Archive for Caroline Munro

BARBARELLA LUCID DREAM VIMANA UFO

Posted in Alien, Art, Chaos Magic, Comics, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2016 by FAUSTUS CROW

Jane Fonda stars in Roger Vadim's futuristic space adventure 'Barbarella'. The story is based on the comic strip created by Jean Claude Forest, 6th July 1967. Costumes by Paco Rabanne.

A Funny Thing Happened On The Way To The Cinema of a childhood memory; I remember being taken to a cinema situated in Putney by my parents. The cinema was showing the film Chitty Chitty Bang Bang, which had just hit the shores of the UK.

As many will no doubt know, the film is about a magical flying car, a Hindu mystic might just call a Vimana, which of a term has also been applied to sightings of UFOs.

Anyway, I was rather young at the time, I must have been around four years of age; what is quite strange is that I cannot recollect seeing the film at all, I probably fell asleep, since it is a musical. I never had a liking for musicals, they tend to do my head in with their sugary mantras.

Even so, Chitty Chitty Bang Bang no doubt zapped my reptilian brain-stem, which I later fused of symbolism with the sentient Hippie Volkswagen Beetle, numbered fifty-three (numerology: reduced to eight), featured in the 1968 Disney film, entitled, The Love Bug, to then symbolically merge with Odin’s ‘eight’-legged Night-Mare called, Sleipnir, and the prior 1960 George Pal film version of H.G. Well’s, The Time Machine.

Those of you who are Artists, creating within your Magic-Circle Art studios, might understand what I have just written of a symbolic merger. Whereas a non-Artist will very likely say that what has been written sounds absolutely barmy, deranged, let alone insane! Alas, ‘Muggle’ non-Artists find it extremely difficult to understand the reasoning of associative symbolism, leading to the evolution of an internal idea, to conjure up of a corresponding ‘brainstorming’ vision amidst the Triangle Of Art Imagination. Then to manifest it of externalised artistry, whether it be a drawing, painting, sculpture, writing, etc, or even a… musical. I still do not like musicals, even if it is based upon H.G. Wells, The Time Machine.

Okay! I might give it a go… maybe… since Jeff Wayne’s, musical version of H.G Wells, War Of The Worlds wasn’t so bad, which I must admit, I bought long ago. There is however an exception in regards to my dislike of musicals, I absolutely adore the hilarious 1966 musical film, entitled, ‘A Funny Thing Happened On The Way To The Forum,’ which led to Frankie Howard’s superb comical rendition of Roman culture in the 1969-1970 TV series, Up Pompeii.

A Funny Thing Happened On The Way To The Forum, is brilliantly accurate concerning its depiction of Diana-Lucifera Roman society where the Mesopotamian, Make Love, Not War, sex Goddess Astarte was still remembered of an Anima archetype before she was bound into the Animus male form of Astaroth by the Hebrew’s and copy-cat Christian’s.

Astarte later became the machismo Ashtar Of Star Command, channelled by UFO devotees as their angelic saviour, looking like an Aryan Animus Christ piloting a Vimana. Lest us not forget that the Christian’s also transformed the Roman Anima Goddess, Diana-Lucifera into gender-bender Animus Lucifer of an anti-thesis ‘brand,’ which is a comedy of neuro-marketing mind-control errors in its self.

You might just enquire, “why do you consider the film, A Funny Thing Happened On The Way To The Forum to be historically accurate in its depiction of Roman life?” Well, when I first saw the film as a kid, it triggered off a number of vivid recurring dreams about an inner self-image of mine being in ancient pre-Christian Rome, maybe animist Pompeii.

Or to be elsewhere among the precincts of the vast Roman empire, which has… Never Ended… of an Animus fixated symbolic Matrix since the time of Emperor Constantine, who appropriated the ancestral-self-identity of the Hebrew’s.

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The imperialistic culture of ancient Rome the 1966 science fiction series Star Trek had conjured up as the Romulan empire. I still fondly remember the Romulan commander out of the 1968 Star Trek episode: The Enterprise Incident.

