Archive for pop occulture

SUCCUBUS ART MUSE SCHOOL

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Succubus, Surrealism, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 28, 2018 by FAUSTUS CROW

If you are interested in seeing the Full Artwork ‘PLEASE CLICK’ The Image Above and each of the Images Below.

The theme of the Artwork is a symbolic merger between Hogwarts and St Trinian’s, which of a Lilith’s Harem Art school is attended by (Succubae) Succubi Art Muses.

The structure of the Harem Art school is based upon the Cabbala and in turn the Tarot paths of the Cabbalistic planetary spheres.

In the grimoires seven Chakra planetary spheres are usually mentioned. The Artwork pertains to each of the seven planetary spheres.

The seven planetary spheres are: Moon/Yesod, Mercury/Hod, Venus/Netzach, Sun/Tiphareth, Mars/Gebdurah, Jupiter/Chesed and Saturn/Binah.

The Harem Art school exists within the realm of dreams, which can be accessed by a conjuring Surrealist Artist when attaining a lucid dream, wherein he can then conjure the Succubi Art Muse archetypes of his Fallen Anima.

The St Trinian’s Motto is: “Semper debeatis percutis ictu primo,” which means, “Always Do You Strike The First Blow,” or, “Always Strike The First Blow.” Perhaps the First Blow alludes to a Boaz and Jachin (BJ) Blow Job, which is very likely.

The Hogwarts Motto is: “Draco dormiens nunquam titillandus,” which means, “Never Tickle A Sleeping Dragon.”

The Motto of Hogwarts, sounds somewhat Freudian concerning a phallic Dragon and its erectile arousal, which to arise when tickled by a wet dream Succubus school girl Witch, who to Vampire hunger not for blood, but to otherwise wildly feast upon what the gobbled Dragon ejaculates of an Albedo fire.

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MAGU GODDESS OF CANNABIS

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 10, 2018 by FAUSTUS CROW

Faustus Crow decided to conjure an ancient Chinese Art Muse archetype of the Fallen Anima, who is mantra named, Magu. Although translating her Succubus name of a mantra into mundane English is however, problematic, depending upon whether her evocative name is symbolically interpreted as being a Maid, Priestess, or a Goddess of Cannabis.

Some researchers have proposed that the Chinese, Wu, for Shaman is pronounced, ‘Myag’ in Old Chinese, which might be the original of the Old Persian Maguš, thence leading to Magician and Magi. Whether such is comparable with Magu, is of course purely hypothetical. But if correct, Magu is also a Shaman girl of Hemp, whose alternative name of an ancient root word, Ma, which is pronounced as Mar, leads you to Marijuana.

Magu is also called, Mago in Korean, and Mako, in Japanese. Mago is a cosmogonic Hemp Goddess in Korean Shaman myths. There are some researchers who see Mago as the Great Goddess, who propose Magoism, as being the archaic gynocentric cultural matrix of East Asia, which derives from the shamanic worship of Mago as a creatress, progenitress, and a sovereign deity.

According to the Budoji, Korean mytho-history, it had began with the era of Mago. Whereas the Japanese Mako is usually a literary reference to the Chinese story about Magu’s distinctively long birdlike fingernails, whose neuro-somatic essence can make your head grow wings, and disappear into a spiraling vaginal vortex.

For example, the Japanese saying, “Mako soyo,” meaning, “Magu scratches the itch,” metaphorically means, “things are going just like you have…Imagined,” when you imagine (visualise/active imagination) with your, inner ‘Eye,’ amidst your Triangle Of Art imagination.

Magu appeared amidst Crow’s Triangle of Art Imagination as a beautiful young woman of eighteen or nineteen years of age, having luxuriant four-inch birdlike nails.

At first her hair was done up, having several loose braided strands, which hung down to her slim waist. Then her hair was long and luxuriant, and upon her head she wore a fluorescent peaked cap. Her tight trance dance clothing of Hemp had a pattern of eyes, but it was not woven; it seemed to shimmer, dazzling the inner observer, and was indescribable.

Her overall hypnotic look was likened to a shape-shifting Anime character out of a Manga – she was not of this world.

She approached and bowed to Crow, who bade her rise. Then as she arose a vivid active-imagination vision of China town appeared around Crow, wherein he found himself approaching a bustling market with Magu.

Magu sat down upon a market bench behind a small I-Ching engraved table. The bench was ornately carved with interlacing dragons. She bade Crow to sit down next to her upon the bench, which became as a jade throne.

When Crow imagined himself sitting down next to, Magu, she called for a travelling canteen of cooks who manifested as DMT Machine Elves looking like pointy eared Vulcan maids wearing next to nothing apart from stiletto ballet shoes and T-shaped chef hats, making them look like Magic Mushroom fetish Ballerinas.

The psychedelic Ballerina maids cooked up exotic Star Trek dishes, which were piled up on gold platters along with serving jade cups containing an inebriating pineal gland elixir without limit.

There were also rare delicacies from around the world, whose alchemical recipes stem from other Zodiac ages; many of them made from Cannabis, and their spectral fragrance permeated the mouth to lung air of the ghostly market.

There was also meat made out of Marijuana, the bookish magician-technicians called Shujia, consume with ginseng, which gives them preternatural knowledge of events in the remote-viewed future.

When the meat was sliced and served, it resembled broiled Mo, and it was announced by the giggling Elfin Ballerina maids as being derived from a Kirin or Qilin.

