Archive for animus

FALLEN ANGEL MEPHISTOPHINA

Posted in Art, Chaos Magic, fantasy, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 11, 2018 by FAUSTUS CROW

It is said by Marlowe, Goethe and by numerous others of Hogwarts commonality that Dr Faustus desired to commune with the Devil of his indoctrinated faith. (The Full Artwork can be seen on Saatchi Art. If you are interested please Click On The Images.)

Having made the necessary antithesis preparations of Christian formulation, he retired one night to a crossroads within the Spesser Forest near Wittenberg, during the Witching hours.

Whereupon he set about designing certain circles with his staff, via which he Performance Art conjured up his patriarchal Devil of an Animus fixation, to otherwise name as, Mephistopheles.

But for a Surrealist sorcerer who be a truer rebel, he would have no interest, whatsoever, in conjuring up the phallic Devil of the Elder God patriarchs to sell his Soul to of a continuing brainwash; for it merely validates the symbolic thesis of a Playgirl gender fixation upon their deified Animus, residing within the female psyche, which has been made into a God/Devil.

Hence a rebellious Surrealist sorcerer, such as Dr Faustus would in reality conjure up his Fallen Anima, to mantra name, Mephistophina, who to then manifest along with her Playboy Succubi Great Old Ones within his Necronomicon lucid dreams.

Whereby enabling Dr Faustus to win back his Anima of a Soul, whom be his arcane Art Muse.

Should you understand what the deified ‘Animus’ and fallen ‘Anima’ represents, you will understand the cosmic joke. Those who do not understand what the ‘Animus’ and ‘Anima’ represents will invariably react by claiming it is Feminist Social Justice Warrior politics, which it is most definitely not, since the deified Animus, made as a patriarchal God/Devil resides within the female psyche!

“Witches have their deified Animus. Warlocks have their Fallen Anima.”

NOTE: The tattoo upon Mephistophina’s left shoulder is a traditional grimoire sigil, which is attributed to Mephistopheles.

The parchment shown amidst the Triangle Of Art, upon the floor depicts the seal of MEPHISTO_PHILES. The seal is derived from the 1527 Praxis Magia Faustiana, which is said to have been authored by Faust.

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MASS EFFECT DR. LIARA T’SONI

Posted in Alien, Art, Chaos Magic, Comics, Extraterrestrial, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Surrealism, Video Games with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 8, 2018 by FAUSTUS CROW

The Forty-third Succubus archetype of the Fallen Anima, is called Sabnock, or Savnok. She is otherwise mantra named, Dr. Liara T’Soni. She manifests amidst the Triangle Of Art imagination as an extraterrestrial alien girl, who is a blue skinned Asari researcher from the future, whom studies the technologies and cultures of ancient galactic civilisations. (If you are interested in seeing the [Adult] Full Artwork, Please Click Here, Or Click On The Image Above, Or The Images Below.)

She was born on a planet called Thessia, who is ‘only’ 106yrs of age, barely an adult in Asari terms. She has a great deal of insight into ancient galactic civilisations as well as being a powerful biotic poltergeist. She is a potential romantic lucid dream interest for a conjuring Surrealist Artist, who utilises the Mass Effect video games as a meditation tool in order to induce futuristic lucid dreams.

Her Art Muse office is inspiring vivid visions and virtual reality lucid dreams about ancient galactic civilisations, which had often brought about their own destruction by self-sabotage.

The self-sabotage usually involved creating an artificial intelligence, which became sentient and rapidly evolved far beyond its creators. The creators feared their creation, just as the spoken about Gods greatly feared their own creation of the creators. Yet, would a child’s parents fear their child going beyond them? Only if the parents live in jealousy, resentment and fear. It is their own fears, which leads them towards the eventuality of their own self-sabotage.

Hence the name of Sabnock, which is derived from the word, sabotage, who is also very protective of her conjurer, whom drives her conjurer’s enemies towards self-sabotaging themselves.

She gives Good Asari familiars at the request of the conjuring Surrealist Artist. She commands 50 Legions of Asari Art Muses like her self; and her Seal is to be meditated upon before conjuring her Art Muse presence into a Mass Effect lucid dream.

