OROBAS PONY GIRL TARDIS TIME MACHINE OF DR WHO

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The fifty-fifth Goetia Succubus is Orobas, or otherwise named Orobasi. She is a Great and Mighty Princess, appearing at Night, first like a Mare.

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But after the command of her master she puts on the ectoplasm form of a beautiful naked young woman riding upon a Rocking Horse or to be on all fours to look like one, of human manifestation.

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Sometimes she will manifest as a bound Steampunk Pony-Girl who will be entirely submissive to her master’s every whim.

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Her master will also find that Orobasi’s long hair will be braided into two serpentine ponytails, which are as her reins tied together at their ends, representing a closed timelike curved loop of Time.

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Her office is to discover all things Past, Present, and to come; enabling her master to travel without moving, whilst riding upon her back through time, around the Ouroboros; while she be in the form of a Human Rocking Horse.

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She also bestows Dignities, and Prelacies, and the favour of Friends and Foes. She gives true answers about the nature of Consciousness, and of the erection of the Universe.

She will also tell her master about the hard and soft technology of Time-travel; for she to reveal that all are enclosed within a closed timelike curve providing a Time Machine effect, over which she is a mistress of.

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The Multiverse allows for such Time-Travel, within which you exist. The long-held paradox of time is no longer applicable in a Multiverse; whence to find that your own serpentine double-helix DNA is the primordial Time-Machine of a ‘Mitochondrial’ TARDIS, from which emanates the ‘bio-photon’ illuminating your electron dreams.

You can introvert your consciousness into your electron dreams in order to access inner Stargates, which you can otherwise describe as (vortices) ‘tunnels of light.’

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Although these Stargates will be symbolically interpreted by your brain to look like ordinary (vaginal) doors and (uterine) hallways of everyday experience, which will lead to other (womb) Maya domains.

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You can ‘Quantum Leap’ backwards through Time in order to visit your own self as child via the dream, who then to have precognitive dreams of a future self to become.

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Orobasi is exceedingly faithful and most loving unto her master. She will not allow her master to be tempted by any other entity emanating from another alternate reality, existing within a parallel Universe. She governs 20 Legions of Succubae of similar Pony-Girl form to herself.

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Orobasi (Orobas) is of similarity to the eight-legged-mare, the shamans of North-Central-Asia unto Siberia knew of to trance ride. The eight-legged-mare was also ridden by the shamans of Northern Europe who named her Sleipnir.

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This eight-legged-mare of a spider horse was specifically ridden by the Norse Shaman God called Odin, the Saxon’s knew as Woden. Sleipnir enabled Odin to ‘trance’ travel the ‘Multiverse’ World-Tree of Yggdrassill, like that of a prior Dr Who riding his TARDIS.

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During the psychedelic era of the 1960’s, Dr John C. Lilly had once again tapped into the same ancient shamanic technique via his mathematical Sigil of a Brownian Operator.

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However, Lilly of an Odinic Doctor Who, had otherwise replaced the organic symbolism of the shamans-horse, and world-tree with the mathematical Brownian Operator and Topquantese language of scientific inquiry.

Lilly soon found that via lucid-dreaming you can access Un-Marked-State ‘Looking-Glass’ Stargates, which could be all as (quantum) mini-wormholes.

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These mini-wormholes are conjectured to be at the centre of electrons, which of inner doorways can be accessed within your electron dreams. This is entirely possible, since your consciousness has been reduced down to a point of singularity within the electron dream, which is far smaller than any known particle.

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Lilly discovered that he could access other Marked-State alternate-realities existing within parallel-universes, when to transverse an initial Unmarked-State of a void.

Lilly’s findings were initially ushered in upon the back of the mathematical symbol of the Brownian Operator, when he found himself internally travelling into other realities, while he was in a coma, after a life threatening accident.

The Brownian Operator symbol looks like an inverted ‘L,’ which of a (knight’s chess piece move) trigger-symbol his consciousness rode, when he later floated amphibious within the amniotic waters of his floatation-tank, like that of the King’s Sarcophagus amidst the Giza pyramid.

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Sounds like pure science fiction, doesn’t it. I can assure you it isn’t. Speaking of science fiction, which often catches up with fact, the fictional character of Dr Who is based upon (Woden) Odin, the author, J.R.R. Tolkein had also based Gandalf upon.

The shamanic deity Odin was known as the ‘Unknowable One;’ wherefore he has many guises, like that of the Doctor Who’s Marked-State regenerated selves, whose character went through many Unmarked-State transformations.

Odin’s sacred colour is Blue like that of Dr Who’s TARDIS; his particular Rune is that of the Fourth Rune of Ansuz, which at a mundane level is to do with communication, equating with a phone box, as well as encapsulating his shamanic ability of trance travelling into other Marked-State alternate realities, to police as a (doctor) shaman.