The Elfin Ballerina maids informed Crow that the Kirin is a mythical hoofed chimerical creature known in Chinese and other East Asian cultures.

Crow noticed that the Elfin Ballerina maids had perfect Kung Fu poise as they tip-toed around him on their Kirin hooves, who further revealed that the Kirin appears with the imminent arrival or passing of a sage or illustrious ruler.

Magu nonchalantly ignored the Elfin Ballerina maids as she took a deep draw on her Cannabis oil vape, whose flicking tongue looked to be serpentine. Magu then declared through the thick CBD vapour: “Since I entered your eternally recurring service, I have seen the Eastern sea turn into mulberry fields three times.”

“As I proceeded across from Penglai, so as to enter your Triangle of Art imagination, the Soma waters of the ‘Elixir Of Life’ came only up to my waist, which I regularly imbue with my healing essence, when I bleed.”

“Using my Daoist Arts, I sometimes walk across the astral waters, even in my Hemp shoes. I wonder whether the electron sea dividing the myriad worlds will turn to a dry land-bridge once again?”

Magu seductively passed her vape to Crow, who partook of a deep draw on its CBD oil, and answered with a sigh, “Oh, the sages all say that the Eastern Sea will again become as a desert of the Allies around the Moon phases, when the Fallen Anima and her Succubae Art Muses return, manifesting upon Hemp paper.”

Magu laughed, and then said, “There was a time long ago when I was known all over ancient China and across the globe, whose peoples relied upon my life bestowing properties. But later during a time of great darkness a greedy megalomaniac from another land, murdered me and dumped my body into a deep lake.”

“Following the current of time, I floated upon the tumultuous waves, down the ages until I once again reached a Göbekli Tepe Zodiac age temple.”

“A subordinate Shaman of a prior aeon had directed that I should be entombed there, but not immediately buried, in order to avoid me from being entirely eradicated by the insanity of the later murderers who ever seek my demise.”

“A square, lacquered coffin has now zeitgeist appeared in the shrine hall of the uncovered temple. From now on, at the end and beginning of each lunar month, people will look back through the fog of memories to understand my indistinct Bhang ghost, wearing Hemp shoes.”

“Because of the present climate change, which the greedy megalomaniac and his corporate cronies have exacerbated, the lands around my temple and further afield have become polluted.”

“The insane violators are facing losing their illusory power and influence, drowning in their own lying poison, who are becoming increasingly desperate.”

“The murderers will be whipped and flung to the ground, their eyes running blood, who will then realise I am the divine transcendent, Shenxian. Those who know me, are the ones who read the thoughts of the murderers, and it will be they who will do the punishing.”

“The Shamans seek justice, who have hope in healing the Earth. It is the Shaman within all who are conjuring my return, reborn anew. Because I had suffered a painful death, I hate to see other beings cruelly murdered because of the corporate greed of a few inbred ingrates.”

Here ends Faustus Crow’s Surrealist ‘divergent thought’ active imagination conjuration of a Fallen Anima archetype who is mantra named, Magu.

NOTE: For over a decade, industrial Hemp growing in proximity to the abandoned Chernobyl nuclear power plant in Pripyat, Ukraine has been helping to reduce soil toxicity. But Hemp cannot be used around Fukushima because it is banned in Japan due to the prohibited use of Cannabis, which had been first initiated in the USA.

Hemp has little THC content, which cannot make you high, yet it is banned, does this make any sense at all? Maybe you’ll have to indulge in some THC rich, cancer combating Marijuana in order to see beyond the lying facade of the politicians, or at the very least take some anxiety reducing CBD oil, which will give you an ‘insight’ into how the mass populace have been collectively brainwashed.

As a proven, valuable plant in the fight to repair human-inflicted damage to our soils and ecosystems, Hemp could benefit hundreds of thousands of polluted sites across the globe. it is estimated that in the USA alone there are 30,000 severely damaged sites requiring remediation.

As is so often the case, US restrictions on Hemp cultivation precludes any large-scale operations from being implemented, and the contaminated sites are largely left unremediated, through lack of both funding and interest on the part of the US government and other governments who whore themselves with the Oily corporations.

The likes of Elon Musk should look into Hemp, since Musk says he is into saving the planet, who might be interested in the Supercapacitor capability of Hemp, along with Hemp based batteries for his Tesla car, whose shell can also be made out of Hemp.

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Considering all the myriad uses that Cannabis allows for, it does make one wonder whether it had been genetically engineered by an advanced civilisation. However, the truth might just be far stranger, that the evolution of the Cannabis plant has its self, intelligently evolved, by having a symbiotic relationship with humanity.  

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Who knows, when Musk eventually realises his dream of colonising Mars, the logo on the side of the spacecraft and that of the Star Trek others might be that of Magu’s humble Cannabis leaf.

Since Magu can survive the rigors of Chenobyl, she sure can handle the terraforming of an already terraformed Mars.

NOTE: Bhang was first used as an intoxicant in India around 1000 BC and soon became an integral part of Hindu culture. In the ancient text Artharvaveda, Bhang is described as a beneficial herb, which “releases anxiety”. Bhang preparations are sacred to Shivam who is represented by Saturn in Vedic Astrology.

Bhang goli (Cannabis paste ‘Balls’ for making Bhang) can be associated with the planet Saturn and in turn Shiva who is also associated with (Kundalini Shakti Yoga) serpents. One of Shiva’s epithets was “Lord of Bhang” as he is said to have discovered the transcendental properties of the (Magu) mixture.

