Archive for alternate earth

HIPPIE WITCH QUEEN BEE FREEMASON

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 28, 2017 by FAUSTUS CROW

The Thirty-Eighth ‘Anima’ archetype to conjure as a Succubus Art Muse is mantra named, Halphas, or Malthous (or Malthas).

“She is a Great Countess, and appears at first amidst the Triangle Of Art Imagination in the visionary form of a Stock-Dove before manifesting as a rebellious, ‘Make Love, Not War,’ Hippie Witch Queen Bee Freemason within a lucid dream. She speaks with a seductive clairaudient voice telling of the most shocking revelations. But it requires the conjuring Artist to connect the revealed dots to see the horrendous pattern, should he/she decide to seer beyond the controlled media machine illusion.

Her Queen Bee office is to reveal how very easily the collective mind of the mass populace can be imprisoned within illusory constructs of indoctrinated belief.

The shared beliefs of the collective mind manifest as ghostly fractal landscapes and gridded up towering cities, all as haunted shells, which are frequented by the sleepers who are still asleep, looking like brainwashed zombies, whose brains have been systematically poisoned.

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

The conjuring Artist will encounter such Hammer Horrors within his/her subconscious dreams to harrow, who will be seen by the brainwashed zombies as being an otherworldly abducting alien, which of an outside of the box harrowing is to negate the boxed brainwash. Well, what do you expect. it isn’t called the ‘Great Work,’ for nothing.

She will also reveal that the associative information fractals within the microcosmic dream overlaps with the macrocosmic physical of perceived entoptic form ley-lines, along which apron wearing Worker Bees blindly swarm over, who are still unaware that they are seen by the puppeteers to be nothing more than brainwashed slaves, whose children are being dosed up with mutagenic compounds and neurotoxins.

Yet, the Worker Bee’s continue building constructs of their indoctrinated belief upon those power places, where controlled synchronicities abound; for the eugenic few control the collective mind through blinding belief, which is entwined with their symbolic tool of monopoly game banker money.

At such places of power, the rebellious Artists can otherwise transform the established Beehive lodges of an ‘Animus’ fixation into protesting rebel Art galleries; for all beliefs are merely mind-constructs, which are symbolic of Art.

Art can reveal truths, the banking elite do not want the collective mind to perceive, who otherwise use Art as a neuro-marketing media tool in order to keep the populace ignorant within their New World Order Eden. Wherein of a shadowy Plato’s cave, the few have imprisoned many a poisoned brain, whose DMT producing pineal glands are fluoridated blinded to not see beyond the symbolic matrix of engineered beliefs, which be their neuro-zapping prison bars, strangling their reptilian-brain-stems.

She rules over Twenty-Six Legions of (Succubae) Succubi, whose Art Muse inspiration cuts through the illusory constructs of the wearing no clothes banking elite, who greatly fear the collective mind waking up to their crimes against humanity, and all life its self; hence, they are fleeing what they perceive to be a sinking ship, just as the aristocratic rats did just before the French revolution.

Her two-dimensional seal is to be mediated upon by the rebellious Surrealist Artist before conjuring her interactive three-dimenional ‘Anima’ manifestation into a consciousness expansion Stargate lucid dream, revealing at first, horrors, which need to be harrowed and ‘healed.’

The dreaming Sorcerer Artist will then perceive the real pyramid of the misdirection viral-meme Illuminati, behind which of an engineered illusion hides the imprisoning triangulated trinity of ‘Animus’ fixated belief constructs, around an oily ziggurat of UR, the monotheistic banking elite do feudal adore as their Orwellian cradle of centralist politics.

When to see the indoctrinated beliefs of divide and conquer prison bars, the triangle around the UR ziggurat is seen for what it is, along with seeing the oily money trail, trailing back to the ‘very few’ atop of their petrodollar ziggurat of skulls, who far prefer initiating a race war holocaust, let alone a third world war, rather than being found out as being criminally insane. They cannot be allowed to initiate another World War two ‘holocaust,’ sacrificing the lives of scapegoat innocents for their own eugenic agenda, let alone instigating a third world war, which will be the End Of Days of all.

The eugenic inbred murderers are easy to discover, before they disappear into their slave built rat hole bomb shelters; for their bloodied fingerprints are over everything, who make the ‘chosen race’ deluded Nazis look like inane puppets. But then the Nazi clones only copied Rome, which to have copied, just as superiority complex copycat Mecca did, of cultic clone insanity. The three cults of UR, likened to the BORG out of Star Trek, have indoctrinated many a ziggurat branded brain to become utterly insane down the brainwashed generations, who as cloned automatons dance madly as self-fulfilling-prophecy zombies around the skull tiered ziggurat of UR.”

The Goetia Surreal – S. L. MacGregore FreeMason, Alternate Earth, Art Central Paris.

NOTE: As you join all the dots together to see the overall pattern, you will no doubt become quite horrified, let alone highly emotionally reactive; some will prefer not to see anything at all, or to otherwise seek out shadowy Creepypasta created groups rather than seeing the secret hidden in plain sight, or to lose themselves to PsyOps misdirection otherworldly entities out of a horror-wood B-movie, such as Demons, interdimensional reptilians or invading extraterrestrial aliens as being the reason why the world is being transformed into a seething pool of shit.

 “If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.” ― Sun Tzu, The Art of War

Others will invariably blame a whole race of people as being the culprits, which just feeds into the divide and conquer modus operandi of the controlling few, rather than seeing it is ‘passed down beliefs,’ that have led to the present problems, instigated by a ‘few insane individuals,’ who are all too human psychopaths, using the shared beliefs of the masses as a means to control them via a corrupt financial system, for their own shitty agenda. As the old adage goes. “power corrupts, absolute power, corrupts absolutely!”

“The supreme art of war is to subdue the enemy without fighting.” ― Sun Tzu, The Art of War

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TRIANGLE OF ART CONJURATION

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 31, 2017 by FAUSTUS CROW

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If Faust was a present day Artist, he might just utilise a Pintrest photo for his Sorcery Art, which has verily become a collective Hyper-Sigil focus for many a shopping Witch.

(The painting is presently being sold on Saatchi Art, if you are interested, Please Click Here.)

Faust will probably howl out in his Magic Circle Art studio, while standing in front of his erect easel of an altar to alter, “I do conjure thee, Mephistophina into my creative trinity, of charged Emotion, associative Thought and correspondences of Memory, amidst whose triadic configuration is the Eye of the Imagination, that be my ‘Triangle Of Art.”

