Archive for sorcery

CHAOS MAGIC COMIC AUSTIN OSMAN SPARE PENCILS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , on March 16, 2020 by FAUSTUS CROW

The above Artwork are enlarged panels from the penciled pages for the AOS Chaos Magic Comic strip. The pages are A4 in size. Of an associated aside, there are very few examples of Austin Osman’s Spare’s work influencing the arena of music before 1970, but the band, Bulldog Breed was one such example. Bulldog Breed were an obscure late-’60s British psychedelic band who released an album entitled Made In England in 1969 by Decca, the album is now a rarity.

Bulldog Breed’s guitarist, Rod Harrison described how he came to include a track about the Austin Osman Spare: “Well you certainly hit on a rare one there! As a matter of interest “Austin Osman Spare” was an acquaintance of my Grandmother. She had been been friendly with Austin and had been given many of his works! Before Gran came to London she had been a tutor at Bristol University (Piano and Art) My Mother also became interested in his Art as she herself was an artist. I recall that she worked just up the hill from Brixton at a place called Skolniks — they were involved in commercial artwork somewhere around “Streatham high” as it was called then! Not too far from where Austin used to live!”

“My Mother and I went over to Ilford to see an Auntie of mine and as a child I was introduced to a world of Canvasses and painting — mainly Austin’s. This was shortly before my Mother had a very bad breakdown. I suppose I would have been about seven years old at the time. Everyone in my family was a bit artistic and even now I do the odd portrait or watercolour. I inherited a lot of prints and sketches of Austin’s work, but with the passage of time they were lost, I think I left them in a bedsit in Ilford just round from the Bus station, 1969!”

“This was at a time when Bulldog were merging with T2! Keith Cross had turned up on the scene, most of my equipment had been stolen and I suffered a setback financially (as musicians do). I did a runner ‘cos I couldn’t pay the rent! “Austin lived in or around the Brixton area and was a good wartime painter but in later years I believe he suffered very badly with illness losing his limbs (gangrene) and dying somewhere about 1956. He had a belief that art should be within the reach of the common man. As to his involvement of the occult I really don’t know too much about that- that was just how the lyric panned out.”

“I suppose you could say that he was a little influenced by William Blake and I am not too sure of his relationship with Crowley! “I was sharing a flat with a friend of mine just off Wanstead High Street and Bernie Jinks, Robin Hunt (whose family lived round the corner — Nightingale lane) and numerous young ladies would come round for a bit of music practice! These two guys were always the ones with women in tow!”

“I think that Robin, Bernie and I were sitting around on one such afternoon and since the pressure was on to write some material for the LP, for some reason Austin’s name cropped up and we all worked it out from there! It was probably the introduction of the Artwork that inspired Robin to work on the Lyric! I had already got some idea of a Guitar part and with Bernie’s’ input the song came together in a very short time!”

If you are interested in seeing the Full Comic strip, Please Click Here.

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CHAOS MAGIC COMIC ART: Faust Conjuring Mephistophina

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , on January 31, 2020 by FAUSTUS CROW

The above Artwork is an example of some ‘enlarged panels’ from the Art I have done for a Chaos Magic comic, which depicts the Sorcerer, Faust, conjuring the Succubus, Mephistophina.

The Succubus Mephistophina is an aspect of the Fallen ‘Anima.’ Whereas Mephistopheles is an aspect of the deified ‘Animus,’ made as a God/Devil.

Hence, Mephistophina rebels against the three monotheistic constructs of the deified ‘Animus,’ from out of UR.

This leads to Faust falling down the rabbit hole, when he partakes of the banned Red Apple of an ‘Anima’ pill.

The Artwork was done in pen and ink on A4 Bristol Board, which has since been coloured.

If you are interested in seeing the Full Comic strip, Please Click Here.

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TULPA BRIDE OF FRANKENSTEIN

Posted in Alien, Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Sex Magic, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 11, 2020 by FAUSTUS CROW

Once upon a time, when Faustus Crow was but a changeling Childe, he discovered under the Yggdrassil X-Mas tree a Wyrd gift.