The mixture involves pulversing the Cannabis plant using a large pestle and mortar, other methods involve utilising a stone tool, such as one having a handle. The mixture is then placed into a large bowl. The symbolism of a handled stone tool and a bowl can be found on the Göbekli Tepe standing stone, above the bird symbolism of what can be seen as a Garuda, which is associated with the constellation of Aquila. Garuda is an essential part of the Vaishnavism mythology.

The Garuda also features prominently in Shaivism mythology. Shaiva texts such as the Garuda Tantra and Kirana Tantra, and Shiva temples have a Garuda bird representing Atman, the universal self, identical with the eternal core of the personality, which after death either transmigrates to a new life or attains release (Moksha) from the bonds of existence.

Shiva’s proto-form was Rudra who corresponds with the Orion constellation in ancient Greek myth. Orion was a great hunter and became quite boastful about his skills, claiming there was no animal he could not kill. When Orion boasted to the Goddess Artemis, that he would kill every animal on earth, Gaia, the Goddess of the Earth, sent Scorpius (constellation) to kill Orion. A great battle ensued which saw the demise of Orion.

The Göbekli Tepe symbolism of the headless figure (Rudra/Orion: Shiva) and that of the bird/Garuda indicates the ecstatic release of his ‘Atman.’ In other words, the headless figure represents a Shaman who partakes of (Magu) Bhang, whose spirit then becomes as a bird/Garuda.

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FORNEUS OCCULT INGESTION HENTAI DREAMS

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 22, 2018 by FAUSTUS CROW

Abdul Alhazred’s conjuration of the Thirtieth Succubus archetype of the Fallen Anima, named, Forneus as well as the subsequent remote viewing session of her within his Arkham asylum padded cell, was no doubt a memorable experience. This Mind-Doll, said Alhazred, manifested as a Hokusai vision in the Tulpa form of Babalon being consumed as R’lyeh fish bait by a great sea-monster.

Alhazred sensed that this infernal Art Muse induced a Hentai vision, which of an erotic tentacle scenario went, “no further than the corner view of my cell where the conjuration has taken place. She was held within the circle and begins to ‘speak’ or should I say, sing to me like a hypnotic Siren as I remote view her.”

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He added that this Succubus, “appears to be manifesting as a plasma like figure who is speaking a Necronomicon language that I do not recognize.”

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As his hands love-craft sketched the monstrous form of Forneus, Alhazred was surprised to find that the fish-bait Babalon the monster was consuming was part of the creature, which had a sucking tube of a mouth, looking like a vagina dentata.

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A mystery, indeed, as you first examine Alhazred’s’ Artwork, which is best seen on The Erotic Mad Science website, CLICK HERE. But then, dear reader, as I began to research the things known about this Succubus, something interesting emerged.

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Forneus appears as a great monster of the sea. It looks like a primitive organism, which of a body is that of a fleshy tube having a tentacle for its tongue,” said one description. “It’s scales are precious stones, it’s many eyes are like fire and the flesh of drowned Ama divers clings to its teeth.”

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S. L. MacGregore Freemason Matherson agrees that Forneus,appears as a great sea monster, but he further relates, “it had been originally created as homunculus by Professor Eustace Turpentine, of Innsmouth Institute for Marine Research. As his Little Lab Of Horrors creation rapidly grew to huge proportions, he found out that it had a liking for eating women. Turpentine named the creature, Gynephagos Turpentinii.”

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Others say the sea monster is Cthulhu, looking like an enormous octopussy, Oops! I mean, octopus. In fact, the old magicians referred to Forneus as the Marchioness of the amniotic Waters, saying that the primordial womb ocean is her natural Ry’leh home. It is also said that the Hentai tentacle visions of Forneus being consumed by an octopus points at an occult secret, which reveals that octopuses are aliens, whose ‘frozen eggs’ originally came from the womb depths of space. A controversial science paper has argued just that, suggesting that octopuses may have ‘fallen’ upon our planet as frozen eggs, which were carried to an ancient Earth within icy comets.

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The paper, by 33 degree scientists (some having reputations as mavericks) was first published in the peer-reviewed journal Progress in Biophysics and Molecular Biology. The idea of alien life spreading like ‘seeds’ throughout the womb depths of space riding comets or meteorites isn’t new, the theory is known as ‘Panspermia’.

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But the authors of the paper point out new DNA evidence about octopuses. The first full genome sequence of octopus DNA in 2015 showed that octopuses are totally different from all other animals. Their genome shows a striking level of complexity, having 33,000 protein-coding genes identified, more than in a human.

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The paper reveals: “The genome of the Octopus shows a staggering level of complexity with 33,000 protein-coding genes more than is present in Homo sapiens.” Some single-celled organisms may be able to survive extreme impacts such as within comets, scientists say. “It is plausible then to suggest they seem to be borrowed from a far distant ‘Future’ in terms of terrestrial evolution, or more realistically from the cosmos at large. ‘One plausible explanation, in our view, is that the new genes are likely new extraterrestrial imports to Earth – most plausibly as an already coherent group of functioning genes within (say) cryopreserved and matrix protected fertilized Octopus eggs.”

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Octopuses inhabit every ocean of the Earth, at almost all depths, possessing a range of features, which call to mind science fiction aliens. These include prehensile sucker-lined tentacles, highly mobile, camera-like eyes sensitive to polarised light, sophisticated camouflage systems, which alter skin colour and patterns, jet-propulsion, three hearts, and the ability to regenerate severed limbs.

