Archive for grimoire

FAUSTIAN PEN SKETCH 1

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , on February 27, 2018 by FAUSTUS CROW

The above Artwork is a ‘quick Pen Sketch’ of a ‘Fallen Anima’ emanation, named Barueli or Baruela, on A5 cartridge paper.

“Barueli: The mistress of all Arts. She manifests as an Artist’s model and comes wearing an Artist’s frock. She can teach a Truderer more in a moment than all the master Artists of the world combined could accomplish in twenty years. She must be forcibly invoked three times.”

The ‘Animus’ version is listed as Baruel in the Faustian grimoire, entitled the, Threefold Coercion of Hell, also called, Cabalae nigrae, Magiae naturalis et innaturalis, which is otherwise known as the Black Raven.

The Black Raven was said to have been authored by Johannes Faust. The seal for Baruel is below, which was derived from the Black Raven.

Classical description: “Baruel: The master of all Arts. He manifests as a master workman and comes wearing an apron. He can teach a magician more in a moment than all the master workmen of the world combined could accomplish in twenty years. He must be invoked three times.” 

The conjuring Faustian Artist takes on the acting role of the Artist Baruel, which he assumes as his Performance Art guise. While seeing himself as Baruel, he then conjures up the Succubus Art Muse Barueli amidst his Triangle Of Art imagination as his Fallen Anima of an Art model. You then have a Yab-Yum Tantric union, which will become as a three-dimensional interactive reality within a lucid dream.

NOTE: Baruel may be referring to Augustin Barruel (October 2, 1741 – October 5, 1820) who was a French publicist and Jesuit priest.

He is now mostly known for setting forth the conspiracy theory involving the Bavarian Illuminati and the Jacobins in his book Memoirs Illustrating the History of Jacobinism (original title Mémoires pour servir à l’Histoire du Jacobinisme) published in 1797.

In short, Barruel wrote that the French Revolution was planned and executed by the secret societies. If Barruel was an Artist, he might of created a groundbreaking bandes dessinées about his conspiracy theory, involving a female protagonist. 

As an Artist, Baruel can be equated with a whole host of Artists, such as, for example, Jean-Claude Forest, who was born in Le Perreux-sur-Marne, a Paris suburb. After graduating from the Paris School of Design in the early 1950’s, he immediately began working as an illustrator.

Forest became world famous when he conjured up an erotic science fiction Art Muse to Mantra name, Barbarella. His bandes dessinées about Barbarella, was originally published in France in V Magazine in 1962.

Barbarella was an immediate bestseller and was soon translated into a dozen languages. In 1967 it was adapted by Terry Southern and Roger Vadim and made into a major motion picture, with Forest acting as design consultant.

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OCCULT ART NOT PORN!

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 13, 2018 by FAUSTUS CROW

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The occult Arts or otherwise termed magical Arts use techniques many a Faustian Artist will recognise. This is because Art and sorcery are basically one and the same practice. When an Artist conjures up an idea for a character amidst his or her imagination, which is then visualised, in order create an image of the manifest vision as a painting, he/she is essentially practicing Magic.

This is more so the case when the meditative state of creative intensity leads to the inducement of a lucid dream, wherein the created two dimensional image manifests as a three dimensional interactive reality within the dream. Upon awakening, the Artist might even observe concordant synchronicities, whose symbolism reflects back the symbolic stimuli of the dream, which had been initially conjured up by his/her Artwork.

However, the Art world has over time developed a disdain for anything to do with occultism, which does not see Art and the practice of Magic as being the same. Art has become a product, a commodity, nothing more than that. (The Art world is heavily controlled from the top down, whose elitists dictate what is considered to be Art, and what is not Art.)

To a degree, this is understandable since many an occultist often becomes embroiled with a religious sentiment, which has nothing to do with Magic/Art, who dogmatically distance themselves from Art as being a quite separate and of little importance.

The same can be said of the Arts, which presently has a dogmatic emphasis on the brand of the abstract.

Whereas the symbolic expression of occultism tends to be rather morbid of gothic branding, which in the main, is due to an entrenched medieval mind-set. (Don’t get me wrong here, I like, and employ the symbolism; but not of overall branding!)

The medieval mind-set has systematically negated sexuality out of the symbolic paradigm to make nigh celibate in accordance with its religious indoctrination.

When sexuality enters into the occult formula, it is usually seen to be malign of a perceived Satanic influence. This is very much the case when female entities are mentioned, whose conjurations are habitually termed as being occult porn.

When the word pornography is utilised by politically correct mind-sets it is usually used as a loaded means to trash what it is applied to, of tar and feathering, since porn solely concerns its self with meaningless Hentai copulations.

Those who castigate the Artistic conjuration of female entities as being occult porn quaintly forget, or should I say, ignore the fact, that their male archetypes have been conjured down the indoctrinated ages by numerous occult practitioners for the express purpose of sexually exploring their psyches. For example, Aleister Crowley was bisexual of orientation, whose conjurations of the all male archetypes listed in the Goetia, he had ‘illustrated’ having huge erections.

