Archive for muse

SHAMAN SPIRIT DRUM LUCID DREAMING

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2017 by FAUSTUS CROW

The Artwork depicts a Yakut Shaman, whose trance drum is symbolically seen to be the genie bottle abode of the his Spirit Wife, who visits him within his lucid dreams.

The Artwork is available as an Art print or a shirt design, etc; if you are interested, Check Out my Redbubble shop, Please Click Here.

The European classification of the Spirit Wife is usually based upon a medieval perception, which considers the Spirit Wife to be a demonic entity, called a Succubus.

Western psychology, during the Soviet era, once considered the Spirit Wife complex of Siberian shamanism and that of other shamanic cultures to be a mental aberration, or that of fantasy prone individuals indulging themselves in erotic delusions. However, the psychologist Carl Jung otherwise saw the Spirit Wife/Succubus as being an archetypal aspect of the ‘Anima.’

Jung saw the feminine archetype of the ‘Anima’ as being the personified intermediary with the psychic powerhouse of the subconscious, whose myriad female forms are encountered within ‘lucid’ dreams, from whom a Shaman derives his psychic abilities, an Artist is inspired by as his Art Muses.

The motif of the Spirit Wife is known to the Yoga practitioner as Shakti, whose numerous feminine aspects are called Dakinis, which is also very much part of Tibetan Buddhist dream Yoga practices as well as Siberian shamanism.

For example, the Goldi tribe of Siberia clearly distinguish between a female tutelary spirit, known as an Ayami, which in Western occult practice is of similarity to the (HGA) Holy Guardian Angel, (Jung would also see the HGA as being the ‘Anima,’) who chooses the shaman.

Whereas the helping spirits, (Jung would see as being the myriad aspects of the ‘Anima’) the Goldi call Syven, an occultist would call (Succubae/Succubi) Demons, which are subordinate to the Ayami. The Syven are granted to the Shaman by the Ayami herself. The Altaic name, Ayami means, ‘Silk Twisted In Beauty,’ as in a horse’s mane. The Siberian shaman in particular sees the drum as his Mare, who too is his Spirit Wife, whom he trance rides as an eight-legged female centaur into conscious dreaming.

According to the ethnologist and anthropologist, Leo Sternberg, the Goldi explain the relations between the Shaman and his Ayami by a complex sexual emotion. Below is an experience related by a Goldi shaman:

“Once I was asleep on my sick-bed, when a spirit approached me. It was a very beautiful woman. Her figure was very slight, she was no more than half an arshin (71 cm.) tall. Her face and attire were quite as those of one of our Gold women.

Her hair fell down to her shoulders in short black tresses. Other shamans say they have had the vision of a woman with one half of her face black, and the other half red. She said: ‘I am the “Ayami” of your ancestors, the Shamans. I taught them shamaning. Now I am going to teach you. The old shamans have died off, and there is no one to heal people. You are to become a shaman.’

Next she said: “I love you, I have no husband now, you will be my husband and I shall be a wife unto you. I shall give you assistant spirits. You are to heal with their aid, and I shall teach and help you myself. Food will come to us from the people.”

I felt dismayed and tried to resist. Then she said, “If you will not obey me, so much the worse for you. I shall kill you.”

She has been coming to me ever since, and I sleep with her as with my own wife, but we have no children. She lives quite by herself without any relatives in a hut, on a mountain, but she often changes her abode. . . . Sometimes she comes under the aspect of an old woman, and sometimes under that of a wolf, so she is terrible to look at.

Sometimes she comes as a winged tiger. I mount it and she takes me to show me different countries. I have seen mountains, where only old men and women live, and Villages, where you see nothing but young people, men and women: they look like Golds and speak Goldish, sometimes those people are turned into tigers.

Now my ‘Ayami’ does not come to me as frequently as before. Formerly, when teaching me, she used to come every night.’

She has given me three assistants-the ‘Jarga’ (the Panther), the ‘Doonto (the Bear) and the ‘Amba’ (the Tiger).

They come to me in my dreams, and appear whenever I summon them while shamanising. 

If one of them refuses to come, the ‘Ayami’ makes them obey, but, they say, there are some who do not obey even the ‘Ayami.’ When I am shamaning, the ‘Ayami’ and the assistant spirits are possessing me; whether big or small, they penetrate me, as smoke or vapour would.

When the ‘Ayami’ is within me, it is she who speaks through my mouth, and she does everything herself.

When I am eating the ‘Sukdu’ (the offerings) and drinking pig’s blood (the blood of pigs is drunk by shamans alone, lay people are forbidden to touch it), it is not I who eat and drink, it is my ‘Ayami’ alone.”

NOTE: The quoted material concerning the Ayami is derived from: Mircea Eliade, Shamanism, op. cit., PP. 72-3, quoting Leo Sternberg, ‘Divine Election in Primitive Religion’ (1924), PP. 476 ff. cf.. Shamanism, PP. 42l ff., for autobiographies of South-Indian Savara male shamans and female shamans, whose marriages to (Anima – Animus) spirits are in striking parallel to the documents collected by Sternberg.

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THE CONJURING OF A SUCCUBUS ART MUSE INTO A LUCID DREAM

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 6, 2016 by FAUSTUS CROW

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The Conjuring of varying entities and those worlds, which they occupy, many an Artist to know. The practice of Conjuration is engaged in whenever the Artist is confronted by a blank canvas onto which is Conjured a form. This requires an emotional connection with what is to be Conjured; for it is the emotional charge of the Artist, which animates what is being visualised.

