Archive for hippie

JEDI HIPPIE FIRST EARTH BATTALION

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Shamanism, Sorcery, Star Wars, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 30, 2017 by FAUSTUS CROW

The Artwork above is provisionally entitled, The Witches Who Stare At Goats, which is available as an Art Print; if you are interested, Please Click Here.

The Witches Who Stare At Goats, was inspired by The First Earth Battalion, which is the name of a military order of psychic supersoldiers, who are organized along New Age Hippie lines. The First Earth Battalion was proposed by Lieutenant Colonel Jim Channon, a U.S. soldier who had served in Vietnam. Channon also authored a First Earth Battalion book, which was published in 1982.

The title if the Artwork is derived from  the book, The Men Who Stare At Goats, written by the journalist Jon Ronson. According to Ronson, during the 1970’s, Channon set about researching the principle individuals who are credited with starting the Human Potential Movement in California.

Ronson’s book was later made into a surreal comedy film, set in Iraq. The film was released in the Autumn of 2009, which starred George Clooney, Ewan McGregor, Jeff Bridges and Kevin Spacey. The fictionalized version of the First Earth Battalion was renamed as the New Earth Army.

As mentioned, Channon subsequently wrote an operations manual for a First Earth Battalion. The manual was a 125-page mixture of drawings, graphs, maps, polemical essays and point-by-point redesigns of every aspect of military life.

Channon’s First Earth Battalion manual is a 125-page mixture of drawings, graphs, maps, polemical essays, and point-by-point redesigns of every aspect of military life. Channon also created a new battlefield uniform, which would include pouches for ginseng regulators, divining tools, and food stuffs enhancing night vision. The kit even included a loudspeaker, which would automatically emit ‘indigenous music and words of peace.’

Channon believes The First Earth Battalion has the potential to be a principal moral and ethical force in society via whose Jedi philosophy, politics could be harmonized in the name of the Earth, being its primary allegiance.

Channon envisioned that the First Earth Battalion will be organized informally: uniforms without uniformity, structure without status, and unity powered by diversity, whose Star Trek members would be multicultural, with each race contributing to a ‘rainbow power.’

He also proposed as a guiding principle that members of the First Earth Battalion must at all times seek non-destructive methods of conflict resolution because their first loyalty is to the planet, which sums up the hidden emphasis of Channon’s surrealism, being non-lethal warfare, otherwise termed as psychological warfare.

Channon’s First Earth Battalion manual can be seen to be a creation of surrealist art, investigating how the sorcery of art can influence the mind.

Channon’s surrealist synthesis of New Age symbolism was subversively utilised by the intelligence wing of the military, in order to offset the symbolic influence of the New Age Movement, which, during the Hippie era of Vietnam, had toppled a government.

In other words, the government did not want a repeat of alternative philosophies gaining any ascendancy, more so that of mass anti-war protests causing them bother, when going into Iraq. Hence, the symbolic focus upon the 2012 mystique was prior engineered of Psyops artistry, in order to steer, control, as well as to totally fragment the New Age Movement’s own artistic vision.

Channon adopted the viral-meme term ‘Warrior Monk’ for potential members of the First Earth Battalion, which can be otherwise re-worded of an anti-viral-meme Mantra as, ‘Warrior Artist.’

According to the aptly titled book Mind Wars by Ronald McRae, each member of the First Earth Battalion would be sworn to uphold a credo of, ‘High Commandos and Guerrilla Gurus,’ you could otherwise imaginatively term as, High Commando Artist’s and Guerrilla Artist’s:

1: I have the (Artist) capacity and therefore the duty to contribute to the development of myself, my associates, and our planet, simultaneously, now!

2: I will organize a self-supporting high commando (Art) group that will create and perform evolutionary breakthrough actions on behalf of people and planet. One people, one planet.

3: I will then pass on this concept to others who are capable of generating further self-organizing commando (Art) teams.

4: I will await the time when my (Art) group can connect naturally with others at higher and higher levels of awareness and performance — the Natural (Art) Guard.

Hippie Witch First Earth Battalion by MARDUN

The Artwork also depicts an alternate version of the Thirty-First spirit called Foras, out of the Goetia, who is featured in my second Goetia Girls book.

NOTE: The techniques of psychological warfare and mind control have been around for a very long time, it is nothing new. State Religions have been using psychological warfare and mind control since the times of ancient Babylon.

State Religions primarily use fear as well as inducing a state of guilt in order to brainwash the populace, which is ongoing.

For example, there are a number of individuals whose Judaeo-Christian mind-set is right out of the Witch burning middle-ages who are communicating that (hypnagogic trance) sleep-paralysis and erotic lucid dreams is equitable with a Satanic addiction with hedonic porn, indulging in sinful adultery and even becoming embroiled in shadow-being demonic bestiality; whereby making you fear what you are dreaming.

Should you be experiencing sleep-paralysis as well as having erotic lucid dreams, it would be best that you ignore the mind-control tactics of the cultic fear-porn merchants of the three monotheist Middle-Eastern cults out of Ur, which have habitually indulged in psychological warfare and mind control down the ages.

If you find it difficult to ignore what the cultic minions are spreading of fear-porn due to your own religious indoctrination, all you have to do is to look back to the middle-ages where you will find a number of historical accounts of mind-control cultists who have communicated the same fear-porn, which led to the Witch burning genocide across Europe and the New-World, of a prior Holocaust.

Just keep in mind that the Daesh have the same theocratic mind-set as those who are spreading the viral-meme mind-control fear porn of religious politics. Hence, you have to become a Jedi of the First Earth Battalion so that you can negate their psychological warfare.  

There are other elder cultures, which have investigated sleep-paralysis and erotic lucid dreams, whose mind-expansion orientation does not make you fear exploring your own consciousness.  

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FREEMASON HIPPIE WITCH QUEEN BEE

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 28, 2017 by FAUSTUS CROW

The Thirty-Eighth ‘Anima’ archetype to conjure as a Succubus Art Muse is mantra named, Halphas, or Malthous (or Malthas).

“She is a Great Countess, and appears at first amidst the Triangle Of Art Imagination in the visionary form of a Stock-Dove before manifesting as a rebellious, ‘Make Love, Not War,’ Hippie Witch Queen Bee Freemason within a lucid dream. She speaks with a seductive clairaudient voice telling of the most shocking revelations. But it requires the conjuring Artist to connect the revealed dots to see the horrendous pattern, should he/she decide to seer beyond the controlled media machine illusion.

Her Queen Bee office is to reveal how very easily the collective mind of the mass populace can be imprisoned within illusory constructs of indoctrinated belief.

The shared beliefs of the collective mind manifest as ghostly fractal landscapes and gridded up towering cities, all as haunted shells, which are frequented by the sleepers who are still asleep, looking like brainwashed zombies, whose brains have been systematically poisoned.

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

The conjuring Artist will encounter such Hammer Horrors within his/her subconscious dreams to harrow, who will be seen by the brainwashed zombies as being an otherworldly abducting alien, which of an outside of the box harrowing is to negate the boxed brainwash. Well, what do you expect. it isn’t called the ‘Great Work,’ for nothing.

She will also reveal that the associative information fractals within the microcosmic dream overlaps with the macrocosmic physical of perceived entoptic form ley-lines, along which apron wearing Worker Bees blindly swarm over, who are still unaware that they are seen by the puppeteers to be nothing more than brainwashed slaves, whose children are being dosed up with mutagenic compounds and neurotoxins.

Yet, the Worker Bee’s continue building constructs of their indoctrinated belief upon those power places, where controlled synchronicities abound; for the eugenic few control the collective mind through blinding belief, which is entwined with their symbolic tool of monopoly game banker money.

At such places of power, the rebellious Artists can otherwise transform the established Beehive lodges of an ‘Animus’ fixation into protesting rebel Art galleries; for all beliefs are merely mind-constructs, which are symbolic of Art.

