodges of Hollywood’s Masonic studios?

TOM CRUISE: No, no, no! Far worse than Karloff; a Queen Bee Mummy will knock Karloff’s worker Bee Mummy into Oblivion; she’ll go far beyond Marjorie Cameron, who hunted down Jack Parsons upon a Babalon synchronicity. She’s a femme fatale Succubus… She’ll get into your pyramidal three tiered brain, driving you Left-Hand-Path creatively mad with her dark salacious nature.

RED ICE: Are you for real? An ancient Queen Bee Mummy is actually around, walking amongst us?

TOM CRUISE: Yes! She’s a disembodied Thetan, who has total control over the worker Bee’s, Alex Kurtzman and Jon Spaihts. what’s more, as a disembodied Queen Bee Thetan, she took possession of Sofia Boutella.

RED ICE: Sofia Boutella is possessed by a disembodied Thetan? What do you mean by a Thetan, exactly? Can you explain to our Muggle audience what a Thetan is?

TOM CRUISE: Well, I can’t go into the Thetan stuff. You have to a be a Scientologist to be privy to that kind of… Clear… information. All I can say, is that a Thetan is like a spirit.

RED ICE: Is a Thetan spirit associated with the Theta brainwave, which is involved with hypnagogic trance and Artistic creativity?

TOM CRUISE: Yes! Yes! It is a chaotic brainwave state, we Scientologists have to control at a collective level in order to brainwash brains, to then convert their jellies into a hypnotised hive-mind, just as the Catholic church of Rome’s BORG empire has likewise done so, let alone Islam and that of their original appropriated BORG source, Judaism. As Philip K. Dick once said, “The Empire Never Ended!” So, when in Rome, do as the Roman’s do… Cults are financially lucrative, which is especially the case when a cult becomes a big-business religion, paying no taxes… Shit! The money just rolls in. That’s why the public water supply has been eugenically fluoridated with a known neurotoxin and a mutagenic compound, in order to calcify the DMT producing pineal-glands of the unwashed fleecy minded populace, to never question their monotheistic triangle of an Illuminati trinity… Damn it! I’ve let slip there…

TOM CRUISE: Forget what I jut said. Look, I can’t reveal anymore, otherwise I’ll be castrated by L. Ron Hubbard’s Men In Black minions, dressed like dog-collared priests… But there’s something far, far worse than them… I haven’t the time; I’m being hunted by the Great Old Ones. This is between you, me, and your very select audience, you understand… Kurtzman told me in private, that he and Spaihts decided to use the Surrealist technique of Automatism, which involved the utilisation of a Ouija board.

RED ICE: What type of Ouija board did Kurtzman and Spaihts use, there are so many different designs?

TOM CRUISE: The Ouija board was specially designed by the same individual who wrote and illustrated a Grimore, both of them used to conjure up a Succubus as their inspiring Art Muse. It was the Muse who inspired their artistic ideas for their movie, to win over the studio’s lodge, big bucks.

RED ICE: What Playgirl Grimoire are you talking about here, are you speaking about, something like, H.P. Lovecraft’s Necronomicon?

TOM CRUISE: Sort of; but it’s the real Necronomicon, since no one had ever depicted what this Grimoire covers, listing Playboy Goetia Girls. It was written and illustrated by some mad sorcerer artist, named Mardun, who is also known as Faustus Crow; he is the Artist who designed their Ouija board.

RED ICE: Mardun… Faustus Crow… never heard of him… Tell us more about this Succubus Art Muse…

TOM CRUISE: The Succubus, Kurtzman and Spaihts conjured up is called Uvall, who is said to be an ancient Egyptian Art Muse, Crow illustrated as a Mummy. Uvall started to make the planchette go crazy around the Ouija board, channelling the script for the entire movie, who also communicated that another name she is known by is… Ahmanet.

RED ICE: So you’re telling us that Kurtzman and Spaihts conjured up a Succubus called Uvall, which channelled the entire movie script as well as taking possession of Sofia as Ahmanet?

TOM CRUISE: Yes! The Succubus transformed Sofia into a wild eyed Performance Artist. She became like an ecstatic Shaman High Priestess Of The Silver Star; she would spontaneously go into an orgasmic Sirius trance on set, saying she was the incarnate ‘Anima’ made as Babalon flesh, let alone singing perverse erotic hymns about Faustus Crow all of the time; it scared the living shit out of me, let alone everyone else. When she sang her salacious praises to Crow, she would make various objects fly all around, such as cameras flying like winged eyes, the camera crew’s bus, weighing as much as a pyramid block, flew like Harry Potter’s car; she even levitated camels, which trotted the air like Santa’s reindeer out of London zoo; it was like Spielberg’s, Poltergeist, but for real.

RED ICE: Sorry, but I think, all of this sounds absolutely crazy. Are you taking any psychiatric medication?

TOM CRUISE: I hate psychiatrists, and I’m not mad; I’m deadly serious. Kurtzman also informed me that the other film directors and writers are using Crow’s Grimoire in the same way for their own horror films, let alone science fiction movies.

RED ICE: Hang on! What? The other directors, writers are using Crow’s Grimoire, in order to conjure up Succubus Art Muses, around his Ouija boards, for their movie scripts as well? That’s, just plain nuts! It sounds like a David Icke reptilian conspiracy to me.

TOM CRUISE: Uvall, I…I… mean, Ahmenet; NO! I mean, Sofia; she’s possessed by the raptor SOPHIA, get it!? She is intending to awaken all the hot blooded Beasts to their Fallen ‘Anima,’ by using those hypnotically erotic dance moves of hers. You do know what that means don’t you?

RED ICE: No! I don’t; Fallen ‘Anima,’ what’s that?

TOM CRUISE: Can’t go into the Jungian details, apart from saying that it means an end of the Illuminati deification of the ‘Animus,’ made as our three faced God out of Ur, whose gender fixated rule since the Zodiac age of Aries to that of Pisces is about to be usurped by the Succubus Great Old Ones of the fallen ‘Anima.’ The seventh seal of a Chakra has been opened, by the conjuration of Uvall, who will usher in the new Aeon of Star Trek Aquarius.

