Archive for Doctor Who

SHAMAN TRANCE TARDIS HORSE DRUM

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 29, 2017 by FAUSTUS CROW

The Artwork depicts a Siberian shaman drum. The drum in Siberian shamanism, in particular, is symbolised as being the trance horse the shaman rides into an ecstatic state of consciousness. The motif of the horse is often symbolised as being an eight-legged Mare. 

The eight-legs of the Mare represent the eight cardinal directions, which are also associated with the eight points of a ‘cube.’ Hence in the Tarot card of the ‘horned’ Devil XV, which depicts a demonised ‘horned’ shaman, he is traditionally depicted seated upon a ‘cube,’ you could imaginatively associate with the TARDIS of Doctor Who, since the shaman saw the drum as a macrocosmic tool, that empowers his microcosmic trance ingress into other (inner) realities.

At the centre of the ‘cube,’ and at the centre of the eight cardinal directions you have a ninth point. Whereby the eight-legged Mare was also associated with the world tree interlinking nine (worlds) states of consciousness, which of a symbolic formula was painted upon the drum skin.

The eight-legged-Mare is also a fusion of two horses, representing the two nerve channels running along either side of the spinal (world tree) column. These two (horses) nerve channels belong to the Autonomic-Nervous-System. When these two (horses) nerve-channels are brought into balance via meditative (hypnotic) drumming, the two horses become fused, as the eight-legged-Mare, which activates the central-nerve channel of the Central-Nervous-System running along the centre of the spinal (world tree) column.

When the central-nerve channel is activated, the shaman will experience the arousal of what is known to the Yoga practitioner as the Kundalini-Shakti, along his spinal (world tree) column. The Kundalini Shakti is considered to be the life-force, which is experienced as being a liquid (fire) light, whose ‘quintessence’ is intuitively felt to have a feminine  (Anima Mundi) source. The Kundalini Shakti may be an intuitive description of the bio-photon, emanating from the Mitochondrial DNA, which is passed down from the mother to her children.

Whereupon the eight-legged Mare is seen to be the (female-centaur) animal form of a Spirit Wife, who manifests as a shape-shifting human (Anima) female within visionary states and bio-photon illuminated lucid dreams, a Surrealist Artist would call an Art MuseIf you are interested in an Art print or the shirt design, etc, Check Out my Redbubble shop, Please Click Here.  

Those of a Westernised temperament will probably find that the symbolism employed by a shaman is a bit too much to swallow, concerning his/her trance tool of a (genie bottle) drum. In order to further clarify what the shamanic symbolism of the drum is communicating in regards to hypnagogic trance induction, which is none too dissimilar to inducing a state of self-hypnosis, find below an excerpt from a research paper:

“Scientific research has determined that drumming patterns are associated with different brain wave activity, as measured by cortical EEG. The research was conducted, to determine if the subjective experience of percussion in general, and rhythmic drumming in particular, would elicit (inner) images or (internal) sensations with a common (symbolic) theme.

Twelve participants were divided into three groups and monitored for EEG frequency response to three separate drumming tapes. These tapes included: Shamanic Drumming, at approximately 4 to 4 1/2 beats per second; I Ching Drumming, at approximately 3 to 4 beats per second; and Free Drumming, which incorporates no sustained rhythmic pattern. Four cortical sites, bilateral parieto-temporal and parieto-central areas, were monitored for each participant during three sessions. At the conclusion of the sessions, each participant prepared a brief written account and was given a tape-recorded interview of his or her subjective experience. These subjective experiences were then categorized according to recurring themes and consensual topics.

This research supports the theories that suggest that the use of the drum by indigenous (shamanic) cultures in ritual and ceremony has specific neurophysiological effects and the ability to elicit temporary changes in brain wave activity, and thereby facilitates (Triangle Of Art Imagination) imagery and possible entry into an ASC (altered state of consciousness – active imagination of varying visionary intensities), especially the SSC (shamanic state of consciousness – hypnagogic trance/ecstasy).

Drumming in general, and rhythmic drumming in particular, often induces (inner) imagery that is ceremonial and ritualistic in content (depending on setting) and is an effective tool for entering into a non-ordinary or altered state of consciousness (ASC – active imagination) even when it is extracted from cultural ritual, ceremony, and intent. 

The drumming also elicits subjective experiences and images with common themes. These include: loss of time continuum; movement sensations, including pressure on or expansion of various parts of the body and body image distortion, “energy waves,” and sensations of flying, spiraling, dancing, running, etc.; feelings of being energized, relaxed, sharp and clear, hot, cold, and in physical, mental, and/or emotional discomfort. 

