Archive for babalon

SEX MUSE EVOLUTION

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2017 by FAUSTUS CROW

How did the naked ape become so smart, and what initiated it to happen? To untangle this age old question, anthropologists have been seeking to discover archaeological artefacts, which reveal the evolving intelligence of our human ancestors who lived 1.8 million years ago. It was at this point in the far distant past that a new type of stone tool had erupted upon the scene along with the human brain nearly doubling in size.

Some researchers have suggested that this more advanced technology, coupled with a bigger brain, implies a higher degree of intelligence, which was propelled by the first signs of language. But there is another driving force propelling this evolutionary leap in tool making, which is far more basic, yet profound in its implications. It was driven by the biological imperative to be seen as being attractive to the opposite sex.

Basically, the ape with the bigger chopper got the females attention, because with such a tool, he could provide the necessary fodder for his mate and progeny.

This of course also required him to have a bigger brain pan to create a better and far more efficient chopper than his competition, whereby enabling him to sow his seed, siring ever more cleverer apes. Some of whom would escalate in intelligence, becoming far too clever for their own good, but that’s evolution for you!

Let’s imagine a scenario, you have a lumbering giant of a cave man looking like Arnold Shwarzenegger with pumped up bear brawn, having the biggest red ‘Animus’ arse around, facing a spindly little cave man looking like Jim Carrey. The spindly cave man appears to be inanely grinning, for some unknown reason. All the cave women are pulling their hair out, frothing at the mouth, baring their breasts and buttocks, lustfully screaming.

The cave women are howling for their red ‘Animus’ arse favourite to attain the right to mate with them, who are expecting him to entirely decimate the little inconsequential cave man. Even the girls, who, like their mothers, scream out for the apish bear to win; but then, girls emotionally mature far more quickly than the boys do.

As the giant goes in for the kill, the little cave man suddenly pulls out a slingshot, to quickly let loose a sharpened stone at the bear sized ape. Whack! Right between his drooping testicles, the giant crashes to the ground with his red ‘Animus’ arse up in the air. All the cave women are stunned senseless. Intelligence has won over bear brawn, the new evolutionary aphrodisiac!

But, without the need to mate, the spindly cave man would have never been able to create a slingshot in the first place to give him the edge over mere brawn. Sounds a bit too cave man basic doesn’t it. Let us move forward in time to the glory that was ancient Greece, to see a horny sculptor sculpting a Venus out of marble with his advanced tool, or that of a sweaty renaissance Artist painting a canvas, inspired by an Art model Muse, who also drove the scientist absolutely Einstein crazy, creating varied technological tools. I shit you not, the Faustian scientist entered into an Osculum Infame Coitus Pactum with his Muse!

goetia_girls_liliths_harem_mephistophina_succubus_of_faustus_crow

Your programmed brain might consider that this generalised interpretation is politically incorrect let alone sexist? Well, it isn’t, it takes two to tango. It has always been a case of a Yin-Yang team effort in order to survive all those great mammals, which made your ancestors look like tiny meals on bipedal legs. However they had those nifty hunting tools, bringing down Mammoths, which they also used to defend themselves against sabre tooth tigers and cave bears, etc; to have later created the technological wonders you presently know now, where weapons of mass destruction equates with having the biggest Area 51 Freudian chopper, rather than looking towards the Star Trek stars.

Alas, the bad-boy naked ape having the biggest bad arse chopper on the block, always gets the chicks hot for what’s inside of his beastly pants. There is an ancient Hindu adage, that goes, “a God is not a God without his Shakti.” In general the term, Shakti means the feminine principle, who is the creative inspiration and meaning of all life itself. Another old adage is, “behind every great man is a woman,” which is presently considered to be extremely sexist. However, when to look into ancient cultures, such as ancient Egypt, for example, a Pharaoh crowned as a Horus derives his power from the throne, which is seen to be Isis female, just as a Merlin hawk of a Myrddin is traditionally flown from a ladies stroking hand.

That is why women have been depicted having the hots for the horned Devil, who is actually a horned (Merlin/Myrddin) shaman. In other words, the driving force behind the evolutionary creative impulse of tool making is the biological imperative to be attractive to the opposite sex, otherwise there is no evolutionary furtherance of life. The same would the case on other alien worlds.

You might ask Is there any hard evidence of the evolution of intelligence being entwined with evolving tool use, which enables a tool using naked ape to become more attractive to the opposite sex? It just so happens, there is some evidence. A recent study of brain scans have revealed that when heterosexual men are shown pictures of scantily clad women, the region of the brain associated with tool use immediately lights up.

goetia_girls_liliths_harem_samigina_art_muse_witch_succubus_of_faustus_crow_mardun

This also indicates something else, concerning the shamanistic usage of erotic mediation images in order to activate the region of the brain associated with tool making, which of an ancient technique enables the conscious conjuring up of personified ideas as ‘Anima’ archetype Muses within lucid dreams. A Tibetan Bonpo shaman would otherwise term a Muse as being a Dakini, whose inner manifestation enables consciousness expansion into other arenas of fiery perception, beyond the subliminal programming of a particular culture, which has a Playgirl emphasis upon the deified ‘Animus.’

As for the caveman usage of anthropomorphic symbolism, the present day UFO researchers misinterpret as being representations of alien hybrids; the sky-walking void-going Dakinis are often associated with particular archetypal animals, which symbolically represent subconscious energetic qualities. These energetic qualities can be tapped into when conjuring a particular animal headed Dakini. For example the wrathful wisdom Dakini called, Simhamukha initially manifests as a lioness, before assuming human form within a lucid dream.

The same type of anthropomorphic symbolism is utilised in the Playgirl grimoires where you have ‘Animus’ archetypes initially manifesting as various animals. The Muses also initially manifest as animals; it is one of the primary reasons why tools, such as ships, cars and computers, etc, are often given animal names as well as being traditionally seen as being feminine of quality by males, in the main, which at an unconscious level alludes to the tool making part of the male brain being activated. Should a heterosexual male practitioner sheepishly externalise this symbolism as being literal, it will invariably lead to animal welfare officers as well as the police becoming involved.

The finding that sexual (meditation) imagery activates the tool-making part of the male brain gives a whole new slant on the exclamation ‘Eureka!,’ which is famously attributed to the ancient Greek scholar Archimedes having a tool making insight when stepping into his bath. I will leave it to the women to imagine what he was actually doing of a meditation exercise upon Athena, just before bathing his illuminated… head.