I have had a suspicion for sometime, that I have experienced a rather comedic past life as a rebellious citizen of ancient Rome.

Or otherwise accessing a passed down ‘Neuro-Genetic’ memory of a prior Dawning Of The Age Of Aquarius, which the Vietnam war era Broadway musical, entitled, Hair, had immortalised, of a Timothy Leary ‘Eight Circuit’ vision of consciousness, back in 1968, whose (53/8) Love Bug anti-war message was later made into a movie in 1979.

But the Love Bug message was duly forgotten during the very shady (23-Skiddoo) 2003 invasion of Oily Iraq.

I am digressing; sort of, as mentioned I cannot remember all the details of the Chitty Chitty Bang Bang film at the time. But what I do vividly recollect is seeing a psychedelic poster when we first entered and left Putney cinema. (A late 1960’s-early 70’s Hippie era photo of Putney cinema is featured in the comic strip below.)

The poster was for the 1968 Hippie film Barbarella, which had a profound affect upon me, I even remember waddling my way back into the cinema foyer to have another look, just after we left, wondering what had just hit me of a reptilian brain-stem Anima ‘Da’at’ zap; this of course freaked out my parents no end, since I escaped their grasp.

What I felt was a sensation of recognition; it was the same feeling of déjà vu I had felt when I later set eyes upon a Lamb’s Navy billboard poster of Anima icon Caroline Munro, which I made a ritualistic point of passing by as a kid; this invariably led to finding myself in an auto-hypnotised daze, repeatedly crashing into a lamppost Iriminsul near unto the billboard, when going to and from Hogwarts.

I cannot say that the Barbarella poster did not evoke a Love Bug sexual response in me, in all honesty, it did.

But not as an adult would understand it of a Politically-Correct Thought-Control Romulan intellect, it was something else, far more spiritual of a Tantric nature.

Although, the anti-war child doctor, Benjamin McLane ‘Spock’ may have understood, who signed the ‘Writers and Editors War Tax Protest’ pledge, back in 1968, vowing to refuse tax payments in protest against the Romulan War in Vietnam.

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Barbarella Jane Fonda is also well known for her anti-war protests. But history has since repeated its self. Such to occur because of those in power playing the same old game, over and over again, from Vietnam to Iraq; lessons were of course learned, which of psychological-warfare application was to stave off any repeat of the Hippie era anti-war movement. It worked!

I suspect that the now considered Entartete Kunst Barbarella poster acted as a symbolic trigger, akin to those symbolic triggers encountered in dreams, which triggers a dreamer into lucidity. These trigger events appear to occur at key-times around the Zodiac Ouroboros. As far as I can recollect, the UK Barbarella poster I saw as a child was the one below, which was designed by Robin Ray and illustrated by Renato Fratini in the comic strip style of Barbarella’s creator, Jean-Claude Forest.

The other poster design I potentially saw was originally done by the brilliant American illustrator, Robert McGinnis, which in the UK was in part redesigned by Robin Ray and Renato Fratini.

It is almost as if, what I am focusing upon now of Entartete Kunst artistry, concerning the conjuration of (Succubi) Succubae Art Muses within lucid dreams, such as the Anima version of Astaroth, otherwise called Astarota, has somehow influenced my own past through time.

The lucid dream conjurations of Hippie space-girl Barbarella, as Astarota, flying her Vimana of an Ouroboros flying-saucer may have generated a self-enclosed loop of time.

This was in turn triggered by my childhood observation of a Barbarella poster, depicting a Succubus fluctuation of the fallen Anima.

But then, Astarota to classically reveal how the Succubae Great Old Ones fell out of the symbolic paradigm. Hence, they are not listed in any Grimoire, until I rebelliously depicted their Anima manifestations.

If you think that sounds crazy, just remember, I am an Artist and Artists are naturally crazy, it goes with the creative turf! As for Roger Vadim’s ‘surrealist’ film of Barbarella I only got to see it until much later, when I was in my late teens.