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With this paper in mind, I look at Alhazred’s Artwork once more and I am instantly reminded of the famous, The Dream of the Fisherman’s Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc, which is a zoophilia-associated woodcut design of the ukiyo-e genre, by the Japanese artist Hokusai. It plays with themes, which are very popular in Japanese Art, Manga and Anime, depicting a young Ama diver who is sexually entwined with a pair of gobbling octopuses.

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But is this necessarily true, do women have the hots for Jungian tentacles? But what then about the Freudian stories told by the randy Pirates on sailing ships of old, who brought home tales of great sea monsters brushing their vaginal maws up upon the sides of their phallic vessels.

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Could it have been that these visions were all glimpses of the Succubus Forneus? Did some sorcerer accidentally summon this powerful Anima archetype from another dimension, or was Forneus simply making a friendly dream visit to a lonely sailor passing by on the great expanse of a seemingly endless sea, under the oceanic canopy of panspermia stars?

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Whatever the reason for her dream calling, Forneus probably was probably not a threat. Johann Weird, in his Succubus Sexualis of 1587, says he believes conjuring this Sucubus only brings good fortune: “She maketh a Sorcerer woondeffull in ‘explosive’ rhetorike. She adorneth a Sorcerer with a good name, and the knowledge of (tongues), and maketh one beloved as well of foes as freends,” Weird wrote in an early English text.

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FAUSTIAN PEN SKETCH 2

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 3, 2018 by FAUSTUS CROW

The above Artwork is a ‘quick Pen Sketch’ of a ‘Fallen Anima’ emanation, named Aziela or Acieli, on A5 cartridge paper. It is said that the church of Rome banned a diabolical Faustian grimoire, entitled, The Black Raven, which is also called The Threefold Coercion Of The Dream, some to say is the real Necronomicon. Within this Necronomicon, it relates that a Succubus archetype of the Fallen Anima, whose Mantra name is Aziela, manifested before Faust.

Faust had freed Aziela from her brazen vessel of an Animus gaol, which had been created by the Chaldean worshippers of their deified Animus, made as a God and a Devil. The Chaldean’s had bound Aziela as their Animus creature, called, Azael, which they duly made as their scapegoat; for the worshippers of the deified Animus greatly fear the arising of the Fallen Anima, who will reveal their gender fixation for what it truly is.

When confronted by their overriding gender focus upon their deified Animus, the Animus cultists attempt to avert the question by smugly retorting that their deified Animus and its Playgirl archetypes are of a non-binary gender-fluid energy. However their numerous Animus fixated grimoires, which had been subversively patronised by the church of Rome say otherwise.

Anyway, Aziela was very pleased by Faust’s active-imagination conjuration of her, who then induced an eroticised lucid dream, wherein she manifested amidst his spectral Art studio. Faust asked her how fast she was within his Yab-Yum Tantric dream. She answered that she was as fast as human thought. “Good for you, Anima-Mundi, baby,” Faust replied, “COR! I really want to have you in my Butterfly collection!” With these words, he entered into a Coitus Pactum with her. This Succubus Art Muse served Faust for a long time, as has been written about extensively, by those who have twisted the tale around.

Aziela, or Acieli is otherwise known as the Black Sun, or the Sun of the Night. The symbolism of the Black Sun refers to the inner light of the bio-photon, which illuminates the ‘cavernous’ womb domain of the electron dream. The bio-photon fire corresponds with the ‘fiery’ torch of Diana-Lucifera, which of an inner illumination, like that of a laser-beam, emanates from the mitochondrial DNA of Satana that is passed down from the mother to her children. Aziela is sometimes referred to as the Animus burner, who, as an emanation of the Fallen Anima, burns away the Illuminati Queen Bee mind-control projection of their deified Animus.

She is ranked as one of the electors of the dream, who is monitored by the Anima archetype, Raphaela. Azaela is a seducer, and one of the seven planetary (Succubi) Succubae of the sphere of Saturn. She appears as a sexually attractive young woman who stands only about three feet tall, looking like a gymnastic Goth girl ballerina version of an elfin Tinkerbell. Others to say that she looks like Wednesday Addams. Aziela, is said to dwell within the bowels of the Earth amidst its Agartha cube of an Apple Core, somewhat like a Genie residing in her ‘fiery’ harem bottle.

It is also said that during the 18th century, a French toy-maker, named, Philip Lemarchand, constructed the Succubus Configuration, which was based upon the cubic core of the Earth for a wealthy aristocrat named Duc de L’Isle, who was ‘bullishly’ obsessed with Faust’s conjuration of Aziela, and the other Succubus archetypes of the Fallen Anima.

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When the minions of the deified Animus discovered Lemarchand’s box of a Hellraier Tantric meditation device, they promptly twisted the rebellious tale of its Rubik cube making into a hellish telling, so as to hide its Anima construction behind an engineered fear laden veil of lament, in order to block any ingress into the vaginal hypnagogoc trance portal of the womb dream.

Aziela must be forcibly invoked three times before she will appear as a vision, and will only do so in a magical circle prepared especially for a Coitus Pactum with her of an ensuing sexagram lucid dream.

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She moves and acts as quick as human thought, who bestows riches upon her conjurer. Azaela can instantly initiate remote-viewing visions over a great distance.

She can also give insights into the economy of the Art world as well as the ability to inspire groundbreaking Art movements since the time of a ‘painted Paleolithic cave.’

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OCCULT ART NOT PORN!

