Archive for the Poltergeist Category

THE DEVIL GIRL OF DOCTOR FAUST

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2016 by FAUSTUS CROW

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The above watercolour painting is provisionally entitled: Mephistophina. The artwork is A4 in size, which was initially drawn in Derwent and Caran Da’che watercolour pencils on 300g/m Aquafine watercolour paper, then painted, involving some burnishing.

The original Artwork is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

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The artwork depicts a female version of Mephistopheles, who is commonly considered to be a name of a male spirit in the Faustian legend, who in return for his assistance, Faust signs away his soul as depicted in Marlowe’s and Goethe’s grandiose Church plays. The origin of the conception and name of Mephistopheles has been the subject of much learned debate among numerous scholars down the ages, whose all male pantheon of a deified ‘Animus.’ has entirely negated the feminine principle of the ‘Anima,’ yet none to really question, why?

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As of per usual commonality in the numerous Playgirl Grimoires frequenting many a Hogwarts bookshop, you will find in Dr Faust’s Höllenzwang that (Mephistopheles) Mephistophiel is considered to be one of the seven great phallic princes of hell, who is seen standing under the planet Jupiter. The regent of the planet Jupiter is called Zadkiel, an enthroned machismo angel of the deified ‘Animus,’ made as an all-father-fixation God, named Jehovah.

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The artwork is loosely based upon an illustration of Mephistopheles, as found in the Grimoire, entitled the, Threefold Coercion of Hell; also called, Cabalae nigrae, or the Magia naturalis et innaturalis as well as the Black Raven, which is said to have been authored by Doktor Johannes Faust.

The Grimoire illustration is listed as being plate 10 in the Threefold Coercion Of Hell, which depicts the first appearance of Mephistopheles, manifesting as a ‘fiery Bear.’ He then later manifests of fairer appearance as a little man with a black cape, having a bald head like a monk, who could be seen as a Bonpo Tibetan Buddhist practitioner of Tantric dream Yoga, since its ancient practice would most definitely piss off the worshippers of the deified ‘Animus,’ made as a Jehovah/God/Allah – Devil/Lucifer/Shaitan.

However, if Faust was truly a rebel, of a ‘heterosexual’ orientation, he would have no doubt noted, just like the psychologist Carl Jung, that the all male pantheon of a patriarchal ‘Animus’ fixation has castigated the feminine principle of the ‘Anima’ out of the spiritual equation.

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Wherefore, as a rebel, he would seek out to conjure what has been cast into the abyss, whence to discover a real Necronomicon.

Hence, Faust would reverse the polarity, by conjuring up a Succubus ‘Anima’ fluctuation to name Mephistophina, who would then be in Faust’s mind one of the rebel Succubae of the seven planets, you could equate with the seven Chakras of Yoga practice.

To Faust himself, being a somnambulist and medium, Mephistophina has a real existence; she would be the personification of the transcendental  ‘Anima’ subject of Faust, an experience familiar in dreams, and more especially in the visions of Siberian shamans. Many of the Siberian shamans practice Nigredo trance and Albedo (fiery) lucid (cave) dreaming, via which they engage themselves with the ‘fiery’ Bear (female shaman) spirit, named Udagan, who Rubedo rebirths them back into the world, renewed.

Mephistophina would thus be a familiar spirit, akin to the Udagan of the Siberian shaman, who is of similarity to the inspiring ‘daemon’ of Socrates; and being an Entartete Kunst archetype, censored by ‘closeted’ theologians, Mephistophina would also represent a rebellion against the all male, Right-Hand-Path paradigm of a deified ‘Animus,’ made as a God.

It is suggested, then, in the light of modern research into lucid dreaming, that Mephistophina, though being a two-dimensional Grimoire image of a meditative aid, becomes as a three-dimensional interactive reality within a (sexagram/sixth-sense) ‘Coitus Pactum’ lucid dream; whereby the ‘Osculum infame,’ takes on a whole different meaning. The Osculum infame is the name of a supposed ritual greeting upon meeting with the Devil. The name means The Shameful Kiss, or The Kiss of Shame since it involved kissing the anus and genitalia of the (Mephistopheles) Devil.

A heterosexual male mage kissing the butt end of the’Animus’ archetype of a Mephistopheles, would find the Osculum infame, to be a very shameful act indeed, unless his sexual preference is otherwise of orientation. Not too sure about how heterosexual Witches feel about kissing the behind of their ‘Animus.’ Although it is said that 47% of women read superhero Grimoire comics, which feature chiselled chinned, sculpted males, wearing colourful skin tight leotards, revealing their tight Baboon butts. Apparently women, like tight Baboon butt males… a lot, ever since we were all apes. As for their Sapphic sisters they would be none too pleased, who would far prefer Mephistophina presenting up her arse.

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As for bisexual Aleister Crowley mages and their Babalon kin, they have no need to rebel against the all male paradigm of the deified ‘Animus;’ it suits them just fine.

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Mephistophina would then be Faust’s familiar, who is simply an aspect of his ‘Anima,’ manifesting in various guises, as a (Udagan) Bear, as an Elfin girl, as a Nun, as an invisible poltergeist presence ringing a bell, thrice; but always recognizable as the same familiar, who is his ‘Anima’ fluctuation of a Succubus, a Tibetan Buddhist would otherwise term as being a Dakini, who is a fluctuation of Shakti.

