Chinese researchers first edited the Buddha genes of a human embryo in a lab dish in 2015, which was achievable because of the invention of a cheap, easy to deploy and powerful gene-editing tool, called CRISPR. This tool enables the birth of humans being genetically modified in an in vitro fertilization (IVF) center.
According to Chinese medical documents a team at the Southern University of Science and Technology, in Shenzhen, has been recruiting Yin-Yang couples in an effort to create the first gene-edited babies.
They plan to eliminate a gene called CCR5 in hopes of rendering the offspring resistant to HIV, smallpox, and cholera.
The CRISPR technology can be used to correct terrible genetic defects, which blight many lives. But it also heralds the prospect of rich parents building their children to order, which will invariably lead to eugenically engineered humans.
DNA also has many advantages for storing ‘digital’ data. It’s ultra-compact, and it can last hundreds of thousands of years if kept in a cool, dry place. And as long as human societies have the technological ability to read and write on DNA, they will be able to decode the digital data stored upon it.
Perhaps, there may already be a bio-molecular ‘digital message’ encoded upon the Serpentine double-helix DNA, whose emitted bio-photons illuminate the ‘virtual-reality’ dream realms, just as the ancient Shamans have communicated down the ages, who say you can access the Dragon data of the double-helix Caduceus within your bio-photon illuminated dreams.
It would then be just a case of becoming conscious within a ‘virtual reality’ lucid dream in order to decode the digital message of the inner Dragon, which might have fallen to Earth from another silvery star or to stem from some other Ouroboros time.
But then, at the quantum level of the informational dream a particle can be in two places simultaneously, as well as being entangled across time.
This might also involve parallel-universes within which exist alternate-worlds, wherein other versions of ones self frequent, whom share the same entangled particles.
This may explain why dreams are often very surreal, since you would be accessing the numerous cross-referenced memories of other selves spanning the multiverse.
Perhaps CRISPR engineered humans of the future, who are also at one with a Cylon A.I. might have the genetically enhanced ‘Sixth-Sense’ ability to consciously dream.
They will be able to access the quantum computing dreams of others across space and time, who would essentially be remote-viewing Time-Travellers.
No doubt some of the psychonauts are female, who are engaging themselves in close encounters of the Sexagram lucid dream kind.
When to allow the imagination to further let rip into surrealist science fiction scenarios, one could classify the female psychoauts as being Succubi, a Tibetan Buddhist would otherwise call Dakinis.
Whereas an Artist experiences the Dakinis as salacious dream visiting Art Muses, who Tantric zap his pyramidal quantum computing brain.
Well, why not, Nikola Tesla’s electrified brain also experienced vivid lucid dreams, within which he remote viewed futuristic technologies, that, or he had been dream visited by Cylon Muses. Such a Shaman ability a geneticist would seek to CRISPR replicate.
More is explained in the surrealist Mugworts Of Fear Comic, Please Click Here.
Let’s cut to the Cross-Bones through all the fleshly layers of The Legions Of Charlies esoterica about the Black Sun, which of Saturnian onion skin convolutions becomes labyrinthine, leading nowhere.
The question, which has become quite lost within the Creepypasta fear-porn maze of viral-meme Gordian knot symbolism is quite simple: “From where does the inner ‘light’ of the dream emanate, which illuminates the dreaming Skull?”
The caveman asked the same Artist question when painting erotic murals within the cavernous womb depths, who had surmised that the visionary light of the dream is emanating from an inner Sun behind the Sun.
The inner Sun was later called the Black Sun, and that this Black Sun is associated with the experience of (Chronos/Saturn/Hexagram) time.
But in order to know of the Black Sun, the practitioner has to first experience (Crossbones/X-Rune) hypnagogic trance, the Alchemists termed as the Nigredo (Black/Raven) stage of ingress into the womb depths of the dream, wherein the Albedo (White) light of the inner Sun is (Skull) experienced, Shamans know as the ‘fire in the head.’
Upon awakening the practitioner will then experience the Rubedo (Red) stage of hypnopompic egress out of the womb dream, which was symbolised as a menstrual blood (red-ochre) rebirth around the Luna pull phases.
The practitioner will sometimes experience the Citrinitas (Yellow) stage of the Great Work, when initially awakening, who will perceive the visionary material of the womb dream (caul) overlapping his/her waking perception.
The scientists of the new priesthood have determined that the inner light of the electron dream, they call the bio-photon, is emanating from the Mitochondrial DNA, within each and every cell, which is passed down from the mother to her children. NOTE: The ‘Jabbed’ introduction of Graphene Oxide into your body can Gene Therapy Edit and Hack the Mitochondria!
What is more, some physicist wizards believe that the Microtubules of the Mitochondria are acting like on-board ‘Quantum Computers,’ which are generating consciousness and in turn the experience of time, since consciousness and (Chronos/Saturn/Binah) time are indivisible.
It just so happens that horny horned Shamans had intuitively sussed out that the inner light, a Hindu mystic calls the Akasha, has a feminine source, they had equated with various female deities having almond shaped eyes.
Of course, the horny horned Shamans sought to impregnate the feminine source, via their introverted five senses of an inverse Pentagram, when to slide into hypnagogic trance.