RED ICE: Let’s get this straight; you’re saying that the conspiring directors and writers in Hollywood are conjuring up the Great Old Ones of the fallen ‘Anima,’ who are all Succubi, to bring about the age of Aquarius, just like the Hippies attempted to do during the Vietnam war era?

TOM CRUISE: Yes! Something like that, but the Hippies were still enamoured with our deified ‘Animus’ made as a God, so, we were able to control them. However, this zeitgeist time around, we have a far bigger problem, which hearkens back to something, very ancient, yet it is also of a far flung future shamanistic orientation…. I would like to point out that Crow uses the older term, Succubae, by the way… Not only the directors and writers are part of this, but also the producers, Artists, and even the actors and actresses; they are all secretly conjuring, which enables them to induce lucid dream interactions with Crow’s Art Muses. The films will all share the same cinematic Hyper-Sigil universe…

TOM CRUISE: Just like Marvel’s and Disney’s elemental superhero franchise of the spandex wearing ‘Animus,’ whose neuro-marketing empire will be toppled by the return of the classic film-land monsters out of the collective unconscious. It has all been initiated by the conjuration of Uvall as Ahmenet, who equates with the Tarot card of the High Priestess.

RED ICE: Hmmmm! I’m sure that Madonna will know that the High Priestess is associated with the ‘Ninth’ Yesod sphere of the Moon in the Cabbala, whose Tarot card is ascribed to the thirteenth path, which crosses over the ‘Eleventh’ hidden sphere of Da’at.

TOM CRUISE: Yes! I know all that Reticular-Activation-System, Nine-Eleven stuff. It is via the Aquarian stargate pylons of Queen Bee Sofia, who is now Crow’s High Priestess, that Hollywood will soon be transformed into Horror-Wood under the blue Kachina star of Sirius.

RED ICE: (smirks) Are you conjuring out of Crow’s Grimoire as well? I must say that Sofia’s pylons are most ravishing.

TOM CRUISE: (moralistic anger) NO! You know what my Minority Report leaning is of ‘Animus’ worship; I am not into this vile ‘Anima’ pornography. It’s all mad, utterly insane; that is why I am warning you about what is going on behind the creative scenes, where Crow’s sorcery of Art is being practiced. (Cruise’s mobile starts to ring; he looks wide eyed at the received text, an expression of War Of The Worlds abject terror crosses his face.)

RED ICE: Are you okay, you look as if someone has just stepped upon your eternally recurring Edge Of Tomorrow grave?

TOM CRUISE: Uvall, I…I… mean, Ahmenet, she’s found me out! No! Her name is Babalon, No! No! No! She can’t be Babalon… I mean Sophia, damn it! damn it… it’s Sofia… damn it, sounds all Greek to me… it’s all the same bloody archetypal raptor. She knows where I am; I’m not safe here. This interview has ended… I have to go, NOW! Before Crow’s dark haired Babalon Working Queen Bee Mummy finds me. (A Heyoka Crow is heard cawing in the Avadhuta distance.)

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OUT OF BODY LUCID DREAMS

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 1, 2016 by FAUSTUS CROW

The driving force behind much of my art and writing is the number of ongoing personal experiences I have had concerning the Out Of Body phenomenon and lucid dreaming, which of inner experiences also correlate with the observation of concordant synchronistic phenomena, along with what can be construed as being paranormal events.

I have the tendency to utilise the technical term hypnagogic trance when to speak of attaining conscious ingress into the dream. The hypnagogic state is not a mysterious occult force.

Hypnotherapists seek to induce hypnagogic trance in their patients, which is an altered state of consciousness, shamanic practitioners are highly adept at inducing in their own selves of auto-hypnosis.

A number of artists throughout the ages have also engaged in inducing hypnagogic trance, whether knowingly or unknowingly, of varying degrees of intensity when creating works of art, since the nigh meditative creative process can induce a theta brainwave in the artist, which is associated with the inducement of hypnagogic trance.

TAROT: HIGH PRIESTESS II: How To (Hypnagogic) Hypnotise All, Via ‘False Flag’ Shock Hypnosis.If you are interested, Please Check out the Succubus Art Book Grimoire: Click Here.

Hypnagogic trance can also be induced via shock hypnosis at the collective level, should there be a mass focus upon a shocking occurrence, which can be prior orchestrated of a subversively engineered false flag event, let alone being able to engineer an associated End-Of-Days mass-media focus on 2012.

When to inadvertently access hypnagogic trance at the point of sleep, it sometimes involves the experience of sleep paralysis as well as the Old Hag Syndrome, or otherwise called, the Bedroom Invader experience.

The Old Hag Syndrome of an assailing nightmare can be otherwise transformed into a Night-Mare Succubus to ride, as your Mind-Doll Dakini, whence she to carry you, without moving, Out Of Body, wherever you desire to go, throughout space and time within a lucid dream.

Whatever is experienced when accessing hypnagogic trance will be determined by what you take in with you of an inner narrative of beliefs, which is often subliminally influenced by your culture. An analogy is somewhat akin to your beliefs determining what you tune into of a TV program, which you will then enter into as a fully interactive lucid dream. The dream reflects back your inner narrative; wherefore if you transform the narrative, you can reprogram your dreams.

Numerous others have also experienced this phenomena throughout the ages, such as the author and researcher Michael Raduga, who otherwise brands the hypnagogic state as being what he calls, The Phase. Raduga has come to the realisation that the hypnagogic state has been hijacked by various religions; most notably by the trinity of Abrahamic faiths, whose shared symbolic dialogue determines the narrative of the inner experience for many across the globe, which can be further manipulated via orchestrated false flag events.

Raguga has also noted that the religious narrative has been transmuted into the viral-meme arena of science fiction, where machismo Angels and butch Demons have been transformed into Aliens, which is essentially a continuation of the religious programming.

In other words, whoever controls the symbolic narrative can thereby determine the programming of many minds; this would be subversively engineered in order to sustain the established religious structure, which is very much entwined with the present New World Order centralist politics of society; wherefore, those who control the narrative will not want the masses questioning it. The primary means of negating the questioning masses is to make them fear the inner reality of their own minds; hence the war on drugs for example.

The question is, how far would the controllers go in sustaining their symbolic Matrix, wherein many a mind is being subversively programmed and thereby imprisoned, without ever realising it?