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Mephistophina is depicted partly dressed as a noblewoman, all in ‘Rubedo’ red, with an astral flight feather in her hat. The tattoo on her left shoulder is a Native American ‘heart-line’ Bear claw, referring to the power of hypnagogic (Nigredo) trance, which in shamanistic practice is experienced as residing in the (heart) chest area, where most of the nerve fibres of the Central-Nervous-System are to be found. The skull and crossbones on Mephistophina’s stockings, also refers to hypnagogic (Nigredo) trance.

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The crossbones is associated with the seventh Rune of Gebo, looking like an ‘X,’ whose symbolism refers to self-sacrifice into hypnagogic (Nigredo) trance as well as the introversion of the sexual impulse. The Gebo Rune has its equivalent Hebrew letter, being Gimel of the Cabbalistic 13th path interpenetrating Da’at, and Tarot card of the High Priestess Of The Silver (Sirius) Star, a Siberian shaman would equate with Udagan. In other words, the sexual impulse is introverted by prior meditating upon (High Priestess) Udagan, in order to overcome the terror of hypnagogic (Nigredo) trance ingress into conscious Coitus Pactum dreaming.

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The Gebo Rune equates with the English, G, which is utilised in Freemasonry. The ‘X’ also equates with the Latin numeral for (Occult blind) 10. The experience of hypnagogic (Nigredo) trance is otherwise termed as the ‘little death,’ whereupon you have the motif of the skull. As for the sigils, they have been adapted of symbolic alchemy for Mephistophina. Though hinted at, Mephistophina also has a little cape of remote viewing red silk swept behind her and a long pointed Chöd sword on her right side; for she be Left-Path-Handed.

Scene IV: The Art Studio (Faustus & Mephistophina)

Mephistophina: Ah, now, you please me greatly, indeed.

I hope we’ll get along together:

To drive away the gloomy weather, from around thy heart,

As you to seer, I’m dressed like young nobility,

In a scarlet gold-trimmed coat,

In a little silk-lined cloak,

A cockerel feather in my hat,

With a long, pointed sword,

And I advise you, at that,

To do as I do, in a word:

So that, footloose, fancy free,

You can experience Life, with me.

Slightly adapted from Johann Wolfgang von Goethe’s, Faust 

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NOTE: Some would classify my work as being Occult Pornography of adolescent fantasies, merely because I have reversed the symbolism of an all male symbolic paradigm of the deified ‘Animus,’ towards that of the female, of ‘Anima.’ But if so, they would be entirely missing the symbolic point.

The all male gender focus upon the deified ‘Animus’ has an underlying sexuality behind it’s symbolic influence upon all levels of culture; hence, it can also be construed as being Pornographic. When you have a biological gender focus, it will invariably involve sexuality; it is nature, which cannot be denied! However, the underlying sexual orientation is generally not seen, due to the sexual impulse being castigated out of the symbolic equation along with the ‘Anima.’

Most of the religiously hewn patriarchal grimoires are primarily populated by male archetypes of the ‘Animus,’ which frequent the heterosexual female psyche; whereupon said patriarchal grimoires are the PlayGirl stroke Bibles of conjuring Witch Nuns dancing orgiastic around their God and Devil, Angels and Demons, whose mantric spells often utilise the terminology of King, Lord, Master or Prince, etc. Some of the conjuring Witches are no doubt bisexual.

As for those Mages who conjure up the archetypes of the ‘Animus’ out of the patriarchal PlayGirl grimoires they may be sexually predisposed to do so of preference, such as Aleister Crowley for example, who was bisexual of leanings, writing erotic poems about Satan, etc. At least Crowley was honest about his androgynous bisexuality, many of the closeted bigots at the time considered to be… Wicked!

If, however, you be a heterosexual Mage, bisexual or a lesbian Witch, who decides to conjure up the ‘Fallen Anima’ and her archetypal (Succubi) Succubae Legions, you will soon find yourself being castigated as being a vile Pornographer peddling adolescent fantasies by the Politically Correct Thought Police; this is more so the case if you are a heterosexual Mage, to be duly seen as being… Wicked!

A heterosexual male who conjures up male archetypes amidst his Triangle Of Art Imagination is doing so in order understand aspects of his own masculinity. In other words, the conjured male archetypes are not external entities, they are otherwise ‘role-models,’ and in turn alternate guises of himself, which can be assumed within lucid dreams, of similarity to an actor acting as a character on stage.

Each of the alternate-guises are empowered by a feminine counterpart, you can term as a Succubus, who as an external entity, is an aspect of the Fallen ‘Anima.’ Whereupon heterosexual Faustus Crow rebelliously conjures up Mephistophina out of his PlayBoy grimoire.

Whereas the classical Faustian myth points at another sexual orientation, Christopher Marlowe to have had a preference for, which he communicated via his Judaeo-Christian Faust kissing the backside of Mephistopheles. Savvy!    

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GOETIA GOTH GIRL ALICE SAMIGINA OF UNDERBED WONDERLAND

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Poltergeist, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 28, 2016 by FAUSTUS CROW

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The above Artwork is A4 in size, drawn in pen-brush and ink pen, on heavyweight cartridge paper. which was then coloured, using Derwent and Prismalo Caran D’ache watercolour pencils. The Artwork was then Painted. The watercolour painting is provisionally entitled: The Conjuring Of Wyrd Alice Samigina.

The original Artwork of Samigina is presently on Sale, on Saatchi Art. If you are interested, Please Click Here. 

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The Artwork depicts an alternative version of Samigina, otherwise called Gamigin who is listed as being the fourth spirit in the Grmoire, entitled the Goetia.