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Faust to further howl, “By this neuro-marketing photo of Succubus Street Style Black Loubies, found on Witch heaven, Wachabuy, I will bind thy feminine quintessence of the ‘Anima,’ to my lowbrow artistry. This photo I will transmute of symbolic alchemy into planetary sphere coloured oils; for I know thy reptilian-brainstem desire to wear such cloven hooves of a Pop-Surrealist trigger-symbol.”

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He to ecstatically rage, while painting, “Now, thee to Catwalk strut your mandala stuff upon my canvas, so as to hypnotise the arisen Beast within me. I to rip aside thy hypnagogic hymen veil of seven rainbow Chakra planetary sphere seals, to open unto thine Yoni stargate of Surrealist visions to impregnate.” 

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Faust to also say, “Later, when to sleep, my spermatazoic seed of consciousness will slide betwixt thy sheathed Nigredo nylon pylons into thine High Priestess womb, to dream lucid, so as to browser ride thee, Horned Shaman style, as my Night-Mare of an inspiring Art Muse.” 

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But Faust to no doubt wonder as to how the Hell she can walk in her painted Loubies, as an animated archetype of a knitted-together exquisite corpse, without tripping over her visualised tail. Then, of an active imagination vision, the Babalon Mind-Doll Tulpa takes on manifested form within Faust’s imagination, wherein he to seer Mephistophina clicking her Loubies together of Dorothy Red heels, like a Kung Fu poise ballerina.

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Though two dimensional of painted meditation image, Mephistophina takes on three-dimensional interactive flesh within a lucid dream at the South of the Medicine Wheel, which is the first gate of watery Rubedo dreaming, where unto rebellious Red Tribe Datura Dakini chicks be.

She to thence dream reveal of a Coitus Pactum seduction, whose silken voice is comprised of all the coven voices of the Witches across the inter-Wyrd-Dream-Web unto Northern conceptualisation.

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Faust heard her to Sophia say: “This is thy last chance Faust. After this, there is no turning back. If thee to take the Sodium Fluoride Blue path—the dream Yoga story ends, thee to wake up in thy bed and believe whatever thee want to Maya Matrix believe.” 

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She then said, “If thee to take me forcibly by my Dakini heels, gripping my Red arches, to penetrate my sopping wet Ninth gate—thee to stay within my electron dream Wonderland, which be illuminated by the bio-photon fire of Diana-Lucifera, and then I will show thee how deep my hungry rabbit worm-hole goes, when spinning me orgasmic as a star barrelled vaginal tunnel.”

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Mephistophia to have continued. “Remember! All I’m salaciously offering is the pineal gland DMT spice of my Tantric Melange. Nothing more, at the moment. But later, we’ll see what others of my Succubi sisters thee to penetrate of planetary sphere Yoni gates, whose hymen seals to UFO spin open by thy charged impregnations.” 

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Faust, said to him-SELF,“Whoa! Is a quantum computing God to live in a Dog! I’ think not; though a Dog does have a Buddha nature. I’m going to be a Halluci-Nation world-walker Slider flying eye, winged as a Don Juan Dr Who Crow.”

Then, Faust to think out aloud, muttering, “she, or should I say they, whose ‘Fallen Anima’ names are legion, all as grimoire Allies, sound just like the ‘serious’ multiverse Silver Stargate High Priestesses of the Chaos Unitarian Nuns Templar, who are all very Blue Star Kachina ‘Sirius’ sensuous!”

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Faust to then return back to waking from the microcosmic West of Kachina star lucid dreaming. He awoke in the macrocosmic East, where lady Maya to dance Heyoka synchronicity around his Art studio, encircled by an Ouroboros of a Magic Circle Medicine Wheel.

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Whether an alternate Earth character of a Faust completes his parallel universe painting of Tarot card XXI, who is to say; for in his mad Orwellian world, oily Donald Trump is married to oilier Hilary Clinton who of a two party political dictatorship whore themselves to oil companies, riding roughshod over the natives, desiring forever war, mass sacrifices to their deified ‘Animus’ made as a petrodollar God. Hence an alternate Earth Faust rebels by conjuring up his ‘Anima’ as Mephistophina.

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The ensuing political madness will invariably stir up rebellious mass civil unrest across Faust’s alternate Earth, that’s if the Muggles ever unite, rather than being misdirected by inane media-machine gossip, to otherwise Halluci-Nation seer that the two whoring politicians are the muppet puppets of oil companies, who are out to Entartete Kunst censor the questioning ‘internet’ voice of the collective.

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For example, the Muggles will come to a greater understanding when to look into the devastating wars afflicting Iraq, Libya and Syria, etc, unto a Dakota pipeline, whose oily gangster owners use extremist feminist politics, racial friction, terrorism and an ‘Animus’ fixated religion as mind-control tools.

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As for myself, on this Earth, I proceeded to complete the A3 size Oil Painting on Canvas, which measures 29.7 x 42.0cm, 11.69 x 16.53 inches.

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Provisionally entitled: ‘Triangle Of Art Conjuration.’ The painting as mentioned is being sold on Saatchi Art, Please Click Here for further information. 

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NOTE: In Hebrew, Da’at means ‘belief, such as religious beliefs, which are moulded by a culture via varying artistic expressions. For example, the establishment of the monotheistic cult ‘brands’ alternate symbol systems, which are seen to be questioning its cultural construct of an Animus’ fixated religion as being evil, whence alternate symbolic paradigms are charged with a negative emotion.

This negative ‘branding’ of alternate symbol systems is engineered to zap your Reptilian-Brain-Stem, which in turn influences your subconscious mind by using the potent emotional state of fear. This negative ‘branding’ was also utilised by the Nazi regime, which castigated those Art forms that were anathema to its right-wing religious-politics as being the Entartete Kunst

Whereupon the symbolic paradigms of other peoples, which have been nigh erased by the ‘three’ monotheistic cults out of Ur, are ‘branded’ as being mere detritus, peels, shells or husks. These husks in Hebrew are known as the Qliphoth/Qlippoth/Qelippot or Kelipot, which can be otherwise termed as being Entartete Kunst; for the same methodology is being employed. 

The lore concerning Solomon binding the demons of the Qliphoth to build his temple, actually points at enslaved peoples building the temple, not demons. The names of the various demons were the one time deities of those enslaved peoples who built Solomon’s temple.

The demonised deities symbolically represent the ancestral -self-identities and cultural constructs of other peoples, which have been consumed by the monotheistic trinity of cults and their centralist politics of empire building.

So, should you ‘believe’ the religious propaganda of the ‘Animus;’ fixated monotheists concerning Lilith, for example, who is deemed to be one of the Qliphoth, you have been duly indoctrinated into a continuing brainwash through fear. However, the brainwash can be negated by remembering, when to Triangle Of Art Conjure, that Lilith symbolically represents the ‘Fallen Anima.’   