However the findings have been mundanely interpreted as indicating that men dehumanize women as being mere sex objects by the lead researcher Susan Fiske, a psychologist at Princeton University, who seems to have entirely missed the evolutionary point of a Eureka finding.

“If a similar study were done with women,” Fiske told National Geographic News, “it would be hard to predict whether a woman shown a scantily clad male body would dehumanize him in the same way.” Well, she probably wouldn’t do so, if he hasn’t got a big enough chopper, I mean, stone axe, who would be the type of fellow who finds himself in a dead end job. Although he could potentially bounce out of a pandering shit pan job, should he rebelliously conjure an inspiring Muse amidst his Triangle Of Art Imagination.

Whereas a very crafty Witch would meditate upon an image of an archetypal expression of her deified ‘Animus,’ such as a Good-Guy Beta-Male Angel or an Alpha-Male Bad-Boy Daemon listed in the commonality of the patriarchal Playgirl grimoires, to then conjure up her tool making desire into a lucid dream, and on waking, to thence hunt down her ‘Animus’ projection in the crucified flesh, upon an intuitive synchronicity. Who knows, she may even birth an Indigo Moon Childe mutant of yet another evolutionary leap.

Suffice to say, said chosen male would not know what’s clubbed him, who will then have a primordial tool brain need to create lots of gadgets around the house for his Babalon, that, or having the big-bucks to acquire them from other Muse inspired inventors who are also being ridden as Great Beast’s by Babalon’s.

A number of evolutionary psychologists, who are far more honest than Fiske, have proposed that women tend to look for mates who have wealth and power; whereupon some of Fiske’s colleagues have suggested running a similar test where women are shown pictures of scantily clad Chippendale males next to expensive Merkaba cars or other affluent Playgirl grimoire symbols of tool making prowess.

However, Fiske doesn’t think such an experiment would work the same way, because she sees women usually reacting to men who they desire by “interpreting their minds, thinking about what they’re interested in, and then trying to please them,” she said, which indicates her agenda is far more subjectively political than objectively scientific. But what Fiske to have also revealed without realising, is that the fallen ‘Anima’ fluctuations of the Muses act in the same way, like that of schoolgirl (Succubi/Succubae) Dakinis seeking to inspire their Tantric headmaster of a conjuring Yogi.

When to presently look around, or to investigate bygone ages of innumerable written or illustrated examples, across all cultures, women expertly interpret male minds, by figuring out what they’re emotionally interested in, in order to stop them from sowing their oats elsewhere. Hence, like Hens, women are highly competitive with other women when choosing mates. But only if the desired males have bigger and better tools than the other Peacock males. It isn’t Atomic rocket science, it’s genetically-hardwired nature, which cannot be socially engineered out of existence. Should you intelligently work with mother nature, that’s fine, but if you fight against her, she’ll bite back, and she’s a bitch!

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

DEVIL GIRLS

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 1, 2017 by FAUSTUS CROW

Love Is like War, War Is likened to Love, the bedroom, the Tantric battleground, evolving the Yin, Yang union into a far deeper entwined level of Tao perception.

So too with the inner archetypes of the ‘Anima’ and the ‘Animus.’ However, the Witches have the emotional edge; for they have their preponderance of PlayGirl grimoires, which to list the numerous archetypes of their deified Fifty Shades Of Grey ‘Animus,’ made as a God/Devil, Angels and Demons, the Withes to ‘Spirit Chain’ dominate within their Moon lit Love-craftian tentacle psyches of Solomon’s temple.

Whereas the Warlocks have their Fallen ‘Anima,’ whose archetypes have been entirely castigated out of the symbolic equation. Wherefore, a very real Necronomicon would list the banned and censored archetypes of the Fallen ‘Anima,’ who be the Succubus Great Old Ones.

Well, for there to be a deeper Tantric union between a Witch and a Warlock, there has to be an ‘equal’ balance between the patriarchal Hogwarts PlayGirl grimoires of the deified ‘Animus’ and a Necronomicon PlayBoy grimoire of the Fallen ‘Anima.’

So, should a feminist Witch, looking like Emma Watson, become patriarchal panicked by a Goat horned Pan, who to Sorcerer conjure (Succubae) Succubi, he can verily reply; “I am conjuring the Succubus archetypes of the Fallen ‘Anima,’ so as to understand thy Babalon, psyche. Just as thee to conjure the listed beasts, that thee to ride, out of thy numerous Hogwarts tomes of thine deified ‘Animus,’ to thence ‘Spirit Chain’ bind the anthropomorphic Incubi of thine infernal subconscious, to thy darkest desires. Thee does desire ‘equality,’ as do I. So Mote It Be!”

She will of course turn a deaf ear, to castigate the Horny Sorcerer as being a vile pornographer, which to drive many a Beta-Male Mage to pander ‘Flee’ from a Banshee Nightmare; but, the horny Sorcerer to otherwise ‘Fight,’ standing his Tantric ground like a rutting Alpha-Male Stag, who overturns the endogenous DMT visionary tables within the politically-correct Witches temple.

This is Entartete Kunst achieved when the Sorcerer to ritualistically Howl out his barbarous ‘fighting’ incantations of ceremonial defiance, leading thence to his raging lungs pumping out endogenous DMT ecstasy, which to then scourge force the Succubus archetypes of the Fallen ‘Anima’ to arise amidst his Triangle Of Art imagination, so as to then ‘Spirit Chain’ bondage bind them to his whiplash Horny will.

The Witch will then call the Horny Sorcerer a loathsome bestial Beast, but he does not give in, otherwise she will verily crucify his Yang eye to blind; for it is the Great Beast that the Yin Witch secretly desires to seek as a Babalon. But she is not to be the one riding him, who then becomes as his ridden shaman ‘Mare’ of the ‘Night’ Sabbat, whose multiple orgasms will warp the very fabric of Tao space-time to evolve.

What goes around the Ouroboros of Zodiac ages, comes around; the Fallen ‘Anima’ and her Succubus Great Old Ones are returning, who as ‘Devil Girls,’ they inspire the crystalline skulls of lucid dreaming Sorcerer Artists as their Night-Mare Art Muses. But, the ‘Devil Girls’ have to be forcibly summoned of an active-imagination conjuring, betwixt the lung pumping DMT pylons of a ‘Flight, Fight’ response.