“The Fourth Succubus of the Goetia is Samigina, a Great Marchioness. She initially appears in the form of a My Little Pony Princess Luna, amidst the Triangle Of Art Imagination, likened to a rocking horse or that of a latex clad Girl on all fours looking like a fetish hobbyhorse.” 

“And then appearing as a Gothic Alice In Under-Land, she to change herself into at the request of her Mad Hatter of an Ansuz Rune Art master.” 

“She speaks with a seductive voice, having Cheshire Cat feline wiles, loving spilt cream of an offering. As a Vajrayogini She rules over 30 Legions of Succubae Lost Girls, the writer, Alan Moore and the artist Melinda Gebbie to know all about of Tantric archetypes, who populate the informational realms of the collective dream, as knit-together Tulpa programs.” 

“She teaches all Arts as an Art Muse, who to guide her master through her Yoni looking glass of an inner wormhole into surrealist wonderlands of the dream. And she gives account of those Artists who broke through Ring-Pass-Not sexual Taboos, such as Hans Bellmer, Balthus, Stu Mead, Mark Ryden, Trevor Brown and Milo Manara, etc, whose artistry is considered to be Entartete Kunst sinful; though enticing many a quantum computing brain into a Luna Art gallery, which to also exhibit Ninth Art underground comics of symbolic alchemies, stirring virtual reality dreams.” 

“And her abstract Manga Seal of the multiverse world tree of an Artist’s easel, to which she be tethered and bound, is to be meditated upon, before the Sorcerer Artist conjures her ‘Anima’ fluctuation into his Surrealist dreams, wherein he becomes as her Anime Invocator, etc; though, two-dimensional of meditative image, she manifests as a three-dimensional interactive reality within a Cool World lucid dream.” 

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THE CONJURING 2 OF VALAK AS A NUN

Posted in Art, Chaos Magic, Comics, Demon, Demonology, Goetia Girls, Goth Girls, Lucid Dreaming, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on July 3, 2016 by FAUSTUS CROW

Valak was originally conjured out of the gnarled grimoire of the Goetia as a little naked school boy having the wings of an angel who rode a two headed dragon. Said spirit, like most of others described in the grimoires are depicted as being male entities of an overriding ‘Animus’ fixation. The how and wherefore of Valak’s symbolic transformation into a pasty faced Nun in the film, The Conjuring 2 is of the age old Hollywood tradition of rewriting history. But then, at the end of the day, it is an artistic creation, just as the original was an artistic creation, which of viral-meme ‘artistry’ conjures up associative archetypes within the collective unconscious. As Johann Wolfgang von Goethe once said:

“The Artist alone sees spirits. But after he has told of their appearing to him, everybody sees them.”

Perhaps the creators of The Conjuring 2 decided to avoid utilising the motif of a little naked school boy because he would end up looking like a deranged version of the animated Voodoo doll icon, Chucky, so, instead they transformed Valak into a transgender entity looking like a Marilyn Manson asylum Nun out of an ‘American Horror Story.’

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Or maybe, the creators of the film had decided to reverse the ‘Animus’ fixation towards that of the ‘Anima’ by having Valak as a Nun. Whatever the case, symbolic logic would have dictated that the original little school boy would have been transformed into a school girl, not that of a Nun. But Hell, most of audience wouldn’t know about Valak’s historical grimoire manifestation.

Valak is not one of the most iconic entities of the grimoires; wherefore it is curious that the creators chose this particular entity; why not some other?

Well, the film is about the spiritual torment of a girl; hence the associative conjuring up of demonic cherub Valak, who, at some Hollywood boardroom juncture, before its ‘Conjuring’ into celluloid, was otherwise re-scripted to be ‘Conjured’ as a Nun.

As mentioned; the symbolic reversal of a school boy ‘Animus’ into an ‘Anima’ expression would be that of a school girl; so, why that of a Nun instead?

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May be it is reference to the Tarot card of the High Priestess ‘II,’ whose card can be associated with another spirit to conjure out of the Goetia, going by the name of Gremory, who would manifest as a Nun.

Gremory is of of the very few spirits listed in the Goetia who is described as appearing a female; though as per usual, the feminine manifestation is seen to be but a ruse. (NOTE: If you are interested in the above Gremory shirt design, Please Click the Image Link.)

Wherefore, though manifesting as a woman, the spirit is considered to be male, which of a classical ‘Animus’ depiction would be somewhat alike to the Marilyn Manson Nun, featured in The Conjuring 2 film.

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If however you totally rebel against the ‘Animus’ fixated Playgirl grimoires, whose listed entities are all male, then Valak would manifest as a schoolgirl.

Whereas Gremory appears as a Nun. Both of whom would be very feminine of an ‘Anima’ expression. In ancient times, male Shamans would enter into lucid dream congress with their spirit wives, who are manifold aspects of the ‘Anima.’ This did not involve being possessed; for a male enters unto a spirit wife as he would do a woman.

(NOTE: The Gremory Artwork below is available as an Art print. If you are interested, Please Click the Image Link.)

However, should the shaman not be in control, or to be homosexual of persuasion, the conjured archetype of the ‘Anima,’ would then become more masculine of expression. It was usually the woman, who allows herself to become possessed by her deified ‘Animus.’

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The symbolic motif of the Nun has associations with the ancient vocation of the Priestess and in turn that of the Witch, which of a Tarot card is associated with psychic phenomena, trance and dreaming.