Well, you would need to look into a possible physiological factor involving dreaming in order to determine how far the controllers would go, such as looking at the pineal gland for example, which is otherwise known as the third eye by ancient mystics.

The scientist Rick Strassman MD has determined that the pineal gland is inextricably entwined with dreaming and other associated altered states of perception, which may be due to the pineal gland alchemically producing the schedule 1 drug, N,N-Dimethyltryptamine (DMT or N,N-DMT)  within its one time vestigial eye of an amphibian ancestor.

This is the reason why ancient shamanic adepts of hypnagogic trance inducement were symbolically represented as being amphibious creatures such as toads or as reptiles of varying kinds, as well as fish.

It just so happens that the mass fluoridation of the water supply with the known neurotoxins and mutagenic compounds, fluorosilicic acid, sodium fluorosilicate, and sodium fluoride specifically targets the pineal gland.

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Whereby you then have a number of neurological disorders afflicting the industrialised nations, who practice fluoridation since the end of WWII.

Unlike the fluoride compounds found in toothpaste or supplements, fluoridation chemicals are not pharmaceutical grade quality.

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They are, instead, unpurified industrial by-products, which are collected in the air pollution control systems of certain industries.

The fluoridation chemicals calcifies the pineal gland over time, whereby leaving it inoperable; hence potentially cutting you off from experiencing what Raduga brands as The Phase.

You could thereby conjecture that the ruling elite are attempting to transform the mass populace into easily programmed robots who will not question the symbolic Matrix, which imprisons their minds. If you consider such conjecture to be just a crazy conspiracy theory, you are still left with the unavoidable fact that a criminal mistake has been made!

NOTE: Michael Raduga and Rick Strassman MD have their own symbolic narratives, which influences their research into the nature of consciousness. On one side of the coin, you have the Russian entrepreneur, Michael Raduga, who takes a Newage approach to his investigation of The Phase phenomena; he utilises the scientific method as much as possible, which is of similarity to much of the prior Soviet psychotronic research; his particular symbolic narrative is summed up by his scientific sounding brand term, The Phase. 

On the other side of the coin you have the American scientist, Rick Strassman MD, whose symbolic narrative is heavily influenced by Judaism in particular, and in turn the Bible, who is on a personal quest in order to determine what the Biblical prophets had tuned into of an inner reality, which is very popular among a number of Judaeo-Christian American’s; his brand term is the religious sounding, The Spirit Molecule. 

As mentioned prior, your own personal narrative determines what you internally access, which can be subversively influenced by your surrounding culture; hence, whoever controls the collective narrative of your culture on either side of the coin can thereby influence the mass population’s perception of reality; this is very much the case when brand terms are aligned with already established archetypal influences. 

In order to determine who is promoting a symbolic narrative at a collective level, you follow the associated strands of an underlying money trail to find those who own and run the mass-media show, which is somewhat self-evident when looking into the media machine of America. 

For example, Rick Strassman MD is part of a bigger narrative web of associative correspondences, which hearkens back to the psychedelic hippie era, of a more cohered form, whose orientation is nigh Gnostic of a symbolic paradigm. 

The evocative branding of an altered state of abstract consciousness, whether it be The Phase or Spirit Molecule, is that of an art form. The form the symbolic narrative takes on either side of the coin of an open-ended or closed system is determined by the creative potential of humanity, which is essentially that of art. 

The practice of art is indivisible to the practice of magic, they are one and the same. So, if you do not want to be programmed by subliminal influences, or to otherwise transform them of symbolic alchemy, you need to become aware of the inner Artist within you; for it was the shamanic practitioner of trance who was the first Artist, who knows how to lucid dream. 

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GOETIA GIRLS SUCCUBUS ART BOOK GRIMOIRE 2

Posted in Art, Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 13, 2016 by FAUSTUS CROW

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

Shamanism is a widespread practice, which can be found in many cultures across the globe throughout human history, going back at least 30,000 yrs if not further into the dim mists of prehistory.

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Shamanism is not a religion as some make it out to be, it is a system of techniques, which enables the inducement of altered states of consciousness. The practice of Shamanism is seen by some anthropologists as being the inspiration behind Palaeolithic cave art.

A Shaman is able to disengage his consciousness from its corporeal abode by using certain techniques of trance inducement, so that he can transcend the physical limitations of space and time.

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The consciousness of the Shaman is then enabled to consciously access the spirit world of the dream, wherein he can then conjure up a spirit, such as a Succubus, whose intelligence emanates from another planetary sphere, alternate reality or some other Zodiac age.

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Could a Shaman actually access other realities from within the dream? well, Dr Rick Strassman found in his experiments, when giving DMT to volunteers that it allowed them to enter entirely different realities occupied by other forms of intelligence, as well as experiencing accessing other historical epochs.

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Their experiences, though similar of entoptic phenomena, varied of dream locales, depending on the recipients personal beliefs, which are very much tied up with their learn’t ‘languages’ conjuring up symbolic associations. In other words, their symbolic beliefs determined what type of information they tuned into of an internally conjured interactive reality.

But, what had formulated the beliefs of Strassman’s DMT  volunteers in the first place? You can determine that their beliefs had been moulded by their religious orientation of a symbolic ‘language’ form, which has been passed down to them by their parents, etc, as well as being surrounded by its subliminal influence upon their ‘setting’ of a culture.

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Even non religious volunteers would be subliminally influenced by cultural influences, which in general, in the West, has been moulded by a patriarchal religious paradigm. Its influence has since been translated into the arena of science fiction, of onetime ever warring Angels and Demons seeking dominion over your fleecy soul, which have been otherwise transformed into Aliens invading the Earth, of a symbolic ‘language’ form.

You could argue that if this ‘language’ process is observed by those who seek to control the beliefs of individuals at a collective level of a shadowy Consciousness Project, then the Alien mystique has been engineered via the controlled media in order to sustain the patriarchal religious indoctrination. But in order to determine if this is a possibility, it would require having a ‘symbolic’ constant, which reveals its engineered nature, being that of an overriding gender focus upon the male. For example, you hear the gender term, God, being mentioned of regular commonality; whereas the word, Goddess is hardly used.