The lucid dream conjurations of Astarota might explain the precognitive experiences I have experienced, some of which enabled me to avert a number of life threatening situations.

That, or it is a triggered indicator that eternal recurrence is an Ouroboros reality, which going by my other personal experiences, could indeed be the case of a closed-timelike-curve, to lucid dream ride as a conjured Night-Mare Vimana.

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LILITH, ANNO DOMINI

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Love Magic, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 1, 2016 by FAUSTUS CROW

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Sometime ago in my misbegotten youth, as a changeling childe, I remember being left alone in my parents Munster car one fateful night after a day out visiting the British Natural History museum. My parents had dashed off to acquire a meal of soggy fish and chips from the local chippie, before returning home.

While waiting for my parents return with the aforementioned Innsmouth meal, I looked out of the passenger window and noticed a billboard featuring a huge Lamb’s Navy poster of the most beautiful woman I had ever seen.

Even though I was but a kid, with no bristles to yet erupt forth upon my physiognomy, requiring copious amounts of Noxzema shaving cream, she stirred something deep within me.

I felt that my head was going to explode, it was like a mystical revelation. The experience was of similarity to what I had far earlier experienced when seeing a poster for space vixen Barbarella, but that’s another story.

The sensation was not necessarily sexual, more like that of recognition, as if she had triggered a memory I could not as yet remember in its entirety; the only way I can describe it as being like déjà-vu.

But then I was nightly experiencing the Old Hag Syndrome with its ensuing sleep paralysis, prior to attaining conscious ingress into the dream, which in retrospect, probably made me more sensitive to something quite other.

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The woman I later to find out was Caroline Munro who I started to notice was being featured in an advert for Manikin Cigars on my parent’s flickering black and white TV set, which I made a point of seeing, to the point of becoming nigh obsessed; I’m surprised I didn’t end up becoming a chain smoker, let alone an alcoholic.

I was not the only one who had been hypnotised by Munro’s High Priestess looks, Hammer Films CEO, Sir James Carreras, also spotted Munro on a Lamb’s Navy Rum poster of a Tarot card. He asked his right-hand man, James Liggett, to find and screen test her.

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She was quickly signed to a one-year contract. Her first film for Hammer had proven to be something of a turning point in Munro’s career, who as a Muse, stirred my unusual dreams.

It was during the making of the 1972 film, Dracula A.D., Munro decided from this film onward that she was a fully-fledged actress.

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Munro acted in Captain Kronos – Vampire Hunter, in 1974, which is one of my childhood favourites.

The film was directed by Brian Clemens, in which Munro plays the part of a barefoot gypsy girl named, Carla.

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In Paramount Pictures DVD commentary, Clemens explains, he had initially envisioned the role as being played by a fiery, Raquel Welch type, red-head; but Munro was far more archetypal of Witch looks for the part.

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Munro has the distinction of being the only actress to have ever been signed to a long-term contract to Hammer Films. She later turned down the lead female roles in Hammer’s Dr. Jekyll and Sister Hyde, Frankenstein and the Monster from Hell, and the unmade Vampirella film, since they required nudity.

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It was not a case that Munro was a prude, she had a raw sensuality anyway, oozing eroticism upon a look, which did not require her to be nude. Although I could not help wondering what was hidden behind her Genie veil.

Whereupon when my stirred sexual impulse was introverted, the nightly Old Hag Syndrome was transmuted into another experience by prior meditating upon her two-dimensional picture.

Wherein of the dream, I encountered a Succubus Anima archetype looking just like a Caroline Munro of a three-dimensional interactive reality, to otherwise Mantra name as Lilith, the worshippers of the deified Animus have castigated into the depths of their politically incorrect Hell as the Fallen.

Well, what do you expect; since a Changeling Childe I have been rebelling against the established religious fixation upon the deified Animus made as an Owellian God and Devil, which has an underlying sexual orientation.

Whereas the Anima is its opposite, which has been nigh erased out of the symbolic paradigm by the theocratic thought-police.