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Should you look into the symbolism being employed by The Conjuring 2 film you will find intriguing symbolic references, which allude to the Tarot sphere of the High Priestess.

You also have the actual character of the young girl named Janet, from the Enfield Poltergeist case who speaks of an ethereal presence affecting the back of her neck, which of an experience refers to hypnagogic trance.

Should you decide to look for any historical parallels to the Janet case, look into the Loudun possessions. The Loudun possessions was a notorious Witchcraft trial in Loudun, France during 1634. A convent of Ursuline Nuns are said to have been visited and possessed by demons; however, a number of the Nuns had inadvertently experienced trance. The Loudun possessions is of similarity to what the ancient Priestesses used to do, who allowed themselves to become erotically possessed by their deified ‘Animus,’ made as a God.

What Janet to tell of concerning an otherworldly sensation stroking its way up the back of her neck is also spoken of by the Kalahari Bushmen of South Africa, who call it the Num, which initiates trance, they term as Kia. The Num is the same as the Kundalini Shakti of the Yoa practitioner, which is also known as the ‘rush,’ in trance dance culture. It is this energy, which stirs ‘The Conjuring’ of the archetypes out their Jinni bottle of the subconscious mind.

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It just so happens that the back of the neck is associated with the hidden sephira of Da’at in the Hebrew mystical tradition of the Cabbala, which is numbered ‘eleven.’ Da’at is interpenetrated by a path, whose associated Hebrew letter is Gimel, which in occult practice corresponds with a ‘Camel,’ as well as being ascribed the Tarot card of the High Priestess II, (otherwise known as the ‘High Priestess of the Silver Star’ – Sirius); wherefore you have the symbolism of a Nun.

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Gremory is depicted as riding a Camel, who is the fifty-sixth spirit of the Goetia, whereas Valak is the sixty-second spirit out of seventy-two listed spirits. The numbers eleven, and seventy-two are mentioned in the Conjuring 2 film. The girl is aged eleven who is being haunted by a ghost of a seventy-two year old man.

(NOTE: The Gremory Artwork below is available as an Art print and a shirt design from my Redbubble Shop. If you are interested, Please Click the Image Links.)

This would then translate as the girl being affected via the eleventh hidden sephira of Da’at, which physiologically corresponds with the throat/neck area of the reptilian brain stem.

Whereas the old man’s age of seventy-two, is a number, which is traditionally associated with the seventy-two names of a deified ‘Animus,’ made as a God, who is commonly depicted as an old man.

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OCCULT ART OF SUCCUBUS DREAM SORCERY

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , on March 10, 2016 by FAUSTUS CROW

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A two dimensional painting of Theta brainwave creativity, which encapsulates dark desires of a meditation focus, can become as a three-dimensional Succubus reality within a lucid dream.

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The two-dimensional image will be consciously experienced as a fully-interactive creation within the dream. The experience of which, will lend insight into what the Palaeolithic shaman artists were up to of painted caves.

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This creative feat is abstractly symbolised as the Six pointed star of the Hexagram (Sexagram), which represents the Sixth-Sense (Coitus Pactum) lucid dream, of inverse Pentagram, Five-Senses.

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Inverse Pentagram, as in, the Five-Senses are introverted into the Microcosmic dream, of a full immersion into an inner three-dimensional reality, which has been induced by the mediation device of a two-dimensional painting.

Not twisted into a Devil worshipping Satanic Death Metal fantasy, of a Luciferic Vatican wet dream; for the Satanic Anti-Thesis merely validates their dogmatic God thesis; the two, perpetually upend each other of an Illuminati ‘Animus’ fixation, which has castigated the ‘Anima’ out of the spiritual equation. Wherefore Lilith had been cast out of the New World Order of an Orwellian Eden, where ignorance is bliss, (self) knowledge is a Sin.

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As for the upright Pentagram, it represents the Macrocosmic Five-Senses of your experiential reality, when you are supposedly awake; that’s if you haven’t been ensnared by the God-Cop, Devil-Cop paradigm of an Orwellian pincer-movement, which to subversively hypnotise many a brain of an ongoing brainwash, via their engineered emotively charged symbolism.

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SUCCUBUS MULTIVERSE DREAMING

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 9, 2016 by FAUSTUS CROW

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Mephistophina, standing betwixt the Ida And Pingala (Autonomic Nervous System) pylons, Black And White as Mares, becoming as the dapple Grey eight-legged Night-Mare of Mercurial quick ‘silver’ Mercurius, arising along the (Central Nervous System) Sushumuna as the Anima-Mundi.

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She be the ‘Da’at’ (Reptilian Brainstem) Sirius Star Girl Guide to trance ride into Lilith’s Harem Of The Multiverse Dream, wherein her Nightgaunt Succubae Witch Sisters govern over womb worlds to…lovingly… conjure as Jinn, made of bio-photon fire.

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Though such be not that of Newage Hollywood love, of internalised relationship dynamics fueled by fantasies of unrealistic perfections.

A Succubus like a woman does the Valkyrie choosing; it is what the subconscious mind to know of a biological truth, the ‘Anima’ to reveal.

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Although this be harsh upon those who have been rejected by a woman, leaving behind a broken heart; it is at such a time that the wounded of (Central Nervous System) heart be ‘opened’ to the ‘Anima,’ whose predatory dream fluctuations of the Succubus do then hunt down the fallen to choose upon the battlefield of life, likened to that of the carrion Crow of a Morrigan, who to rip through the seals of the Chakras to open.