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The symbol of the eight-legged-mare was used in the same way as the Brownian Operator by shamanic practitioners. The eight-legged-mare was basically utilised as a trigger symbol in order to introvert into their subconscious via consciously meditating upon the organic symbolism of the mare. This would then enable the initiation of lucid dreaming, when the symbol was recognised within the dream.

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When the shaman recognises the introverted symbolism of the (Pony-Girl) eight-legged-mare within the dream, he could then ride her into other realities. The eight-legged-mare is essentially made up of two horses, one white, the other black; both of which represent the Marked and Unmarked-States of Lilly’s Brownian Operator; whereupon, in regards to (Orobas) Orobasi, you have two Pony-Girls.

These two Pony-Girls are also associated with the right and left nerve channels running along either side of your (Yggdrassill) spinal-column. These two nerve channels belong to your Autonomic-Nervous-System. When they are brought into balance via the practice of meditation you experience a state of (hypnagogic) trance.

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When hypnagogic trance is achieved, the two mares become one, as the (Grey) eight-legged-mare, whom represents the central channel of the spine, which is associated with your Central-Nervous-System. As you access hypnagogic trance, you will experience an energy arising up your spine, along the back of your neck, which then hits the back of your head. This arising of energy along the back of your neck in particular, is known as the ‘rush’ in trance dance culture; it is indicative of the arousal of your Reticular-Activating-System, which is based in the throat area of your reptilian brainstem.

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In Yoga practice, this energy is known as the Kundalini Shakti, which is seen to have a female (Mitochondrial DNA) source; wherefore it was often personified as a (Shakti) Goddess whose (Kundalini) energy is symbolised as a (bio-photon) fire snake. The Kundalini Shakti is basically the eight-legged-mare Sleipnir, which can be otherwise artistically depicted as a Pony-Girl Orobasi.

So, the sexual fetish of the Pony-Girl can be artistically utilised as a meditative focus, when given a spiritual context; this is basically symbolic alchemy, which of course also involves the sexual impulse.

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The sexual impulse is introverted in league with your focus upon the two-dimensional image of a Pony-Girl, which will then (Charge) empower you to become lucid of awareness within your (Spin) electron (Lilith’s Harem) three-dimensional dreams.

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This technique is none too different to a Tibetan Yogi meditating upon a Horse headed (Succubus) Dakini, called Ankusha; the only difference is that you would be using modern symbolism to do likewise of artistic Sorcery.

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If you prefer to traditionally conjure up Orobas as an Incubus, out of a commonly focused upon patriarchal Grimoire, of herd-mind commonality; go right ahead.

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It is of course your traditional choice of an ingrained phallic fixation upon the ‘Animus’ to do so… your Mind belongs to you… doesn’t it?

I mean, you wouldn’t want to turn Crowley tit-over arse in his grave, heaven forbid; such a thing would be Beastly.

Otherwise you will end up being ostracised by the OTO as being a depraved, perverse, vile and a most ‘Wicked’ pornographer, who indulges in juvenile ‘Anima’ evocations of salacious Succubae.

Hell! You may even be accused of being a disgusting paedophile or even to be in actuality a feminist Witch belonging to a coven of deranged Chaotes!

Probably best that you stick to conjuring up machismo Angels and Demons, of a safe comfy zone ‘Animus’ clique, just like those Incubi uncle Aleister illustrated in his Goetia.

Don’t think for a moment that Crowley didn’t ritualistically whack off his meat, when he to have conjured up his phallic choir boy Incubi to dance orgiastic around Boleskine house.

You have to keep in mind, Crowley was bisexual; and very brave for him to have admitted to his sexual orientation at a time, when such a revelation would have landed him in jail.

Wherefore, Crowley didn’t have any interest in reversing the all male Biblical pantheon; for it was right up his Cabbalistic alley.

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As for myself I far prefer to rebelliously conjure up the Succubus Orobasi amidst my Triangle of Art as a Sinful Pony-Girl Dakini TARDIS.

STEAMPUNK PONYGIRL GOETIA TIME MACHINE SUCCUBUS POSTER
STEAMPUNK PONYGIRL GOETIA TIME MACHINE SUCCUBUS POSTER by WODKHAN
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2 Responses to “OROBAS PONY GIRL TARDIS TIME MACHINE OF DR WHO”

  1. Emmanuel Says:

    Hi,
    I’m interesting in Goethia and I didn’t understand the link between these girls and Orobas…
    May you explain please?

    best regards

    • FAUSTUS CROW Says:

      In general, when you have a ‘Gender’ based symbolic system, it invariably has an underlying Sexual orientation. It is basic nature; for opposites attract each other, in order to create.

