Archive for the Poltergeist Category

THE MUMMY RETURNS

Posted in Art, Chaos Magic, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Psychology, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 13, 2017 by FAUSTUS CROW

RED ICE: I am your stand in host on Red Ice TV. We are very honoured by having the talented actor, Tom Cruise here, in our humble studio, who has taken time out, from his very busy schedule to tell us about his role in the re-imagined Mummy film. Let’s start by asking… (Tom Cruise quickly interjects.)

TOM CRUISE: Look, I have to cut to the chase here. I haven’t got much time. I need to warn the public; I can’t hold back any longer; a female Mummy is far more real than anything you can ever imagine.

RED ICE: What? I thought all Mummies are female, my very real Mummy was most definitely female, until she had a Hollywood sex change, now I call her my big Daddy…

TOM CRUISE: No, no, no! You know what I mean, I mean reanimated Egyptian Mummies; the bandaged up types, clambering out of a crumbling Beehive of a pyramid; they’re for real… (Cruise stands up from his seat and does a staggered zombie impression as Mummy Boris Karloff.)

RED ICE: You’re kidding me! You’ll be saying that Boris Karloff is a Imhotep Freemason, next, who’s plastered ghost is still around, haunting the Illuminati Beehive lodges of Hollywood’s Masonic studios?

TOM CRUISE: No, no, no! Far worse than Karloff; a Queen Bee Mummy will knock Karloff’s worker Bee Mummy into Oblivion; she’ll go far beyond Marjorie Cameron, who hunted down Jack Parsons upon a Babalon synchronicity. She’s a femme fatale Succubus… She’ll get into your pyramidal three tiered brain, driving you Left-Hand-Path creatively mad with her dark salacious nature.

RED ICE: Are you for real? An ancient Queen Bee Mummy is actually around, walking amongst us?

TOM CRUISE: Yes! She’s a disembodied Thetan, who has total control over the worker Bee’s, Alex Kurtzman and Jon Spaihts. what’s more, as a disembodied Queen Bee Thetan, she took possession of Sofia Boutella.

RED ICE: Sofia Boutella is possessed by a disembodied Thetan? What do you mean by a Thetan, exactly? Can you explain to our Muggle audience what a Thetan is?

TOM CRUISE: Well, I can’t go into the Thetan stuff. You have to a be a Scientologist to be privy to that kind of… Clear… information. All I can say, is that a Thetan is like a spirit.

RED ICE: Is a Thetan spirit associated with the Theta brainwave, which is involved with hypnagogic trance and Artistic creativity?

TOM CRUISE: Yes! Yes! It is a chaotic brainwave state, we Scientologists have to control at a collective level in order to brainwash brains, to then convert their jellies into a hypnotised hive-mind, just as the Catholic church of Rome’s BORG empire has likewise done so, let alone Islam and that of their original appropriated BORG source, Judaism. As Philip K. Dick once said, “The Empire Never Ended!” So, when in Rome, do as the Roman’s do… Cults are financially lucrative, which is especially the case when a cult becomes a big-business religion, paying no taxes… Shit! The money just rolls in. That’s why the public water supply has been eugenically fluoridated with a known neurotoxin and a mutagenic compound, in order to calcify the DMT producing pineal-glands of the unwashed fleecy minded populace, to never question their monotheistic triangle of an Illuminati trinity… Damn it! I’ve let slip there…

TOM CRUISE: Forget what I jut said. Look, I can’t reveal anymore, otherwise I’ll be castrated by L. Ron Hubbard’s Men In Black minions, dressed like dog-collared priests… But there’s something far, far worse than them… I haven’t the time; I’m being hunted by the Great Old Ones. This is between you, me, and your very select audience, you understand… Kurtzman told me in private, that he and Spaihts decided to use the Surrealist technique of Automatism, which involved the utilisation of a Ouija board.

RED ICE: What type of Ouija board did Kurtzman and Spaihts use, there are so many different designs?

TOM CRUISE: The Ouija board was specially designed by the same individual who wrote and illustrated a Grimore, both of them used to conjure up a Succubus as their inspiring Art Muse. It was the Muse who inspired their artistic ideas for their movie, to win over the studio’s lodge, big bucks.

RED ICE: What Playgirl Grimoire are you talking about here, are you speaking about, something like, H.P. Lovecraft’s Necronomicon?

TOM CRUISE: Sort of; but it’s the real Necronomicon, since no one had ever depicted what this Grimoire covers, listing Playboy Goetia Girls. It was written and illustrated by some mad sorcerer artist, named Mardun, who is also known as Faustus Crow; he is the Artist who designed their Ouija board.

RED ICE: Mardun… Faustus Crow… never heard of him… Tell us more about this Succubus Art Muse…

TOM CRUISE: The Succubus, Kurtzman and Spaihts conjured up is called Uvall, who is said to be an ancient Egyptian Art Muse, Crow illustrated as a Mummy. Uvall started to make the planchette go crazy around the Ouija board, channelling the script for the entire movie, who also communicated that another name she is known by is… Ahmanet.

RED ICE: So you’re telling us that Kurtzman and Spaihts conjured up a s Succubus called Uvall, which channelled the entire movie script as well as taking possession of Sofia as Ahmanet?