Emotions, ranging from reverie to rage; vivid images of natives, animals, people, and landscapes; and non-ordinary or altered states of consciousness (ASC – active imagination), whereby one is conscious of the fact that there has been a qualitative shift in mental functioning., including the shamanic state of consciousness (SSC –hypnagogic [the Phase] trance) journeys, out-of body experiences (OBEs), and visitations. 
A pattern that incorporates approximately 4 to 4 1/2 beats per second is the most inducing for ‘Theta’ gain. (Theta frequency is usually associated with drowsy, near-unconscious states, such as the [hypnagogic trance] threshold period just before waking or sleeping. This (acoustic/‘music’) frequency has also been connected to [creative – ‘Muse’] states of “reverie” and [The Phasehypnogogic dream-like images.)

The pattern of the drumbeat as it relates to beats per second can be correlated with resulting temporary changes in brain wave frequency (cycles per second) and/or subjective experience, provided the drumming pattern is sustained for at least 13-15 minutes.(NOTE: The Theta brainwave is depicted in the design.)

NOTE: The excerpt of the research paper, was adapted with notations, from a ‘Presentation Abstract’ by Melinda Maxfield, Ph.D. for the Stanford University Centre For Computer Research In Music And Acoustics (CCRMA).

If you are interested in an Art print or the shirt design, etc, Check Out my Redbubble Shop Please Click the Image Link above.

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STEAMPUNK TIME MACHINE

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 11, 2017 by FAUSTUS CROW

The Artwork is available as an Art print and a shirt design, which concerns Time Travelling within a lucid dream, such is indeed possible, since much of the reported precognitive and retrocognitive phenomena occurs when attaining hypnagogic trance ingress into a lucid dream. (If you are interested, I have written an account of a personal experience about riding the Night-Mare. Click Here.)

In ancient shamanic cultures, such as those of North Central Asia unto Siberia, the state of hypnagogic trance was symbolised as a Mare. Hence you have the European term ‘Nightmare,’ which was associated with the shamanic spirit wife complex, or otherwise known as a, Succubus, whose hypnagogic state visitations initially induce what is called the Old Hag Syndrome, also known as the Bedroom Invader Experience, the ancient Greek’s termed as the Sphinx. (I have written a personal account of the Sphinx experience. Click Here.)

As for the Artwork, it depicts a Steampunk poster from an ‘Alternative Locale III Earth,’ during the Great Exhibition of 1851, where Faustus Crow presented his Necronomicon Time Machine.

“When the author H.G. Wells to have conjured The Fifty-fifth spirit called Orobas from out of Crow’s Necronomicon, Orobas manifested amidst his Triangle Of Art Imagination as a Night-Mare.

“She to have then descended upon Well’s sleep paralysis afflicted corporeal frame as a strangling ‘Sphinx’ as he inadvertently accessed hypnagogic trance.” 

“But after Well’s had attained a lucid dream, Orobas then manifested as a Pony Girl Art Muse, he to have ridden as his Witch ‘Mare’ of the ‘Night’ Time Machine, who enabled Well’s to remote-view browse the Zodiac Ages of the vibrating Ouroboros.”

When practicing Surrealist dreaming, the dreaming Artist will also have to make it a H.G. Wells habit of noting down his/her TARDIS dream adventures in a personal Necronomicon; for the Zodiac Ages have dead names to Howl out, of barbarous Mantra.

Wherefore the dreamer attains the Secret of the Sphinx, whose symbolism the ancient Egyptian’s and Greek’s associated with remote-viewing the Ouroboros of time within lucid dreams, H.G Wells later alluded to with his Time Machine.

The Artwork was used in my Art book Grimoire, entitled, ‘Goetia Girls: Book Two,’ which is available from Createspace and Amazon, under my author’s name, Faustus Crow.

If you are interested in an Art print, or the shirt design, etc, check out my Redbubble Shop, Please Click the link above

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GOETIA GIRLS OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Dr Who, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 16, 2016 by FAUSTUS CROW

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Artists often engage themselves in the ‘derangement’ of their senses in order to mutate their perception, to thence attain another inspired perspective. One example being Salvador Dali, who developed a surrealist technique of creative derangement, he termed as the paranoiac-critical method during the 1930’s. (The watercolour painting above depicts Mesphistophina. Click the image for further details.)

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However, Dali’s paranoiac-critical method has been utilised by shamans for ages, whose psychonaut techniques of lucid dream inducement involved the creation of dream characters, a Tibetan Buddhist would term as being Tulpas.

I am aware that a number of dry scholars have pompously pointed out that the word Tulpa is a misinterpretation of the Tibetan term, Tulku, which is essentially a self-constructed Avatar. However, when assuming the alternate guise of a Tulku within a lucid dream, it is like that of an actor playing a part in a film, whose other supporting characters are Tulpas, who reflect back the assumed guise of a constructed Tulku.

For example, if you assume the Tulku guise of Vincent Price, you might just find yourself having a dream of being in a horror film, whose other actresses and actors are Tulpas. Why would you assume the guise of Vincent Price, you might ask? Well, it may be because you seek to empower your acting ability, should your profession be that of an actor; or to otherwise assume the guise of Austin Osman Spare, if you are an artist. Perhaps you might decide to fuse these influential personages together with Henry Miller, to thereby create a Tulku; and like a time-travelling Doctor Who writer would do, whose TARDIS brain to travel around the Succubae Decans of the Zodiac ages, you can also imaginatively assume the star-sign guise of Vincent van Gogh.

