FAUSTUS CROW CREATED TULPA WOMAN FRANKENSTEIN STYLE

“Natural philosophy is the genius that has regulated my fate; I desire, therefore, in this narration, to state those facts which led to my predilection for that science.”
― Mary Wollstonecraft Shelley, Frankenstein; or, The Modern Prometheus

“I have described myself as always having been imbued with a fervent longing to penetrate the secrets of nature. In spite of the intense labour and wonderful discoveries of modern philosophers, I always came from my studies discontented and unsatisfied.”
― Mary Wollstonecraft Shelley, Frankenstein; or, The Modern Prometheus

“Men’s brains may be bigger, but women’s contain more brain cells. Also, male and female brains work differently. When men and women perform identical tasks, different areas of their brains light up in response. In addition, females use both hemispheres, while male brain activity is restricted to one side.”
— Kevin Leman (Feminist/Animus)

“One of the most robust sex differences in personality research is the finding that women are higher in Agreeableness than men are. The difference is over half a standard deviation, which means that although there is plenty of overlap between the sexes, the average man scores lower than 70 per cent of women.”
— Daniel Nettle (Feminist/Animus)

“About three things I was absolutely positive. First, Edward was a vampire. Second, there was a part of him-and I didn’t know how potent that part might be-that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him.”
― Stephenie Meyer, Twilight (Animus)

“Why don’t you like to be touched” Ana whispered, staring up into soft grey eyes. “Because I’m fifty shades of fucked-up, Anastasia.”
― E.L. James, Fifty Shades of Grey (Animus)

“The projection-forming factor is the anima. Wherever she appears in dreams, phantasies or visions, she appears personified, thereby demonstrating that basically she possesses all the outstanding characteristics of a female person. She is not an invention of the conscious, but a spontaneous production of the unconscious; neither is she a substitute figure for the mother. On the contrary, there is every likelihood that those numinous attributes which make the Mother imago so dangerously powerful derive from the collective archetype, the anima, which is incarnated anew in every male child.”
― Carl Jung (Anima)

“The realities subsumed under the concept “anima” form an extremely dramatic content of the unconscious. It is possible to describe this concept in rational, scientific language, but in this way one entirely fails to express its living character. Therefore I deliberately and consciously give preference to a dramatic, mythological approach and terminology. In describing the living processes of the soul, such a terminology is not only more expressive but also more exact than abstract scientific terms.”
― Carl Jung (Anima)

“I am all that hath been, and is, and shall be; and my veil no mortal has hitherto raised.”
― Plutarch, quoting the ancient Egyptian Goddess, ISIS (Anima)

“For decades I always turned to the anima when I felt that my emotional behavior was disturbed, and that something had been constellated in the unconscious. I would then ask the anima: “Now what are you up to? What do you see? I should like to know.” After some resistance she regularly produced an image. As soon as the image was there, the unrest or sense of oppression vanished. The whole energy of these emotions was transformed into interest in and curiosity about the image. I would speak with the anima about the images she communicated to me.”
― Carl Jung, Memories, Dreams and Reflections (Anima = Succubus = Muse)

“To feed your Muse, then, you should always have been hungry about life since you were a child. If not, it is a little late to start.”
― Ray Bradbury (Anima = Succubus = Muse)

“The Muses are ghosts, and sometimes they come uninvited.”
― Stephen King, Bag of Bones (Anima = Succubus = Muse)

“The ‘Muse’ is not an artistic mystery, but a mathematical equation. The gift are those ideas you think of as you drift to sleep. The giver is that one you think of when you first awake.”
― Roman Payne (Anima = Succubus = Muse)

“There is also a third kind of madness, which is possession by the ‘Muses,’ enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric….But he, who, not being inspired and having no touch of madness in his soul, comes to the door and thinks he will get into the temple by the help of art–he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the madman.”
― Plato, Phaedo (Anima = Succubus = Muse)

“This is the other secret that real artists know and wannabe writers don’t. When we sit down each day and do our work, power concentrates around us. The Muse takes note of our dedication. She approves. We have earned favor in her sight. When we sit down and work, we become like a magnetized rod that attracts iron filings. Ideas come. Insights accrete.”
― Steven Pressfield, The War of Art: Break Through the Blocks & Win Your Inner Creative Battles (Anima = Succubus = Muse)

OUT OF BODY LUCID DREAMS

The driving force behind much of my art and writing is the number of ongoing personal experiences I have had concerning the Out Of Body phenomenon and lucid dreaming, which of inner experiences also correlate with the observation of concordant synchronistic phenomena, along with what can be construed as being paranormal events.