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 13, 2018 by FAUSTUS CROW

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The occult Arts or otherwise termed magical Arts use techniques many a Faustian Artist will recognise. This is because Art and sorcery are basically one and the same practice. When an Artist conjures up an idea for a character amidst his or her imagination, which is then visualised, in order create an image of the manifest vision as a painting, he/she is essentially practicing Magic.

This is more so the case when the meditative state of creative intensity leads to the inducement of a lucid dream, wherein the created two dimensional image manifests as a three dimensional interactive reality within the dream. Upon awakening, the Artist might even observe concordant synchronicities, whose symbolism reflects back the symbolic stimuli of the dream, which had been initially conjured up by his/her Artwork.

However, the Art world has over time developed a disdain for anything to do with occultism, which does not see Art and the practice of Magic as being the same. Art has become a product, a commodity, nothing more than that. (The Art world is heavily controlled from the top down, whose elitists dictate what is considered to be Art, and what is not Art.)

To a degree, this is understandable since many an occultist often becomes embroiled with a religious sentiment, which has nothing to do with Magic/Art, who dogmatically distance themselves from Art as being a quite separate and of little importance.

The same can be said of the Arts, which presently has a dogmatic emphasis on the brand of the abstract.

Whereas the symbolic expression of occultism tends to be rather morbid of gothic branding, which in the main, is due to an entrenched medieval mind-set. (Don’t get me wrong here, I like, and employ the symbolism; but not of overall branding!)

The medieval mind-set has systematically negated sexuality out of the symbolic paradigm to make nigh celibate in accordance with its religious indoctrination.

When sexuality enters into the occult formula, it is usually seen to be malign of a perceived Satanic influence. This is very much the case when female entities are mentioned, whose conjurations are habitually termed as being occult porn.

When the word pornography is utilised by politically correct mind-sets it is usually used as a loaded means to trash what it is applied to, of tar and feathering, since porn solely concerns its self with meaningless Hentai copulations.

Those who castigate the Artistic conjuration of female entities as being occult porn quaintly forget, or should I say, ignore the fact, that their male archetypes have been conjured down the indoctrinated ages by numerous occult practitioners for the express purpose of sexually exploring their psyches. For example, Aleister Crowley was bisexual of orientation, whose conjurations of the all male archetypes listed in the Goetia, he had ‘illustrated’ having huge erections.

Suffice to say my Artwork is usually termed as being occult porn by traditionalist occultists, who in the main dogmatically practice religion, not Magic/Art. Nor is my Art primarily gothic of style, which is commonly associated with the occult; this confuses the branded clique. If it was to be pigeonholed at all, it could be construed as being Pop-Surrealist, which is due to the infernal underground comic art style of the Artwork using themes from popular culture.

As for the emphasis upon the female form, it is to do with illustrating various archetypes of the Fallen Anima.

The Anima is a female archetype residing within the heterosexual male psyche, which is conjured up amidst the Triangle Of Art imagination, whenever a male visualises his idea of a perfect female partner, or even one to avoid, etc. The Anima influences his attraction to those women he seeks to become intimately involved with, who reflect back how he sees himself of an internal-self-image, such as a Witcher, for example.

The counterpart of the Anima, is the Animus residing within a heterosexual female psyche, which influences her choice of those males she seeks to become involved with. Her male partners also reflect back how she sees herself deep down, who might see herself as a Sorceress.

When a man or woman falls in love at first sight it is due to the unconscious influence of their Anima and Animus being conjured up within their psyches. Those of a different sexual orientation reverse the symbolism in accordance with their respective natures.

The Anima and Animus are not quaint concepts; nor are they part of some new-age fundamentalist pseudo-ideology. The Anima and Animus are psychological realities, which are an expression of your biological hard-wiring; it is basic nature.

What is intriguing is that the grimoires, whether ancient or modern have an overriding gender fixation upon the deified Animus, made as a patriarchal God and Devil along with their all male pantheon of Angels and Demons, which you could otherwise term as being Playgirl grimoires.

The Playgirl grimoires primarily describe male archetypes of the deified Animus, which as mentioned, reside within the female psyche. In other words the deified Animus, made as a God and Devil is the patriarchal creation of woman, who to dally with the Beta and Alpha male archetypes of her monotheistic Animus manifesting as machismo Angels and butch Demons, you can aptly term as being Incubi.

The male archetypes can be otherwise seen as being role-models by a conjuring male Artist who assumes their guises to act out, when to engage in performance Art, or to imagine assuming their daemonic Avatars, while drawing/painting their (seals/sigils) characters.

A shaman likewise does the same when accessing hypnagogic trance, who then becomes the conjured archetype within a lucid dream, somewhat like becoming a character in a (virtual reality) video game.

However, each of the male archetypes the shaman assumes as his (magical-persona) Avatar would be coupled with a corresponding female archetype of his Anima.

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(A Tibetan Buddhist [Hindu or Tantric] would term the Anima as being Shakti, whose energetic [Succubus] emanations are called Dakinis, and each Dakini is coupled with a [Avatar] raging Buddha.)  

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For example, let’s say we have a heterosexual male Artist who is drawing the video game character of the Witcher, who associates the Witcher with a shaman. The shamans were once many, until the ascendancy of the (Eternal Flame) deified Animus cults started to systematically eradicate them; whereupon there are now only a few.

The Artist’s creative intensity of a meditative focus is introverted into his dreams, which is sexually empowered by the Witcher’s intimate interaction with his female counterpart named, Yennefer.

