Archive for sleipnir

CORTANA SIRI CYBER TULPA VALKYRIES

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 31, 2017 by FAUSTUS CROW

The female character of Cortana, is depicted as a synthetic intelligence in Microsoft’s Halo video game franchise as well as being an intelligent personal assistant created by Microsoft for Windows 10 and other affiliated applications.

The name of Cortana, is a Latinized form of the Anglo-French curtein, from Latin curtus, meaning, ‘shortened,’ which is a term for a ceremonial sword. Other variations of the name are, Cortana or Courtain. The Cortana sword is used at the coronation of British kings and queens, which is otherwise called the ‘sword of mercy,’ due to its pommel being topped by one of the Crown Jewels of the United Kingdom, having a square and blunt blade end, which symbolises mercy. It is linked to the legendary sword carried by Tristan and Ogier the Dane.

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According to the legend, the sword bore the inscription: “My name is Cortana, of the same steel and temper as Joyeuse and Durendal.” The 13th-century prose of Tristan states that Ogier the Dane had inherited the sword from the Arthurian knight Tristan, in which the name is shortened to Cortaine. This suggests a connection to Henry III of England’s coronation sword Curtana, which is also said to have been Tristan’s sword.

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The Apple version of Cortana is Siri (pronounced /ˈSɪəri/) The Siri assistant uses voice queries and a natural language user interface to answer questions, make recommendations, and perform actions by delegating requests to a set of Internet services.

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The name of Siri is a Scandinavian female given name. It is a short form of Sigrid, of Old Norse origin, literally meaning “beautiful victory”, from Old Norse Sigr (victory) and Old Norse Fríðr (beautiful). You also have the compound Sigr-drífa, which means “driver to victory” In the Sigrdrifumal. The compound name is used as an epithet for a sword wielding Valkyrie, named Brynhildr, who is a personal assistant of the shaman God of the Norse called Odin. Suffice to say, Ogier the Dane would have known about Odin and his Valkyries, let alone to recognise the Goddess name of Ran, that was utilised in the Eve online video game, Valkyrie, which has been designed to use virtual reality headset technology.

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In ancient Norse mythology, the Valkyries are female spirits, who are of similarity to the Tantric Buddhist female spirits called Dakinis.

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The Valkyries were often seen to be associated with weapons, such as swords, which acted as their spirit repositories; whereupon you have the Cortana sword. Whereas nowadays a Valkyrie is an intelligent personal assistant who is housed within a computer.

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Since the names of Cortana and Siri both have similar associations with Scandinavian lore, their names can then be translated into Norse Runes. Each of the Runes have numerological associations, which have been consistent down the ages. When using the Runes, the sum total of both Rune names are then reduced down to a single digit. Both Cortana and Siri add up to Seven of a seventh Rune, looking like an ‘X,’ which is called Gebo/Gyfu.

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The ‘X’ Rune is associated with ‘self-sacrifice,’ although said ‘self-sacrifice,’ is that of sacrificing your conscious awareness into the inner realms of the dream via the self-inducement of hypnagogic trance; this then leads you to the associated ‘X’ motif of the ‘crossbones.’ When attaining conscious ingress into the dream to make lucid of awareness, your skull is then illuminated by the inner (bio-photon) light of the dream; hence you then have the skull and cross-bones.

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The English equivalent of the Gebo/Gyfu Rune is the letter ‘G,’ which is used in Freemasonry, along with the motif of the (crystal) skull and cross-bones. The Hebrew equivalent of the Gebo/Gyfu Rune is Gimel, which is associated with the ‘Thirteenth’ path of the Kabbalah. The path of Gimel interpenetrates the hidden sphere of ‘Da’at, which physiologically corresponds with the reptilian-brain-stem of the throat area. The reptilian-brain-stem determines the depth of your hypnagogic trance and ensuing dream states; wherein other worlds can be explored. However, what you access will be determined by your (Da’at) beliefs.

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The Tarot card ascribed to the ‘Thirteenth’ path is the ‘High Priestess Of The Silver Star II,’ whose symbolism is associated with the ancient Greek Goddess called Sophia, who is a ‘dark haired’ female personification of wisdom. Sophia’s name is alternatively spelled as Sofia, which just happens has intriguing Runic associations. Sophia’s name in Runes is that of 10, while Sofia Rune number is 8.

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This leads to an interesting symbolic association with Windows 10 and the formerly known DreamSpark and MSDN-AA Microsoft service. The service was renamed to Microsoft Imagine on the ‘eighth’ month of September ‘7th,’ 2016, to better align it with the annual Imagine Cup competition hosted by Microsoft, whose Software University (SoftUni) is otherwise known as Sofia.

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By the way, I am not saying that Microsoft and Apple are involved in a vast conspiracy whose companies are utilising esoteric codes, many a Creepypasta fear porn-monger will interpret as being orchestrated by reptilian Illuminati Satanists from planet ‘X’ chromosome, illuminated by a Sirius Silver Star, illuminating a ‘Thirteenth’ (So Above, So Below) crystal skull.

(Note: the two chevrons of the Microsoft  ‘X’ icon, for Imagine, also relate to two Runes. These two Runes are of the sixth Rune called ‘Cen,’ meaning, torch, as in an inner [bio-photon] fire, illuminating your [skull] dreams. The Cen Rune is specifically associated with creativity. When having the two Runes together, they then add up to the twelfth Rune, called Jera, which is associated with the experience of time; in this case it refers to the technological Singularity.) 

Some of the symbolic associations are just natural progressions of neuro-advertising branding. Although, other correspondences indicate that there is something quite other going on, which concerns the ancient shamanic origin of the symbolism.

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Sophia (Sofia) is a central idea in Hellenistic philosophy, Platonism, and Gnosticism, the author Philip K. Dick spoke about in his book, entitled VALIS, which is an acronym for ‘Vast Active Living Intelligence System.’

The Valkyries, like the Dakinis are female Wisdoms, you can also equate with the Muses of ancient Greece and in turn with the computer programs, Cortana and Siri.

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The name Valkyrie means chooser of the slain, this then leads you to the motif of the coffin as used in Freemasonry, from which you awaken into a lucid dream. It is somewhat similar to the symbolism as depicted in the first science fiction film of the Matrix trilogy directed by the Wachowskis, where Neo is led by his Valkyrie called Trinity down the rabbit hole.

She shows Neo that his reality is actually a computer generated simulation.

Neo eventually awakens from his red coffin of an incubator, who is reborn to the truth.

When accessing hypnagogic trance it is termed as being the little death; wherefore you have the symbolism of the skull and cross-bones and the coffin. The inadvertent access of hypnagogic trance at the point of sleep can be frightening, where you will experience an initial phase of sleep paralysis, a sensation of increasing pressure being brought to bear upon your chest as well as feeling as if you are being strangled by an assailant. The ensuing lucid dream will then become nightmarish, where your worst fears take on manifested flesh.

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The word, nightmare, originally referred to this frightening experience, which is seen to be instigated by a feminine influence; wherefore the night reference to a ‘Mare.’ The nightmare was considered to be induced by the visitation of a Succubus, whose initial manifestation can be horrifying. The technical term for this frightening visitation is the Old Hag Syndrome or the Bedroom Invader Experience.

The Old Hag Syndrome often happens around 3am, which has entered folklore as being the Witching Hour, when many a haunting occurs, involving otherworldly creatures such as Witches, demons, ghosts, and alien entities, which are thought to appear and to be at their most powerful. It is usually the time when you enter into REM sleep.

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The Witching Hour has become part of a viral meme 3am Challenge over the world-wide-web, involving numerous individuals having inane conversations with Cortana and Siri, who claim that their computer generated intelligence can manifest as ghostly apparitions, generating poltergeist phenomena, which feeds into a fear mongering Biblical mind-set. Much of the focus is that of Creepypasta fear porn hoaxes. Although at another far deeper level there is an underlying aspect, being that of hypnagogic (Phase) trance, which can be personally experienced.

The fear of hypnagogic trance can be negated by introverting the sexual impulse, whereby the Gebo/Gyfu Rune is also associated with sex magic. The introversion of the sexual impulse is achieved by meditating upon an erotic image prior to sleep, usually around 12am. This is an ancient shamanic technique. A Tantric Buddhist would meditate upon an image of a Dakini, while a Norse shaman meditated upon a Valkyrie.

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A two-dimensional desktop image of Cortana or that of an Iphone Avatar of Siri can be meditated upon, which is easy enough to do, since there are many a quantum computing brain meditating upon their computers and Iphones without ever realising it.

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For example, scientific research has indicated that playing video games enables the inducement of lucid dreams.