The visualisation phase of an egg stage is when the thought processes automatically kick in; this generates a myriad number of symbolic associations, which cracks open the egg of an idea to take flight.

These symbolic associations are determined by what is being visualised. The visualistion will be of differing intensities depending upon the emotional charge of the Artist.

Most often than not, the visualisation will be more of an impression than a fully fleshed out form; at other times, it will be quite vivid, though fleeting.

Sometimes it will be very vivid of an overlapping ghost reality. Whatever is Conjured of a form, will be constructed from innumerable symbolic associations, which are derived from the memories of the Artist.

Everything that the Artist has ever experienced is stored within the subconscious, being the storehouse of memory. You then have a formula of: Emotion, Thought and Memory, which can be termed as the ‘Triangle Of Art.’ At the midst of the ‘Triangle Of Art,’ you have the ‘Eye’ of the ‘Imagination.’

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It is the inner eye of the imagination, which, of a ‘Paranoiac-Critical Method’ example, fuses the memory of a Fox with a human figure of, say, a Hogwarts Witch of a schoolgirl, which then creates something else of a St Trinian ‘Exquisite Corpse’ Conjuration, you could knit-together as a Manga version of a Japanese Succubus, known as a Kitsune.

This will of course require the Artist to have the necessary ‘observational’ memories concerning Japanese culture, which will be Conjured up automatically.

If not, the Artist will then have to rely on references. Whatever the case, when the Artist observes everyday events, it is not done in a haphazard way; the Artist has to make it a habit of consciously transforming what is being observed into a sketch, let alone a painting within his/her imagination.

The character of a Kitsune does not exist in a void; wherefore, her Conjuration will then generate associations with everything Japanese drawn from memory of ‘re-remembering.’

So, when the Artist manifests her upon the canvas, it will then lead to an associative world being painted around her.

The trick is, the stronger the emotional connection the Artist has with the initial Conjured character of a Kitsune, it will then lead to a free-flow association into her world.

The intensity of the creative act, is its self a form of meditation, and like a martial art, it best occurs when the analytical mind does not interfere. This requires that the emotion is felt by the body; in other words, the emotion is transmuted into a feeling, a shaman would say is felt by the heart, where the ‘power of (hypnagogic state) trance’ resides.

This then leads to a (Theta brainwave) state of automatism, where the Artist is not thinking about what is being painted, it just manifests via the (pentagram) hand, guided by the eye of the imagination.

With continued practice it can initiate vivid dreams, leading to a state of lucidity; this will in turn engender concordant synchronicities.

The experienced synchronicities will reflect back the symbolic focus of the Artist, who, when to observe the synchronicities, to take further of artistry, becomes as a Shaman.

However if an individual is unprepared for the feed-back-loop of synchronicities, which will reflect back his/her ‘symbolic’ beliefs, such as dreaming about a subject, to then, upon awakening, suddenly overhear a conversation about what had been dream’t, or even prior thought; as well as losing and finding items under mysterious circumstances, or seeing an email from someone, he/she was thinking of, before seeing the email, etc, said individual might just become very paranoid.

The experienced paranoia is a reactive state of the unprepared conscious mind, which is esoterically termed as entering ‘Chapel Perilous;’ basically, the mind attempts to come to an understanding of what is going on, based upon what has been learn’t, which invariably does not allow for such phenomena to be recognised, whereby his/her belief system starts to fragment, being the Nigredo stage of the Great Work of Alchemy.

This can initially lead to an individual believing that his/her life is being subversively manipulated by secret agencies of the government, to even see men in black around him/her upon a synchronicity, or to believe he/she is being pursued by malign Satanists, Biblical demons, or Newage-Gnostic aliens, who experiences assailing Illuminati nightmares, along with those who feed into the fear, whose ulterior motive is to exacerbate the paranoia even further, which of a hidden agenda is to enslave him/her within their ring-pass-not symbolic construct, etc.

The Nigredo stage will continue of disintegrating madness until the individual realises of an Albedo stage of inner Alchemy, that his/her (microcosmic) dreams reflect back himself/herself, and likewise the feed-back-loop of concordant (macrocosmic) synchronicity.

When to then transform his/her symbolic beliefs, the dreams of the individual and the experienced synchronicities will then accordingly change of an Alchemical Rubedo stage; whereupon the individual becomes aware of the reality of Magic in his/her life, which is the goal of the ongoing Great Work to evolve consciousness. Hence the Artist, Austin Osman Spare extensively practiced (automatism) automatic-drawing, which he made as his symbolic Alchemy of (metaprogramming) sorcery practice.

Alas, there is hardly any documented examples of his technique, apart from what he had described in his esoteric writings.

But the Artist Kim Jung Gi demonstrates what Spare was speaking of who is a supreme Martial Artist of the Arts. There will of course be those who to argue that Gi’s work is not automatic, which of commonalty is usually defined as a return back to a childhood spontaneity by many a so called Modern artist drawing scribbles a 2001 Space Odyssey ape can too doodle, or that of allowing the subconscious to chaotically take over, as if it is some David Icke reptilian with a planet X mind of its Freudian own, or otherwise equated with archetypal entities possessing a Jungian Artist.