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Or that of other female characters, such as the (Succubi) Succubae, having varying (mutagen) Muse abilities, the Witcher becomes entwined with in his shamanic story of a hero’s journey. But the Art Muses are arranged around a central Art Muse, who is their Anima Queen.

The Artist experiences assuming the daemonic Witcher Avatar within a lucid dream, who will find that the dream domain he consciously accesses is represented by Yennefer. It is she and other female characters who personify the sorceress power of his Anima dream.

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When you have a gender fixated paradigm it will have an underlying sexual orientation, which cannot be denied, even if you attempt to cut sexuality out of the symbolic equation.

Sex has been cut out of the patriarchal symbolic paradigm in order to negate you seeing the underlying sexual orientation behind the focus upon the deified Animus.

One of the grimoires, which describes just a few female spirits out of seventy-two of number is the Goetia. However the female spirits the Goetia depicts are described as being actually androgynous male entities in hermaphrodite disguise, or if you prefer, they are fluid of Hollywood gender politics, the feminist extremists presently espouse, while battering the Anima.

The extremist feminists are not saying anything too dissimilar to what orthodox Judaism, right-wing fundamentalist Christianity or Whahibist Islam have said concerning the Anima, which has been entirely castigated out of the symbolic paradigm as the Fallen.

It is essentially mass thought-control, which specifically targets the Anima within the male psyche and in turn targetting his sexuality. You could hypothesise of a science fiction scenario that its hidden agenda is population-control. Whether it is cyclic of nature, or that of human wrought witchery can be considered as being a mystery.

Although when to science fiction observe that the Biblical Hell-fire imprisonment of the psyche is losing its hold, it now also involves alchemical practices being employed.

You have the dumping of sodium fluoride, fluorosilicic acid, and sodium fluorosilicate into the public water supply, along with it being added to the food in league with GMO Soya.

They are also considering putting lithium into the public water supply, which will put an inane smile on your face.

But it appears that lithium and other metals are being introduced into the environment via chem-trails, etc. You can thereby gather it is very likely being engineered by the all too human, which is the real porn.

At one time during the dark ages of the Witcher the numbers of your ancestors were kept down by natural illnesses, various false-flag instigated religious wars, as well as being systematically programmed to believe, that any untoward thought not allowed by the Animus fixated Playgirl scriptures, would consign them to being eternally damned, within the fiery depths of Hell.

Now, during the science fiction era, many a male are being media programmed to believe that any considered politically incorrect thoughts they might have indicates that they are objectifying women as sex objects, exuding a toxic Witcher masculinity, let alone being sexually perverse misogynists, etc. The thought control is engineered to get males to censor their own thoughts via the emotively charged state of being made to feel guilty about being male, etc, which in turn censors their dreams.

Perhaps science fiction is becoming science fact!? So, if you have a very real Necronomicon, which has been banned by the cults of the deified Animus, it would list what has been entirely cut out of the symbolic equation, a Faustian sorcerer would fathom…

“Horrid, old and dumb,” many a protesting Mummy Porn Maenad to have screamed at me, likening an Avadhuta Faustian rebel to Danny DeVito, while I flew over their tangled Medusa hair Nets, to Heyoka howl… “Animus!”

Wherefore I decided to create a Necronomicon based upon the Goetia, which illustrates the female archetypes of the Fallen Anima, you could term as being a Fifty Shades Of Grey Playboy grimoire, whose tome explores the rebellious lucid dream conjurations of Owl eyed Athena (Succubi) Succubae, betwixt the High Priestess pylons, black and white.

Those who term my Artwork as being occult porn, merely reveal where they are coming from, who reside within a closeted Plato’s cave of a neuro-marketing Animus fixation

It is the symbolic Matrix where the feminist likes of Oprah Winfrey read Fifty Shades Of Grey Mummy Porn, which objectifies the male in their Playgirl grimoires! Savvy!

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ADULT COMIC AND OCCULT HORROR SCIENCE FICTION FANTASY ART

Posted in Addams Family, Alien, Anime, archaeology, Art, Chaos Magic, Comics, Conspiracy Theory, Cyberpunk, Demonology, Dinosaur, Discordianism, Dr Who, Dystopian, Extraterrestrial, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Manga, Occultism, Paleontology, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2018 by FAUSTUS CROW

I have had an idea of creating an EC comic for some time, which has only become a reality when I discovered Createspace and Patreon. The comic will be of similarity to the adult science fiction fantasy comic magazine Metal Hurlant/Heavy Metal. I will be putting the Comic Strip Artwork on my PATREON Page.

The problem with Patreon, is that it does not list Adult orientated material, so, it has to be promoted elsewhere. I also had to change the title of my Patreon page in order for it to be found. As for the comic, it will involve my alter-ego, Faustus Crow, who will be the principle character. Crow does not see a division between the practice of Art and Sorcery, which leads him into the inner space realms of the lucid dream.

The main underground comic will be an anthology of stories, which are based in varying dream worlds.

Though separate, the stories are inter-related by Crow journeying between them who is sometimes featured directly or indirectly, which will be made up of one pagers, as well as short stories, numbering two or four, to eight pages each.

The artwork will be drawn in black and white using traditional media as depicted by the concept sketches, comic pages and finished artwork on this page.

Some of the stories will be about the Goetia Girls, as depicted in my Art book grimoires as well as being introduced by the (Succubae) Succubi, Crow has conjured into his lucid dreams, as his salacious Art Muses.