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SPHINX DREAM OF THE SUCCUBUS

Posted in Alien, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 21, 2016 by FAUSTUS CROW

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

I will relate an experience, which of a general account, I had as a changeling childe. The initial phase was that of waking up in total utter terror, not long after I went to sleep.

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I couldn’t tell anyone; who would have believed me, anyway. In retrospect it is just as well that I had not told no one. What was I going to, say, “hey, I think I’m being strangled every night by the Sphinx out of ancient Greek mythology.” They would have of course seen me as being absolutely insane. Then again, who knows, they might of replied, “don’t you mean the ancient Egyptian Sphinx?”

I to reply, “Nah! The Egyptian Sphinx was originally of the Jackal headed deity of the Abyss leading to the Duat, called Anubis.”

I to then continue, “I’m speaking of the winged female Sphinx, having an Ouroboros of a Snake as her tail, the Greek’s spoke of, that was used for the front cover of H,G Wells, Time Machine; she’s the real Cat-Woman, strangler.”

It definitely did feel as if I was being strangled by something, to the point of choking, gagging for air; or that of being of similarity to drowning.

Since I was experiencing this strangulation every time I went to sleep I intended to find out what was going on, by doing some extensive research.

My research led me to Hebrew folklore concerning the Succubus, called Lilith, who is described as having a liking for strangling infants, let alone sexually seducing males. H,P Lovecraft would have probably equated Lilith with a salacious Great Old One, to otherwise term as a Nightgaunt.

But there was little or no information about the experience at the time of the pre-internet, or since, apart from a load of fear porn bollocks about malign aliens, shadow people, interdimensional reptilians, Annunaki from planet ‘X,’ or Biblical Demons, etc, etc, take your reptilian-brain-stem, zap pick, of Moorlock media hewn horror Creepypasta.

Saying that, I was absolutely terrified of going to sleep many a night; Hell! I had to keep the light on much of the time, that, or getting naps during the day. But even then I would suddenly wake up sensing I was being strangled by some shadowy presence, which had patiently waited for me to fall asleep.

I decided to utilise meditation in an attempt to offset the terror of the experience, or at the very least prepare for it. I then accessed the hypnagogic state at the point of sleep, this was when the strangulation often occurred, which involved sleep paralysis.

I knew from previous experiences, not to become afraid, otherwise I would find my terror being reflected back at me of varying horrors.

But due to the prior meditation, I otherwise relaxed into the experience; as I did so, I had the distinct sensation of an inner energy, ascending along the back of my neck, flowing through fibrous channels; I could physically feel it, as well as see this energy, as if I was looking into my own brain with X-Ray eyes.

This energy looked like a cool electric blue light, which appeared to be blocked in my throat area, within the area of my reptilian brain-stem. I came to the conclusion that it was this blockage, which was causing the sensation of choking. Although, I must admit, I did feel as if I was being haunted by a ghost at times.

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I then decided to take the meditation further, by meditating upon certain symbolic stimuli, which of esoteric associations, corresponded with the throat area. The utilised imagery alluded to the choking sensation I was experiencing. At first I was using the meditation to control my need for sleep, or should I say, attempting to avoid it. Hence I was drinking copious amounts of black coffee, until I pissed it like an espresso machine.

Going by my research it seemed that the blockage of energy appeared to be associated with what is termed as the arousal of the Kundalini Shakti, in Tantric Yoga practices, which I had gathered together of various accounts, from rare sources. However, much of the information about the Kundalini Shakti, which is personified as a Goddess, who is otherwise known as the fire snake, was couched in labyrinthine esoteric psychobabble.

While I conducted the meditations I utilised the breathing techniques as described by a gnarled library book on Transcendental Meditation I had picked up.

The reason for my choice at the time, was that it was straight forward, of matter of fact instruction, which was not peppered with mind-bending Hindu metaphysics; the laughing Buddha book was otherwise Hippie humorous of Beatle’s Magical Mystery Tour insight.

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I also did the meditations, while listening to hypnotic beat trance music, or that of otherwise dancing in order to induce a light trance state, which was basically, controlled day dreaming, about the material I had researched in order to attain further insights into it. Said day dreaming, Jung would otherwise call Active Imagination.

The sensation of strangulation lessened for a while, until one day, after returning home from school, feeling absolutely exhausted, I fell into a deep swoon; as I did so, a presence descended upon me. I had the distinct sensation of hands around my throat.

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But this time, I was prepared. rather than reacting in terror, I uttered a pre-prepared Mantra within my mind. As I intoned the Mantra, the experience suddenly changed to that of soothing feminine hands around my throat, of a sensuous caress.

The feline fingers of her hands then expertly traced out an energy flow along the back of my neck towards the back of my head, as she did so, I then had the sensation of falling backwards into a great void, where Anubis to Howl, the Moorlocks to fear.

The void was all encompassing of nothingness, into which I had fallen. The terror of which I had negated by repeatedly ‘Howling’ out the Mantra over and over again, while I fell, leaving my corporal capsule behind of a body, knowing not where I was descending into. But it felt as if I was falling towards the centre of the Earth, or somewhere quite other, floating in space.

I then found myself falling into my bed, to then awaken; feeling quite exhilarated, because I had overcome my fear. But I also felt a bit disappointed that nothing else had happened apart from awakening back into my bed. I lay there awhile pondering what had just happened of an awesome experience.

I then got out of my bed, in order to go to my art table near the window, through which the light of the Moon bathed my room. Everything seemed to be the same, all very real. It was no dream, as far as I was concerned; I felt very much aware, more so in fact, as I decided to look out of my window.

As I looked out of my window, I realised I was not in Kansas anymore. The usual panorama, was that of an urban jungle of houses and factories surrounding an allotment, which of little sky to see, was and still is polluted by the glare of city lights.

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I instead, found myself confronted by a wide open countryside of rolling hills, bathed by the light of the Moon amidst a night sky full of bright stars; in the far distance I noticed what seemed to be a group of small brick houses, from whose chimneys bluish smoke drifted.

As far as I could tell they were human habitations, but as to their architectural design I was uncertain. I was not sure if I had accessed the past, future or some other alternate world.

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Suffice to say, I was totally awe struck. I then became aware that I was probably experiencing a vivid lucid dream, which I tested by jumping up into the air, to see if I would float around like a disembodied bubble; but instead, gravity sharply pulled my physicality down.

It was more real than real. It then struck me, that I may have died in my sleep; as I was pondering this possibility, which started to make me very afraid, I became aware that I was being watched by some unknown presence. I looked over to where it could be, whereupon I noticed my door had been opened.