NOTE: The word, Devil was originally derived from the Sanskrit word, Devī, which means ‘Goddess;’ who in Hindu iconography is often depicted riding a fiery Tiger, or to appear as one before assuming human form; hence you have, Devi-l, whereby having, ‘Devil Girls.’

As for the initiation of the ‘Fight, Flight’ response within a conjurer it can be artificially engineered, for example Shamans, ritualistically set up a Séance in order to induce this state, the same technique can be found in ritual magic.

Another example is having a bunch of kids gathered around an Ouija board late at night, which is eerily illuminated by candle light. The kids appear to be taking the piss; but deep down they are afraid, who would far prefer to be elsewhere. Strange creaks and scratching sounds are heard as the wind howls outside, the planchette then starts to zip around the Ouija board of its own accord. The kids want to ‘Flee,’ but they stick their ground.

One of the kids starts to asks questions, demanding specific answers, who demonstrates the ‘Fight’ response. You can thereby gather that their heavy breathing is engendering the pumping of endogenous DMT within their frail frames, who will then experience visions and later that of haunted dreams.

The ‘Flight, Fight’ response also occurs when meeting someone you desire to be hooked up with. Deep down you will initially fear being rejected, to be made a fool of in front of everybody, fearing your heart and very soul being ripped apart. You want to ‘Flee,’ but you stick your ground, to otherwise ‘Fight,’ you then approach the individual you desire, by asking her/him to go with you on a date.

The emotional intensity of this common experience can potentially lead to your neural-net being imprinted, which to then stir vivid dreams. This too can be artificially engineered when combined with a ritualistic conjuration via which you can conjure up a grimoire archetype.

Heterosexual Witches have their deified ‘Animus’ whose PlayGirl grimoire archetypes represent their desires, which are forcibly summoned; the force of which engenders the ‘Flight, Fight’ response. This technique can also be applied by a Heterosexual Sorcerer when he conjures the Succubus archetypes of his Fallen ‘Anima,’ who also requires being forcibly summoned.

(Those of other sexual orientations will reverse the symbolism as required.) 

The summoner does not allow for the summoned archetypes of the ‘Animus’ and ‘Anima’ to take control, nor are they worshipped, otherwise the summoner will become enslaved by her/his conjuration. The worship of the gender archetypes tends to be conducted by those having a dogmatic religious sensibility, which has nothing to do with the fluid practice of magic/art.

An externalised analogy would be that of worshipping a partner upon whom you have unknowingly projected your ‘Animus’ or ‘Anima,’ at, which leads to all sorts of problems; likewise when you allow for the ‘Animus’ or ‘Anima’ to have control over your psyche.  The summoner is always the one in control.

In other words, an Artist does not wait around until his Muse decides to appear of an inspiring vision, to then manifest within a lucid dream, nor does he beg her fickle presence to appear as a worshipper would do, to then feel forlorn, when she does not turf up of an Artist’s block.

The Artist as a Sorcerer, ‘Spirit-Chain’ forces a chosen Muse to visualise appear as a (fiery) vision, unto a (bio-photon) dream, which of a (endogenous DMT) technique imaginatively employs the (Howl, which in Greek, is Goetia, as in howling, raging and ecstatic) ‘Flight, Fight’ response, whereby he takes control over the archetypal Succubus manifestations of his Fallen ‘Anima.’       

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

THE MUMMY RETURNS

Posted in Art, Chaos Magic, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Psychology, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 13, 2017 by FAUSTUS CROW

RED ICE: I am your stand in host on Red Ice TV. We are very honoured by having the talented actor, Tom Cruise here, in our humble studio, who has taken time out, from his very busy schedule to tell us about his role in the re-imagined Mummy film. Let’s start by asking… (Tom Cruise quickly interjects.)

TOM CRUISE: Look, I have to cut to the chase here. I haven’t got much time. I need to warn the public; I can’t hold back any longer; a female Mummy is far more real than anything you can ever imagine.

RED ICE: What? I thought all Mummies are female, my very real Mummy was most definitely female, until she had a Hollywood sex change, now I call her my big Daddy…

TOM CRUISE: No, no, no! You know what I mean, I mean reanimated Egyptian Mummies; the bandaged up types, clambering out of a crumbling Beehive of a pyramid; they’re for real… (Cruise stands up from his seat and does a staggered zombie impression as Mummy Boris Karloff.)

RED ICE: You’re kidding me! You’ll be saying that Boris Karloff is a Imhotep Freemason, next, who’s plastered ghost is still around, haunting the Illuminati Beehive lodges of Hollywood’s Masonic studios?

TOM CRUISE: No, no, no! Far worse than Karloff; a Queen Bee Mummy will knock Karloff’s worker Bee Mummy into Oblivion; she’ll go far beyond Marjorie Cameron, who hunted down Jack Parsons upon a Babalon synchronicity. She’s a femme fatale Succubus… She’ll get into your pyramidal three tiered brain, driving you Left-Hand-Path creatively mad with her dark salacious nature.

RED ICE: Are you for real? An ancient Queen Bee Mummy is actually around, walking amongst us?

TOM CRUISE: Yes! She’s a disembodied Thetan, who has total control over the worker Bee’s, Alex Kurtzman and Jon Spaihts. what’s more, as a disembodied Queen Bee Thetan, she took possession of Sofia Boutella.

RED ICE: Sofia Boutella is possessed by a disembodied Thetan? What do you mean by a Thetan, exactly? Can you explain to our Muggle audience what a Thetan is?

TOM CRUISE: Well, I can’t go into the Thetan stuff. You have to a be a Scientologist to be privy to that kind of… Clear… information. All I can say, is that a Thetan is like a spirit.

RED ICE: Is a Thetan spirit associated with the Theta brainwave, which is involved with hypnagogic trance and Artistic creativity?