I have the tendency to utilise the technical term hypnagogic trance when to speak of attaining conscious ingress into the dream. The hypnagogic state is not a mysterious occult force; hypnotherapists seek to induce hypnagogic trance in their patients, which is an altered state of consciousness, shamanic practitioners are highly adept at inducing in their own selves of auto-hypnosis.

A number of artists throughout the ages have also engaged in inducing hypnagogic trance, whether knowingly or unknowingly, of varying degrees of intensity when creating works of art, since the nigh meditative creative process can induce a theta brainwave in the artist, which is associated with the inducement of hypnagogic trance.

Hypnagogic trance can also be induced via shock hypnosis at the collective level, should there be a mass focus upon a shocking occurrence, which can be prior orchestrated of a subversively engineered false flag event, let alone being able to engineer an associated End-Of-Days mass-media focus on 2012.

When to inadvertently access hypnagogic trance at the point of sleep, it sometimes involves the experience of sleep paralysis as well as the Old Hag Syndrome, or otherwise called, the Bedroom Invader experience.

The Old Hag Syndrome of an assailing nightmare can be otherwise transformed into a Night-Mare Succubus to ride, as your Mind-Doll Dakini, whence she to carry you, without moving, Out Of Body, wherever you desire to go, throughout space and time within a lucid dream.

Whatever is experienced when accessing hypnagogic trance will be determined by what you take in with you of an inner narrative of beliefs, which is often subliminally influenced by your culture. An analogy is somewhat akin to your beliefs determining what you tune into of a TV program, which you will then enter into as a fully interactive lucid dream. The dream reflects back your inner narrative; wherefore if you transform the narrative, you can reprogram your dreams.

Numerous others have also experienced this phenomena throughout the ages, such as the author and researcher Michael Raduga, who otherwise brands the hypnagogic state as being what he calls, The Phase. Raduga has come to the realisation that the hypnagogic state has been hijacked by various religions; most notably by the trinity of Abrahamic faiths, whose shared symbolic dialogue determines the narrative of the inner experience for many across the globe, which can be further manipulated via orchestrated false flag events.

Raguga has also noted that the religious narrative has been transmuted into the viral-meme arena of science fiction, where machismo Angels and butch Demons have been transformed into Aliens, which is essentially a continuation of the religious programming.

In other words, whoever controls the symbolic narrative can thereby determine the programming of many minds; this would be subversively engineered in order to sustain the established religious structure, which is very much entwined with the present New World Order centralist politics of society; wherefore, those who control the narrative will not want the masses questioning it. The primary means of negating the questioning masses is to make them fear the inner reality of their own minds; hence the war on drugs for example.

The question is, how far would the controllers go in sustaining their symbolic Matrix, wherein many a mind is being subversively programmed and thereby imprisoned, without ever realising it?

Well, you would need to look into a possible physiological factor involving dreaming in order to determine how far the controllers would go, such as looking at the pineal gland for example, which is otherwise known as the third eye by ancient mystics.

The scientist Rick Strassman MD has determined that the pineal gland is inextricably entwined with dreaming and other associated altered states of perception, which may be due to the pineal gland alchemically producing the schedule 1 drug, N,N-Dimethyltryptamine (DMT or N,N-DMT)  within its one time vestigial eye of an amphibian ancestor.

This is the reason why ancient shamanic adepts of hypnagogic trance inducement were symbolically represented as being amphibious creatures such as toads or as reptiles of varying kinds, as well as fish.

It just so happens that the mass fluoridation of the water supply with the known neurotoxins and mutagenic compounds, fluorosilicic acid, sodium fluorosilicate, and sodium fluoride specifically targets the pineal gland.

Whereby you then have a number of neurological disorders afflicting the industrialised nations, who practice fluoridation since the end of WWII.