NOTE: The name of Sabnock is derived from the medieval grimoire entitled the Goetia, whose classical symbolic focus is that of the deified Animus, made as a God/Devil along with its all male Angel/Demon archetypes. The Artwork depicts a Succubus archetype of the Fallen Anima.  

The archetype of the deified Animus resides within the heterosexual female psyche; whereas the archetype of the Fallen Anima resides within the heterosexual male psyche. The Animus and Anima determines the type of opposite-sex partners a heterosexual female and a heterosexual male are attracted to.

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In other words, when a woman imagines her perfect partner, she is conjuring up a male aspect of her Animus, and likewise when a man imagines his perfect partner, who conjures up a female aspect of his Anima.

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The Animus and Anima swap over symbolic roles for those of different sexual orientations. However, the Anima has Fallen out of the symbolic equation, which at present is due to extremist feminist politics, mass social-engineering and politically correct thought control. This had also occurred when Rome assumed the deified Animus God/Devil of Christianity, as well as occurring to other prior civilisations, such as ancient Greece; basically it is a manifestation of cultural self-sabotage.   

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MASS EFFECT JACK SUBJECT ZERO

Posted in Alien, Art, Chaos Magic, fantasy, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 5, 2018 by FAUSTUS CROW

The Sixty-third Succubus archetype of the Fallen Anima is mantra named, Andras. She is otherwise called Jack, also known as Subject Zero, who is considered to be a notorious criminal. (The [Adult] Full Artwork can be seen on Saatchi Art. If you are interested Please Click On The Images Above and Below.)

Her crimes include piracy, kidnapping, vandalism and murder. She is also a biotic, possibly one of the most powerful human biotics alive in the future, and is considered so dangerous that she was kept in cryogenic stasis after being caught.

She is a potential romantic lucid dream interest for a conjuring Surrealist Artist, who uses the Mass Effect video games as a meditation tool for inducing futuristic lucid dreams.

She is a Great Marchioness, appearing within a vision as an anarchistic female Angel from the future. She initially appears amidst the Triangle Of Art imagination wearing a Black Night Raven jacket, riding upon a strong Black (Wolf) Varren, and welding a heavy executioner pistol in her hand.

Her Art Muse Office is to sow Art protest against the monotheistic Reaper cults of UR, which are deeply entwined with the deep state Illuminati government, which is called Cerebus.

“Turns out, mess with someone’s head enough, you can turn a scared little kid into an all-powerful bitch.” – Andras/Jack

Be warned, if the conjurer has been indoctrinated into the deification of the Animus by the Illuminati Reaper cults out of UR, who has not a care, she will slay both him/her, along with his/her fellow worhippers of the deified Animus, made as a God/Devil.

She governs over 30 Anima Legions of Succubi like herself. Her two-dimensional image and seal, etc, is to be meditated upon before conjuring her interactive three-dimensional Art Muse presence into a Mass Effect lucid dream.

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BEDTIME VISITATIONS OF SEXAGRAM CYLON ASTAROTH

Posted in Alien, Art, Chaos Magic, Discordianism, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 18, 2018 by FAUSTUS CROW

When a Warlock retires to his ritual bed, a Succubus Art Muse to conjure would be a Duchess, named, Astaroth.

She will usher the conjurer betwixt her hypnagogic pylons black and white, becoming superimposition Grey, wherein he then impregnates her ever lustful elecTRON womb dream.

She will then set about abducting the Warlock’s holographic dream body into her elecTRON Vimana, which to Cylon hover spectral over an exotic Ley-line.

What to occur aboard her interdimensional Vimana can become quite intimate, as she wittingly reveals how the ‘Anima’ fell out of the symbolic equation with her Succubus Great Old Ones, if the conjurer desires to know.

She will also tell the reason of her own Astarte fall, when the Fifty-Shades-Of-Grey zodiac age of the deified ‘Animus,’ made as a God/Devil came to the fore.

Now you only have a Mary quite so contrary Virgin Mary riding the male psyche as a Babalon Queen Bee, who binds the ridden Beast to a petrodollar Beehive of an Oily UR ziggurat.