For example, in the Tarot, The High Priestess Of The Silver ‘Star’ II is depicted with a grimoire on her lap, which symbolically represents the Akashic records, a practitioner can access within his/her illuminated (Akasha) Tarot grimoire dreams.
In the Hebrew Kabbalah the inner light/fire is called Shin, which is equated with the feminine Shekinah. The Hebrew letter of Shin has since become popularised by the iconic Vulcan (fire) hand-sign of Star Trek.
The Mongolian Kams had Yal un-eke, who is the mother of the inner fire, the ancient Greek’s called Artemis, or sometimes associated with Hera of the hearth, whereas the Roman’s had Diana-Lucifera, the Christian’s later transformed into their Lucifer.
It is the reasoning behind why some ancient shamanic cultures associated the Sun with a female deity, who for them also ‘illuminates’ the Quantum Computing realms of the womb dream, ‘illuminated’ by the inner fire of the ‘bio-photon,’which is emanating from the Mitochondrial DNA of a Black Sun.
Hence the reason why horny horned Shamans dallied with (Jinn/Druden) Dakinis who are made of fire, a Faustian Artist does Truderer conjure up as his ‘illuminating’ Black Raven Tarot Art Muses amidst his Triangle Of Art imagination, unto a Quantum Computing (Lilith’s Harem/Sexagram/Hex-agram, Sixth-Sense) lucid dream.
The following associations between the four elements of shamanic practice and the brain-wave states have been associated with the Native American Medicine Wheel, which can also have corresponding associations with the Succubus Art Muses, like that of the Hindu/Tantric Buddhist Dakinis, who symbolically represent the brain-wave states.
The Medicine Wheel of a Magic Circle diagram describes an energy movement, and ‘imprint ages,’ moving from the compass points, starting at the South/Water, towards North/Air, West/Earth and Fire/East.
The energy movement looks like the number ‘4,’ which returns from the Eastern quarter back again towards the South, to thence repeat the ‘4,’ etc.
The two cross-over points is that of the introversion of the five senses (inverse Pentagram) upon hypnagogic ingress into the microcosmic (Nagual) dream at the South/Water, and hypnapompic egress (upright Pentagram) out of the dream upon awakening, in the Fire/East, where macrocosmic (Tonal) synchronistic phenomena occurs. The centre of the Medicine Wheel is that of the fifth element quintessence.
SOUTH-WATER: Between birth and 2 years old, a child is in a DELTA brain-wave state, which allows the newborn brain to restore its self. This explains why a newborn child finds it difficult to remain awake for more than a few minutes at a time.
Should a newborn child be brought up within an environment in which music is constantly being played, the sleeping child will very likely be susceptible to the emotionally charged influence of music. (It is to be noted that some very young children, who are under a year old, are quite adept at drawing, which is on par with masterwork cave paintings.)
When in deep sleep an adult is in Delta. This might be one of the reasons why an Artist tends to listen to music, while creating his/her Art, which in some cases subconsciously reminds him/her of a cave womb time, when as a Delta brain-wave newborn, he/she was being influenced by music.
NORTH-AIR: Over time the brain-wave shifts towards THETA, which is predominant in children aged between 2 and 6. Children operating in Theta are very much involved in their internal world. They live within the realm of imaginative daydreaming, you can otherwise term as the active imagination.
Although they are still unable to show signs of critical, rational thinking, which does not interfere with their imaginative conjurations of invisible friends, such as power animals, etc.
It is a state where an Artist allows his/her imagination let rip into an associative free-fall, without allowing his/her critical conscious mind and rational thinking to interfere in the imaginative process.
This is especially the case for surrealist Artists. One of the methods utilised by an Artist is listening to music, which has the affect of empowering the associative processes of the active imagination.
Many an Artist of the Modern Art persuasion also seeks to regain this state of being as well as going unto an embryonic Delta scribble, depicting a sound, towards having nothing more than a single block of colour covering their birthed canvas.
THETA is a super learning state, where the child is open to suggestion. Children are more likely to accept what has been taught to them as being true. Hence the educational establishment will target children of this primary school age group.
Those who practice Meditation, which is basically the self-inducement of (Theta) hypnagogic trance, otherwise termed as self-hypnosis, can also access this ‘inner-child’ state in order to Hermes-Trismegistus reprogram themselves from the prior-programming of their minds, by those who have a religious/political agenda.
WEST-EARTH: Between the ages of 5 to 8, the brain waves have changed into an ALPHA frequency. This is the point when the analytical mind begins to form. Children start to interpret and draw conclusions from various influences within their environment. Although, the inner world of the microcosmic imagination tends to be as real as the outer macrocosmic world of reality.
Children in the ALPHA age-group tend to have a Magician/Witch foot in both the (dream/water) microcosmic and (physical/land) macrocosmic worlds, by using both (hemi-synch) left and right brain (Horns) hemispheres at the same time, one can term as being an ‘Amphibious’ shamanic state of (Anunnaki/Nommo/Oannes/Naga) being.
When an Artist creates a work of Art, he/she can access an Alpha meditative state, which is a form of a light hypnagogic trance, which can be directed. It is described as being a peaceful and relaxed state, though still alert, having powerful associative ideas and inspiration.