Hence, a shadowy Consciousness Project could subversively utilise a group of DMT volunteers in order to determine the statistic influence of their engineered Alien mystique upon the collective populace, as well as promoting its paradigm. It just so happens, that most of the reported cases of Alien visitations by UFO abductees since 1947 are described as being primarily humanoid males, or to otherwise manifest as ‘Politically Correct’ sexless Grey entities.

Imagine for a moment that you are a disembodied spirit travelling back into time via a lucid dream, to then hover as a ghostly winged eye over a A Palaeolithic Shaman. You observe him, as he seats himself, cross legged, Yoga style, within his womb like cave. You become aware that the Shaman is about to enter trance, whose sexual orientation is heterosexual.

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You also notice that the Shaman is meditating upon a painted stick figure of a woman having horns, whose intention is that of conjuring her up as an informing Succubus within his own lucid dreams. But first he has to hunt her down with his erect spear, when to recognise her trigger-symbol within the cavernous depths of the dream, so as to conjure her of captured prey.

You become aware of the Shaman’s thoughts; he sees the menstrual blood of his Succubus as being the watery depths of the dream, which is as red ochre. The Shaman utilises the red pigment of his Succubus dream Muse to paint his initiatory womb cave wall, of artistically manifested visions, she to induce; let alone inspiring him to sculpt many a proto-Hugh Hefner Venus figurine.

The most developed form of Shamanism you will find is in North Central Asia unto the land of Siberia where you will discover the horned Shaman making contact with the inorganic intelligence of differing spirits, or that of conjuring Sucubae via the usage of trance and dreaming.

These spirits the later monotheistic religions of the Middle East had transformed into their ‘Animus’ fixation upon an all male pantheon of Angels and Demons, which is now the established symbolic paradigm permeating all levels of your culture.

“Widespread ancient reports of Jewish magic involving worship of Angels and Demons, as well as Yahweh, have now been confirmed by the recovery of Sefer ha-Razim, (‘the Book of Secrets’), a Jewish magical text of late Roman times that gives directions for such worship, prescribing the prayers and sacrifices to be made to these minor powers.” (Morton Smith,  Jesus the Magician: Charlatan or Son of God? 1978: pp. 91, 164)

The Sepher Ha-Razim is a Jewish mystical text, which had supposedly been given to Noah by the Angel Raziel.

It was then passed down to Solomon, who considered the Sepher Ha-Razim to be a great source of his wisdom. It is from the Sepher Ha-Razim of an ‘Animus’ fixation upon machismo Angels and their fallen Angel counterparts, Solomon had derived his purported magical powers over his people; but then, they too shared his symbolic ‘language.’

The Sepher Ha-Razim is the forerunner of the classical Goetia, which is part of a 17th-century grimoire, entitled: The Lesser Key of Solomon, featuring an Ars Goetia as its first section, being the Goetia.

It contains descriptions of seventy-two male Demons, which were conjured up by Aleister Crowley in Boleskine house near Loch Ness in Scotland, before his occult ascendancy to eventually become a Newage icon. In 1904, Crowley edited the Goetia as, The Book of the Goetia of Solomon the King.

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However, even though Crowley is considered to be a rebellious Great Beast by his admirers, he did not reverse the ‘Animus’ focus of the Playgirl Goetia. But then, why would Crowley had done so, since he was bisexual.

The Sepher Ha-Razim is also of similarity to the Sefer Raziel HaMalach, which was given to Adam by the same machismo Angel. Both of these ‘Animus’ texts stem from an ancient tradition; although over time, the focus upon the ‘Anima’ residing within the psyche of the male, gave way to the ‘Animus’ residing within the female psyche.

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As for the initial gender focus upon the ‘Anima,’ it hearkens back to a Palaeolithic Shaman of a proto-Hugh Hefner Adam, sculpting an Eve of a Venus figurine.

Large parts of the ‘Animus’ fixated Sepher ha-Razim were later incorporated into the monotheistic Sepher Raziel under its original patriarchal title, which to have spawned the numerous other Playgirl grimoires of similarity, whose symbolic influence upon present day popular culture is undeniable.

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To say that the Sepher Ha-Razim it is an unorthodox monotheistic text is an understatement; it is considered to be an ‘Animus’ Playgirl grimoire for patriarchal Jewish magic, which is used to conjure up a pantheon of all male spirits rather than approaching a jealous ‘Animus’ God-head to perform supernatural feats.

The Sepher Ha-Razim itself was once considered to be part of orthodox Judaism under the influence of Hellenism. The text, along with other similar works, are considered to be unorthodox at best, or heretical at worst in modern Judaism; this would be even more so the case if the Angels, Demons, God and Devil were seen to be all female of an ‘Anima’ orientated pantheon.

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Whereupon I have reversed the mind-control commonality of the ‘Animus’ fixation of the classical Playgirl Goetia towards that of an ‘Anima’ focus upon conjuring Succubae, who are now listed within a rebellious Playboy grimoire of an alternate Goetia.

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GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

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GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

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GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR BOOK AVAILABLE ON CREATESPACE. CLICK HERE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR CREATESPACE PREVIEW, CLICK HERE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR AVAILABLE ON AMAZON, CLICK HERE.

NOTE: BOOK ONE can be found HERE. Book One and Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Createspace and Amazon.

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PROJECT STARGATE VAGINA

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Demon, Demonology, Discordianism, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 22, 2015 by FAUSTUS CROW

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During 1970, United States intelligence operatives became aware that the Soviet Union was spending 60 million roubles annually on psychotronic research, whose parapsychologists had discovered the original book upon which H.P. Lovecraft’s Necronomicon was based, being the medieval grimoire, entitled the Goetia.

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At first, the US intelligence operatives believed that the Russian’s had totally lost the plot, until they realised what the very sneaky Soviets were up to. The Soviet parapsychologists had devised a psychotronic means to subvert the religious indoctrination of the masses, by reversing the patriarchal Animus focus of the numerous Playgirl grimoires, such as the Goetia. This invariably leads to the eventual undermining of the religious foundation upon which these grimoires are based.

The Soviets saw the Goetia as a psychotronic device, via which they could negate the media machine influence of the patriarchal Bible thumping American’s. This involved conjuring up the spirits of the Goetia as female entities called Succubae; whereby the Goetia would then be transformed into a Playboy grimoire. This was taken much further, since the Soviets had discovered that the Succubae are the energetic fluctuations of the Anima, called the Great Old Ones.