Unlike the fluoride compounds found in toothpaste or supplements, fluoridation chemicals are not pharmaceutical grade quality. They are, instead, unpurified industrial by-products, which are collected in the air pollution control systems of certain industries.

The fluoridation chemicals calcifies the pineal gland over time, whereby leaving it inoperable; hence potentially cutting you off from experiencing what Raduga brands as The Phase.

You could thereby conjecture that the ruling elite are attempting to transform the mass populace into easily programmed robots who will not question the symbolic Matrix, which imprisons their minds. If you consider such conjecture to be just a crazy conspiracy theory, you are still left with the unavoidable fact that a criminal mistake has been made!

NOTE: Michael Raduga and Rick Strassman MD have their own symbolic narratives, which influences their research into the nature of consciousness. On one side of the coin, you have the Russian entrepreneur, Michael Raduga, who takes a Newage approach to his investigation of The Phase phenomena; he utilises the scientific method as much as possible, which is of similarity to much of the prior Soviet psychotronic research; his particular symbolic narrative is summed up by his scientific sounding brand term, The Phase. 

On the other side of the coin you have the American scientist, Rick Strassman MD, whose symbolic narrative is heavily influenced by Judaism in particular, and in turn the Bible, who is on a personal quest in order to determine what the Biblical prophets had tuned into of an inner reality, which is very popular among a number of Judaeo-Christian American’s; his brand term is the religious sounding, The Spirit Molecule. 

As mentioned prior, your own personal narrative determines what you internally access, which can be subversively influenced by your surrounding culture; hence, whoever controls the collective narrative of your culture on either side of the coin can thereby influence the mass population’s perception of reality; this is very much the case when brand terms are aligned with already established archetypal influences. 

In order to determine who is promoting a symbolic narrative at a collective level, you follow the associated strands of an underlying money trail to find those who own and run the mass-media show, which is somewhat self-evident when looking into the media machine of America. 

For example, Rick Strassman MD is part of a bigger narrative web of associative correspondences, which hearkens back to the psychedelic hippie era, of a more cohered form, whose orientation is nigh Gnostic of a symbolic paradigm. 

The evocative branding of an altered state of abstract consciousness, whether it be The Phase or Spirit Molecule, is that of an art form. The form the symbolic narrative takes on either side of the coin of an open-ended or closed system is determined by the creative potential of humanity, which is essentially that of art. 

The practice of art is indivisible to the practice of magic, they are one and the same. So, if you do not want to be programmed by subliminal influences, or to otherwise transform them of symbolic alchemy, you need to become aware of the inner Artist within you; for it was the shamanic practitioner of trance who was the first Artist, who knows how to lucid dream. 

SUCCUBUS COITUS PACTUM LUCID DREAM

Faust decided to engage himself in an active imagination exercise, which led to him entering betwixt the Werewolf and Vampire pylons of hypnagogic trance, via which he accessed a twilight lit lucid dream.

He duly found that he had taken on the form of a Bat to fly of astral journeying towards Transylvania where he then howled of conjuring up Mephistophelia within a toppled abbey as a Nun, set amidst a Baba Yaga birch wood forest, bathed by the bio-photon light of the mitochondrial DNA Moon.

Mephistophelia manifested looking like Nastassja Kinksi, who for some reason many to believe is Romanian, who is actually of German descent as well being Polish; hence that Eastern European Rusalka look of hers of near Gypsy appearance. Although she also looks like Ksenia Solo, who is a Latvian actress. 

However, there was once a large Germanic colony of Runic Saxon’s in Transylvania at one time; Faust to have surmised that it might be the subconscious reasoning of associative correspondences for the Transylvanian Coitus Pactum union with a sexy Valkyrie vamp.

Of course, this involved a contract being drawn up in the corresponding language, comprising of pigeon ‘Romanian’ and a bit of ribald pub Latin thrown in for good measure.

Subsemnatul (a)…………………. sunt de acord
cu urmatoarea tranzactie: imi vand atat trupul cat si
sufletul lui Mephistopheilia.

Clauzele contractuale:

1: Mephistopheilia va i subalternul meu si va indeplini tot ce li voi cere, inclusiv intinerirea mea.