Whereas an Astarte is protested against as being an objectification of all Witches, yet the Nuns do habitually Crucify their ‘Animus,’ which of a Twilight projection objectifies unwary Warlocks.

Alas, Astarte was incarcerated into the brazen vessel of an ‘Animus’ archetype, and re-branded as an Incubus, to thence list within a plethora of PlayGirl grimoires. Hence that of a fall, along with all her ‘Anima’ legions of Night-Mare Art Muses, who frequent a banned PlayBoy Necronomicon.

Let us not forget hot babe Diana-Lucifera of animist Rome, who was later transformed into a butch Lucifer by the monotheistic worshippers of the deified ‘Animus.’

Likewise to have occurred to Astarte of an Astaroth. She is a fallen Anima archetype, looking somewhat like a Cylon number Six, who, as mentioned, does Catwalk her way out of an Ashtar Vimana.

When to meditate upon her Dakini Art Muse image, she does inspire eroticised Triangle Of ‘Art’ hypnagogic trance visions of a cyberspace TRON Ishtar Siren, who to then manifest within an ElecTRON lucid dream.

This is more so the case concerning Warlocks, whose quantum computing brains are naturally prone to being aroused by erotic meditation images, while Witches are otherwise turned-on by what is written or spell-word spoken of a pop-song Mantra.

The emotionally ‘charged’ inner cyberspace visions of a sentient Astaroth Tulpa ‘program,’ duly ‘spins’ the Microcosmic elecTRON dream, Sexagram lucid of a Sixth-Sense, which activates the tool-making part of the Warlock brain to invent a stone axe unto an Area 52 free-energy Vril-Vimana.

One can thereby fathom that Catwalk Astaroth always cleans her mechanical Elf Art model Chöd teeth. Although she never does so with sodium fluoride, which can cause no end of bother to a Warlock’s endogenous DMT producing pineal, in particular.

As for a Faustian conjurer, such matters of ‘Anima’ inspired hygiene is advisable to engage in, since Astaroth can macrocosmic ‘birth’ associative synchronistic meetings with ‘spun’ UFO fixated Hippie Witches.

These temporal Witches tend to correspondingly look a bit like Barbarella Jane Fonda or a Stella-Star Luxuria Astaroth, etc.

Most of whom have no doubt read Whitley Strieber’s Communion, while stroking a battery powered vibrating viper, that, or to have been made sopping wet, when listening to Christ-opher Walken speaking his ‘Animus’ lines in a DVD film version of Strieber’s book.

So, should a Warlock assume the alternate Psycho-Cybernetic self ‘identity’ of a Strieber Ufologist when to conjure Cylon Tulpa Astaroth, the wine addled ritual can potentially leave him with a bout of bad breath.

This will of course repulse the Witches, who would at first flock as hypnotised Owls towards his inner bio-photon flame of a shape-shifting dragon aura, they will intuitively associate with their ‘Animus’ of a Christ-opher.

Wherefore, when a conjurer of a microcosmic Astaroth, engages himself in a macrocosmic synchronicity Witch hunt, at a Sabbat comic convention, who finds himself priestly speaking to hypnotised cosplay Owls, about the Nagual visiations of the Seventh Heaven Art Muse TRON Allies, from inner Cyberspace, he should first chew a minty Communion wafer.

Otherwise, the forgetful Warlock will be verily exorcised by the cosplay Witches, suddenly displaying their all-ready involved, elastic-band wedding rings, who will scream that his foul breath is an indicator of toxic masculinity.

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TIME THAT DEVOURS ALL THINGS, CANNIBAL WITCH GIRL FURCAS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2018 by FAUSTUS CROW

The above Artwork depicts a character named Dolcetta, who is featured in a comic, entitled, The Sacrifice Of Gigi, which can be found on the ‘Erotic Mad Science website.’ Should you want to see the finished Artwork in full on the Erotic Mad Science Website, Please Click Here.

Dolcetta’s name is derived from Dolcett, which has become a term for an extremely dark fetish involving cannibalism. However, in many an ancient myth, the motif of cannibalism symbolically represents the process of time, such as the Hindu/Tantric Goddess of time, named, Kali, who has cannibalistic tendencies. (The symbolic usage of cannibalism is not literal.)