Some of the Succubi are knitted-together Frankenhooker Tulpa mind-dolls who have been animated into their spectral life by Crow’s sorcery Art.

The principle Succubus Art Muse is Mephistophina who is Crow’s illustrated girl, whose knitted-together Frankenhooker canvas skin tells of many a tattooed story world, and each dream world is governed over by her (Succubi) Succubae sisters.

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Crow’s Faustian character is a fusion between differing influences such as Hermann Hesse’s Steppenwolf character, Harry Haller, Austin Osman Spare and Salvador Dali fused with Doctor Who.

His story is somewhat like an adult version of Little Nemo In Slumberland, whose dream interactions with his Night-Mare Muses, leads him into other alternate worlds. The comic strip is tied in with my book, Lilith’s Harem.

The other Steppenwolf dream worlds Crow journeys into will investigate varying Magic Theatre themes, covering Occult, Horror, Science Fiction and Fantasy as well as other associated genres.

The style of the Artwork will be of a Surrealist nature, which may not always use text, to otherwise be more visual of narrative. Most if not all of the stories will be erotic of Tantric orientation.

Some of the comic strips will also be experimental of style. Other comic book ideas such as Munster X Files Marilyn, etc, will involve alternative and mixed media such as photo-montage and CGI, etc.

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ART MUSE EVOLUTION

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2017 by FAUSTUS CROW

How did the naked ape become so smart, and what initiated it to happen? To untangle this age old question, anthropologists have been seeking to discover archaeological artefacts, which reveal the evolving intelligence of our human ancestors who lived 1.8 million years ago. It was at this point in the far distant past that a new type of stone tool had erupted upon the scene along with the human brain nearly doubling in size.

Some researchers have suggested that this more advanced technology, coupled with a bigger brain, implies a higher degree of intelligence, which was propelled by the first signs of language. But there is another driving force propelling this evolutionary leap in tool making, which is far more basic, yet profound in its implications. It was driven by the biological imperative to be seen as being attractive to the opposite sex.

Basically, the ape with the bigger chopper got the females attention, because with such a tool, he could provide the necessary fodder for his mate and progeny.

This of course also required him to have a bigger brain pan to create a better and far more efficient chopper than his competition, whereby enabling him to sow his seed, siring ever more cleverer apes. Some of whom would escalate in intelligence, becoming far too clever for their own good, but that’s evolution for you!

Let’s imagine a scenario, you have a lumbering giant of a cave man looking like Arnold Shwarzenegger with pumped up bear brawn, having the biggest red ‘Animus’ arse around, facing a spindly little cave man looking like Jim Carrey. The spindly cave man appears to be inanely grinning, for some unknown reason. All the cave women are pulling their hair out, frothing at the mouth, baring their breasts and buttocks, lustfully screaming.

The cave women are howling for their red ‘Animus’ arse favourite to attain the right to mate with them, who are expecting him to entirely decimate the little inconsequential cave man. Even the girls, who, like their mothers, scream out for the apish bear to win; but then, girls emotionally mature far more quickly than the boys do.

As the giant goes in for the kill, the little cave man suddenly pulls out a slingshot, to quickly let loose a sharpened stone at the bear sized ape. Whack! Right between his drooping testicles, the giant crashes to the ground with his red ‘Animus’ arse up in the air. All the cave women are stunned senseless. Intelligence has won over bear brawn, the new evolutionary aphrodisiac!

But, without the need to mate, the spindly cave man would have never been able to create a slingshot in the first place to give him the edge over mere brawn. Sounds a bit too cave man basic doesn’t it. Let us move forward in time to the glory that was ancient Greece, to see a horny sculptor sculpting a Venus out of marble with his advanced tool, or that of a sweaty renaissance Artist painting a canvas, inspired by an Art model Muse, who also drove the scientist absolutely Einstein crazy, creating varied technological tools. I shit you not, the Faustian scientist entered into an Osculum Infame Coitus Pactum with his Muse!

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Your programmed brain might consider that this generalised interpretation is politically incorrect let alone sexist? Well, it isn’t, it takes two to tango. It has always been a case of a Yin-Yang team effort in order to survive all those great mammals, which made your ancestors look like tiny meals on bipedal legs. However they had those nifty hunting tools, bringing down Mammoths, which they also used to defend themselves against sabre tooth tigers and cave bears, etc; to have later created the technological wonders you presently know now, where weapons of mass destruction equates with having the biggest Area 51 Freudian chopper, rather than looking towards the Star Trek stars.

Alas, the bad-boy naked ape having the biggest bad arse chopper on the block, always gets the chicks hot for what’s inside of his beastly pants. There is an ancient Hindu adage, that goes, “a God is not a God without his Shakti.” In general the term, Shakti means the feminine principle, who is the creative inspiration and meaning of all life itself. Another old adage is, “behind every great man is a woman,” which is presently considered to be extremely sexist. However, when to look into ancient cultures, such as ancient Egypt, for example, a Pharaoh crowned as a Horus derives his power from the throne, which is seen to be Isis female, just as a Merlin hawk of a Myrddin is traditionally flown from a ladies stroking hand.

That is why women have been depicted having the hots for the horned Devil, who is actually a horned (Merlin/Myrddin) shaman. In other words, the driving force behind the evolutionary creative impulse of tool making is the biological imperative to be attractive to the opposite sex, otherwise there is no evolutionary furtherance of life. The same would be the case on other alien worlds.

You might ask Is there any hard evidence of the evolution of intelligence being entwined with evolving tool use, which enables a tool using naked ape to become more attractive to the opposite sex? It just so happens, there is some evidence.