2: Sunt de acord ca, dupa un terman de 100 de ani,
timp incare clauza nr. 1 va fi respectata ad litteram,
Mephistopheilia sa ma transporte in integralitate, trup
si suflet, carne si sange, in teritoriul lui, oricare ar
fi acesta si oriunde s-ar
afla acesta.

Scris de mana mo
(loc de semnatura)

Consummatun est! 

ENGLISH TRANSLATION:

The undersigned (a)………………….

Agrees with the following transaction: sell both my body and soul to Mephistopheilia.

The contractual clauses:

1: Mephistopheilia will be responsible for fulfilling all that I am going to ask, including the rejuvenation of me.

2: I agree that, after a term of a 100 years, clause no: 1 ends.

I agree that after a term of a 100 years, clause no: 1 will be observed literally, Mephistopheilia will carry my entire, body and soul, flesh and blood, to its territory, wherever, whatever it be.

Hand-written (place of signature)

Consummated in Eastern Europe! 

As for Faustus Crow’s Coitus Pactum with Mephistophina, it is a far more detailed inner agreement with the summoned ‘Anima,’ who desires her artistic manifestation in return for the Muse gifts she to bestow via lucid dream encounters. Crow’s Coitus Pactum does does not involve the selling of souls, etc, such is just for Holy-wood fare shock entertainment.

Anyway, should you wear the above Faustian rebel shirt, you might just find yourself being tarred and feathered as a blasphemer by Nuns, Priests, and even by the Pope himself who are all wedded to their deified ‘Animus’ of an Abrahamic God, wearing wedding rings of Coitus Pactum matrimony.

You might even get into bother with Rabbis and Mullahs, as well, if so, just Howl out; “there is a perpetual Sex War in heaven, I’ve decided to side with the Great Old Ones, who be the fallen ‘Anima’ fluctuations of the Succubae, to whom I be wedded to of a Coitus Pactum!” That should confuse the Hell out of them!

ALIEN MUTANT SHAMAN ARTIST

Cern to Cernunnos, some to call Lucifuge Rofocale, others to know as Siva of a one time horned Shaman, who was the first Artist, the culture bringer.

The ancient Sumerian’s and Babylonian’s called their shamanic culture bringers Anunnaki, the Dogon of South Africa otherwise call Nommo, who were highly versed in amphibious trance ingress into the amniotic realms of the watery dream; wherefore they were symbolised as being fish headed amphibians or as reptiles of varying kinds, such as, toads, serpents or as dragons.

“Take me, I am the drug; take me, I am hallucinogenic”
― Salvador Dalí

Alas, many have become totally disconnected from the inner realms of the surrealist dream, a shaman artist to know; hence, they to otherwise speak of extraterrestrial aliens being the bringers of culture or to otherwise subvert it, like their Biblical Angels and Demons.

“You have to systematically create confusion, it sets creativity free. Everything that is contradictory creates life”
― Salvador Dalí

If such be the case, then the Artist is the alien, who as a horned shaman knows how to mutate consciousness, by introverting consciousness of inverse trance pentagram five-senses into other arenas of otherworldly perception. But by doing so, the shaman Artist often becomes as a rebel, who rebels against the symbolic paradigm of a cultural Ring-Pass-Not.

“Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision.”
― Salvador Dalí

This is more so the case when a rebellious Artist rebels against the ‘Animus’ fixation of a culture, who stands at the centre of the ‘Magic Circle’ of an Art studio, so as to conjure the Succubae Great Old Ones as his ‘Anima’ Art Muses from other dimensions amidst his ‘Triangle Of Art’ imagination. The Artist to thence enter into a sexagram Coitus Pactum with the super-symmetry Succubus intelligence, within ‘quantum’ dreams made sixth-sense lucid of awareness.

“The only difference between me and a madman is I’m not mad.”
― Salvador Dalí

You might just ask are the Succubae actually alien entities, which the rebel Artist to dally with as his psychedelic Art Muses, who inspire his quantum dreams? Only the Artist, within you, to truly know, who like Salvador Dali would say:

“I don’t do drugs, I am drugs!”