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But the chosen then has to control her, so as to microcosmic ride astral as the Night-Mare; otherwise, the ‘Anima’ to then take over of indulged in fantasies of a Ring-Pass-Not. If not controlled, the rider indulges in religious sentiments to worship the ‘Anima;’ hence becoming as the ridden, to never know of the rough magic along the Ley of lady sychronicity, who to Maya dance upon the mirrored path Ouroboros.

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The dreamer may come to a realisation that the Succubus allows a dreamer to tune into alternate selves, who to be in relationships upon some other alternate Earth, which to reveal that when becoming incorporeal, the consciousness of an individual naturally slides into an alternate self of a Tulku to fuse with, and what was known of a life before, becomes as an ethereal half remembered dream.

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Or that of knowing of inner Mind-Doll Tulpas, whose conjured microcosmic spin does weave macrocosmic synchronicities along the Leys, via which the dreamer can hunt down the, hunter, of another woman to meet at a place of bio-photon flame attraction.

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The Succubae can reveal many a dream secret to a chosen… shaman… Siberian shamans to know of, as well as those practitioners of other, still surviving elder shamanic cultures; whereupon in the Tantric Buddhist practice of Tibet the Succubae are called Dakinis who are manifold aspects of Shakti. The Dakinis are seen to be Wisdom Holders of dream Yoga.

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Before the ascendancy of the ‘Animus’ worshippers of the patriarchy the ancestors of the European’s also had a shamanic understanding, which had investigated the ‘Anima.’ Alas, after five hundred years of a totalitarian inquisitional purge, the shamanic legacy of the European’s was nigh eradicated of genocide, spreading towards other cultures across the globe, which to still continue of imperialistic empire building.

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Perhaps it is all part of a process of dismemberment, like that of DNA self replication, wherein of 23rd angstrom, periodic mutations occur. But over the long stretches of time what goes around, comes around, Ouroboros, when the dismembered shaman is put back together into another form of a return.

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So, beware of the politically correct thought police who to trickster twist your words around, preferring candyfloss fairytales to promote; more so that of the Abrahamic worshippers of the deified ‘Animus,’ made as their Orwellian God and Devil, whose machismo Angels and butch Demons are listed in many a patriarchal ‘Playgirl’ grimoire.

The ‘Animus’ worshippers will duly castigate thee as being a vile pornographer, who to thence burn your ‘Anima’ conjurations upon their Inquisitional mind-control pyres of a moralistic Enartete Kunst!

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“Why would they do so?” You might ask; well, it does appear that there is an underlying sex war behind it all, due to a deified gender focus, which can be seen as being an expression of an evolutionary flux, concerning the evolution of consciousness.

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Wherefore, the rebellious focus upon the symbolic expression of the ‘Anima’ is also part of this process, which might eventually lead to a balance occurring of inner space, lucid dream conjuring.

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But this will be dependent on others observing the obviously out of balance focus upon a deified ‘Animus,’ which of a religiously hewn patriarchal symbolic paradigm permeates all levels of culture, spreading world wide.

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Should you consider this analysis to be rather far fetched, all you have to do is to look at the fundamentalist scourge of the Middle East and that of home-ground to find Abrahamic mind-sets of a shared funda-mental insanity.

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DOCTOR STRANGE CONJURES THE FRENCH MAID SUCCUBUS VALEFOR

Posted in Art, Chaos Magic, Comics, CREATIVE WRITING, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 16, 2016 by FAUSTUS CROW

The Sanctum Sanctorum of Doctor Stephen Strange’s brain felt like it was full of broken glass tearing away at the insides of his cracking skull; he needed some help with the messy thoughts, which cluttered the labyrinthine rooms of his memories. But Strange’s psychic counsellor, named Wong, was no longer at the other end of the phone. Wong had discharged Strange as his client sometime prior, after a number of unpaid bills, who last mentioned that the tortuous folds of Strange’s brain really needed a woman’s touch.

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Strange felt a panic attack coming on, before attempting to relax into his armchair, while listening to a cursed radio, which he knew was nigh fatal to the touch due to its bad wiring. His eyes drifted towards peering through the window, out of which it appeared to be constantly raining. Strange thought that his wardrobe was winking at him as if it was a gateway to a demonic realm, whose inner shadows moved of half-lit forms by the red light of a flickering flame table-lamp, which seemed to be composed of actual serpents. The light of the lamp had a soothing affect upon Strange’s mind, which was accompanied by the fiery coils burning in his magical furnace of an electric heater, whose wrought iron work he imagined had been designed by the shaman smithy, Horguun, to contain the Vril-ya flames of the Faltine

Strange slowly sifted through his tangled memories, all of which were as a mystical library collection of scattered books, buried deep within his subconscious crypt of occult artefacts; such as the book of the Vishanti, the book of Morphesti, the book of Demonicus, the book of Eibon and the tome of Oshtur, as well the Scrolls and grimoire of Watoomb, the Kartkuthi, the Scroll of Eternity, the diary of Kenneth Ward and an unpublished manuscript by the occultist Dion Fortune.

After a time he remembered leafing through a gnarled grimoire, entitled the Goetia, written and illustrated by the mad sorcerer Faustus Crow, out of which he decided to conjure the sixth spirit therein described as being a mighty Succubus Duchess, called Valefora.

Strange considered Valefora would be fit for the task, to clear up his messed up thoughts, due to her being described as manifesting as a French maid.