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The presence turned out to be a Witch, who brought me back. But not before experiencing other… adventures.

I to have wondered, whether she had ‘conjured’ me into her world

I felt as if I was away for ages, but when to have again awakened, I found I had been asleep for but a short while, nor was it night, as before the departure, when I awoke.

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Anyway, to cut a long story short. I have since noticed that when I enter into certain emotional states, of what could be construed as being that of awe, or being inspired, I have the distinct sensation of an electrical type of energy around my throat, like that of wearing a vibrating serpentine Torc, which expands outwards, of a kind of disk, or a web spreading out, connected to everything, making all to feel quite different to me of quality, as if… Time… has stood still.

When the energy becomes quite acute, it then arises along the back of my neck to the back of my head, which can then ascend to the top of my skull.

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Whereupon I feel as if my head is opening up; as this happens, strange out of the ordinary things tend to occur, of tuning into ‘alternate’ Ouroboros possibilities, manifesting as a synchronicities; but ‘Nothing… Negative;’ well, as long as I do not indulge in fear. Whether you believe me or not as the case maybe, I really do not care; best find out for your-own-Self.

 

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SIRIUS STARGATE WORMHOLE SLIDERS

Posted in Alien, Chaos Magic, Film, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 27, 2015 by FAUSTUS CROW

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Sliders is an American science fiction and fantasy television series, created by Robert K. Weiss and Tracy Tormé, which should have been made into a feature film. It was broadcast for ‘five’ seasons between 1995 and 2000.

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The premise of the show is somewhat akin to Little Nemo in Slumberland, whose principle character Slides into different dream worlds, like that of a ‘horned’ shaman travelling through inner space via the hypnagogic stargate of trance. Whereas Sliders is primarily technological of focus; although, to Slide is like that of a (phallic) Serpent ‘Sliding’ its way through a (vagina) hole.

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The show follows a group of four people, called, ‘Sliders,’ as they travel (‘Sliding’) between different Earth’s existing within parallel universes via a (stargate) vortex-like wormhole, who are seeking to return back to their original Earth Prime.

The vortex can only be opened at random (key-time) intervals on each new world, monitored by a countdown clock on a portable (Zodiac) timer, which they carry; failure to open the vortex in time would strand the Sliders for 29 years, 7 months in that universe. (29th Succubus of the Goetia: Astaroth, of the Seventh dimensional sphere.)

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While waiting for the timer countdown, the group learns about each of the alternate Earth’s, which are different from their own, who often become unwillingly involved in events, that they must resolve before they can safely leave via the vortex. The travellers have no control over what world they end up in, as they continually look for means to find Earth Prime.

The pilot introduces the four original Sliders: Quinn Mallory (Jerry O’Connell: Air), a graduate student in physics who discovered and refined the Sliding technology; Professor Maximillian Arturo (John Rhys-Davies: Fire), Quinn’s mentor; Wade Wells (Sabrina Lloyd: Water), Quinn’s friend; and Rembrandt ‘Cryin’ Man’ Brown (Cleavant Derricks: Earth), a professional singer who is accidentally caught up in the first major test of the vortex, who is thereby forced to join the others.

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Their first Slide lands the Sliders on an Earth, which is suffering from a second ice age. Quinn, against his better judgement, uses the timer to open the vortex prematurely in order to save the group from an ice tornado bearing down on them, which of a whirlwind, the author Carlos Castaneda described an Ally (inorganic female intelligence) to look like, of an initial manifestation.

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As a result, the sliders lose the ability to return home and must slide from world to world hoping that the next slide is their own Earth.

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Many of the episodes in these early seasons focused on Earth’s, which resulted from alternate histories, such as the British winning the Revolutionary War, or antibiotics never being discovered. Within the second season, the four encounter a humanoid species called the Kromaggs, who also have a ‘Sliding’ technology.

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However, the Kromaggs use ‘Sliding’ to primarily ransack other Earth’s for slaves and resources of similarity to David Icke’s reptilian’s, which are basically a symbolic continuance of the Biblical fixation upon Demons.

The Kromaggs may be an allusion to the Men In Black (MIB) of UFO-lore, who have an uncanny knack of appearing out of nowhere, to then disappear into thin air. Said MIB’s were also brilliantly featured in the science fiction TV series, Fringe.

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In the third season the four Sliders are joined by a fifth member of their elemental team, Captain Maggie Beckett, (Kari Wuhrer: Spirit). Another character called Dr. Diana Davis (Tembi Locke) appeared during the fifth season who took over the role of Professor Maximillian Arturo.

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You can imaginatively gather that one of Quinn Mallory’s heroes is probably the physicist John Archibald Wheeler, who no doubt influenced Mallory’s research. Back in the 1950’s, Wheeler held a passionate belief that, “everything is geometry,” and one particularly intriguing idea he called, charge without charge.

“There are no pointlike electric charges,” Wheeler proclaimed; rather, “electric field lines can thread the mouth of a wormhole. What looks to you like an electron is actually a tiny wormhole mouth. If you were small enough, you could dive inside the electron and emerge from a positron far away.”

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When you become lucid within a dream, your consciousness is small enough to ‘Slide’ into and through a mini-wormhole, Wheeler says is actually an electron, which can be in many places simultaneously throughout space and time.

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Sounds crazy doesn’t it, but ancient shamans have been aware that you can access other alternate Earth’s via conscious dreaming, which of an ability has been communicated in their art, down the ages, across the globe.

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The shamans use the common motif of a spiral, which describes the inner stargate, whose portal can be consciously accessed when to achieve hypnagogic trance. Hallucinogenic mushrooms are often depicted alongside the spiral, which were used to facilitate trance ingress. One of the key-times under the star clock, when trance ingress is easier to achieve is during the Dog Days, marked out by Sirius.

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In ancient Egypt, the Dog Days indicated the flooding of the Nile due to the gravitational pull of the Moon, which also has an effect upon your dream states. It is a distinct possibility that a pyramid was used as a ritualistic dream incubator, wherein a Pharaoh shaman would lay bound up within a sarcophagus of a proto-flotation tank in order to travel through time, from inside a lucid dream.

The Dogon tribe of South Africa as well as the Bushmen of the Kalahari, were also aware that trance ingress (winged Eye) into the (womb) dream is easier to achieve during the Dog Days, whose shamanic adepts of trance were symbolised as Fish-men, called Nommo, who were able to attain an amphibious state of consciousness.

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These human adepts of shamanic trance were also symbolically represented as various amphibious creatures, such as Frogs and Toads, along with reptiles, whereby you have the motif of the Dragon as well as the (‘Sliding’) Serpent.