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The Soviet research into the Goetia was triggered off when their parapsychologists noticed that the Zodiac association of the spirits listed in the Goetia correlated with hot spots around the Earth. During the 1960’s, the historian, Nikolai Goncharov, construction engineer, Vyacheslav Morozov and the electronics specialist, Valery Makarov had the idea of re-examining the globe of the Earth to see if any pattern should emerge, which linked significant places in history. The belief that the Earth has a basic harmonic symmetry of an interlaced weave of a web linking places of power is very ancient.

In Plato’s Phaedo it is related that Socrates once told his pupil Simmias: “My dear boy, the real Earth viewed from ‘above’ is supposed to look like one of those balls made out of ‘twelve’ pieces of leather sewn together.” Socrates was describing a dodecahedron; the twelve pentagonal faces of the dodecahedron were anciently associated with the Zodiac, whose stars are pentagrams.

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Some 2000yrs later the Soviet findings indicated that such a pattern did indeed exist. After several years of research in Moscow, the three researchers published their findings in 1973 within the, the popular science journal Khimiya i Zhien of the USSR Academy of sciences, entitled: Is the Earth a large crystal?

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The Soviets started to suspect that the dodecahedron indicated that our experiential reality is a hologram, the ancient Hindu mystics termed as being Maya. They then sought to find an internal structure, which was generating our holographic reality, so that they could find a way of psychotronically influencing it, and eventually controlling the collective mind.

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The Soviet parapsychologists were aware that a cube and a tetrahedron can be placed within a dodecahedron; both of whose vertices match up with all the vertices of the dodecahedron. But it was not until 2003 that Swedish scientists from Uppsala University vindicated the suspicions of the Russian parapsychologists concerning a cubic structure at the centre of the Earth, the ancient Egyptian’s considered to be the throne of Isis, the Hebrew’s called the Merkabah.

The Swedish scientists published their findings in Nature and Science that the Earth’s core assumes a body centred cubic crystal structure at high temperatures, a structure, which despite its high degree of symmetry evinces a surprisingly high level of elastic anisotropy. The Soviets had previously suspected that the Hellraiser cube is some form of computer, which can be programmed by a dreamer, who can conjure up its Succubae programs from within the microcosmic symbolic interface of his virtual reality dreams, via which he can then influence macrocosmic Maya.

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The Soviet program had produced a number of psychotronic results by reversing the symbolism of the Goetia, which enabled the Soviets to release the Succubae Great Old Ones from their symbolic bondage at key points around the dodecahedron structure of the Earth’s hologram. In response to these claims, the CIA initiated secret funding, for a new program, its codename was, SCANSUC (Scan by Succubus) in 1970.

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The conjuration of Succubae for remote viewing research began in earnest during 1972 at the Stanford Research Institute (SRI) in Menlo Park, California. Proponents of the research said that a minimum accuracy rate of 65% required by the clients was consistently exceeded in the later experiments. The experiments involved the introversion of the sexual impulse for the empowerment of lucid dream conjurations of the Succubae, via whose vaginal portals, the dreamers could then remote view throughout space and time. Because of the sexual element, the research had to be kept very secret from the general public, who would construe it as being black magic.

The Soviet parapsychologists as well as their American counterparts had found that at around 7.8hz, your brain is on the border of an Alpha or Theta state, which is requirement for remote viewing. It is an extremely relaxed state of mind, when experiencing hypnagogic trance and lucid dreaming. The resonant frequency of the electromagnetic field of the Earth, also resonates at 7.8hz, which is called the Schumann resonance.

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The Schumann resonances (SR) are a set of spectrum peaks in the extremely low frequency (ELF) portion of the Earth’s electromagnetic field spectrum. Schumann resonances are global electromagnetic resonances, which are excited by lightning discharges within the cavity formed by the Earth’s surface and the ionosphere. The Soviet and American researchers had discovered a link between human brain activity and the electromagnetic field of the earth, which extends from the Earth’s interior (cube) to where it meets the (sexagram) solar wind.

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SCANSUC eventually evolved into the Stargate Project, which was the Hogwarts code name for a U.S. Army unit established in 1978 at Fort Meade, Maryland, by the Defence Intelligence Agency. SRI International, a California contractor was also involved; both of these shadowy organisations investigated the potential for psychic phenomena in military and domestic applications. The Defence Intelligence Agency were aware that the Soviets had also determined that the religious indoctrination of many minds to focus upon a shared language involving the associated conjuration of certain symbolic stimuli, was influencing the electromagnetic field of the Earth.

Wherefore, the Defence Intelligence Agency had to find a way to influence the collective mind by implementing a global communications network. This led to the development of the Advanced Research Projects Agency Network (ARPANET), which was an early packet switching network and the first network to implement the protocol suite TCP/IP. Both of these technologies became the technical foundation of the Internet. ARPANET was initially funded by the Advanced Research Projects Agency (ARPA) of the United States Department of Defence.

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As for the term, Stargate it is a reference to the vaginal star barrelled tunnel, that many of the dreamers had experienced when conjuring up a Succubus within their time travelling lucid dreams. The vaginal Stargate was experienced when the dreamer became lucid within the dream, at which point the dreamer was then enabled to access the interconnected informational ‘web’ of the collective mind. The vaginal tunnel was formulated, when the dreamer initiated the cross-referencing of information, via which the dreamer was then able to tune into an informational fractal dream domain. The dream domain being that of a remote viewed target. The accessed information was determined by what type of Succubus was conjured within the lucid dream.

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The Stargate was also represented as the vaginal symbol of the Vesica Pisces by the project, which of an inner experience was later correlated with browsing the world-wide-web of the internet, like that of riding an eight-legged-Night-‘Mare,’ which is otherwise called a Spider Horse, or a Hobbyhorse to ride over the web.

The correlation between the processes of consciousness, dreaming and browsing the internet came very much to the fore when Dr. S. James Gates, Jr., a theoretical physicist, the John S. Toll Professor of Physics at the University of Maryland, and the Director of The Centre for String and Particle Theory, reported that certain string theory, super-symmetrical  equations, describing the fundamental nature of the Universe and reality, contain embedded computer codes.