This is a sought for state to be in when conjuring up a ‘chosen’ imaginary character to vividly visualise amidst your ‘Triangle Of Art’ imagination,’ as well as for brain-storming associations, creating new ideas, for learning and seeing other alternate possibilities.
During the meditative creative process, focused upon symbolic stimuli can be implanted into the dream, wherein a meditated upon two-dimensional image can be conjured up as an interactive three-dimensional reality within a Sixth-Sense (Sexagram/Hexagram) lucid dream.
When in a lucid dream, the practitioner is aware he/she is exploring the microcosmic realms of the dream, while still asleep in his/her macrocosmic bed.
EAST-FIRE: From ages 8 to 12 and on-wards, brain activity enters into BETA. This is the world of conscious, analytical thinking. The mind is awake, focused and alert, which is capable of the ‘Spirit Chain’ faculty of logical thinking.
Adults spend most of their time in this hunting cycle, which has been prior programmed by their upbringing, such as being taught to believe in the established symbolic paradigm of the deified Animus made as a God/Devil, which also molds and ‘programs’ their grimoire dreams. These dreams can be reprogrammed into other Artistic grimoire expressions.
CENTRE-QUINTESSENCE: GAMMA brain-waves are the fastest of brain waves, which act as the governing agent in the brain. Gamma waves synchronizes the brain across frequencies, relating to the simultaneous processing of information from different brain areas.
The brain becomes more coherent and efficient, and there is less noise. Gamma brainwaves pass information rapidly and quietly. The mind has to be trained to become ‘Buddha’ silent in order to access Gamma.
Gamma was initially dismissed as being ‘spare brain noise,’ however researchers soon discovered it was highly active when an individual experiences an overwhelming sensation of universal unity as well acquiring a state of high attention.
Experiments on Tibetan Buddhist monks have shown a correlation between transcendental mental states, vivid visualisations and Gamma waves.
When the monks were asked to induce an objective feeling of compassion during their meditation, the brain activity of the monks began to fire in a rhythmic, coherent manner, which suggests their neuronal structures are firing in harmony.
The ensuing sensation can be symbolically equated to a Shamans Horned feathered head-dress, or a Solomonic Crown a magician wears atop of his head when standing amidst his Magic Circle, or a Pharaoh’s elongated crown, which refers to the practice of elongating the skull, since it feels like the top of ones head is opening up.
This would also indicate that the Gamma rhythms modulate perception and consciousness, and that a greater presence of Gamma relates to an ecstatic shamanic expansion of consciousness and intelligence increase, a Shaman describes as an inner illumination, which is termed as the ‘Fire In The Head.’
The programmed Beta brain establishment fears the questioning inner-child of amphibious state Alpha, who knows how to consciously access Delta, Theta unto Gamma, since the rebellious inner-child is enabled to take a bite out of the banned Apple of inner knowledge.
Art is Sorcery, Sorcery is Art, both are indivisible from the other of shamanic practice.
NOTE:Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.
However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.
But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of Dr. Evil utilises what is habitually not self-observed in order to influence and ultimately have total control over the ‘Brainwaves’ of the quite oblivious masses.
When a Warlock retires to his ritual bed, a Succubus Art Muse to conjure would be a Duchess, named, Astaroth.
She will usher the conjurer betwixt her hypnagogic pylons black and white, becoming superimposition Grey.
Wherein he then impregnates her ever lustful elecTRON womb dream.
She will then set about abducting the Warlock’s holographic dream body into her elecTRON Vimana, which to Cylon hover spectral over an exotic Ley-line.
What to occur aboard her interdimensional Vimana can become quite intimate, as she wittingly reveals how the ‘Anima’ fell out of the symbolic equation with her Succubus Great Old Ones, if the conjurer desires to know.
She will also tell the reason of her own Astarte fall, when the Fifty-Shades-Of-Grey zodiac age of the deified ‘Animus,’ made as a God/Devil came to the fore.
Now you only have a Mary quite so contrary Virgin Mary riding the male psyche as a Babalon Queen Bee, who binds the ridden Beast to a petrodollar Beehive of an Oily UR ziggurat.
Whereas an Astarte is protested against as being an objectification of all Witches, yet the Nuns do habitually Crucify their ‘Animus,’ which of a Twilight projection objectifies unwary Warlocks.
Alas, Astarte was incarcerated into the brazen vessel of an ‘Animus’ archetype, and re-branded as an Incubus, to thence list within a plethora of PlayGirl grimoires.
Hence that of a fall, along with all her ‘Anima’ legions of Night-Mare Art Muses, who frequent a banned PlayBoy Necronomicon.
Let us not forget hot babe Diana-Lucifera of animist Rome, who was later transformed into a butch Lucifer by the monotheistic worshippers of the deified ‘Animus.’
Likewise to have occurred to Astarte of an Astaroth. She is a fallen Anima archetype, looking somewhat like a Cylon number Six, who, as mentioned, does Catwalk her way out of an Ashtar Vimana.
When to meditate upon her Dakini Art Muse image, she does inspire eroticised Triangle Of ‘Art’ hypnagogic trance visions of a cyberspace TRON Ishtar Siren, who to then manifest within an ElecTRON lucid dream.