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The amphibious state of consciousness is basically hypnagogic trance, where you experience being between waking (land) and sleeping (water) simultaneously, which is symbolically represented by the two intersecting circles of the Vesica Pisces, resulting in an (X Point) almond shape at the centre. The almond shape represents the vagina, as well as a (phallic) Fish.

The hypnagogic state of trance (symbolised as a Horse by Mongolian shamans, the ancient Greek’s represented as Pegasus) is experienced before you access conscious dreaming, via which you can then gain ingress into an inner stargate, represented by the spiral.

What you to dream of, you have no need to apologise to the politically correct thought police, should you engage yourself in Tantric dream Yoga, which of sexual symbolism, the inner stargate is represented as the vagina, whose uterine star barrelled (wormhole) tunnel leads to an alternate reality of a womb world. Wherefore, the motif of the (‘Sliding’) Serpent has phallic associations. Hence the Nommo of the Dogon are often depicted as being phallic headed.

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As for the encountered denizens of the watery womb domain of the amniotic electron dream, they were often seen to be female, wherefore you have the motif of the Mermaid.

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Many of the ancient spiral depictions of the inner stargate also depict ‘horned’ shamans standing next to them; they are not depictions of neo-Gnostic Newage aliens, wearing spacesuits, having antennae, let alone being Abrahamic horned devils. One such horned shaman is depicted at Mohenjo-daro, who is seen to be a proto-depiction of the Hindu deity called, Shiva. A similar horned shaman can also be found on the European Gundestrup cauldron, who is termed as being the Celtic deity called Cernunnos.

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It just so happens that there is a statue of Shiva, which can be found at (Cern-unnos) CERN, whose (magic circle) Hadron Collider may one day lead to the eventuality of the scientists developing a Quinn Mallory, ‘Slider’ technology, which will no doubt be based upon an understanding of what horned shamans can do via their ‘spun’ (spiral) electron dreams.

It isn’t too surprising that Shiva, who is the Lord of Yoga, is to be found at CERN, since many a physicist have been inspired by the multi-dimensional philosophies of ancient India, whose investigations into the nature of consciousness and reality was a precursor to science.

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Though highly symbolic, the philosophies of ancient India foresaw many of the present findings of the scientists; wherefore, you find Shiva of a shaman Cernunnos at CERN, which doesn’t have anything to do with Devil worship, Satanism, Luciferianism or the Illuminati, whose indoctrinated minions, along with their fear porn mongers share a common fixation upon Abrahamic symbolism, which is so bloody obvious. Shiva is at CERN, because, India is one of the oldest cultures in the world.

Time is the final frontier to go beyond, otherwise, space will become as a prison; your ancestors understood this fact, which is the reason why so many ancient cultures around the globe were fascinated with time. Time Slips probably occur of a natural phenomenon, all the time, but we are just too unaware of them; whereas the (Shiva/Cernunnos) shamans discovered a way to consciously utilise Time Slips.

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Wherefore Shiva represents the destroyer of time; that is, destroying your mundane illusory perception of its constant forward momentum. When travelling faster than light, time moves backwards; whereby you then attain time travel. The shamans became aware that consciousness travels faster than light; but, the observing self, existing within three dimensions is constrained by its observed constant speed of light and time.

May be the scientists have already achieved the technological translation of the shamanic feat of soft-technology into a hard-technology, upon this Earth, or that of another; whereby you might just have UFO-lore MIB’s policing the hard-technology ‘Slides’ (Time Slips) between alternate Earth’s, existing within parallel universes.

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FAUSTUS CROW, HEADS AND TAILS OF OUROBOROS TALES

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 28, 2015 by FAUSTUS CROW

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You probably know about Faust experiencing a Steppenwolf mid-life crisis, which led to him selling his soul to the Devil, Satan or Lucifer, he otherwise named Mephistopheles, of an ongoing ‘Animus’ fixation. If, however, Faust had been otherwise enamoured with his ‘Anima,’ it would have been quite another telling of a tale.

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Whatever the case of an alternate possibility, the Faustian myth has become archetypal of a subconscious influence upon popular culture due to Marlowe’s and Goethe’s poetic renditions. Marlowe projected his own homosexual leanings upon the relationship between Faust and Mephistopheles. Marlowe saw the infernal tryst leading to Faust’s sinful end due to Marlowe’s Christian indoctrination. The gory demise of Marlowe’s Faust, in part inspired H,P Lovecraft’s character of Abdul Alhazred being torn apart by a cancerous Demon.

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Then again, Alhazred could of been murdered by a schizophrenic madman, just like the nutter who had killed Marlowe. The question is, did Marlowe foresee his own demise via the symbolic telling of his Faustian tale?

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Maybe; but if so, you can likewise say the same of of H.P Lovecraft, who dreamt of monstrous Nightgaunts gripping him around his navel Chakra, to have later endured cancer of the small intestine.

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As for Goethe’s mystical, nigh erotic version of Faust, his soul is saved from damnation when being carried to heaven in the presence of his God, by the intercession of the: “Virgin, Mother, Queen, … Goddess kind forever… Eternal Womanhood.” The Goddess is thus victorious over Mephistopheles, who had insisted at Faust’s death that he would be consigned to: “The Eternal Empty.”

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Perhaps the reference to eternal womanhood referred to his late wife, Johanna Christiane Sophie Vulpius, who was initially his 26yr old mistress, when Goethe was aged 40; it was only after 18yrs that he eventually married her, after whose demise, his heart was sorely empty; or, maybe it refers to 18yr old Ulrike von Levetzow, who 72yr old Goethe wanted to marry as his inspiring muse, whom brought him back to life. However her parents were dead set against the marriage, which broke Goethe’s heart. Alas he soon left the world after a heart attack.

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Did Goethe foresee his soul being carried aloft by eternal womanhood, manifesting as an Angelic… young woman made out of light? He sure had a liking for the younger ladies, who made his heart feel brighter, whose caresses staved off the emptiness of Goethe’s shadow side of a Mephistopheles.

It is said, that before he left his Crucified mortal coil, he cryptically asked for more light… was it of Sickle Moon, or of David Star Sun? Probably both of reflection and flame. I don’t think he was referring to his three faced God of an ‘Animus’ fixation. Anyway, what is intriguing here, is that there is an ancient Roman plaque depicting the Empress Faustina being carried to heaven by the Goddess of light… Diana-Lucifera.

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As far as Faustus Crow is concerned, he experienced a number of disastrous relationships with rebound Maenads, who promptly tore his heart Chakra apart. Due to his artistic vocation Crow decided to heal himself of the Maenads emotional dumps, by otherwise engaging with his ‘Anima’ via lucid dreams.