TOM CRUISE: Yes! The Succubus transformed Sofia into a wild eyed Performance Artist. She became like an ecstatic Shaman High Priestess Of The Silver Star; she would spontaneously go into an orgasmic Sirius trance on set, saying she was the incarnate ‘Anima’ made as Babalon flesh, let alone singing perverse erotic hymns about Faustus Crow all of the time; it scared the living shit out of me, let alone everyone else. When she sang her salacious praises to Crow, she would make various objects fly all around, such as cameras flying like winged eyes, the camera crew’s bus, weighing as much as a pyramid block, flew like Harry Potter’s car; she even levitated camels, which trotted the air like Santa’s reindeer out of London zoo; it was like Spielberg’s, Poltergeist, but for real.

RED ICE: Sorry, but I think, all of this sounds absolutely crazy. Are you taking any psychiatric medication?

TOM CRUISE: I hate psychiatrists, and I’m not mad; I’m deadly serious. Kurtzman also informed me that the other film directors and writers are using Crow’s Grimoire in the same way for their own horror films, let alone science fiction movies.

RED ICE: Hang on! What? The other directors, writers are using Crow’s Grimoire, in order to conjure up Succubus Art Muses, around his Ouija boards, for their movie scripts as well? That’s, just plain nuts! It sounds like a David Icke reptilian conspiracy to me.

TOM CRUISE: Uvall, I…I… mean, Ahmenet; NO! I mean, Sofia; she’s possessed by the raptor SOPHIA, get it!? She is intending to awaken all the hot blooded Beasts to their Fallen ‘Anima,’ by using those hypnotically erotic dance moves of hers. You do know what that means don’t you?

RED ICE: No! I don’t; Fallen ‘Anima,’ what’s that?

TOM CRUISE: Can’t go into the Jungian details, apart from saying that it means an end of the Illuminati deification of the ‘Animus,’ made as our three faced God out of Ur, whose gender fixated rule since the Zodiac age of Aries to that of Pisces is about to be usurped by the Succubus Great Old Ones of the fallen ‘Anima.’ The seventh seal of a Chakra has been opened, by the conjuration of Uvall, who will usher in the new Aeon of Star Trek Aquarius.

RED ICE: Let’s get this straight; you’re saying that the conspiring directors and writers in Hollywood are conjuring up the Great Old Ones of the fallen ‘Anima,’ who are all Succubi, to bring about the age of Aquarius, just like the Hippies attempted to do during the Vietnam war era?

TOM CRUISE: Yes! Something like that, but the Hippies were still enamoured with our deified ‘Animus’ made as a God, so, we were able to control them. However, this zeitgeist time around, we have a far bigger problem, which hearkens back to something, very ancient, yet it is also of a far flung future shamanistic orientation…. I would like to point out that Crow uses the older term, Succubae, by the way… Not only the directors and writers are part of this, but also the producers, Artists, and even the actors and actresses; they are all secretly conjuring, which enables them to induce lucid dream interactions with Crow’s Art Muses. The films will all share the same cinematic Hyper-Sigil universe…

TOM CRUISE: Just like Marvel’s and Disney’s elemental superhero franchise of the spandex wearing ‘Animus,’ whose neuro-marketing empire will be toppled by the return of the classic film-land monsters out of the collective unconscious. It has all been initiated by the conjuration of Uvall as Ahmenet, who equates with the Tarot card of the High Priestess.

RED ICE: Hmmmm! I’m sure that Madonna will know that the High Priestess is associated with the ‘Ninth’ Yesod sphere of the Moon in the Cabbala, whose Tarot card is ascribed to the thirteenth path, which crosses over the ‘Eleventh’ hidden sphere of Da’at.

TOM CRUISE: Yes! I know all that Reticular-Activation-System, Nine-Eleven stuff. It is via the Aquarian stargate pylons of Queen Bee Sofia, who is now Crow’s High Priestess, that Hollywood will soon be transformed into Horror-Wood under the blue Kachina star of Sirius.

RED ICE: (smirks) Are you conjuring out of Crow’s Grimoire as well? I must say that Sofia’s pylons are most ravishing.

TOM CRUISE: (moralistic anger) NO! You know what my Minority Report leaning is of ‘Animus’ worship; I am not into this vile ‘Anima’ pornography. It’s all mad, utterly insane; that is why I am warning you about what is going on behind the creative scenes, where Crow’s sorcery of Art is being practiced. (Cruise’s mobile starts to ring; he looks wide eyed at the received text, an expression of War Of The Worlds abject terror crosses his face.)

RED ICE: Are you okay, you look as if someone has just stepped upon your eternally recurring Edge Of Tomorrow grave?

TOM CRUISE: Uvall, I…I… mean, Ahmenet, she’s found me out! No! Her name is Babalon, No! No! No! She can’t be Babalon… I mean Sophia, damn it! damn it… it’s Sofia… damn it, sounds all Greek to me… it’s all the same bloody archetypal raptor. She knows where I am; I’m not safe here. This interview has ended… I have to go, NOW! Before Crow’s dark haired Babalon Working Queen Bee Mummy finds me. (A Heyoka Crow is heard cawing in the Avadhuta distance.)

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THE DEVIL GIRL OF DOCTOR FAUST

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2016 by FAUSTUS CROW

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The above watercolour painting is provisionally entitled: Mephistophina. The artwork is A4 in size, which was initially drawn in Derwent and Caran Da’che watercolour pencils on 300g/m Aquafine watercolour paper, then painted, involving some burnishing.