TOM CRUISE: Yes! Yes! It is a chaotic brainwave state, we Scientologists have to control at a collective level in order to brainwash brains, to then convert their jellies into a hypnotised hive-mind, just as the Catholic church of Rome’s BORG empire has likewise done so, let alone Islam and that of their original appropriated BORG source, Judaism. As Philip K. Dick once said, “The Empire Never Ended!” So, when in Rome, do as the Roman’s do… Cults are financially lucrative, which is especially the case when a cult becomes a big-business religion, paying no taxes… Shit! The money just rolls in. That’s why the public water supply has been eugenically fluoridated with a known neurotoxin and a mutagenic compound, in order to calcify the DMT producing pineal-glands of the unwashed fleecy minded populace, to never question their monotheistic triangle of an Illuminati trinity… Damn it! I’ve let slip there…

TOM CRUISE: Forget what I jut said. Look, I can’t reveal anymore, otherwise I’ll be castrated by L. Ron Hubbard’s Men In Black minions, dressed like dog-collared priests… But there’s something far, far worse than them… I haven’t the time; I’m being hunted by the Great Old Ones. This is between you, me, and your very select audience, you understand… Kurtzman told me in private, that he and Spaihts decided to use the Surrealist technique of Automatism, which involved the utilisation of a Ouija board.

RED ICE: What type of Ouija board did Kurtzman and Spaihts use, there are so many different designs?

TOM CRUISE: The Ouija board was specially designed by the same individual who wrote and illustrated a Grimore, both of them used to conjure up a Succubus as their inspiring Art Muse. It was the Muse who inspired their artistic ideas for their movie, to win over the studio’s lodge, big bucks.

RED ICE: What Playgirl Grimoire are you talking about here, are you speaking about, something like, H.P. Lovecraft’s Necronomicon?

TOM CRUISE: Sort of; but it’s the real Necronomicon, since no one had ever depicted what this Grimoire covers, listing Playboy Goetia Girls. It was written and illustrated by some mad sorcerer artist, named Mardun, who is also known as Faustus Crow; he is the Artist who designed their Ouija board.

RED ICE: Mardun… Faustus Crow… never heard of him… Tell us more about this Succubus Art Muse…

TOM CRUISE: The Succubus, Kurtzman and Spaihts conjured up is called Uvall, who is said to be an ancient Egyptian Art Muse, Crow illustrated as a Mummy. Uvall started to make the planchette go crazy around the Ouija board, channelling the script for the entire movie, who also communicated that another name she is known by is… Ahmanet.

RED ICE: So you’re telling us that Kurtzman and Spaihts conjured up a Succubus called Uvall, which channelled the entire movie script as well as taking possession of Sofia as Ahmanet?

TOM CRUISE: Yes! The Succubus transformed Sofia into a wild eyed Performance Artist. She became like an ecstatic Shaman High Priestess Of The Silver Star; she would spontaneously go into an orgasmic Sirius trance on set, saying she was the incarnate ‘Anima’ made as Babalon flesh, let alone singing perverse erotic hymns about Faustus Crow all of the time; it scared the living shit out of me, let alone everyone else. When she sang her salacious praises to Crow, she would make various objects fly all around, such as cameras flying like winged eyes, the camera crew’s bus, weighing as much as a pyramid block, flew like Harry Potter’s car; she even levitated camels, which trotted the air like Santa’s reindeer out of London zoo; it was like Spielberg’s, Poltergeist, but for real.

RED ICE: Sorry, but I think, all of this sounds absolutely crazy. Are you taking any psychiatric medication?

TOM CRUISE: I hate psychiatrists, and I’m not mad; I’m deadly serious. Kurtzman also informed me that the other film directors and writers are using Crow’s Grimoire in the same way for their own horror films, let alone science fiction movies.

RED ICE: Hang on! What? The other directors, writers are using Crow’s Grimoire, in order to conjure up Succubus Art Muses, around his Ouija boards, for their movie scripts as well? That’s, just plain nuts! It sounds like a David Icke reptilian conspiracy to me.

TOM CRUISE: Uvall, I…I… mean, Ahmenet; NO! I mean, Sofia; she’s possessed by the raptor SOPHIA, get it!? She is intending to awaken all the hot blooded Beasts to their Fallen ‘Anima,’ by using those hypnotically erotic dance moves of hers. You do know what that means don’t you?

RED ICE: No! I don’t; Fallen ‘Anima,’ what’s that?

TOM CRUISE: Can’t go into the Jungian details, apart from saying that it means an end of the Illuminati deification of the ‘Animus,’ made as our three faced God out of Ur, whose gender fixated rule since the Zodiac age of Aries to that of Pisces is about to be usurped by the Succubus Great Old Ones of the fallen ‘Anima.’ The seventh seal of a Chakra has been opened, by the conjuration of Uvall, who will usher in the new Aeon of Star Trek Aquarius.

RED ICE: Let’s get this straight; you’re saying that the conspiring directors and writers in Hollywood are conjuring up the Great Old Ones of the fallen ‘Anima,’ who are all Succubi, to bring about the age of Aquarius, just like the Hippies attempted to do during the Vietnam war era?

TOM CRUISE: Yes! Something like that, but the Hippies were still enamoured with our deified ‘Animus’ made as a God, so, we were able to control them. However, this zeitgeist time around, we have a far bigger problem, which hearkens back to something, very ancient, yet it is also of a far flung future shamanistic orientation…. I would like to point out that Crow uses the older term, Succubae, by the way… Not only the directors and writers are part of this, but also the producers, Artists, and even the actors and actresses; they are all secretly conjuring, which enables them to induce lucid dream interactions with Crow’s Art Muses. The films will all share the same cinematic Hyper-Sigil universe…

TOM CRUISE: Just like Marvel’s and Disney’s elemental superhero franchise of the spandex wearing ‘Animus,’ whose neuro-marketing empire will be toppled by the return of the classic film-land monsters out of the collective unconscious. It has all been initiated by the conjuration of Uvall as Ahmenet, who equates with the Tarot card of the High Priestess.

RED ICE: Hmmmm! I’m sure that Madonna will know that the High Priestess is associated with the ‘Ninth’ Yesod sphere of the Moon in the Cabbala, whose Tarot card is ascribed to the thirteenth path, which crosses over the ‘Eleventh’ hidden sphere of Da’at.

TOM CRUISE: Yes! I know all that Reticular-Activation-System, Nine-Eleven stuff. It is via the Aquarian stargate pylons of Queen Bee Sofia, who is now Crow’s High Priestess, that Hollywood will soon be transformed into Horror-Wood under the blue Kachina star of Sirius.