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Strange’s conjuration of Valefora amidst his Triangle Of Art Imagination, involved him visualising the Window of the Worlds, which he termed as the Anomaly Rue, or the Seal of the Vishanti, which corresponds with his third eye. Strange imagined conjuring Valefora via the window by imagining her seal drawn upon its surface of liquid mercury, becoming thence as an inner Stargate.

As he did this, he also imagined holding the Orb of Agamotto in his left hand, while holding the Wand of Watoomb within his right hand; upon his index finger he wore the Ancient One’s ring called Dragonfang.

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As Strange mediated of visualisation, he intoned Valefora’s name over and over again as a mantra, of a Tibetan dream Yoga technique, until he attained hypnagogic trance; whereupon he then slid into conscious dreaming, wherein of an induced lucid dream, Valefora manifested before him as described in Crow’s Goetia.

Valefora related to Strange within his lucid dream that she is not shy of any hard graft, who will work her ‘Ass’ off for him as her master. He found her to be a most loving Ghost Girl Familiar whose temperament is likened to that of a sharp clawed Lioness, who softly bit his lip, ever so feline, upon a kiss.

Strange was aware, that as a poltergeist she is often tempted to teleport valuable artworks from faraway places, as well manifesting coinage, which has been acquired across space and time. But in doing so it could potentially lead to Strange being accused by the law, of obtaining the rare artefacts via undue means, in order to desperately pay off his growing lawyers bills.

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However, Valefora revealed, though a thief, she is more so, an Art Muse, who inspires of acquired ideas from other times and places, which are gathered from Strange’s own myriad alternate selves, who exist upon alternate Earth’s, occupying parallel universes. “Its all to do with gravitational waves,” she to have said, “it is how alternate selves communicate with each other, via electron dreams, who exist in parallel universes.” 

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Soon after Strange’s successful lucid dream conjuration of Valefora, she started to haunt his large and spacious townhouse situated at 177A Bleecker Street, New York City, NY 10012-1406, on the corner of Bleecker Street and Fenno Place in the art ghetto heartland of Greenwich Village.

Strange could hear her voice of clairaudience, “I am so very happy to be here master,” she said, “while cleaning up your house, which of an environment mirrors your quantum computing brain, housing your mind, I discovered that it is a focal point for mystical energies, whose nerve centre of twelve intersecting Dragon Ley lines runs deep beneath its reptilian brain-stem foundations.”

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Valefora continued with her ghostly revelations; “I also found that Years before any permanent Western European settlements, a powerful Native American Indian Shaman cursed this land to bind the great whore of Chaos Magic, called, Tyanon to this place and bar her full access to Earth, until a sorcerer, such as yourself, releases her to wreak justice upon the Abrahamic cultists who oppressed his people. This site continued to serve as a place for arcane Native American Indian rituals. Shamans of the Wappinger tribe were also known to journey here for vision quests.” 

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Valefora then said, “with the arrival of European colonizers, the site became used for pagan sacrifices. Before any permanent structures were built upon the land, it was used as a Potter’s field; a mass grave for paupers and inmates from New York’s first penitentiary, Newgate Prison. Those European colonists who had first built on the site were the ancestors of Baron Mordo, which housed a Satanic cult, performing human sacrifices. The original structure was destroyed in a fiery blaze, as were the subsequent five buildings on the same plot of land. Over the years, the various buildings were again used as a lair by an ancestor of Baron Mordo, who was a Puritan Witchfinder, he abused innocent native girls in the basement; later it became a notoriously bacchanalian speakeasy, as well as being used as a flophouse for druggie beatniks.” 

Valefora to thence whisper,It was eventually transformed into a nunnery by the Chaos Unitarian Nuns Templar, who worship the Crow God; they still have psychic ties with this place, whose Grand Abbess initiated the building of the current structure, which is actually the seventh Chakra building constructed upon this site. The occult architect and details of its structure remain shrouded in intrigue due to the nuns mysteriously disappearing during a raging storm, when celebrating Walpurgis night.” 

Strange felt Valefora’s lips seductively caressing his left ear, as she said, “the building itself continues to grow and change of artistry; it ever seeks to express its Tyanon self; becoming as a gathering place for the Widdershin Wise kindred.”

“I know that Baron Mordo and his politically correct followers are attempting to stop your Entartete Kunst plans to artistically transform your house into a Tantric lap-trance-dance club, to call the… Succubus Club.” 

Valefora lustfully spoke. “Because I am in your head, as a Muse of your dreams, I know the real reasoning for the Succubus Club, which of an occult design was initially initiated by the Grand Abbess, who had magically summoned you to release Kali-ma Tyanon via her Dakini Familiar, who I be, of a Succubus sorority.” 

“Hence, you to have then conjured me. But Fighting Mordo in court is rapidly consuming all of your finances. Don’t worry master, I, myself, and my ten legions of Succubae Ghost Girls will lovingly help you with achieving your most sacred goal.”

Valefora to have then said. “Whenever you need me, just meditate upon my Seal prior to conjuring me into your lucid dreams, I will appear, whether you will continue having me as a French Maid Familiar, or not. I am your deepest desire.”  

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Strange then saw ghostly Valefora walk towards her warded Genie box of an abode, which he had created for her Seal, painted with his seed, upon parchment; before she left, to obediently return, whenever summoned, she said. “But as for all your enemies, such as hypocritical Bible thumper Baron Mordo, I will place a hanged-man’s noose around his Illuminati neck. It is they, your enemies, who will see another side of me, which is purest… Nightmare! Hear my Banshee scream, Mordo… I don’t like you.”