The gift was in the shape of a Hellraiser Cube, which appeared after awakening from a vivid lucid dream about being visited by a fallen Succubus Art Muse from another alien star.

Crow surmised the gift had obviously been left by Frau Hulder’s salacious UFO babe machine Elves from planet X-Chromosome, whose contrary-wise pussy world orbits the Yoni Pole-Stargate. The deposited gift turned out to be an Aurora model kit of The Frankenhooker Bride Of Frankenstein.

The model kit inspired Crow’s Doctor Frankenstein brain to knit-together a Frankenhooker Night-Mare, to lucid dream ride as his Succubus Tulpa across the Wyrd web of a prior weird science Gobal Consciousness Project.

When Crow eventually mutated into a Horny Old Goat, he later found out that one of the first Aurora monster model kits produced by the Aurora Plastics Corporation in the U.S. was of Frankenstein’s monster, sculpted by Jack Lemon. It was originally based on a Marx’s wind-up walker toy. The prototype of the kit was shown at the HIAA annual convention in January, 1962.

At first there were no orders for Frankenstein’s creature until the last day of the show, when affluent industry representatives were allowed to usher in their consumerist families. On that fateful day, the Chicago distributor, Al Davis let loose his sons, Glenn and Fred, whose electrified brains were Borealis hypnotised by the Aurora exhibit.

Instead of grabbing the plethora of cloned planes, cars or trucks, Davis’s sons fought each other to own the unique monster. Davis craftily smiled to himself and quickly placed an Al Capone style order. He was duly followed by a couple of California Hippie distributors who observed Davis’s sons fighting over the monster, they realised the financial underground potential, and rapidly placed orders as well.

Aurora shipped off the ordered kits. A few days later the phone started to ring wildly: “Can we have some more monsters?” And so it came to pass that all the little boys prayers across the globe had been eventually answered by the dollar-sign eyed adults!

It soon became blatantly obvious that the Frankenstein model kit was going to be a huge solar storm success; so the rest of the sculpted line-up was rushed into production. Societas Draconistarum Dracula came next, followed by the Howling Goetes Wolf-Man, both of these kits were in the North Pole bedecked stores in time for Yule 1962.

The following year saw The Creature from the Black Lagoon, The Mummy and The Phantom of the Opera, with The Hunchback of Notre Dame, King Kong and Godzilla made their debut in 1964.

Dr Jekyll as Mr Hyde were not released until 1965. Later that year, The Witch and the Bride of Frankenstein went into production. But The Salem Witch kit, and most especially the Frankenhooker Bride of Frankenstein was generally considered to be a costly miscalculation by Aurora; girls tend to not buy model kits, which is very much the case concerning kits of iconic male characters, or so it was first thought by puritanical minds.

It has since been revealed by the world-wide-web of the internet, the pornographic literature read by females is populated with Twilight predator bad-boy monsters, such as Vampires and Werewolves, along with Frankenstein Surgeons, Ghost Pirates and Phantom of the Opera Billionaires, etc.

Whereas Cat-Walk model kits of females are generally seen to be unappealing to little boys; well, they were very Playboy appealing to Crow, for a number of politically incorrect Frankenhooker Tulpa reasons. Cough, splutter, cough, cough!

NOTE: The above Pen sketch is a close-up of a ‘Panel’ from a comic page. Traditionally drawn on A4 size paper, which has been scanned without being manipulated or cropped in photoshop. The non-narrative comic is a continuation of the Little Nemo in Slumberland theme, though adult of subject matter. The full comic page can be found Here!

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AL AZIF NECRONOMICON PART V: THE WITCHER

Posted in Art, Chaos Magic, Comics, fantasy, Film, Goetia Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 5, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

Long before Christianity made its empire-building way into central and Eastern Europe, many of the ancient Pagan peoples practiced what can be construed as shamanism in what are now called Poland, Czechoslovakia, Hungary, Romania and Transylvania, etc.

For example, archaeologists have discovered traces of mysterious rituals performed by (Witcher) Shamans about 9,000 years ago in Poland.

The archaeological site is located near today’s lake Swidwie (West Pomeranian) in North-Western Poland, which has been studied since 2012.