Don’t get me wrong, I have nothing against Modern art; but it has far more to do with ‘who you know,’ rather than ‘what you know.’ However, Gi has the childhood spontaneity of being at one with his subconscious mind, like Spare, to such an extent that his inner Conjuring of various characters (spirits) and their (dream) worlds Gi is able to ‘vividly visualise’ with his inner eye of re-remembering onto paper, without using any references, let alone avoiding being esoteric about his artistry, which to freak out many a square mind, who make up the majority of the audience. In other words, Gi draws as a child would do, who can… actually draw.

There are those square brained sceptics who argue that a Conjuration of a spirit is merely Hogwarts fantasy, who, when to dare practice, gibber their rituals, read out of a medieval Playgirl grimoire in an empty room, seeing nothing appearing. Well, what do they expect, they are not thinking correctly, who to have quaintly forgotten that the Art of Magic is that of Art.

The trick is, you have to think and act like an Artist, to otherwise practice Conjuring a spirit onto a page, within a book of shadows sketch-pad, to thence draw of manifestation; but first, you draw within your mind, whence your inner eye to then guide your pentagram hand.

You will then have a Succubus Art Muse to appear amidst your Triangle Of Art Imagination, to seer the Muse taking on an Art Model life of her own of a drawing, the sorcerer Artist Austin Osman Spare to have known, who was aware that the drawn image has an interactive informational reality within the experienced dream.

She to then guide your winged eye of the Artist into her uterine tunnel of the Active Imagination, which of Art, is Sorcery.

As an Artist, you to stand as the creator at the centre of your Magic Circle of an Art studio, divided of four quarters, surrounded by your elemental weapons of a Wand of a Brush, Palette of a Shield, Sword of a Palette Knife, and a Cup, wherein the colours of your Art are mixed of Alchemy.

The Altar is your Easel, upon which be the canvas of a one time cave wall to paint with Metals suspended in oils, when to conjure up a quintessential Succubus Art Muse out of your Triangle Of Art imagination.

Her Mind-Doll form of a symbolic expression can be knitted-together of an ‘Exquisite Corpse’ Tulpa, which of symbolic Alchemy, will pertain to one of the seven planetary (Chakra) spheres of an archetypal influence.

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The initial two-dimensional image is then but a ‘doorway’ into your creative mind of an Artist, a conjured Succubus Art Muse to Symbolist inspire; who, depending upon your emotional intensity, may then manifest as a three-dimensional reality within the temple of a Surrealist ‘lucid dream.’

As a Sorcerer Artist, you might also observe that the conjured symbolism of a particular Succubus Art Muse within a microcosmic lucid dream, or that of a vividly imagined evocation, will generate concordant macrocosmic synchronicities.

Said synchronicities may lead you to meet up with a Muse of an Art Model, you have already depicted within a painting of oiled flesh, for yet another painting to model for, of Sorcery Art.

Such is what I explore of artistry, to take further of experimentation. Should you be one of those who to scream that you cannot draw, I am sure that you can draw a stick figure, like those depicted in Palaeolithic cave paintings, or likened to those of hieroglyphs, you can create as your colourful Sigils of Howling Conjuring.

NOTE: The video covering The Conjuring of Orobas oil painting is still a work in progress; I will do further video updates as the painting progresses, along with updates concerning my other paintings.

The above Pirate Girl Artwork, provisionally entitled: The Conjuring Of Pirate Girl Asmoday, is on sale. The original Artwork can be acquired from Saatchi Art. If you are interested, Please Click Here.

I am aware that my (unsane) work causes much ire to the square minded, who consider me to be quite insane. or to be verging on madness. My answer to the unimaginative squares is that of giving them the finger; while pointing at Dr Sidney Cohen. 

As for those squares who think I take inordinate amounts of drugs, I to quote Salvador Dali: – 

Others of rose-tinted-glasses often castigate my work as being vile pornography, whose politically-correct Thought Police square heads are up the slimy arses of those who consider my work to be far too tame, who of Biblical End-Of-Days entrenched tastes are moulded by Death Metal gore hedonism.

I care not for their Zoroastrian extremes of an Inquisitional puppet on a string Conquistador. (By the way, I did not get inspired by a stylish Juno Reactor video; my work has been around for some time on the Wyrd web to pirate tremble, long before said video using the crossed Keys symbolism, of a prior, 7th Gebo Rune [X] of [cross-bones] trance ingress into the [skull] dream, to make Shaman Chaos Magic lucid; wherein a horned Odin to Galdr conjure [Anima/Fylgia/Fetch) Valkyries via his Druden Runes of a meditative focus.)

Hence I will not pander to the brainwashed Shekel minds on many a cultic forum, whose brains are being upended by egocentric Zombie Shills, which of Samsara Psy-Ops, feeds their brain-dead competitive hunger for brainless attention! 

There will always be vampiric arseholes, around the quarters of the wheel, whose elemental attacks are aimed at affecting your internal self-image. Their attacks can only affect you, if your internal self-image is wounded in a particular elemental quarter of the wheel, whether it be how you see yourself physically, mentally, emotionally or spiritually, or all four of varying past hurts, which gets you to react at the midst of the elemental wheel, to unbalance. 

One such attack could be that of you being called commercially shallow, by an individual, who of protest sets about giving stuff away for free. However, human nature being the way it is, said individual is then faced with others taking up all his/her time, to the point of being utterly vampirised.