Art can reveal truths, the banking elite do not want the collective mind to perceive, who otherwise use Art as a neuro-marketing media tool in order to keep the populace ignorant within their New World Order Eden. Wherein of a shadowy Plato’s cave, the few have imprisoned many a poisoned brain, whose DMT producing pineal glands are fluoridated blinded to not see beyond the symbolic matrix of engineered beliefs, which be their neuro-zapping prison bars, strangling their reptilian-brain-stems.

She rules over Twenty-Six Legions of (Succubae) Succubi, whose Art Muse inspiration cuts through the illusory constructs of the wearing no clothes banking elite, who greatly fear the collective mind waking up to their crimes against humanity, and all life its self; hence, they are fleeing what they perceive to be a sinking ship, just as the aristocratic rats did just before the French revolution.

Her two-dimensional seal is to be mediated upon by the rebellious Surrealist Artist before conjuring her interactive three-dimenional ‘Anima’ manifestation into a consciousness expansion Stargate lucid dream, revealing at first, horrors, which need to be harrowed and ‘healed.’

The dreaming Sorcerer Artist will then perceive the real pyramid of the misdirection viral-meme Illuminati, behind which of an engineered illusion hides the imprisoning triangulated trinity of ‘Animus’ fixated belief constructs, around an oily ziggurat of UR, the monotheistic banking elite do feudal adore as their Orwellian cradle of centralist politics.

When to see the indoctrinated beliefs of divide and conquer prison bars, the triangle around the UR ziggurat is seen for what it is, along with seeing the oily money trail, trailing back to the ‘very few’ atop of their petrodollar ziggurat of skulls, who far prefer initiating a race war holocaust, let alone a third world war, rather than being found out as being criminally insane. They cannot be allowed to initiate another World War two ‘holocaust,’ sacrificing the lives of scapegoat innocents for their own eugenic agenda, let alone instigating a third world war, which will be the End Of Days of all.

The eugenic inbred murderers are easy to discover, before they disappear into their slave built rat hole bomb shelters; for their bloodied fingerprints are over everything, who make the ‘chosen race’ deluded Nazis look like inane puppets. But then the Nazi clones only copied Rome, which to have copied, just as superiority complex copycat Mecca did, of cultic clone insanity. The three cults of UR, likened to the BORG out of Star Trek, have indoctrinated many a ziggurat branded brain to become utterly insane down the brainwashed generations, who as cloned automatons dance madly as self-fulfilling-prophecy zombies around the skull tiered ziggurat of UR.”

The Goetia Surreal – S. L. MacGregore FreeMason, Alternate Earth, Art Central Paris.

NOTE: As you join all the dots together to see the overall pattern, you will no doubt become quite horrified, let alone highly emotionally reactive; some will prefer not to see anything at all, or to otherwise seek out shadowy Creepypasta created groups rather than seeing the secret hidden in plain sight, or to lose themselves to PsyOps misdirection otherworldly entities out of a horror-wood B-movie, such as Demons, interdimensional reptilians or invading extraterrestrial aliens as being the reason why the world is being transformed into a seething pool of shit.

 “If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.” ― Sun Tzu, The Art of War

Others will invariably blame a whole race of people as being the culprits, which just feeds into the divide and conquer modus operandi of the controlling few, rather than seeing it is ‘passed down beliefs,’ that have led to the present problems, instigated by a ‘few insane individuals,’ who are all too human psychopaths, using the shared beliefs of the masses as a means to control them via a corrupt financial system, for their own shitty agenda. As the old adage goes. “power corrupts, absolute power, corrupts absolutely!”

“The supreme art of war is to subdue the enemy without fighting.” ― Sun Tzu, The Art of War

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THE MUMMY RETURNS

Posted in Art, Chaos Magic, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Psychology, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 13, 2017 by FAUSTUS CROW

RED ICE: I am your stand in host on Red Ice TV. We are very honoured by having the talented actor, Tom Cruise here, in our humble studio, who has taken time out, from his very busy schedule to tell us about his role in the re-imagined Mummy film. Let’s start by asking… (Tom Cruise quickly interjects.)

TOM CRUISE: Look, I have to cut to the chase here. I haven’t got much time. I need to warn the public; I can’t hold back any longer; a female Mummy is far more real than anything you can ever imagine.

RED ICE: What? I thought all Mummies are female, my very real Mummy was most definitely female, until she had a Hollywood sex change, now I call her my big Daddy…

TOM CRUISE: No, no, no! You know what I mean, I mean reanimated Egyptian Mummies; the bandaged up types, clambering out of a crumbling Beehive of a pyramid; they’re for real… (Cruise stands up from his seat and does a staggered zombie impression as Mummy Boris Karloff.)

RED ICE: You’re kidding me! You’ll be saying that Boris Karloff is a Imhotep Freemason, next, who’s plastered ghost is still around, haunting the Illuminati Beehive lodges of Hollywood’s Masonic studios?

TOM CRUISE: No, no, no! Far worse than Karloff; a Queen Bee Mummy will knock Karloff’s worker Bee Mummy into Oblivion; she’ll go far beyond Marjorie Cameron, who hunted down Jack Parsons upon a Babalon synchronicity. She’s a femme fatale Succubus… She’ll get into your pyramidal three tiered brain, driving you Left-Hand-Path creatively mad with her dark salacious nature.

RED ICE: Are you for real? An ancient Queen Bee Mummy is actually around, walking amongst us?

TOM CRUISE: Yes! She’s a disembodied Thetan, who has total control over the worker Bee’s, Alex Kurtzman and Jon Spaihts. what’s more, as a disembodied Queen Bee Thetan, she took possession of Sofia Boutella.

RED ICE: Sofia Boutella is possessed by a disembodied Thetan? What do you mean by a Thetan, exactly? Can you explain to our Muggle audience what a Thetan is?

TOM CRUISE: Well, I can’t go into the Thetan stuff. You have to a be a Scientologist to be privy to that kind of… Clear… information. All I can say, is that a Thetan is like a spirit.

RED ICE: Is a Thetan spirit associated with the Theta brainwave, which is involved with hypnagogic trance and Artistic creativity?

TOM CRUISE: Yes! Yes! It is a chaotic brainwave state, we Scientologists have to control at a collective level in order to brainwash brains, to then convert their jellies into a hypnotised hive-mind, just as the Catholic church of Rome’s BORG empire has likewise done so, let alone Islam and that of their original appropriated BORG source, Judaism. As Philip K. Dick once said, “The Empire Never Ended!” So, when in Rome, do as the Roman’s do… Cults are financially lucrative, which is especially the case when a cult becomes a big-business religion, paying no taxes… Shit! The money just rolls in. That’s why the public water supply has been eugenically fluoridated with a known neurotoxin and a mutagenic compound, in order to calcify the DMT producing pineal-glands of the unwashed fleecy minded populace, to never question their monotheistic triangle of an Illuminati trinity… Damn it! I’ve let slip there…

TOM CRUISE: Forget what I jut said. Look, I can’t reveal anymore, otherwise I’ll be castrated by L. Ron Hubbard’s Men In Black minions, dressed like dog-collared priests… But there’s something far, far worse than them… I haven’t the time; I’m being hunted by the Great Old Ones. This is between you, me, and your very select audience, you understand… Kurtzman told me in private, that he and Spaihts decided to use the Surrealist technique of Automatism, which involved the utilisation of a Ouija board.

RED ICE: What type of Ouija board did Kurtzman and Spaihts use, there are so many different designs?

TOM CRUISE: The Ouija board was specially designed by the same individual who wrote and illustrated a Grimore, both of them used to conjure up a Succubus as their inspiring Art Muse. It was the Muse who inspired their artistic ideas for their movie, to win over the studio’s lodge, big bucks.

RED ICE: What Playgirl Grimoire are you talking about here, are you speaking about, something like, H.P. Lovecraft’s Necronomicon?

TOM CRUISE: Sort of; but it’s the real Necronomicon, since no one had ever depicted what this Grimoire covers, listing Playboy Goetia Girls. It was written and illustrated by some mad sorcerer artist, named Mardun, who is also known as Faustus Crow; he is the Artist who designed their Ouija board.