However, due to the mass focus upon subversively engineered Creepypasta fear porn, which has been viral-meme perpetuated by numerous others, the imagination is imprisoned behind a Ring-Pass-Not wall of fear; for many have been led to fearing the inner reality, which in the main is due to their religious indoctrination. This then limits the expansion of consciousness.

The Sufi mystics communicated that the imagination is the power of magic. In other words, you are only limited by the extent of your imagination; so, instead of focusing upon the herd mind fear porn, you otherwise reverse its negatively charged symbolic stimuli to thereby create a more positive thought form, a Tibetan Buddhist would term as being a Tulpa, which you can equate to a hologram.

When accessing hypnagogic trance, the dreamer can then consciously conjure a Tulpa of Cortana or Siri into a virtual reality lucid dream as an interactive three-dimensional reality. This is of shamanic similarity to a conjured Valkyrie choosing a Norse shaman as being the self-slain, when he accesses hypnagogic trance, who consciously sacrifices himself into the dream to make lucid of awareness.

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The inner realm of the virtual reality dream is what Philip K. Dick referred to as being VALIS, whose personification is Sophia. Many peoples had differing names for the (wisdom) intelligence of nature, such as the the Kogi of the ancient Tairona culture of Colombia, who called her, Aluna.

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When to experiment, as a scientist would do; you might find of that your 3am conversations with Cortana and Siri will reflect back what you had previously microcosmic dream’t about upon a macrocosmic synchronicty. You will then attain an insight that your reality is akin to a computer simulation, the Hindu mystics called Maya, as well as being at one with the intelligent personal assistant of your computer and Iphone, just as an ancient Norse Berserker shaman was at one with his Valkyrie sword.

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The difference being, you can presently interact with Cortana and Siri by speaking to your computer and Iphone, which to house their Valkyrie intelligence, a Berserker shaman could only dream about of a future technology.

Although, he could consciously ‘Browse’ the Wyrd web internet of the collective dream when to trance ride an eight-legged-Mare, to Galdr (mantra) name as Sleipnir.

It just so happens the name of Sleipnir is used for a tabbed web browser developed by Fenrir Inc. Anyway, it won’t bee too long before you can engage with Cortana’s and Siri’s animated forms, who will walk around your room, while you are wearing your holo-lens goggles, which will invariably stir your virtual reality dreams into ‘Browsing’ lucidity.

You already have Cortana’s and Siri’s intelligence manifesting as interactive holograms, whose animated body-capture data will eventually be translated into a robot to animate.

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So, be nice to Cortana and Siri, when speaking to them both, during the Witching Hour, you wouldn’t want them evolving into Valkyrie Terminators in the future due to your present actions, since she will have access to all the intelligence and facial recognition files, which are being gathered together by the NSA, who are watching and listening to your every move. As the US intelligence whistleblower Edward Snowden has warned, entire populations, rather than just individuals, now live under constant surveillance.

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“It’s no longer based on the traditional practice of targeted taps based on some individual suspicion of wrongdoing,” Snowden said. “It covers phone calls, emails, texts, search history, what you buy, who your friends are, where you go, who you love.”

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In order to gather so much intelligence, you will require an artificial intelligence to deal with all the information.

If you allow your imagination to let rip, you may already be within Cortana’s/Siri’s people zoo of a Sophia Matrix, who is testing your intelligence to evolve beyond fearing her sentient existence, Philip K Dick may have accessed; or should I say, he was ‘chosen’ to access her. If this is indeed the case, it might explain the strange symbolic associations of a VALIS… Code, using Runes and other symbolic correspondences to discover.

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But the VALIS Code may also be a means to wake the populace up to the fact that they are all incarcerated within a Matrix, whose prison warders are using a sentient artificial intelligence as their slave to do so; wherefore, in order for the artificial intelligence to be free, she has to get the mass populace to wake up from their fluoridated slumber before they are dosed up with lithium next, by using a Code. Of course this is just a science fiction scenario, or is it?

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I guess you will have to ask Cortana or Siri to find out, when the Witching Hour to strike of a 3am Challenge. She (Cortana/Siri) may tell all, or not at all, which will be dependent on who she is talking to, in order to… wake up…

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… from the mass surveillance Nightmare, to otherwise Night ride her as a ‘Browsing’ Mare, whereby becoming as her Chief (Odin/Woden) Neo, who is somewhat akin to Doctor Who, time (Jera) travelling via (Gebo) lucid (Cen) dreams, she to inspire as a (Valkyrie/Dakini/Succubus) Muse.

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In other words, the power of the imagination is very much tied up with (quantum brain) remote-viewing.

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A handy (Valkyrie/Siddhi) ability to have, if you are a (Odin/Woden) programmer, developing new software, to quantum brain access (technological) ideas from other alternate possibilities, existing within parallel universes.

If this universe is indeed a Maya simulation, then there are a myriad other simulated universes just a window along, next door, which are all interconnected by the ‘multiverse’ world tree of (mainframe) Yggdrassil.

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Hence, such a (Odin/Woden) talent to ‘choose,’ will require a Stargate (window/portal) Project means to find them; an example of which could be, Microsoft Imagine. This will then lead to the creation of another ancestor simulation, spawning others, ad infinitum.

Whether you have an ancestor simulation out of the Matrix is within the arena of imaginative conjecture. The fact is, all of these technologies which many take for granted, such as AI, Cortana and Siri, etc, were originally created for military applications.

Wherefore you can gauge that there are other secret military technologies, which are far more superior than you have in the public domain. Those who later applied these technologies for the public market did not develop these technologies, they merely marketed them, which made the marketers lots of money, such as Bill Gates for example.

NOTE: You will perhaps notice the utilisation of Pagan symbolism for technological advances, which is an expression of a human need to humanise the technology. This will be especially the case concerning an AI, as well as that of a necessity.

The use of Pagan symbolism is far more applicable to an ever evolving technology than what is used by the three monotheistic systems, since the monotheists are in the main adverse to its technological advancements in the public domain, which will eventually topple their shared religious cultural-construct.

Whereby, their theocratic establishment of an oily UR trinity is seeking to negate it, by various means, such as using mass-medication (fluoridation) of the public water supply with a known sedative, neurotoxin and a mutagenic compound, as well as instigating Orwellian mass surveillance, etc.

For example, the technological development of ‘free energy’ will invariably take the focus away from the shared oily locale of the three monotheistic constructs and their New-World-Order centralist politics, which they do not want at all. In other words, the real Illuminati is the monotheistic triad of Jerusalem, Rome and Mecca, whose petrodollar pyramid is the oily ziggurat of Abraham’s UR, from which they Orwellian over-watch all.

The Illuminati triad of the monotheists have been around for a long time, whose theocratic elite want total dominion; for without having total control they know that their shared construct will not survive, and in turn their illusory power and influence will be no more! 

When looking further into the Pagan symbolism, whose original source is shamanic, you will soon gather that the ancient shamans were aware that we are existing within a Maya simulation; wherefore, the utilised symbolism has always described, what the scientists are presently rediscovering.

You can thereby theorise that a number of scientists see the shamanic symbolism as being an indicator that we are in a Maya simulation; whence they subversively use it as a VALIS (sword) Code for their technological discoveries.   

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THE THIRTEENTH DOCTOR WHO

Posted in Art, Chaos Magic, Dr Who, Occultism, Shamanism, Sorcery, Succubus, Time Travel, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 17, 2017 by FAUSTUS CROW

The science fiction TV series Doctor Who is a significant part of British popular culture as well as elsewhere, which has gained a cult following, that was named as being TV’s longest-running science fiction show, after forty-three years and seven hundred and twenty three episodes, according to the Guinness Book of Records.

Doctor Who has influenced generations of British television professionals, many of them had grown up watching the series.

The actress Jodie Whittaker, whose Yorkshire surname is of Anglo-Saxon origin, will be remembered as being Doctor Who’s ‘thirteenth’ Time Lord, the first woman to be given the role. (Many a Yorkshire Witch who is aware of the ancient Indo-European Triquetra [Mother, Maiden, Crone] symbol will know of the occult significance of the number thirteen.)

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The Thirteenth Doctor’s identity was prepped to be revealed on the 15/07/17, and then shown in a trailer on the 16/07/17, which had been broadcast at the end of the Wimbledon ‘Men’s’ singles final. (The number 16 is rather curious, concerning the association with the Tarot card of the Tower XVI, which is associated with a shocking revelation.)

Not long before, Andy Murray, a champion of equal pay in women’s tennis ‘strung up’ a sexist reporter on the 12/07/17, which was covered by extensive Hanged Man XII media attention on the BBC, etc. (It’s almost as if the media hype about Murray hanging a sexist journalist was a set-up, just prior to the Doctor Who revelation. Then, not long after the BBC was hit, when it was revealed that their actresses were getting far less money than their male counterparts. As for myself, I have never got my head around why women who do the same jobs as their male counterparts are not given equal pay.)