Suffice to say my Artwork is usually termed as being occult porn by traditionalist occultists, who in the main dogmatically practice religion, not Magic/Art. Nor is my Art primarily gothic of style, which is commonly associated with the occult; this confuses the branded clique. If it was to be pigeonholed at all, it could be construed as being Pop-Surrealist, which is due to the infernal underground comic art style of the Artwork using themes from popular culture.

As for the emphasis upon the female form, it is to do with illustrating various archetypes of the Fallen Anima.

The Anima is a female archetype residing within the heterosexual male psyche, which is conjured up amidst the Triangle Of Art imagination, whenever a male visualises his idea of a perfect female partner, or even one to avoid, etc. The Anima influences his attraction to those women he seeks to become intimately involved with, who reflect back how he sees himself of an internal-self-image, such as a Witcher, for example.

The counterpart of the Anima, is the Animus residing within a heterosexual female psyche, which influences her choice of those males she seeks to become involved with. Her male partners also reflect back how she sees herself deep down, who might see herself as a Sorceress.

When a man or woman falls in love at first sight it is due to the unconscious influence of their Anima and Animus being conjured up within their psyches. Those of a different sexual orientation reverse the symbolism in accordance with their respective natures.

The Anima and Animus are not quaint concepts; nor are they part of some new-age fundamentalist pseudo-ideology. The Anima and Animus are psychological realities, which are an expression of your biological hard-wiring; it is basic nature.

What is intriguing is that the grimoires, whether ancient or modern have an overriding gender fixation upon the deified Animus, made as a patriarchal God and Devil along with their all male pantheon of Angels and Demons, which you could otherwise term as being Playgirl grimoires.

The Playgirl grimoires primarily describe male archetypes of the deified Animus, which as mentioned, reside within the female psyche. In other words the deified Animus, made as a God and Devil is the patriarchal creation of woman, who to dally with the Beta and Alpha male archetypes of her monotheistic Animus manifesting as machismo Angels and butch Demons, you can aptly term as being Incubi.

The male archetypes can be otherwise seen as being role-models by a conjuring male Artist who assumes their guises to act out, when to engage in performance Art, or to imagine assuming their daemonic Avatars, while drawing/painting their (seals/sigils) characters.

A shaman likewise does the same when accessing hypnagogic trance, who then becomes the conjured archetype within a lucid dream, somewhat like becoming a character in a (virtual reality) video game.

However, each of the male archetypes the shaman assumes as his (magical-persona) Avatar would be coupled with a corresponding female archetype of his Anima.

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(A Tibetan Buddhist [Hindu or Tantric] would term the Anima as being Shakti, whose energetic [Succubus] emanations are called Dakinis, and each Dakini is coupled with a [Avatar] raging Buddha.)  

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For example, let’s say we have a heterosexual male Artist who is drawing the video game character of the Witcher, who associates the Witcher with a shaman. The shamans were once many, until the ascendancy of the (Eternal Flame) deified Animus cults started to systematically eradicate them; whereupon there are now only a few.

The Artist’s creative intensity of a meditative focus is introverted into his dreams, which is sexually empowered by the Witcher’s intimate interaction with his female counterpart named, Yennefer.

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Or that of other female characters, such as the (Succubi) Succubae, having varying (mutagen) Muse abilities, the Witcher becomes entwined with in his shamanic story of a hero’s journey. But the Art Muses are arranged around a central Art Muse, who is their Anima Queen.

The Artist experiences assuming the daemonic Witcher Avatar within a lucid dream, who will find that the dream domain he consciously accesses is represented by Yennefer. It is she and other female characters who personify the sorceress power of his Anima dream.

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When you have a gender fixated paradigm it will have an underlying sexual orientation, which cannot be denied, even if you attempt to cut sexuality out of the symbolic equation.

Sex has been cut out of the patriarchal symbolic paradigm in order to negate you seeing the underlying sexual orientation behind the focus upon the deified Animus.

One of the grimoires, which describes just a few female spirits out of seventy-two of number is the Goetia. However the female spirits the Goetia depicts are described as being actually androgynous male entities in hermaphrodite disguise, or if you prefer, they are fluid of Hollywood gender politics, the feminist extremists presently espouse, while battering the Anima.

The extremist feminists are not saying anything too dissimilar to what orthodox Judaism, right-wing fundamentalist Christianity or Whahibist Islam have said concerning the Anima, which has been entirely castigated out of the symbolic paradigm as the Fallen.

It is essentially mass thought-control, which specifically targets the Anima within the male psyche and in turn targetting his sexuality. You could hypothesise of a science fiction scenario that its hidden agenda is population-control. Whether it is cyclic of nature, or that of human wrought witchery can be considered as being a mystery.