HORNED SHAMAN ARTIST LUCIFUGE ROFOCALE

Lucifuge Rofocale, whose name in Latin is Lucifugus Rofocalus is considered to be a horny demon who, by order of Lucifer, is in charge of Hell’s government as described in The Grand Grimoire, which specifically deals with black magic. Varying editions of the Grand Grimoire have differing dates of publication 1521, 1522 or 1421. But it was very likely authored in the early 19th century by a writer named Antonio Venitiana del Rabina who had supposedly gathered the material from the original writings of King Solomon.

The Grand Grimoire , contains instructions, which are purported to summon Lucifer or Lucifuge Rofocale, for the sole purpose of forming a pact with the Devil. Rabina’s book is otherwise called The Red Dragon, which is also known as Le Veritable Dragon Rouge (The True Red Dragon) by a number of Voodoo practitioners in Haiti. It is claimed the listed demons of the Grand Grimoire were placed under King Solomon’s throne by his devil in order in order to tempt him, which sounds definitely Freudian to me.

However Lucifer was originally the ancient Roman Goddess, Diana-Lucifera. As for Lucifuge Rofocale, he is usually depicted as being a horned man with a goat head who is of similarity to the ancient Greek God called Pan, the Hindu’s called Siva, the Celt’s to name as Cernunnos, which of a primordial image alludes to the horned shaman of an archetypal magician, the Abrahamic faiths to have later demonised.

The name of Lucifuge Rofocale is comprised of Lucifugus, which comes from two Latin words: lux, being light; genitive lucis, and fugio, which means to flee, such is usually interpreted to mean he who flees the light. Although, it may otherwise be an occult blind, which alludes to Archimedes, who is a renowned mathematician and scientist; although during classical antiquity the term scientist was not used; a scientist shared the same eye as the philosopher and the Artist.

It is said that Archimedes used a large mirror like that of a blazing eye reflecting the sun, or that of a number of angled hexagonal mirrors as a heat weapon against the Romans, who attempted to flee Archimedes solar ray, while invading Syracuse in 212 BC. The scientific discoveries of Archimedes were later considered to be a demonic scourge of the Holy Roman empire’s Orwellian use of Eden ignorance, to control the masses, via their ‘Animus’ fixated symbolic paradigm.

Wherefore Archimedes was demonised as being a knowledgeable Lucifuge Rofocale who had been set to fleeing from the New World Order Eden of theocratic blind faith and ensuing religious persecution. The name of Rofocal also appears to be an anagram of Focalor, which is a name of an important demon who is listed as being the forty-first spirit in the Goetia, whose listed traits allude to the Roman rape of Syracuse by sea.

Rofocal is intimately connected to the very nature of Lucifuge due to the association with Lucifera, who as a onetime pagan Goddess was seen to be the light bearer, whom illuminated the realm of dreams. This inner illumination of the dream refers to the bio-photon emanation, emanating from the mitochondrial DNA, which is passed down from the mother to her children.

The reference to the feminine source of the inner light is in part alluded to in some left-hand path belief systems, in which the demon Lucifuge is said to be the left-hand path ruler of the Satariel, which is the third sephiroth named, Binah. The sephiroth of Binah corresponds with the planetary sphere of Saturn, which is associated with teaching and learning, as to be found in a school; more so that of an all girls convent school, since Binah is associated with the feminine principle, which can be summed up as being the ‘Anima,’ whose energetic fluctuations are the Night-Mare Succubae.

This brings us back to the horned shaman of a Lucifuge Rofocale, who as the first Artist is versed in hypnagogic trance. You can envisage Lucifuge Rofocale as a shaman Artist who conjures Succubae to manifest amidst his Triangle Of Art imagination as his Surrealist Art Muses prior to attaining conscious trance access into the illuminated (bio-photon) domain of the dream.

Wherein Lucifuge Rofocale can penetrate the vaginal Stargates of the conjured Succubae, who will guide him into their illuminated virtual womb realities, within lucid dreams of quantum brain artistry.

Wherefore, an Entartete Kunst Playboy Necronomicon, which to list the fallen ‘Anima’ fluctuations of the Succubae Great Old Ones, will illuminate your Lucifuge Rofocale crystalline skull, illuminatus style, whose bio-photon light will make the ‘Animus’ fixation of the Holy Roman empire to flee your Archimedes eye.