RED ICE: Mardun… Faustus Crow… never heard of him… Tell us more about this Succubus Art Muse…

TOM CRUISE: The Succubus, Kurtzman and Spaihts conjured up is called Uvall, who is said to be an ancient Egyptian Art Muse, Crow illustrated as a Mummy. Uvall started to make the planchette go crazy around the Ouija board, channelling the script for the entire movie, who also communicated that another name she is known by is… Ahmanet.

RED ICE: So you’re telling us that Kurtzman and Spaihts conjured up a Succubus called Uvall, which channelled the entire movie script as well as taking possession of Sofia as Ahmanet?

TOM CRUISE: Yes! The Succubus transformed Sofia into a wild eyed Performance Artist. She became like an ecstatic Shaman High Priestess Of The Silver Star; she would spontaneously go into an orgasmic Sirius trance on set, saying she was the incarnate ‘Anima’ made as Babalon flesh, let alone singing perverse erotic hymns about Faustus Crow all of the time; it scared the living shit out of me, let alone everyone else. When she sang her salacious praises to Crow, she would make various objects fly all around, such as cameras flying like winged eyes, the camera crew’s bus, weighing as much as a pyramid block, flew like Harry Potter’s car; she even levitated camels, which trotted the air like Santa’s reindeer out of London zoo; it was like Spielberg’s, Poltergeist, but for real.

RED ICE: Sorry, but I think, all of this sounds absolutely crazy. Are you taking any psychiatric medication?

TOM CRUISE: I hate psychiatrists, and I’m not mad; I’m deadly serious. Kurtzman also informed me that the other film directors and writers are using Crow’s Grimoire in the same way for their own horror films, let alone science fiction movies.

RED ICE: Hang on! What? The other directors, writers are using Crow’s Grimoire, in order to conjure up Succubus Art Muses, around his Ouija boards, for their movie scripts as well? That’s, just plain nuts! It sounds like a David Icke reptilian conspiracy to me.

TOM CRUISE: Uvall, I…I… mean, Ahmenet; NO! I mean, Sofia; she’s possessed by the raptor SOPHIA, get it!? She is intending to awaken all the hot blooded Beasts to their Fallen ‘Anima,’ by using those hypnotically erotic dance moves of hers. You do know what that means don’t you?

RED ICE: No! I don’t; Fallen ‘Anima,’ what’s that?

TOM CRUISE: Can’t go into the Jungian details, apart from saying that it means an end of the Illuminati deification of the ‘Animus,’ made as our three faced God out of Ur, whose gender fixated rule since the Zodiac age of Aries to that of Pisces is about to be usurped by the Succubus Great Old Ones of the fallen ‘Anima.’ The seventh seal of a Chakra has been opened, by the conjuration of Uvall, who will usher in the new Aeon of Star Trek Aquarius.

RED ICE: Let’s get this straight; you’re saying that the conspiring directors and writers in Hollywood are conjuring up the Great Old Ones of the fallen ‘Anima,’ who are all Succubi, to bring about the age of Aquarius, just like the Hippies attempted to do during the Vietnam war era?

TOM CRUISE: Yes! Something like that, but the Hippies were still enamoured with our deified ‘Animus’ made as a God, so, we were able to control them. However, this zeitgeist time around, we have a far bigger problem, which hearkens back to something, very ancient, yet it is also of a far flung future shamanistic orientation…. I would like to point out that Crow uses the older term, Succubae, by the way… Not only the directors and writers are part of this, but also the producers, Artists, and even the actors and actresses; they are all secretly conjuring, which enables them to induce lucid dream interactions with Crow’s Art Muses. The films will all share the same cinematic Hyper-Sigil universe…

TOM CRUISE: Just like Marvel’s and Disney’s elemental superhero franchise of the spandex wearing ‘Animus,’ whose neuro-marketing empire will be toppled by the return of the classic film-land monsters out of the collective unconscious. It has all been initiated by the conjuration of Uvall as Ahmenet, who equates with the Tarot card of the High Priestess.

RED ICE: Hmmmm! I’m sure that Madonna will know that the High Priestess is associated with the ‘Ninth’ Yesod sphere of the Moon in the Cabbala, whose Tarot card is ascribed to the thirteenth path, which crosses over the ‘Eleventh’ hidden sphere of Da’at.

TOM CRUISE: Yes! I know all that Reticular-Activation-System, Nine-Eleven stuff. It is via the Aquarian stargate pylons of Queen Bee Sofia, who is now Crow’s High Priestess, that Hollywood will soon be transformed into Horror-Wood under the blue Kachina star of Sirius.

RED ICE: (smirks) Are you conjuring out of Crow’s Grimoire as well? I must say that Sofia’s pylons are most ravishing.

TOM CRUISE: (moralistic anger) NO! You know what my Minority Report leaning is of ‘Animus’ worship; I am not into this vile ‘Anima’ pornography. It’s all mad, utterly insane; that is why I am warning you about what is going on behind the creative scenes, where Crow’s sorcery of Art is being practiced. (Cruise’s mobile starts to ring; he looks wide eyed at the received text, an expression of War Of The Worlds abject terror crosses his face.)

RED ICE: Are you okay, you look as if someone has just stepped upon your eternally recurring Edge Of Tomorrow grave?

TOM CRUISE: Uvall, I…I… mean, Ahmenet, she’s found me out! No! Her name is Babalon, No! No! No! She can’t be Babalon… I mean Sophia, damn it! damn it… it’s Sofia… damn it, sounds all Greek to me… it’s all the same bloody archetypal raptor. She knows where I am; I’m not safe here. This interview has ended… I have to go, NOW! Before Crow’s dark haired Babalon Working Queen Bee Mummy finds me. (A Heyoka Crow is heard cawing in the Avadhuta distance.)

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V IS FOR VAGINA

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 6, 2017 by FAUSTUS CROW

During the fated zeitgeist summer of 1983, when the fascist UK prime-minister Margret Thatcher was whoring herself with the toupee actor Ronald McDonald Reagan, the then Cold War president of the United States of America, there was a certain individual, named, David Icke, who had finally achieved his ambition of co-hosting Grandstand, which was at the time the BBC’s flagship national sports programme. This was soon followed by Icke’s first published book, It’s a Tough Game, Son!, about how to break into male dominated football.

It was also the year, in the UK, when the opposition leader, Michael Foot stepped on his own foot due to his political eccentricities; whereas Icke and the general UK public was confronted by a two-part science fiction series, which was originally aired as a four-hour television miniseries on NBC, entitled, V.

The science fiction mini-series was inspired by the 1935 novel, It Can’t Happen Here, by Sinclair Lewis, which told of a fascist takeover of America. Lewis’s novel was transformed by V’s creator, Kenneth Johnson into an Independence Day invasion by extraterrestrial fascist aliens.

The series quickly grabbed the media attention of the reptilian-brain-stem masses. Icke, started to wonder whether V was revealing the truth of what was really going on in the world.

During the year 2009, the Ufologist icon Dr Steven Greer, who is in no way related to the feminist icon Germaine Greer, was assailing the government in order to force it to disclose its contact with extraterrestrials.

Greer also warned the populace about a false flag event using appropriated Nazi super-science and Tesla torsion technology for a mock alien invasion, subsidised by shadowy ‘Animus’ fixated oil Sheiks. But nobody listened.

The reptilian-brainstem masses were far too hypnotised by their Orwellian TV sets, watching the Patriot Act remake of V, which ran for two seasons on ABC, from November 3rd, 2009 to March 15th, 2011. It was during this time that US forces withdrew from war torn Iraq after bestowing its democratic facade of a two party dictatorship upon its peoples, whose oil was duly appropriated in the process under a Biblical sky, filled with high tech flying wing stealth bombers and A.I drones.

By 2009 Icke had become a professional researcher, who had since published, The Robots’ Rebellion (1994), And the Truth Shall Set You Free (1995), The Biggest Secret (1999), and Children of the Matrix (2001)— Icke developed his worldview of New-Age conspiracism since watching the first series of V.