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These codes are digital data in the form of 1’s and 0’s. Not only that, these codes are the same ones, which make web browsers work, and are error-correction codes. Gates related: “We have no idea what these ‘things’ are doing there”.

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The embedded code was not just any code, it was first invented by Claude Shannon back in the 1940’s, embedded within the equations of superstring theory. Gates published his findings in the British journal, Physics World, entitled: Symbols of Power, which describes his research that begun in 2004 on Adinkras, linking computer codes like those used in browsers to the supersymmetric equations of fundamental physics. It thereby appears that we are living within a computer simulation, Socrates had prior equated the dodecahedron symbol of power.

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The principle Succubus that the Soviets conjured up as well as by the Stargate operatives was called Orobasi. Her primary office is that of bestowing the ability to remote view events throughout space and time, such as enabling the conjurer to retrieve technological information from the future. Due to the focus upon Orobasi, whose classical symbol is a horse, the Vesica Pisces incorporated a horse at its almond shaped midst, with an Ouroboros surrounding the two interlaced circles. The name of Orobasi (Orobas) is derived from the term: Ouroboros, which describes Eternal Recurrence; suffice to say, the one who remembers on the battlefield of life can avoid the bullet.

Orobasi was ridden by the dreamer into the ‘little death’ of his dreams when he penetrated the superimposition state of the vaginal Stargate as binary code. The binary code equates with the emotional state of the dreamer; whereby he has to be in emotional balance when accessing the inner (vaginal vortex) Stargate.

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The project was overseen until 1987 by Lt. Frederick Holmes ‘Skip’ Atwater, who was an aide and psychic head-hunter to Maj. Gen. Albert Stubblebine. Atwater later became president of the Monroe Institute. The unit was rather small-scale, comprised of fifteen to twenty operatives, which was initially run out of an old, leaky wooden barracks. The Stargate Project was said to have been terminated in 1995 after a CIA report had inadvertently divulged that the operatives were conjuring up Orobasi as a scantily clad Ponygirl.

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This caused a lot of embarrassment to those funding the project with tax payers money; most of whom being devout Christian’s, as well as Muslim’s, and of course those of the Jewish faith from which Christianity and Islam had originally stemmed of an established Illuminati trinity, amidst whose patriarchal triad, their Orwellian eye of Abraham over-watches all, atop of an Ur ziggurrat. Wherefore it had to be quickly covered up, otherwise it could potentially trigger off religious strife, which would feed into the ongoing forever wars raging across the Middle East of continual blood-letting sacrifices to their three faced deity. Although some to say the Stargate Project had been renamed as the Sleipnir Project, which has since been relocated to Dreamland of Area 51 and Montauk.

NOTE: Although written tongue in cheek of Discordian humour, the techniques discussed can be personally utilised for the Shamanic practice of lucid dreaming. The reasoning for satirising Project Stargate as well as Project Pegasus and the Montauk material is to negate the formulisation of religious sensibilities, which invariably leads to the creation of Cultic paradigms, based upon cultural constructs.

I would also like to point out that I am not an Atheist. The Atheism of the materialists is none too dissimilar to the religious beliefs of the God worshippers. The symbolic paradigms of the God worshippers in particular are primarily based upon Cult-ural constructs, which can be generally defined as being those of Jerusalem, Rome and Mecca.

You cannot Brand the mystery of existence with a Cult-ural construct; whether it be Hebrew, Roman or Arabic; for if you do so, you then have a Cult attempting to sell you a Product of an ‘Oily’ Religion, which of a theocracy is often tied up with politics, whether it be Capitalist, Communist, Socialist or Fascist, etc. As for the belief system of the Atheists, who believe that everything has happened by chance, it is often seen to be aligned with science, which is somewhat of a misnomer, since science is not, and never was a belief system, it is neutral!  

Also, Shamanism is not a religion; for it has no particular symbol system, nor a dogma; hence it is neutral. Those who consider Shamanism to be a religion, do not know what the Hell they are talking about. Shamanism is comprised of a set of techniques, which are utilised to induce an altered state of consciousness, such as inducing trance and conscious dreaming. These techniques are used by numerous cultures across the globe due to our shared neurology. The techniques of Shamanism are entirely separate from the differing cultural constructs of a religious sentimentality.  

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MONTAUK TIME TUNNEL PONY GIRL

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Demon, Demonology, Discordianism, Dr Who, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Horror, Occultism, Poltergeist, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 22, 2015 by FAUSTUS CROW

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During the late 1960’s and early 1970’s, Orobasi was a child participant in Project Sleipnir, which was the US time-space exploration program at the time of the emergence of time travel in the US defence-technical community.

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Others say that the pony Project was titled, Project Pegasus; but the newagers have of course been totally misinformed; just as they had been led to believe by the controlled media machine that a world changing event would occur during 2012. The date, 2012 had been misappropriated from the Mayan’s, by the neo-Gnostic descendants of the Conquistadors, who created numerous Xtian viral-meme ‘Creepypasta’ tales, for the subversive purpose of negating any newager anti-war rallies, when the petrodollar Imperial Empire invaded oily Babylon.

Orobasi was moved to the Montauk facility, which was nicknamed the Sphinx by the staff. Under the Sphinx was a number of uterine tunnels, which had been expanded to as many as twelve subterranean levels of an upside down ziggurat. It was modeled upon the ziggurat of Abraham’s UR; each of the twelve Beehive levels was equated with the star signs of the Zodiac. This infernal complex was built by several hundred Zombie workers. The Zombie worker-Bees were jokingly called the Moorlock’s by the Abrahamic architects of the Illuminati ziggurat.

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The unknowing natives of the town, who were termed as being the Eloi, did not notice the tons of building materials, or hundreds of slavish Innsmouth workers required for its massive undertaking. This unawareness was due to their pineal glands being calcified by sodium fluoride being dumped into their water supply; who were then easy to hypnotise with religious propaganda spewing out of their Orwellian TV sets. There are those who believe that the Moorlock facility of the Sphinx extends under the town of Montauk itself, likened to the underground banker city under the Ozarks.