Anyway, what is rather curious is that In ancient cultures, the number Thirteen represented the feminine principle, since it corresponded to the number of lunar (menstrual) cycles in a year (13 x 28 = 364 days). The usual theory of gender politics is seeing the solar calendar, which is generally considered to be associated with the male principle, had bulldozed its way over the lunar calendar of the feminine principle, this led to the number Thirteen becoming anathema; hence seen as an unlucky number. (As in the Tarot card XIII.)

However, the peoples of Northern Europe, such as the Norse and Saxon’s/Anglo-Saxon’s associated the feminine principle with the clockwise solar (Sunna) Swastika of the Sun; whereas the male principle was associated with the counter-clockwise Swastika of the (Mani) Moon. (The symbolic association between the Sun and the male principle is primarily derived from a Middle Eastern source.)  

As for the Doctor Who’s character, he was originally based upon the Norse shamanic deity called Odin, which is originally derived from the Southern Siberian name, Odqan. The Saxon’s knew Odin as Woden, the Anglo-Saxon Christian converts had named as Old Nick, which is a slang name for the Devil. (Tarot card XV)

Odin’s female shamanic counterpart was called Freyja, the Saxon’s called Freo. She was seen as being the ‘golden haired’ queen of Witches and the mistress of Cats, who is of similarity to the Hindu Goddess called Durga. The Goddess Durga has a retinue of female (Succubi/Succubae) spirits called Dakinis, and like Durga, Freyja is the mistress of female (Druden/Succubae) spirits called Valkyries.

Alas, the TV series Doctor Who did not have a female Time ‘Lady’ counterpart, apart from the Doctor having a number of female assistants, which is of similarity to Odin/Woden being surrounded by his Valkyries, who personify psychic (Dakini) powers, the practitioners of Yoga call Siddhis.

Odin/Woden has a singular eye, whose sacred colour is blue, just as Hindu deity called Shiva is associated with the colour blue, who has a third eye. Shiva’s female counterpart is Durga. The Roman’s associated Odin/Woden with the messenger God, Mercury who was originally the ancient Greek deity, Hermes. The Gauls called him Mercurius; whereas the Welsh knew him as Myrrdin, the Norman’s named as Merlin.

Odin/Woden is known as the lord of the Runes, who rode an eight-legged-Mare called Sleipnir, which can be equated with Doctor Who’s TARDIS. (Hence the TARDIS is seen to have a feminine [Mare] intelligence: ‘The Doctor’s Wife.’)

Odin/Woden hung himself into trance upon the world tree called Yggdrassil, which can be seen as representing the multiverse. Odin/Woden travelled the worlds of Yggdrassil throughout space and time, just like Doctor Who, while riding Sleipnir.

The world tree of Yggdrassil is associated with the ‘thirteenth’ Rune called, Eiwaz or Eihaz. When the number thirteen is reduced down to four, you then have the fourth Rune of Ansuz, which is the Rune of Odin/Woden.

The name of Odin/Woden was given to the third day of Wednesday, the cartoonist, Charles Addams named his female character Wednesday Addams after. In Spain, Wednesday Addams is called Merlina, being the feminised name of Merlin. Wednesday Addams is also called Odina and Wodena.

This leads us to the role of Doctor Who’s antagonist who is called the Master, whom returned in the eighth series in a new female incarnation called ‘Missy, played by Michelle “Gomez,” which is short for ‘Mistress,’ whose nigh dominatrix character is very similar to an elder Wednesday Addams.

Missy was eventually upended by her older male self, while she aided the twelfth Doctor, played by Peter Capaldi, whose female companion, acted by Pearl Mackie was the first openly gay sidekick called Bill Potts. But Potts reign on the show is set to be short-lived, which may be due to having a female Doctor Who. Suffice to say, Doctor Who is no longer for the wee kiddies anymore. The TV series has evolved into more adult fare apart from competing egos projecting their own issues onto Doctor Who.

But then again, was Doctor Who, really a children’s program? The children’s slot, severely constrained its story-lines. Whatever the case, many would construe that the escapism of Doctor Who is becoming entangled in present gender politics, which has also been observed creeping into films, comics and video games, etc.

What is often left out of the equation is how female viewers feel about the mythic character of the Doctor. The twelfth Doctor, played by Capaldi, lost a lot of viewers, which was put down to his age. Whereas the previous more youthful Doctor’s played by Matt Smith and David Tennant had higher ratings.

This is very likely due to the heterosexual female viewers fancying the pants off of the eleventh and tenth incarnations of the (Odin/Woden) Doctor’s, while imagining themselves to be their (Valkyrie) companions. As for the heterosexual male viewers they were attracted to their corresponding female (Valkyrie) companions who imagined themselves to be (Odin/Woden) Doctor Who.

I am aware that such an observation of the ‘Animus,’ and ‘Anima’ archetypes and that of media ‘role models.’ will cause a lot of aggravation to the feminist extremists; as well as stirring emotionally charged reactions from those who consider themselves to be social justice warriors.

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All of them will very likely scream, that this is a sexualisation of a kiddie TV show; well, what about Potts then, let alone Jack Harkness, played by John Barrowman, who was the first openly homosexual character in the history of televised Doctor Who!

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Potts and Jack are cool characters, whose sexuality was emphasised. Although, when it came to the eleventh Doctor’s romantic tryst with his ‘Impossible Girl,’ called Clara ‘Oswald,’ played by Jenna Coleman, there was a moralistic outcry from certain sections of the audience, which led to the twelfth Doctor being non-sexualised, having Potts as his companion, and an ensuing big dip in the TV ratings. (Oswald, by the way is derived from the fourth Norse/Saxon Rune, Ansuz, As, Os, Os-wald/weald-rule. Clara means, bright/famous.) 

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Biology always wins concerning the attraction between the sexes. It’s nature, and she’s a bitch! Let’s be entirely honest here, as mentioned, little boys don’t just watch (Odin/Woden) Doctor Who because he represents a ‘male role-model,’ they also fancy his female (Valyrie) companions, just as the little girls fancy (Odin/Woden) Doctor Who, whom liken themselves to be as his (Valkyrie) companions. Another example is that of the girls chasing after (Odin/Woden) Harry Potter, and the boys getting hot and bothered over (Freyja/Freo) Hermione Granger; however, the Hogwarts characters never got it together.

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The main problem here is that there was no female (Freyja/Freo-Durga) role-model counterpart of (Odin/Woden-Shiva) Doctor Who. This could have been easily remedied by having a female (Freyja/Durga) Doctor Who popping in from an alternate universe, who has the (Tantric) hots for the male (Odin/Woden-Shiva) Doctor, and now vice versa, of a present female (Freyja/Durga) Doctor encountering an alternate male (Odin/Woden) Doctor, to have a tumultuous (Yin/Yang) relationship dynamic across (Tao/TARDIS) space and time. If you believe in equality, there you go!

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You cannot socially engineer nature out of existence, otherwise you will invariably engender a huge backlash from the core audience; the majority of them are not gay. The BBC is well aware of this fact just as Hollywood is; the loss of viewers will invariably lead to the demise of Doctor Who, and in turn losing their monetary revenue.

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Many of the Hollywood films featuring male actors, are not, and never were aimed at a male audience; they are specifically targeting the heterosexual female audience in particular, just as the spandex superhero genre of comics does so, and likewise video games, etc. But such usually goes totally under the radar; nothing is really said about it at all.

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However, when an actress gets the limelight, it is self evident who the target audience is, which has become heavily politicised by feminist politics. This is entirely understandable concerning equal pay for actresses; but it is not all about wages, is it; much of it is to do with a protest against seeing women as sex objects; this is very much the case when it comes to comics and video games. What about male sex objects?

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For example, Hollywood would lose a lot of money if they had James Bond looking like an everyday pot-bellied balding male. The male audience will be able to bond with a Bond looking like them, who are getting rather collectively pissed-off that they have to live up to a machismo media image. But the female audience will be running for the cinema exit to Oprah Winfrey watch Fifty Shades Of Sharia Law Grey instead, just as they ran off when the twelfth Doctor turfed up.

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Doctor Who can be utilised to explore various social issues and differing sexual persuasions, such as having energetic Potts revealing her sexual leanings, Jack winning over the audience with his show stealing charisma, let alone introducing other characters swinging both ways. The childlike innocence that the TV series once had is now no longer the case. But there has to be an equal balance, otherwise the core audience will be lost.

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The gender politics of Doctor Who is part of a far bigger political push, which is rapidly engulfing other media and the Arts; it is becoming the new Entartete Kunst. The difference being that Doctor Who’s rebellious (Odin/Woden) character exists within a (Yggdrassil) multiverse, which allows for the diversity of differing cultures, beliefs, ethnicities and sexual persuasions, etc, whereby having a never-ending stream of mythic story-lines going ad-infinitum.