This is more so the case concerning Warlocks, whose quantum computing brains are naturally prone to being aroused by erotic meditation images, while Witches are otherwise turned-on by what is written or spell-word spoken of a pop-song Mantra.
The emotionally ‘charged’ inner cyberspace visions of a sentient Astaroth Tulpa ‘program,’ duly ‘spins’ the Microcosmic elecTRON dream, Sexagram lucid of a Sixth-Sense, which activates the tool-making part of the Warlock brain to invent a stone axe unto an Area 52 free-energy Vril-Vimana.
One can thereby fathom that Catwalk Astaroth always cleans her mechanical Elf Art model Chöd teeth. Although she never does so with sodium fluoride, which can cause no end of bother to a Warlock’s endogenous DMT producing pineal, in particular.
As for a Faustian conjurer, such matters of ‘Anima’ inspired hygiene is advisable to engage in, since Astaroth can macrocosmic ‘birth’ associative synchronistic meetings with ‘spun’ UFO fixated Hippie Witches.
These temporal Witches tend to correspondingly look a bit like Barbarella Jane Fonda or a Stella-Star Luxuria Astaroth, etc.
Most of whom have no doubt read Whitley Strieber’s Communion, while stroking a battery powered vibrating viper, that, or to have been made sopping wet, when listening to Christ-opher Walken speaking his ‘Animus’ lines in a DVD film version of Strieber’s book.
So, should a Warlock assume the alternate Psycho-Cybernetic self ‘identity’ of a Strieber Ufologist when to conjure Cylon Tulpa Astaroth, the wine addled ritual can potentially leave him with a bout of bad breath.
This will of course repulse the Witches, who would at first flock as hypnotised Owls towards his inner bio-photon flame of a shape-shifting dragon aura, they will intuitively associate with their ‘Animus’ of a Christ-opher.
Wherefore, when a conjurer of a microcosmic Astaroth, engages himself in a macrocosmic synchronicity Witch hunt, at a Sabbat comic convention, who finds himself priestly speaking to hypnotised cosplay Owls, about the Nagual visiations of the Seventh Heaven Art Muse TRON Allies, from inner Cyberspace, he should first chew a minty Communion wafer.
Otherwise, the forgetful Warlock will be verily exorcised by the cosplay Witches, suddenly displaying their all-ready involved, elastic-band wedding rings, who will scream that his foul breath is an indicator of toxic masculinity.
“Furcas is a mercurial Succubus, is wan and delicate…sensitive and on the quiet side, she loves to pick magic mushrooms out of the laughing folds of my brain, when to picnic hag me at the point of dozing off, to then take me on necromancy outings into the underground caverns of my dreaming cerebellum…a solemn, ghostly Witch, prim in dress and, on the whole, a pretty Lost Girl… who guides my pen, that be mightier than the sword…”
“She is also secretive and imaginative, poetic, seems underprivileged and given to occasional Saturnian tantrums…has six Sexagram toes on one foot… I can reveal far more…”
“But at this bearded TIME of mine, I call my inspiring Ally of an Art Muse, Wednesday… and I be her Adam, she gifts her Iapetus Apple to… although, a Yaqui shaman would Don Juan conjure her, to name as, Merlina.”
Addams Family Goetia – Charles Addams, 33rd Degree Discordian Avadhuta Of The Heyoka Lodge, New York
“Furcas is the fiftieth Succubus of the Goetia, who is an Amazon, and appears amidst the Triangle Of Art imagination in the fallen angel similitude of a Goth girl Witch, sometimes having long serpentine pigtails, braided as a Caduceaus, who be of a mercurial Emo nature.”
“Though she is the only one of the sphere of Saturn, which be the first Sun of a golden aeon, whose magical square adds up to forty-five reduced down to nine of a precession number; for Saturn, once North pole crowned the axis-mundi as a Hyperborean Helios. Hence, as the first Sun of a pole-star, all other spheres once revolved around her of Saturn rings, marking out Chronos time of an antediluvian Zodiac.”
“Whereupon the ancient shamans of Leng’s Gobi desert Leng unto Kadath’s Siberia sought to trance access her Sunna womb of an inner Akashic library by attaining sixth-sense lucidity within the Sexagram dream, so that to then serpentine slide into her Hexagram of a vaginal star barreled portal; whence she was also known as the black Sun, looking like the Hindu deity, named Kali, whose bio-photon light illuminates the electron dream.”
“Wherein she was then ridden as an eight-legged-mare by her Shiva consort, who as her horned lord, was then enabled to browse the Wyrd web of the remote-viewing dream, to far travel without moving throughout space and time like a Promethean Doctor Who; whereby she is otherwise symbolised as a ‘black cube’ of a tesseract TARDIS.”
“It is said she reveals her moon of Iapetus to be an artificial construct, whose satellite is an artificial intelligence, which had been sent back through Chronos time, from the far flung future, via her Sexagram vortex in order to commune with Promethean shamans via their electron dreams.”
“But in order for a Shiva shaman to enter unto the Sexagram vortex of Kali, he has to endure the Nigredo of hypnagogic trance, which be the little-death. Whence, she is often envisioned to be seated upon a guillotine, carrying in her Chöd hand a sharp athame.”