Numerous lost girl’s across America were abducted and subjected to huge amounts of electromagnetic radiation radiating from their mobile phones, who had been incarcerated within underground laboratories, in order to determine if they were suitable Queen-Bee time travel candidates. One of their number was Orobasi; she had run away from Lon Milo DuQuette, who had conjured her up as being a Californian ‘Indigo’ child with special eugenic abilities, including the ability to use her little pony mind to levitate small objects. She also performed telepathy by reading the minds of others as well as predicting the winning lottery jackpot numbers. Few survived the electromagnetic radiation, but Orobasi did.

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Tantric mind control experiments were conducted upon the runaway girls by the Animus worshippers. The girls had been previously selected for their psychic prowess, who underwent excruciating periods of both physical and mental torture to break their Barbie doll minds. This was termed as Tantric Ponygirl training, via which the girl’s minds were re-programmed. Many of these girls had supposedly expired due to experiencing multiple orgasms during the process, who were buried on the one time Native American sacred site; Orobasi survived her orgasmic ordeal, who later rebelled against her Orgone programming.

Orobasi had her psychic abilities enhanced to the point where she could materialize objects out of thin air after her Ponygirl training. and as a result, her ‘psionic’ faculties was boosted manifold, which involved her being pumped up with DMT. She was eugenically engineered to be a metahuman.

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Orobasi was conjured back into government service in the early 1980’s. She was sent on varying missions involving spying, reconnaissance and assassination, throughout time, who also made numerous teleport visits to Mars after being tapped to join the CIA’s Mars ‘jump room’ program, nicknamed the TARDIS due to its cubic structure, which generates a vaginal barreled wormhole, known as the NDE time tunnel.

On the August 12th, 1983, the time travel project at Montauk’s disused US air force airbase at Camp Hero was used to engineer a vaginal time tunnel, in order to link up with the original Rainbow Project of a seven veiled Salome secret back in 1943. The Rainbow Project involved the USS Eldridge, which had been sucked into the womb of hyperspace and trapped there; as a consequence many of the Eldridge crew lost their baptist heads.

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However, two sailors survived, Al Bielek and Duncan Cameron, who both claim to have been saved from their nightmare ordeal by Orobasi. She had suddenly manifested out of nowhere upon the deck of the Eldridge. Orobasi appeared before the sailors, dressed as a ponygirl. Bielek and Cameron thought they were hallucinating her rather revealing Halloween fetish costume, due to their nightmarish predicament of being caught in hyperspace.

Orobasi pushed the two confused sailors into a vaginal vortex, when she made them jump from the deck. She then shut down the ship generators, causing the Eldridge to return back to the Philadelphia naval yard in 1943, which caused the vaginal time tunnel to collapse into a spiral.

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The sailors then found themselves awakening from, what they believed to be a nightmare involving the opportune intervention of a fallen angel of a ponygirl. When they realised that they were in the year 1983 at Camp Hero; the two sailors experienced a period of severe disorientation.

It is at Camp Hero they claim to have met the reanimated corpse of John von Neumann, a famous physicist and mathematician, even though he was known to have died in 1957. It was Von Neumann who had sent Orobosi back into time. Von Neumann had supposedly worked on the original Philadelphia Experiment, but the dodgy U.S. Navy denies this.

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The time tunnel allows researchers to travel anywhere in time or across space instantaneously, who engineer alternate worlds. These engineered Earth’s are under the dominion of varying competing companies who farm the various worlds for genetic material. Much of this genetic material is derived from UFO abductees and their mutilated cattle. The engineered realities are also used for other purposes, such as for pleasure worlds and penal colonies, etc. Most of the native occupants of these alternate realities are totally unaware of what is going on.

Contact was made with future humans as well with the natives residing on alternate Earth’s through the vaginal time tunnel, via which various technologies were exchanged with their conniving shadow governments. This exchange enhanced the Sleipnir project, which allowed broader access to hyperspace. Orobasi was then enlisted to become part of an elite security force who police the numerous time-lines, whose fashion sense is to dress completely in black; but, she soon decided to become a bounty hunting Gothic Barbarella instead.

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One of her bounties involved hunting down a super-soldier, who had been genetically engineered to be a Berserker; the soldier, though humanoid, was no longer strictly human. The Berserker belonged to a rebel faction who are fighting against the companies having dominion over the engineered alternate Earth’s.

However, the Entartete Kunst rebel faction had been decimated by third-wave feminist forces. In revenge for the deaths of her comrades, the super-soldier had travelled through the vaginal time tunnel, in order to destroy the Montauk equipment, and in so doing, ripped apart a number of Illuminati researchers in the process. The tunnel is commonly said to have been shut down due to an alien creature, which was destroyed by Orobasi.

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But this is not what actually happened. It is otherwise said, of possible disinformation, Orobasi had joined up with the Berserker after sealing the vaginal time tunnel behind her. Orobasi has also gathered together a motley Addams Family crew of other Succubae Night-Mares, known as The Munsters, who travel around as fallen angels in a sentient space faring time machine of a flying vagina, doing various infernal jobs, whether it be as dream whores, information gatherers, psychic-warfare mercenaries, remote-viewing bounty hunters, or as a last resort, when bored, indulging in abducting UFO researchers.

Others say Orobasi became involved in an accident which left her travelling through time. In this version of her Creepypasta story, the scientists found a way to house her consciousness within a Hellraiser cube of a quantum computer they know as the Hobbyhorse. For over a decade, the disembodied consciousness of Orobasi has been communicating via the Ouija boards of occultists about her secret project experiences, who is on a rebellious quest to prove the existence of time travel, and communicate its technical details to the natives of the myriad alternate Earth’s. Some have claimed that they have contacted the Tulpa of Orobasi within their lucid dreams, who manifests dressed as a ponygirl.

NOTE: The Discordian take on Project Pegasus and the Montauk Project is due to their viral-meme influence at a time, when many of the New-Age fraternity were focusing upon 2012 of a subversively engineered event.

The underlying viral-meme themes of Project Pegasus and the Montauk Project had a Christian Creepypasta focus concerning references to time travelers travelling back to visit Jesus for example, which fed into the Abrahamic focus upon the Middle East of the 2012 event its self.