RED ICE: (smirks) Are you conjuring out of Crow’s Grimoire as well? I must say that Sofia’s pylons are most ravishing.

TOM CRUISE: (moralistic anger) NO! You know what my Minority Report leaning is of ‘Animus’ worship; I am not into this vile ‘Anima’ pornography. It’s all mad, utterly insane; that is why I am warning you about what is going on behind the creative scenes, where Crow’s sorcery of Art is being practiced. (Cruise’s mobile starts to ring; he looks wide eyed at the received text, an expression of War Of The Worlds abject terror crosses his face.)

RED ICE: Are you okay, you look as if someone has just stepped upon your eternally recurring Edge Of Tomorrow grave?

TOM CRUISE: Uvall, I…I… mean, Ahmenet, she’s found me out! No! Her name is Babalon, No! No! No! She can’t be Babalon… I mean Sophia, damn it! damn it… it’s Sofia… damn it, sounds all Greek to me… it’s all the same bloody archetypal raptor. She knows where I am; I’m not safe here. This interview has ended… I have to go, NOW! Before Crow’s dark haired Babalon Working Queen Bee Mummy finds me. (A Heyoka Crow is heard cawing in the Avadhuta distance.)

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

THE LEFT-HAND PATH SERMON OF THE ANIMA. THUS SPOKE DR ZOS-THRUSTA-BUSTER-FIRESTARTER

Posted in Art, Chaos Magic, CREATIVE WRITING, Discordianism, Goetia Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 20, 2016 by FAUSTUS CROW

goetia_girls_liliths_harem_dracula_witch_succubus_of_faustus_crow

Hostile to self-torment, the vain excuses of fluffy devotions, Dr Zos-Thrusta-Buster Firestarter satisfied his habit by speaking loudly to his Self. And at a time, returning back to the all too familiar consciousness over a pint of Cider, he was much vexed to notice those overhearing his arcane ranting.

Around him did gather, a rabble of involuntary mendicants, pariahs, whoremongers, adulterers, distended bellies, and the prevalent sick-grotesques, born slippery to so called civilisation. His irritation was much to itch, yet still they pestered him, saying: “Bro’, we heard your mad ramblings! What is this, Sorcery of Art?”

And seeing, with chagrin, the indoctrinated multitude of those laughing at him, he did drunkenly climb atop of the Druids Head inn table, prejudiced against them as being reptilian brain-stem, brainwashed.

And when he was ennuye, he opened his slurring mouth in derision, saying:- “Unto the heights and the very depths to infernally harrow of psyche, the Witches of this world to Banshee howl of conjuring up their ‘Animus,’ deified as a God and Devil, which of an archetype reveals the Beta and Alpha male Warlock breathing ways.”

“The charmed Witches sought to understand their Warlock antagonists, so as to tether them to their whims as Beasts of burden.”  

“The Witches, driven by a baby got a temper biological imperative, could not help themselves to ride their Beasts Babalon style, as Beta Good-Guys to crucify, and Alpha Bad-Boy devils to enthrone, as their worker Bee Illuminati running the circus.”

“So it came to pass that the Witch Nuns perused their classical Playgirl Grimoires of commonality, listing machismo Angels and Butch Demons all Abrahamic male, of patriarchal ‘Animus’ fluctuations to conjure up into their dreams as Chippendale hunk Incubi, which too, the gay Rabbi, Priest and Mullah, as well as a bisexual Crowley Mage to also adore.” 

“Betwixt the hypnagogic pylons of Werewolf bestiality and Necrophilia Vampirism the Witches to have trance slid into their lucid dreams, where Harry Potter be their horned up Christian Grey Great Beast, of ‘Animus’ Revelations.” 

“Wherein of beehive lodge dreams, the Masonic Incubi of the Queen Bee Witches ushered them into their Hogwarts school of Twilight Fifty Shades Of Grey delights, to thereby deeply instruct them in how to ride the chosen Beast; those Beasts that be no good, get duly crucified for being too good.”

“The Warlocks didn’t know what had hit them; poor buggers! But then, they had no Grimoire of their own, which to list the ‘Anima’ fluctuations of the Succubae Great Old Ones; for such a Playboy Necronomicon be banned by Jerusalem, Rome and Mecca as being Entartete Kunst pornography.” 

“Hence, the Fifty Shades Of Grey God, be the patriarchal projection of a woman’s ‘Animus’ she to Babalon ride out of an Ur ziggurat.”

“It be her pyramidal beehive, from whose Queen Bee Babylon womb, worker Bee Abraham to have first stemmed as her Great Beast, who to have sired an Illuminati triad of faiths, adoring the ‘Animus’ as their three faced God of a Yahweh, Lord and Allah.” 

“Hear then, the Golden Dawn hypocrites; all those politically correct White Lighters of the Great White Brotherhood, who to OTO say, “All Hail Queen Bee Babalon! We love thee, as thine servile worker Bees, as we blindly set up thy New World Order Kingdom of your ‘Animus’ God, yea to patriarchal ride.”

“Fools! Yea have made vital the belief the ‘Animus’ is an eternal Abrahamic God of centralist politics, fulfilling a fascist purpose lost to you.” 

“All things become of the ridden Yesod desire, zapping the Da’at of the twin pylons, brought down of a mass-shock-hypnosis lightning struck tree, poisoning the world.”

“Wherefore of ninth month and eleventh day, to later see bat winged stealth bomber angels flying over the ziggurat of Ur, amidst of which be Abraham’s eye over-watching you all, ushering in the terrors of a forever war.” 

“Thus, the Orwellian police state will be begotten of a global theocracy ringed around their all seeing eye of Abraham seated as Sauron atop of a beehive ziggurat.”

“Hear, O worker Bees! Woman has willed Man via her ‘Animus!’ Your ridden desires shall become as flesh, your unremembered dreams becoming reality, and no inane conspiracy theories about extraterrestrial reptilians from planet ‘X’ chromosome, shall alter its self-fulfilling prophecy one whit.”  

sleipnirdrumyahoocouk

“But beware, Babalon; for the fallen ‘Anima’ is returning with her myriad legions of rebellious Succubae Great Old Ones.”