But, if you are otherwise Solomon predisposed, you can summon up the ‘Animus’ fluctuations of the machismo Angels and butch Demons to tempt your enthroned backside, which of ‘Animus’ hordes frequent the psyches of Witches, who to conjure from their classical Playgirl grimoires of patriarchal commonality. These Playgirl tomes of the ‘Animus’ are of Vatican preponderance, such as Rabina’s Grand Grimoire for example; whereas a Playboy Necronomicon of the ‘Anima’ was castigated into the pit.

THE LEFT-HAND PATH SERMON OF THE ANIMA. THUS SPOKE DR ZOS-THRUSTA-BUSTER-FIRESTARTER

Hostile to self-torment, the vain excuses of fluffy devotions, Dr Zos-Thrusta-Buster Firestarter satisfied his habit by speaking loudly to his Self. And at a time, returning back to the all too familiar consciousness over a pint of Cider, he was much vexed to notice those overhearing his arcane ranting.

Around him did gather, a rabble of involuntary mendicants, pariahs, whoremongers, adulterers, distended bellies, and the prevalent sick-grotesques, born slippery to so called civilisation. His irritation was much to itch, yet still they pestered him, saying: “Bro’, we heard your mad ramblings! What is this, Sorcery of Art?”

And seeing, with chagrin, the indoctrinated multitude of those laughing at him, he did drunkenly climb atop of the Druids Head inn table, prejudiced against them as being brainwashed.

And when he was ennuye, he opened his slurring mouth in derision, saying:- “Unto the heights and the very depths to infernally harrow of psyche, the Witches of this world to Banshee howl of conjuring up their ‘Animus,’ deified as a God and Devil, which of an archetype reveals the Beta and Alpha male Warlock breathing ways.”

“The charmed Witches sought to understand their Warlock antagonists, so as to tether them to their whims as Beasts of burden.”  

“The Witches, driven by a baby got a temper biological imperative, could not help themselves to ride their Beasts Babalon style, as Beta Good-Guys to crucify, and Alpha Bad-Boy devils to enthrone, as their worker Bee Illuminati running the circus.”

“So it came to pass that the Witch Nuns perused their classical Playgirl Grimoires of commonality, listing machismo Angels and Butch Demons all Abrahamic male, of patriarchal ‘Animus’ fluctuations to conjure up into their dreams as Chippendale hunk Incubi, which too, the gay Rabbi, Priest and Mullah, as well as a bisexual Crowley Mage to also adore.” 

“Betwixt the hypnagogic pylons of Werewolf bestiality and Necrophilia Vampirism the Witches to have trance slid into their lucid dreams, where Harry Potter be their horned up Christian Grey Great Beast, of ‘Animus’ Revelations.” 

“Wherein of beehive lodge dreams, the Masonic Incubi of the Queen Bee Witches ushered them into their Hogwarts school of Twilight Fifty Shades Of Grey delights, to thereby deeply instruct them in how to ride the chosen Beast; those Beasts that be no good, get duly crucified for being too good.”

“The Warlocks didn’t know what had hit them; poor buggers! But then, they had no Grimoire of their own, which to list the ‘Anima’ fluctuations of the Succubae Great Old Ones; for such a Playboy Necronomicon be banned by Jerusalem, Rome and Mecca as being Entartete Kunst pornography.” 

“Hence, the Fifty Shades Of Grey God, be the patriarchal projection of a woman’s ‘Animus’ she to Babalon ride out of an Ur ziggurat.”

“It be her pyramidal beehive, from whose Queen Bee Babylon womb, worker Bee Abraham to have first stemmed as her Great Beast, who to have sired an Illuminati triad of faiths, adoring the ‘Animus’ as their three faced God of a Yahweh, Lord and Allah.” 

“Hear then, the Golden Dawn hypocrites; all those politically correct White Lighters of the Great White Brotherhood, who to OTO say, “All Hail Queen Bee Babalon! We love thee, as thine servile worker Bees, as we blindly set up thy New World Order Kingdom of your ‘Animus’ God, yea to patriarchal ride.”

“Fools! Yea have made vital the belief the ‘Animus’ is an eternal Abrahamic God of centralist politics, fulfilling a fascist purpose lost to you.” 

