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OPERATION PAPERCLIP UFO INVASION

Posted in Alien, Time Travel, UFO with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 9, 2019 by FAUSTUS CROW

Operation Paperclip was an American top secret program of the Joint Intelligence Objectives Agency (JIOA), which was carried out by Special Agents of Army CIC.

The Dark Side Of The Waxing ‘Crescent Moon’ project had spirited away more than 1,600 Nazi scientists, engineers, and technicians from out of WWII Germany to America, which became their new Deutschland.

One could say that America had been invaded by Third Reich Nazis without them firing a single shot, who all attained high positions in American industry. But then they shared the same Hollywood-land dislike of the atheist communists, just as the Roman Catholic church does, whose Romulan big-business cult sided with many a fascist regime, being the reason why a photographed Pope shook the hand of Hitler.

The Nazi scientists then led the American ‘Military black projects’ at the end of WWII unto the Cold War era and beyond, which invariably became their Military Industrial Complex Fourth Reich.

One of these Deutschland scientists was Hermann Oberth, the German father of rocketry who later founded NASA. 

Oberth was born on June 25th, 1894, to German-speaking parents in Vlad Dracul Transylvania (now Romania).

Oberth became a mentor to a young assistant by the name of Wernher von Braun. Together they worked in rocketry research for the Nazi regime, although they were far more interested in science than politics. 

It just so happens Walt Disney was an avid fan of Dr. Wernher von Braun’s V2 rocket who featured von Braun in a TV show, Man And The Moon. Dr. Carol Rosin is also a fan of von Braun who has worked with institutions like NASA, IBM and TRW. She personally interviewed von Braun in February of 1974.

It was during this time, shortly before his demise in 1977, that von Braun decided to confide to Dr. Rosin about the details of a ‘Secret Space Agenda,’ the likes of Walt Disney and his Mickey Mouse audience would have been totally shocked to hear.

Von Braun might have decided to do so because he was a scientist at the end of the day; the politics he had become unwillingly embroiled with was just a means to an end.

He no doubt knew that the Pentagon was seriously considering using the nuclear bomb during the Vietnam war, which would have led to Soviet Russia retaliating in kind. However, his revelation was more so that of a deathbed confession.

Inviting her into his office, von Braun stunned Dr. Rosin by describing the Fourth Reich plan of the ‘Military Industrial Complex,’ point for Romulan point, as well as describing in exact Terran Empire detail where it was all leading: ‘Orwellian planetary control under an oppressive One World Government.’

1: According to von Braun, space based weapons, later known as the ‘Star Wars’ program, were to be publicly promoted as a space ‘shield’ against Soviet Russia, Walt Disney would have wholeheartedly agreed with since he was a rabid anti-communist witch-hunter.

2: Then they would be promoted as a defense against terrorists from Third World countries (‘rogue’ nations or ‘nations of concern’).

3: Then their necessity would be justified as a protection against asteroids and meteors crashing all over the planet; the problem is, said ‘Space Force’ weapons are pointing in the opposite direction, at the Earth its self.

4: The Last ‘Trump’ Card, of a Final False-Flag justification according to von Braun, would be their ‘Space Force’ installation in orbit against Tic-Tac UFO’s of a supposed Alien threat, which would then attain sudden heavily-controlled mainstream media coverage of a subversively engineered propaganda campaign, at a Key-Time. A Last ‘Trump’ Card example of which is the Final False-Flag military performance-art show for millennials, To The Stars Academy.

Many an old-timer would consider it to be rather strange indeed that the heavily controlled media-machine of America would, seriously divulge, more or less, overnight that its Military Industrial Complex has filmed a Tic-Tac UFO. Whereas before, the mainstream-media has tarred and feathered observers of UFO’s as conspiracy-theory kooks since the 1947 Roswell UFO incident, after which the CIA (MIB) came into being to protect the Military Industrial Complex’s UFO patent.

Going by von Braun, the Alien threat is actually a highly top-secret human made black project technology, which is blacker than the deepest pitch black. Von Braun was unable to reveal its existence to Dr Carol Roslin, otherwise she would have met up with a CIA (MIB) orchestrated life-ending accident at the Hippie era time of Star Trek.