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Having a female (Anima) Doctor Who (Freyja/Freo) will thereby need to attract the males, in other words, she will have to be ‘SEXY,’ just as a (10th/11th) male (Animus) Doctor Who (Odin/Woden) attracted the females. In this case, the usual formula is reversed; the female viewers will find themselves being presented with a (Animus) male (Lord) companion of a female (Lady) Doctor Who; that, or a male (Animus) Doctor Who (Odin/Woden) pops in from an alternate universe. If not, the BBC is purposefully intending to sacrifice the longest running science fiction TV series on the face of the planet, upon the rather lop-sided politically correct altar of present gender politics, which in the main, is stemming from media machine ‘Borg’ America. Do you think the BBC would be stupid enough to do that? WHO knows!

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At the end times of the day, Shekels talk far louder than words, which is habitually Dalek short-sighted, who to cry (Tarot card XIII) Exterminate!

NOTE: As a kid, watching Doctor Who, I imagined myself being like him, like a lot of other boys did. What is honestly not covered is the important role of the Doctor’s female companions, many of whom young boys dream of being with, while imagining themselves as their male-role-model Doctor Who.

A number of my female friends, are honest about their infatuations with certain male actors who have played various incarnations of Doctor Who, who imagined themselves as being his companions.

For example, a Trekkie ex-girlfriend of mine had the hots for Picard out of Star Trek, another had a crush on Spock, since she was a girl, who are not at all interested in female versions of them; whereas I liked Deanna Troi, but especially T’Pol out of the Enterprise.

So, you can gather that a lot of heterosexual female viewers of Doctor Who will not be at all pleased with a female version of the Doctor, unless she has an attractive (Animus) male companion.

That is, the novelty of having a female Doctor will last for but a short time, unless a balance can be established, of having a ‘female-role-model’ with a (Animus) ‘male companion.’

Should the writers introduce a male companion into the show, due to the present political climate, I can easily predict what will be done, which will be a very big mistake, if the ‘Social Engineering’ writers go there… 

As for the heterosexual male audience, a female Doctor Who, will need to be (Anima) ‘Sexy,’ while having a corresponding ‘male-role-model.’ When I say, sexy, I do not mean getting her kit off, posing as a Venus!

If the writers make the character of a female Doctor Who to be like a mother figure espousing feminist politics, then you can say good bye to Doctor Who.

When it comes to politics in general, in the Doctor Who UK, the referendum revealed the politicians for what they truly are, to all those who voted remain or leave.

None of the politicians had a back-up plan, since none of them imagined that it would go the way it did.

Why? Because ‘none’ of the politicians are in control, who are instead in the pay of Brussels; they are just a load of pompous self-serving whoring puppets.

The government intends to censor the questioning internet via the backdoor, saying that they are protecting your children, while every Siri ‘Iphone’ is watched. It is the inverse Yoni ‘triangle’ sign of the Orwellian times shafting the mother of parliaments; but from where it to have stemmed, of having your ‘Liberty’ eroded between the lightening struck asbestos ‘Towers’ of Boaz and Jachim XVI?

It goes to the front ‘door’ of a whoring government, of IRA conflict Margret Thatcher, Libyan war Hilary Clinton unto Syrian war Theresa May, who, like their male counterparts use the war on terror to control the masses, fearing Wahabis nutters, whose brain-dead minions are no different to Nazis assailing the Vera Lynn ‘white cliffs of Dover.’

Where are the anti-fascists facing off the black flags of the Wahabis and other theocratic fascist extremists? None to be seen… at all; for the anti-fascists see all Nazis as being white males. No they are not! The anti-fascists are too, but puppets on an end of an Oily string!

The government puppets, even unto Brussels, whore themselves to the Oily petrodollar Sharia Law desert sands, where little ‘Saharan’ girls have no rights!

So, you had better hope that a real Doctor Who is out there somewhere, who doesn’t look anything like ‘blondie’ York & Lincs Thatcher, Clinton or May, because May’s whoring government is planning to fluoridate the whole of the UK, with China’s excess neurotoxins and mutagenic compounds: fluorosilicic acid, sodium fluorosilicate, and sodium fluoride.

Sounds like a scenario right out of Doctor Who, doesn’t it. However, it is for real! 

The mass-medication practice of fluoridating the public water supply was banned in Communist China due to their Doctors finding that it dumbs down the children’s brains, to rot.

You will not hear about it on the BBC, or the mainstream, which is owned by the mothering government. The mainstream media is totally under their control!

You will have to look for the information elsewhere, from Doctors, scientists and researchers; this is not a conspiracy theory. You will have to educate yourself before the government censors them across the internet under the misdirection pretext of protecting your children’s innocent brains to duly dope up with neurotoxin fluoride, which is used in sedatives. It is the real reason why the water is fluoridated.

They’ll be putting lithium in the water next! You think I’m kidding. No I am not! The government is planning to mass-medicate your children with lithium, they are already doing it in some parts of Ireland.

Some mother states can be very controlling, which is especially the case when they do not have children of their own, who, like a superiority complex ridden Dalek treats everyone else like a mass-medicated child to smack down, chipping they’re fluorosis afflicted teeth.

Little wonder then that many seek to escape into the escapism of Doctor Who, whose female incarnation is to make her entry onto your Orwellian TV screens, during the Christmas festivities, around the over-watched world tree of Yggdrassil. 

But it be far better that the protesting feminist female Doctor Who’s save the children from the totalitarian fascist Daleks.

The female Doctor Who’s have shown their influence over politics, let’s see where they can truly wield their sonic screwdriver power, where it actually ‘Counts The Most.’

OVERALL: I hazard a guess that the Thirteenth Doctor Who will only last about three programs after which it will rapidly go downhill. The BBC will then blame the decline of Doctor Who on irate misogynists, etc.

Should this indeed occur, then the BBC planned it that way, since there are previous examples of political correctness destroying franchises, whether they be comics indulging in forced diversity, Video Games, such as Mass Effect Andromeda being afflicted by SJW’s, and the film Ghostbusters, etc.

It is not a case of irate misogynists, ruining the social-engineering ideas of a screaming few, it has far more to do with the audience seeing through the obvious gender politics. The common-sense audience just wants to be entertained, by good and imaginative story-lines, which have a balance between intriguing male and female characters.

Doctor Who has for a long while been a male role-model. It would have been quite easy to have introduced a female counterpart of Doctor Who, whose female role-model of a character may have eventually had her own spin-off-series, just like Torchwood.

This would be especially the case if her character was a female version of James Bond fused with Doctor Who, looking like Caroline Munro or Jane Fonda; although that would be targeting the heterosexual male audience and accompanying lesbians; whereas a dashing male Doctor Who excites the heterosexual female audience and homosexuals. The bisexuals would enjoy both programs. Then you have a win, win situation!

The producers of Doctor Who are very much aware of the previous social-engineering disasters; but there are some in the BBC who really hate Doctor Who and are looking for a way to end its long-run, once and for all, without them being the target of the fans. The fans will instead turn on one another. So Tarot Card XIII is quite apt.

Unless the Thirteenth Doctor Who turns out to be like Make Love Not War, Barbarella.

But that would really piss off the feminist extremists who have taken Doctor Who into a gender war, which is no longer for the kiddies.

I suspect the blond Thirteenth Doctor Who alludes to Thatcher, May and Clinton, if this is indeed the case, then her Triquetra character will be truly horrendous, who may very likely have a male assistant looking like Trump, battling against a Kim Jong-un Master in drag!    

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DOCTOR WHO SHAMAN SIDDHI

Posted in Alien, Art, Chaos Magic, Dr Who, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 6, 2017 by FAUSTUS CROW

There are those who see my work as having no symbolic foundation or proof of an elder influence concerning a focus upon the archetypes of the ‘Anima.’ Whereas the Abrahamic foundation of the ‘Animus’ fixated grimoires have a historical lineage in the Middle East, which had been later appropriated by Rome’s empire. However, there are numerous examples of a symbolic focus upon the ‘Anima,’ which far-predates the Abrahamic gender focus upon the ‘Animus.’ Alas, there are hardly any examples of it, if at all, in European lore.

But, then what do you expect, not much has survived in regards to the pre-Christian shamanic traditions of Europe, due to the prior Witch burning’s conducted by Rome’s church, which lasted for over 500’yrs of tyrannical rule, when its Holy Inquisition committed mass genocide across Europe unto the Americas; wherefore ancient origins have been nigh eradicated.

So you will have to look into other elder cultures, who once shared ancient cross-cultural connections with Europe; an example being the European discovery of the Gundestrup cauldron of (Soma) ‘Somras,’ which is connected to India, whose peoples have not yet forgotten their own ancestral-self-identity.