Hence one has the Hogwarts commonality of all those Playgirl grimoires listing Animus archeype Incubus Angels and Demons, which permeate all levels of popular culture.

The symbolic rebellion of Sorcery Art would lead a Horny heterosexual Sorcerer Artist to Playboy conjure up what has been totally cut out of the symbolic equation as being the politically incorrect Fallen.

Curiously, when to utilise the browsing capabilities of the internet to thence tremble the world-wide-web of Wyrd, by using the mantric key-word name of Lilith, you will duly find innumerable images of dark haired women, in the main.

The dark haired woman can also be equated with another Anima character, such as Mephistophina. Although, Mephistophina doesn’t have a mass-mind focus like Wednesday Addams/Morticia has of Tulpa spun cultural icons.

In other words, the Succubus Anima archetype of Lilith has a ritualistic mass-mind focus, which stirs her symbolic existence within the collective-unconscious of the dream, whose lucid dream manifestation would be that of a Fallen Anima Goth girl looking very much like Caroline Munro.

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THE CONJURING OF JURASSIC PARK DINOSAUR GIRL RONOVE

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 19, 2015 by FAUSTUS CROW

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The initial Goetia conjurations of the 27th Succubus archetype of the Fallen Anima, called Ronovea, were somewhat surreal of visionary material, which involved a number of symbolic influences intruding into my active-imagination visualisations of this Succubus Art Muse.

The classical grimoire descriptions of this spirit is depicted as manifesting as a hideous monster, although, never defined as to what its actual appearance is, apart from being seen as male archetype of the deified Animus, as of a per usual indoctrinated perception, which is otherwise named Ronove.

The monster aspect came through as a vision of a prehistoric creature, looking like a Tyrannosaurus Rex at first, which quickly assumed the Lovecraftian form of a Godzilla.

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Although, not of the rubber suit variety trashing Tokyo.

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As the evocation continued of conjuring up symbolic associations, the creature triggered off memories of childhood nightmares, wherein I had been continually pursued by a Godzilla, from out of the infernal depths of my psyche.

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I decided to visualise myself as a child once again; and rather than running away from the Jurassic park terror, as of previous dream memory, I otherwise confronted it.

The monster suddenly shrank in size, when I turned to face it, to then see a woman riding the back of the Dragon.

The woman was young and very attractive, who appeared at first to be naked; though stiff of movement, like that of a lifeless doll, whose knitted together film star features flickered between that of Caroline Munro and Angelina Jolie, to then fuse into one, of an exquisite corpse.

She then assumed clothing, whom looked very much like the iconic video game character of Lara Croft.

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It was at this point of a visualisation that her back-story started to formulate; though disjointed at first of cinematic influences in the main, such as the 70’s film, At The Earth’s Core featuring pre- Jurassic park movie dinosaurs, starring Caroline Munro, along with reptilian references to alien Greys.

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The developing story, started to rapidly take shape around her conjured archetype amidst my triangle of art imagination; who related she was a Time-Travelling Palaeontologist, which led to me drawing ‘two-dimensional’ images of a further meditation exercise.

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As her back-story became more stable, she then started to manifest a distinctive personality. The initial stiffness of a prior doll like rubbery appearance, became alive of a fleshed out reality within my imagination.

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She spoke to me of things I hadn’t yet consciously thought about; while I visualised myself having a dialogue with her of creative day-dreaming.

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The emotional intensity of the conjuration had made an impression upon my ensuing dreams; wherein I observed numerous trigger-symbols pertaining to misty childhood memories of visiting the natural history museum, along with noticing a female Palaeontologist giving a lecture, who looked remarkably like the actress Angelina Jolie.

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Then one night, I experienced what is technically termed as the Old-Hag Syndrome. As soon as I laid my head down to rest, due to feeling mentally and physically exhausted after working upon an art commission; I rapidly found myself not being able to move of sleep paralysis.