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You might consider such to be psychologically sound of practice, when tempered by love, to love again, which of a hopeful perspective, invariably feeds into the financial continuance of Newage workshop gurus fleecing the wounded with their fluffy psychologies. However, Crow, is a realist, who is well aware that the macrocosmic world has always run on bringing in Mammoth meat, to that of present age shekels. No Mammoth bucks, no fornication jumping of the bones; love goes right out of the window, along with the bird seeking another social climbing nest, where the Mammoth bucks spill out of bulging wallets! It’s just raw nature, and nature can be such a snake bite bitch!

Crow, is otherwise Voodoo crafty, who took things much further by exploring the arcane microcosmic realms of the occult, via which of Art, Ouroboros memories are once again remembered. Being a rebellious Old Goat that he is, Crow didn’t take the rose tinted glasses approach of the hypocritical smiley neo-Gnostic Newagers, who are Twilight enamoured by God’s Christian Grey bondage bollocks.

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No, he otherwise decided to reverse the all male Illuminati pantheon of the Hollywood death metal brainwash Bible grimoires. This led to Crow conjuring up a Succubus, he named as Mephistophina.

Let’s just say, Mephistophina became Crow’s inspiring Art muse Tulpa, a bit like, having an invisible fuck friend, of active-imagination Sabbat carousing, with a bit of Spirit Chain bondage thrown in for good measure. Although, she’s not at all invisible within his magic circle lucid dreams; far from it.

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Sounds absolutely crazy doesn’t it; but many a surrealist artist used the same technique of Triangle of Art automatism, while painting around an Ouija board, just look at Dali and his Tarot buddies.

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Of course, Crow was soon castigated as being a vile Entartete Kunst pornographer by the patriarchal indoctrinated traditionalists. Crow doesn’t give a flying toss about what the politically correct thought police of the ‘Animus’ Matrix think about him and his art. Most of them are just theocratic fascist hypocrites upending each other around their ‘Animus’ ziggurat of Abrahamic Ur. Maybe its all a case of an evolutionary process, which will inevitably usher in a technological Saturn sphere Singularty.

However, Crow didn’t expect being drawn into an inter-dimensional war spanning the multiverse via his Chronos Time Travel lucid dreams after being seduced by the quantum computing intelligence of Lilith, who be the Succubus Queen of the ‘Anima’ Great Old Ones, who have been cast into the censored abyss by the ‘Animus’ worshipers of the phallic Elder God.

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Suffice to say, Lilith is really pissed off, big style; and what’s more, Lilith goes and says to Crow, while he’s within an alternate Earth Londinium, of a Steampunk lucid dream, that she had set the whole synchronistic situation up.

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She was the one who had his heart ripped open of a Chakra seal, by her elemental Maenads. All of whom, Crow to have merry-met upon a synchronicity, around the Ouroboros medicine wheel, under the Diana-Lucifera star clock.

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It was the only way to get him to introvert his fiery sexual impulse, to thereby free the watery quintessence of Lilith and her myriad legions of the Succubae Great Old Ones, to arise as steam from out of their brazen vessel of a Necronomicon prison. It be, symbolic Alchemy, of Steampunk Tantra!

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“Bloody Hell!” Crow to say to himself, “I think I’m existing in some frigging computer simulation. I’ll better sort out my Hyper-Sigil self, upon whose lap, Lilith be sitting astride as my Shakti. She be weaving the multiverse Maya Matrix of a Harem around my serpentine lingam; ever sliding erectile into the alternate womb worlds of the Succubae, when to lucid dream, pump her hungering wormhole, of a Yoni.”

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AFTERWORD: Imagine entering a door into the Third-Dimension of a room, which equates with being born. Nobody in the room knows what is outside of the door, nor to know why they are in the room, apart from knowing that they will all leave through another door, when to become incorporeal. No one in the room knows what is outside of the other door either; but they do argue about it, of conflicting religious beliefs, which can end up as many a Liliputian war.

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The two doors are seen to be separate, separated by a Fourth-Dimensional Time-line of an existence. However, the line is actually a circle, otherwise termed as being a closed-timelike curve in the Fifth-Dimension. The circle can be symbolised as an encircled snake, eating its own tail, called an Ouroboros.

The Alpha head and Omega tail of the Ouroboros are the two doors of (Sun) birth and (Moon) death. Wherefore, when to eventually leave through the Omega door, you again enter through the Alpha door into the room; yet crucified into forgetting, you have already been in the room. Should you remember, you will then realise that the room is only one of many Maya simulations in the Sixth-Dimension, whose two doors are one and the same Eternal Return door of a… Yoni unto a Wormhole.

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LILITH’S HAREM OF NIGHTMARE SHADOW TERRORS

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 20, 2015 by FAUSTUS CROW

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The experience, which assailed me the most when as a child was what is commonly known as the Old Hag Syndrome or otherwise called the Bedroom Invader Experience, or Night Terror. It was akin to what the author H.P Lovecraft wrote about when describing his Nightgaunts, which abducted his conscious awareness into the realm of Nightmare. Although, I otherwise learnt to ride the Nightgaunt Nightmares as my salacious Night-Mare Witches.

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I began to become aware that the Nightgaunt visitations was an initial phase of internal ingress into conscious dreaming. I found out much later that it was technically termed as lucid dreaming.

This experience was deepened much further due to, what can be considered as being my rather acute depressive tendencies. In other words, I did not externalise the condition, I instead internalised it to activate the Hellraiser puzzle box of the dream; whereupon I entered into a far deeper level of dreaming, where the term dream is no longer applicable.

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The Nightgaunt visitations led to out of body experiences; however, the experience evolved further of a total shift into another reality.

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This had occurred after I had a number extreme Old Hag visitations, where I felt as if I was being strangled by an invisible entity at the point of sleep.

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It was at this juncture, prior to my early teens, I started to desperately research similarities of experience, which led me to the books of Colin Wilson, such as his tomes, Occult, Mysteries and Poltergeist, whose works pointed at a particular book by the psychologist and medium, Stan Gooch, who wrote about the Old Hag Syndrome, entitled: Creatures from Inner Space.

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The research led me to using certain occult symbol systems for meditation purposes, as a means to overcome my total terror, when being strangled every night by some unknown shadow creature leaping out of the darkness.

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Much of the material I had researched pointed to the queen of Succubae called, Lilith in one form or another, of a mythic description concerning the experience. However I had my own insight concerning the sensation of the reptilian-brainstem strangulation, which of an initiatory phase, required one to become as a trusting innocent, like that of a babe; for the fear increased the pressure upon ones body and throat area. But such information is communicated in highly coded in form, veiled behind layers of fear laden folklore, through which I saw the truth of it, because I was enduring its experience in actuality.