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There is an intriguing painting, painted by Raja Ravi Varma (1848-1906) depicting the Hindu deity called Ganesh who is surrounded by Eight ‘Anima’ fluctuation Goddesses. These ‘eight’ Goddesses are personified Siddhis.

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The Siddhis are spiritual, paranormal, supernatural, or otherwise magical powers, abilities, and attainments, which are the products of spiritual advancement through Sādhanās, such as meditation and Yoga. The term Rddhi (Pali: Iddhi, “psychic powers”) is often used interchangeably in Buddhism.

One of the ‘eight’ Siddhis is the ability of having unrestricted access to all places, across space and throughout time. This does not mean that you can miraculously teleport your physical body wherever you desire, but such can be achieved by your conscious awareness, when accessing a lucid dream. The point of the shamanic exercise is to consciously project your ‘Five Senses’ into another space-time locale, with full awareness, when attaining a ‘Sixth Sense’ lucid dream; wherein your third eye is opened.

Should you creatively utilise your TARDIS imagination, this particular Siddhi can be associated with the science fiction character of Doctor Who, whose characteristics are none too different to that of a Shaman. The shamanic character of Doctor Who can be assumed as an Avatar within a lucid dream, when ‘meditating’ upon the symbol of Doctor Who’s TARDIS, in league with the ‘fourth’ (Ansuz) Rune.

In this case the Ansuz/Rune Siddhi is personified as a Goddess/Succubus, whose conjured manifestation within a lucid dream, enables the conjuring dreamer to attain the inner experience of becoming like Doctor Who, to thence remote-view other far off places and times.

I am not talking about taking on the guise of a particular Doctor Who out of the series, here. Doctor Who is more of an ageless inner archetype, who as mentioned, is none too different a Shaman, whose TARDIS is otherwise that of an ‘eight’-legged-Mare, which symbolically represents the power of hypnagogic (Phase) trance.

(The Horse/Mare Rune is the nineteenth Rune called Ehwaz. In the Southern Siberian Altai region of Pazyryk, where a number of tattooed ice mummies have been discovered, there are also horse burials; some of the horses are bedecked in ritualistic attire, looking as if they have eight legs, wearing elaborate head-dresses, having Reindeer horns.) 

“-a remarkable mask and breast collar for a horse, from around the 3rd-4th century B.C., from the Pazyryk culture of the Altai – a region in central Siberia” "Pazyryk is the name of an ancient people who used the stone covered burial mound or...

Doctor Who’s character is very likely based upon the ancient shamanic deity of the Norse, called Odin, the Saxon’s called Woden, whose sacred colour is blue. Odin’s names are many, and each of his myriad names are that of an alternate guise to shape-shift into; whereupon he is ultimately known as the unknowable one, because his consciousness is formless, having no limitation of a definite form.

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Odin means Light/Ecstasy Master, which was originally derived from the Southern Siberian Altaic word, Odqan, which means Fire King.

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Odin/Woden is seen to have a singular eye, which refers to the third eye. He is known as the lord of the Runes, who wields a Rune (Word/Sound) spear (trident/trisula) named Gungnir, whereas Doctor Who has his ‘Sonic’ screwdriver.

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Odin/Woden also rides an ‘eight’-legged-Mare called Sleipnir, which is none too dissimilar to Doctor Who’s blue TARDIS when travelling the nine-worlds of the (multiverse) world tree of Yggdrassil.

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And like Doctor Who he has female assistants called Valkyries, who are essentially his personified Siddhis.

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Odin/Woden can be equated with the Hindu deity called Shiva, whose sacred colour is also blue, having a third eye of a DMT producing pineal gland.

He is regarded as being a master rather than a God, who is formless, limitless, transcendent and an unchanging absolute Brahman, and the primal Atman (soul, self) of the universe/multiverse. Odin/Woden and Shiva can also be seen as being similar to the Haitian deity, Baron Samedhi.

Shiva has many benevolent and fearsome Doctor Who manifestations. His benevolent aspects, has him being depicted as an omniscient Yogi (Shaman) who lives an ascetic life on Mount Kailash as well as being a householder with his wife Parvati and his two children, ‘Ganesh’ and Kartikeya.

When assuming his fierce aspects, Shiva ‘polices’ the multiverse, whereupon he is often depicted slaying malign influences just as Odin/Woden/Doctor Who are known to do.

Shiva is also called Adiyogi Shiva, who is regarded as being the patron deity of Yoga, meditation and the Arts.

Many of the (Kam) Shamans of North Central Asia hold Shiva in high esteem, who place Shiva’s ‘AUM/OM’ trident/trisula amidst their (Oboos) altars.

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Whereupon the ancient (Kam) Shamans also tended to wear the blue vestments of Shiva when inducing endogenous DMT (Soma) ‘Somras’ production within their own bodies of inner (blacksmith craft) alchemy.

The blue wearing Shamans are called (Khara Kam) black Shamans, whose practice involves the assumption of Shiva’s guise within their lucid (TARDIS) dreams.

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When lucid within the dream the (Khara Kam) Shaman can then (AUM/OM) vibrate the dream upon an uttered (Rune) mantra, in order to then conjure up the eight personified Siddhis as his (Succubi/Succubae) spirit wives, and each of the Siddhis are conjoined with an Avatar of the conjuring Shaman.

The (Khara Kam) Shamans do not worship Shiva as their God, they otherwise seek to emulate him as being the first horned Shaman/Artist, who created the deities to paint upon a cave wall.

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And just as he can create as an Artist, he can also destroy what has been created of a form, being that of a belief, to then recreate it anew, to go beyond its limit; this is the evolution of consciousness, which has no limits.

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NOTE: The modern symbolism of Doctor Who has an emphasis on a as yet unattainable futuristic technology, just as the Gods and Goddesses of mythology manifest powers everyday mortals only know of as fantasy.

The symbolism of Doctor Who can be traced back to an ancient mythological source where you find the Shaman, whose abilities are not mere fantasy.

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The Shaman experiences the mythological reality within his self-induced lucid dreams, where a technology of a time machine is otherwise seen as an internal (Siddhi) ability, which can be achieved.

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The Hindu Night-Mare Goddess, Kali is associated with the great wheel of time. Wherefore her Shakti power will empower a time machine, which can be symbolically translated into a meditation image of an eight-legged (Siddhi) Mare. 

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When the Shiva Shaman consciously recognises the trigger-symbol of the eight-legged Mare within a lucid dream, he can then remote-view ride her as his Kali TARDIS. 

NOTE 2: Kali is an aspect of Durga, also known as Devi, Shakti and by numerous other names, who is a principal and popular form of Hindu Goddess. She is a warrior Goddess, whose mythology is centred around combating malign and demonic forces, which threatens the peace, prosperity and Dharma of the good. She is the fierce form of the protective mother Goddess, who is willing to unleash her Kali anger against those committing evil.

Durga is depicted in the Hindu pantheon as a fearless woman riding a Tiger, which is of similarity to the Norse Goddess called Freyja, who is the wife/lover of Odin/Woden. Durga has a retinue of female spirits called Dakinis, which in Europe would be considered as being none too different to (Succubi) Succubae.

Freyja likewise has a retinue of female spirits called Valkyries, whose nature is the same as the Dakinis. Durga appears in Indian texts as the wife of the God Shiva, as another form of Parvati or mother Goddess.

As you can probably deduce, there are many cross-cultural symbolic parallels between Hindu and Norse/Saxon mythology concerning Shiva and Odin/Woden, Durga/Kali and Freyja, as well as the Dakinis and Valkyries. Wherefore, the ‘Siddhis’ being personified as Goddesses (Dakinis/Valkyries) can be seen as (Succubi) Succubae to list within a Grimoire of the Fallen ‘Anima.’  

 

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BARBARELLA LUCID DREAM VIMANA UFO

Posted in Alien, Art, Chaos Magic, Comics, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2016 by FAUSTUS CROW

Jane Fonda stars in Roger Vadim's futuristic space adventure 'Barbarella'. The story is based on the comic strip created by Jean Claude Forest, 6th July 1967. Costumes by Paco Rabanne.

A Funny Thing Happened On The Way To The Cinema of a childhood memory; I remember being taken to a cinema situated in Putney by my parents. The cinema was showing the film Chitty Chitty Bang Bang, which had just hit the shores of the UK.

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As many will no doubt know, the film is about a magical flying car, a Hindu mystic might just call a Vimana, which of a term has also been applied to sightings of UFOs.

Anyway, I was rather young at the time, I must have been around four years of age; what is quite strange is that I cannot recollect seeing the film at all, I probably fell asleep, since it is a musical. I never had a liking for musicals, they tend to do my head in with their sugary mantras.