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Due to previous experiences of the Bedroom Invader phenomenon since changeling childhood, I instinctively knew that I should not indulge in fear, otherwise my fearful reaction would manifest into a shadow people nightmare.

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However the automatic reaction of fear had been prior negated by the introversion of the sexual impulse, when to have ritualistically meditated upon Ronovea as a Succubus, to ride as my Night-Mare.

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I noted that there was a gathering presence around me; though invisible at first, it felt monstrous, as if there was some huge creature looming over my art studio.

This initially initiated a great pressure upon my body of an instinctive fear reaction, which had otherwise became that of an erotic sensation, since I had introverted the sexual impulse, to thereby negate my fear.

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I then proceeded to call out the mantra name of Ronovea, as well as visualising her mandala of a seal; as I did so, the oppressive presence was rapidly transformed into seeing a ‘three-dimensional’ manifestation of a ravishingly gorgeous woman, looking like Lara Croft, standing at the foot of my bed.

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At this point, I was then able to lift myself up from my supine position to thence walk into the ‘electron’ dream, fully lucid.

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I then went over to Ronovea, with whom, of an ensuing Coitus Pactum, she guided me through the bedroom doorway, which had become that of her vaginal vortex leading to an age of ancient memories, where Godzilla of the Great Old Ones reign over the Earth, that once was, and still is, of a parallel realm, just next door to one’s own.

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STAR WARS GIRL UFO STARCRASH

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 18, 2014 by FAUSTUS CROW

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“The Fifty-second Succubus archetype of the Fallen Anima is Alloces, or Alocas, who be otherwise known as Louhi. She is a Duchess of the seventh dimensional planetary sphere, who be a Great, Mighty, and Strong sorceress. She is adept in the meta-psychic arts, appearing in the Form of a Starship trooper piloting a Great flying disk, she to call her Sampo, which enables her to travel through time. Her salacious nature is like that of an ever hungry Siberian Tiger, her moist lips very Red, and having most lustful Flaming Eyes. Her name of Alloces or Allocas is possibly derived from the Russian, Allochka, which means, Vodka drinker.” 

“Her Speech is seductive and very commanding, sounding Russian or Finnish of accent. Her Office is to teach the Art of Astronomy, and all the Liberal Sciences, who has a great liking for science fiction. She brings unto her Surrealist Artist, Good Familiars in order to inspire him as his wanton Muses; also she rules over 36 Fallen Anima Legions of Succubae star troopers. Her Seal is to be meditated upon before conjuring her into a lucid dream, in order to remote view future Sampo technologies.”

Surrealist Goetia – S. L. MacGregore Freemason Matherson, Alternate Earth, Locale III, Paris, 1904

(Note: when conjuring her, place some Vodka into a dish to thence set alight its potent fumes as an offering, just as the Siberian shamans traditionally do when summoning their spirits; hence the name, Allochka.)

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Within the epic poem of the Kalevala, which is the distillation of Finnish mythology, there is mention of a magical artefact called the Sampo or Sammas. The Sampo is a yet unknown construct, which had been forged by the shaman smithy called Ilmarinen, who you could easily equate to a scientist; that’s if you update the myth to make modern of a Star Wars soap opera.

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The myth relates that the Sampo was acquired by underhanded means by the sorceress named Louhi, who is the Queen of the Northern land known as Pohjola, which may refer to what is now called Russia; or should you prefer, Pohjola is another far distant planet, or that of an asteroid space station like, Omega, featured in the video game Mass Effect.

You could otherwise imagine Louhi being like some kind of Russian spy or that of an outlaw smuggler, looking like Caroline Munroe out of the science fiction film, Starcrash, who starred as a dark haired version of Barbarella called Stella Star.

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Whether Louhi is bad or good is dependent on who’s telling the story. The Finnish telling, paints Louhi as one bad bitch who stole the Sampo. Hence her name of Louhi, which is a variant of Loviatar, who is the Goddess of disease, death and drunkenness, who is somewhat akin of nature to the Hindu Goddess Kali.