Whereupon Icke avidly watched the new series, chronicling the arrival on Earth of a technologically-advanced alien species, which ostensibly comes in peace. But the aliens appear to have sinister motives, who are working to a hidden agenda.

As the masses watched V, they were taken aback when giant mother-ships in the shape of flying triangles, looking like Vaginas, suddenly appear over ‘Twenty-Nine’ major cities throughout the world which gave birth to a plethora of flying saucers.

Even the oily Sheiks were shocked, since the supposedly real aliens had beaten them to the Yesod-Da’at false flag punch, between the fallen twin towers of Boaz and Joachim. The aliens are led by Ashtaroth, who is known as Ashtar, for short, the beautiful and charismatic pussy commando leader of the extraterrestrial female ‘Visitors,’ looking like a Tricia Helfer sexagram Cylon; she declares that they Cum in peace.

The female Visitors claim to only need a small amount of Earth’s resources, in exchange for which they will share the Free-Energy technology of their Vimana out of the Hindu epic of the Mahabharata and their Tantric knowledge of the Vril.

A number of human males headed by Dr Greer, begin to doubt the sincerity of the seemingly benevolent female Visitors, since there is growing evidence that they have time travel capability.

Their origin is actually based in the future, whereby explaining their all too human Catwalk appearance.

Icke discovers that the name Ashtaroth and Ashtar originates from Astaroth, who is the ‘Twenty-Ninth’ spirit listed in the medieval Grimoire entitled the Goetia. Astaroth is described by Colin de Plancy’s Dictionnaire Infernal as being the spirit of Californian eugenic America.

Little wonder then that she looks like a Nordic Marilyn Munro.

However, Icke is initially perplexed, since Astaroth is always described as being a male entity like all the other spirits of Rome’s subversively published Playgirl Grimoires out of the closeted, deaf, dumb and blind misogynist Vatican, backing fascist regimes.

He eventually finds out that Astaroth was originally the Mesopotamian sex Goddess, called Astarte or (Ana) Anat, the Sumerian’s and Babylonian’s named as Ishtar, and that the all male monotheistic symbolic paradigm of the Illuminati patriarchy, out of Abraham’s ziggurat, situated in Iraq’s Ur, is actually their ‘Animus’ creation.

Icke also finds out that the female Visitors do indeed originate from the future, not from Hippie planet X-Chromosome as initially thought. He made the further discovery that the Visitors wear pseudo-human skin over their own highly evolved skins, having reptilian qualities; hence their overriding interest in sunbathing, cosmetics, plastic surgery and genetic modifications.

The female reptilians have been manipulating blood lines since the ziggurat time of pre-Egyptian pyramid Sumeria, just like the Bene Gesserit out of Frank Herbert’s science fiction novel, Dune, who call themselves the Babylonian Sisterhood, the Freemasons worship as their dominatrix Beehive lodge Queen Bees. Icke deduces that is why the Freemason worker Bees, wear flamboyant skirts, I mean, aprons.

The Babylonian Sisterhood have been infiltrating human governments, businesses, and religious institutions down the ages, who gave the impression that their Alpha-male partners were in control in order to establish the deification of their ‘Animus,’ made as a Good-Cop God and a Bad-Cop Devil, who are now in the final stages of their Illuminati plan to set up a two-party dictatorship New World Order Kingdom of Heaven over the entirety of the Earth.

Icke joins the ‘Anima’ resistance movement, which includes the feminist, Camille Anna Paglia, a Visitor sleeper agent who of a Tantric revelation reveals to him that the female Visitors have used the chemical giant IG Farben since the end of WWII to poison the Earth, by fluoridating the public water supply with a known neurotoxin and a mutagenic compound, which specifically targets the males of the species.

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

The males will over time become sterile as well as brain dead servile Worker Bee automatons, who will eventually join the extinct Dodo; whence cloning will be used by the raptor Visitors to create more tetrachromat versions of themselves.

Wherefore explaining why female tetrachromats spend so many hours shopping, since there are innumerable colourful clothes to choose from of evolutionary leaps in fashion.

 The female Visitors use time travel to abduct unsuspecting males from alternate Earth’s for their eugenic experimentation as well as to salaciously harvest the required genetic material needed for their cloning; more so for their tetrachromat shopping sprees across the quantum computing multiverse.

In order to save Man-kind, the rebellion becomes a part of a larger ‘Fifth Column’ movement of both human males and female Visitors, who are rebelliously opposed to Astaroth’s vague but seemingly menacing social engineering plans for Earth and Man-kind.

But their efforts are challenged as the Visitors have won favour among a number of male university students by utilising second wave feminist politics via which they have recruited Earth’s fluoridated brainwashed youth, whose DMT producing pineal glands have been calcified, to serve them unknowingly as their politically-correct thought-police.

The Visitors can’t have the rebels changing the all female dominated future, where the male of the species is extinct.

Suddenly Icke wakes up in his bed, and quickly realises that it was all just an Old Hag Syndrome nightmare, riding his reptilian-brain-stem. “What a ‘GOD’ awful dream… ‘Sisterhood’ of Babylon, bah! humbug! It’s the ‘Brotherhood’ of Babylon, they’re the alien bloodline reptiles who run the Matrix! Icke drowsily says to himself.

But when going to his open window for a breath of fresh air, he spies a flying triangle hovering in the moonlit starry night sky, while hearing the groaning orgasm of a woman carried by a kissing breeze over the seething urban jungle, ending in a lustful meow of a predatory pussy Cat prowling his hot tin roof.

Then Icke hears a disembodied feminine voice, whispering into his left ear, “You are now on the Cabbalistic path of Tzaddi, pointing at 28 redacted pages. if you want to know the simple ‘Tower Of Babel’ truth, around which the political elite whore themselves to their three faced shekel God, betwixt three forever warring oily cults; follow their oily Petrodollar to where it Dune leads of ‘Animus’ fixated state funded Wahhabism.” 

Icke shakes his head clear of the Astaroth whisper, to forget; for the simple truth is far more horrendous than misdirection reptilians, which to have given him his New-Age oily wealth.

Will Icke ever be able to ride Astaroth’s Vimana as his inspiring Succubus Art Muse of a Sphinx, who will arouse his rebellious Free-Energy of the Vril, rather than being ridden by her? Such is yet to be determined, should he ever become aware of his Fallen ‘Anima,’ who to Kundalini Shakti Surrealist weave mirroring Maya around his reptilian-brain-stem.

Maybe then Icke’s reptilian-brain-stem will realise that the bearded Biblical Jehovah/God/Allah is a Saturn archetype of an ‘Animus,’ fixated Matrix, perpetuated and reinforced by a brainwwashed hive-mind worshipping an Egregore God, which of an all-father Fuehrer archetype resides within the Fifty Shades Of Grey Binah psyche of all the V for Vagina’s.

NOTE:Although written tongue in cheek, the V for Vagina 80’s was an end of an anti-war Hippie era overflow of continuing protest against the Orwellian war-mongering machinations of government, manifesting as the Punk movement in the main, which not only reinvigorated the music scene of creative anarchism, but also the Arts.

Since the 80’s, the music scene as well as the Arts have become nigh nullified by a highly controlled media, which has orchestrated the negation of any protest.

Those who protest are duly tarred and feathered by the media machine of the Empire as being Conspiracy Theorists, which often utilises David Icke’s theories about reptilian interdimensional entities taking over the Earth against the Star Wars rebels, who are duly seen by the general populace as being nut jobs!

During the Hippie era, the New-Age scene was very much entwined with music and the Arts, at whose heart of an alternative world-view was that of an anti-war protest, which brought down a government.

The government did not want a repeat of the same zeitgeist scenario, wherefore, the New-Age scene had to be controlled; hence, the political elite had to have total control over the media machine in order to subversively control the collective mob-mind, such as getting the mob to focus upon 2012 of an engineered Newage stage show.