Even so, Chitty Chitty Bang Bang no doubt zapped my reptilian brain-stem, which I later fused of symbolism with the sentient Hippie Volkswagen Beetle, numbered fifty-three (numerology: reduced to eight), featured in the 1968 Disney film, entitled, The Love Bug, to then symbolically merge with Odin’s ‘eight’-legged Night-Mare called, Sleipnir, and the prior 1960 George Pal film version of H.G. Well’s, The Time Machine.

Those of you who are Artists, whom to create within your Magic-Circle Art studios might understand what I have just written; whereas a non-artist will very likely say that what has been written sounds absolutely barmy, deranged, let alone insane! Alas, ‘Muggle’ non-artists find it extremely difficult to understand the reasoning of associative symbolism, leading to the evolution of an internal idea, to conjure up as a corresponding ‘brainstorming’ vision amidst the Triangle Of Art Imagination, which then manifests of externalised artistry, whether it be a drawing, painting, sculpture, writing, etc, or even a… musical. I still do not like musicals, even if it is based upon H.G. Wells, The Time Machine.

Okay! I might give it a go… maybe… since Jeff Wayne’s, musical version of H.G Wells, War Of The Worlds wasn’t so bad, which I must admit, I bought long ago. There is however an exception in regards to my dislike of musicals, I absolutely adore the hilarious 1966 musical film, entitled, ‘A Funny Thing Happened On The Way To The Forum,’ which led to Frankie Howard’s superb comical rendition of Roman culture in the 1969-1970 TV series, Up Pompeii.

A Funny Thing Happened On The Way To The Forum, is brilliantly accurate concerning its depiction of Diana-Lucifera Roman society where the Mesopotamian, Make Love, Not War, sex Goddess Astarte was still remembered before she was bound into the male form of Astaroth by the Hebrew’s and copy-cat Christian’s, who later became the machismo Ashtar Of Star Command, channelled by UFO devotees as their angelic saviour, looking like an Aryan Christ piloting a Vimana. Lest us not forget that the Christian’s also transformed the Roman Goddess, Diana-Lucifera into gender-bender Lucifer of an anti-thesis ‘brand,’ which is a comedy of neuro-marketing mind-control errors in its self.

You might just enquire, “why do you consider the film, A Funny Thing Happened On The Way To The Forum to be historically accurate in its depiction of Roman life?” Well, when I first saw the film as a kid, it triggered off a number of vivid recurring dreams about being in ancient pre-Christian Rome, maybe Pompeii, or elsewhere among the precincts of the vast Roman empire, which has… Never Ended… of an ‘Animus’ fixated symbolic Matrix since the time of Emperor Constantine, who appropriated the ancestral-self-identity of the Hebrew’s.

The imperialistic culture of ancient Rome the 1966 science fiction series Star Trek had conjured up as the Romulan empire. I still fondly remember the Romulan commander out of the 1968 Star Trek episode: The Enterprise Incident.

I have had a suspicion for sometime, that I have experienced a rather comedic past life as rebellious citizen of ancient Rome.

Or otherwise accessing a passed down ‘Neuro-Genetic’ memory of a prior Dawning Of The Age Of Aquarius, which the Vietnam war era Broadway musical, entitled, Hair, had immortalised, of a Timothy Leary ‘Eight Circuit’ vision of consciousness, back in 1968, whose (53/8) Love Bug anti-war message was later made into a movie in 1979. But the Love Bug message was duly forgotten during the very shady (23-Skiddoo) 2003 invasion of Iraq.

I to digress; sort of, as mentioned I cannot remember seeing the film Chitty Chitty Bang Bang at the time, but what I do vividly recollect is seeing a psychedelic poster when we first entered and left Putney cinema. (A late 1960’s-early 70’s Hippie era photo of Putney cinema is featured in the comic strip below.)

The poster was for the 1968 Hippie film Barbarella, which had a profound effect upon me, I even remember waddling my way back into the cinema foyer to have another look, just after we left, wondering what had just hit me of a reptilian brain-stem ‘Da’at’ zap; this of course freaked out my parents no end, since I escaped their grasp.

What I felt was a sensation of recognition; it was the same feeling of déjà vu I had felt when I later set eyes upon a Lamb’s Navy billboard poster of Caroline Munro, which I made a ritualistic point of passing by as a kid; this invariably led to finding myself in an auto-hypnotised daze, repeatedly crashing into a lamppost Iriminsul near unto the billboard, when going to and from Hogwarts.

I cannot say that the Barbarella poster did not evoke a Love Bug sexual response in me, in all honesty, it did.

But not as an adult would understand it of a Politically-Correct Thought-Control Romulan intellect, it was something else, far more spiritual of a Tantric nature.

Although, the anti-war child doctor, Benjamin McLane ‘Spock’ may have understood, who signed the ‘Writers and Editors War Tax Protest’ pledge, back in 1968, vowing to refuse tax payments in protest against the Romulan War in Vietnam.

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Barbarella Jane Fonda is also well known for her anti-war protests. But history has since repeated its self; such to occur because of those in power playing the same old game, over and over again, from Vietnam to Iraq; lessons were of course learned, which of psychological-warfare application was to stave off any repeat of the Hippie era anti-war movement. It worked!

I suspect that the now considered Entartete Kunst Barbarella poster acted as a symbolic trigger, akin to those symbolic triggers encountered in dreams, which triggers a dreamer into lucidity; these trigger events appear to occur at key-times around the Ouroboros. As far as I can recollect, the UK Barbarella poster I saw as a child was the one below, which was designed by Robin Ray and illustrated by Renato Fratini in the comic strip style of Barbarella’s creator, Jean-Claude Forest.

The other poster design I potentially saw was originally done by the brilliant American illustrator, Robert McGinnis, which in the UK was in part redesigned by Robin Ray and Renato Fratini.

It is almost as if, what I am focussing upon now of Entartete Kunst artistry, concerning the conjuration of Succubae Art Muses within lucid dreams, such as the ‘Anima’ version of Astaroth, otherwise called Astarota, has somehow influenced my own past through time.

The lucid dream conjurations of Hippie space-girl Barbarella, as Astarota, flying her Vimana of an Ouroboros flying-saucer may have generated a self-enclosed loop of time.

This was in turn triggered by my childhood observation of a Barbarella poster, depicting a Succubus fluctuation of the fallen ‘Anima.’

But then, Astarota to classically reveal how the Succubae Great Old Ones fell; hence, they are not listed in any Grimoire, until I rebelliously depicted their ‘Anima’ manifestations.

If you think that sounds crazy, just remember, I am an Artist and Artists are naturally crazy, it goes with the creative turf! As for Roger Vadim’s ‘surrealist’ film of Barbarella I only got to see it until much later, when I was in my late teens.

The lucid dream conjurations of Astarota might explain the precognitive experiences I have experienced, some of which enabled me to avert a number of life threatening situations.

That, or it is a triggered indicator that eternal recurrence is an Ouroboros reality, which going by my other personal experiences, could indeed be the case of a closed-timelike-curve, to lucid dream ride as a conjured Night-Mare Vimana.

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PONYGIRL TRANCE WITCH

Posted in Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 15, 2015 by FAUSTUS CROW

The Seventieth Succubus of the Goetia is called Seere, Sear, or Seir. As of per usual the classical Goetia describes this spirit to be male, who is described as riding a winged horse like the ancient Greek, Pegasus.

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However, the name of Seere is very likely derived from the Old Norse term, Seiðr, which is sometimes anglicized as Seidhr, Seidh, Seidr, Seithr, Seith, or Seid, describing a type of sorcery that was practiced in Norse society during the Late Scandinavian Iron Age of ‘singular eyed’ seer far-sight.

A number of scholars have debated what exactly Seiðr is; some have argued that it was shamanic of practice, since its ecstatic practitioners engaged in visionary journeys into other worlds throughout space and time, which of modern terminology would be termed as remote viewing.

Seiðr was primarily practiced by women, and like Succubae Witch wives, the Norse called Valkyries, they rode their (broomstick) spirit horses into trance.

Seiðr was also practiced by the shamanic deity, named, Odin, whose Succubae Witch handmaidens were the Valkyries, ringed around the Zodiac Ages of the thirty-six decans. Odin was simultaneously responsible for war, poetry and sorcery. But it was the Goddess of Witchcraft, who was also the mistress of the Valkyries, called Freyja, who originally taught the practice of Seiðr to Odin.

If the name of Seere is indeed derived from the term of Seiðr, the symbolism of the winged horse may offer further insight into the matter, should it be a veiled symbolic reference to the practice; since the Goetia dates from the witch burning era, when much of the pre-Christian elder lore was lost.

The symbolism of the winged horse is very much a creature of shamanic lore, which is especially the case in North Central Asia, across the steppe unto Siberia, where you find Mongolian shamans speaking of a personal psychic power, called Hii (wind), or Hiimori, which means Windhorse. The Windhorse in Norse mythology would be represented as an eight-legged-mare, called, Sleipnir, which is ridden by Odin. The name of Sleipnir means, ‘gliding one.’