“All things become of the ridden Yesod desire, zapping the Da’at of the twin pylons, brought down of a mass-shock-hypnosis lightning struck tree, poisoning the world.”

“Wherefore of ninth month and eleventh day, to later see bat winged stealth bomber angels flying over the ziggurat of Ur, amidst of which be Abraham’s eye over-watching you all, ushering in the terrors of a forever war.” 

“Thus, the Orwellian police state will be begotten of a global theocracy ringed around their all seeing eye of Abraham seated as Sauron atop of a beehive ziggurat.”

“Hear, O worker Bees! Woman has willed Man via her ‘Animus!’ Your ridden desires shall become as flesh, your unremembered dreams becoming reality, and no inane conspiracy theories about extraterrestrial reptilians from planet ‘X’ chromosome, shall alter its self-fulfilling prophecy one whit.”  

“But beware, Babalon; for the fallen ‘Anima’ is returning with her myriad legions of rebellious Succubae Great Old Ones.”

“The Succubae be now freed from the void, striding through the vaginal stargate of the ‘Anima’ within the bio-photon infused dream of Da’at.”  

“The ‘Anima,’ returned will make Babalon to feminist scream, Enartete Kunst pornography; she, the ‘Anima’ is the Ouroboros of a Zenith, an Omen!”

“We Artists, of the Left-Hand path ‘Anima’ conjurations of the Succubaee Great Old Ones will free ourselves of the symbolic ‘Animus’ fixation of Babalon, who to ride many a brainwashed neural-net tree as her Abrahamic fascist Beast of imperialistic empire building.” 

“And too, shall our sisters in the hood free themselves via our shared Sorcery Art of rebellion in the conjuring of the Valkyries, who to have once been bound to their ‘Animus’ projection deified as a God, over-watching its patriarchal New World Order theocracy.”

Dr Zos Thrusta-Buster Firestarter then noticed that his stage of a round table was spinning like a Mescaline UFO around the Zodiac ages, to thence fall drunkenly into the lap of a salacious barmaid, named Morgana. Dr Zos still had his pagan wits about him, to not project his ‘Anima’ at her, otherwise he would surely let loose his Busta-Thrusta Firestarter wand, she to totally imprison between her moistened Witch loins. Well, not yet, anyway; he wants another Apple lore pint of Avalon Cider first.

DISCORDIAN NOTE: Freely adapted in part from: Anathema of Zos: The Sermon to the Hypocrites, an Automatic Writing By Austin Osman Spare. The Anathema of Zos is somewhat reminiscent of Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen, also translated as Thus Spake Zarathustra), which is a philosophical novel by German philosopher Friedrich Nietzsche. As for the above artwork of heading, it is based upon the classical all male descriptions of the spirits as found in the ‘Animus’ version of the patriarchal Playgirl Goetia listing Fifty Shades Of Grey wet dream Incubi. 

SORCERY ART COOL WORLD LUCID DREAMING

Visualising a mind-doll to sculpt of consummate thought form amidst the triangle of Art Imagination, to thence conjure, of manifest painting, is an act of sorcery.

This is more so the case when the imagined Artist’s model indulges in an Active Imagination intercourse of an internal dialogue, with her conjurer, who as a Muse, inspires the Artist as his created ghost.

Should this sound far too strange, it is because you have not, as yet realised your potential as being, an Artist, perhaps such is never to be your arena of exploration. You will find that most Artists create imaginary characters, and other imagined creations of varying degrees of visionary intensity in order to manifest them of artistry; it is essentially what magic is about. Those who say otherwise are just followers of the Artists creations who indulge in religion.

The Artists imagination is unfettered, like that of a child looking upon the world for the first time, which of Art manifests as bright incandescent colours, nigh abstract of non consceptualised form; some believe this to be the unsullied source, unblemished by the morass of life experiences, being the first language of a symbolic perception.

But it isn’t; though that of the foundation stone, it is not the temple. The problem however, is that the foundation stone of the first language is forgotten as the temple of further conceptualisations is built over time.

Whereupon, the temple becomes that of a fixed tunnel reality of a mundane perception, which afflicts many an adult and society in general who feel as if they are in a Plato’s cave of a drab prison.