One of the main methodologies of control that was used, was that of utilising the indoctrinated religious sentimentalities of the New-Age mob-mind to focus upon ever warring Angels and Demons, which had been transformed into aliens flying around in their UFO ‘drones.’ The New-Age mob-mind was then far too busy observing the heavens rather than what was going on around them of a hellish ‘hack’ of their collective imagination!

What is more, there is ample proof that the public water supply as well their food is being dosed up with varying neurotoxins and mutagenic compounds, the Brave New World author and philosopher Alduous Huxley had predicted along with George Orwell, as a means of mass-mind-control and population reduction.

Just as you have rings going around Saturn, history repeats its self of a ring, of similarity to a repeating BBC broadcast; whence you have a return of the 80’s, when to observe zeitgeist similarities between the political puppet show of then, and now. However, this time around of Cold War drums habitually rolling of an Iapetus Death Star there are no rebel forces of Hippie/Punks protesting against the Empire of the deified ‘Animus’ made as a God Emperor of oily Dune.     

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BARBARELLA LUCID DREAM VIMANA UFO

Posted in Alien, Art, Chaos Magic, Comics, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2016 by FAUSTUS CROW

Jane Fonda stars in Roger Vadim's futuristic space adventure 'Barbarella'. The story is based on the comic strip created by Jean Claude Forest, 6th July 1967. Costumes by Paco Rabanne.

A Funny Thing Happened On The Way To The Cinema of a childhood memory; I remember being taken to a cinema situated in Putney by my parents. The cinema was showing the film Chitty Chitty Bang Bang, which had just hit the shores of the UK.

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As many will no doubt know, the film is about a magical flying car, a Hindu mystic might just call a Vimana, which of a term has also been applied to sightings of UFOs.

Anyway, I was rather young at the time, I must have been around four years of age; what is quite strange is that I cannot recollect seeing the film at all, I probably fell asleep, since it is a musical. I never had a liking for musicals, they tend to do my head in with their sugary mantras.

Even so, Chitty Chitty Bang Bang no doubt zapped my reptilian brain-stem, which I later fused of symbolism with the sentient Hippie Volkswagen Beetle, numbered fifty-three (numerology: reduced to eight), featured in the 1968 Disney film, entitled, The Love Bug, to then symbolically merge with Odin’s ‘eight’-legged Night-Mare called, Sleipnir, and the prior 1960 George Pal film version of H.G. Well’s, The Time Machine.

Those of you who are Artists, whom to create within your Magic-Circle Art studios might understand what I have just written; whereas a non-artist will very likely say that what has been written sounds absolutely barmy, deranged, let alone insane! Alas, ‘Muggle’ non-artists find it extremely difficult to understand the reasoning of associative symbolism, leading to the evolution of an internal idea, to conjure up as a corresponding ‘brainstorming’ vision amidst the Triangle Of Art Imagination, which then manifests of externalised artistry, whether it be a drawing, painting, sculpture, writing, etc, or even a… musical. I still do not like musicals, even if it is based upon H.G. Wells, The Time Machine.

Okay! I might give it a go… maybe… since Jeff Wayne’s, musical version of H.G Wells, War Of The Worlds wasn’t so bad, which I must admit, I bought long ago. There is however an exception in regards to my dislike of musicals, I absolutely adore the hilarious 1966 musical film, entitled, ‘A Funny Thing Happened On The Way To The Forum,’ which led to Frankie Howard’s superb comical rendition of Roman culture in the 1969-1970 TV series, Up Pompeii.

A Funny Thing Happened On The Way To The Forum, is brilliantly accurate concerning its depiction of Diana-Lucifera Roman society where the Mesopotamian, Make Love, Not War, sex Goddess Astarte was still remembered before she was bound into the male form of Astaroth by the Hebrew’s and copy-cat Christian’s, who later became the machismo Ashtar Of Star Command, channelled by UFO devotees as their angelic saviour, looking like an Aryan Christ piloting a Vimana. Lest us not forget that the Christian’s also transformed the Roman Goddess, Diana-Lucifera into gender-bender Lucifer of an anti-thesis ‘brand,’ which is a comedy of neuro-marketing mind-control errors in its self.

You might just enquire, “why do you consider the film, A Funny Thing Happened On The Way To The Forum to be historically accurate in its depiction of Roman life?” Well, when I first saw the film as a kid, it triggered off a number of vivid recurring dreams about being in ancient pre-Christian Rome, maybe Pompeii, or elsewhere among the precincts of the vast Roman empire, which has… Never Ended… of an ‘Animus’ fixated symbolic Matrix since the time of Emperor Constantine, who appropriated the ancestral-self-identity of the Hebrew’s.

The imperialistic culture of ancient Rome the 1966 science fiction series Star Trek had conjured up as the Romulan empire. I still fondly remember the Romulan commander out of the 1968 Star Trek episode: The Enterprise Incident.

I have had a suspicion for sometime, that I have experienced a rather comedic past life as rebellious citizen of ancient Rome.

Or otherwise accessing a passed down ‘Neuro-Genetic’ memory of a prior Dawning Of The Age Of Aquarius, which the Vietnam war era Broadway musical, entitled, Hair, had immortalised, of a Timothy Leary ‘Eight Circuit’ vision of consciousness, back in 1968, whose (53/8) Love Bug anti-war message was later made into a movie in 1979. But the Love Bug message was duly forgotten during the very shady (23-Skiddoo) 2003 invasion of Iraq.

I to digress; sort of, as mentioned I cannot remember seeing the film Chitty Chitty Bang Bang at the time, but what I do vividly recollect is seeing a psychedelic poster when we first entered and left Putney cinema. (A late 1960’s-early 70’s Hippie era photo of Putney cinema is featured in the comic strip below.)

The poster was for the 1968 Hippie film Barbarella, which had a profound effect upon me, I even remember waddling my way back into the cinema foyer to have another look, just after we left, wondering what had just hit me of a reptilian brain-stem ‘Da’at’ zap; this of course freaked out my parents no end, since I escaped their grasp.

What I felt was a sensation of recognition; it was the same feeling of déjà vu I had felt when I later set eyes upon a Lamb’s Navy billboard poster of Caroline Munro, which I made a ritualistic point of passing by as a kid; this invariably led to finding myself in an auto-hypnotised daze, repeatedly crashing into a lamppost Iriminsul near unto the billboard, when going to and from Hogwarts.

I cannot say that the Barbarella poster did not evoke a Love Bug sexual response in me, in all honesty, it did.

But not as an adult would understand it of a Politically-Correct Thought-Control Romulan intellect, it was something else, far more spiritual of a Tantric nature.

Although, the anti-war child doctor, Benjamin McLane ‘Spock’ may have understood, who signed the ‘Writers and Editors War Tax Protest’ pledge, back in 1968, vowing to refuse tax payments in protest against the Romulan War in Vietnam.

Super-Team Family: The Lost Issues!: Team Up:

Barbarella Jane Fonda is also well known for her anti-war protests. But history has since repeated its self; such to occur because of those in power playing the same old game, over and over again, from Vietnam to Iraq; lessons were of course learned, which of psychological-warfare application was to stave off any repeat of the Hippie era anti-war movement. It worked!

I suspect that the now considered Entartete Kunst Barbarella poster acted as a symbolic trigger, akin to those symbolic triggers encountered in dreams, which triggers a dreamer into lucidity; these trigger events appear to occur at key-times around the Ouroboros. As far as I can recollect, the UK Barbarella poster I saw as a child was the one below, which was designed by Robin Ray and illustrated by Renato Fratini in the comic strip style of Barbarella’s creator, Jean-Claude Forest.

The other poster design I potentially saw was originally done by the brilliant American illustrator, Robert McGinnis, which in the UK was in part redesigned by Robin Ray and Renato Fratini.

It is almost as if, what I am focussing upon now of Entartete Kunst artistry, concerning the conjuration of Succubae Art Muses within lucid dreams, such as the ‘Anima’ version of Astaroth, otherwise called Astarota, has somehow influenced my own past through time.

The lucid dream conjurations of Hippie space-girl Barbarella, as Astarota, flying her Vimana of an Ouroboros flying-saucer may have generated a self-enclosed loop of time.