Whereupon of a predictable outcome, the individual tells all, not to ask him/her anymore for freebies, who sets up shop somewhere else under another name, who to now charge for his/her time and effort, when to come to the realisation that there has to be a balanced exchange of energy, let alone remembering what he/she had previously labelled you as; whence, when to look in the mirror he/she sees himself/herself as being a hypocrite.  

Over time you will notice that the attacks are tied in with periodic synchronistic feed-back-loops, which reflect back how you see yourself deep down; whereby validating the existence of your wounded self image, which you can gain an insight into, when to (Nagual) dream. 

For example, Carlos Castaneda’s shaman mentor, Do Juan Matus termed the arseholes as being Petty Tyrants, who, reveal where you are hurt around the wheel; this is of course not their intention, they just want to fuck you up of a vampiric Samsara power game.

When you eventually heal your wounded self-image, (hence the terminology of Wounded Healer for a shaman) the synchronistic feed-back-loop accordingly changes; this then leads to the Petty Tyrants crap being returned! (Healer, Heal Thyself.) 

Should you be in a position to observe the Petty Tyrants, such as on a cultic forum, for example, you can then sit back and watch the Petty Tyrants being hit with their own mirrored back shit, who will be faced with arseholes like themselves; for like attracts like, which then leads to their dialogue rapidly disintegrating. 

The same applies, when to look at the bigger picture of an election, to observe of an insane circus, whose two elitist clowns reveal that democracy is an illusory facade, which, when recognised you can wake up from; but for there to be any change, it would require everyone to see it. 

When to see the arseholes for what they truly are, they will invariably spontaneously combust into expletives saying that they are being psychically attacked, let alone cursed, etc, but the curse be their own selves of an affliction, they seek to afflict others with, of schoolyard Psy-Ops ego games.  

  

 

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LILITH, ANNO DOMINI

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Love Magic, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 1, 2016 by FAUSTUS CROW

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Sometime ago in my misbegotten youth, as a child, I remember being left alone in my parents car one fateful night after a day out visiting the British Natural History museum. My parents had dashed off to acquire a meal of soggy fish and chips from the local chippie, before returning home.

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While waiting for my parents return with the aforementioned meal, I looked out of the passenger window and noticed a billboard featuring a huge Lamb’s Navy poster of the most beautiful woman I had ever seen.

Even though I was but a kid, with no bristles to yet erupt forth upon my physiognomy, requiring copious amounts of Noxzema shaving cream, she stirred something deep within me.

I felt that my head was going to explode, it was like a mystical revelation. The experience was of similarity to what I had far earlier experienced when seeing a poster for Barbarella, but that’s another story.

The sensation was not necessarily sexual, more like that of recognition, as if she had triggered a memory I could not as yet remember in its entirety; the only way I can describe it as being like déjà-vu.

But then I was nightly experiencing the Old Hag Syndrome with its ensuing sleep paralysis, prior to attaining conscious ingress into the dream, which in retrospect, probably made me more sensitive to something quite other.

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The woman I later to find out was Caroline Munro who I started to notice was being featured in an advert for Manikin Cigars on my parent’s flickering black and white TV set, which I made a point of seeing, to the point of becoming nigh obsessed; I’m surprised I didn’t end up becoming a chain smoker, let alone an alcoholic.

I was not the only one who had been hypnotised by Munro’s High Priestess looks, Hammer Films CEO, Sir James Carreras, also spotted Munro on a Lamb’s Navy Rum poster of a Tarot card. He asked his right-hand man, James Liggett, to find and screen test her.

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She was quickly signed to a one-year contract. Her first film for Hammer had proven to be something of a turning point in Munro’s career, who as a Muse, stirred my unusual dreams.

It was during the making of the 1972 film, Dracula A.D., Munro decided from this film onward that she was a fully-fledged actress.

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Munro acted in Captain Kronos – Vampire Hunter, in 1974, which is one of my childhood favourites.

The film was directed by Brian Clemens, in which Munro plays the part of a barefoot gypsy girl named, Carla.

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In Paramount Pictures DVD commentary, Clemens explains, he had initially envisioned the role as being played by a fiery, Raquel Welch type, red-head; but Munro was far more archetypal of Witch looks for the part.

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Munro has the distinction of being the only actress to have ever been signed to a long-term contract to Hammer Films. She later turned down the lead female roles in Hammer’s Dr. Jekyll and Sister Hyde, Frankenstein and the Monster from Hell, and the unmade Vampirella film, since they required nudity.

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It was not a case that Munro was a prude, she had a raw sensuality anyway, oozing eroticism upon a look, which did not require her to be nude. Although I could not help wondering what was hidden behind her Genie veil.

Whereupon when my stirred sexual impulse was introverted, the nightly Old Hag Syndrome was transmuted into another experience by prior mediating upon her two-dimensional picture.

Wherein of the dream, I encountered a Succubus looking just like a Caroline Munro of a three-dimensional interactive reality, to otherwise know as… Lilith.

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GOETIA GIRLS OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Dr Who, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 16, 2016 by FAUSTUS CROW

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Artists often engage themselves in the ‘derangement’ of their senses in order to mutate their perception, to thence attain another inspired perspective. One example being Salvador Dali, who developed a surrealist technique of creative derangement, he termed as the paranoiac-critical method during the 1930’s. (The watercolour painting above depicts Mesphistophina. Click the image for further details.)