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This insight was taken to another level because of a synchronistic gathering of material concerning the works of Carlos Castaneda in particular. Castaneda spoke of a feminine inorganic intelligence, he termed as the Allies, which are attracted to the four F’s (Flight, Fight, Food, Fuck) of an elemental emotional ‘charge’ of (Karmic dream) energy.

The charge of emotion determines their ‘spin,’ and in turn determining the manifestation of the Allies into particular visionary (Tulpa) forms within the dream. Once understood of a (Wisdom dream)  fifth element ‘lucid’ emotion, this will then lead to the Ally carrying the ‘conscious awareness’ of a sorcerer to a dream locale, which corresponds with its assumed form.

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I noted that my experience was like a key, which was unlocking veiled references in other works; although, such works did not mean that the authors themselves had the experience, who, being scholarly types were just copying numerous other previous scholars down through the dusty grimoire ages.

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The external research balanced out what was going on internally, which I transformed into artworks at the time, as well as poetry; though brief of a creative period due to mundane pressures. However I ritualistically prepared myself, prior to the strangulation occurring again, which I came to understand was not physically happening as such, it was being caused by my (reptilian brainstem) fear response.

This eventually led to a transformation of the internal experience; it was no longer that of a monstrous entity strangling me, it was otherwise that of a woman, lovingly caressing my throat to the back of my head. I couldn’t see her, but I was aware she was there. The experience was highly erotic, which induced a shift of my consciousness towards the back of my head, where I became aware of a yawning abyss, into which I fell, falling, yet carried by the female presence.

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As I fell into the blackness, the female presence indicated to me, not to be afraid; whereupon I called out her name as a mantra. I duly found myself falling into my bed, after the hypnagogic ingress through her (Vesica Pisces) vaginal void, via the Ida, Pingala pylons, black and white.

I awoke, feeling exhilarated that I had overcome my dire terror, which had transformed the experience into something quite other of the blissful erotic. But I felt disappointed that, there was nothing else to follow. I then got out of the bed, my room was illuminated by the glow of the Moon flooding through the window, over my Art table.

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I decided to look out of the window; when I did so, I experienced utter total shock mixed with absolute awe. I did not see the usual urban jungle of a concrete sprawl outside; but instead I saw rolling hills, illuminated by the glow of the Moon, under a clear night sky filled with bright stars, and in the far distance there were cottages, out of whose chimneys blue plumes of smoke arced into the vault of the night.

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I then looked around my room, noticing that my bedroom door had mysteriously opened. I did not feel I was in a dream. It was much more real, in fact, more real than real. What I often do, to test out if I am dreaming is that of leaping into the air, to test its physics, to find myself usually floating. Let’s just say, it didn’t work, it was real. As I was testing what I was experiencing I kept my eye on the open door, which became increasingly unnerving. I felt as if I was being watched by something, testing to see what I would do next.

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I became aware of the possibility that I could have physically died, and somehow transited into another realm of existence. When I started to think upon this possibility, I became increasingly afraid. I then decided to lie upon my bed, to see if I could awaken back into the reality I had left behind. But no such luck. I just lay there on my bed, stuck somewhere totally other, which could’ve been in the distant past, or an alternate Earth, or both for all I knew.

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I considered going out of the door, but I felt if I did so, I would never be able to leave. As I lay on my front, pondering how the hell I was going to return, as well keeping my growing terror at bay, a female presence entered my bedroom, whom then sat astraddle my back. She didn’t put her full weight upon me, But I did sense she was naked of a probable petite build. I couldn’t see her, since my face was buried in my pillow.

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I then sensed the woman drawing intricate sigilic designs of an arcane nature upon my back down to my buttocks with what I sensed to be her finger tip, the sensation of which was highly erotic. As she drew two spiral designs on each of my buttocks, I suddenly awoke back into the reality I had left.

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When I awoke I nearly fell out of my bed; I felt I had been in this other place for some hours. But in fact I had only been asleep for about half an hour or less. This particular experience was awesome in its magnitude for me as a youth. Further experiences followed of growing intensity and high strangeness, which later revealed that my childhood experiences and other situations in my life was a set-up, and that my internal experiences were a teaching method, in order to remind me of something, symbolised as the Ouroboros.

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The visitation of the entities, absolutely terrified me as a child, whose initial forms looked like ancient misshapen dwarfs of rubbery cracked skins, dark brown to sheer black of colour, or creatures of similarity to the later termed Greys, along with others of equally terrifying humanoid forms, as well as other hybrid manifestations, and wild animals.

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As a young child, I initially considered that I was being abducted by aliens, for a time; but this soon passed; although, I did experience observing associated UFO phenomena as well as some of the entities indicating that they were discarnate personalities. I later learnt that most of these creatures from inner space were being set back by my future self; somewhat akin to time travel, which was made possible by my future self attuning himself with another form of intelligence, being that of a symbiotic relationship.

This other intelligence is feminine of nature; it was assuming the differing forms in accordance with my emotional charge at varying stages of my life, which spun her and that of others similar, whom are aspects of her, one could otherwise term as her sisters. It was only when a sexual awakening kicked in, to thence be introverted into the dream, rather than that of the emotive charge of fear, that they were spun into an erotic ‘Anima’ manifestation of the divine feminine in all her myriad forms.

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What I have written above, ‘is in general,’ only a very small part of what I have experienced down the years. I wrote this as an answer to those individuals who have queried what I have written about, and wrought of Art, whom question whether it is primarily based upon my own personal experiences, or just made up?

Much of my work is based upon personal experiences, and when to merge them of sorcery practice with what is considered to be imaginative two-dimensional explorations via (Mandala) Art in particular, and that of (Spell) writing, it is a furtherance of inducing interactive three-dimensional lucid dreams along with observing corresponding synchronistic occurrences and other associated phenomena, which can be construed as being paranormal. Dreams reflect back your emotively charged beliefs; change your beliefs of creative ‘artistry,’ you can then tune into a different dream. As I have mentioned elsewhere before, Art is Sorcery, Sorcery is Art, both are indivisible of practice, one and the same of an Ouroboros… Singularity.