Although when to science fiction observe that the Biblical Hell-fire imprisonment of the psyche is losing its hold, it now also involves alchemical practices being employed.

You have the dumping of sodium fluoride, fluorosilicic acid, and sodium fluorosilicate into the public water supply, along with it being added to the food in league with GMO Soya.

They are also considering putting lithium into the public water supply, which will put an inane smile on your face.

But it appears that lithium and other metals are being introduced into the environment via chem-trails, etc. You can thereby gather it is very likely being engineered by the all too human, which is the real porn.

At one time during the dark ages of the Witcher the numbers of your ancestors were kept down by natural illnesses, various false-flag instigated religious wars, as well as being systematically programmed to believe, that any untoward thought not allowed by the Animus fixated Playgirl scriptures, would consign them to being eternally damned, within the fiery depths of Hell.

Now, during the science fiction era, many a male are being media programmed to believe that any considered politically incorrect thoughts they might have indicates that they are objectifying women as sex objects, exuding a toxic Witcher masculinity, let alone being sexually perverse misogynists, etc. The thought control is engineered to get males to censor their own thoughts via the emotively charged state of being made to feel guilty about being male, etc, which in turn censors their dreams.

Perhaps science fiction is becoming science fact!? So, if you have a very real Necronomicon, which has been banned by the cults of the deified Animus, it would list what has been entirely cut out of the symbolic equation, a Faustian sorcerer would fathom…

“Horrid, old and dumb,” many a protesting Mummy Porn Maenad to have screamed at me, likening an Avadhuta Faustian rebel to Danny DeVito, while I flew over their tangled Medusa hair Nets, to Heyoka howl… “Animus!”

Wherefore I decided to create a Necronomicon based upon the Goetia, which illustrates the female archetypes of the Fallen Anima, you could term as being a Fifty Shades Of Grey Playboy grimoire, whose tome explores the rebellious lucid dream conjurations of Owl eyed Athena (Succubi) Succubae, betwixt the High Priestess pylons, black and white.

Those who term my Artwork as being occult porn, merely reveal where they are coming from, who reside within a closeted Plato’s cave of a neuro-marketing Animus fixation

It is the symbolic Matrix where the feminist likes of Oprah Winfrey read Fifty Shades Of Grey Mummy Porn, which objectifies the male in their Playgirl grimoires! Savvy!

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ART MUSE EVOLUTION

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2017 by FAUSTUS CROW

How did the naked ape become so smart, and what initiated it to happen? To untangle this age old question, anthropologists have been seeking to discover archaeological artefacts, which reveal the evolving intelligence of our human ancestors who lived 1.8 million years ago. It was at this point in the far distant past that a new type of stone tool had erupted upon the scene along with the human brain nearly doubling in size.

Some researchers have suggested that this more advanced technology, coupled with a bigger brain, implies a higher degree of intelligence, which was propelled by the first signs of language. But there is another driving force propelling this evolutionary leap in tool making, which is far more basic, yet profound in its implications. It was driven by the biological imperative to be seen as being attractive to the opposite sex.

Basically, the ape with the bigger chopper got the females attention, because with such a tool, he could provide the necessary fodder for his mate and progeny.

This of course also required him to have a bigger brain pan to create a better and far more efficient chopper than his competition, whereby enabling him to sow his seed, siring ever more cleverer apes. Some of whom would escalate in intelligence, becoming far too clever for their own good, but that’s evolution for you!

Let’s imagine a scenario, you have a lumbering giant of a cave man looking like Arnold Shwarzenegger with pumped up bear brawn, having the biggest red ‘Animus’ arse around, facing a spindly little cave man looking like Jim Carrey. The spindly cave man appears to be inanely grinning, for some unknown reason. All the cave women are pulling their hair out, frothing at the mouth, baring their breasts and buttocks, lustfully screaming.

The cave women are howling for their red ‘Animus’ arse favourite to attain the right to mate with them, who are expecting him to entirely decimate the little inconsequential cave man. Even the girls, who, like their mothers, scream out for the apish bear to win; but then, girls emotionally mature far more quickly than the boys do.

As the giant goes in for the kill, the little cave man suddenly pulls out a slingshot, to quickly let loose a sharpened stone at the bear sized ape. Whack! Right between his drooping testicles, the giant crashes to the ground with his red ‘Animus’ arse up in the air. All the cave women are stunned senseless. Intelligence has won over bear brawn, the new evolutionary aphrodisiac!

But, without the need to mate, the spindly cave man would have never been able to create a slingshot in the first place to give him the edge over mere brawn. Sounds a bit too cave man basic doesn’t it. Let us move forward in time to the glory that was ancient Greece, to see a horny sculptor sculpting a Venus out of marble with his advanced tool, or that of a sweaty renaissance Artist painting a canvas, inspired by an Art model Muse, who also drove the scientist absolutely Einstein crazy, creating varied technological tools. I shit you not, the Faustian scientist entered into an Osculum Infame Coitus Pactum with his Muse!