One of the most interesting discoveries is an area of a circle, where scientists discovered mysterious structures.

The main feature of the site turned out to be a trapezoidal building having poles, surrounded by an arch of stones placed at equal distances from each other, which has lain buried down the ages, while numerous wars have been fought above its bones.

There are also ritualistic sharpened yew sticks driven into the surface in the shape of a horizontal figure similar to the Big Dipper, a fragment of the constellation of Ursa Major.

However, many researchers have noted that the shamanic worldview of the pre-Christian European peoples have survived in their colourful myths.

It is upon these ancient myths The Witcher (Polish: Wiedzmin), fantasy series of novels and short stories have derived much of their inspiration, that were written by Polish author Andrzej Sapkowski.

The Witcher books led to the development of a 2007 action role-playing game developed by CD Projekt Red, called The Witcher. The Witcher game was duly followed by The Witcher 2: Assassins of Kings in 2011, and The Witcher 3: Wild Hunt in 2015.

As in the books, upon which the video games are based, the story takes place in an alternate medieval fantasy world.

The story follows Geralt of Rivia, one of a few traveling monster hunters who have shamanic powers, known as Witchers.

The Witchers are masters of the martial arts, who can be seen as warrior Shamans. The Witchers also have control over the elements, who use five elemental hand-signs to do so, which are similar to Mudras used in the meditation practice of Yoga.

In Yoga practice a Mudra means ‘sign,’ seal, gesture, or mark. Yoga Mudras are symbolic meditation gestures often practiced with the hands and fingers.

They facilitate the flow of energy within the dream (subtle) body, when utilised when (sexagram/sixth-sense) lucid dreaming.

The ‘meditation tool of a Witcher video game’ has a system of moral choices, which are part of its adult story-line.

It has been noted for its time-delayed consequences and lack of black-and-white morality.

There are also numerous references to the works of the author H.P. Lovecraft in the highly successful Witcher video games.

For example, one of the enemies Geralt fights against in the first game is Dagon, as described by Lovecraft. In the Wild Hunt, Geralt can also get hold of the Necronomicon.

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART IV

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , on September 28, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 4, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

Part four of the Al Azif Necronomicon investigates from where Abdul Alhazred had derived his dark knowledge.

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Abdul Alhazred’s revelations about the origin of his occult practice is based upon connections between historical sources.

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As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART III

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 26, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 3, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

Part three of the Al Azif Necronomicon covers an alternate version of H.P. Lovecraft’s short story, ‘Pickman’s Model.’

The story revolves around a Bostonian Artist named Richard Upton Pickman, which was written in September 1926.

‘Pickman’s Model’ was first published in the October 1927 issue of Weird Tales.

The story was later adapted for television in a 1971 episode of the Night Gallery anthology series.

The first part of the Al Azif Necronomicon is based upon H.P. Lovecraft’s own description and history about Abdul Alhazred’s book, which I have taken into the Twilight Zone.

As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

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DOCTOR FRANKENSTEIN CREATED A FRANKENHOOKER NIGHT-MARE

Posted in Art, Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 7, 2019 by FAUSTUS CROW

Doctor Frankenstein’s Frankenhooker Night-Mare: “Her Exquisite Corpse Had Been Knit-Together From Exhumed Memories Of Astral Flesh, Of Which Frankenstein To Have Dug Up From Out Of The Infernal Necropolis Of The Love-Craft Dream-lands.”

“Frankenstein’s Electrifying Desires Animated Her Into Sentience, He To Have Then Dream Ridden As His Tulpa Time Machine.”

“H.G. Wells Also Conjured Frankenstein’s Necronomicon Night-Mare As His Remote-Viewing Zodiac Muse, He To Chronos Ride of Hypnagogic Visions, When To Abdul Alhazred Mantra Chant Her Frankenhooker Mind-Doll Name, Orobasi.”

“Later, The Dr John C. Lilly Likes Of A Randolph Carter conjured Obobasi, While To Sojourn A Floatation Tank Of A Titus Crow Coffin, Upon Whose Ornate Lid Is A Zodiac, Whence It Is Verily Called, The Clock Of Dreams.” 

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