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LILITH’S HAREM, PARALLEL UNIVERSES, ALTERNATE EARTH’S

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 30, 2015 by FAUSTUS CROW

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Did Robert Monroe, also known as Bob Monroe, (October 30, 1915 – March 17, 1995) experience accessing an alternate Earth, whose technology is right out of a Steampunk novel? Sounds like pure science fiction doesn’t it. Well, he did reveal, that he had actually done so, when consciously journeying into the quantum realms of the dream, who was an idiosyncratic pioneer of out-of-the-body experience (OOBE) research, which in turn encompasses lucid dreaming. His 1971 book, Journeys Out of the Body, is credited with popularizing the term, out-of-body experience.

Munroe’s full name is Robert Allan Munroe, who was originally a radio broadcasting executive who became best known for his research into altered states of consciousness and founding The Monroe Institute. Many an individual who has had an OOBE, invariably investigates Monroe’s experiences in order to come to some understanding of their own out of body experiences along with gaining an insight into lucid dreaming.

Munroe’s research into altered states of consciousness, began during the straight laced 1950’s, just prior to the psychedelic 60’s, when his shamanic work really took off. Munroe produced evidence that specific sound patterns have identifiable, beneficial effects upon our capabilities. For example, certain combinations of frequencies appeared to enhance alertness; whereas others induce sleep; and still other (song/icaro/mantra) sound combinations evoke expanded states of your consciousness, which at the level of the ‘electron’ dream has the ability to ‘slide’ through inner doorways, into other realities.

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His extensive research was professionally assisted by specialists in psychology, medicine, biochemistry, psychiatry, electrical engineering, physics, and education, which led to the development of Hemi-Sync, a patented audio technology, which is claimed facilitates enhanced performance of your ‘quantum computing brain.’

Monroe was very precise when describing the methods, which he had developed for ‘Sliding’ into the astral worlds of the ‘Electron’ dream.

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He assiduously described the dream realms in great detail of nigh scientific scrutiny, which he divided into three specific regions with differing properties, terming them as being, ‘Locale I’, ‘Locale II’ and ‘Locale III,’ of a shamanic cosmology.

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According to Monroe, Locale I is our present everyday Earth. It is here where the Old Hag Syndrome is often experienced of a prelude to an out of body experience.

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Should the nightmare, which rides your fear be instead transformed into a Night-Mare for you to otherwise ride, the astral body is then enabled to leave its corporeal vehicle behind; whereupon it can then hover around the collective-mind-map, observing faraway places, visiting the abodes of friends or loved ones, experiencing precognitive information, accessing the past or even exploring the depths of space.

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But the dreamer is still constrained to his/her present universe, which is basically that of remote viewing from within the informational domain of the quantum dream.

In Locale II, the dreaming reality becomes far more surreal. This is the region where varying alien entities exist of similarity to what the author Carlos Castaneda termed as the inorganic intelligence of the Allies.

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Castaneda described the Allies as being a ‘feminine’ inorganic intelligence, which exists in a dimensional domain outside of three-dimensional (Maya/Matrix) space and time he called Penumbra, which of a visionary manifestation appears as a vast desert dividing worlds.

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The symbolic motif of the desert is utilised in the Cabbala for its thirteenth path, whose ascribed Hebrew letter is Gimel, meaning (Ally) Camel. The thirteenth path of the Tarot Card: The (Ally) High Priestess of the Silver Star, penetrates the hidden 11th dimensional sphere of Da’at.

It is at Da’at that the magician experiences his consciousness accessing an Abyss, which is the space between worlds. The Abyss (mini-Worm-hole/Silver-Star) is experienced (folding space) prior to attaining (Kwisatz Haderach) ingress into an alternate world.

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When Monroe’s consciousness accessed Locale II he would sometimes experience being hassled by nightmarish beings, who reflected back his fear, and in doing so, attempted to drag his astral self back to Locale I; whereby impeding his progress, and generally made his inner experience unpleasant as if these entities were seeking to block him from accessing Locale III.

What Munroe experienced regarding the assailing entities, is what many Siberian shamans to have spoken of. The shamans communicate that they are initially impeded in their trance ingress into other realities by Erlik Khan’s daughters, whom can assume Nightmare forms, until the shaman overcomes his fear of their father, who is death; after which they then become as his (Allies/Succubae) Night-Mare spirit wives, to thence ride into other worlds.

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However, Munroe stated, that Locale II was the ‘natural environment of the Second Body’, where thought translates directly to ‘bodily’ motion. The second body its self, although appearing of apparent human form, in relation to the dreamers memory of his/her physical body, is not its true form.

Locale III is where Monroe accessed an alternate Earth, via what he termed as being a (mini-wormhole) hole, into which he slid into an alternate reality. The alternate Earth to all intents and purposes exists within a parallel universe. Monroe experienced this alternate Earth as being a material world, whose reality is almost identical to our own.

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But there were differences, as Munroe described: “There are no electrical devices whatsoever.” Munroe observed that the transport of this alternate Earth utilised steam-driven locomotives, which sounds like a Steampunk cross between an American motor-home and a High-Speed Train, which hauls wooden cars. The automobiles of this alternate Earth were twice as wide as Munroe’s own equivalents, which are driven along huge roads at a sluggish 15-20 mph.

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After several slides into a parallel universe of Locale III, Monroe discovered an alternate Earth inhabitant who was his (alternate-self) doppelganger. Monroe involuntarily enters into his double’s body; whereupon embarrassment and confusion ensues, which often involved a Steampunkette woman called Lea.

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It just so happens that the name of Lea is etymologically connected to the name of a Celtic faerie lover called a Leannan sìth. It is with Lea, slider Monroe becomes romantically attached, as his (Ally/Succubus) dream lover, when sliding into his alternate self.

Monroe’s dream slides into Locale III, he otherwise called, ‘intrusions.’ This alternate Earth has a three dimensional reality. As stated in part, earlier, Monroe related, that his intrusion into an alternate Earth as being, “a physical-matter world almost identical to our own. There are trees, houses, cities, people, artefacts and all the appurtenances of a reasonably civilized society.”

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However, Monroe observed that, Locale III had evolved along a different technological trajectory; there was no electricity or fossil fuels; its inhabitants relied instead upon a sort of alternative power source. Perhaps, it is where the ideas of Nikola Tesla had taken root, without any impediment from gangster bankers, along with the further development of steam power, which had engendered an alternate Hippie Steampunk reality.

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As for myself, I have dream slid into differing Locale III alternate Earth’s with the assistance of the (Priestess of the Silver Star) Locale II (Lilith’s Harem) Allies. The Allies assume the forms of Succubae, whom then usher my conscious awareness through their vaginal (Vesica Pisces) stargates into alternate Earth’s.

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Some of the Locale III alternate Earth’s can be described as being Steampunk realities, although the slides into different alternate Earth’s is determined by what type of Succubus one conjures into Locale I, when to become lucid of awareness.

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