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However, Dali’s paranoiac-critical method has been utilised by shamans for ages, whose psychonaut techniques of lucid dream inducement involved the creation of dream characters, a Tibetan Buddhist would term as being Tulpas.

I am aware that a number of dry scholars have pompously pointed out that the word Tulpa is a misinterpretation of the Tibetan term, Tulku, which is essentially a self-constructed Avatar. However, when assuming the alternate guise of a Tulku within a lucid dream, it is like that of an actor playing a part in a film, whose other supporting characters are Tulpas, who reflect back the assumed guise of a constructed Tulku.

For example, if you assume the Tulku guise of Vincent Price, you might just find yourself having a dream of being in a horror film, whose other actresses and actors are Tulpas. Why would you assume the guise of Vincent Price, you might ask? Well, it may be because you seek to empower your acting ability, should your profession be that of an actor; or to otherwise assume the guise of Austin Osman Spare, if you are an artist. Perhaps you might decide to fuse these influential personages together with Henry Miller, to thereby create a Tulku; and like a time-travelling Doctor Who writer would do, whose TARDIS brain to travel around the Succubae Decans of the Zodiac ages, you can also imaginatively assume the star-sign guise of Vincent van Gogh.

Should this sound rather ‘deranged’ to you, consider the intriguing experiments conducted by Vladimir Raikov who is a Russian psychotherapist, head of the Laboratory for Hypnosis at the State Scientific and Research Centre for Preventive Medicine. In general Raikov hypnotised his subjects to believe that they were the reincarnations of Rembrandt or Mozart, etc. Evidently after a period of doing this, his subjects brought back from their induced trance state the abilities of the personages with whom they had identified. For example, someone who had identified himself with Rembrandt had awakened his or her own artistic ability to eventually make a career out of Art; others may prefer to identify themselves with Aleister Crowley.

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“There is also a third kind of madness, which is possession by the ‘Muses,’ enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric….But he, who, not being inspired and having no touch of Madness in his soul, comes to the door and thinks he will get into the temple by the help of Art–he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the Madman.”

― Plato, Phaedo

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If you consider all of this to be quite mad, keep in mind that children subconsciously learn from any influential role-models around them. Raikov’s technique is just an adaption of what children naturally do. However, the barriers of accumulated belief of an adult, blocks him or her from fluidly learning as a dreaming child. Hence, the beliefs of an adult requires the need to be broken down by believing that the assumed persona is a reincarnation, even if it is an artificially constructed Tulku, which could just as well be that of a future incarnation.

However, you do not need to be hypnotised by another individual, such can be potentially very dodgy; you can attain the same experience via lucid dreaming, which of dream Yoga, will enable you to assume a desired guise of a particular Tulku.

A Tibetan Buddhist would otherwise assume the Tulku guise of one of his many Buddhas via meditative and auto-hypnotic (trance) practices, in order to empower his spiritual progression. You will also find that each Buddha is depicted copulating with a female representing the power of a corresponding dream domain, who is termed as being Shakti, Carl Jung would call the ‘Anima.’

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The Anima can manifest as differing female characters, each of which can be seen to be a female Tulpa, who empowers a corresponding Tulku.

The female Tulpa can be ‘artistically’ constructed as a mind-doll means to empower lucid dreaming, which a Tibetan Tantric Buddhist would call a Dakini.

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Although the medieval mind-set of the West, a Dakini is otherwise called a Succubus, the prior ancient Greek’s knew as a Muse, who to remind that Art is Sorcery, Sorcery is Art, they are indivisible from each other, one and the same of shamanic practice.

When to see a Succubus as a constructed Tulpa, it is none too different to a computer program, like that of a web-bot browsing your informational dreams, which then initiates a virtual reality lucid dream, created by your quantum computing TARDIS brain.

The Succubus has lost its deeper meaning since the medieval mindset of the West has castigated sexuality and the feminine principle out of the spiritual equation, whereupon becoming purely demonic of hedonism, having no meaning whatsoever beyond that of blindly copulating.

The male counterpart of a Succubus is an Incubus, whose ‘Animus’ manifestations of God, Devil, angels and demons are commonly listed in many a Grimoire, who are known as Daka in Tibetan Buddhist dream Yoga practice.

The reasoning behind the focus upon a (Dakini) Succubus is that of introverting the sexual impulse in order to overcome what is technically termed as the Old Hag Syndrome, when accessing the hypnagogic state of trance, at the point of sleep. The hypnagogic state and the ensuing sleep paralysis can be quite terrifying, which of Bedroom Invader nightmare terrors can be otherwise transformed into a Night-Mare Succubus to ride into conscious dreaming.

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This can be achieved when the sexual impulse is introverted, via a prior meditation upon an erotic image of a particular Succubus, in order to negate the fear of the practitioner; for it is the reactive state of fear, which makes the experience of hypnagogic trance so horrifying.

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MR ROBOT ILLUMINATI

Posted in Art, Chaos Magic, Conspiracy Theory, Demon, Lucid Dreaming, Occultism, Psychology, Shamanism, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 27, 2016 by FAUSTUS CROW

When becoming ‘aware’ within the Zipf Law realm of the blind, you might just see, that 80% of the wealth of the world is owned by just 62 people, or maybe it is 72; the majority of them can be found in America, who ‘habitually sustain’ the ‘delusion’ that the rest of the Earth’s population are 20% free.