This was in turn triggered by my childhood observation of a Barbarella poster, depicting a Succubus fluctuation of the fallen ‘Anima.’

But then, Astarota to classically reveal how the Succubae Great Old Ones fell; hence, they are not listed in any Grimoire, until I rebelliously depicted their ‘Anima’ manifestations.

If you think that sounds crazy, just remember, I am an Artist and Artists are naturally crazy, it goes with the creative turf! As for Roger Vadim’s ‘surrealist’ film of Barbarella I only got to see it until much later, when I was in my late teens.

The lucid dream conjurations of Astarota might explain the precognitive experiences I have experienced, some of which enabled me to avert a number of life threatening situations.

That, or it is a triggered indicator that eternal recurrence is an Ouroboros reality, which going by my other personal experiences, could indeed be the case of a closed-timelike-curve, to lucid dream ride as a conjured Night-Mare Vimana.

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DOCTOR STRANGE AND THE ANCIENT ONE OF AN ANIMA

Posted in Art, Chaos Magic, Comics, Film, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 10, 2016 by FAUSTUS CROW

The Marvel comic character of Doctor Strange was forged during the rebellious Hippie era, which of an underlying Newage Zeitgeist fixation since the mid to late twentieth century had an alternative focus upon the spiritual disciplines of the far East. Hence you have Faustian Doctor Strange seeking to become the sorcerer apprentice of an old Tibetan shaman known as the Ancient One.

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There are still many a Hippie around of rebellious attitude, remembering the 60’s-70’s anti-war  protests, who as fans of Faustian Doctor Strange, consider the nigh psychedelic sorcerer supreme as representing their bygone youth, when to have first read the books, written by Carlos Castaneda, about his sorcerers apprentice experiences with the Ancient One called Don Juan Matus.

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Many of the present comic fans are unaware of the Hippie zeitgeist roots of Doctor Strange, but as an archetypal Faustian mage, he would be generally associated with the likes of Lord Of The Rings, Gandalf and Harry Potter. As for the non comic fans, they are unconcerned about the social engineering machinations of Marvel and Disney, concerning the transformation of the Ancient One into a female Celt, using Kung Fu.

Let’s say that the transformation of the Ancient One into a Celt, may be referring to the genetic findings of the Human Genome Project, which has recently discovered that the Celts originally came from Siberia, not Europe as first thought. Whether the Doctor Strange script writers are referring to the Human Genome Project findings is debatable, though unlikely. Whatever the case,  the Stone Age ancestors of the Celts apparently lived in the region of Lake Baikal to the Altai region more than 30,000 years ago.

For example the historians had previously believed the early Britons were mainly made up of Celtic incomers from Europe a few centuries ago. But study of Celtic DNA indicates a strong connection with the nomadic people known as the Kets of Siberia, rather than anywhere in Europe. Wherefore the ancient ancestors of Doctor Strange are Siberian migrants, whose original homeland is the realm of the shaman.

As for the Altai region of Southern Siberia and central Mongolia its locale has been identified as the point of origin of a cultural enigma termed the Seima-Turbino Phenomenon. It is conjectured that changes in climate in this region around 2000 BC and the ensuing ecological, economic and political changes triggered a rapid and massive migration westward into Northeast Europe, Eastward into China (Tarim basin mummies) and Southward into Vietnam, Thailand and even Japan, whose animist culture gifted the world its Manga and Anime.

There are also indications of far earlier migrations from the Altai region unto Lake Baikal, when a great inland flood afflicted the area, around the time of the demise of the Great Mammals. Whether there were any migrations into Tibet, is of course open to imaginative conjecture, right out of the highly innovative film Inception.

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You also have fabled Tibetan land of Shambala, which some to believe is actually situated in the Altai; although Shambala primarily appears as a mystical conception, rather than a geographical location, which of a mystique has since been used in many a film.

Curiously, although the tale is known now as a Tibetan myth, it seems that it was first recorded in AD 966 in India, where the nomadic Aryans had long ago flocked into.

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The Buddhist Kalachakra tale tells of a (Shangri-la) land behind the Himalayas, ruled by a gracious King Sucandra, who was the first to learn the Kalachakra doctrine from Buddha Sakyamuni himself. A number of European believed Sucandra was a Celt. May be the Doctor Strange writers are alluding to a Celtic Sucandra who they have transformed into a female Ancient One?

No! Probably not, since a Celtic Sucandra dates back to Madame Blavatsky’s infatuation with root-races, which inspired the Nazi regime’s infatuation with finding a white, blond haired, blue-eyed Nordic super-race in Tibet, looking like Tilda Swinton.

If the Nazis had known of the Altai burial sites, it would have given them the dire shits. The Altai burials revealed mummies, whose DNA are of a most colourful ethnic mix, of similarity to those of the Tarim basin site; so, the eugenic perspective of a distinct ethnic identity, such as a Celt, or even Aryan does not, and never did apply, when looking back into the far distant past. Both the Celts – Aryans were nomadic tribal people who liked to wildly party, mixing a lot with other peoples genes they had come across, which would piss off Baron Mordo.

Should you deem that the Doctor Strange script writers are referring to the Human Genome findings that the Celts were in fact Siberians, which then leads to the Tarim basin mummies of China, etc; It will be very difficult to communicate these ideas without getting tied up in the ugly knot of racial politics, which to have afflicted the so called modern age. One thing for sure, it  will not go down at all well with the Chinese authorities, who might interpret Marvel and Disney to be saying that the European’s were in Tibet before China.

Whatever Marvel and Disney to say to the contrary of slippery tongue twisting, it is somewhat obvious that they are attempting to appease China by not having the Ancient One as a Tibetan, to then use the neuro-marketing balm of political correctness by transforming the Ancient One into a female.

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The reasoning for the gender change is that of negating any potential protest from the fans, whose protesting will be rapidly drowned out by Bible thumper Oprah Winfrey, and her Fifty Shades Of A Dormammu ‘Animus’ Grey sisterhood. Their growing P.C. brigade multitude are no doubt jumping up and down in joy, for their feminist cause, wielding Thor’s hammer, whirling as a pink Swastika.

However, the Chinese authorities will probably not be too impressed by Marvel and Disney transforming a Tibetan into a Celt, which might be seen as being far worse than their political pandering. The Chinese audience might just question, “why did you not have Doctor Strange go to Britain, Scotland, Wales or Ireland, since you have transformed the Ancient One into a Celtic female?” But said Celtic migratory locales are probably considered to be not exotic enough by Marvel and Disney.

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It thereby would have been better to have had the Ancient One as an Altaic Siberian; alas, Marvel and Disney’s idea of diversity, gave the role to Tilda Swinton; who as a female symbolically represents the ancestral (Anima) Soul of Dr Strange that the Dormammu ‘Animus’ worshipper, Baron Mordo and his minions seek to destroy.

Then again, may be that is exactly what the writers of Doctor Strange are attempting to indicate, as to an Altaic soul source of the Celts; whereupon you have him journeying to the far East to discover an ancient Altaic ancestor who had migrated into Tibet, due to a prior flood hitting the Altai. Although, if to go more esoteric, it would be unlikely Marvel and Disney will allow for the Ancient One being depicted as the ‘Anima’ soul of Doctor Strange, since it would be just too succubus sexy for them to handle.

NOTE: “I would like to point out that I am not a Social Justice Warrior whose general P.C. attitude I find to be distinctly Enatarte Kunst Fascist; and what is more, the third-wave feminist politics of Social Justice Warriors can be very easily used against them, such as having a female actress playing the part of a male character, behind which a primarily monetary driven decision is hidden.

I am far more interested in C. Robert Cargill’s comment, who compared the process of casting The Ancient One to Star Trek’s ‘Kobayashi Maru,’ which I find intriguing. The Kobayashi Maru is an unwinnable test, which was first depicted in the opening scene of the film Star Trek II: The Wrath of Khan and also appears in the 2009 film Star Trek.