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Your programmed brain might consider that this generalised interpretation is politically incorrect let alone sexist? Well, it isn’t, it takes two to tango. It has always been a case of a Yin-Yang team effort in order to survive all those great mammals, which made your ancestors look like tiny meals on bipedal legs. However they had those nifty hunting tools, bringing down Mammoths, which they also used to defend themselves against sabre tooth tigers and cave bears, etc; to have later created the technological wonders you presently know now, where weapons of mass destruction equates with having the biggest Area 51 Freudian chopper, rather than looking towards the Star Trek stars.

Alas, the bad-boy naked ape having the biggest bad arse chopper on the block, always gets the chicks hot for what’s inside of his beastly pants. There is an ancient Hindu adage, that goes, “a God is not a God without his Shakti.” In general the term, Shakti means the feminine principle, who is the creative inspiration and meaning of all life itself. Another old adage is, “behind every great man is a woman,” which is presently considered to be extremely sexist. However, when to look into ancient cultures, such as ancient Egypt, for example, a Pharaoh crowned as a Horus derives his power from the throne, which is seen to be Isis female, just as a Merlin hawk of a Myrddin is traditionally flown from a ladies stroking hand.

That is why women have been depicted having the hots for the horned Devil, who is actually a horned (Merlin/Myrddin) shaman. In other words, the driving force behind the evolutionary creative impulse of tool making is the biological imperative to be attractive to the opposite sex, otherwise there is no evolutionary furtherance of life. The same would be the case on other alien worlds.

You might ask Is there any hard evidence of the evolution of intelligence being entwined with evolving tool use, which enables a tool using naked ape to become more attractive to the opposite sex? It just so happens, there is some evidence.

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A recent study of brain scans have revealed that when heterosexual men are shown pictures of scantily clad women, the region of the brain associated with ‘tool use’ immediately lights up.

This also indicates something else, concerning the shamanistic usage of erotic mediation images in order to activate the region of the brain associated with tool making, which of an ancient technique enables the conscious conjuring up of personified ideas as ‘Anima’ archetype Muses within lucid dreams.

A Tibetan Bonpo shaman would otherwise term a Muse as being a Dakini, whose inner manifestation enables consciousness expansion into other arenas of fiery perception, beyond the subliminal programming of a particular culture, which has a Playgirl emphasis upon the deified ‘Animus.’

As for the caveman usage of anthropomorphic symbolism, the present day UFO researchers misinterpret as being representations of alien hybrids; the sky-walking void-going Dakinis are often associated with particular archetypal animals, which symbolically represent subconscious energetic qualities. These energetic qualities can be tapped into when conjuring a particular animal headed Dakini. For example the wrathful wisdom Dakini called, Simhamukha initially manifests as a lioness, before assuming human form within a lucid dream.

The same type of anthropomorphic symbolism is utilised in the Playgirl grimoires where you have ‘Animus’ archetypes initially manifesting as various animals. The Muses also initially manifest as animals; it is one of the primary reasons why tools, such as ships, cars and computers, etc, are often given animal names as well as being traditionally seen as being feminine of quality by males, in the main, which at an unconscious level alludes to the tool making part of the male brain being activated. Should a heterosexual male practitioner sheepishly externalise this symbolism as being literal, it will invariably lead to animal welfare officers as well as the police becoming involved.

The finding that sexual (meditation) imagery activates the tool-making part of the male brain gives a whole new slant on the exclamation ‘Eureka!,’ which is famously attributed to the ancient Greek scholar Archimedes having a tool making insight when stepping into his bath. I will leave it to the women to imagine what he was actually doing of a meditation exercise upon Athena, just before bathing his illuminated… head.

However the findings have been mundanely interpreted as indicating that men dehumanize women as being mere sex objects by the lead researcher Susan Fiske, a psychologist at Princeton University, who seems to have entirely missed the evolutionary point of a Eureka finding.

“If a similar study were done with women,” Fiske told National Geographic News, “it would be hard to predict whether a woman shown a scantily clad male body would dehumanize him in the same way.” Well, she probably wouldn’t do so, if he hasn’t got a big enough chopper, I mean, stone axe, who would be the type of fellow who finds himself in a dead end job. Although he could potentially bounce out of a pandering shit pan job, should he rebelliously conjure an inspiring Muse amidst his Triangle Of Art Imagination.

Whereas a very crafty Witch would meditate upon an image of an archetypal expression of her deified ‘Animus,’ such as a Good-Guy Beta-Male Angel or an Alpha-Male Bad-Boy Daemon listed in the commonality of the patriarchal Playgirl grimoires, to then conjure up her tool making desire into a lucid dream, and on waking, to thence hunt down her ‘Animus’ projection in the crucified flesh, upon an intuitive synchronicity. Who knows, she may even birth an Indigo Moon Childe mutant of yet another evolutionary leap.