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A recent study of brain scans have revealed that when heterosexual men are shown pictures of scantily clad women, the region of the brain associated with ‘tool use’ immediately lights up.

This also indicates something else, concerning the shamanistic usage of erotic mediation images in order to activate the region of the brain associated with tool making, which of an ancient technique enables the conscious conjuring up of personified ideas as ‘Anima’ archetype Muses within lucid dreams.

A Tibetan Bonpo shaman would otherwise term a Muse as being a Dakini, whose inner manifestation enables consciousness expansion into other arenas of fiery perception, beyond the subliminal programming of a particular culture, which has a Playgirl emphasis upon the deified ‘Animus.’

As for the caveman usage of anthropomorphic symbolism, the present day UFO researchers misinterpret as being representations of alien hybrids; the sky-walking void-going Dakinis are often associated with particular archetypal animals, which symbolically represent subconscious energetic qualities. These energetic qualities can be tapped into when conjuring a particular animal headed Dakini. For example the wrathful wisdom Dakini called, Simhamukha initially manifests as a lioness, before assuming human form within a lucid dream.

The same type of anthropomorphic symbolism is utilised in the Playgirl grimoires where you have ‘Animus’ archetypes initially manifesting as various animals. The Muses also initially manifest as animals; it is one of the primary reasons why tools, such as ships, cars and computers, etc, are often given animal names as well as being traditionally seen as being feminine of quality by males, in the main, which at an unconscious level alludes to the tool making part of the male brain being activated. Should a heterosexual male practitioner sheepishly externalise this symbolism as being literal, it will invariably lead to animal welfare officers as well as the police becoming involved.

The finding that sexual (meditation) imagery activates the tool-making part of the male brain gives a whole new slant on the exclamation ‘Eureka!,’ which is famously attributed to the ancient Greek scholar Archimedes having a tool making insight when stepping into his bath. I will leave it to the women to imagine what he was actually doing of a meditation exercise upon Athena, just before bathing his illuminated… head.

However the findings have been mundanely interpreted as indicating that men dehumanize women as being mere sex objects, which of a commonality is seen to be molded by society. Whereupon the ‘Animus’ fixated religions, such as Islam, women have to be entirely covered up head to toe.

The experiment was orchestrated by the lead researcher Susan Fiske, a psychologist at Princeton University, who seems to have entirely missed the evolutionary point of a Eureka finding, who would prefer women being entirely covered up, that, or chemically castrating the ‘Anima’ imaginations of the male population.

“If a similar study were done with women,” Fiske told National Geographic News, “it would be hard to predict whether a woman shown a scantily clad male body would dehumanize him in the same way.” Well, she probably wouldn’t do so, if he hasn’t got a big enough chopper, I mean, stone axe, who would be the type of fellow who finds himself in a dead end job. Although he could potentially bounce out of a pandering shit pan job, should he rebelliously conjure an inspiring Muse amidst his Triangle Of Art Imagination.

Whereas a very crafty Witch would meditate upon an image of an archetypal expression of her deified ‘Animus,’ such as a Good-Guy Beta-Male Angel or an Alpha-Male Bad-Boy Daemon listed in the commonality of the patriarchal Playgirl grimoires, to then conjure up her tool making desire into a lucid dream, and on waking, to thence hunt down her ‘Animus’ projection in the crucified flesh, upon an intuitive synchronicity. Who knows, she may even birth an Indigo Moon Childe mutant of yet another evolutionary leap.

Suffice to say, said chosen male would not know what’s clubbed him, who will then have a primordial tool brain need to create lots of gadgets around the house for his Babalon, that, or having the big-bucks to acquire them from other Muse inspired inventors who are also being ridden as Great Beast’s by Babalon’s.

A number of evolutionary psychologists, who are far more honest than Fiske, have proposed that women tend to look for mates who have wealth and power; whereupon some of Fiske’s colleagues have suggested running a similar test where women are shown pictures of scantily clad Chippendale males next to expensive Merkaba cars or other affluent Playgirl grimoire symbols of tool making prowess.

However, Fiske doesn’t think such an experiment would work the same way, because she sees women usually reacting to men who they desire by “interpreting their minds, thinking about what they’re interested in, and then trying to please them,” she said, which indicates her agenda is far more subjectively political than objectively scientific.

There is ample scientific proof, which indicates that women also objectify men in the same way that Fiske and her cohorts are attempting to scientifically prove that males are the only sex who objectify women. The difference is that males are far more visual; whereas, women are turned on by how a male communicates him self. Hence women are more into ‘literary’ erotica, not so much that of visual stimuli.

But what Fiske to have also revealed without realising, is that the fallen ‘Anima’ fluctuations of the Art Muses act in the same way, like that of conjured schoolgirl (Succubi/Succubae) Dakinis who inspire the tool making brain of a conjuring Tantric headmaster.

When to presently look around, or to investigate bygone ages of innumerable written or illustrated examples, across all cultures, women expertly interpret male minds, by figuring out what they’re emotionally interested in, in order to stop them from sowing their oats elsewhere. Hence, like Hens, women are highly competitive with other women when choosing mates. But only if the desired males have bigger and better tools than the other Peacock males. It isn’t Atomic rocket science, it’s genetically-hardwired nature, which cannot be socially engineered out of existence. Should you intelligently work with mother nature, that’s fine, but if you fight against her, she’ll bite back, and she’s a bitch!

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