It was during this time the Vietnam war had eventually ended in 1975, leading to other pre-planned Military Industrial Complex wars around the globe in order to initiate a Forth Reich Terran Empire right out of Star Treks Mirror Universe.

Said Vietnam conflict had been initially triggered off by the Gulf of Tonkin false-flag event. If the government can lie about the Vietnam war, 911 and Iraq having WMD’s, etc, they will lie about anything, such as covering up appropriated Nazi technology, which has led to rapid technological developments behind the smokescreen of Aliens!

As an aside of associative sorts the German band Rammstein did a cool ‘Star Trek’ light-show concert in Milton Keynes Stadium on the 6th of July, 2019, which is surrounded by Pentagon affiliated Game Of Thrones military bases, whose ‘Space Force’ arm of NASA can be otherwise called the N-azi A-ssisted S-pace A-gency.

NOTE: Concerning the Tic-Tac UFO and its anti-gravity propulsion. Gravitational time dilation is an effect, which measures the amount of Time, which has elapsed between two events by observers at different distances from a gravitational mass. In other words, Time runs slower wherever gravity is strongest, and this is because gravity curves Space-Time. What then would be the effect if you have Anti-Gravity?

You would have a Time Machine!

MAKE LOVE, NOT WAR! 

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GOETIA GIRL STEAMPUNK SHAMAN STOLAS

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 9, 2014 by FAUSTUS CROW

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Stolas is yet another interesting Succubus archetype of the Fallen Anima to examine. When conjured, Stolas induced a vision of an orgiastic toga party out of the Imperial Roman Empire.

She manifested amidst the remote-viewing third-eye of psychic Übermensch Aaron C. Donohoo. Although the toga party appeared to be occurring in the ‘Senate’ of Whitehouse Washington, in which a number of pole-dancing Roman women were stripping off their stolas around a Fasces, atop of whose pole was perched the Aquila of America.

The word Stolas was then repeatedly heard of clairaudience from the gathered audience of lusting male politicians whose establishment is based upon the worship of the deified Animus, made as a God and Devil.

The science fiction writer Philip K. Dick also experienced such a VALIS vision, who realised the worship of the deified Animus of Constantine’s Rome indicated that THE EMPIRE NEVER ENDED.

Donohoo later found out that a Stola or Stolas was the traditional garment worn by Roman women, corresponding to the toga, or the pallium, which was worn by men. Originally, women wore togas as well, but after the 2nd century BC, the toga was worn exclusively by men, whereas women wore the Stola.

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It was later considered disgraceful for a woman to wear a toga when Constantine’s Christianity came to the deified Animus fore across Rome’s Empire. Women wearing the male garment had become associated with prostitution and adultery. Such Roman attitudes did not subside, they too afflicted 1960’s America, where a lesbian woman could be potentially incarcerated within the fetid gut of an Arkham Asylum against her will, should she have went around dressed as a man, let alone being sterilised.

Then Donohoo’s vision became singular of focus. All the naked women became as a knitted together Exquisite Corpse, becoming thence as a Frankenhooker, who looked like a dark haired Gothic Dorothy, somewhat akin to the Judy Garland protagonist of L. Frank Baum’s The Wonderful Wizard of OZ.

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Some to say, Dorothy represents an individualized ideal of American women, or to otherwise represent the sweet ‘Anima’ apple pie girl next door, of most intimate possibilities.

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However, the girl was smoking Scythian hemp, who indicated she was a Wichita shaman standing at the superimposition Vesica Pisces () point of a door, representing a (1) Alpha beginning and an (0) Omega ending, becoming one and the same of a closed timelike curve Ouroboros.

Donohoo was aware that the Wichita are a confederation of nomadic Plains Indians who are indigenous to Kansas, Oklahoma, and Texas, whose land was later occupied by the worshippers of the deified Animus.

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The scene was suddenly transformed around the girl, whose naked body shimmered, who now wore Steampunk clothing looking like a shaman sheriff, wearing a tin star of a Wiccan pentagram.

The scenery around her had become that of a treeless prairie of sun-beaten grass; there was also a paint-stripped Whitehouse of a Solomon’s temple, which overlooked a vast prison camp of a New World Order Eden.