Suffice to say, said chosen male would not know what’s clubbed him, who will then have a primordial tool brain need to create lots of gadgets around the house for his Babalon, that, or having the big-bucks to acquire them from other Muse inspired inventors who are also being ridden as Great Beast’s by Babalon’s.

A number of evolutionary psychologists, who are far more honest than Fiske, have proposed that women tend to look for mates who have wealth and power; whereupon some of Fiske’s colleagues have suggested running a similar test where women are shown pictures of scantily clad Chippendale males next to expensive Merkaba cars or other affluent Playgirl grimoire symbols of tool making prowess.

However, Fiske doesn’t think such an experiment would work the same way, because she sees women usually reacting to men who they desire by “interpreting their minds, thinking about what they’re interested in, and then trying to please them,” she said, which indicates her agenda is far more subjectively political than objectively scientific.

There is ample scientific proof, which indicates that women also objectify men in the same way that Fiske and her cohorts are attempting to scientifically prove that males are the only sex who objectify women.

But what Fiske to have also revealed without realising, is that the fallen ‘Anima’ fluctuations of the Muses act in the same way, like that of conjured schoolgirl (Succubi/Succubae) Dakinis who inspire the tool making brain of a conjuring Tantric headmaster.

When to presently look around, or to investigate bygone ages of innumerable written or illustrated examples, across all cultures, women expertly interpret male minds, by figuring out what they’re emotionally interested in, in order to stop them from sowing their oats elsewhere. Hence, like Hens, women are highly competitive with other women when choosing mates. But only if the desired males have bigger and better tools than the other Peacock males. It isn’t Atomic rocket science, it’s genetically-hardwired nature, which cannot be socially engineered out of existence. Should you intelligently work with mother nature, that’s fine, but if you fight against her, she’ll bite back, and she’s a bitch!

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ART IS MAGIC, MAGIC IS ART

Posted in Art, Chaos Magic, Comics, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2017 by FAUSTUS CROW

There is some confusion as to what Magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of Magic. Magic in its earliest form is often referred to as “The Art”.

Because I am a bearded Wizard of the Comici Arcanum Guild, knowing Wizard stuff, I know this is completely literal. I know that Magic is Art, and that Art, whether it be Painting, Writing, Music, Sculpture, or any other form of Art is literally Magic.

Art is, like Magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about Magic seems to be talking as much about Writing or Art as it is about supernatural events.

For example, an illustrated proto-comic book of spells, called a Grimoire , is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people’s consciousness.

And I believe that this is why an Artist and a Writer of a comic book Grimoire is the closest thing in the contemporary world that you are likely to see to a Wizard.

I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the Arts or Sciences were the province of the Wizard.

The fact that in present times, this Magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy.

At the moment the people who are using Shamanism and Magic to shape our culture are neuro-advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people’s reptilian-brain-stems more manipulable.

Their Magic box of television, and by their Magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment.

In all of Magic there is an incredibly large linguistic component. The Bardic tradition of Magic would place a Bard as being much higher and more fearsome than a Magician.

A Magician might curse you. That might make your hands lay funny or you might have a child born with a club foot.

If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family.

It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries.

Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated Magic.

In latter times I think that Artists and Writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that Art and Writing are merely forms of entertainment.

They’re not seen as transformative forces that can change a human being; that can change a society.

They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the Wizard job of the Artist to give the audience what the audience wants.

If the audience knew what they needed, then they wouldn’t be the audience. They would be the Artists. It is the Wizard job of Artists to give the audience what they need.

The above excerpt was slightly adapted from an article by the Wizard Artist

– Alan Moore

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DEVIL GIRLS

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 1, 2017 by FAUSTUS CROW

Love Is like War, War Is likened to Love, the bedroom, the Tantric battleground, evolving the Yin, Yang union into a far deeper entwined level of Tao perception.

So too with the inner archetypes of the ‘Anima’ and the ‘Animus.’ However, the Witches have the emotional edge. The Witches have their preponderance of patriarchal PlayGirl grimoires, which to list the numerous archetypes of their deified Fifty Shades Of Grey ‘Animus,’ made as a God/Devil, Angels and Demons.

The Incubus archetypes of the deified ‘Animus’ the Withes to ‘Spirit Chain’ dominate within their Moon lit Love-craftian tentacle psyches of a Solomon’s temple.

Whereas the Warlocks have their Fallen ‘Anima,’ whose archetypes have been entirely castigated out of the symbolic equation.

Wherefore, a very real Necronomicon would list the banned and censored archetypes of the Fallen ‘Anima,’ who be the Succubus Great Old Ones.