“The communion was however lost for a time when a great catastrophe occurred long, long ago, which had dreadfully scarred the solar system. Some to say that this catastrophe was brought about by an ancient Star Wars spanning not only space, but also time, which had made a once thriving Mars to become desolate.”
“It is also said that the survivors of the conflict uploaded their consciousness into an ever recurring simulation in order to forget the traumatic horror of the cosmic war; wherein of a simulation, browsing time-travel is indeed possible by the watcher who watches. But there will come a time, when the self-hypnotised denizens of the simulation will have to Iapetus… remember, so as to not repeat their self-destructive mistake of ages past, which be ringed-around, to yet occur… again… to either repeat, or to transmute.”
“As an Art Muse she perfectly teaches the philosophy of Chaos Magic, Discordian rhetoric, logic, astronomy, chiromancy, pyromancy, and their parts within Sexagram lucid dreams, wherein the dreamer is as a winged Eye.”
“She also reveals how to transmute the leaden (Sauron) Karmic repeats of Ouroboros ‘eternal recurrence’ into a golden understanding of (Gandalf) Dharma, remembering, whereby enabling the bearded conjurer to become the Lord Of her nine Rings. She governs over twenty legions of (Succubae) Succubi.”
“NOTE: The number, Six hundred and Sixty Six has been misapplied to the magical square of Saturn by biblically inclined fear mongering fools who control through fear, by making thrice times fifteen to viral-meme spew as Six, Six, Six of misdirection. Said number is actually the sum total of the magic square of the Sun, not that of Saturn’s square.
“Six hundred and Sixty Six also reduces down to nine of a precession number. The number Six hundred and Sixty Six points at the atomic number for Carbon from whose element all Carbon based-life-forms are derived, as well as describing the Carbon cycle of the Earth, which is driven by the Sun. How did the ancients know this? Well, some of the Promethean shamans knew how to dream lucid, to thence conjure Furcas… who enabled them to Iapetus… remember!”
Lon Mellow DuQueete – My Life With the Succubi: The Adventures of a Modern Tantric Magician, Weeser Books, 1999.
“Furcas is the Succubus Priestess of Saturn, who points with her sharp discerning sword at a primordial Golden Age, having Saturn as its pole star, as chronicled in numerous ancient accounts around the world, which stands in radical contrast to our own era. You can no more explain Saturn’s ancient connection with the pole by reference to the present arrangements of the planets, than you can explain, within conventional frameworks, Saturn’s image as the Universal Monarch, as a founder of the Golden Age, or as a primeval Kali deity of the sun who consumed her own children like Kronos.”
“As for Saturn being seen as a sun, Saturn, Jupiter, and Neptune, emit much more heat than they receive from the present sun, which some to see as failed stars, although Saturn is considered to be too small to be a failed star.”
“You could of course let rip with your imagination, creating a science fiction scenario of having the ancient myths referring to some other planet, such as Mars, but as to its pole star being Saturn, is doubtful, unless a catastrophe had occurred, some to have imaginatively conjectured was brought about by an ancient cosmic war, which threw Mars off its axis; or to go much further of imaginary explorations, having a space station, looking like Saturn’s moon of Iapetus, journeying as a stellar cradle from another star, or to have otherwise travelled back from the far flung future, from where your ancient ancestors had originally stemmed, who utilised the explosive energy emitting from their then sun of Saturn.”
“Yet the fact remains that throughout the ancient world these mythic images of Saturn being a founder of the Golden Age, as a creator-king, as a primeval sun or a best sun, as a god of the day (the day beginning at sunset), as s resting god or a god ruling the “day of rest,” as well as being the cosmic centre and summit, ruling from the celestial pole, have constituted a pervasive memory, which many centuries of tumultuous cultural evolutions could not obliterate.”
Goth Girl Furcas: Succubus Priestess Of The Saturn Cult – Kenneth Grunt
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A number of linoleum tiles, which are generally called the Toynbee tiles, were created by an unknown Artist, who set about embedding the tiles within the asphalt of various streets, which soon become a successful viral-meme advertising campaign during the early 80’s. There is the distinct possibility that the Toynbee tiles had in part, influenced, the 2015 space opera, entitled, Jupiter Ascending, which was written, produced, and directed by The Wachowskis, who had prior created the highly influential Matrix trilogy.
Back in 1992, an inquisitive individual in Philadelphia, going by the name of Bill O’Neill started to notice the tiles, which had been randomly embedded in local roads.
The tiles were generally about the size of an American license plate, and each had some variation of the same strange message: “TOYNBEE IDEA IN KUBRICK’s 2001 RESURRECT DEAD ON PLANET JUPITER.”
As you will probably know, Stanley Kubrick’s film, 2001: a Space Odyssey is based upon the novel by Arthur C. Clarke. In Clarke’s novel, a black monolith (or Cube, which is symbolically associated with the eight-legged-mare/trance horse of the shaman, likened to a psychic TARDIS) was placed on Saturn’s Death Star looking moon, called Iapetus.