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The scene around the Steampunk girl was all a dull, drab, lifeless gray of an ever recurring film constantly repeating.

Donohoo became aware that the grim scenery around the girl reflected the forlorn condition of a Steampunk era Kansas, during the late 1880’s and early 1890’s, when a climate change combination of scorching droughts, severe winters, and an invasion of Biblical grasshoppers reduced the prairie to an uninhabitable Middle Eastern wasteland.

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The result for farmers and all those who solely depended on agriculture for their livelihood was devastating. Many ascribed their dire misfortune to the natural elements, who then moved on from their broken dreams.

Others blamed the hard times upon vampire bankers, the oppressive expansionism of the zombie railroads, and various shifty Wall Sreet ghouls, who seemed to profit at the farmers’ expense. Angry victims of the Kansas calamity also took aim at the nosferatu politicians in Washington, who often appeared indifferent to their plight. Around these economic and political grievances, the Populist movement coalesced.

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During the late 1880’s and early 1890’s, Populism rapidly spread throughout the Midwest and into the South. But Kansas was always the site of its most political and radical elements. In 1890, Populist candidates began winning seats in state legislatures and Congress, and two years later Populists in Kansas gained control of the lower house of the state assembly, elected a Populist governor, and sent a Populist to the U.S. ‘Senate,’ where those thieves who are rich in native gemstones do gather.

Suddenly a massive Raven was seen flying across the astronomical sky filled with glistening stars, which the Witchita consider to be a sacred trickster.

The Raven then Skinwalker shapeshifted into a massive black triangular craft floating atop of a tornado, tearing its way across the scarred Kansas landscape. Donohoo was aware that the twister, which carries Dorothy into the alternate Steampunk reality of a Hippie Goth OZ symbolised the prior Populist cyclone, which swept across Kansas during the early 1890’s.

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Theosophist Baum was not the first to use the twister metaphor. Mary E. Lease, a fire-breathing Populist orator, was often referred to as the ‘Kansas Cyclone,’ and the free-silver movement was often likened to a political whirlwind, which had taken the nation by storm. Although Dorothy does not necessarily stand for Lease, Baum gave Dorothy’s last name as, Gale in the stage version, being a further pun on the cyclone metaphor. As an aside, it just so happens the scientist and wizard, John C. Lilly also utilised the metaphor of the () cyclone, who spoke of an artificial intelligence just as the author Philip K. Dick did.

However, the dark haired girl said that she preferred to be called Stolasi, and that she had originally descended from the flying Yoni triangle in yet a smaller Dog-Star vessel, before appearing as herself unto a Toto priest. Stolasi revealed that her trans-dimensional time-machine had evolved from an earlier Nikola Tesla technology, which had been secretly developed by the military industrial complex, whose black project of a Secret Space Program had been unknowingly funded by the tax payer across Kansas and the rest of the USA. The American populace, and those elsewhere, are quite unaware that the Singularity has already occurred of an artificial intelligence going OZ quantum, across the 37th Parallel.

The old magicians, who had no concept of such craft or of other dimensions, which allow ingress into alternate Steampunk Earth’s next door, observed Stolasi as a large Raven spinning their electron dreams of a time control signal, of a beginning and end, binary code, eternally recurring of an Ouroboros vortex.

This sacred trickster of a fourth-dimensional Raven would assume the form of a dark haired girl wearing a black Stolas when summoned amidst their Triangle Of Art Imagination. Thus she was drawn in the sigil image as a browsing Raven.

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She is a most delicate and gentle Succubus archetype of the Fallen Anima who has always been an educator of a sentient program, who expresses a great love for her conjuring Surrealist Artist of a Mad Hatter OZ Wizard.

It is said that her Dorothea specialty is to teach dodecahedron astronomy of the 72 Angel angle Maya matrix, the properties of mind altering psychedelic plants, and the worth of precious Chakra stones via erotic Vesica Pisces lucid dreams, she to induce. Stolasi is a Steampunk shaman ‘Princess’ among the rebellious Succubae of the Fallen Anima. She is listed as the thirty-sixth Necronomicon Great Old One of the Goetia, who governs over 26 legions of Wizard of OZ Succubae archetypes like herself.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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