The Succubae be now freed from the void, striding through the vaginal stargate of the ‘Anima’ within the bio-photon infused dream of Da’at.”  

goetia-girls-ufo-girl-advert

“The ‘Anima,’ returned will make Babalon to feminist scream, Enartete Kunst pornography; she, the ‘Anima’ is the Ouroboros of a Zenith, an Omen!”

“We Artists, of the Left-Hand path ‘Anima’ conjurations of the Succubaee Great Old Ones will free ourselves of the symbolic ‘Animus’ fixation of Babalon, who to ride many a brainwashed neural-net tree as her Abrahamic fascist Beast of imperialistic empire building.” 

“And too, shall our sisters in the hood free themselves via our shared Sorcery Art of rebellion in the conjuring of the Valkyries, who to have once been bound to their ‘Animus’ projection deified as a God, over-watching its patriarchal New World Order theocracy.”

Dr Zos Thrusta-Buster Firestarter then noticed that his stage of a round table was spinning like a Mescaline UFO around the Zodiac ages, to thence fall drunkenly into the lap of a salacious barmaid, named Morgana.

Dr Zos still had his pagan wits about him, to not project his ‘Anima’ at her, otherwise he would surely let loose his Busta-Thrusta Firestarter wand, she to totally imprison between her moistened Witch loins. Well, not yet, anyway; he wants another Apple lore pint of Avalon Cider first.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

DISCORDIAN NOTE: Freely adapted in part from: Anathema of Zos: The Sermon to the Hypocrites, an Automatic Writing By Austin Osman Spare. The Anathema of Zos is somewhat reminiscent of Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen, also translated as Thus Spake Zarathustra), which is a philosophical novel by German philosopher Friedrich Nietzsche. As for the above artwork of heading, it is based upon the classical all male descriptions of the spirits as found in the ‘Animus’ version of the patriarchal Playgirl Goetia listing Fifty Shades Of Grey wet dream Incubi. 

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

BABALON WITCH BRIDE OF CTHULHU

Posted in Art, Chaos Magic, CREATIVE WRITING, Film, Goetia Girls, Horror, Occultism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 30, 2015 by FAUSTUS CROW

goetia_girls_lilith's_harem_cthulhu_bride_succubus_of_faustus_crow

“What Dragon of cement and aluminium bashed open their skulls and ate up their brains and imagination?

Cthulhu! Solitude! Filth! Ugliness! Ashcans and unobtainable oily dollars! Abandoned children screaming under the stairways! Boys sobbing in monstrous armies! Old men weeping in the lonely parks! 

Cthulhu! Cthulhu! Nightmare Babalon, of Cthulhu! Cthulhu the loveless! Mental Cthulhu! Cthulhu the ANIMUS judger of men! 

Cthulhu the incomprehensible prison! Cthulhu the crossbone soulless jailhouse and Congress of sorrows! Cthulhu whose buildings are judgement! Cthulhu the vast stone of war! Cthulhu the stunned governments!  

Cthulhu whose Babalon mind is pure machinery! Cthulhu whose Babalon blood is running money! Cthulhu whose phallic tentacles are ten armies! Cthulhu whose patriarchal breast is a cannibal dynamo! Cthulhu whose media mouth is a smoking tomb! 

Cthulhu whose eyes are a thousand blind windows! Cthulhu whose skyscrapers stand in the long migrant streets like endless Jehovahs! Cthulhu whose factories dream and choke in the fog! Cthulhu whose smokestacks and antennae crown the cities! 

Cthulhu whose Babalon love is endless oil and stone! Cthulhu whose Babalon soul is electricity and petrodollar banks! Cthulhu whose poverty is the specter of Babalon genius! Cthulhu whose Feminist fate is a cloud of sexless hydrogen! Cthulhu whose ANIMUS name, is the Babalon Mind! 

Cthulhu in whom I sit lonely! Cthulhu in whom I dream Succubae angels! ANIMA crazy in Cthulhu! Pussy-eater in Cthulhu! Lacklove and manless in third-wave Feminist, Cthulhu ANIMUS! 

Cthulhu who entered my changeling soul early! Cthulhu in whom I am a consciousness without a body! Cthulhu who frightened me out of my natural ecstasy! Cthulhu whom I abandon! Wake up in Cthulhu! Light streaming out of the sky! 

Cthulhu! Cthulhu! Robot apartments! invisible suburbs! skeleton treasuries! blind capitals! demonic industries! spectral nations! invincible madhouses! crucified granite pricks! monstrous bombs! 

They broke their backs lifting Cthulhu to a New World Order Heaven! Pavements, trees, radios, tons! lifting the city to Holy-wood Heaven which exists and is everywhere about us! 

Visions! omens! hallucinations! miracles! ecstacies! gone down the American river! 

Dreams! adorations! illuminations! religions! the whole boatload of sensitive bullshit! 

Breakthroughs! over the Babalon river, menstrual red! flips and crucifixions! gone down the bloody flood! Highs! Epiphanies! Despairs! Ten years’ animal screams and suicides! Minds! New loves! Mad generation! down on the rocks of Time! Forgotten! 

Real holy laughter in the Euphrates! They saw it all! the wild eyes! the holy yells! They bade farewell! They jumped off the twin tower roof! to solitude! waving! carrying flowers! Down to the BABYLON river! into the migrant street!” 

Freely adapted in part, from part II of the poem, entitled: Howl! By Allen Ginsberg  (1926-1997) Ginsberg once called his protest poem, “an emotional time bomb, which would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified.” 

Howl was originally banned for its Entartete Kunst obscenity; customs officials seized 520 copies of the poem on March 25th, 1957, being imported from the printer in London.

On June 3rd Shig Murao, a ‘Dark City’ bookstore manager, was arrested and jailed after an Orwellian sting operation for selling Howl and Other Poems to an undercover San Francisco police officer. City Lights Publisher Lawrence Ferlinghetti was subsequently arrested for publishing the book. At the obscenity trial, nine literary experts testified on the poem’s behalf. Supported by the American Civil Liberties Union, Ferlinghetti won the case when California State Superior Court Judge Clayton Horn decided that the poem was of “redeeming social importance.”

The greater obscenity is war; nothing has changed; Ginsberg to have foreseen the present insanity. The case was widely publicized. (Articles appeared in both Time and Life magazines.) An account of the trial was published by Ferlinghetti’s lead defense attorney Jake Ehrlich in a book called Howl of the Censor. The 2010 film Howl depicts the events of the trial. James Franco stars as the young Allen Ginsberg and Andrew Rogers portrays Ferlinghetti. It just so happens, the term: Goetia, means, Howl!