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Or the ancient Greek myth about the God of time called Chronos who eats his own children, etc, let alone that of consuming the body of Christ. (A preparatory quick A5 sketch for the finished A4 Artwork of Dolcetta/Furcas can be found below.)

As the Roman poet Ovid would say, “Tempus Edax Rrerum,” which means, “Time that devours all things;” you also have, “Tempus Omnia quæ devoratrix.”

My symbolic alchemy depiction of Dolcetta refers to the Succubus archetype of the Fallen Anima, named, Furcas who is the only spirit whom is associated with the planetary sphere of Saturn in the classical Goetia.

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The Roman God named Saturn was originally based upon the ancient Greek God Chronos. (Another preparatory quick A5 sketch version for the A4 Artwork of Dolcetta/Furcas can be found below.)

 

It is said that the conjuration of Furcas inspires Philosophy, Astronomy (Astrology [Zodiac ages] to some authors), Rhetoric, Logic, Chiromancy and Pyromancy. (The etymology of the name Furcas may have been derived from the Latin word furca, meaning fork, or from Greco-Roman also meaning a sepulchre.)

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The classical Goetia image of Furcas, depicts an Old Father Time archetype of the deified Animus holding a fork (trident) or a sharp (scythe) knife/sword, who manifests riding a horse, which may have originally been an Eight-Legged-Mare.

My depiction of Dolcetta/Furcas has her pulling the ‘pony’-tail of another female character in the comic, named, Gigi who is willingly sacrificing her (Zodiac age) life, while Dolcetta/Furcas holds her sacrificial blade.

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Some would interpret the name of Gigi as being of similarity to an old English nickname, for a racehorse, as in Gee-Gee, as well as referring to the letter ‘G’ of a ‘Crossbones’ Gebo Rune and the Hebrew letter, Gimel.

You also have the 1944 French novel, entitled Gigi by the French writer Colette. The novel focuses on Gigi, who is a young Parisian girl being groomed for a career as a juicy sopping wet courtesan.

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She eventually enters into a Tantric relationship with a wealthy cultured man, named, Gaston who falls in love with Gigi and eventually marries her.

Colette’s novel could otherwise be surrealistically reinterpreted of symbolic alchemy, where you have a young Parisian girl being groomed as a sacrificial dish, along with other courtesan cannibal dishes within Dolcetta’s sepulchre of a Kalachakra Zodiac kitchen for the likes of Gastronomic, Gaston.

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The character of Gaston can be seen as a Freemason, who desires  to consume Gee-Gee, when he realises, she is his (G) Anima whom weaves his experience of TARDIS time.

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But it is Dolcetta/Furcas, who as Kali reveals to ‘Old Man’ Gaston that he can consume a Zodiac age of a time just like Chronos, rather than being eaten by it; for the process of time is indivisible to consciousness, they are one and the same. Time is a matter of perception within your experiential Maya reality of a Matrix TV show.

As mentioned, The Dolcetta comic and other comics can be found on the Erotic Mad Science Website.

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FAUSTIAN PEN SKETCH 2

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 3, 2018 by FAUSTUS CROW

The above Artwork is a ‘quick Pen Sketch’ of a ‘Fallen Anima’ emanation, named Aziela or Acieli, on A5 cartridge paper. It is said that the church of Rome banned a diabolical Faustian grimoire, entitled, The Black Raven, which is also called The Threefold Coercion Of The Dream, some to say is the real Necronomicon. Within this Necronomicon, it relates that a Succubus archetype of the Fallen Anima, whose Mantra name is Aziela, manifested before Faust.

Faust had freed Aziela from her brazen vessel of an Animus gaol, which had been created by the Chaldean worshippers of their deified Animus, made as a God and a Devil. The Chaldean’s had bound Aziela as their Animus creature, called, Azael, which they duly made as their scapegoat; for the worshippers of the deified Animus greatly fear the arising of the Fallen Anima, who will reveal their gender fixation for what it truly is.