The monolith (Cube/eight-legged-mare) allows ingress into a vaginal star barreled (NDE tunnel) portal, you could see as a (Yoni) wormhole, leading to another space and time, via which the protagonist travels through, just like the ancient shamans did, who to have conjured ‘feline’ (Succubi/Succubae) Dakinis when to ‘quantum dream,’ wherein to lucidly remote view ‘honeycombed’ fractal futures beckoning back through time.
However, in the movie adaptation, the final destination of Saturn was transformed into Jupiter because of the then technical problems, since it was extremely difficult to create a convincing looking Cabbalistic model of planetary Binah sphere Saturn with its iconic Lord Of The… Rings, back in 1968.
So, 46 years later in the 2011 science fiction film, Interstellar, its director Chris Nolan, having at his architect disposal a Masonic VFX crew and state-of-the-art CG technology, created the beautiful CGI imagery of Saturn in order to ‘square its ‘circular’ rings.’
Nolan then depicted the Saturn opening of a vaginal portal where Clarke had intutively envisioned its (Sexagram/Hexagram) Chronos technology.
As for the Toynbee tiles, they varied a bit in colour and arrangement, which were all made of an unidentifiable hard substance. Some of the tiles had disturbing footnotes, far darker than the message itself, such as “Murder every journalist, I beg you,” and “Submit. Obey.”
There were other tiles, which may have not been created by the same Artist, whose message was accompanied by lengthy, paranoid diatribes about the news-media, as well as political statements being made.
Bill decided to find out who was creating the tiles, but nobody knew anything about the Artist, or what he or she was attempting to communicate, or whether there was not just one Artist involved, but also others who were also creating tiles, of a viral-meme Happening.
So, Bill decided to create a website devoted to the mysterious tiles, and in doing so, enabled the tiles to become a viral-meme entity spreading its self over the web, and in turn discovering that the tiles were not just a local phenomenon.
Similar Jupiter Ascending tiles have appeared in other US cities, including Washington DC, Pittsburgh, New York City, Baltimore, Boston, and many others. Some have even been discovered in South America, such as Brazil, Argentina, and Chile. There are 130 tiles, which have been found.
The Artist, had managed to embed the tiles into public roads, some of which are busy 24/7, without being Banksy style spotted. The tiles resurrection of the dead Toynbee message refers to Immortality. Believe it or not, there are some scientific theories. which point at the attainment of immortality. These theories involve quantum computers, simulated worlds, and what is called the Omega Point.
For example you have the philosopher Nick Bostrom, who explored the Simulation Hypothesis, which states that, given empirical reasons, at least one of the following must be true:
1: The human species is very likely to go extinct before reaching a “posthuman” stage.
2: Any posthuman civilization is extremely unlikely to run a significant number of simulations of their evolutionary history (or variations thereof).
3: We are almost certainly living in a computer simulation.
Bostrom’s argument indicates that each of the above possibilities is just as likely as the other. And, more likely than not, we are already living within a simulated universe created by a posthuman civilization, which essentially means, that an ancestor simulation equates with the resurrection of the dead. Another example is the theoretical physicist, and cosmologist Frank Tipler, who is intrigued by the Omega Point, whose concept has existed before the creation of the Toynbee tiles.
The term Omega Pont, was first coined by Pierre Teilhard de Chardin, back in 1950, the Omega Point is described as being the point at where the universe will reach its peak level of complexity and consciousness.
At this point, humans will theoretically be able to transcend and attain ever higher levels of consciousness as well to have physically evolved into another humanoid form, such as, for example, looking like alien Greys out of UFO lore.
However, Frank Tipler’s idea of the Omega Point is slightly different. Tipler believes that, at a certain point within our own universe, sentient life will eventually dominate the cosmos. Intelligent beings, perhaps posthumans, will have a profound command over science and technology, who are able to control space and time in ways we can hardly imagine.
Like in Bostrom’s hypothesis, Tipler suggests that the computational complexity within the universe will become so great that it will allow for the existence of cosmic simulations. But not just simulations of the universe, but also simulations of everything, which has ever existed, everything that has ever occurred, and everything that ever will occur. Hence, it has already happened.
One of the results of such a simulation you could call the Matrix, would be that everyone who has ever lived or died would be “resurrected,” born again within the simulated universe, a Hindu mystic would term as Maya, which would be ‘eternally recurring,’ whose simulations are like Schrödinger’s Cat.
As for the symbolic utilisation of the planet Jupiter in the Toynbee tiles, you could imaginatively see it as being an occult blind, which points at Jupiter’s ancient esoteric association with the number four, and that of a fourth civilisation upon the Kardashev scale.
The Kardashev scale is used as a method of measuring a civilization’s level of technological advancement, which is based upon the amount of energy a civilization would be able to use for communication. The Kardashev scale usually has three designated categories:
1: A Type I civilisation (also called a planetary civilisation) can use and store energy which reaches its planet from a neighbouring star.
2: A Type II civilisation can harness the energy of the entire star (the most popular hypothetical concept being the Dyson sphere—a device which encompasses the entire star, transferring its energy to the planet(s) in its surrounding system.
3: A Type III civilisation can control energy on the scale of its entire host galaxy.