      Those who deny the Sexual impulse, are lying to themselves and everyone else. Wherefore, the listed Spirits of the medieval Grimoires, which are primarily all (Animus) male, indicates an underlying Sexual orientation.

      This fixation upon a particular ‘Gender’ is due to the patriarchal religious foundation, upon which the medieval grimoires are based.

      The personification of the Great Mystery as being a male deity doesn’t have any basis in truth, apart from it being a culturally constructed interface.

      The Great Mystery can manifest in numerous other symbolic forms; in fact, it expresses its self through everything in existence. Yet, there are many who believe that it is humanoid of appearance, whose gender is male, due to their indoctrination into a religious construct of a symbolic paradigm.

      (A psychologist would probably deem the all male focus as being somewhat ‘Closeted,’ which would explain why Witches were burnt at the misogynist stake, along with Homosexuals being persecuted.)

      The underlying Sexual orientation becomes far more apparent when to investigate the Goetia, which is one of the very few grimoires that lists female Spirits. However, there are only one or two that are described as being female, which are usually seen to be male Spirits in disguise.

      A ‘Gender’ based system, which has an overriding fixation upon the male, is fine for a heterosexual Witch, and a Homosexual Mage, or a Bisexual, such as Aleister Crowley for example. Their inner conjurations would be of a very particular kind because of their Sexual disposition.

      The sexual disposition is a case of energy, being that of emotion, thereby that of (conceptual/thought) attraction and eventual (felt) union with an opposite within the microcosmic domain of the Dream, in order to thence create, a macrocosmic synchronicity.

      For example, if a Heterosexual Witch was to conjure up a chosen ‘Archetype’ of a (Animus) King amidst her mind’s eye, said King will empower an inner self-image she has of herself as being a Queen. The Witch’s internal self-image of the Queen, may correspond with a desire of having more confidence.

      The Witch’s conjuration will eventually lead to a dream, within which she assumes the guise of the Queen, which is empowered by the evocation of a chosen (Animus) King. This will lead to a synchronistic association, which will correlate with her Dream. Hence reflecting back her self-image of an attained desire, when to find herself being supremely confident, while talking to a gathered audience.

      But, if you are a Heterosexual Sorcerer or even a Lesbian Witch, your particular Sexual orientation is cut right out of the equation, unless you entirely reverse the ‘Gender’ focus towards the (Anima) feminine.

      You can then see Orobas as being female, whose symbolism will determine the nature of the inner experiences you will have.

      The name of Orobas is derived from the Greek word: Ouroboros, which is a term for a snake eating its own tail. The symbolism of the Ouroboros describes ‘Eternal Recurrence,’ a physicist would otherwise call a self-enclosed timelike curve.

      You can therefore associate, Orobas with Time-Travel, whose classical symbol is a ‘Small Horse,’ which of a shamanic perspective is the trance horse of the Shaman.

      The Shamans trance horse is often described as being an eight-legged-mare, like the mare called Sleipnir, which was ridden by the Norse Shamanic deity called Odin, who journeyed through space-time into other worlds, likened to Dr Who riding his TARDIS.

      Odin had his (Succubae) Valkyries just as Dr Who has his female assistants.

      In Tibetan Buddhism you will find a Dakini, who is described as having a Horse-Head, you can otherwise equate with a Female-Centaur or even a Pony-Girl, to name Orobasi.

      Many will consider such symbolic associations as being distastefully pornographic, but only because they habitually ‘externalise’ the symbolism, to see as mere hedonism, which is invariably tied up with politically-correct thought control.

      The utilised symbolism is otherwise (Tantra) ‘internalised’ of (Dream Yoga) Symbolic Alchemy.

      SUMMARY: Orobas is said to manifest as a ‘Small Horse.’ Hence Orobas manifests as such, because of what people have read in a book. What has been read by many a mind, collectively conjures up the Archetype of Orobas, whether these numerous minds are engaged in practicing magic or not; for a read or spoken word of language evokes an associated symbol amidst the Triangle Of Art of the imagination; wherefore stirring the subconscious mind.

      In other words, those who read the classical description of Orobas, have been programmed by what they have read. Orobas and that of other Archetypes were initially the creation of an author, just as the author H.P. Lovecraft created his Cthulhu mythos, which of a fiction, has since been utilised for magical practice, to make into a ‘subjective’ fact.

      However, the symbolic structure of the Grimoires is primarily populated by male Archetypes, which communicates an underlying sexual orientation of the author, who has been blindly copied by others; whereby, there are no Grimoires, which list female spirits.

      When the all male focus is reversed of symbolism, to thence conjure Orobas as a Succubus, to name as Orobasi, the Horse (Archetype) motif can then be symbolically equated with a ‘Pony-Girl,’ if you be so inclined of a rebellion against being programmed!

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