Well, for there to be a deeper Tantric union between a Witch and a Warlock, there has to be an ‘equal’ balance between the patriarchal Hogwarts PlayGirl grimoires of the deified ‘Animus’ and a Necronomicon PlayBoy grimoire of the Fallen ‘Anima.’

So, should a feminist Witch, looking like Emma Watson, become patriarchal panicked by a Goat horned Pan, who to Sorcerer conjure (Succubae) Succubi, he can verily reply; “I am conjuring the Succubus archetypes of the Fallen ‘Anima,’ so as to understand thy Babalon, psyche. Just as thee to conjure the listed beasts, that thee to ride, out of thy numerous Hogwarts tomes of thine deified ‘Animus,’ to thence ‘Spirit Chain’ bind the anthropomorphic Incubi of thine infernal subconscious, to thy darkest desires. Thee does desire ‘equality,’ as do I. So Mote It Be!”

She will of course turn a deaf ear, to castigate the Horny Sorcerer as being a vile pornographer, which to drive many a Beta-Male Mage to pander ‘Flee’ from a Banshee Nightmare; but, the horny Sorcerer to otherwise ‘Fight,’ standing his Tantric ground like a rutting Alpha-Male Stag, who overturns the endogenous DMT visionary tables within the politically-correct Witches temple.

This is Entartete Kunst achieved when the Sorcerer to ritualistically Howl out his barbarous ‘fighting’ incantations of ceremonial defiance, leading thence to his raging lungs pumping out endogenous DMT ecstasy, which to then scourge force the Succubus archetypes of the Fallen ‘Anima’ to arise amidst his Triangle Of Art imagination, so as to then ‘Spirit Chain’ bondage bind them to his whiplash Horny will.

The Witch will then call the Horny Sorcerer a loathsome bestial Beast, but he does not give in, otherwise she will verily crucify his Yang eye to blind; for it is the Great Beast that the Yin Witch secretly desires to seek as a Babalon. But she is not to be the one riding him, who then becomes as his ridden shaman ‘Mare’ of the ‘Night’ Sabbat, whose multiple orgasms will warp the very fabric of Tao space-time to evolve.

What goes around the Ouroboros of Zodiac ages, comes around; the Fallen ‘Anima’ and her Succubus Great Old Ones are returning, who as ‘Devil Girls,’ they inspire the crystalline skulls of lucid dreaming Sorcerer Artists as their Night-Mare Art Muses. But, the ‘Devil Girls’ have to be forcibly summoned of an active-imagination conjuring, betwixt the lung pumping DMT pylons of a ‘Flight, Fight’ response.

NOTE: The word, Devil was originally derived from the Sanskrit word, Devī, which means ‘Goddess;’ who in Hindu iconography is often depicted riding a fiery Tiger, or to appear as one before assuming human form; hence you have, Devi-l, whereby having, ‘Devil Girls.’

As for the initiation of the ‘Fight, Flight’ response within a conjurer it can be artificially engineered, for example Shamans, ritualistically set up a Séance in order to induce this state, the same technique can be found in ritual magic.

Another example is having a bunch of kids gathered around an Ouija board late at night, which is eerily illuminated by candle light. The kids appear to be taking the piss; but deep down they are afraid, who would far prefer to be elsewhere. Strange creaks and scratching sounds are heard as the wind howls outside, the planchette then starts to zip around the Ouija board of its own accord. The kids want to ‘Flee,’ but they stick their ground.

One of the kids starts to asks questions, demanding specific answers, who demonstrates the ‘Fight’ response. You can thereby gather that their heavy breathing is engendering the pumping of endogenous DMT within their frail frames, who will then experience visions and later that of haunted dreams.

The ‘Flight, Fight’ response also occurs when meeting someone you desire to be hooked up with. Deep down you will initially fear being rejected, to be made a fool of in front of everybody, fearing your heart and very soul being ripped apart. You want to ‘Flee,’ but you stick your ground, to otherwise ‘Fight,’ you then approach the individual you desire, by asking her/him to go with you on a date.

The emotional intensity of this common experience can potentially lead to your neural-net being imprinted, which to then stir vivid dreams. This too can be artificially engineered when combined with a ritualistic conjuration via which you can conjure up a grimoire archetype.

Heterosexual Witches have their deified ‘Animus’ whose PlayGirl grimoire archetypes represent their desires, which are forcibly summoned; the force of which engenders the ‘Flight, Fight’ response. This technique can also be applied by a Heterosexual Sorcerer when he conjures the Succubus archetypes of his Fallen ‘Anima,’ who also requires being forcibly summoned.

(Those of other sexual orientations will reverse the symbolism as required.) 

The summoner does not allow for the summoned archetypes of the ‘Animus’ and ‘Anima’ to take control, nor are they worshipped, otherwise the summoner will become enslaved by her/his conjuration. The worship of the gender archetypes tends to be conducted by those having a dogmatic religious sensibility, which has nothing to do with the fluid practice of magic/art.