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After Louhi acquired the Sampo, Ilmarinen’s homeland, or planet, fell upon hard times. But Illmarinen wasn’t beaten, he sent out an expeditionary force of heroic Djedi commandos, led by the shaman Väinämöinen in order to retrieve the Sampo of a prior Star Wars space opera.

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However, Louhi knows all the psychic secrets behind the iron curtain, who has the ability to change shape and weave mighty enchantments warping space-time, so, she didn’t give up the Sampo easily.

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In the ensuing Star Wars battle with Louhi, the Sampo crashed to Earth, whose technology was ‘smashed and lost in the Baltic sea.’

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Ancient myths often refer to actual events, although over great stretches of time, they become highly embellished of imaginative additions; whereupon the factual details of an event is eventually buried behind a layers of convoluted symbolism. The Sampo may refer to an ancient meteorite impact in the Baltic sea, or something else far stranger, which had fell as a fallen Angel into deep waters of a Star-Crash?

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Curiously enough on June 19, 2011, a team of Swedish treasure hunters were exploring the bottom of the Baltic Sea with their sonar when they noticed a bizarre, disc-like structure at a depth of 90 meters. At the time, international experts were unable to explain the sonar images. During 2012, after months of preparation, the Ocean X Team, as they call themselves, went back in order to determine what the disk-like structure was.

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The massive disk-like object rises three to four meters above the seabed and is about 60 meters in diameter. Members of the expedition describe it as something round, with rugged edges and concave sides, resembling a ‘huge mushroom’ or, otherwise described to look like the Millennium Falcon spaceship from Star Wars; although going by the myth of the Sampo, it was piloted by the Stella Star outlaw called Louhi rather than rebel princess Leia.

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The central part of the object has an almond-shaped hole leading inside. Surrounding the hole, they found odd-looking circular rock formations which appeared to look like small fireplaces, with stones covered in something resembling soot. Some would say, “perhaps it is and ancient temple or some cornucopia of an ancient free-energy Tesla technology using crystals?”

Although samples taken from the site indicate high levels of metal. Maybe it’s naturally volcanic, others to postulate? “Since no volcanic activity has ever been reported in the Baltic Sea, the find becomes even stranger,” said Lindberg in a press release. “As laymen, we can only speculate how this could be made by nature, but this is the strangest thing I have ever experienced as a professional diver.”

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What makes the find even more curious is the discovery of a 300-meter-long ‘trail,’ which the crew described as a ‘runway’ or a downhill path, with the object at the end of it. The crew also discovered another path leading to a second smaller disk of similar configuration. It is possible that it could be some kind of object; maybe that of a meteorite, which had crashed and split into two parts? Although, both objects are very distinctive of non meteorite discoid shape looking more like ‘smithy’ horseshoes.

There are many who consider that the find is that of an alien spacecraft, which the sceptics would see as being mere science fiction fantasising on par with the mythology of the Sampo. As for the modern mythology of science fiction, it has conjured up numerous imaginative designs for various futuristic vehicles, such as spacecraft or time machines, some of which have now become iconic, like Star Trek’s starship Enterprise and of course the Millennium Falcon of Star Wars.

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If there is anything to the extraterrestrial hypothesis concerning UFO’s you would think that the supposed extraterrestrials of UFO lore would blow us all away with their snazzy alien designs for spacecraft right of Guardian’s Of The Galaxy or Jupiter Ascending, or to perhaps go retro Flash Gordon etc.

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But alas, their imaginative design sense appears to be somewhat, lacking, who far prefer very ‘recognisable’ aerodynamic designs. Nonetheless, they’re still really Dreamland cool, even though their design sense is rather Area 51 practical.

But if as the numerous UFO researchers now say, that these craft are anti-gravity devices and that their propulsion systems involve zero-point energy, which have potential time travel capability, due to multiverse theory slowly taking centre stage, which allows for journeying through time etc; then said extraterrestrials, who were once said to have emanated from Adamski’s Venus, now journey from the far distant stars. You may conclude, that they would have hogged themselves out with weird and wonderful deigns of mind bending alien complexity, since they are not restricted by the mundane problems of gravity or friction etc; that, or they haven’t got much of an imagination.