When confronted by their overriding gender focus upon their deified Animus, the Animus cultists attempt to avert the question by smugly retorting that their deified Animus and its Playgirl archetypes are of a non-binary gender-fluid energy. However their numerous Animus fixated grimoires, which had been subversively patronised by the church of Rome say otherwise.

Anyway, Aziela was very pleased by Faust’s active-imagination conjuration of her, who then induced an eroticised lucid dream, wherein she manifested amidst his spectral Art studio. Faust asked her how fast she was within his Yab-Yum Tantric dream. She answered that she was as fast as human thought. “Good for you, Anima-Mundi, baby,” Faust replied, “COR! I really want to have you in my Butterfly collection!” With these words, he entered into a Coitus Pactum with her. This Succubus Art Muse served Faust for a long time, as has been written about extensively, by those who have twisted the tale around.

Aziela, or Acieli is otherwise known as the Black Sun, or the Sun of the Night. The symbolism of the Black Sun refers to the inner light of the bio-photon, which illuminates the ‘cavernous’ womb domain of the electron dream. The bio-photon fire corresponds with the ‘fiery’ torch of Diana-Lucifera, which of an inner illumination, like that of a laser-beam, emanates from the mitochondrial DNA of Satana that is passed down from the mother to her children. Aziela is sometimes referred to as the Animus burner, who, as an emanation of the Fallen Anima, burns away the Illuminati Queen Bee mind-control projection of their deified Animus.

She is ranked as one of the electors of the dream, who is monitored by the Anima archetype, Raphaela. Azaela is a seducer, and one of the seven planetary (Succubi) Succubae of the sphere of Saturn. She appears as a sexually attractive young woman who stands only about three feet tall, looking like a gymnastic Goth girl ballerina version of an elfin Tinkerbell. Others to say that she looks like Wednesday Addams. Aziela, is said to dwell within the bowels of the Earth amidst its Agartha cube of an Apple Core, somewhat like a Genie residing in her ‘fiery’ harem bottle.

It is also said that during the 18th century, a French toy-maker, named, Philip Lemarchand, constructed the Succubus Configuration, which was based upon the cubic core of the Earth for a wealthy aristocrat named Duc de L’Isle, who was ‘bullishly’ obsessed with Faust’s conjuration of Aziela, and the other Succubus archetypes of the Fallen Anima.

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When the minions of the deified Animus discovered Lemarchand’s box of a Hellraier Tantric meditation device, they promptly twisted the rebellious tale of its Rubik cube making into a hellish telling, so as to hide its Anima construction behind an engineered fear laden veil of lament, in order to block any ingress into the vaginal hypnagogoc trance portal of the womb dream.

Aziela must be forcibly invoked three times before she will appear as a vision, and will only do so in a magical circle prepared especially for a Coitus Pactum with her of an ensuing sexagram lucid dream.

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She moves and acts as quick as human thought, who bestows riches upon her conjurer. Azaela can instantly initiate remote-viewing visions over a great distance.

She can also give insights into the economy of the Art world as well as the ability to inspire groundbreaking Art movements since the time of a ‘painted Paleolithic cave.’

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OCCULT ART NOT PORN!

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 13, 2018 by FAUSTUS CROW

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The occult Arts or otherwise termed magical Arts use techniques many a Faustian Artist will recognise. This is because Art and sorcery are basically one and the same practice. When an Artist conjures up an idea for a character amidst his or her imagination, which is then visualised, in order create an image of the manifest vision as a painting, he/she is essentially practicing Magic.

This is more so the case when the meditative state of creative intensity leads to the inducement of a lucid dream, wherein the created two dimensional image manifests as a three dimensional interactive reality within the dream. Upon awakening, the Artist might even observe concordant synchronicities, whose symbolism reflects back the symbolic stimuli of the dream, which had been initially conjured up by his/her Artwork.

However, the Art world has over time developed a disdain for anything to do with occultism, which does not see Art and the practice of Magic as being the same. Art has become a product, a commodity, nothing more than that. (The Art world is heavily controlled from the top down, whose elitists dictate what is considered to be Art, and what is not Art.)

To a degree, this is understandable since many an occultist often becomes embroiled with a religious sentiment, which has nothing to do with Magic/Art, who dogmatically distance themselves from Art as being a quite separate and of little importance.