As for the name, Khan, it is the shortened version of Khan Noonien Singh, whose fictional Star Trek character alludes to the historical, Ghengis Khan, who achieved eventual domination over China; yet for some Chinese he is considered to be a heroic figure, even though he was Mongolian. In the fictional universe of Star Trek, Khan is depicted as once controlling more than a quarter of the Earth during the Eugenics Wars of the 1990’s.

World War II can be seen as being am actual Eugenic War due to the Nazi’s having a infatuation with eugenics, which of a warped pseudo-science, was first extensively practiced in America, during the early nineteenth century. Many at the time considered the blond, blue eyed Aryan to be the racial ideal, which of a self-inflicted Kobayashi Maru curiosity, you have an Aryan looking Tilda Swinton, playing a Celtic Ancient One, even if she is bald. 

In Star Trek, James T. Kirk took the Kobayashi Maru test three times while at Starfleet Academy. Before his third attempt, Kirk surreptitiously reprogrammed the simulator so that he could beat the unwinnable test. Despite having cheated, Kirk was awarded a commendation for ‘Original Thinking.’

So, if Cargill was to otherwise translate the ‘Kobayashi Maru’ into that of a script, it would have mean’t, like Kirk, that he would have had to totally (reprogram) rewrite the Ancient One. Let’s work with Cargill’s Celtic depiction of the Ancient One; since Cargill has transformed a Tibetan male into a Celtic female, it would then lead to a further ‘reprogramming’ of the original story-line by having Doctor Strange finding himself instead in Britain, Wales, Ireland or Scotland rather than… Tibet. 

Heck! Cargill could have done a tricky Kirk number, by using the Newage mystique of Glastonbury Tor being associated with Shambhala; he could have had a forlorn depressed Strange finding himself amidst Glastonbury festival on his travels, to then be dragged off by a wild eyed Druidess, up and around the Serpentine spiral of Apple isle Glastonbury Tor. That would have been really way out, with all those glowing Ley-line dream roads webbed out around ancient stone circles, lit up like exploding stars going Matrix style; though far more psychedelic of innovative Doctor Strange visuals, having no reference to Inception whatsoever.  

Instead, Cargill’s Celtic female, played by a blond haired, though bald, blue eyed, Tilda Swinton is discovered in Tibet. This is somewhat of a self inflicted Kobayashi Maru, since it will be associated with the Nazis swarming all over Tibet, who were seeking out a blond haired, blue eyed super-race, while being best buddies with the then Japanese Empire, whose military might was causing total havoc in China.

Wherefore, if Cargill is attempting to appease the Chinese authorities by transforming a Tibetan into a Celt… in Tibet, he has very likely stuffed himself up his own Kobayashi Maru. The Chinese authorities will be really pissed off, big style. 

Would Cargill make such a silly creative mistake, which could cost Marvel and Disney very dearly, or was the trailer an Occult-Blind? I guess the only way to determine this is to see whether Marvel and Disney are making any prior cut-backs to their business empire, in order to nullify any potential business losses concerning China’s backlash.

No! Cargill wouldn’t have made such a big mistake, his script would have been gone over with a fine tooth comb by the hierarchy of Marvel and Disney, since it is historically well known that the Nazis were searching for a Tilda Swinton super-race in Tibet, which of a eugenic agenda will really piss off the Chinese. Therefore, the trailer, must be an Occult blind!? 

Perhaps Cargill has assumed the mantle of Carlos Castaneda, to have instead depicted the Ancient One as a female version of Don Juan Matus, who just so happens is a wannabe Navajo; she is actually a Celt living on the Four Corner reservation selling trinkets to tourists. The Ancient One had been prior apprenticed to an ancient Toltec Skinwalker, who bestowed immortality upon her, which is also a curse; so that she will never forget the near genocide of a prior holocaust the natives had suffered, whose children had been forced into missionary schools to learn the ways of the foreign invaders.

Let us go even further; the Ancient One is a Chinese sorceress who had long ago emigrated from China to America around 1,300 BC – nearly 2,800 years before Christopher Columbus arrived at the New World in 1492. Said scenario is based upon highly controversial ancient Chinese styles of the scripts, which have been discovered in North America. Or you could have the Chinese sorceress sailing with the fleets of Admiral Zheng, who is conjectured to have visited the Americas prior to Columbus, and that the same fleet circumnavigated the globe a century before the expedition of Ferdinand Magellan. 

These scenarios would really get the Yuan flowing into the Marvel and Disney coffers. let alone greasing up the smiles of the Social Justice Warriors, who will also be writhing in ecstasy at the thought of the Ancient One being gender bent into a female. 

But what of a backlash from the European market? There wouldn’t be too much protest if at all; but if so, a middle ground can be found. The Chinese sorceress can be otherwise seen to have emigrated to America during the 1850’s, at the time of the California gold rush. San Francisco was only a transit station on the way to the gold fields in the Sierra Nevada. According to estimates, there were in the late 1850’s 15,000 Chinese mine workers in the ‘Gold Mountains’ or ‘Mountains of Gold.’ You also have the transcontinental railroad, which was mostly built by Chinese labour.

The Chinese Ancient One is a Huli jing (狐狸精; literally: “Fox Spirit”), Huxian (狐仙; literally: “Fox Immortal”), or Jiuweihu (九尾狐; literally: “Nine-Tailed Fox”), basically she is a Succubus, who as a Tantric Wu (shaman), takes up residence in San Francisco’s Chinatown, where a psychologically wounded Doctor Strange stumbles into her upon a synchronicity.     

May be Marvel and Disney have utilised the expensive trailer to make the audience believe that the Ancient One is a female Celt in Tibet, using rejected Inception outtakes, knowing full well that it will stir up an ongoing controversy and in turn a buzz; whereas, a few among the Chinese movie hierarchy know the truth. This is of course totally implausible.

But, if Cargill had depicted the Ancient One living on an American Indian reservation as a Tilda Swinton European seeking redemption, or as a Chinese sorceress in America, the authorities in China will lap it up, wanting more. He would have then beaten the Kobayashi Maru, smiling all the way to the bank.      

But, let’s say that Cargill has stuffed himself up his own Kobayashi Maru; how will it then affect the rest of the Marvel movie franchise, concerning a Doctor Strange tie in with their other MCU characters? Well, if Cargill has indeed stuffed it up, the MCU franchise could crumble very quickly indeed, should China back out of the equation. But, China, being very business savvy, might just use the situation in order to take over Marvel and in tun Disney, whose media empire spans the entire globe.

Should Cargill have Kobayashi Maru stuffed it up; Marvel and Disney could potentially avert total MCU disaster by having the Ancient One as being the ancestral ‘Anima’ (female) soul of Doctor Strange, and that its Celtic source originates from the Altai, which had long ago been afflicted by an inland flood. The prehistoric catastrophe led to those few survivors migrating into other lands, some of whom found themselves in Tibet; one of them being… the Ancient One. 

Anyway, if Marvel and Disney are Over-Watching, I am available for any ‘financially lucrative’ creative work put my way.” 

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SCIENCE FICTION VRIL-YA DREAM GIRLS

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 13, 2016 by FAUSTUS CROW

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Female aliens wearing spray on latex, of a futuristic fetish fashion, is utilised in many a Science Fiction image, which to be ever so sexist, of a present pin-prick, in many a politically correct eye. But, when to spiritualise the imagery, it is not far too removed from the Hindu/Tibetan depiction of Dakinis.

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Although the Dakinis are usually depicted as being sky-clad, naked, which of symbolism represents the nakedness of the vaginal void of hypnagogic trance, into whose maw the dreamer leaps of conscious dream ingress dream; whereby the Dakinis are also known as void going women.

What is interesting is that there have been a number of UFO abductees whose experiences are of similarity to the Old Hag Syndrome, which is endured at the point of hypnagogic trance, some of whom are males, who have reported since the late 40’s, that they were abducted by female humanoid aliens wearing, what was often described as spray on latex type clothing. But, such reports are often ignored by so called serious UFO researchers, who prefer the Freudian nuts and bolts of their Jungian disks, cylinders and flying triangles, which are presently piloted by sexless humanoid Greys.