The original Artwork is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

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The artwork depicts a female version of Mephistopheles, who is commonly considered to be a name of a male spirit in the Faustian legend, who in return for his assistance, Faust signs away his soul as depicted in Marlowe’s and Goethe’s grandiose Church plays. The origin of the conception and name of Mephistopheles has been the subject of much learned debate among numerous scholars down the ages, whose all male pantheon of a deified ‘Animus.’ has entirely negated the feminine principle of the ‘Anima,’ yet none to really question, why?

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As of per usual commonality in the numerous Playgirl Grimoires frequenting many a Hogwarts bookshop, you will find in Dr Faust’s Höllenzwang that (Mephistopheles) Mephistophiel is considered to be one of the seven great phallic princes of hell, who is seen standing under the planet Jupiter. The regent of the planet Jupiter is called Zadkiel, an enthroned machismo angel of the deified ‘Animus,’ made as an all-father-fixation God, named Jehovah.

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The artwork is loosely based upon an illustration of Mephistopheles, as found in the Grimoire, entitled the, Threefold Coercion of Hell; also called, Cabalae nigrae, or the Magia naturalis et innaturalis as well as the Black Raven, which is said to have been authored by Doktor Johannes Faust.

The Grimoire illustration is listed as being plate 10 in the Threefold Coercion Of Hell, which depicts the first appearance of Mephistopheles, manifesting as a ‘fiery Bear.’ He then later manifests of fairer appearance as a little man with a black cape, having a bald head like a monk, who could be seen as a Bonpo Tibetan Buddhist practitioner of Tantric dream Yoga, since its ancient practice would most definitely piss off the worshippers of the deified ‘Animus,’ made as a Jehovah/God/Allah – Devil/Lucifer/Shaitan.

However, if Faust was truly a rebel, of a ‘heterosexual’ orientation, he would have no doubt noted, just like the psychologist Carl Jung, that the all male pantheon of a patriarchal ‘Animus’ fixation has castigated the feminine principle of the ‘Anima’ out of the spiritual equation.

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Wherefore, as a rebel, he would seek out to conjure what has been cast into the abyss, whence to discover a real Necronomicon.

Hence, Faust would reverse the polarity, by conjuring up a Succubus ‘Anima’ fluctuation to name Mephistophina, who would then be in Faust’s mind one of the rebel Succubae of the seven planets, you could equate with the seven Chakras of Yoga practice.

To Faust himself, being a somnambulist and medium, Mephistophina has a real existence; she would be the personification of the transcendental  ‘Anima’ subject of Faust, an experience familiar in dreams, and more especially in the visions of Siberian shamans. Many of the Siberian shamans practice Nigredo trance and Albedo (fiery) lucid (cave) dreaming, via which they engage themselves with the ‘fiery’ Bear (female shaman) spirit, named Udagan, who Rubedo rebirths them back into the world, renewed.

Mephistophina would thus be a familiar spirit, akin to the Udagan of the Siberian shaman, who is of similarity to the inspiring ‘daemon’ of Socrates; and being an Entartete Kunst archetype, censored by ‘closeted’ theologians, Mephistophina would also represent a rebellion against the all male, Right-Hand-Path paradigm of a deified ‘Animus,’ made as a God.

It is suggested, then, in the light of modern research into lucid dreaming, that Mephistophina, though being a two-dimensional Grimoire image of a meditative aid, becomes as a three-dimensional interactive reality within a (sexagram/sixth-sense) ‘Coitus Pactum’ lucid dream; whereby the ‘Osculum infame,’ takes on a whole different meaning. The Osculum infame is the name of a supposed ritual greeting upon meeting with the Devil. The name means The Shameful Kiss, or The Kiss of Shame since it involved kissing the anus and genitalia of the (Mephistopheles) Devil.

A heterosexual male mage kissing the butt end of the’Animus’ archetype of a Mephistopheles, would find the Osculum infame, to be a very shameful act indeed, unless his sexual preference is otherwise of orientation. Not too sure about how heterosexual Witches feel about kissing the behind of their ‘Animus.’ Although it is said that 47% of women read superhero Grimoire comics, which feature chiselled chinned, sculpted males, wearing colourful skin tight leotards, revealing their tight Baboon butts. Apparently women, like tight Baboon butt males… a lot, ever since we were all apes. As for their Sapphic sisters they would be none too pleased, who would far prefer Mephistophina presenting up her arse.

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As for bisexual Aleister Crowley mages and their Babalon kin, they have no need to rebel against the all male paradigm of the deified ‘Animus;’ it suits them just fine.

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Mephistophina would then be Faust’s familiar, who is simply an aspect of his ‘Anima,’ manifesting in various guises, as a (Udagan) Bear, as an Elfin girl, as a Nun, as an invisible poltergeist presence ringing a bell, thrice; but always recognizable as the same familiar, who is his ‘Anima’ fluctuation of a Succubus, a Tibetan Buddhist would otherwise term as being a Dakini, who is a fluctuation of Shakti.

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Mephistophina is depicted partly dressed as a noblewoman, all in ‘Rubedo’ red, with an astral flight feather in her hat. The tattoo on her left shoulder is a Native American ‘heart-line’ Bear claw, referring to the power of hypnagogic (Nigredo) trance, which in shamanistic practice is experienced as residing in the (heart) chest area, where most of the nerve fibres of the Central-Nervous-System are to be found. The skull and crossbones on Mephistophina’s stockings, also refers to hypnagogic (Nigredo) trance.