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DOCTOR STRANGE UFO

Posted in Alien, Chaos Magic, Demon, Demonology, Extraterrestrial, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 4, 2016 by FAUSTUS CROW

The Marvel character of a Sorcerer Supreme called Doctor Strange was created by the artist Steve Ditko, who utilised surrealistic imagery and increasingly vivid psychedelic visuals, which helped make the master of the occult arts, Doctor Strange, a favourite character during the hippie era of the 1960’s.

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But the Faustian character of Doctor Strange, is not alone, he is aided by an otherworldly girl from another dimension, called Clea, you could easily equate with a female version of Mephistopheles, who would be an ultra-terrestrial Succubus.

No doubt Doctor Strange has a grimoire looking like a comic book, out of which he can conjure many another ultra-terrestrial Succubus, in order to access other dimensions via his lucid dreams. Although, it will never be featured in a comic, let alone a Marvel team-up Disney film.

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The Comics historian Mike Benton related: “The Dr. Strange stories of the 1960’s constructed a cohesive cosmology that would have thrilled any self-respecting theosophist. College students, minds freshly opened by psychedelic experiences and Eastern mysticism, read Ditko and Lee’s Dr. Strange stories with the belief of a recent Hare Krishna convert. Meaning was everywhere, and readers analyzed the Dr. Strange stories for their relationship to Egyptian myths, Sumerian gods, and Jungian archetypes.” 

The then-associate editor and former Doctor Strange writer Roy Thomas in 1971 recalled: “People who read Doctor Strange thought people at Marvel must be (drug) heads, because they had similar experiences high on mushrooms.” 

The comic historian Bradford W. Wright, noted: “Dr. Strange remarkably predicted the youth counterculture’s fascination with Eastern mysticism and psychedelia.” 

Should you be looking for a real Doctor Strange, then  John Alva Keel, would be a good candidate for the role of the Sorcerer Supreme, who was an American journalist and influential UFOlogist. Of course some will point out that Keel did not wear a flamboyant superhero costume; but such is all in the mind.

Whereas, unlike Marvel’s Doctor Strange, Keel’s occult adventures were for real. As for his inspiring Muse of a Clea, he did not reveal his Faustian Coitus-Pactum.

Keel did wear a kind of distinctive superhero costume, though of a far more down to Earth sort, which inspired the attire of the occult investigator, named Carl Kolchak, who was featured in the cult film and TV series Nightstalker.

Kolchak was based upon Keel; although he is best known as being the author of The Mothman Prophecies, which was later made into a movie.

There is also the distinct possibility that Keel’s bigger than life personality and colourful tales of travelling into the shadowy occult corners of the world had also inspired the creation of another comic strip character, ‘John’ Constantine.

Another candidate for Doctor Strange, would be that of a scientist, since Strange was initially a neurosurgeon; one such scientist would be Jacques Fabrice Vallée who is a venture capitalist, computer scientist, author, ufologist and former astronomer. Vallée is notable for co-developing the first computerized mapping of Mars for NASA as well as for his work at SRI International on the network information centre for the ARPANET, a precursor to the modern Internet, which I might add was developed by the US Department of Defense.

Vallée had initially defended the scientific legitimacy of the extraterrestrial hypothesis, but he later changed his tune, who then promoted the Doctor Strange inter-dimensional hypothesis, which was prior postulated by Keel.

Keel and later Vallée came to the conclusion that the UFO phenomenon and other ‘strange’ phenomena involving experiences of succubae, vampires, ghosts, bigfoot, dwarves, giants, angels and demons etc, are all interconnected.

Keel started to see the reports of varying types of entities as being ultra-terrestrials, which of commonality, tend to be mostly humanoid, whose appearances can be understood as culturally-bound manifestations of non-human intelligences that communicates with us from another dimension via our own consciousness, being that of our surreal dreams.

Unlike many others who write about otherworldly entities, or, as the more serious of inclination like to call it, ‘Crytozoology’, Keel does not take himself too seriously, which makes his books a breeze to read, like reading a Doctor Strange comic. Keel himself may not believe verbatim in every anecdote he manages to dig up. But Keel, being a journalist knows that the fun is in the reading, to not necessarily believe or disbelieve in their conjured memes, such as those viral-meme entities, which populate the internet; basically, it is best to keep an open mind.

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If you are otherwise looking for supposed scientific studies of succubae, shadow-people, men in black, ghosts, angels, demons, dwarves, elves, bigfoot, sea serpents and other unverified terrestrial life forms as well as aliens etc, you had better avoid Keel’s books, because he is not at all interested in placing these ‘strange’ phenomena into separate boxes; he otherwise lumps them all together, under the term ultra-terrestrial, which some will point out is not too different to that of a shamanic perspective, since the ultra-terrestrials are creatures of dreams.

The ultra-terrestrials of UFO lore have evolved over time; after WWII, since 1947 to the late 50’s, they were often described as being Nordics, during the Vietnam era, of the 60’s to late 70’s the ultra-terrestrials were seen to be dark skinned Asiatics. When the the 80’s hit, after the publication of Whitley Strieber’s book, Communion, which featured the now iconic Grey alien on its cover, (Strieber had equated with the Sumerian/Babylonian Goddess Ishtar) the Grey’s have taken centre stage amidst the collective unconscious since the invasion of Babylon, buried under Baghdad.