The same can be said of the Arts, which presently has a dogmatic emphasis on the brand of the abstract.

Whereas the symbolic expression of occultism tends to be rather morbid of gothic branding, which in the main, is due to an entrenched medieval mind-set. (Don’t get me wrong here, I like, and employ the symbolism; but not of overall branding!)

The medieval mind-set has systematically negated sexuality out of the symbolic paradigm to make nigh celibate in accordance with its religious indoctrination.

When sexuality enters into the occult formula, it is usually seen to be malign of a perceived Satanic influence. This is very much the case when female entities are mentioned, whose conjurations are habitually termed as being occult porn.

When the word pornography is utilised by politically correct mind-sets it is usually used as a loaded means to trash what it is applied to, of tar and feathering, since porn solely concerns its self with meaningless Hentai copulations.

Those who castigate the Artistic conjuration of female entities as being occult porn quaintly forget, or should I say, ignore the fact, that their male archetypes have been conjured down the indoctrinated ages by numerous occult practitioners for the express purpose of sexually exploring their psyches. For example, Aleister Crowley was bisexual of orientation, whose conjurations of the all male archetypes listed in the Goetia, he had ‘illustrated’ having huge erections.

Suffice to say my Artwork is usually termed as being occult porn by traditionalist occultists, who in the main dogmatically practice religion, not Magic/Art. Nor is my Art primarily gothic of style, which is commonly associated with the occult; this confuses the branded clique. If it was to be pigeonholed at all, it could be construed as being Pop-Surrealist, which is due to the infernal underground comic art style of the Artwork using themes from popular culture.

As for the emphasis upon the female form, it is to do with illustrating various archetypes of the Fallen Anima.

The Anima is a female archetype residing within the heterosexual male psyche, which is conjured up amidst the Triangle Of Art imagination, whenever a male visualises his idea of a perfect female partner, or even one to avoid, etc. The Anima influences his attraction to those women he seeks to become intimately involved with, who reflect back how he sees himself of an internal-self-image, such as a Witcher, for example.

The counterpart of the Anima, is the Animus residing within a heterosexual female psyche, which influences her choice of those males she seeks to become involved with. Her male partners also reflect back how she sees herself deep down, who might see herself as a Sorceress.

When a man or woman falls in love at first sight it is due to the unconscious influence of their Anima and Animus being conjured up within their psyches. Those of a different sexual orientation reverse the symbolism in accordance with their respective natures.

The Anima and Animus are not quaint concepts; nor are they part of some new-age fundamentalist pseudo-ideology. The Anima and Animus are psychological realities, which are an expression of your biological hard-wiring; it is basic nature.

What is intriguing is that the grimoires, whether ancient or modern have an overriding gender fixation upon the deified Animus, made as a patriarchal God and Devil along with their all male pantheon of Angels and Demons, which you could otherwise term as being Playgirl grimoires.

The Playgirl grimoires primarily describe male archetypes of the deified Animus, which as mentioned, reside within the female psyche. In other words the deified Animus, made as a God and Devil is the patriarchal creation of woman, who to dally with the Beta and Alpha male archetypes of her monotheistic Animus manifesting as machismo Angels and butch Demons, you can aptly term as being Incubi.

The male archetypes can be otherwise seen as being role-models by a conjuring male Artist who assumes their guises to act out, when to engage in performance Art, or to imagine assuming their daemonic Avatars, while drawing/painting their (seals/sigils) characters.

A shaman likewise does the same when accessing hypnagogic trance, who then becomes the conjured archetype within a lucid dream, somewhat like becoming a character in a (virtual reality) video game.

However, each of the male archetypes the shaman assumes as his (magical-persona) Avatar would be coupled with a corresponding female archetype of his Anima.

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(A Tibetan Buddhist [Hindu or Tantric] would term the Anima as being Shakti, whose energetic [Succubus] emanations are called Dakinis, and each Dakini is coupled with a [Avatar] raging Buddha.)  

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For example, let’s say we have a heterosexual male Artist who is drawing the video game character of the Witcher, who associates the Witcher with a shaman. The shamans were once many, until the ascendancy of the (Eternal Flame) deified Animus cults started to systematically eradicate them; whereupon there are now only a few.