However, the date 2012 had been misappropriated from the ancestral legacy of the Mayan’s, which was then fused with a neo-Gnostic focus of varying symbolic strands concerning extraterrestrial reptilians from Sirius, such as the amphibious Nommo and the Annunaki, the Greys and Nordics, etc, all dallying with shadow government Illuminati of planet X Files tales.

It is very probable that many a supposed whistleblower were unknowingly set up, while particular authors were subversively patronised, which invariably led to others jumping onto the viral-meme bandwagon in order to make a financial killing. Its eventual endgame was to negate the repeat of the New-Age anti-Vietnam war rallies from occurring again, when Iraq was invaded.

No WMD’s were found in Babylon’s Oily lap, nor was there any Hippie around, to cry out: “make love, not war,” since the New-Age Hippies were far too preoccupied with looking up at the ISIS star of Sirius, rather than seeing the lying shit hit the fan!

Suffice to say, the controlled media machine is once again taking the piss by using the name of ISIS for an all male dominated group of religious fascists; it is a sarcophagus case of the establishment putting a final nail into the coffin of the so called New-Age movement, whose numerous feminist adherents see the Goddess ISIS as their icon!

Hell, you could also argue that the Virgin Mary was originally based upon ISIS; all you have to do is to check out ancient Egyptian statuettes of her, who is often depicted seated with a Horus child on her lap to see the similarities.

Those who utilised the name of ISIS for propaganda purposes are no doubt aware of this fact; wherefore, they are taking the total piss. The question is, who has control over the media machine? Once you have figured that out, it will then lead to other associations, to see who is pulling the puppet strings.

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BATGIRL BIKER BABE SUCCUBUS BATHIN

Posted in Art, Chaos Magic, Comics, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 30, 2014 by FAUSTUS CROW

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The Eighteenth Succubus of the Goetia is Bathin. She is a Mighty and Strong Duchess of the seventh planetary dimensional sphere, and appears like a most beautiful woman wearing a snake skin corset, whose belt trails like a tail of a Serpent, or to otherwise manifest looking like Bat-girl out of the DC comics.

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She knows the virtues of hallucinogenic herbs and what precious stones to use for scrying. She can also transport the ‘Ba’ of her master suddenly from one place to another of ‘pure thrust’ throughout space and time, whom will be enabled to enter any place; for his ‘Ba’ be ‘Thin’ of an ethereal substance.

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She will be seen of vision as a Valkyrie biker sitting upon a pale-coloured Iron-Horse, or that of being part woman, part Bat bike, or shapeshifting into a motorcycle for her Frankenstein master to ride as his Tulpa dream machine.

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She rules over 30 Legions of Bat-girl Succubae, whose protective temperament is that of Hell’s Angel Valkyries, all as Witches.

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Bathin’s seal is to be meditated upon prior to conjuring her within a lucid dream as a Bat-girl Succubus.

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The composite name of Bathin is probably comprised of two words, being, ‘Ba’ and ‘Thin.’ The word Ba is derived from the ancient Egyptian term for the spirit of an individual, which was always portrayed as a human-headed bird, usually a human-headed falcon.

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The Ba bird represents an ecstatic out of body experience, just as the Bat symbolises the out of body phenomenon in other spiritual systems, such as that of the Toltec’s to the Aztec’s of ancient Mexico.

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In ancient Egyptian art, the Ba was often shown hovering over the deceased’s mummy or leaving or entering the tomb at will, of a ghostly ‘thin’ form, which in turn influenced the mystique of Vampire Bat. Hence you have ‘Ba’ and the word, ‘thin,’ as in, rarefied as air and without solidity or substance.

The word Ba is usually translated as, soul or spirit. However, the Ba can be otherwise seen as the dream body. In shamanistic systems, the dream body is also associated with the symbolism of the serpent, representing hypnagogic trance, via which the shaman can become amphibious of consciousness; hence achieving an out of body experience; whereas the symbolism of the ‘Horse’ represents the power of trance and the ability to out-of-body travel where the shaman desires to go, of erotic exploration, should he be so predisposed.

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In some shamanistic traditions, the out of body experience was facilitated by hallucinogenic herbs or that of intensely staring at crystalline structures, such as that of gemstones.

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The Ba is considered to be one of the specific components of the human being, as understood in Egyptian thought. In the New Kingdom, the Ba was a spiritual aspect of the human being which survived, or came into being, at death or when consciously accessing trance. It was endowed with the person’s individuality and personality. The Ba occasionally revisited the tomb of the deceased; for the dead body is its rightful home.

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Animals were sometimes thought to be the Bau (plural of Ba) of deities. At Heliopolis, the Bennu bird was called the Ba of Re. At Memphis the Apis bull was worshipped as the Ba of Ptah or Osiris. At times, Osiris himself was called the ‘Ba of Re.’ However, in the context of shamanistic practice, when the shamans (Ba) spirit leaves his body, he can also shapeshift into other forms, such as animals within his dreams; wherefore he can take on the alternate form of a Bat if he so chooses.

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The ancient Egyptian concept of the Ba could also represent anonymous deities or powers, which can be equated with an Avatar, as used within a virtual reality of a computer game. As such, they are occasionally represented in various mythological contexts; wherefore within a virtual reality of a dream, a practitioner can assume the alternate guise of an Avatar, such as Batman.

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These Ba are shown greeting the Sun or travelling with it in its barque. In some illustrations of the Book of the Dead, Ba birds are shown towing the barque of the Sun during its nightly journey through the underworld. The Sun in this context not only represents the Sun of the macrocosm, but also alludes to the inner Sun of the microcosm, whose light is that of the bio-photon emanating from the mitochondrial DNA, which illuminates your electron dreams.

Should you otherwise equate Bathin with the modern slang term, which alludes to ‘bathing,’ you can then equate Bathin with the usage of a floatation tank, which of a simple, though highly effective technique the ancient Egyptian’s may have utilised, in order to initiate an out of body experience, such as the Kings sarcophagus found within the pyramid of Giza.

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You can then see Bat-girl Bathin initiating your out of body experience, while you float within a Kings sarcophagus of a floatation tank containing a ‘Hin’ of saline solution; Hin being an ancient Hebrew unit of liquid measure, which is equal to about one and one half gallons (5.7 litres); hence, you also have, Bat-Hin.

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