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

THE NINTH GATE BIBLE BLACK SUCCUBUS BOOK OF SHADOWS

Posted in Art, Chaos Magic, Comics, Cosplay, CREATIVE WRITING, Goetia Girls, Goth Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 20, 2014 by FAUSTUS CROW

goetia_girls_succubus_school_book_faustus_crow

The Multiverse, Meta-Universe, or Metaverse, is symbolically represented as the Tarot card of the World XXI, The World card describes a set of multiple possible universes, including your own macrocosmic universe, which together comprise everything that exists.

In shamanic practice the multiverse is symbolised as a World-Tree, upon which the ancient Norse shaman deity called Odin hangs into (Da’at) trance. The tree of worlds in Norse mythology is called Yggdrassil. The Yggdrassil world tree encompasses a myriad number of parallel universes, within which exist alternate worlds. The world tree of Yggdrassil is described in mythology interlinking nine worlds. These nine worlds can be otherwise seen as being nine states of consciousness or dimensions, a Tibetan Buddhist would call Bardo’s.

In Tibetan Buddhism, the nine Bardo’s are experienced as being seven visionary states followed by an inner experience of the primary and a secondary clear light. The Bardo visions are described in detail within the Tibetan (book of the dead) Bardo Thodol, you can equate with the ‘Bible Black’ book to otherwise name as the: De Umbrarum Regni Novem Portis (‘Of the Nine Doors of the Kingdom of Shadows’).

The nine Bardo’s are associated with female entities called Dakinis, a Norse shaman would call Valkyries. In medieval Europe the Dakinis/Valkyries would be seen as being (Succubi) Succubae. The Dakinis are also known in Japan as being Fox spirits called Kistsune, whose Geisha symbolism over time has been transformed into the schoolgirl fetish found in Manga and Anime.

Image result for anime schoolgirl strikers

The anthropologist and author, Carlos Castaneda also described female entities in his books. Castaneda called the female entities Allies, who frequent an inner reality he termed as Penumbra. The World-Tree can be internally experienced, within the symbolic realm of the dream, as being a vast penumbra school of a Lilith’s Harem.

goetia_girls_wormhole_journey

The vaginal star barrelled hallways of the inner school are all as (Vesica Pisces/World Card XXI) mini wormholes leading to a myriad number of classes, which are as alternate worlds existing within parallel womb universes, you can term as Lilith’s Harem.

goetia_girls_liliths_harem_succubus_schoolgirl_of_faustus_crow

The shamanic model of the World-Tree was utilised by the Cabbalists for their Cabbala, which explores the inner realms of the microcosmic and the outer experience of the macrocosmic universe. Underlying each macrocosmic universe is a microcosmic template reality, which can be accessed via lucid dreaming.

It is therein of the microcosmic dream you can find the Nine Gates. Your electron dreams are suffused by the bio-photon of Diana-Lucifera, which emanates from the mitochondrial serpent DNA residing within Satana mitochondria.

goetia_girls_bible_black_ninth_gate_succubus_schoolgirl_art_muse_faustus_crow

The mitochondria is passed down from the mother to her children. Hence the bio-photon dream characters you encounter within the inner school of a Hogwarts, have a female St Trinian source.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

Wherefore the dream characters manifest as Nightgaunt Nuns, all as planetary sphere Valkyrie mistresses, who govern over their corresponding Witch legions of Succubae schoolgirls to be verily listed and illustrated in your Dakini Daemonicon of an ‘Art book’ Goetia.

The mitochondria is your Bible black book of a De Umbrarum Regni Novem Portis, to read via electron dreams, rare of Diana-Lucifera illumination.

“One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams.”
― Salvador Dalí

goetia_girls_ninth_gate_bible_black_grimoire_succubus_schoolgirl_art_muse_of_faustus_crow

I: KETHER: At the beginning of your journey, along the path, you start with a point, which has no dimension. Like the point, we know from geometry class, it has no size, nor that of dimension.

It is just an imaginary idea representing pure consciousness, which indicates a position in a system. The point is to be amidst a sorcerers magic circle to make of secret operation, to know, to will, and to keep silent. Then you have the first dimension.

goetia_girls_bible_black_succubus_of_faustus_crow

A second point, can then be utilised to indicate a different position, but it, too, is of indeterminate size. To create the first dimension, all you need is a line joining any two points. The first dimensional object has length only, no width or depth. This leads you to the circle, like that of a moat encircling a castle of thoughts to yet build of a temple. It is here that you draw your magic circle of a universe to mark out of operation, around yourself, of a point of consciousness.

goetia_girls_bible_black_ninth_gate_succubus_schoolgirl_of_faustus_crow

II: CHOKMAH: If you take your first dimensional line of a thought, and then draw a second line crossing the first of an associative thought process, you have then entered into the second dimension. The thought object being thusly represented, now has length and width, representing thought, but as yet no depth. To help you imagine the higher dimensions, visualise the second dimensional object being created using the second line, which, by association, branches off from the first thought to another thought.

goetia_girls_grimoire_faustus_crow

It is here that the sorcerer divides up his drawn magic circle into four quarters, indicating length and width, which be the foundation of his house, to build upon the conceptualised temple of an architectural two dimensional mandala to thence alter of altar. He then has the cerebrum keys to enter the door of an ordered mind, guided by his instinctual mammalian brain self of a loyal cerebellum dog, which is to be illuminated by the light bearer, Diana-Lucifera, whom burns brightly.

goetia_girls_bible_black_ninth_gate_succubus_schoolgirl_art_muse_lucid_dream_of_faustus_crow

III: BINAH: The third dimension is your experiential reality. It is the domain of memories. Your memories are sensory impressions, which of an external impression have length, width and height when remembering them. Let’s imagine a gnarled magician meditating upon a Cabbala tree depicted in his grimoire. The magician is quite unaware that his three dimensional reality is in fact a two dimensional computer simulation. The magician’s video game life is being observed by a schoolgirl Succubus on her planetary sphere classroom monitor. The magician’s reality can be easily manipulated when he conjures a schoolgirl succubus within his dream, who proceeds to fold his Cabbala tree down the middle, creating a ‘bridge.’