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The crossbones is associated with the seventh Rune of Gebo, looking like an ‘X,’ whose symbolism refers to self-sacrifice into hypnagogic (Nigredo) trance as well as the introversion of the sexual impulse. The Gebo Rune has its equivalent Hebrew letter, being Gimel of the Cabbalistic 13th path interpenetrating Da’at, and Tarot card of the High Priestess Of The Silver (Sirius) Star, a Siberian shaman would equate with Udagan. In other words, the sexual impulse is introverted by prior meditating upon (High Priestess) Udagan, in order to overcome the terror of hypnagogic (Nigredo) trance ingress into conscious Coitus Pactum dreaming.

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The Gebo Rune equates with the English, G, which is utilised in Freemasonry. The ‘X’ also equates with the Latin numeral for (Occult blind) 10. The experience of hypnagogic (Nigredo) trance is otherwise termed as the ‘little death,’ whereupon you have the motif of the skull. As for the sigils, they have been adapted of symbolic alchemy for Mephistophina. Though hinted at, Mephistophina also has a little cape of remote viewing red silk swept behind her and a long pointed Chöd sword on her right side; for she be Left-Path-Handed.

Scene IV: The Art Studio (Faustus & Mephistophina)

Mephistophina: Ah, now, you please me greatly, indeed.

I hope we’ll get along together:

To drive away the gloomy weather, from around thy heart,

As you to seer, I’m dressed like young nobility,

In a scarlet gold-trimmed coat,

In a little silk-lined cloak,

A cockerel feather in my hat,

With a long, pointed sword,

And I advise you, at that,

To do as I do, in a word:

So that, footloose, fancy free,

You can experience Life, with me.

Slightly adapted from Johann Wolfgang von Goethe’s, Faust 

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NOTE: Some would classify my work as being Occult Pornography of adolescent fantasies, merely because I have reversed the symbolism of an all male symbolic paradigm of the deified ‘Animus,’ towards that of the female, of ‘Anima.’ But if so, they would be entirely missing the symbolic point.

The all male gender focus upon the deified ‘Animus’ has an underlying sexuality behind it’s symbolic influence upon all levels of culture; hence, it can also be construed as being Pornographic. When you have a biological gender focus, it will invariably involve sexuality; it is nature, which cannot be denied! However, the underlying sexual orientation is generally not seen, due to the sexual impulse being castigated out of the symbolic equation along with the ‘Anima.’

Most of the religiously hewn patriarchal grimoires are primarily populated by male archetypes of the ‘Animus,’ which frequent the heterosexual female psyche; whereupon said patriarchal grimoires are the PlayGirl stroke Bibles of conjuring Witch Nuns dancing orgiastic around their God and Devil, Angels and Demons, whose mantric spells often utilise the terminology of King, Lord, Master or Prince, etc. Some of the conjuring Witches are no doubt bisexual.

As for those Mages who conjure up the archetypes of the ‘Animus’ out of the patriarchal PlayGirl grimoires they may be sexually predisposed to do so of preference, such as Aleister Crowley for example, who was bisexual of leanings, writing erotic poems about Satan, etc. At least Crowley was honest about his androgynous bisexuality, many of the closeted bigots at the time considered to be… Wicked!

If, however, you be a heterosexual Mage, bisexual or a lesbian Witch, who decides to conjure up the ‘Fallen Anima’ and her archetypal (Succubi) Succubae Legions, you will soon find yourself being castigated as being a vile Pornographer peddling adolescent fantasies by the Politically Correct Thought Police; this is more so the case if you are a heterosexual Mage, to be duly seen as being… Wicked!

A heterosexual male who conjures up male archetypes amidst his Triangle Of Art Imagination is doing so in order understand aspects of his own masculinity. In other words, the conjured male archetypes are not external entities, they are otherwise ‘role-models,’ and in turn alternate guises of himself, which can be assumed within lucid dreams, of similarity to an actor acting as a character on stage.

Each of the alternate-guises are empowered by a feminine counterpart, you can term as a Succubus, who as an external entity, is an aspect of the Fallen ‘Anima.’ Whereupon heterosexual Faustus Crow rebelliously conjures up Mephistophina out of his PlayBoy grimoire.

Whereas the classical Faustian myth points at another sexual orientation, Christopher Marlowe to have had a preference for, which he communicated via his Judaeo-Christian Faust kissing the backside of Mephistopheles. Savvy!    

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GOETIA GOTH GIRL ALICE SAMIGINA OF UNDERBED WONDERLAND

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Poltergeist, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 28, 2016 by FAUSTUS CROW

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The above Artwork is A4 in size, drawn in pen-brush and ink pen, on heavyweight cartridge paper. which was then coloured, using Derwent and Prismalo Caran D’ache watercolour pencils. The Artwork was then Painted. The watercolour painting is provisionally entitled: The Conjuring Of Wyrd Alice Samigina.

The original Artwork of Samigina is presently on Sale, on Saatchi Art. If you are interested, Please Click Here. 

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The Artwork depicts an alternative version of Samigina, otherwise called Gamigin who is listed as being the fourth spirit in the Grmoire, entitled the Goetia.

“The Fourth Succubus of the Goetia is Samigina, a Great Marchioness. She initially appears in the form of a My Little Pony Princess Luna, amidst the Triangle Of Art Imagination, likened to a rocking horse or that of a latex clad Girl on all fours looking like a fetish hobbyhorse.” 