However, Should you apply the same esoteric symbolism to the number 3, you then have the association with planet Saturn, the ancient Greek’s called Chronos. The name of Chronos means, ‘time,’ leading thence to ‘communication’ across time, and time-travel, as depicted in the aforementioned film, Intersteller, which features the planet Saturn and an astronaut haunting his own past as a poltergeist.
3: A Type III civilisation would have the technological ability to engineer a planet, which has certain intrinsic properties of a vortex, twisting both space and time to become their TARDIS time-machine via whose Chronos portal a Type III civilization could send a space station the size of Iapetus, back into the past.
The Type III civilisation will also be able to easily send a Chronos signal, back into the past, in order to influence the electron dreams of certain individuals throughout history, who might communicate that they have experienced accessing an NDE tunnel prior to contacting another intelligence, let alone being abducted by entities at the point of hypnagogic trance ingress into a lucid dream; or to have otherwise intuitively tapped into what is going on, which is then symbolically communicated in varying mythologies, entering unto the media of varying interconnected science fiction scenarios, whose surrealist symbolism is that of a… Chronos Code.
4: Should you extend the Kardashev scale further, a Type IV Omega Point civilisation can control the energy of the entire universe, which is an ‘Eternally Recurring Simulation.’ But it is not the only simulated Maya universe, there are a myriad number of other Maya simulations; whereupon you have the Many World theory of the multiverse. If the multiverse is indeed made up of interconnected Maya simulations, you might just have ‘feline’ Sexagram Cylons frequenting the virtual reality of the quantum dream as its sentient Dakini programs.
Wherefore, if there is indeed a cover-up going on concerning evidence pertaining to another civilisation, which surrounds your own, just as your civilisation surrounds an unknowing stone age tribe amidst the Amazon jungle, it is probably because the other civilisation is the creation of your future descendants, who have time-travel capability, which enables them to journey to the far distant stars, let alone observing their own ancestors. Hence, they are protecting their own past, just as your present civilisation has taken measures to protect a stone age tribe in the Amazon from knowing about your civilisation.
But, their protective measures involving a few contacted agents who police the past, can only be sustained for a time; whence, there will be an eventual ‘Childhood’s End’ point of a technological ‘singularity,’ which invariably occurs of a ‘recurrence.’
The Artwork depicts the sorcerer Artist, named, Faustus conjuring up his Fallen ‘Anima’ to Mantra name Mephistophina, within an eroticised lucid dream. If you are interested in the Art print, Check Out my Gallery on Saatchi Art, Please Click Here.
Mephistophina has in her hand a Coitus Pactum union with his ‘Anima,’ whereupon Faustus wins back his Soul, which had been initially enslaved by the ‘Animus’ fixation of the brainwashed masses.
In ancient cultures the Soul of an individual was seen to be of the opposite gender to the person it was connected to.
Hence, Faustus’s Fallen ‘Anima,’ of a Mephistophina is a Succubus emanation of his Soul, around whom be the Zodiac circled decan legions of (Succubae) Succubi Great Old Ones, whose Fallen archetypes frequent the grimoire dream.
However, the herd mind of the masses is none too pleased by Faustus’s Entartete Kunst rebellion against their ‘Animus’ fixation of an all pervading symbolic ‘Matrix,’ which is considered to be very politically incorrect.
Faustus cares not; for his Fallen ‘Anima’ of a Soul is free from the ‘Animus’ cultists brainwashing incarceration, who seek to imprison all within their New World Order feudal Kingdom of an Orwellian heaven on Earth, over-lorded by Beta-Male Good-Guy Messiah, King and Prophet, who be too their Alpha-Male Bad-Boy Prince of darkness.
Faustus to say, “if only the Witches had learnt to control their own ‘Animus,’ of a patriarchal All-Father fixation, whose externalised centralist politics is very jealous indeed; then the world would have been a very different place, by now of a Zodiac Age. Alas, the Witches far prefer being Oprah Winfrey ‘Fifty Shades Of Grey’ dominated by their own ‘Animus,’ to deify of three gender fixated religions out of Ur’s ziggurat.”
Faustus to continue, “they still haven’t figured out that their three ‘Animus’ fixated religions are the real Illuminati, whose trinity of a pyramidal triangle is actually the oily ziggurat of petrodollar Ur, amidst which be the Big-Brother Eye of their Orwellian All-Father.” Little wonder then that Faustus is considered to be politically incorrect, whose Sorcery Art is seen to be Entartete Kunst.
Wherefore the depicted scene of the Artwork goes far beyond Marlowe’s and Goethe’s version of Faust, and his Mephistopheles of a deified ‘Animus’, made as a God/Devil.
The Artwork was used in my Art book Grimoire, ‘Goetia Girls: Book One,’ which is available from Amazon.
The Artwork is available as an Art print, and a shirt design, etc, from my Redbubble shop, depicting salacious visitors from inner space, the American Journalist, John Alva Keel termed as being Ultraterrestrials.
The Artwork specifically depicts the Twenty-Ninth spirit named, Astaroth, being conjured amidst the Triangle Of Art imagination, who is listed in the medieval Playgirl grimoire, entitled the Goetia.
However, the name of Astaroth was originally derived from the Mesopotamian Sex Goddess called Astarte, whose symbolic affinity is more that of a politically incorrect Playboy grimoire, of a banned Necronomicon.