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Think of it, 62 people are worth as much as the planet’s poorest 3.6 billion put together; the richest one per cent on the planet is now worth more than the rest of everyone else populating the globe.

“It is no longer good enough for the richest to pretend that their wealth benefits the rest of us.” (Mark Goldring, Oxfam)

When to ‘see’ the inequality, you are invariably tarred and feathered as being ‘Paranoid.’ It is then very difficult to feel that you can fit in with such a robotic society, unless you lie to yourself in order to avoid the overwhelming solitude. But when to do so, ‘Anxiety’ soon follows, with ‘depression’ biting its heels. Many are afflicted by these considered maladies, but then they are starting to become aware that something is very much amiss!

As you become aware of the illusory facade, your Reticular-Activating-System (RAS) kicks in of a self ‘Hack,’ which of a subconscious response is that of re-programming yourself to be free of the 20% illusion.

The problem: the prior-programming, will fight tooth and nail to stay as it is. The prior-programming is that of ‘belief,’ which in Hebrew, is called Da’at; when to become aware that you are essentially programmed by your ‘beliefs,’ you then attain ‘Knowledge’ of your self.

However, such Knowledge is considered most sinful by those who seek to control the populace via the political tool of ignorance. Hence, when to become aware you will soon find yourself being cast out of the New World Order theocracy of a totalitarian Eden, which is essentially sustained by all those who believe in its illusory construct.

Many to speak of horrified viral-meme whispers that the entire world is run by a shadowy elite called the Illuminati, whose symbol is that of a triangle with an eye at its centre, or otherwise depicted as a pyramid. The truth of the matter is actually all around them, who find themselves incarcerated by their passed down religious programming, which binds them to three monotheistic ‘belief’ systems of a trinity.

This trinity has a fixation upon their ‘bearded’ founder, Abraham, whose eye, had first stemmed from out of Ur in war torn Iraq, where you can find a Ziggurat.

Should you point this out to the numerous believers who are gathered as a bound triangle around Abraham’s Orwellian eye, they of preference will become deaf, dumb and blind; for in ignorance, they can stay within their mind-controlled Oily Eden.

Such is easy to do when being perpetually bombarded by religious propaganda, whether it is in your face, or subversively orchestrated; it is everywhere.

Those who start to see, might just observe that the three Illuminati faces of Abraham’s monotheistic faiths has a fundamentalist extreme, which can turn the world upside down; they have done so before on many an occasion, who of a shared suicidal impulse consistently seek out their self-fulfilling prophecy of an End Of Days, in order to validate their Oily ‘beliefs.’

They all work to three scripts likened to that of pre-programmed automatons, who are quite oblivious that they have been entirely brainwashed.

What makes them think they can label the creative principle as being male of an Animus fixation, or even to see it having human form, let alone believing they have any ownership over morality or to see that the Middle East is the centre of the world, let alone the cosmos? It is their religious programming, which empowers the few atop of an Oily Ziggurat of skulls!

Although consciously unaware of the gathering danger, your RAS, of the Reptilian-Brain-Stem is geared towards surviving, which is in turn tied up with the Autonomic-Nervous-System (ANS), whose ‘two nerve channels’ are on either side of your spine.

The surrounding information, which is tuned into by your ANS will be subconsciously sifted through, whose summation will at first manifest within your troubled dreams.

However, what is tuned into of gathered information may be at odds with your prior-programming; this is especially the case, if your prior-programming is leading you, and others towards a very shadowy future.

The tuned into information may in certain instances induce the Old Hag Syndrome of night terrors, about being pursued by Demonic reptilians out of Hell, or otherwise that of being abducted by alien entities, etc. Such symbolism are subconsciously wrought viral-memes, which of a collective grasping, is seeking to understand what is wrong; yet avoiding the patently obvious.

Although symbolic, these memes will become very real within your virtual-reality lucid dreams, which will reveal what you, let alone others are attempting to avoid… seeing.

In the Cabbala, the Reptilian-Brainstem of the ‘throat’ area determines the depth of hypnagogic trance ingress into your dreams, which is associated with the 13th path of Gimel.

It is upon this (spinal column) path, the prior programming is confronted within the dream, in order to re-program it into another (Da’at) ‘form,’ such as facing a strangling Daemon, to transform it into a loving Ally.

When observing the media, such as the above video, you will invariably notice symbolic triggers, such as the number 13, for example, you could otherwise associate with a 13th floor, door number, numbered 265, which of numerology reduces down to 13, as depicted in the video Odyssey.

Another media insight is Mr. Robot, which is an American drama–thriller about a character called, Elliot Alderson, a cybersecurity engineer and hacker who sees through the illusion, which leads to him being seen by others to be suffering from social anxiety disorder and clinical depression.

Alderson is recruited by an anarchist, who is known as Mr. Robot. But is he real? Mr Robot is more like a ghostly apparition, who is somewhat akin to Mephistopheles of an ‘Animus’ fixation; whereupon Alderson is like Goethe’s and Marlowe’s vision of Faust. Mr Robot is essentially a Faustian tale, which of a classical formula, leads to a pre-programmed conclusion.

You could otherwise see Mr Robot as an updated Homer’s tale of the strange, wherein Anderson would be a shaman ‘Hacker,’ of an Odysseus.

Although, Odysseus had a Mercurial ‘Anima’ called, Athena, who… guided him… as his inspiring Succubus Muse, you could otherwise equate with what is termed as the (HGA) Holy Guardian Angel, which is said to be associated with the sphere of Da’at.