“And then appearing as a Gothic Alice In Under-Land, she to change herself into at the request of her Mad Hatter of an Ansuz Rune Art master.” 

“She speaks with a seductive voice, having Cheshire Cat feline wiles, loving spilt cream of an offering. As a Vajrayogini She rules over 30 Legions of Succubae Lost Girls, the writer, Alan Moore and the artist Melinda Gebbie to know all about of Tantric archetypes, who populate the informational realms of the collective dream, as knit-together Tulpa programs.” 

“She teaches all Arts as an Art Muse, who to guide her master through her Yoni looking glass of an inner wormhole into surrealist wonderlands of the dream. And she gives account of those Artists who broke through Ring-Pass-Not sexual Taboos, such as Hans Bellmer, Balthus, Stu Mead, Mark Ryden, Trevor Brown and Milo Manara, etc, whose artistry is considered to be Entartete Kunst sinful; though enticing many a quantum computing brain into a Luna Art gallery, which to also exhibit Ninth Art underground comics of symbolic alchemies, stirring virtual reality dreams.” 

“And her abstract Manga Seal of the multiverse world tree of an Artist’s easel, to which she be tethered and bound, is to be meditated upon, before the Sorcerer Artist conjures her ‘Anima’ fluctuation into his Surrealist dreams, wherein he becomes as her Anime Invocator, etc; though, two-dimensional of meditative image, she manifests as a three-dimensional interactive reality within a Cool World lucid dream.” 

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THE CONJURING 2 OF VALAK AS A NUN

Posted in Art, Chaos Magic, Comics, Demon, Demonology, Goetia Girls, Goth Girls, Lucid Dreaming, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on July 3, 2016 by FAUSTUS CROW

Valak was originally conjured out of the gnarled grimoire of the Goetia as a little naked school boy having the wings of an angel who rode a two headed dragon. Said spirit, like most of others described in the grimoires are depicted as being male entities of an overriding ‘Animus’ fixation. The how and wherefore of Valak’s symbolic transformation into a pasty faced Nun in the film, The Conjuring 2 is of the age old Hollywood tradition of rewriting history. But then, at the end of the day, it is an artistic creation, just as the original was an artistic creation, which of viral-meme ‘artistry’ conjures up associative archetypes within the collective unconscious. As Johann Wolfgang von Goethe once said:

“The Artist alone sees spirits. But after he has told of their appearing to him, everybody sees them.”

Perhaps the creators of The Conjuring 2 decided to avoid utilising the motif of a little naked school boy because he would end up looking like a deranged version of the animated Voodoo doll icon, Chucky, so, instead they transformed Valak into a transgender entity looking like a Marilyn Manson asylum Nun out of an ‘American Horror Story.’

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Or maybe, the creators of the film had decided to reverse the ‘Animus’ fixation towards that of the ‘Anima’ by having Valak as a Nun. Whatever the case, symbolic logic would have dictated that the original little school boy would have been transformed into a school girl, not that of a Nun. But Hell, most of audience wouldn’t know about Valak’s historical grimoire manifestation.

Valak is not one of the most iconic entities of the grimoires; wherefore it is curious that the creators chose this particular entity; why not some other?

Well, the film is about the spiritual torment of a girl; hence the associative conjuring up of demonic cherub Valak, who, at some Hollywood boardroom juncture, before its ‘Conjuring’ into celluloid, was otherwise re-scripted to be ‘Conjured’ as a Nun.

As mentioned; the symbolic reversal of a school boy ‘Animus’ into an ‘Anima’ expression would be that of a school girl; so, why that of a Nun instead?

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May be it is reference to the Tarot card of the High Priestess ‘II,’ whose card can be associated with another spirit to conjure out of the Goetia, going by the name of Gremory, who would manifest as a Nun.

Gremory is of of the very few spirits listed in the Goetia who is described as appearing a female; though as per usual, the feminine manifestation is seen to be but a ruse. (NOTE: If you are interested in the above Gremory shirt design, Please Click the Image Link.)

Wherefore, though manifesting as a woman, the spirit is considered to be male, which of a classical ‘Animus’ depiction would be somewhat alike to the Marilyn Manson Nun, featured in The Conjuring 2 film.

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If however you totally rebel against the ‘Animus’ fixated Playgirl grimoires, whose listed entities are all male, then Valak would manifest as a schoolgirl.

Whereas Gremory appears as a Nun. Both of whom would be very feminine of an ‘Anima’ expression. In ancient times, male Shamans would enter into lucid dream congress with their spirit wives, who are manifold aspects of the ‘Anima.’ This did not involve being possessed; for a male enters unto a spirit wife as he would do a woman.

(NOTE: The Gremory Artwork below is available as an Art print. If you are interested, Please Click the Image Link.)

However, should the shaman not be in control, or to be homosexual of persuasion, the conjured archetype of the ‘Anima,’ would then become more masculine of expression. It was usually the woman, who allows herself to become possessed by her deified ‘Animus.’

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The symbolic motif of the Nun has associations with the ancient vocation of the Priestess and in turn that of the Witch, which of a Tarot card is associated with psychic phenomena, trance and dreaming.

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Should you look into the symbolism being employed by The Conjuring 2 film you will find intriguing symbolic references, which allude to the Tarot sphere of the High Priestess.

You also have the actual character of the young girl named Janet, from the Enfield Poltergeist case who speaks of an ethereal presence affecting the back of her neck, which of an experience refers to hypnagogic trance.