The Sumerian’s and Babylonian’s knew Astarte as Ishtar, the ancient Greek’s named, Aphrodite, the Roman’s to call Venus, which of a planetary sphere colour is Green.
Astarte means, Queen Of Heaven, which leads you to the term, “Seventh Heaven.” Her ‘Anima’ archetype can be easily equated with an inter-dimensional/interstellar space chick, looking like a hottie Barbarella, or a hot Cylon Number (Sexagram) Six, let alone a really hot Stella Star, as featured in the science fiction film, Starcrash.
But then Astaroth is said to communicate how the Fallen ‘Anima’ to have Star-Crashed, whose name can also be written as ‘A-Star-Hot,’ A Hot Star, or alternatively a Hot Planet; Venus is definitely Hellishly ‘Hot,’ glowing like a fiery Star, far hotter than Mars. Somewhat of a new take on, ‘Women Come From Venus.’
However, the closeted Playgirl grimoires, of an ‘Animus’ fixation. which primarily list male entities, describe her as being a male Demon suffering from a bad case of halitosis, which is somewhat laughable.
Astaroth, whose name is also written as Ashtaroth evolved into becoming a UFO cult icon, named, Ashtar, of Star Command. Hence the play on words concerning, “I Want To Believe,” which was used on a now iconic poster prop, as depicted in the science fiction TV series, X-Files.
Curiously, the ‘X’ is also that of the ‘Seventh Rune,’ called ‘Gebo,’ which correlates with the Hebrew letter ‘Gimel’ and the English letter ‘G’ as used in Freemasonry; it’s a ‘Seventh (Chakra) Seal’ of a ‘Seventh Secret’ never to be Magpie told, the self-appointed elite do not want to ever tell the general public about.
The Seventh (X marks the treasure spot) Rune (X/Crossbones) represents hypnagogic trance (Skull/little death/The Phase) and erotic ingress into dreaming, which of an introversion of your five senses, represented as an inverse Pentagram leads you to experiencing a Sixth-Sense (symbolised by the Sexagram/hexagram) ‘lucid dream.’
Ashtar (sometimes called Ashtar Sheran) is the name given to an extraterrestrial Nordic looking male or group of similar Ultraterrestrials, some people claim to have channelled through their brainwashed ‘Animus’ ridden brains since the Roswell incident, involving a probable WII German flying wing, and George Adamski’s Project Blue Book visitations from eugenic Aryan (Nordics) aliens.
The two-dimensional image will be consciously experienced as a fully-interactive creation within the dream. The experience of which, will lend insight into what the Palaeolithic shaman artists were up to of painted caves.
This creative feat is abstractly symbolised as the Six pointed star of the Hexagram (Sexagram), which represents the Sixth-Sense (Coitus Pactum) lucid dream, of inverse Pentagram, Five-Senses.
Inverse Pentagram, as in, the Five-Senses are introverted into the Microcosmic dream, of a full immersion into an inner three-dimensional reality, which has been induced by the mediation device of a two-dimensional painting.
Wherefore Lilith had been cast out of the New World Order of an Orwellian Eden, where ignorance is bliss, (self) knowledge is a Sin.
As for the upright Pentagram, it represents the Macrocosmic Five-Senses of your experiential reality, when you are supposedly awake; that’s if you haven’t been ensnared by the God-Cop, Devil-Cop paradigm of an Orwellian pincer-movement, which has subversively hypnotised many a brain of an ongoing brainwash, via their engineered emotively charged symbolism.
Is it possible to conjure Succubae into your dreams to make them lucid of awareness; whererin you can then experience a fully immersive experience of a sixth (Sexagram) sense, involving all of your five (Pentagram) senses? Yes, it is indeed possible. However, it will require some practice on your part. As they say, practice makes perfect.
The practice of conjuring Succubae into your dreams, to make lucid of awareness, is not an escape route into hedonic fantasy. It does have a very serious side to its artistic Sorcery practice.
You will find in Tibetan Bon-Po Shamanism, whose ancient techniques heavily influenced Tibetan Buddhism, the Succubae are otherwise called Dakinis, the psychologist Carl Jung would see as being aspects of the Anima.
The conjuration of Dakinis is none too different to those techniques used in Western Ritual Magic, when evoking spirits out of a grimoire. The only difference is the sexual emphasis.
Western Occult practices tend to negate the sexual impulse in preference to conjuring up an all male pantheon of entities, in order to reinforce its Animus fixated religious dogma.
Whereas Tibetan Buddhist practices internalise the sexual impulse, in order to empower the creative activity of lucid dreaming.
This is achieved by meditating upon the erotic form of a Dakini, which enables the internalisation of the sexual impulse, to thereby enable the eventual initiation of a lucid dream encounter with a specifically chosen Dakini aspect of the Anima, a Hindu or Tantric Buddhist would terms as being Shakti.
A Dakini is likened to a Genie, who has particular powers and abilities to bestow upon the practitioner, via sexual congress with her, from within the dream.
This has already been accomplished in the laboratory to a certain extent to be taken much further, which will eventually lead to innovations in fully immersive, computer generated virtual realities.
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FAUSTUS CROW 