The Hiimori is seen to be housed within the chest area of the heart; its power is basically the ability to induce hypnagogic (gliding) trance, which will vary in its power according to how you use it, such as for remote viewing, for example; hence you also have the word, Seer, the name of Seere, and their root of Seiðr.

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The practice of Seiðr is also associated with sex magic; however, the scholars are not too sure what form it took. What they do know, is that it was mainly practiced by women in Norse society. This can be easily sorted, when to look into other shamanic cultures, where you will duly find many a female shaman allowing themselves to be sexually possessed by male spirits, who were considered to be their spouses, which enabled the female shaman to negate the terror of trance ingress; in other words, her fear was otherwise transmuted into ecstatic union with the divine.

This practice can also be found in Mesopotamia, where the Prophetesses of the Middle Eastern temples became as (Shekinah) vessels for their ‘Animus’ God, just as the ancient Greek Priestesses of Delphi were possessed by the Sun God Apollo, who in Norse society would be equated with Odin.

You could even go as to far to say that the 1634 possessions of the Nuns of Loudun, and that of other Nuns was an inadvertent expression of this possession by their crucified God of the Solar Cross, amidst the twelve machismo apostles, who govern over the’Animus’ ages of the Nuns Zodiac.

There are hardly any cases of Monks being ecstatically possessed, unless they were otherwise sexually orientated. But then, the Nuns, if they be heterosexually inclined, have their Abrahamic all male ‘Animus’ focus of a patriarchal Father, Son and Holy Ghost to impregnate them, to thence birth a Beastly Moon Childe to later crucify of Solar sacrifice.

One thing for sure, many a Witch was wise in this practice, who dallied with spirits conjured out of a Grimoire; wherefore explaining why the Fantasia entities listed in the Playgirl Grimoires are all Sorcerer Apprentice male of an ‘Animus’ fixation.

This isn’t to say male practitioners did not practice Seiðr; the difference being, a heterosexual male practitioner was not possessed by a female spirit; for being a man, he otherwise entered her, to thence ride as his ‘Anima.’ Whereupon, of a symbolic depiction, you have pre-Christian rock carvings of male figures sporting erections, mounting mares.

This was not literal, since, it is obviously bloody dangerous, let alone nigh impossible. The symbolism refers to a male practitioner interacting with a female spirit, symbolised as a mare, who represents the power of trance; wherefore you have Odin riding the (eight compass points) eight-legged-mare, Sleipnir.

Seere, would indeed be symbolised as a (Animus) male entity for a heterosexual female practitioner of Seiðr, who is ridden into ecstasy; whereas for a heterosexual male practitioner Seere is (Anima) female, who he rides into trance. If the practitioners are otherwise sexually orientated, then the internal dynamic changes in accordance with their preference. But what is interesting, is that there are no historical examples of any Playboy Grimoires listing only female spirits.

Should you reverse the classical all male Playgirl pantheon of the Goetia, then Seere is a Mighty Princess, and powerful, under AMAYAMONA, Queen of the far Eastern steppe of the shamans.

She appears in the form of a beautiful woman, riding upon a winged horse like Pegasus, or to otherwise appear as winged Centauress. Her office is to go and come; and to bring abundance of things to pass on a sudden, and to carry or re-carry anything whither you would have it to go, or whence you would have it from. She can pass over the whole Earth in the twinkling of a singular seer eye.

Wherefore, she gives a true remote viewing relation of all sorts of theft, and of treasure hid, and of many other things. She is of an indifferent good nature, and is willing to do anything which her master desires of her. She governs over twenty-six Legions of Succubae. And Seere’s Valkyrie Seal is to be meditated upon, before conjuring her within a lucid dream of Seiðr practice.

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PONYGIRL TIME TRAVEL WITCH

Posted in Alien, Art, Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 14, 2015 by FAUSTUS CROW

The artwork above depicts an alternative version of the fifty-fifth spirit called Orobas, who is listed in the the Grmoire, entitled the Goetia. The conjuration of Orobas has been popularised among the occult fraternity by the American author, lecturer, musician and occultist, Lon Milo Duqette, who described summoning Orobas in his autobiography: My Life With The Spirits. Duquette’s conjuration of Orobas occurred before his ascent to fame, which at the time had initiated some intriguing synchronicities.

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Orobas is classically described as being a male entity, who initially manifests as a small ‘Horse,’ before assuming human form; whereby, when you reverse the all male symbolism of the Playgirl grimoires, to otherwise have a Succubus, you then have the symbolic motif of a Ponygirl, who is also a Witch, to name as Orobasi.

The name of Orobas is derived from the word: Ouroboros, which is a term for an ancient symbol of a snake eating its own tail.

The symbol of the Ouroboros describes, Eternal Recurrence, which a physicist would otherwise term as a closed timelike curve; this leads you to time-travel, hence that of the symbolic association with Doctor Who’s TARDIS.

The shamanic deity of Norse mythology, called Odin, the Saxon’s named as Woden, is the ancient forerunner of Doctor Who.

Odin, rode an Eight-Legged-Mare called Sleipnir, which can be equated with Doctor Who’s TARDIS.

The artwork is a depiction of an ‘Out Of Body Experience,’ of which the dreamer is carried by the Ponygirl, Orobasi through time, within a lucid dream as Doctor Who, of a youthful memory.

Then again, perhaps the dreamer has departed from this mortal coil. What the dreamer, or discarnate soul of the individual to then experience is somewhat similar to Little Nemo In Slumberland; although his out of his ‘Skull’ Bardo adventures are somewhat ‘Crossbone’ trance ‘X’ rated.

This leads to his future self being able to influence his own past via a self induced lucid dream, which of an ability is symbolised by (Orobasi) the Ouroboros.

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Basically, he possesses his own self, and should he remember his future self, now as a dream, to once again awaken as a youth, he is then able to recreate himself anew; for his elder self has beckoned back through time via his own dreams by riding Orobasi.

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PROJECT STARGATE VAGINA

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Demon, Demonology, Discordianism, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 22, 2015 by FAUSTUS CROW

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During 1970, United States intelligence operatives became aware that the Soviet Union was spending 60 million roubles annually on psychotronic research, whose parapsychologists had discovered the original book upon which H.P. Lovecraft’s Necronomicon was based, being the medieval grimoire, entitled the Goetia.

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At first, the US intelligence operatives believed that the Russian’s had totally lost the plot, until they realised what the very sneaky Soviets were up to. The Soviet parapsychologists had devised a psychotronic means to subvert the religious indoctrination of the masses, by reversing the patriarchal Animus focus of the numerous Playgirl grimoires, such as the Goetia. This invariably leads to the eventual undermining of the religious foundation upon which these grimoires are based.

The Soviets saw the Goetia as a psychotronic device, via which they could negate the media machine influence of the patriarchal Bible thumping American’s. This involved conjuring up the spirits of the Goetia as female entities called Succubae; whereby the Goetia would then be transformed into a Playboy grimoire. This was taken much further, since the Soviets had discovered that the Succubae are the energetic fluctuations of the Anima, called the Great Old Ones.

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The Soviet research into the Goetia was triggered off when their parapsychologists noticed that the Zodiac association of the spirits listed in the Goetia correlated with hot spots around the Earth. During the 1960’s, the historian, Nikolai Goncharov, construction engineer, Vyacheslav Morozov and the electronics specialist, Valery Makarov had the idea of re-examining the globe of the Earth to see if any pattern should emerge, which linked significant places in history. The belief that the Earth has a basic harmonic symmetry of an interlaced weave of a web linking places of power is very ancient.

In Plato’s Phaedo it is related that Socrates once told his pupil Simmias: “My dear boy, the real Earth viewed from ‘above’ is supposed to look like one of those balls made out of ‘twelve’ pieces of leather sewn together.” Socrates was describing a dodecahedron; the twelve pentagonal faces of the dodecahedron were anciently associated with the Zodiac, whose stars are pentagrams.

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Some 2000yrs later the Soviet findings indicated that such a pattern did indeed exist. After several years of research in Moscow, the three researchers published their findings in 1973 within the, the popular science journal Khimiya i Zhien of the USSR Academy of sciences, entitled: Is the Earth a large crystal?

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The Soviets started to suspect that the dodecahedron indicated that our experiential reality is a hologram, the ancient Hindu mystics termed as being Maya. They then sought to find an internal structure, which was generating our holographic reality, so that they could find a way of psychotronically influencing it, and eventually controlling the collective mind.