Should you decide to look for any historical parallels to the Janet case, look into the Loudun possessions. The Loudun possessions was a notorious Witchcraft trial in Loudun, France during 1634. A convent of Ursuline Nuns are said to have been visited and possessed by demons; however, a number of the Nuns had inadvertently experienced trance. The Loudun possessions is of similarity to what the ancient Priestesses used to do, who allowed themselves to become erotically possessed by their deified ‘Animus,’ made as a God.

What Janet to tell of concerning an otherworldly sensation stroking its way up the back of her neck is also spoken of by the Kalahari Bushmen of South Africa, who call it the Num, which initiates trance, they term as Kia. The Num is the same as the Kundalini Shakti of the Yoa practitioner, which is also known as the ‘rush,’ in trance dance culture. It is this energy, which stirs ‘The Conjuring’ of the archetypes out their Jinni bottle of the subconscious mind.

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It just so happens that the back of the neck is associated with the hidden sephira of Da’at in the Hebrew mystical tradition of the Cabbala, which is numbered ‘eleven.’ Da’at is interpenetrated by a path, whose associated Hebrew letter is Gimel, which in occult practice corresponds with a ‘Camel,’ as well as being ascribed the Tarot card of the High Priestess II, (otherwise known as the ‘High Priestess of the Silver Star’ – Sirius); wherefore you have the symbolism of a Nun.

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Gremory is depicted as riding a Camel, who is the fifty-sixth spirit of the Goetia, whereas Valak is the sixty-second spirit out of seventy-two listed spirits. The numbers eleven, and seventy-two are mentioned in the Conjuring 2 film. The girl is aged eleven who is being haunted by a ghost of a seventy-two year old man.

(NOTE: The Gremory Artwork below is available as an Art print and a shirt design from my Redbubble Shop. If you are interested, Please Click the Image Links.)

This would then translate as the girl being affected via the eleventh hidden sephira of Da’at, which physiologically corresponds with the throat/neck area of the reptilian brain stem.

Whereas the old man’s age of seventy-two, is a number, which is traditionally associated with the seventy-two names of a deified ‘Animus,’ made as a God, who is commonly depicted as an old man.

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OCCULT ART OF SUCCUBUS DREAM SORCERY

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , on March 10, 2016 by FAUSTUS CROW

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A two dimensional painting of Theta brainwave creativity, which encapsulates dark desires of a meditation focus, can become as a three-dimensional Succubus reality within a lucid dream.

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The two-dimensional image will be consciously experienced as a fully-interactive creation within the dream. The experience of which, will lend insight into what the Palaeolithic shaman artists were up to of painted caves.

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This creative feat is abstractly symbolised as the Six pointed star of the Hexagram (Sexagram), which represents the Sixth-Sense (Coitus Pactum) lucid dream, of inverse Pentagram, Five-Senses.

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Inverse Pentagram, as in, the Five-Senses are introverted into the Microcosmic dream, of a full immersion into an inner three-dimensional reality, which has been induced by the mediation device of a two-dimensional painting.

Not twisted into a Devil worshipping Satanic Death Metal fantasy, of a Luciferic Vatican wet dream; for the Satanic Anti-Thesis merely validates their dogmatic God thesis; the two, perpetually upend each other of an Illuminati ‘Animus’ fixation, which has castigated the ‘Anima’ out of the spiritual equation. Wherefore Lilith had been cast out of the New World Order of an Orwellian Eden, where ignorance is bliss, (self) knowledge is a Sin.

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As for the upright Pentagram, it represents the Macrocosmic Five-Senses of your experiential reality, when you are supposedly awake; that’s if you haven’t been ensnared by the God-Cop, Devil-Cop paradigm of an Orwellian pincer-movement, which to subversively hypnotise many a brain of an ongoing brainwash, via their engineered emotively charged symbolism.

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SUCCUBUS MULTIVERSE DREAMING

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 9, 2016 by FAUSTUS CROW

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Mephistophina, standing betwixt the Ida And Pingala (Autonomic Nervous System) pylons, Black And White as Mares, becoming as the dapple Grey eight-legged Night-Mare of Mercurial quick ‘silver’ Mercurius, arising along the (Central Nervous System) Sushumuna as the Anima-Mundi.

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She be the ‘Da’at’ (Reptilian Brainstem) Sirius Star Girl Guide to trance ride into Lilith’s Harem Of The Multiverse Dream, wherein her Nightgaunt Succubae Witch Sisters govern over womb worlds to…lovingly… conjure as Jinn, made of bio-photon fire.

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Though such be not that of Newage Hollywood love, of internalised relationship dynamics fueled by fantasies of unrealistic perfections.

A Succubus like a woman does the Valkyrie choosing; it is what the subconscious mind to know of a biological truth, the ‘Anima’ to reveal.

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Although this be harsh upon those who have been rejected by a woman, leaving behind a broken heart; it is at such a time that the wounded of (Central Nervous System) heart be ‘opened’ to the ‘Anima,’ whose predatory dream fluctuations of the Succubus do then hunt down the fallen to choose upon the battlefield of life, likened to that of the carrion Crow of a Morrigan, who to rip through the seals of the Chakras to open.