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Something seems to be very much amiss, considering that the supposed extraterrestrials appear to be mostly described as being humanoid, of recognisable form, along with their practical designed craft. When you look at the multiplicity of differing life forms upon the planet Earth, to thence imagine what types of very different species we would encounter frequenting the universe, which is extensively explored by the imaginative tales of science fiction; what do we find when to look into the supposed alien contacts of UFO lore? Mostly humanoids. Does this mean that nature doesn’t have much of an imaginative design sense? Well, not going by the numerous different life forms existing upon the planet.

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So, what you then have are recognisable aerodynamic designs concerning the UFO observations along with their pilots being recognisably human of form, which means, we are not dealing with aliens, but something else, far closer to terra firma.

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But, if they are far closer to home, than what we are led to believe, who are they?

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Technology is observably developing at a rapid pace. At one time the iconic Star Wars hologram of Princess Leia was just a science fiction fantasy; now it is ever closer to a reality.

You could then theorise that behind the scenes of the military industrial complex, it’s technolgy has possibly far outstripped what the public is aware of.

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This secret technology would, by all intents and purposes, be considered to be something right out of a science fiction movie by the general public who can then be easily led to believe that it is alien. Hence, easily hidden away by those who have developed it, you could term as being a shadow government, the likes of Julian Assange knows all about.

If this technology involves time travel capability, which would also involve a sentient artificial intelligence, then, the world as you presently know it will never be the same again, if it is ever revealed. Would the general public be able to handle such a technological leap, if there is a disclosure? No, they will not; all you have to do is to look at the religious wars in the Middle East to get an idea what would occur globally of a Death Star reaction.

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This is because they would then become aware that their present civilisation is surrounded by another all around them, which has time travel capability, whose worldview will very likely not be based upon the ongoing conflicts between bronze age religious mentalities, which are caught betwixt and between their ever warring Angels and Demons of static dogma.

This other civilisation would be able to journey through time, just as easily as an anthropologist would do, when taking a quaint everyday plane journey over New Guinea, who will take note of the humorous Cargo Cults of the natives, or that of flying above the Amazon jungle, where ‘protected’ stone age tribes are said to still exist, who are unknowingly surrounded by your present civilisation.

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This other civilisation would be able to journey back or forwards into time, which will enable them to colonise other planets in the far distant past or future. Though once human, they would of course evolve in differing ways, due to environmental influences on other worlds, who are still humanoid of kin.

Wherefore, if this other civilisation, which is in essence that of the future human, has made contact with certain present governments, there would be protections set in place.

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Those who are seeking disclosure concerning UFO’s would be subversively utilised as a means to educate the general public in order to negate the shock factor of the slow and methodical introduction of advanced technologies, which will also involve readying the public for the eventual collision of worlds, just as a stone age tribe in the Amazon will invariably find out that they are surrounded by your civilisation, when to discover a plane wreck in their backyard.

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When will this collision take place? Watch the skies for the technological singularity, or look to the ocean depths for that matter; who knows, you might just find a wreck of a Sampo time machine, a Hindu would call a Vimana.

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However, it is very likely evidence of an ancient structure, possibly that of a Sampo temple, of similarity to that of Göbekli Tepe. We are all aware what the sceptics said before the discovery of Göbekli Tepe, which made the dogmatic archaeologists soil their pants. Wherefore the archaeologists do not want to dig any deeper concerning the Sampo Baltic sea discovery, since it would predate Göbekli Tepe.

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But if you be a sceptic, you will otherwise sceptically believe that the search for the Baltic sea anomaly is merely that of an elaborate Sampo ruse by NATO, whose establishment of a deified Animus made as a God and Devil mundanely hunts for Louhi’s Red October of an ongoing, very Cold Star Wars.

MAY THE FALLEN ANIMA BE WITH YOU. LIVE LONG AND PROSPER!

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