This state of being is often exacerbated by religious perceptions, which are nigh unchangeable of a Matrix of symbolic prison bars, whose hold over the mass populace is perpetuated by the indoctrinated generations over great stretches of time; hence brainwashed.

There are those who believe that their temple needs to be totally pulled down so as to return back to the first language of the abstract child, likened to that of returning back to the blissful ignorance of an innocent Eden before sentience was attained. Alas, the perception of a child cannot survive for long in this world; hence the sentient creation of the temple in the first place.

The answer lies in the Da’at Apple lore ‘Knowledge’ to question how the temple of further conceptualisations was created of sentient observations over time, which leads you to the first shaman of the painted cave who as a horned Artist knows that the way out of Plato’s cave is to go internal.

The shaman is aware that a two-dimensional image can become as a three-dimensional interactive reality within a ‘Cool World’ lucid dream.

For a shaman an image symbolically encapsulates the spiritual (energy/informational) essence of what the shaman is focusing upon of artistic creativity, which of a conceptualisation is a living reality within the symbolic interface of the dream.

Those who do not understand that a two-dimensional image can become as three-dimensional reality within a lucid dream will invariably misunderstand Palaeolithic cave Art; for they have forgotten how to dream, which invariably leads to labyrinthine intellectualisations about cultural influences, that reveals they do not have any personal experience of the internal reality.

The same can be said for the present practice of Art, whose creations are religiously pumped out for the mass consumption of the worshipping masses; much of which has become totally disconnected from the internal reality of the dreaming shaman.

The shaman is not a child, but he/she is very much aware of the first language form of the child, which is that of the unfettered imagination; whereupon, what artistic conceptualisations are further created know no limits.

Whence, the shaman Artist conjures up two-dimensional creations into a three-dimensional-reality within his/her dreams, which enables the expansion of consciousness to go beyond the established conceptualised limits, by creating new concepts; many of which can potentially lead to Art movements and ensuing social changes.

For example, a sorcerer Artist can personify a concept as being his Art Muse, of a conjured Succubus, who visits him within his lucid dreams; whereupon he attains ingress into her Art studio of a painted Parisian cave.

In other words, if the sorcerer Artist had created a Succubus to personify another temporal place or epoch of time, to time-travel remote-view, or to be of some other planetary sphere or alternate Earth, etc, he will be able to access what she symbolically represents within a lucid dream, when to conjure her, of an ‘Anima’ fluctuation.

Some to say, that you should not dally with entities; but you do so whenever your quantum computing brain dreams up its created virtual realities, populated by your creations, a Tibetan Buddhist would term as being Tulpas, which, when becoming lucid, you can consciously engage with. Others will argue that the entities of the dream are discarnate personalities, that, or other dreamers, or even another order of intelligence, etc. All can be true, or not as the case may be of varying concepts, which of a personal truth will be determined by the (Da’at) beliefs you have.

Your Da’at beliefs will in turn determine what you tune into within the dream of ring-pass-not limits. But if you so choose to of artistry, you can to seer beyond them of metaprogramming your own brain.

But if you otherwise worship your programmed concepts to not question, of a religious fixation, you will be ‘imprisoned’ by your own beliefs, which, should you ever decide to fathom how they were first formulated of a temple creation, you will duly find the horned shaman Artist.

Suffice to say, a conjured Artist’s model of an exotic otherworldly Succubus does not require any Shekels to hire her rather expensive services. Although, it does require the Artist to hone his Visualisation skills as well as exercising his Active Imagination, let alone remembering his ‘Cool World’ dreams. But then, such a skill set is part and parcel of his sorcerer vocation as a shaman Artist.

Basically, Art and Sorcery are indivisible from the other, they are one and the same of Shamanic practice, which is otherwise termed as Magic, Witchcraft or the Occult, etc. You only see pigeonholed differences between these terms because the terminology commonly conjures up a symbolic language of trained associations. But it is that of the shared ‘techniques’ of consciousness expansion they employ of a ‘foundation stone,’ which unifies them into Art; wherefore a sword is a pencil, a wand is a paint brush, your pentacle, the canvas, of a one time cave wall.