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But the chosen then has to control her, so as to microcosmic ride astral as the Night-Mare; otherwise, the ‘Anima’ to then take over of indulged in fantasies of a Ring-Pass-Not. If not controlled, the rider indulges in religious sentiments to worship the ‘Anima;’ hence becoming as the ridden, to never know of the rough magic along the Ley of lady sychronicity, who to Maya dance upon the mirrored path Ouroboros.

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The dreamer may come to a realisation that the Succubus allows a dreamer to tune into alternate selves, who to be in relationships upon some other alternate Earth, which to reveal that when becoming incorporeal, the consciousness of an individual naturally slides into an alternate self of a Tulku to fuse with, and what was known of a life before, becomes as an ethereal half remembered dream.

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Or that of knowing of inner Mind-Doll Tulpas, whose conjured microcosmic spin does weave macrocosmic synchronicities along the Leys, via which the dreamer can hunt down the, hunter, of another woman to meet at a place of bio-photon flame attraction.

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The Succubae can reveal many a dream secret to a chosen… shaman… Siberian shamans to know of, as well as those practitioners of other, still surviving elder shamanic cultures; whereupon in the Tantric Buddhist practice of Tibet the Succubae are called Dakinis who are manifold aspects of Shakti. The Dakinis are seen to be Wisdom Holders of dream Yoga.

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Before the ascendancy of the ‘Animus’ worshippers of the patriarchy the ancestors of the European’s also had a shamanic understanding, which had investigated the ‘Anima.’ Alas, after five hundred years of a totalitarian inquisitional purge, the shamanic legacy of the European’s was nigh eradicated of genocide, spreading towards other cultures across the globe, which to still continue of imperialistic empire building.

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Perhaps it is all part of a process of dismemberment, like that of DNA self replication, wherein of 23rd angstrom, periodic mutations occur. But over the long stretches of time what goes around, comes around, Ouroboros, when the dismembered shaman is put back together into another form of a return.

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So, beware of the politically correct thought police who to trickster twist your words around, preferring candyfloss fairytales to promote; more so that of the Abrahamic worshippers of the deified ‘Animus,’ made as their Orwellian God and Devil, whose machismo Angels and butch Demons are listed in many a patriarchal ‘Playgirl’ grimoire.

The ‘Animus’ worshippers will duly castigate thee as being a vile pornographer, who to thence burn your ‘Anima’ conjurations upon their Inquisitional mind-control pyres of a moralistic Enartete Kunst!

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“Why would they do so?” You might ask; well, it does appear that there is an underlying sex war behind it all, due to a deified gender focus, which can be seen as being an expression of an evolutionary flux, concerning the evolution of consciousness.

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Wherefore, the rebellious focus upon the symbolic expression of the ‘Anima’ is also part of this process, which might eventually lead to a balance occurring of inner space, lucid dream conjuring.

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But this will be dependent on others observing the obviously out of balance focus upon a deified ‘Animus,’ which of a religiously hewn patriarchal symbolic paradigm permeates all levels of culture, spreading world wide.

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Should you consider this analysis to be rather far fetched, all you have to do is to look at the fundamentalist scourge of the Middle East and that of home-ground to find Abrahamic mind-sets of a shared funda-mental insanity.

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DOCTOR STRANGE CONJURES THE FRENCH MAID SUCCUBUS VALEFOR

Posted in Art, Chaos Magic, Comics, CREATIVE WRITING, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 16, 2016 by FAUSTUS CROW

The Sanctum Sanctorum of Doctor Stephen Strange’s brain felt like it was full of broken glass tearing away at the insides of his cracking skull; he needed some help with the messy thoughts, which cluttered the labyrinthine rooms of his memories. But Strange’s psychic counsellor, named Wong, was no longer at the other end of the phone. Wong had discharged Strange as his client sometime prior, after a number of unpaid bills, who last mentioned that the tortuous folds of Strange’s brain really needed a woman’s touch.

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Strange felt a panic attack coming on, before attempting to relax into his armchair, while listening to a cursed radio, which he knew was nigh fatal to the touch due to its bad wiring. His eyes drifted towards peering through the window, out of which it appeared to be constantly raining. Strange thought that his wardrobe was winking at him as if it was a gateway to a demonic realm, whose inner shadows moved of half-lit forms by the red light of a flickering flame table-lamp, which seemed to be composed of actual serpents. The light of the lamp had a soothing affect upon Strange’s mind, which was accompanied by the fiery coils burning in his magical furnace of an electric heater, whose wrought iron work he imagined had been designed by the shaman smithy, Horguun, to contain the Vril-ya flames of the Faltine

Strange slowly sifted through his tangled memories, all of which were as a mystical library collection of scattered books, buried deep within his subconscious crypt of occult artefacts; such as the book of the Vishanti, the book of Morphesti, the book of Demonicus, the book of Eibon and the tome of Oshtur, as well the Scrolls and grimoire of Watoomb, the Kartkuthi, the Scroll of Eternity, the diary of Kenneth Ward and an unpublished manuscript by the occultist Dion Fortune.

After a time he remembered leafing through a gnarled grimoire, entitled the Goetia, written and illustrated by the mad sorcerer Faustus Crow, out of which he decided to conjure the sixth spirit therein described as being a mighty Succubus Duchess, called Valefora.

Strange considered Valefora would be fit for the task, to clear up his messed up thoughts, due to her being described as manifesting as a French maid.

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Strange’s conjuration of Valefora amidst his Triangle Of Art Imagination, involved him visualising the Window of the Worlds, which he termed as the Anomaly Rue, or the Seal of the Vishanti, which corresponds with his third eye. Strange imagined conjuring Valefora via the window by imagining her seal drawn upon its surface of liquid mercury, becoming thence as an inner Stargate.