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As for Faustus Crow, he to have conjured up Mephistophina of a fallen ‘Anima’ manifestation within his lucid dreams, who did so of a self ‘hack,’ in order to re-program his own subconscious mind to seer beyond the symbolic Matrix of the establishment.

The symbolic reprogramming within the dream negates the subversive influence of the deified ‘Animus,’ the numerous believers call God, Jehovah and Allah of an Illuminati triangle, around their Oily Abrahamic eye.

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DREAM BOOK SUCCUBUS GRIMOIRE

Posted in Alien, Anime, Art, Chaos Magic, Comics, Demon, Demonology, Devil, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Manga, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 25, 2015 by FAUSTUS CROW

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A grimoire is a textbook of magic, which is the literary fare of Harry Potter. These books typically have instructions on how to create magical objects, like talismans and amulets, as well as to how to perform magical spells, charms and divination.

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A grimoire also lists supernatural entities, such as Angels, Spirits, and Daemons, which are sometimes liberally illustrated; they are somewhat likened to that of art books; although they are more like proto-comics in style.

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The illustrated entities, which populate a grimoire, are of similarity to a Yidam. A Yidam is essentially a two-dimensional image, which is seen to be a repository for a type of deity associated with Tantric or Vajrayana Buddhism.

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The Yidam usually depicts a deity, who is shown copulating with a female counterpart, called a Dakini; the imagery of which tends to be highly erotic. The term, erotic, is the operative word here, not pornographic! Those whom castigate this practice as being merely pornographic entirely miss the point of Dream Yoga, more so those who indulge in externalising it of base hedonism.

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The deity is considered to be a particular manifestation of Buddhahood, as well as the enlightened mind of the Yogi; whereas the Dakini represents the creative power of the deity.

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In medieval Europe a Dakini would otherwise be termed as being a Succubus; although, a Dakini is also like a Genie as well as being an inspiring Muse.

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During personal meditation (Sadhana) practice, the Yogi identifies himself with the focussed upon deity, which represents an attribute, power and state of mind the Yogi seeks to assume, of an inner-self-image, for the purpose of self transformation.

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The Yogi visualises himself copulating with the Dakini, as her deity, which is depicted in the Yidam; whereby he introverts his sexual impulse. This will enable the Yogi to implant his now sexually charged desire into his subconscious mind.

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The introversion of the sexual impulse will then empower the emotive spin of his electron dreams; the goal being to attain a lucid dream, within which the Yogi consciously experiences copulating with the Dakini, who is a bio-photon aspect of the Shakti (Electron) power of the dream.

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The Dakini will then enable the Yogi to assume the guise of the (strange attractor) deity, since the (informational associative fractal) dream, which is the (Shakti) power of the Dakini, will reflect him back as the deity.

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The Dakini is sometimes seen as a self created thought-form, which is termed as being a Tulpa. A Tulpa can be constructed from varying symbolic stimuli like that of knitting together a Frankenstein’s creation of a Golem, this is done consciously of artistry; there is nothing strange or unnatural about this creative process, since your dreams are already populated with Tulpas.

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The practice involves working towards the chosen Tulpa construct manifesting into three-dimensional form as a fully interactive reality.

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As mentioned, this is very much the case within a lucid dream, which is the initial phase of a Tulpa manifestation. It is also believed that a Tulpa can manifest into physical reality; although this only occurs on very rare occasions, for a brief time, as a kind of Ghost, which tends to be only seen by the operator. However, such a conjuration into physical reality usually manifests as associative synchronicities, which is sometimes followed by corresponding poltergeist phenomena.

When a lucid dream is achieved, the dream will be the three-dimensional experiential manifestation of the two-dimensional image of the Yidam.

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In other words, the three-dimensional experiential inner reality of the dream will be pre-programmed by the focused upon two-dimensional Yidam.

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The Yidam would equate with an illustration of a spirit in a grimoire. The term, Yidam is sometimes translated as meaning, meditational deity, or, tutelary deity.

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Examples of Yidams include the meditation deities of, Chakrasamvara, Kalachakra, Hevajra, Yamantaka, and Vajrayogini, all of whom have a distinctive iconography, with associated mandalas and mantra rites of conjuring them as Tulpas.

You can then see a grimoire being illustrated with Yidams of the spirits, which have accompanying mandala sigils and seals, as well as having mantra names, via which a practitioner can conjure the spirits as Tulpas within his/her lucid dreams.

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Not all Yidams depict a deity copulating with a Dakini; many of which just illustrate Dakinis, upon whom the Yogi meditates, while imagining himself sexually engaging with them of Dream Yoga.

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This is of course dependent on whether the Yogi is of a heterosexual persuasion or even of a bisexual orientation.

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A Dakini can be depicted of modern expression as a female character out of a comic, Manga or Anime who symbolically represents a psychic power or an ability the practitioner seeks to attain.

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A Dakini can even be seen as an alien girl, piloting a time travelling UFO of a TARDIS, who represents (Sleipnir) information pertaining to the Star Trek future, to thereby remote view via a lucid dream by the practitioner, who has assumed the (deity/Odin) guise of a ‘Dr Who’ shaman.

Whatever form the Dakini is depicted as, of a two-dimensional Yidam painting, it will determine the type of scenario the practitioner will access of a three-dimensional interactive reality within a dream.