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The Soviet parapsychologists were aware that a cube and a tetrahedron can be placed within a dodecahedron; both of whose vertices match up with all the vertices of the dodecahedron. But it was not until 2003 that Swedish scientists from Uppsala University vindicated the suspicions of the Russian parapsychologists concerning a cubic structure at the centre of the Earth, the ancient Egyptian’s considered to be the throne of Isis, the Hebrew’s called the Merkabah.

The Swedish scientists published their findings in Nature and Science that the Earth’s core assumes a body centred cubic crystal structure at high temperatures, a structure, which despite its high degree of symmetry evinces a surprisingly high level of elastic anisotropy. The Soviets had previously suspected that the Hellraiser cube is some form of computer, which can be programmed by a dreamer, who can conjure up its Succubae programs from within the microcosmic symbolic interface of his virtual reality dreams, via which he can then influence macrocosmic Maya.

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The Soviet program had produced a number of psychotronic results by reversing the symbolism of the Goetia, which enabled the Soviets to release the Succubae Great Old Ones from their symbolic bondage at key points around the dodecahedron structure of the Earth’s hologram. In response to these claims, the CIA initiated secret funding, for a new program, its codename was, SCANSUC (Scan by Succubus) in 1970.

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The conjuration of Succubae for remote viewing research began in earnest during 1972 at the Stanford Research Institute (SRI) in Menlo Park, California. Proponents of the research said that a minimum accuracy rate of 65% required by the clients was consistently exceeded in the later experiments. The experiments involved the introversion of the sexual impulse for the empowerment of lucid dream conjurations of the Succubae, via whose vaginal portals, the dreamers could then remote view throughout space and time. Because of the sexual element, the research had to be kept very secret from the general public, who would construe it as being black magic.

The Soviet parapsychologists as well as their American counterparts had found that at around 7.8hz, your brain is on the border of an Alpha or Theta state, which is requirement for remote viewing. It is an extremely relaxed state of mind, when experiencing hypnagogic trance and lucid dreaming. The resonant frequency of the electromagnetic field of the Earth, also resonates at 7.8hz, which is called the Schumann resonance.

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The Schumann resonances (SR) are a set of spectrum peaks in the extremely low frequency (ELF) portion of the Earth’s electromagnetic field spectrum. Schumann resonances are global electromagnetic resonances, which are excited by lightning discharges within the cavity formed by the Earth’s surface and the ionosphere. The Soviet and American researchers had discovered a link between human brain activity and the electromagnetic field of the earth, which extends from the Earth’s interior (cube) to where it meets the (sexagram) solar wind.

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SCANSUC eventually evolved into the Stargate Project, which was the Hogwarts code name for a U.S. Army unit established in 1978 at Fort Meade, Maryland, by the Defence Intelligence Agency. SRI International, a California contractor was also involved; both of these shadowy organisations investigated the potential for psychic phenomena in military and domestic applications. The Defence Intelligence Agency were aware that the Soviets had also determined that the religious indoctrination of many minds to focus upon a shared language involving the associated conjuration of certain symbolic stimuli, was influencing the electromagnetic field of the Earth.

Wherefore, the Defence Intelligence Agency had to find a way to influence the collective mind by implementing a global communications network. This led to the development of the Advanced Research Projects Agency Network (ARPANET), which was an early packet switching network and the first network to implement the protocol suite TCP/IP. Both of these technologies became the technical foundation of the Internet. ARPANET was initially funded by the Advanced Research Projects Agency (ARPA) of the United States Department of Defence.

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As for the term, Stargate it is a reference to the vaginal star barrelled tunnel, that many of the dreamers had experienced when conjuring up a Succubus within their time travelling lucid dreams. The vaginal Stargate was experienced when the dreamer became lucid within the dream, at which point the dreamer was then enabled to access the interconnected informational ‘web’ of the collective mind. The vaginal tunnel was formulated, when the dreamer initiated the cross-referencing of information, via which the dreamer was then able to tune into an informational fractal dream domain. The dream domain being that of a remote viewed target. The accessed information was determined by what type of Succubus was conjured within the lucid dream.

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The Stargate was also represented as the vaginal symbol of the Vesica Pisces by the project, which of an inner experience was later correlated with browsing the world-wide-web of the internet, like that of riding an eight-legged-Night-‘Mare,’ which is otherwise called a Spider Horse, or a Hobbyhorse to ride over the web.

The correlation between the processes of consciousness, dreaming and browsing the internet came very much to the fore when Dr. S. James Gates, Jr., a theoretical physicist, the John S. Toll Professor of Physics at the University of Maryland, and the Director of The Centre for String and Particle Theory, reported that certain string theory, super-symmetrical  equations, describing the fundamental nature of the Universe and reality, contain embedded computer codes.

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These codes are digital data in the form of 1’s and 0’s. Not only that, these codes are the same ones, which make web browsers work, and are error-correction codes. Gates related: “We have no idea what these ‘things’ are doing there”.

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The embedded code was not just any code, it was first invented by Claude Shannon back in the 1940’s, embedded within the equations of superstring theory. Gates published his findings in the British journal, Physics World, entitled: Symbols of Power, which describes his research that begun in 2004 on Adinkras, linking computer codes like those used in browsers to the supersymmetric equations of fundamental physics. It thereby appears that we are living within a computer simulation, Socrates had prior equated the dodecahedron symbol of power.

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The principle Succubus that the Soviets conjured up as well as by the Stargate operatives was called Orobasi. Her primary office is that of bestowing the ability to remote view events throughout space and time, such as enabling the conjurer to retrieve technological information from the future. Due to the focus upon Orobasi, whose classical symbol is a horse, the Vesica Pisces incorporated a horse at its almond shaped midst, with an Ouroboros surrounding the two interlaced circles. The name of Orobasi (Orobas) is derived from the term: Ouroboros, which describes Eternal Recurrence; suffice to say, the one who remembers on the battlefield of life can avoid the bullet.

Orobasi was ridden by the dreamer into the ‘little death’ of his dreams when he penetrated the superimposition state of the vaginal Stargate as binary code. The binary code equates with the emotional state of the dreamer; whereby he has to be in emotional balance when accessing the inner (vaginal vortex) Stargate.

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The project was overseen until 1987 by Lt. Frederick Holmes ‘Skip’ Atwater, who was an aide and psychic head-hunter to Maj. Gen. Albert Stubblebine. Atwater later became president of the Monroe Institute. The unit was rather small-scale, comprised of fifteen to twenty operatives, which was initially run out of an old, leaky wooden barracks. The Stargate Project was said to have been terminated in 1995 after a CIA report had inadvertently divulged that the operatives were conjuring up Orobasi as a scantily clad Ponygirl.

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This caused a lot of embarrassment to those funding the project with tax payers money; most of whom being devout Christian’s, as well as Muslim’s, and of course those of the Jewish faith from which Christianity and Islam had originally stemmed of an established Illuminati trinity, amidst whose patriarchal triad, their Orwellian eye of Abraham over-watches all, atop of an Ur ziggurrat. Wherefore it had to be quickly covered up, otherwise it could potentially trigger off religious strife, which would feed into the ongoing forever wars raging across the Middle East of continual blood-letting sacrifices to their three faced deity. Although some to say the Stargate Project had been renamed as the Sleipnir Project, which has since been relocated to Dreamland of Area 51 and Montauk.

NOTE: Although written tongue in cheek of Discordian humour, the techniques discussed can be personally utilised for the Shamanic practice of lucid dreaming. The reasoning for satirising Project Stargate as well as Project Pegasus and the Montauk material is to negate the formulisation of religious sensibilities, which invariably leads to the creation of Cultic paradigms, based upon cultural constructs.

I would also like to point out that I am not an Atheist. The Atheism of the materialists is none too dissimilar to the religious beliefs of the God worshippers. The symbolic paradigms of the God worshippers in particular are primarily based upon Cult-ural constructs, which can be generally defined as being those of Jerusalem, Rome and Mecca.

You cannot Brand the mystery of existence with a Cult-ural construct; whether it be Hebrew, Roman or Arabic; for if you do so, you then have a Cult attempting to sell you a Product of an ‘Oily’ Religion, which of a theocracy is often tied up with politics, whether it be Capitalist, Communist, Socialist or Fascist, etc. As for the belief system of the Atheists, who believe that everything has happened by chance, it is often seen to be aligned with science, which is somewhat of a misnomer, since science is not, and never was a belief system, it is neutral!  

Also, Shamanism is not a religion; for it has no particular symbol system, nor a dogma; hence it is neutral. Those who consider Shamanism to be a religion, do not know what the Hell they are talking about. Shamanism is comprised of a set of techniques, which are utilised to induce an altered state of consciousness, such as inducing trance and conscious dreaming. These techniques are used by numerous cultures across the globe due to our shared neurology. The techniques of Shamanism are entirely separate from the differing cultural constructs of a religious sentimentality.  

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