As he did this, he also imagined holding the Orb of Agamotto in his left hand, while holding the Wand of Watoomb within his right hand; upon his index finger he wore the Ancient One’s ring called Dragonfang.

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As Strange mediated of visualisation, he intoned Valefora’s name over and over again as a mantra, of a Tibetan dream Yoga technique, until he attained hypnagogic trance; whereupon he then slid into conscious dreaming, wherein of an induced lucid dream, Valefora manifested before him as described in Crow’s Goetia.

Valefora related to Strange within his lucid dream that she is not shy of any hard graft, who will work her ‘Ass’ off for him as her master. He found her to be a most loving Ghost Girl Familiar whose temperament is likened to that of a sharp clawed Lioness, who softly bit his lip, ever so feline, upon a kiss.

Strange was aware, that as a poltergeist she is often tempted to teleport valuable artworks from faraway places, as well manifesting coinage, which has been acquired across space and time. But in doing so it could potentially lead to Strange being accused by the law, of obtaining the rare artefacts via undue means, in order to desperately pay off his growing lawyers bills.

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However, Valefora revealed, though a thief, she is more so, an Art Muse, who inspires of acquired ideas from other times and places, which are gathered from Strange’s own myriad alternate selves, who exist upon alternate Earth’s, occupying parallel universes. “Its all to do with gravitational waves,” she to have said, “it is how alternate selves communicate with each other, via electron dreams, who exist in parallel universes.” 

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Soon after Strange’s successful lucid dream conjuration of Valefora, she started to haunt his large and spacious townhouse situated at 177A Bleecker Street, New York City, NY 10012-1406, on the corner of Bleecker Street and Fenno Place in the art ghetto heartland of Greenwich Village.

Strange could hear her voice of clairaudience, “I am so very happy to be here master,” she said, “while cleaning up your house, which of an environment mirrors your quantum computing brain, housing your mind, I discovered that it is a focal point for mystical energies, whose nerve centre of twelve intersecting Dragon Ley lines runs deep beneath its reptilian brain-stem foundations.”

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Valefora continued with her ghostly revelations; “I also found that Years before any permanent Western European settlements, a powerful Native American Indian Shaman cursed this land to bind the great whore of Chaos Magic, called, Tyanon to this place and bar her full access to Earth, until a sorcerer, such as yourself, releases her to wreak justice upon the Abrahamic cultists who oppressed his people. This site continued to serve as a place for arcane Native American Indian rituals. Shamans of the Wappinger tribe were also known to journey here for vision quests.” 

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Valefora then said, “with the arrival of European colonizers, the site became used for pagan sacrifices. Before any permanent structures were built upon the land, it was used as a Potter’s field; a mass grave for paupers and inmates from New York’s first penitentiary, Newgate Prison. Those European colonists who had first built on the site were the ancestors of Baron Mordo, which housed a Satanic cult, performing human sacrifices. The original structure was destroyed in a fiery blaze, as were the subsequent five buildings on the same plot of land. Over the years, the various buildings were again used as a lair by an ancestor of Baron Mordo, who was a Puritan Witchfinder, he abused innocent native girls in the basement; later it became a notoriously bacchanalian speakeasy, as well as being used as a flophouse for druggie beatniks.” 

Valefora to thence whisper,It was eventually transformed into a nunnery by the Chaos Unitarian Nuns Templar, who worship the Crow God; they still have psychic ties with this place, whose Grand Abbess initiated the building of the current structure, which is actually the seventh Chakra building constructed upon this site. The occult architect and details of its structure remain shrouded in intrigue due to the nuns mysteriously disappearing during a raging storm, when celebrating Walpurgis night.” 

Strange felt Valefora’s lips seductively caressing his left ear, as she said, “the building itself continues to grow and change of artistry; it ever seeks to express its Tyanon self; becoming as a gathering place for the Widdershin Wise kindred.”

“I know that Baron Mordo and his politically correct followers are attempting to stop your Entartete Kunst plans to artistically transform your house into a Tantric lap-trance-dance club, to call the… Succubus Club.” 

Valefora lustfully spoke. “Because I am in your head, as a Muse of your dreams, I know the real reasoning for the Succubus Club, which of an occult design was initially initiated by the Grand Abbess, who had magically summoned you to release Kali-ma Tyanon via her Dakini Familiar, who I be, of a Succubus sorority.” 

“Hence, you to have then conjured me. But Fighting Mordo in court is rapidly consuming all of your finances. Don’t worry master, I, myself, and my ten legions of Succubae Ghost Girls will lovingly help you with achieving your most sacred goal.”

Valefora to have then said. “Whenever you need me, just meditate upon my Seal prior to conjuring me into your lucid dreams, I will appear, whether you will continue having me as a French Maid Familiar, or not. I am your deepest desire.”  

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Strange then saw ghostly Valefora walk towards her warded Genie box of an abode, which he had created for her Seal, painted with his seed, upon parchment; before she left, to obediently return, whenever summoned, she said. “But as for all your enemies, such as hypocritical Bible thumper Baron Mordo, I will place a hanged-man’s noose around his Illuminati neck. It is they, your enemies, who will see another side of me, which is purest… Nightmare! Hear my Banshee scream, Mordo… I don’t like you.”

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