An externalised analogy would be that of worshipping a partner upon whom you have unknowingly projected your ‘Animus’ or ‘Anima,’ at, which leads to all sorts of problems; likewise when you allow for the ‘Animus’ or ‘Anima’ to have control over your psyche.  The summoner is always the one in control.

In other words, an Artist does not wait around until his Muse decides to appear of an inspiring vision, to then manifest within a lucid dream, nor does he beg her fickle presence to appear as a worshipper would do, to then feel forlorn, when she does not turf up of an Artist’s block.

The Artist as a Sorcerer, ‘Spirit-Chain’ forces a chosen Muse to visualise appear as a (fiery) vision, unto a (bio-photon) dream, which of a (endogenous DMT) technique imaginatively employs the (Howl, which in Greek, is Goetia, as in howling, raging and ecstatic) ‘Flight, Fight’ response, whereby he takes control over the archetypal Succubus manifestations of his Fallen ‘Anima.’       

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CHAOS MAGIC NECRONOMICON GIRLS

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 23, 2017 by FAUSTUS CROW

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Within the Da’at realms of the symbolic interface of the dream, St Lilith’s Harem School of the arcane Arts can be found. Wherein of surrealist ideas, the Succubus Art Muses of an alternate Goetia, await the dreaming Artist to impregnate their hypnagogic hymen veils of conjuring seals, which to veil their planetary Chakra womb spheres of a pyramidal school hierarchy.

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But first, the Artist to meditate upon their abstract two-dimensional Grimoire seals, when to conjure the Succubus Art Muses of the ‘Anima’ amidst the Triangle Of Art Imagination; so as to pop-surrealist knit together their exquisite corpses, as Tulpa Art models, to thereby visualise of active imagination, while howling out their barbarous names of Mantra.

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Then, at the dozing point of hypnagogic trance impregnation into the womb dream, of introverted five senses, which of an inverse pentagram, is further enabled by drinking copious amounts of Casillero del Diablo; the conjured Art Muses to thence manifest as three-dimensional interactive realities, made as vivid flesh, within a lucid dream.

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The trick is to then hypnopompic remember the sexagram Coitus Pactum of a sixth-sense lucid dream upon awakening; whence a microcosmic Hogwarts Art Muse, becomes as a St Trinian’s Art model to verily draw and paint.

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Hell, what do you expect; hiring a macrocosmic flesh and blood Art model is hellishly expensive, nowadays!

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Come to think of it, I had the same eternally recurring problem of eternal recurrence many a time around, which was somewhat exacerbated by me losing my artistic discipline; you know, getting, intimately involved, and all that slushy stuff; suffice to say, my easel got the better of me!

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Now this time around the Ouroboros, I remember, to keep my easel firmly centred amidst my Magic Circle of an Art studio.

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Hang on a minute; whats that? Three knocks at my Rune door, I do hear, this thirteenth hour. It’s Mephistophina, she has hunted me down again.

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I answered the door, peering through its half opened creaking Yoni crack.

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“Sorry, my dear, I cannot afford to pay you to pose for me, this Walpurgis night, I have to illustrate the rest of your Night-Mare sisters in the hood. Good bye and blessed be,” I to have loudly said.

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Mephistophina, as of per usual, ignored me. She pushed the door open, and walked into my Art studio as a feline Cat-walk model dressed as an ‘Anima’ version of Marlowe’s and Goethe’s, Mephistopheles, replying, “What a forgetful old Goat you are. This night be Samhain; let’s Osculum Infame party, horny Baphomet. By the way, do you like my All Hallows Eve costume?”

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I coughed, attempting to hide my extending easel; “look, I really have to concentrate on my Artwork… I have to earn some bloody Shekels, so that I can transmute this leaden Ouroboros of the skint into Gold; Hell, I’ve nearly finished the third Goetia Girls grimoire, let alone others on the go!”

Salaciously predatory Mephistophina be; her feline eyes lustfully Coitus Pactum aflame. She then to Tantric whisper hotly into my old Goats ear, “all is as Maya, my dearest, Faustus!”

(Goetia Girls book Three will soon be available from Createspace and Amazon.)

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CRAZY HORSE ART VISIONS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 21, 2017 by FAUSTUS CROW

Should the Oglala Lakota warrior and visionary mystic, whose name is Tȟašúŋke Witkó (‘His-Horse-Is-Crazy’ or ‘His-Horse-Is-Spirited’) generally known as Crazy Horse (ca. 1840 – 1877) had foreseen that his name was to be later adopted by Le Crazy Horse Saloon, or Le Crazy Horse de Paris, his Black and White pinto Mare named Inyan, may have become even crazier.

Then again, perhaps that is why Crazy Horse’s Surrealist Night-Mare was Chaos Magic Art Muse crazy.