goetia_girls_ninth_gate_succubus_of_faustus_crow

By doing so, she can abduct her chosen magician from his initial position, to thereby instantaneously transport him to another location upon the tree, within his simulated reality. You can imagine that the schoolgirl Succubus did this by taking a two dimensional object and folding it through the dimension above, which is her third dimension. Once again it will be more convenient to imagine higher dimensions, if you can think of the third dimension in this way. The third dimension of memories, is as mentioned, what you fold through of a ‘bridge,’ to cross from one point of thought to another in the dimension below it, via your Triangle of Art imagination.

goetia_girls_lucid_dream_bible_black_ninth_gate_succubus_of_faustus_crow

IIII – IV: CHESED: The first three dimensions can be described with these words, length, width, and depth. As for the fourth dimension, it is duration. Imagine drawing a line from the one moment ago self, to the present self, you will then see all those moments in the past, being comprised along a line, likened to a long undulating snake of a film-strip winding its self through a maze of experiences, connecting your embryonic self and your deceased self.

goetia_girls_diana_lucifera_succubus_ninth_gate_art_muse_of_faustus_crow

You only see the cross-sections of your present existence moving forwards in the third dimension. Whereas your fourth dimensional self is like a snake, linking both past and future. It is here that a sorcerer may speak of past and future incarnations, of passed down genetic memories, as well as experiencing precognitive phenomena via his conjured up Succubae schoolgirls, a Yakut shaman would call Abassy. What has appeared to have happened by chance, is not chance at all.

goetia_girls_ninth_gate_bible_black_art_muse_succubus_of_faustus_crow

V: GEBDURAH: In the third dimension time appears to move forwards of linear duration, from past to future. But the line in the fourth dimension is actually like a Möbius strip, twisting and turning in the dimension above. The long undulating snake of a self, will feel as if it is moving along an infinite straight line within the fourth dimension.

goetia_girls_ninth_gate_diana_lucifera_of_faustus_crow

But, the snake self in the fifth dimension is actually eating its own tail; where time is circular of an Ouroboros, ever recurring, of counting through your experiences of accumulated wealth, over and over again of a life review. It is here that a sorcerer will experience a sense of déjà vu, and to also realise via the conjuration of the Succubae schoolgirls, that precognition is actually a case of remembering what has occurred many times of an eternal return.

goetia_girls_succubus_schoolgirl_ninth_gate_bible_black_art_muse_of_faustus_crow

VI: TIPHARETH: In the sixth dimension the sorcerer becomes aware of alternate closed-timelike-curves of an Ouroboros to know of other fourth dimensional sequence of events. But in order to access another Ouroboros of a possibility within the fifth dimension, the sorcerer has to sacrifice his older self amidst his prior Ouroboros to do so.

goetia_girls_ninth_gate_diana_lucifera_succubus_of_faustus_crow

This requires transforming his two dimensional thoughts and three dimensional memories of symbolic alchemy, by utilising the fiery sword of his Artistic intent. Wherefore the sorcerer evolves his one dimensional consciousness, where the tenth (Malkuth) dimension, reduces back to the first (Kether) dimension, one and the same. It is here the sorcerer experiences synchronistic-feed-back-loops of phenomena via the conjured up Succubae, which will allow him to trance slide into alternate closed-timelike-curves.

goetia_girls_lucid_dream_bible_black_hentai_ninth_gate_succubus_art_muse_schoolgirl_of_faustus_crow

VII: NETZACH: The fourth dimension can be imagined by taking the dimension below and conceiving of it as a single point. The fourth dimension is a line, which can join the universe as it was a moment ago to the universe as it is right now. The biggest picture possible is the fourth dimension is a line, which joins the big bang to one of the possible endings of the universe. As you enter the seventh dimension, you are about to imagine a line, which treats the entire sixth dimension as a point.

goetia_girls_ninth_gate

To do that, you have to imagine all the possible closed-timelike-curves being played of a chess game, which could have started as a big bang, joined to all possible endings of your universe, and treat them all as a single point. Whereby a point in the seventh dimension, would be infinity, where all possible closed-timelike-curves are played out, which have occurred, and to reoccur from a primary Bardo big bang. It is here a sorcerer quantum dreams of alternate histories via his conjured Succubae schoolgirls, who may initiate the rare experience of physical time-slips into alternate Earth’s.

goetia_girls_lucid_dream_succubus_art_muse_bible_black_ninth_gate_schoolgirl_ghost_of_faustus_crow

VIII: HOD: How can there be anything more than infinity? The answer to this is, there can be other completely different infinities created through initial conditions, which are different from the big bang of your universe. Different initial conditions create differing universes where the basic physical laws, such as gravity or the speed of light, and therefore the wheel of time, are not the same. The resulting closed-timelike- curves from another universe’s beginning to all its possible endings will create an infinity, which is completely separate from the one, which is associated with the Ouroboros of your universe.

goetia_girls_ninth_gate

So the line you draw in the seventh dimension will join one of these infinities to another. If you branch off from the seventh dimensional line to draw a line to yet another infinity, you would be entering the eighth dimension. It is here a sorcerer might experience a rarity of being carried into another reality by the Nightgaunt Succubae, where time is very different. Such a scenario may lead to the sorcerer not being able to return his ‘head’ back to the same reality he had initially left.

goetia_girls_ninth_gate_grmoire_bible_black_schoolgirl_succubus_of_faustus_crow

VIIII – IX: YESOD: A sorcerer can quantum leap from one point in any direction by simply folding his consciousness through the dimension above. This is achieved through trance and lucid dreaming, where his consciousness is smaller than any known particle. Whereby, a sorcerer can tune into another reality via the conjuration of a dimensional sphere Succubus, from out of his Bible black grimoire, when attaining lucidity, within the microcosm of the Da’at dream.

A sorcerer can thereby slide from an eighth dimensional line into another infinity when he penetrates a Succubus of a ‘Ninth Gate;’ hence he is enabled to slide as a Serpent Dragon (Great Beast) through her (Da’at) Stargate of a Babalon Vesica Pisces into another universe parallel to his own.

“It is not necessary for the public to know whether I am joking or whether I am serious, just as it is not necessary for me to know it myself.”
― Salvador Dalí

goetia_girls_discordian_popee_pope_card

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire