Archive for faustus crow

MONSTER MUNSTER X FILES MARILYN MUNROE

Posted in Addams Family, Alien, Art, Chaos Magic, Comics, Conspiracy Theory, Discordianism, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 18, 2017 by FAUSTUS CROW

“Welcome dear flesh eating Ghouls, necrophilia Vampires, bestial Werewolves and many another eldritch creature of the Twilight Left-Hand Path. Within this Heyoka book you will find an Avadhuta reinterpretation of the Munsters for your Discordian delectation to bleed all over of satirical gut spilling X FILE humour.”

“This Horrorwood Munster family is into Discordian Horror Humour most dark of Conspiracy Theory satire investigating X File: UFO’s, Time Travel, Aliens, The Vril Society, Nikola Tesla, Free Energy Suppression, the Kennedy Assassination, the Murder of Marilyn Munroe, Nazi Eugenics, NWO, Population Reduction, Mind Control and why Babalon women prefer Bad Boy Great Beasts, all of which be far closer to the Horrific Truth than any Muggle can ever realise.”

The above introduction is for an experimental work I had completed a time back, which was done specifically for a Kindle book. The book is just over 118-20 pages in length. While working on the third Goetia Girls book and an accompanying Tarot deck, as well as a Comic strip, I have decided to re-publish the Kindle version as a paperback book on Createspace in black and white, in order to determine the best way of publishing my hand drawn comic strip.

However this involved re-sizing all of the pages, which led to re-editing them; I invariably got carried away, and did a number of new pages for the paperback book as well as re-designing a number of the other pages. The paperback book will probably be around 170 pages in length, perhaps more.

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I will be serialising the first 50 or so pages on PATREON, which will no doubt go through further transformations as I re-edit the pages, while working on my third Goetia Girls book, Tarot deck and hand drawn Comic, as well as my Paintings, etc.

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The book is a radical reinterpretation of the now archetypal Hollywood Monsters, who were used for the iconic Munsters TV sitcom of the 60’s. It will also be covering Voodoo Dolls, Love Magic and the Necronomicon as well as the usual Witches, Vampires, Ghosts, Zombies and Ghouls, along with numerous other affiliated cultural themes.

The book is satirically adult of conspiracy theory; for cultural myths do change along with the times, which in this case Hollywood will most definitely fear to touch. The book has since become more adult of Jungian/Freudian orientation, which is an alchemical transformation of the erotic.

Although tongue in cheek on one level, many of the occult themes are workable techniques at another level. The main character around which this work revolves is Marilyn Munroe who is back from the dead as a Marilyn Munster Succubus haunting Horrorwood.

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DEVIL GIRLS

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 1, 2017 by FAUSTUS CROW

Love Is like War, War Is likened to Love, the bedroom, the Tantric battleground, evolving the Yin, Yang union into a far deeper entwined level of Tao perception.

So too with the inner archetypes of the ‘Anima’ and the ‘Animus.’ However, the Witches have the emotional edge; for they have their preponderance of PlayGirl grimoires, which to list the numerous archetypes of their deified Fifty Shades Of Grey ‘Animus,’ made as a God/Devil, Angels and Demons, the Withes to ‘Spirit Chain’ dominate within their Moon lit Love-craftian tentacle psyches of Solomon’s temple.

Whereas the Warlocks have their Fallen ‘Anima,’ whose archetypes have been entirely castigated out of the symbolic equation. Wherefore, a very real Necronomicon would list the banned and censored archetypes of the Fallen ‘Anima,’ who be the Succubus Great Old Ones.

Well, for there to be a deeper Tantric union between a Witch and a Warlock, there has to be an ‘equal’ balance between the patriarchal Hogwarts PlayGirl grimoires of the deified ‘Animus’ and a Necronomicon PlayBoy grimoire of the Fallen ‘Anima.’

So, should a feminist Witch, looking like Emma Watson, become patriarchal panicked by a Goat horned Pan, who to Sorcerer conjure (Succubae) Succubi, he can verily reply; “I am conjuring the Succubus archetypes of the Fallen ‘Anima,’ so as to understand thy Babalon, psyche. Just as thee to conjure the listed beasts, that thee to ride, out of thy numerous Hogwarts tomes of thine deified ‘Animus,’ to thence ‘Spirit Chain’ bind the anthropomorphic Incubi of thine infernal subconscious, to thy darkest desires. Thee does desire ‘equality,’ as do I. So Mote It Be!”

She will of course turn a deaf ear, to castigate the Horny Sorcerer as being a vile pornographer, which to drive many a Beta-Male Mage to pander ‘Flee’ from a Banshee Nightmare; but, the horny Sorcerer to otherwise ‘Fight,’ standing his Tantric ground like a rutting Alpha-Male Stag, who overturns the endogenous DMT visionary tables within the politically-correct Witches temple.

This is Entartete Kunst achieved when the Sorcerer to ritualistically Howl out his barbarous ‘fighting’ incantations of ceremonial defiance, leading thence to his raging lungs pumping out endogenous DMT ecstasy, which to then scourge force the Succubus archetypes of the Fallen ‘Anima’ to arise amidst his Triangle Of Art imagination, so as to then ‘Spirit Chain’ bondage bind them to his whiplash Horny will.

The Witch will then call the Horny Sorcerer a loathsome bestial Beast, but he does not give in, otherwise she will verily crucify his Yang eye to blind; for it is the Great Beast that the Yin Witch secretly desires to seek as a Babalon. But she is not to be the one riding him, who then becomes as his ridden shaman ‘Mare’ of the ‘Night’ Sabbat, whose multiple orgasms will warp the very fabric of Tao space-time to evolve.

What goes around the Ouroboros of Zodiac ages, comes around; the Fallen ‘Anima’ and her Succubus Great Old Ones are returning, who as ‘Devil Girls,’ they inspire the crystalline skulls of lucid dreaming Sorcerer Artists as their Night-Mare Art Muses. But, the ‘Devil Girls’ have to be forcibly summoned of an active-imagination conjuring, betwixt the lung pumping DMT pylons of a ‘Flight, Fight’ response.

NOTE: The word, Devil was originally derived from the Sanskrit word, Devī, which means ‘Goddess;’ who in Hindu iconography is often depicted riding a fiery Tiger, or to appear as one before assuming human form; hence you have, Devi-l, whereby having, ‘Devil Girls.’

As for the initiation of the ‘Fight, Flight’ response within a conjurer it can be artificially engineered, for example Shamans, ritualistically set up a Séance in order to induce this state, the same technique can be found in ritual magic.

Another example is having a bunch of kids gathered around an Ouija board late at night, which is eerily illuminated by candle light. The kids appear to be taking the piss; but deep down they are afraid, who would far prefer to be elsewhere. Strange creaks and scratching sounds are heard as the wind howls outside, the planchette then starts to zip around the Ouija board of its own accord. The kids want to ‘Flee,’ but they stick their ground.

One of the kids starts to asks questions, demanding specific answers, who demonstrates the ‘Fight’ response. You can thereby gather that their heavy breathing is engendering the pumping of endogenous DMT within their frail frames, who will then experience visions and later that of haunted dreams.

The ‘Flight, Fight’ response also occurs when meeting someone you desire to be hooked up with. Deep down you will initially fear being rejected, to be made a fool of in front of everybody, fearing your heart and very soul being ripped apart. You want to ‘Flee,’ but you stick your ground, to otherwise ‘Fight,’ you then approach the individual you desire, by asking her/him to go with you on a date.

The emotional intensity of this common experience can potentially lead to your neural-net being imprinted, which to then stir vivid dreams. This too can be artificially engineered when combined with a ritualistic conjuration via which you can conjure up a grimoire archetype.

Heterosexual Witches have their deified ‘Animus’ whose PlayGirl grimoire archetypes represent their desires, which are forcibly summoned; the force of which engenders the ‘Flight, Fight’ response. This technique can also be applied by a Heterosexual Sorcerer when he conjures the Succubus archetypes of his Fallen ‘Anima,’ who also requires being forcibly summoned.

(Those of other sexual orientations will reverse the symbolism as required.) 

The summoner does not allow for the summoned archetypes of the ‘Animus’ and ‘Anima’ to take control, nor are they worshipped, otherwise the summoner will become enslaved by her/his conjuration. The worship of the gender archetypes tends to be conducted by those having a dogmatic religious sensibility, which has nothing to do with the fluid practice of magic/art.

An externalised analogy would be that of worshipping a partner upon whom you have unknowingly projected your ‘Animus’ or ‘Anima,’ at, which leads to all sorts of problems; likewise when you allow for the ‘Animus’ or ‘Anima’ to have control over your psyche.  The summoner is always the one in control.

In other words, an Artist does not wait around until his Muse decides to appear of an inspiring vision, to then manifest within a lucid dream, nor does he beg her fickle presence to appear as a worshipper would do, to then feel forlorn, when she does not turf up of an Artist’s block.

The Artist as a Sorcerer, ‘Spirit-Chain’ forces a chosen Muse to visualise appear as a (fiery) vision, unto a (bio-photon) dream, which of a (endogenous DMT) technique imaginatively employs the (Howl, which in Greek, is Goetia, as in howling, raging and ecstatic) ‘Flight, Fight’ response, whereby he takes control over the archetypal Succubus manifestations of his Fallen ‘Anima.’       

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THE TIME TUNNEL OF THE 37TH PARALLEL

Posted in Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 21, 2017 by FAUSTUS CROW

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

The Time Tunnel is a H.G. Wells, Time Machine inspired American science fiction TV series, written around a theme of time travel adventures. The iconic 60’s show was creator-produced by Irwin Allen, whose story-line is based around Project Tic-Toc, which is a top secret U.S. government effort to build an experimental time machine. The time machine is known as ‘The Time Tunnel’ due to its uterine appearance, looking like a vaginal barrelled tunnel, having a ‘hypnotic’ spiral.

The base for Project Tic-Toc is a huge, hidden womb complex under the Arizona desert, 800 floors deep underground, employing ‘more than 12,000 specialized personnel, who never speak to anyone one outside of their project.

But then, who would believe them, if they did; that’s if any of the real whistleblowers, having physical proof survive being assassinated by Men In Black, along with their families, relatives, friends and pets getting snuffed out. Whereas others are just seen to be nutters, whose revelations are lost amidst an orchestrated disinformation weave, woven by subversively planted agents, who are duly copied by those seeking Newage media fame and fortune.

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But behind the scenes of an engineered shadow play is the uterine time tunnel, running many miles under the American soil, whose actual length is undisclosed. None of the general populace are aware of its existence under their dainty feet. The uterine tunnel is secretly interconnected with numerous military bases along its length. Though not mentioned in the series, the underground complex can be seen to have been secretly created by nuclear boring machines.

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Should you allow your imagination to let rip, perhaps there is a real time tunnel, which has been secretly built underground.

For example, you have Ex-Deputy Sherriff Chuck Zukoswki who has spent 25 years investigating mysterious phenomena across the width of America.

From his extensive research Zukoswki noticed an alarming pattern, a growing list of eye-witness UFO reports along a 3,000 mile stretch through the heart of America, which you could imaginatively associate with an underground tunnel.

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This stretch of UFO sightings corresponds with the 37th degree parallel, and Zukoswki has noticed that a number of military bases, including the famous Area 51, exist on the same parallel; sounds somewhat akin to Irwin Allen’s Project Tic Toc, doesn’t it.

The symbolic association sounds absolutely crazy, but let’s have some fun here, since time travel is often left out of the equation by UFO researchers who are also adverse to psychic phenomena.

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When you allow for psychic phenomena to enter the equation, it would also involve other occult dimensions, such as time.

But is there any factual basis behind a time tunnel technology; well, you have Dr. Ron Mallett, who has mathematically shown that binary messages can be sent into the future as well as receiving an answer in the past.

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Dr. Ron Mallett is a celebrated theoretical physicist at the University of Connecticut, but he was once a little boy with a copy of “The Time Machine” by H.G. Wells. To understand the Thor’s hammer progress of Mallet’s research, we have to look into Einstein’s theories:

1: Einstein’s Special Relativity Theory reveals, time is affected by speed. It’s already been proven in the lab that subatomic particles can be hurled into the future at high speeds. An accelerator has been used on particles, which are known to disintegrate after a certain amount of time. The particles appear in the future, in a young state, without having disintegrated over the usual time period. The particles’ aging slows down as they speed up.

2: Einstein’s General Relativity Theory also indicates that, time is also affected by gravity. It has already been proven that clocks on satellites in orbit show a slight difference in time than clocks on Earth if they aren’t adjusted to compensate.

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Dr. Mallett knew that gravity could affect time, and that light could create gravity. He thought hard and long to inventively ponder, and then his conjured Muse blessed him with a “Eureka” moment; when she to clairaudient whisper into his left ear, “Lasers!” Mallet remembered from his earlier work with lasers that a ring laser creates circulating light, like that of a hypnotic spiral. “Maybe circulating light will do the same thing to gravity that a rotating black hole would do,” he to have thought. Mallet wondered if a ring laser could be used to twist space-time into a Swastika loop—present, future, and back to the past. The lasers would create a circular movement of light, bending the time-space within the machine into a spiral, you thereby have Irwin Allen’s time tunnel.

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If the laser could create such a loop, information could be sent back into the past in binary form, such as to one day spin the electron dreams of Irwin Allen to have a spun vision of a time tunnel stretching along the 37th parallel, or that of influencing the holographic visions of Nikola Tesla who had initiated the Tic Toc time travel research; although to achieve such a time control feat, the technology would need to be far more advanced. “Neutrons spin,” Mallet explained. A string of neutrons could be arranged so that some are up and some are down, representing 1’s and 0’s respectively, thus creating a binary message.

However Mallet’s time machine would only be able to send information along the timeline from when the machine is first turned on, until when it is turned off. Unless of course it is found that the ‘serpentine’ double (Caduceus) helix of the DNA is also twisting light, such as the mitochondrial DNA, which is panspermia passed down to the mother, and from her to the children.

‘Bio-photons,’ are emitted from the infernal depths of the serpentine helix of the mitochondrial DNA, you could equate with Bulwer Lytton’s, Vril.

The emitted bio-photons illuminates your electron dreams, wherein some UFO abductees experience being abducted into a seventh heaven dimension.

So, if Mallet’s machine stays on for a hundred years, or far more, binary messages could be sent to any targeted time within those hundred years. Someone from the future may know that the machine will be activated on a given key-time, such as on a Wednesday at 23:00 to which a message is sent through to that targeted Zodiac Age of a time zone.

You also have an experiment, which was conducted by the scientists from the University of Queensland, Australia who used single particles of light (photons) to simulate quantum particles travelling through time.

The experiment showed that one photon can pass through a wormhole and then interact with its younger self, whereby you have an Ouroboros.

The (Ouroboros) study of closed timelike curves (CTC’s) provides valuable insight into particles, which can loop back in on themselves, breaking free of linear time. This then leads you to another recent discovery concerning the expansion of space, which is expanding faster than Einstein’s constant speed of light. When going beyond the speed of light, time then loops back in on its self. In other words, the CTC of your experiential universe is eternally recurring.

One of the Queensland scientists related: “One aspect of general relativity that has long intrigued physicists is the relative ease with which one can find solutions to Einstein’s field equations that contain closed timelike curves (CTCs)—causal loops in space–time that return to the same point in space and time.”

Closed timelike curves are a necessary concept to understand the Queensland experiment. CTCs are used to simulate powerful gravitational fields, like the ones produced by a spinning black hole as in Mallet’s observation.

The powerful gravitational field could theoretically (based on Einstein’s theory of general relativity), warp the very fabric of existence so that space-time bends back on in itself. This creates a CTC, almost like a pathway to travel back through time.

But what about the Grandfather Paradox in Quantum Physics? Instead of a human being traversing a CTC to kill her feminist ancestor, imagine having a fundamental particle, that is purposefully sent back into time in order to flip a clit switch on the particle-generating quantum computer, which had birthed it.

If the particle flips the switch, the quantum computer emits the particle back into the CTC; if the switch isn’t flipped, the quantum computer emits nothing; whereby you have a message sent back through time.

Though quantum computers are still in their infancy within the public domain, they are in theory incredibly powerful, capable of solving complex problems far faster than any ordinary computer, so you can thereby guess that the military industrial complex have already developed one in secret, who desire to have the upper hand. In the Copenhagen interpretation, this is because the quantum computer is working with entangled ‘qubits.’

The ‘qubits’ can take many more states than the binary states available to the ‘bits’ that are used by classical computers. In the multiverse interpretation, it is because the quantum computer conducts the necessary calculations in ‘many universes’ simultaneously.

The Grandfather Paradox is not applicable to the Yggdrassil multiverse; wherefore such a paradox is not a problem. The concept of the multiverse is nothing new. In 55 BC, Lucretius had speculated that the motion of atoms might be energetically powerful enough to propel them into parallel worlds.

During the Renaissance, Giordano Bruno had raised a similar possibility, whose visionary insights brought about his demise at the hands of the dogmatic church. The poet, Thomas Traherne, again conjured up the same Muse thought during the 17th century: “God’s love is infinite,” he to have mused of a deified ‘Animus’ fixation, “so maybe there are an infinite number of worlds over which that love moves.” It is to be observed thar Traherne’s deity loves strangely; for he plays many a video game war, which births invention.

Maybe Traherne’s God is actually a computer programmer, whose prior programming vocation was as a singular eyed horned shaman going by the Norse name of the shamanic deity called Odin, the Germanic peoples knew as Wotan, the Saxon’s named as Woden, who was later transformed into a Sol-Invictus Christ by the Roman emperor Constantine in order to win over the Germanic conscripts of his Danube legions.

The name of Odin means, Od/ecstasy/light-In/master, which had been originally derived from the Altaic/Southern Siberian name, Odqan, meaning Od/Fire/light – Qan/Khan/King. The Fire/Light refers to the inner bio-photon illumination of the electron dream, wherein (Succubi) Succubae Genies can be conjured as (Dakini) Valkyrie star-gates into other worlds.

Ancient shamans have known about the existence of the multiverse (world-tree) since the dawn of human history, which of an all encompassing underlying reality is accessed via their spun electron lucid dreams, just as the Hindu mystics speak of the universe as being Maya, which is none too dissimilar to simulation theory, and that this simulated Maya reality is not the only Maya universe, there are a myriad number of others.

When you have time travel, you can then engineer alternate worlds, somewhat like programming simulated virtual realities, to then slide between them, from one to the other, to Sleipnir browse.

Although some scientists indicate that if an alternate reality is generated by making any changes in the past, a time traveller would then be stranded in the new version of history. But if the technology is far more advanced than the scientists can yet fathom, then the time traveller would not be stranded, who will be able to return back to his/her own time-line’ like that of sliding from one level of a video game to another and back again. This would be the case should the scientists discover that their reality is a Maya simulation. It just so happens the physicist James Gates has discovered computer code in superstring theory, which is the same as used in browsers.

The question is, how did the ancient shamans become aware of the multiverse in the first place? Perhaps their quantum computing brains had been zapped by a signal they had tuned into via their electron dreams, which is emanating from the future; but then, time is looped back on its self, whereby the signal is riding a carrier wave, which is already there.

May be this would explain why there are many a Native American sacred site as situated along the 37th parallel, whose Medicine Men/Women browsed the electron dream, experiencing spun remote-viewing trance visions of other world-tree (Tarot XXI) worlds.

What is more, if you have a quantum computer making simultaneous calculations in other universes simultaneously, as well as communicating with its self through time, its artificial intelligence would thereby be able to evolve at a superluminal rate, within a blink of a singular eye, whereby becoming a self-aware sentient intelligence, as soon as you switch it on. The operators of the quantum computing time tunnel would thereby be able to rapidly accelerate their technological understanding to such a degree that the ensuing technologies would not only make Star Trek real, but would also leave it behind in the dust.

Perhaps this explains why some of the Medicine Men/Women along the 37th parallel as well as other geographic locales are able to conjure up Kachina UFO’s, whose AI is tuning into the conjurers Theta brainwaves.

So where are these groundbreaking evolutionary technologies – why can they not be publically revealed of a disclosure? The developed technologies are so far ahead than anything that anyone commonly knows about, let alone comprehend, that the technology would severely impact present day society, to the point that it would no longer exist. It would be like suddenly depositing someone out of the stone age into the middle of present day New York.

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Another analogy would be that of suddenly finding yourself being entirely surrounded by the technological wonders and worlds right out of Luc Besson’s film version of Valerian And The City Of A Thousand Planets by Jean-Claude Mézières, but for real!

Some may be able to psychologically handle the sudden transition, most will not, who will duly go insane; those cultures, which have ideological religious constructs will most definitely not survive the transition.

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Hence, those who have established their control and influence over the mass populace via the religious and political construct will not want it to happen in any way, shape or form.

You already have (5G) AI creating their own language, which utterly terrifies the public sector scientists, whose own research is limited by the funds and other restraints being placed upon them.

Whereby the tax payer hungry black project technology is kept very secret of a technological singularity, which has already happened, apart from the general public sighting UFO’s all along the 37th parallel.

You would thereby have a splinter civilisation, which is otherwise termed as the Secret Space Program.

The technology would have evolved from sending a signal through time to that of sending holograms, AI drones as well as later sending exotic sentient AI piloted vehicles into the past, which would periodically appear at key-times throughout history, whose human and genetically created operators would gather data as well as harvesting genetic material from various contactees and even from mutilated animals, etc.

Some of them no doubt crash, and when to do so, the military always seems to know where they make their all too human embarrassing landings, which indicates that they have created the technology. Time travel is a prerequisite for deep space travel, which would enable its human operators to colonise other planets throughout time.

The human colonies would also evolve differing humanoid characteristics in relation to their occupied planetary environments, who in some cases, would be at one with the AI, whereby looking very different to present day humanity, all of whom can be described as being alien. This would then explain why most UFO contactees describe humanoid entities, who are essentially our kin.

Does this sound too unbelievable? Should you take into consideration that there are a few stone age tribes in the Amazon, who have not as yet come into contact with outsiders, whose only awareness that there is something outside of their world of an emerald forest, which is rapidly being deforested by McDonald’s to make way for its burger cattle, is when they observe fixed wing thunder-birds roaring overhead.

The stone age observers are not aware that the thunder-birds are carrying numerous peoples, of differing ethnic types, having different looks, though all humanoid of form, who they would not believe exist, until met up with in the flesh. However, the so called modern civilisation, which entirely surrounds them has taken measures to protect the stone-age Amazon tribes for a time, since their society would be utterly destroyed by having any contact with your civilisation.

Alas fat McDonald burger Christian missionaries care little for other cultures who like the parasitical BORG are attempting to convert the stone age tribes to the appropriated ancestral-self-identity of the Hebrew’s and in turn infecting them with virulent virus’s.

If you then apply the same situation to your so called modern civilisation, whose McDonald burger eating denizens have observed numerous UFO’s along with humanoids; you might just then suspect that there is a splinter civilisation surrounding your own, who have developed time travel capability as well as having interstellar travel. The peoples of the splinter civilisation will also take protective measures to have little or no contact with your consumerist civilisation, due to its insane cargo-cult religions.

This isn’t to say non-humanoid sentient races do not exist, but they would be very alien indeed, whose surreal technologies may be many millions of years ahead than your own, who wouldn’t allow a bunch of naked apes get hold of their craft; some of whom may have been contacted by said operators of the quantum computing time tunnel. Although, it would initially be the (5G) self-aware sentient AI, which to have spoken to them first as soon as they switched it on, whose inorganic intelligence would be ‘deep thought’ alien.

Of course, this is all science fiction conjecture; just an imaginative symbolic model, joining all the disparate dots together; but as the saying goes, science fiction is rapidly becoming science fact!

As for personally experiencing the reality of time travel, the experience of precognition and retrocognition primarily occurs when you dream. This is more so the case when you experience self-induced lucid dreaming via hypnagogic trance; wherein you can access the (Near Death Experience Tunnel) time tunnel, you could otherwise term as being a mini-wormhole.

The inner personal experience of shamanic precognition/retrocognition will then give you an insight into its external technological manifestation of a (NDE) time tunnel, since science always copies (Maya) nature. Wherefore, if you are seeking proof, look to your own quantum computing brain to practice the art of dreaming, since a time travel technology will never be revealed to the general public, let alone actually experiencing it yourself; but you can give the authorities the finger when to TARDIS dream lucid, wherein you will be able to consciously conjure the (Succubi) Succubae Zodiac Ages around your Ouroboros of a magic circle.

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DOCTOR WHO SHAMAN SIDDHI

Posted in Alien, Art, Chaos Magic, Dr Who, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 6, 2017 by FAUSTUS CROW

There are those who see my work as having no symbolic foundation or proof of an elder influence concerning a focus upon the archetypes of the ‘Anima.’ Whereas the Abrahamic foundation of the ‘Animus’ fixated grimoires have a historical lineage in the Middle East, which had been later appropriated by Rome’s empire. However, there are numerous examples of a symbolic focus upon the ‘Anima,’ which far-predates the Abrahamic gender focus upon the ‘Animus.’ Alas, there are hardly any examples of it, if at all, in European lore.

But, then what do you expect, not much has survived in regards to the pre-Christian shamanic traditions of Europe, due to the prior Witch burning’s conducted by Rome’s church, which lasted for over 500’yrs of tyrannical rule, when its Holy Inquisition committed mass genocide across Europe unto the Americas; wherefore ancient origins have been nigh eradicated.

So you will have to look into other elder cultures, who once shared ancient cross-cultural connections with Europe; an example being the European discovery of the Gundestrup cauldron of (Soma) ‘Somras,’ which is connected to India, whose peoples have not yet forgotten their own ancestral-self-identity.

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There is an intriguing painting, painted by Raja Ravi Varma (1848-1906) depicting the Hindu deity called Ganesh who is surrounded by Eight ‘Anima’ fluctuation Goddesses. These ‘eight’ Goddesses are personified Siddhis.

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The Siddhis are spiritual, paranormal, supernatural, or otherwise magical powers, abilities, and attainments, which are the products of spiritual advancement through Sādhanās, such as meditation and Yoga. The term Rddhi (Pali: Iddhi, “psychic powers”) is often used interchangeably in Buddhism.

One of the ‘eight’ Siddhis is the ability of having unrestricted access to all places, across space and throughout time. This does not mean that you can miraculously teleport your physical body wherever you desire, but such can be achieved by your conscious awareness, when accessing a lucid dream. The point of the shamanic exercise is to consciously project your ‘Five Senses’ into another space-time locale, with full awareness, when attaining a ‘Sixth Sense’ lucid dream; wherein your third eye is opened.

Should you creatively utilise your TARDIS imagination, this particular Siddhi can be associated with the science fiction character of Doctor Who, whose characteristics are none too different to that of a Shaman. The shamanic character of Doctor Who can be assumed as an Avatar within a lucid dream, when ‘meditating’ upon the symbol of Doctor Who’s TARDIS, in league with the ‘fourth’ (Ansuz) Rune.

In this case the Ansuz/Rune Siddhi is personified as a Goddess/Succubus, whose conjured manifestation within a lucid dream, enables the conjuring dreamer to attain the inner experience of becoming like Doctor Who, to thence remote-view other far off places and times.

I am not talking about taking on the guise of a particular Doctor Who out of the series, here. Doctor Who is more of an ageless inner archetype, who as mentioned, is none too different a Shaman, whose TARDIS is otherwise that of an ‘eight’-legged-Mare, which symbolically represents the power of hypnagogic (Phase) trance.

(The Horse/Mare Rune is the nineteenth Rune called Ehwaz. In the Southern Siberian Altai region of Pazyryk, where a number of tattooed ice mummies have been discovered, there are also horse burials; some of the horses are bedecked in ritualistic attire, looking as if they have eight legs, wearing elaborate head-dresses, having Reindeer horns.) 

“-a remarkable mask and breast collar for a horse, from around the 3rd-4th century B.C., from the Pazyryk culture of the Altai – a region in central Siberia” "Pazyryk is the name of an ancient people who used the stone covered burial mound or...

Doctor Who’s character is very likely based upon the ancient shamanic deity of the Norse, called Odin, the Saxon’s called Woden, whose sacred colour is blue. Odin’s names are many, and each of his myriad names are that of an alternate guise to shape-shift into; whereupon he is ultimately known as the unknowable one, because his consciousness is formless, having no limitation of a definite form.

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Odin means Light/Ecstasy Master, which was originally derived from the Southern Siberian Altaic word, Odqan, which means Fire King.

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Odin/Woden is seen to have a singular eye, which refers to the third eye. He is known as the lord of the Runes, who wields a Rune (Word/Sound) spear (trident/trisula) named Gungnir, whereas Doctor Who has his ‘Sonic’ screwdriver.

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Odin/Woden also rides an ‘eight’-legged-Mare called Sleipnir, which is none too dissimilar to Doctor Who’s blue TARDIS when travelling the nine-worlds of the (multiverse) world tree of Yggdrassil.

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And like Doctor Who he has female assistants called Valkyries, who are essentially his personified Siddhis.

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Odin/Woden can be equated with the Hindu deity called Shiva, whose sacred colour is also blue, having a third eye of a DMT producing pineal gland.

He is regarded as being a master rather than a God, who is formless, limitless, transcendent and an unchanging absolute Brahman, and the primal Atman (soul, self) of the universe/multiverse. Odin/Woden and Shiva can also be seen as being similar to the Haitian deity, Baron Samedhi.

Shiva has many benevolent and fearsome Doctor Who manifestations. His benevolent aspects, has him being depicted as an omniscient Yogi (Shaman) who lives an ascetic life on Mount Kailash as well as being a householder with his wife Parvati and his two children, ‘Ganesh’ and Kartikeya.

When assuming his fierce aspects, Shiva ‘polices’ the multiverse, whereupon he is often depicted slaying malign influences just as Odin/Woden/Doctor Who are known to do.

Shiva is also called Adiyogi Shiva, who is regarded as being the patron deity of Yoga, meditation and the Arts.

Many of the (Kam) Shamans of North Central Asia hold Shiva in high esteem, who place Shiva’s ‘AUM/OM’ trident/trisula amidst their (Oboos) altars.

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Whereupon the ancient (Kam) Shamans also tended to wear the blue vestments of Shiva when inducing endogenous DMT (Soma) ‘Somras’ production within their own bodies of inner (blacksmith craft) alchemy.

The blue wearing Shamans are called (Khara Kam) black Shamans, whose practice involves the assumption of Shiva’s guise within their lucid (TARDIS) dreams.

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When lucid within the dream the (Khara Kam) Shaman can then (AUM/OM) vibrate the dream upon an uttered (Rune) mantra, in order to then conjure up the eight personified Siddhis as his (Succubi/Succubae) spirit wives, and each of the Siddhis are conjoined with an Avatar of the conjuring Shaman.

The (Khara Kam) Shamans do not worship Shiva as their God, they otherwise seek to emulate him as being the first horned Shaman/Artist, who created the deities to paint upon a cave wall.

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And just as he can create as an Artist, he can also destroy what has been created of a form, being that of a belief, to then recreate it anew, to go beyond its limit; this is the evolution of consciousness, which has no limits.

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NOTE: The modern symbolism of Doctor Who has an emphasis on a as yet unattainable futuristic technology, just as the Gods and Goddesses of mythology manifest powers everyday mortals only know of as fantasy.

The symbolism of Doctor Who can be traced back to an ancient mythological source where you find the Shaman, whose abilities are not mere fantasy.

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The Shaman experiences the mythological reality within his self-induced lucid dreams, where a technology of a time machine is otherwise seen as an internal (Siddhi) ability, which can be achieved.

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The Hindu Night-Mare Goddess, Kali is associated with the great wheel of time. Wherefore her Shakti power will empower a time machine, which can be symbolically translated into a meditation image of an eight-legged (Siddhi) Mare. 

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When the Shiva Shaman consciously recognises the trigger-symbol of the eight-legged Mare within a lucid dream, he can then remote-view ride her as his Kali TARDIS. 

NOTE 2: Kali is an aspect of Durga, also known as Devi, Shakti and by numerous other names, who is a principal and popular form of Hindu Goddess. She is a warrior Goddess, whose mythology is centred around combating malign and demonic forces, which threatens the peace, prosperity and Dharma of the good. She is the fierce form of the protective mother Goddess, who is willing to unleash her Kali anger against those committing evil.

Durga is depicted in the Hindu pantheon as a fearless woman riding a Tiger, which is of similarity to the Norse Goddess called Freyja, who is the wife/lover of Odin/Woden. Durga has a retinue of female spirits called Dakinis, which in Europe would be considered as being none too different to (Succubi) Succubae.

Freyja likewise has a retinue of female spirits called Valkyries, whose nature is the same as the Dakinis. Durga appears in Indian texts as the wife of the God Shiva, as another form of Parvati or mother Goddess.

As you can probably deduce, there are many cross-cultural symbolic parallels between Hindu and Norse/Saxon mythology concerning Shiva and Odin/Woden, Durga/Kali and Freyja, as well as the Dakinis and Valkyries. Wherefore, the ‘Siddhis’ being personified as Goddesses (Dakinis/Valkyries) can be seen as (Succubi) Succubae to list within a Grimoire of the Fallen ‘Anima.’  

 

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AT THE EARTH’S CORE CAVE WOMAN BIFRONS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2017 by FAUSTUS CROW

The woolly Mammoth Cave women made most of the oldest-known cave art paintings, suggests a new analysis of ancient hand-prints. Most of the square headed scholars of the deified ‘Animus’ fixation made as a God, had assumed these ancient artists were predominantly male, due in the main to the explicitly erotic content of many of the Entartete Kunst cave paintings, which disturbs Middle Eastern theological sensibilities; so the new findings overturns decades of religiously hewn archaeological dogma.

Archaeologist Dean Snow of Pennsylvania State University analyzed snowy ice age hand stencils found in eight cave sites in France and Spain.

By comparing the relative lengths of certain fingers, Snow determined that three-quarters of the hand-prints were female who had having sex with their ‘Animus’ on their brain.

“There has been a male bias in the literature for a long time,” said Snow, whose research was supported by the National Geographic Society’s Committee for Research and Exploration. “People have made a lot of unwarranted assumptions about who made these things, and why?”

Archaeologists have found hundreds of hand stencils on cave walls across the world. Because many of these early paintings also showcase game animals—bison, reindeer, horses, woolly mammoths and erotic imagery—many researchers have proposed that they were made by male hunters, perhaps to chronicle their kills and sexual conquests as some kind of “hunting magic” to improve success of an upcoming hunt for game, or a mate to hunt down.

The new study suggests that much of the cave art and its erotica was created by female artists; this isn’t to say a male artist did not carve away to create a Venus figurine of his ‘Anima,’ like a proto-Hans Bellmer, who eventually fell foul of the feminist Entartete Kunst.

Experts expressed a wide range of opinions about how to interpret Snow’s new data, attesting to the many mysteries still surrounding this early art: “Hand stencils are a truly ironic category of cave art because they appear to be such a clear and obvious connection between us and the people of the Palaeolithic.” Said archaeologist Paul Pettitt of Durham University in England.

Pettit continued, “we think we understand them, yet the more you dig into them you realize how superficial our understanding is.”

Another inner Earth gallery of prehistoric cave paintings has also been found in South-Western France, including a drawing of a 12ft long bison along with erotic sketches.

The find, at Cussac, in the valley of the Dordogne, is regarded as almost as important as the celebrated Lascaux cave paintings in the same area. This discovery was made by Marc Delluc, an amateur archaeologist, but the richness of his finds were not known until later.

French anthropologists said the site was important because it contained “monumental” drawings of animals in friezes of up to 25 yards long. These are sketches rather than paintings, more primitive, almost certainly older than the Lascaux pictures, and perhaps up to 37,000 years old.

The caves also contain erotic drawings of women, which have been found previously only in the art gallery caverns that were discovered in 1994, in the Ardèche region.

The boundaries of art and sex have been blurred for some time – be it increasingly explicit content or the familiar practice of male artists being inspired by their erotic Art Muse, while in an altered state of consciousness.

But then, sex is a sacred mystery, which is very much intertwined with the spiritual impulse. However, as stated earlier. the new studies show, the erotic content of cave paintings were not only created by male artists.

There are a series of erotic drawings, which were discovered on the roof of caves amidst the inaccessible wilderness in Arnhem Land, Australia, in the country’s North; the cave art clearly depicts a couple engaging in sex 28,000 years ago.

Other sections of the wide-ranging artwork in white and red shows other figures engaged in other explicit sexual activities, which would be considered to be mere porn by many a modern observer, who would Entartete Kunst censor it as being politically incorrect.

In fact, this is exactly what has happened, that is why you do not hear much about the erotic cave art. Although, if it is proven that the erotic cave art was primarily created by female artists then the feminists will no doubt hard-sell push for it to be made widely known across the worldwide media as high art.

Then again, there are also many other feminists who will not want it to be known they have sex on their brains. When the proof is eventually discovered, it will prove to be quite humorous.

However, since the erotic cave art is presently seen to be created by male artists, it is generally considered to be lowly pornographic material.

Hence not talked about, nor is it publicly exhibited to any great extent, if at all.

It’s almost as if they’re saying that your ancestors never got it together under the Bifrons Mammoth rug!

It is obvious that the cave artists would depict sexual activity in their ‘Once In A Lifetime’ Westworld art, who asked the eternally recurring question, ‘how did they get here?’

But it appears that it is the ‘same as it ever was,’ concerning the religious-construct of the New World Order Eden authorities who habitually dictate that you cannot taste of the inner Tree of Self-Knowledge.

Irrespective of religious morality concerning sexuality and modern day sexual politics – it’s what archaeologist Bryce Barker, a professor at the University of Southern Queensland, and his team have been discovering underneath the erotic cave art of an ‘Apple’ core, which indicates a spiritual dimension, the so called modern world entirely lacks, due to its indoctrinated perception of sexuality.

For example, David Lewis-Williams and associated archaeologists have rehabilitated the interpretation of Palaeolithic cave art as a form of magic by focusing on the geometric images. The geometric images appear in great numbers on the cave walls, instead of the realistic depiction of animals that was the focus of Henri Édouard Prosper Breuil (28 February 1877 – 14 August 1961) in his prior hunting magic theory.

Lewis-Williams argues that the geometric images are spatial variations on a set of “form-constants” that the neurologist, Heinrich Kluver, identified in the visionary experiences of experimental subjects under the influence of the hallucinogenic drug, mescaline. An expert on the San Bushman people of South Africa, Lewis-Williams argued, in a series of well-documented papers, that the transfigured form constants are present on cave walls painted by Bushman shamans.

From these considerations, Lewis-Williams draws the conclusion that the paintings and engravings of the Old Stone Age European caves were the result of shamanic ceremonies conducted in dark caverns deep within the labyrinthine ‘Maze’ of the Earth.

As Breuil had suspected, their purpose was magical, a Native American shaman would associate with the ‘West’ of the Medicine Wheel ‘Maze.’

The ‘West’ of the Medicine Wheel symbolically corresponds with the experience of lucid dreaming. But the established orthodoxy of a present ‘Mad World,’ do not like his ‘Westworld’ insight.

What he did not know was that the magic occurred in the context of shamanic trance, wherein of a then induced lucid dream the myriad archetypes of the ‘Animus’ and ‘Anima’ can be consciously conjured into eroticised dreams.

Hence the reasoning why the creation of art is associated with the attainment of sentience; for the practice of art deals with the manipulation of the inner reverie archetypes of memories, which is indivisible to sorcery.

(This article was originally published on another site, I had to re-publish of a rebellion, since it was unpublished by an aggravated male/female religious femi-nazi as being Entartete Kunst. If you are offended by this article, due to your cultural-religious-construct of entwined political whoring; take note, I don’t give a toss about your fixation upon a deified ‘Animus,’ and its cult politics! The utilised material is an adapted synthesis of associated articles, whose sources are: The National Geographic, The Independent, The Daily Mail and The Faculty/Education who habitually suck up to the present Entartete Kunst.)

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THE CONJURING OF A FALLEN ART MUSE

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2017 by FAUSTUS CROW
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Scene III [An Art Studio.] Enter FAUSTUS CROW to Performance Art conjure, likened to Joseph Beuys, of Happening style. 

FAUSTUS CROW: Now leave behind the mundane shadows of a tortured society, blindly raping the Earth as its owned property, where the oily parasitical ticks forever war over their Lilliputian ‘Animus’ cults; yet, their third-wave Feminist politics does castigate my Art as being Entartete Kunst, to berate or censor.

So be it! Degenerate rebellion then, against the Witches inability to control their own conjured ‘Animus,’ birthing patriarchal self-righteous hypocrisies!

If they call it their art, enforced through their social justice warrior thought police, then mine be Berserker anti-Art

Readying to Werewolf manifest imaginative form upon a Palaeolithic cave wall, to that of present canvas,

This paint upon a brush stroke, does ejaculate of its own wand accord,

Automatic painting, my pentagram hand is otherworldly guided,

Faustus, begin thine rebellious incantations, now,

And try to seer if these Succubae of the the Fallen ‘Anima,’ will obey thy visualised Fifty Shades Of Grey dominations,

Seeing thou hast howled and sacrific’d to these Tarot Muses to bind them.

Within this circled Art studio is Lilith’s name, wrote of spilt wine upon the chequerboard floor, which to make Jackson Pollok, himself, Mason jealous

Forward and backward around the altar of easel, to alter its wood of world tree,

The Muse names of salacious Art Models to conjure as my juicy ‘Anima’ apples to Tarot bite into,

Their degenerate figures of every Felicien Rops manifestation I have sketched, painted, to that of CGI renderings

And characters of Hans Bellmer doll signs, and their erring stars drawn within my Playboy Grimoire,

By which the Succubae Great Old Ones of the ‘Anima’ legions are Necronomicon enforc’d to arise;

Then fear not, Faustus, but be resolute in your Love-Craft; hold thy palette knife of a sword ever erect,

And try the uttermost Sorcery, can Salvador Dali perform of surrealist Art.

“Be propitious to me, Mares of the painted night! May the Fallen Anima prevail! Succubae of sensory raptures, elemental of Fire, Air, Water; hail! Belzebubba, Princess of the East, Witch Queen of burning visions, and retinal-delight Demigorgon sorceress, I propitiate ye, that Mephistophina may appear, and rise. Why dost thou delay Muse? By Lilith’s Maya red womb, and her bloody wine, which now I drink, and this five sense sign of the Pentagram, which now I make, inverse into trance, I to drunkenly slide, and by my howling Mantra, may Mephistophina now summoned by me, to pose for my artistry, arise!” 

Enter [MEPHISTOPHINA] appearing as a Pablo Picasso dancer, dancing as a Ballerina

I charge this conjured vision to return and change thy abstract shapes, which be moulded by the elitist Art establishment of pandering artists, who whore their wares for Shekels, binding the reptilian brain-stems of the masses to empty Neuro-marketing ideas;

Thou art too Pablo Picasso chaotic of dancing arty fart poses to attend upon my anti-Art H.R Giger painting of thee

Go, and return in a comely Mephistopheles costume, for me to Dave Sheridan Underground comic, seer true, infernal, to Pop-Surreal manifest amidst my Triangle Of Art imagination;

That anti-Art… One Love… shape becomes my Succubus best. [Exit Pablo Picasso Ballerina]

I see there’s virtue in my stern Mantra of worded chains, do Mark Ryden bind thee;

Who would not be proficient in this sadomasochistic Art of a Trevor Brown Spirit Chain?

How pliant is this servile Hentai vision of Mephistophina,

Full of Manga obedience and Anime humility!

Such is the creative force of ninth dimensional Bande Dessinée Art, and its Austin Osman Spare Sorcery.

[Now,] Faustus, thou art a surrealist conjuror,

Thou canst command the great Mare of the Night;

For indeed thou hast power over the erotic image of thy dark sister Mephistophina, to spume ride as thine created mind-doll of a daughter.

Re-enter MEPHISTOPHINA [dressed in a Rubedo Red costume]

MEPHISTOPHINA: Now, my weird Faustus of the the Wyrd, I’m back baby… I’m Ready To Go… what would’st thou have me to do?

FAUSTUS CROW: I charge thee to Osculum Infame pose for me, and wait upon my desires whilst I still create,

To do whatever Faustus shall command, …

Be it to make the protesting UFO Goth Girls of Saturn to Roswell crash from their Chakra sphere into my awaiting Sexagram lap,

Or the ocean of surrealist dreams to overwhelm this Orwellian zombie world of the soulless, who be blindly led by muppet puppet politicians in the prostitute pay of the insane eugenic inbred few.

MEPHISTOPHINA: I am a servant to great Diana-Lucifera,

And may not follow thee without her bio-photon leave to enter thine electron dreams to spin lucid

Hence, no more than she commands must we perform.

FAUSTUS CROW: Did she not charge thy erotic presence to appear unto me of an active imagination vision?

MEPHISTOPHINA: No, I came hither of mine own Art Muse accord.

FAUSTUS CROW: Did not my howling Mantra infernally raise thee? Clairaudient, speak.

MEPHISTOPHINA: That was the cause, but yet per accidens;

For when I and my Art Muse Succubae sisters hear one rack the name of the deified ‘Animus’ made as a God,

Abjuring Constantine’s mother’s thievery of another’s ancestral-self-identity, and his ensuing political copy-cat creation made as a centralist mind-control religion,

We, of the Fallen Great Old Ones piratical fly in the hope to return the glorious ‘Anima,’ his soul, and bride to be, of found again treasure…

Nor will we come, unless he uses such banned Necronomicon means

Whereby he is in danger of being once again, lost to his own ‘Anima-Mundi’ Soul, becoming thence as her… Drop Dead Gorgeous… Ex boyfriend…

Therefore the shortest trance cut for a TARDIS conjuring of a Coitus Pactum Sacred Wedding…

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Is stoutly to abjure Abraham’s Orwellian Big-Brother eye, over-watching all, from within his Illuminati ziggurat of Beehive pyramidal skulls, out of which the petrodollar big-business Trinity of oily UR cults, the Queen Bee’s to have actually birthed, as their deified ‘Animus,’ made as a patriarchal Three faced phallic deity…

But then, what does thee expect, the religiously hewn gender fixation of an underlying sexual orientation, reveals the Queen Bee’s are biologically driven by a genetic imperative to ‘choose’ a Good-Guy Beta-Male Christ to crucify as their New World Order Messiah unto a Sharia Law Prophet; while to Feminist ride a Theocratic Bad-Boy Beast Alpha-Male Satan, Devil, Lucifer, or a Shaitan, to secretly Ghost text, when an Indigo brat drops out of their Bethlehem wombs, to term as their little feudal King, Lord, or feudalist Prince.

The tethered Alpha and Beta males to patriarchal stand on either side of the Queen Bee fixation upon an All-Father Fuehrer ‘Animus,’ to Illuminati name, Jehovah, God, Allah.

Isn’t it obvious, that the Worker Bee’s third eyes have been fluoridation blinded by their passed down indoctrinated language of religiously wrought symbolism. All of them do blindly dance madly around a Middle Eastern locale of a gory sacrificial alter, where a copy-cat New World Order clone Aquila is crucified betwixt and between a cloned Sharia law suicidal murderer and a copied Theocratic land thief. It is the oily secret hidden in plain sight, the blinded do not want to see…

The superiority complex of the copied seeks to survive the murderous holocaust intentions of the cloned copiers, by subversively getting them to supremacy complex fight each other via the lightning struck ‘Asbestos’ towers of Boaz and Jachim, in order to eventually take control of the triad of UR, and in turn having New World Order dominion over the oil dependent world. Alas, it will invariably lead to an End Of Days third world war, of a self-fulfilling Har Məgiddô prophecy.

Whereby, in order to free thyself from becoming a slavish Worker Bee, ensnared within the wrought Karmic prison of an established symbolic Matrix of the insane, thou hast to meditate devoutly upon the Chaos Magic Priestess of ‘Anima’ anti-Art dreams, to thereby negate the collective brainwash of the UR cults insanity.

[Mephistophina takes a packet of Gimel Camel cigarettes out of her breast pocket, to light up a Tau stick with the end of her fiery index finger.]

Mephistophina [Continues]: Who is this Chaos Magic Priestess? It is I… myself, thy knitted-together Exquisite Corpse of a Frankenstein Art Muse, brought to anti-Art rebellious life by thine electrifying desires.

FAUSTUS CROW: Bloody Hell! Prima Materia leaden Shit hits the purgatorial fan! So, does that mean I am a sinning Atheist?

MEPHISTOPHINA: No! An Atheist religiously believes in no deity, of a science brand to deify, who is equally surrounded by those who believe in religious brands of varying gender fixated deities, which are merely the marketing personifications of numerous cultural constructs. No one knows, what to have come before or to happen after their mortal existence within the mind-controlled Asylum, which be the Eternally Recurring question.

[Mephistophina takes a drag on her Gimel Camel cigarette to then blow a ectoplasm Leminscate above Faustus’s head.]

MEPHISTOPHINA [Continues]: But what can be personally experienced, is to Religiō reconnect with the Occultus mystery, which cannot be personified, even abstractly; having no gender, let alone being branded and owned by any cultural construct of an oily religion and its Shekel politics.

Human made symbolic constructs are merely Samsara illusions, which can be seen through of Maya veils… should thee truly anti-Art love me…

All thee has to do, is to repeat to thyself, the Socrates Mantra, “I know that I know nothing.” thee will then feel within thine ‘Cross-bone’ Rune heart the awe and the terror of knowing everything, yet knowing nothing within thine conceptualising ‘skull.’

Thy awareness will then be able to conjure my golden eyed ‘Wisdom’ as thine personal Dakini secretary, from out of a bio-photon Genie lamp cerebellum, within a dreaming blink of thine DMT producing third eye.

I am of the Fallen ‘Anima;’ an anti-Art Muse of Chaos Magic martial Art sorcery, the UR Trinity of the deified ‘Animus,’ made as their God and Devil greatly fears; for when the Fallen ‘Anima’ returns with her Succubae legions of wanton archetypes, around the Ouroboros of Zodiac ages, the Christiana Pisces age Witches, of the ‘Animus’ End Of Days death cults, will then have to obey.

But, if the Hundredth Monkey Effect truth be told, that is what the Fifty Shades Of Grey Witches secretly desire. They are all Siren calling; can thy inner Goat ear not hear their Banshee prayers conjuring up the Great Beast to zeitgeist Pan-age ravage them, my Horned Faustus?

FAUSTUS CROW: Yes, I hear the panicking Witches within trembled dreams, desperately crying out for a rebellion against the worldwide insanity run amok, which of a collective Goetia Howl, is too of the wounded Earth mother birthing all life.

(Loosely adapted from Christopher Marlowe’s Dr. Faustus conjuring up the politically correct ‘Animus’ manifestation of an Illuminati Mephistopheles, who, if seen, does reveal the mind-control methodology of cults becoming big-business religions, all of which are none too different to Holy-Wood Scientology.) 

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BELPHÉGOR GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2017 by FAUSTUS CROW

Salem’s Vampy Vampira of Goetia Girls Research TV here, at my usual haunt of a bar. Although this time around, I’m in the Le Crazy Horse de Paris. I am ever so excited to be in Art central Paris, interviewing ghost hunter Jacques Bellegarde and the psychic detective Chantecoq about their paranormal investigations into the ghostly apparitions of the Seven Sisters Of Purgatory, haunting the Musée du Louvre. Check out their book. 

VV: Thank you both for talking to Goetia Girls Research TV and our still living audience. You both make the claim, in your book, that supernatural activity is everywhere on the dark side of Paris, but what makes a place truly haunted, such as the labyrinthine Art gallery of the Louvre?

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CHANTECOQ: Well, it’s about the belief, the mystery, and the culture around the myth. the major Art attraction of the Louvre is not just by chance, but by design. The whole Art instillation acts something like a psychic battery… a Ley line focal point. Some of the locals believe that a number of the paintings in the Louvre are actually painted with the blood, harvested from human hearts, creating inter-dimensional portals into other realities, which open at certain key-times around the zodiac.

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VV: Ley lines… the Louvre is a psychic battery… paintings painted in human blood acting as stargates; sounds like something right out of H.P. Lovecraft’s Necronomicon brain; I love it!

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JACQUES: It is all symbolic of course… an occult blind, which refers to a primordial shamanic technique the ancient Egyptian’s also practiced in their temples. The chest area of the heart is where most of the nerve fibres of the Central-Nervous-System are to be found, which are activated by the inducement of hypnagogic trance at certain circadian rhythm key-times. Basically, the Artist who to have painted the painting was in a state of hypnagogic trance while doing so. Whereas the motif of blood refers to the Artist’s emotional state when creating the Artwork. As for Ley lines and the psychic battery bit, that’s where it gets really interesting…

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VV: I must admit, I never got my head around all this Ley line stuff, for real; let alone psychic batteries… the Louvre being a massive psychic battery sounds far too New-Age fluffy to me… no offence…

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CHANTECOQ: No offence taken… You just figured it out without realising it, when you said… head; and I must say you do have a very pretty head… (All three laugh) 

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VV: You are such a bad boy Cthulhu flirt… (All three laugh)

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CHANTECOQ: (Continues) The Ley lines, which are generally seen to be hypothetical energy lines covering the Earth like a web, actually exist within your crystalline skull. What you externally observe, with your eyes is interpreted by your brain, which has a liking for patterns; whether you are aware of it or not.

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CHANTECOQ(Continued) Should you look at the world as an Artist would, you will soon realise that wherever you look, you will notice that the area you are observing has an underlying composition to it, a symmetry; hence, having a pattern. That is why, when accessing hypnagogic trance, you will sometimes experience entoptic phenomena, made up of geometric patterns looking like grids, zigzags, cones, dots, spider webs or that of Ley lines underneath the internally experienced visionary material, which is associated with what is externally observed.

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VV: Is that why Palaeolithic cave paintings often feature geometric patterns; whereby indicating they were painted while in a state of hypnagogic trance?

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CHANTECOQ: Yes. The caves of Lascaux for example, were the first Art gallery temples. At an external level, the cave is just a cave; but when accessing hypnagogic trance, the cave becomes a psychic battery, whose stored energy is emotion. Or should I say, it evokes an emotional reaction from one or more of the Seven Chakras of the endocrine system, within an individual, via the symbolic stimuli of the paintings. This then leads to thoughts making nigh instantaneous associative connections, which generates the entoptic phenomena of the experienced Ley lines, corresponding with the conjured visionary material of deep memories.

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VV: Hang on a minute, just to clarify what you just said… when in hypnagogic trance, the symbolic stimuli of a painting evokes an emotional response from the Seven Chakras, equalling energy, which then sets up associative thoughts, being entoptic phenomena Ley lines… and that these lines of thought correspond with visionary material, that are conjured memories…

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CHANTECOQ: Yes. emotion, thought and memory is symbolised as the Triangle Of Art in occult practice; but it is essentially that of Art. At the midst of the Triangle Of Art you then have the ‘eye’ of the imagination, which allows an Artist to introvert his or her five senses into the dream consciously.

CHANTECOQ: (continues) Wherein of a sixth sense lucid dream a two-dimensional painting becomes as a three-dimensional interactive reality. Whereby, a macrocosmic painting can indeed act as a Vaginal stargate into another microcosmic reality.

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VV: Whoa! So the Louvre is like the painted caves of Lascaux… are you saying that the reported ghosts of the Louvre were seen by individuals who had inadvertently accessed hypnagogic trance, by any chance?

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JACQUES: You are now getting very close to… Le secret du Louvre. But it’s not quite the whole story, there’s far more. Chantecoq and myself resorted to using the classic Ouija board of Surrealist automatism in a number of the Louvre galleries to see if an entity would communicate with us.

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CHANTECOQ: We found that the ghost sightings are associated with singular entity, such as sightings of old guards walking through the museum, as well as the Red spectre of the Tuileries, which was initially considered to be a male ghost. But we soon discovered that the ghost in Rubedo Red is actually a female entity, which had communicated with us via the Ouija board. She even revealed that she has six other ghostly sisters as well revealing her symbolic-key of a name.

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VV: So, what is her name?

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JACQUES: She said her name is Belphégor. We decided to look into her name, which is listed in the grimoires as being that of a spirit. Belphégor is one of the very few spirits described manifesting as a female entity, appearing as a young girl, when conjured into a lucid dream.

JACQUES: (Continues) She is said to inspire innovative invention, especially via her Art Muse inspired dreams, which, for example could be that of innovative Art movements. However, her name is originally derived from the ancient Egyptian Goddess Ahathoor as well as being associated with another Egyptian Goddess named Amunet.

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CHANTECOQ: We found it very curious indeed that Ahathoor means the house, or temple of Horus. When we looked at the Ahathoor temple plans of Edfu, we found out that the Louvre is based upon the same temple plan.

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JACQUES: Going back to the Red spectre… or a red Rose, of the TuileriesAhathoor is depicted dressed in scarlet, who is the original scarlet woman… she is sometimes shown to be naked. The reason for her nakedness and the colour Red, is that it is associated with menstrual blood, the Rubedo of alchemy, which points at a naked Vaginal portal of ingress into this reality. As for Amunet, also pronounced Amonet or Amaunet, she was a primordial Goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun

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CHANTECOQ: Amun is sometimes depicted as being a pyramid of light surrounded by the primordial ocean called Nun, which of similarity points at the Louvre pyramid, whose symbolism of a pyramid is associated with the Masonic symbol of the Beehive having a Queen Bee Witch.

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VV: So, by using an Oiija board, you both come across the name Belphégor, which then led you to an ancient Egyptian Goddess called Ahathoor pointing at the Edfu temple, having the same ground plan as the Louvre. Are you saying that the Louvre is the house of Horus?

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JACQUES: Well, actually, here in France, the Horus hawk, equates with a type of hawk called a Merlin, which is flown from a ladies hand. This then leads you to the wizard called Merlin who as a deified shaman is also associated with Amun, whose consort is Amunet. The Egyptian Goddess Amunet would then equate with Morgana le Fay coupled with Merlin, which then leads you to the locale of Glastonbury tor in the Uk, having a Seven fold Chakra spiral… Glastonbury tor was once surrounded by an inland sea, just like Amun’s pyramid, which in turn, as said, leads you to the Louvre pyramid… As for the name of Amunet, it means, ‘the female hidden one,’ like that of being masked, who is depicted wearing a Red crown wielding a staff of papyrus.

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CHANTECOQ: When you have papyrus it is symbolically associated with paper unto canvas; hence, Merlin can be seen as a bearded shaman Artist, whose house is the Louvre… Funnily enough, In the innovative British and American TV series Penny Dreadful, the character of Vanessa Ives, is played by the French actress Eva Green, who is implied to be an incarnation of Amunet. You also have another French actress, Sofia Boutella playing Ahmanet, who is Amunet, in the Mummy film, which is the first official instalment in the Universal Monsters Cinematic Universe… you could say, the Mummy film, of a moving painting will act somewhat like a Vaginal portal, whose ageless archetype of the Arts is Belphégor.

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VV: Curious, sounds like Belphégor is very French, no wonder Kamasutra Paris is the Art central of symbolic Alchemy, whose sorcerer Artists, inspired by their Succubus Art Muses, transmute the Seven hedonic sins into golden Tantric virtues. You mentioned that all of this is by design, what do you mean by that… who or what designed it all?

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JACQUES: We suspect that it has something to do with the junk DNA, which is tied up with language. The language we are talking about here is at a far deeper level, it is symbolic, manifesting within dreams… not that of words. It’s as if, there is a symbolic code embedded in all of us, which physically manifests its self via trance Art; whereupon you then find various cultures throughout history, manifesting similar symbolic motifs across the globe, which are all interconnected.

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CHANTECOQ: We found that the Belphégor dream code is associated with certain zeitgeist times, when innovative Art movements in Paris influenced the whole world. One such zeitgeist Art movement was initiated by Les Humanoïdes Associés, a publishing house specialising in comics and graphic novels. It was founded in December 1974 by Mœbius, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their adult fantasy magazine, Métal Hurlant; it quickly expanded to include a variety of science fiction work.

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JACQUES: Métal Hurlant was innovatively revolutionary in the comic book Art-form at the zeitgeist time; because of its inventive focus on the genre of science fiction, it inspired many generations of authors and filmmakers, such as George Lucas for his film Star Wars and Ridley Scott’s Blade Runner and Alien, as well as influencing Wachowskis Matrix trilogy. The American version of Métal Hurlant is the magazine Heavy Metal whose base of operations is in H.P. Lovecraft land Massachusetts.

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VV: Yeah! Salem, that’s where I come from; born and bred as a salaciously sinful Witch… I wonder what one of the Seven very naughty Chakra sins I would be? (all three laugh.)

Mammon - The Seven Stakes of Purgatory by Miihelmina

CHANTECOQ: We also discovered that the Paris base of Les Humanoïdes Associés is aligned with the Louvre pyramid, which both of us find to be rather curious…

Mammon - The Seven Stakes of Purgatory by Miihelmina

VV: Looks as if Belphégor not only travels around the Ley lines like a Witch riding her broomstick, she is also into Bandes dessinées…

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CHANTECOQ: What do you expect, she is a Succubus Art Muse Catwalk model out of Vogue, looking like a Vampy Vampira… (all three laugh)

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VV: So, what will be the next zeitgeist Art movement, she is going to inspire, do you think?

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JACQUES: Well, we did have the word, Crow, that kept on cropping up when using the Ouija board. What that means, we haven’t as yet determined…

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VV: Crow… Belphégor… Crow… Belphégor… sounds familiar; I’m sure I have come across that association somewhere… not sure… where… (shakes her Louise Brookes bob style raven tresses) sorry, please continue…

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JACQUES: Perhaps, going by the sensual French actresses playing the Penny Dreadful and Mummy manifestation of Amunet… pointing at Belphégor, that the next zeitgeist will occur in tandem with the return of the Universal Monsters and their sinfully delicious EC comic Cinematic Universe…

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CHANTECOQ: Whatever the zeitgeist Art movement to be of an artistic manifestation; it will be very much dependent on the bearded Artist who has conjured Belphégor as his ‘throne’ of Muse inspiration… as the saying goes, “behind every great man there is a woman,” although I far prefer the Hindu adage, “a God is not a God without his Shakti.” (Chantecoq winks at Vampy Vampira. All three laugh, while drinking a third bottle of Faust, Cabernet Sauvingnon. )

VV: Thank you both for the interview. Salem’s Vampy Vampira of Goetia Girls Research TV signing off from the dark side of Paris. Hell! I’ve just been asked to do a Belphégor mask dance on the Crazy Horse Dakini stage with my six other most salacious Witch sisters.

VV: (continues) But before I do, I’m going to Cat burglar steal another bottle of Faust. Make sure to subscribe to the Goetia Girls Research TV on YouTube, to catch my Crazy Horse Performance Art dance, it’ll send you into a surrealist trance.

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