You might assume that the female aliens were of differing ethnic looks. However, this is not the case, the most common were the Nordic types during the late 40’s after WWII. There are hardly any mention of African looking entities, which appears to reflect back the racial divide in America at the time, since the majority of UFO reports were, and still are being pumped out by the American media machine.

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The ethnic manifestation of the aliens appears to be reflecting back fears when a conflict rears up of war. During the late 50’s when the Korean conflict raged, followed by the Vietnam war of the 60’s Hippie era, the invasive Bedroom Invading female aliens were described as being Asiatic of looks. Other reports had the aliens, whether female or male, manifesting as dark skinned Mediterranean types looking like Mafia goons, after Kennedy’s magic bullet demise.

There were a number of UFO abductions across America during the late 70’s, and 80’s, whose male abductees described humanoid female aliens looking like Barbarella Jane Fonda, Baywatch Pamela Anderson or Bond Girl Kim Bassinger, of the Nordic type, wearing spray on latex space-suits/jump-suits. You could conjecture that the influence of the mass-media had a hand in formulating their seductive manifestations, which was at the time indulging its self in the growing mystique, concerning the shadowy Illuminati using Nazi super-science.

Although you have a rather odd curiosity concerning the Australian case of Peter Khoury, who claimed to have been supposedly seduced by two female humanoid aliens during July 1992, whose Old Hag Syndrome seduction was not too different to that of classical Bedroom Invading Succubae.

One of the the Succubae looked like the Nordic number Six out of the 2004 reboot of the Battlestar Galactica science fiction TV series, who is an artificial-intelligence, called a Cylon; while the other female alien looked like the Asiatic number Eight Cylon out of the same TV series. Although the Nordic and Asiatic types are well known of in UFOlore, which of manifestations has in turn influenced the genre of science fiction and vice versa.

The Nordic alien girl apparently left behind a sample of hair, which was expertly blow-job wrapped around Khoury’s erection. Many would say that Khoury had ‘cum’ up with far fetched story to bullshit his way out of an altercation with his dark haired wife, who suspected he was dallying with ladies of the night.

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Although, when the hair was tested, it revealed a very rare genetic marker, indicating that its source had emanated from somewhere in Siberia, the ancient Greeks knew as Hyperborea. The hair sample had some remarkable properties; although very human.

As an aside, it just so happens that the genetic locale of the number six of a sexagram Cylon hair strand, is where the Dakinis are said to have their Agharti/Shamballa abode.

Anyway, these humanoid aliens had later evolved into Grey’s during the late ‘Politically Correct’ 80’s on-wards, which had occurred when Whitley Strieber’s book Communion was first published in America. Strieber’s book had the now iconic Grey face on its cover. It’s almost as if some shadowy media moguls got together who had determined that the iconic Nordics and Asiatics were rather racialist as well as being sexist concerning their gender; whereupon they derived inspiration from Usula le Guinns science fiction book, Lathe Of Heaven, in which a dreamer dreams of a totalitarian world without racialism, whose denizens all have grey skin.

However, Strieber described his Grey alien as being of similarity to the Sumerian/Babylonian Goddess Ishtar of looks, even though his Grey was a nigh sexless Queen Bee clone.

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Strieber’s book was published around the time of the growing conflicts in the Middle East, which eventually led to the invasion of Iraq, where Ishtar’s Sumeria/Babylon can be found under war torn Baghdad.

As mentioned prior, the vast majority of UFO reports come out of Media Machine America, which of an initial phase occurred in 1947. UFO’s have since been reported all over the world, as if some event had occurred, which has generated an alternate reality.

The various waves of UFO sightings seem to be associated with the fluctuations of the electromagnetic field of the Earth, which is buffeted by the Sun’s solar storms, as well as corresponding with media events. These influences appear to be inextricably linked. Perhaps there is a shadowy ‘Global Consciousness Project,’ behind it all, who have noticed that the mass-media can subliminally influence the subconscious minds of the collective populace.

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You also have the intriguing case of the Thin-Man and its associated UFO mythology, which of an artistic Creepypasta creation, initiated a number of ghost sightings. The ghostly apparition of the Slender Man was reported by a number of individuals across the trembled web.

Whether they were telling the truth is debatable. Or should one otherwise say, what they had experienced, was real or not; but then, what is real? If all five senses were engaged when having the experience, as in a vivid lucid dream, it would be very real to the individual experiencing the phenomenon, which you could construe as being (ESP) ‘Extra Sensory Perception.’

The reported experiences of the haunting Slender Man were, as stated prior, of similarity to what UFO abductees have described, which involved sleep paralysis and the Old Hag Syndrome of hypnagogic Nightmare. Such can become very real indeed, going by Khoury’s account of a (Dakini) Succubus visitation, which of a rarity appears to have included a dream apport of physical material. Although hard to believe, the manifestation of (apports) physical objects (such as a hair) out of the dream and other similar phenomena were investigated by Stanley Krippner, who is an American psychologist, parapsychologist, and an executive faculty member and Professor of Psychology at Saybrook University in Oakland, California.

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As for Whitley Strieber, he also experienced the Old Hag Syndrome concerning his Ishtar visitation of a ‘Politically Correct’ sexless Grey. Whatever you believe will determine the nature of the inner experience, when to access a lucid dream, which of an analogy is likened to tuning into a TV station of a reality.

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So, if you believe in malign Biblical Demons of an ‘Animus’ fixation, emanating from out of a Lovecraftian Hell, or to otherwise believe that Illuminati Aliens looking like Greys, or Reptilians are seeking to anally possess you with their patriarchal phallic probes, that is exactly what you will experience. But how did you end up believing in such Hells to fearfully tune into of an inner reality?

It is because you have been subversively ‘programmed’ to do so via your religious indoctrination, whose theocratic politics seeks to ‘convert’ everyone’s mind, to accept their ‘New-World-Order’ Kingdom Of Heaven On Earth. Even those who do not consider themselves to be religious are surrounded by its relentless propaganda about a Good-Cop-God and a Bad- Cop-Devil ‘Animus’ fixation; it is basically Orwellian mind-control.

It just goes to show how powerful propaganda can be of symbolic artistry, which of Neuro-Marketing can subversively zap your reptilian-brain-stem, and thereby influence the psychic powerhouse of your subconscious mind to lend manifested flesh to your thoughts and ensuing dreams.

It’s almost as if you are existing within a computer simulation a Hindu mystic would call Maya, whose holographic reality is illuminated by what some would term as the Vril. Who knows, maybe the Vril-ya out of Bulwer Lytton’s science fiction tale, The Coming Race, are the programmers of the ancestral simulation, within which you exist.

As for the Nazi mystique concerning the all female coven of the Vril Society, led by the medium Maria Orsic, it spread across the internet of badly photo-shopped viral-meme Creepypasta imagery, just prior to the ‘engineered’ mass-media ‘Newage’ focus upon ‘Carrington Event’ 2012.

You will find that the primary symbolic focus of the Vril mystique is Abraham’s Sumeria in Iraq, just as the media orchestrated mass focus upon 2012 was centred on Biblical Egypt. The engineered mystique about aliens, reptilians, the Illuminati or Satanic conspiracies, etc, is all Creepypasta misdirection. If you ever wonder why the Middle East of a so called Holy Land is the ‘Animus’ God altar of continued bloodletting, it is because you have been religiously programmed by the ‘Three’ Illuminati (Chevron/Vector) big-business Cults of Abraham to allow for it!

NOTE: The Chevron/Vector of an ‘Arrowhead’ design is an ancient ‘archetypal symbol,’ which stirs the subconscious mind; wherefore, it is nigh instantaneously understood by many, as to what it is communicating without words. Hence its utilisation by NASA and other space agencies, along with its usage in Star Trek, whose technology may have already been attained in secret, let alone to be getting ever closer; that’s if we don’t destroy ourselves first, of a religiously ‘programmed’ suicidal-impulse, which is that of a self-fulfilling prophecy End Of Days!  

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