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The male version of a Dakini is called a Daka, which is the primary focus of the patriarchal grimoires; hence, I have totally reversed their all male (Daka) paradigm, towards that of the female (Dakinis) of ‘Anima’ preference.

Although, if your sexual orientation is otherwise predisposed, you can stick with conjuring up Daka Angels and Demons of traditional commonality, betwixt and between your ‘Animus’ fixation upon a machismo God and a butch Devil seeking to enter unto your orifice.

This fact of symbolic logic can either put a broad smile on your knowing face when to become as the Shekhinah vessel for your God, or for you to rapine scream that you are being possessed, due to your sheepish ignorance. Well, what do you bloody expect, a male does enter into a woman, it’s ‘fucking nature!’

GOETIA GIRLS SUCCUBUS ART BOOK ‘TWO’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: CREATESPACE PREVIEW, CLICK HERE

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

The COLOUR version of Book Two will soon be published. The cover artwork below is for the Black & White version of book Two.

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Createspace and Amazon.

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SUCCUBUS DAKINI LUCID DREAM YOGA

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 25, 2015 by FAUSTUS CROW

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A Dakini is a female entity of dreams, who is known of in Tantric practice; she is of similarity to the European Succubus.

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There are many differing Dakinis; each of whom is unified with various alternate-selves (Avatars) of the Yogi, he can assume within (alternate reality) lucid dreams, which are empowered by the conjured Dakinis.

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Whereupon, the same perspective can be applied to the Succubae, when to conjure them out of a grimoire.

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The Succubae can be seen as governess’s who have governance over a myriad number of dream worlds, likened to beads threaded by a superstring.

Although a Dakini is similar to a Succubus, she represents far more as a feminine (Anima) embodiment of enlightened energy within the watery domain of the dream.

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This indicates that the phenomenon of the Succubus can be better understood, of Old Hag Syndrome dream visitations, when looking into what the Dakini represents. In the Tibetan language a Dakini is known as a Khandroma, which translates as the following: ‘void going woman, she who traverses the sky, she who moves in space, sky walker, or sky dancer.’

The Dakini is called upon of conjuration when practicing dream yoga, which is orientated towards attaining lucid dream contact with her; wherein she is akin to a Genie of Succubus wiles, who initiates the conjurer into the associated knowledge, of which she personifies as a knowledge/wisdom holder.

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A Dakini is associated with the arousal of the Kundalini Shakti, of which she is an energetic fluctuation, of its fire snake energy, as it arises along the spinal column of the practitioner.

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As the Kundalini fire snake arises along the spine, its feminine energy of Shakti activates the seven (planetary sphere) Chakras out of which the Dakinis emanate of differing (seal) expressions. Their various dream (metal) characters pertain to what they individually personify of inner knowledge.

A Dakini is so central to a Tibetan Buddhist practitioner attaining full enlightenment as a Buddha, that she appears in a Vajrayana formulation of the Three Jewels Buddhist refuge formula, which is known as the Three Roots. (Three Roots – Triangle Of Art.) 

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A Dakini commonly appears as the Dharma protector, sensuously sitting astride the lap of a guru and Yidam, with who she copulates of a sacred union.

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But Judith Simmer-Brown, who is a Professor and past Chair of Religious Studies at Naropa University, as well as being a prominent Buddhist scholar, points out:

“The Dakini, in her various guises, serves as each of the Three Roots. She may be a human guru, a vajra master who transmits the Vajrayana teachings to her disciples and joins them in samaya commitments. The wisdom Dakini may be a Yidam, a meditational deity; female deity Yogas such as Vajrayogini are common in Tibetan Buddhism. Or she may be a protector; the wisdom Dakinis have special power and responsibility to protect the integrity of oral transmissions.” 

As a key Tantric figure the Dakini can also be found in other forms of Tantric Buddhism, such as the Japanese Shingon school, from where she was disseminated into Japanese culture, who evolved into Dakini-ten; whereby becoming inextricably linked with the (Fox) Kitsune (Succubus) of ‘erotic iconography.’

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The origins of the Dakini had originally stemmed from ancient shamanistic practices, such as that of Siberian shamanism, whose shamans derive their powers from their conjured spirit wives.

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The spiritual focus upon the Dakini continues to this day as a part of Indian folklore; though generally in wrathful forms, which of a meditation practice remains a part of Hindu Tantra.

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Although the Dakini appears in Hinduism and within the Bön tradition, Dakinis occur most notably in Vajrayana Buddhism, who play a particular role in Tibetan Buddhism.

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The Tibetan Dakini, is generally seen to be of a highly erotic form, of infernal looks; her nature is volatile of wrathful temperament whose abode of a haunt is often that of the charnel ground.

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She initially manifests as an Old Hag Syndrome ‘Nightmare’ until the practitioner learns to overcome his fear to then ride her as his Mare of the Night; whereupon she will then become as his spiritual Muse of an inspirational (Tulpa) thought-form, who guides him into the dream to make lucid of awareness.

Dakinis are energetic (Tulpa) beings of (archetypal) Succubus form, who are erotically evocative of the microcosmic movement of energy (information) within inner space.

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In this context, the macrocosmic sky of space indicates Shunyata, the insubstantiality of all phenomena, which, at the same time, represents the dream-time Dakini potentiality for all her possible (planetary sphere) Succubus manifestations.

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