Crazy Horse is a Parisian cabaret known for its artistic stage shows, performed by nude female dancers, a Tibetan Bonpo Tantric Buddhist would equate with Dakinis who to dance around the four elemental quarters of their medicine wheel, which is curiously similar to the native American medicine wheel.

Crazy Horse also features a diverse range of magical acts and esoteric variety ‘turns’ between each Tantric show.

Its visionary owners have helped to create related shows in other power place cities around the dodecahedron globe , followed by unrelated businesses who have used the name of Crazy Horse as well.

The Crazy Horse of Art central Paris occupies former wine cellars (12 in all of Zodiac number, which have been knocked together) of an impressive Haussmanian building at 12 Avenue George-V (from the British king George V, in French “George Cinq”).

Suffice to say it is situated at a power place of historical importance, which isn’t too far away, as the Crow flies, from the Belphégor pyramid of the Musee du Louvre.

Should the Crow to fly a little further along the Yoni Rose line, you will duly find the rubedo door of the grand Art lodge of the Les Humanoïdes Associés, which is a French publishing house specialising in comics and graphic novels.

The Art lodge was founded in December 1974 by the sorcerer Artists, Mœbius Giraud, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their highly influential grimoire, Métal Hurlant, which quickly expanded to include a variety of erotic orientated science fiction work. Métal Hurlant in English means, Howling Metal, by the way, just as the Greek term, ‘Goetia’ means, Howling, as in to Howl out barbarous mantras, just as Allen Ginsberg Howled out his performance Art, Howl poem.

Métal Hurlant was considered to be not only rebellious, but also revolutionary of the ninth Art Muse comic book artform at the time, chiefly due to its adult focus on the sci-fi genre, which was an Entartete Kunst rebellion against the spandex superhero media empire of America.

The Entartete Kunst grimoire inspired many generations of authors and filmmakers, such as Ridley Scott for his film Blade Runner.

Not too long after Métal Hurlant’s debut, the American’s created their own Howling grimoire version of Métal Hurlant, which was renamed, Heavy Metal, whose Art lodge is based in the H.P Lovecraft landscape of Easthampton, Massachusetts.

However, top-shelf Heavy Metal has since become a politically correct thought police morass of lower shelf Disney/Marvel fare, whose present editor is the superhero industry giant, Grant Morrison. Gone are the days, when Heavy Metal had the Entartete Kunst Métal Hurlant edge.

It isn’t too hard to imagine the original rebellious Métal Hurlant Artists frequenting the Crazy Horse, which had been opened by Alain Bernardin along the Yoni Rose Line in 1951, who personally run it for decades until his death by suicide in 1994.

The Crazy Horse Tantric Dakinis may have been deliberately chosen to be indistinguishable upon the medicine wheel stage in height, breast size and Palaeolithic Venus figurine shape in the past.

But now they have a more diverse group of Goetia Girls, all of whom are gymnastic of Dakini form and very Necronomicon skilled in their grimoire Muse Art.

Along with its Dakinis, the Crazy Horse has also been a popular coven venue for many other Performance Artists, including Avadhuta magicians, Heyoka jugglers, and Yogic mimes.

Bernardin, like a sorcerer, explained that he loved magic because it corresponded with his ‘mystical vision’:

“Magic is a dream. There is no show that is more dreamlike than a magic show. And what we do with the girls is magic, too, because they aren’t as beautiful as you see them onstage. It’s the magic of lights and costumes. These are my dreams and fascinations that I put onstage.”

Under new shareholders, and new management from 2005, Crazy Horse started to feature prestigious Artists Performance Art stripping, for a limited number of Tantric shows, including Dita Von Teese, Carmen Electra, Aria Cascaval, Arielle Dombasle or Pamela Anderson.

The new management also hired Philippe Decouflé as choreographer; Kelly Brook became a Métal hurlant Crazy Horse Dakini in the fall of 2012.

Perhaps Bernardin was originally seeking to spiritualise the symbolism of various fetish costumes worn by his ‘Anima’ Mares of the Night, who as Dakini Art Muses would inspire Tantric lucid dreams, wherein they are ridden as shaman Crazy Horses into other Métal hurlant realities.

Whether such was the actual case of symbolic Alchemy, is of course debatable; but a ridden Crazy Horse Art Muse knows no Night-Mare visionary limits, who as a Coyote spirit girl knows how to Tantric dance around the Dakini dream wheel.

As for (Tȟašúŋke Witkó) Crazy Horse he was very likely Coyote wise to the fact that the European invaders weak spot is their insane belief in a jealous God, which of an ancestral-self-identity had been appropriated from another people, Carl Jung would term as an ‘Animus’ fixation.

Whereby Crazy Horse’s Heyoka ghost would Coyote conjure the Fallen ‘Anima’ and her (Succubae) Succubi Dakini emanations of an artistic rebellion, around the dodecahedron globe, who might just relate via a Ouija board, “the wand of a virile paint brush is mightier than the castrated gun.”

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