It just goes to show how powerful the media is in influencing the subconscious minds of the populace since the 1947 Roswell incident, which just so happened occurred around the same year the C.I.A came into being. The influence of the media over the imagination of the mass populace, did not go by unnoticed; hence, the US Department of Defense development of ARPANET, and the ensuing involvement of the C.I.A, which to have later become the conduit for engineered viral-memes, such as the orchestrated focus on 2012.

Consider for a moment, the essence of your dreams are that of electrons and that said electrons could be mini-wormholes, as postulated by the American theoretical physicist John Archibald Wheeler; then, you could then further theorise that if another intelligence sought contact with other sentient species throughout space-time, they would send information via these mini-wormholes, which would be interpreted via the symbolic interface of their dreams; this would be more so the case when the experienced dreams are fully lucid, which would also overlap into visionary (psychedelic) states.

The information will be interpreted by the contactees organic and culturally hewn symbolic languages, which in the case of human contacts, will invariably lead to the prevalence of the humanoid form, as well as other recognisable terrestrial forms.

Some UFO proponents accepted the inter-dimensional hypothesis because of the distance between stars makes interstellar travel totally impractical, when using what scientists presently understand; nobody had demonstrated nuts and bolts antigravity or faster-than-light travel that could explain their supposed extraterrestrial machines, whose manifestations never leaves behind any proof of their existence. Whereas the inter-dimensional hypothesis points at the UFO’s as not being spacecraft, but rather devices, which can travel between different realities, in other words, they are time machines.

A time travelling capable civilisation would be able to contact other sentient species via their dreams, let alone contacting their own ancestors in order to engineer alternate time-lines, as well as being able to travel between the stars nigh instantaneously, whose time travel visitations will not leave behind any physical evidence.

What is more, if the time travelling capable civilisation is our own in the future, your time-travelling descendents will play ultra-terrestrial surrealist games with their ancestral contacts in order to disguise their terrestrial origin in the future, since they do not want to reveal that their civilisation surrounds your own, just as your own surrounds an unknowing stone age tribe in the Amazon jungle.

Should they have a mishap, with one of their craft crashing, the military is always there to pick up the pieces, which indicates it is either one of their own devices or that the military are in cahoots with your time-travelling descendents, or both, of the very human!

There is also the possibility that a future civilisation has the necessary computing power to create ancestral simulations. One such simulation you might just exist within; whereby your time-travelling descendents can essentially ‘Browse’ their way across the internet of time.

Who, if they so choose can also assume differing humanoid forms, which will be all as holographic Avatars, when engaging themselves with their simulated contacts, or otherwise get their contactees to observe whatever they want them to see.

Whereby there will be hardly if any physical proof left behind after the encounters, unless they want to play surreal video games with their X-File simulations.

The inter-dimensional hypothesis and that of the associated ultra-terrestrials leads you to the paranormal and in turn the Dr Strange domain of the occult. The association with the occult is often utilised by those who use it as viral-meme fear porn about demons in order to validate their Biblical agenda, which feeds into the vast majority of UFO reports stemming from out of America in particular, since the Roswell incident.

The Biblical fear porn is a reaction against the expansion of the human imagination since the late 40’s, which occurred in league with the atomic age (Nordics), space age (Asiatics) and following information age (Greys), whose technological developments had been subconsciously translated into the archetypal entities of Ufolore, which really took off during the 80’s; probably because of advancements being made in (Greys) artificial intelligence and (Hybrids/Reptilians/Eugenics) genetics; much of this evolving research is tied up with the military industrial complex.

The occult is more about understanding the nature of consciousness, which is tied up with your experience of time; when to attain mastery over consciousness and in turn time, you then have the paranormal and extra-sensory perception.

However most researchers who investigate UFO’s habitually filter out as much of the paranormal as possible in order to make the rest nuts and bolts. Not John Keel. He embraces and seeks out those reports, which other researchers habitually leave out of their rather biased research. So, if you are looking for Doctor Strange reports, which take a shotgun blast at consensus reality, then John Keel is your occult superhero.

There are many researchers who investigate sightings of mysterious creatures, such as bigfoot who will try to determine bigfoot’s biology, theorizing about missing links and surviving pockets of Neanderthals. John Keel, otherwise, delves into ‘fringe’ examples of bigfoot being sighted in the vicinity of UFO’s and the associated men in black.

When Keel gets around to the modern UFO theorists, from Whitley Strieber to Budd Hopkins, he lets rip, quoting Strieber as saying “…the so-called UFOlogists are probably the cruellest, nastiest, and craziest people I have ever encountered.” 

The reason why many a Ufologist can be quite crazy is because their research, has no physical proof, which relies solely on ‘belief,’ this invariably leads to a religious fixation, and in some cases the creation of UFO cargo-cults, such as those of the Raelian’s and the Scientologists who compete against each other for dominance, just like many another big-business religion.

The same applies to those who are into bigfoot and other creatures of the night-side, who have a dogmatic tendency to see them as being quite separate phenomena, whose sense of humour has completely gone out of the ‘window;’ this is especially the case when some religiously inclined researchers believe these critters as being evidence of Biblical demons.

However, Doctor Strange Keel, uses his sense of humour when investigating what is generating all these reports of monsters, aliens and devils, etc, who did not care what others thought about him.

But, then Keel had travelled extensively, experiencing things, that other researchers only cover second hand. Keel is not dogmatic about what he wrote about; he presents the absurd and the chilling alongside the verified hoaxes and the misinterpreted. Keel will seem to be the ultimate ‘strange’ flake to some, who believes nothing and mocks everything; for others, his Doctor Strange research is a breath of fresh air amidst a field dominated by self-important egomaniacs.

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