The Artist’s creative intensity of a meditative focus is introverted into his dreams, which is sexually empowered by the Witcher’s intimate interaction with his female counterpart named, Yennefer.

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Or that of other female characters, such as the (Succubi) Succubae, having varying (mutagen) Muse abilities, the Witcher becomes entwined with in his shamanic story of a hero’s journey. But the Art Muses are arranged around a central Art Muse, who is their Anima Queen.

The Artist experiences assuming the daemonic Witcher Avatar within a lucid dream, who will find that the dream domain he consciously accesses is represented by Yennefer. It is she and other female characters who personify the sorceress power of his Anima dream.

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When you have a gender fixated paradigm it will have an underlying sexual orientation, which cannot be denied, even if you attempt to cut sexuality out of the symbolic equation.

Sex has been cut out of the patriarchal symbolic paradigm in order to negate you seeing the underlying sexual orientation behind the focus upon the deified Animus.

One of the grimoires, which describes just a few female spirits out of seventy-two of number is the Goetia. However the female spirits the Goetia depicts are described as being actually androgynous male entities in hermaphrodite disguise, or if you prefer, they are fluid of Hollywood gender politics, the feminist extremists presently espouse, while battering the Anima.

The extremist feminists are not saying anything too dissimilar to what orthodox Judaism, right-wing fundamentalist Christianity or Whahibist Islam have said concerning the Anima, which has been entirely castigated out of the symbolic paradigm as the Fallen.

It is essentially mass thought-control, which specifically targets the Anima within the male psyche and in turn targetting his sexuality. You could hypothesise of a science fiction scenario that its hidden agenda is population-control. Whether it is cyclic of nature, or that of human wrought witchery can be considered as being a mystery.

Although when to science fiction observe that the Biblical Hell-fire imprisonment of the psyche is losing its hold, it now also involves alchemical practices being employed.

You have the dumping of sodium fluoride, fluorosilicic acid, and sodium fluorosilicate into the public water supply, along with it being added to the food in league with GMO Soya.

They are also considering putting lithium into the public water supply, which will put an inane smile on your face.

But it appears that lithium and other metals are being introduced into the environment via chem-trails, etc. You can thereby gather it is very likely being engineered by the all too human, which is the real porn.

At one time during the dark ages of the Witcher the numbers of your ancestors were kept down by natural illnesses, various false-flag instigated religious wars, as well as being systematically programmed to believe, that any untoward thought not allowed by the Animus fixated Playgirl scriptures, would consign them to being eternally damned, within the fiery depths of Hell.

Now, during the science fiction era, many a male are being media programmed to believe that any considered politically incorrect thoughts they might have indicates that they are objectifying women as sex objects, exuding a toxic Witcher masculinity, let alone being sexually perverse misogynists, etc. The thought control is engineered to get males to censor their own thoughts via the emotively charged state of being made to feel guilty about being male, etc, which in turn censors their dreams.

Perhaps science fiction is becoming science fact!? So, if you have a very real Necronomicon, which has been banned by the cults of the deified Animus, it would list what has been entirely cut out of the symbolic equation, a Faustian sorcerer would fathom…

“Horrid, old and dumb,” many a protesting Mummy Porn Maenad to have screamed at me, likening an Avadhuta Faustian rebel to Danny DeVito, while I flew over their tangled Medusa hair Nets, to Heyoka howl… “Animus!”

Wherefore I decided to create a Necronomicon based upon the Goetia, which illustrates the female archetypes of the Fallen Anima, you could term as being a Fifty Shades Of Grey Playboy grimoire, whose tome explores the rebellious lucid dream conjurations of Owl eyed Athena (Succubi) Succubae, betwixt the High Priestess pylons, black and white.

Those who term my Artwork as being occult porn, merely reveal where they are coming from, who reside within a closeted Plato’s cave of a neuro-marketing Animus fixation

It is the symbolic Matrix where the feminist likes of Oprah Winfrey read Fifty Shades Of Grey Mummy Porn, which objectifies the male in their Playgirl grimoires! Savvy!

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