Should this sound rather ‘deranged’ to you, consider the intriguing experiments conducted by Vladimir Raikov who is a Russian psychotherapist, head of the Laboratory for Hypnosis at the State Scientific and Research Centre for Preventive Medicine. In general Raikov hypnotised his subjects to believe that they were the reincarnations of Rembrandt or Mozart, etc. Evidently after a period of doing this, his subjects brought back from their induced trance state the abilities of the personages with whom they had identified. For example, someone who had identified himself with Rembrandt had awakened his or her own artistic ability to eventually make a career out of Art; others may prefer to identify themselves with Aleister Crowley.

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“There is also a third kind of madness, which is possession by the ‘Muses,’ enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric….But he, who, not being inspired and having no touch of Madness in his soul, comes to the door and thinks he will get into the temple by the help of Art–he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the Madman.”

― Plato, Phaedo

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If you consider all of this to be quite mad, keep in mind that children subconsciously learn from any influential role-models around them. Raikov’s technique is just an adaption of what children naturally do. However, the barriers of accumulated belief of an adult, blocks him or her from fluidly learning as a dreaming child. Hence, the beliefs of an adult requires the need to be broken down by believing that the assumed persona is a reincarnation, even if it is an artificially constructed Tulku, which could just as well be that of a future incarnation.

However, you do not need to be hypnotised by another individual, such can be potentially very dodgy; you can attain the same experience via lucid dreaming, which of dream Yoga, will enable you to assume a desired guise of a particular Tulku.

A Tibetan Buddhist would otherwise assume the Tulku guise of one of his many Buddhas via meditative and auto-hypnotic (trance) practices, in order to empower his spiritual progression. You will also find that each Buddha is depicted copulating with a female representing the power of a corresponding dream domain, who is termed as being Shakti, Carl Jung would call the ‘Anima.’

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The Anima can manifest as differing female characters, each of which can be seen to be a female Tulpa, who empowers a corresponding Tulku.

The female Tulpa can be ‘artistically’ constructed as a mind-doll means to empower lucid dreaming, which a Tibetan Tantric Buddhist would call a Dakini.

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Although the medieval mind-set of the West, a Dakini is otherwise called a Succubus, the prior ancient Greek’s knew as a Muse, who to remind that Art is Sorcery, Sorcery is Art, they are indivisible from each other, one and the same of shamanic practice.

When to see a Succubus as a constructed Tulpa, it is none too different to a computer program, like that of a web-bot browsing your informational dreams, which then initiates a virtual reality lucid dream, created by your quantum computing TARDIS brain.

The Succubus has lost its deeper meaning since the medieval mindset of the West has castigated sexuality and the feminine principle out of the spiritual equation, whereupon becoming purely demonic of hedonism, having no meaning whatsoever beyond that of blindly copulating.

The male counterpart of a Succubus is an Incubus, whose ‘Animus’ manifestations of God, Devil, angels and demons are commonly listed in many a Grimoire, who are known as Daka in Tibetan Buddhist dream Yoga practice.

The reasoning behind the focus upon a (Dakini) Succubus is that of introverting the sexual impulse in order to overcome what is technically termed as the Old Hag Syndrome, when accessing the hypnagogic state of trance, at the point of sleep. The hypnagogic state and the ensuing sleep paralysis can be quite terrifying, which of Bedroom Invader nightmare terrors can be otherwise transformed into a Night-Mare Succubus to ride into conscious dreaming.

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This can be achieved when the sexual impulse is introverted, via a prior meditation upon an erotic image of a particular Succubus, in order to negate the fear of the practitioner; for it is the reactive state of fear, which makes the experience of hypnagogic trance so horrifying.

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SPHINX DREAM OF THE SUCCUBUS

Posted in Alien, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 21, 2016 by FAUSTUS CROW

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

I will relate an experience, which of a general account, I had as a changeling childe. The initial phase was that of waking up in total utter terror, not long after I went to sleep.

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I couldn’t tell anyone; who would have believed me, anyway. In retrospect it is just as well that I had not told no one. What was I going to, say, “hey, I think I’m being strangled every night by the Sphinx out of ancient Greek mythology.” They would have of course seen me as being absolutely insane. Then again, who knows, they might of replied, “don’t you mean the ancient Egyptian Sphinx?”

I to reply, “Nah! The Egyptian Sphinx was originally of the Jackal headed deity of the Abyss leading to the Duat, called Anubis.”

I to then continue, “I’m speaking of the winged female Sphinx, having an Ouroboros of a Snake as her tail, the Greek’s spoke of, that was used for the front cover of H,G Wells, Time Machine; she’s the real Cat-Woman, strangler.”

It definitely did feel as if I was being strangled by something, to the point of choking, gagging for air; or that of being of similarity to drowning.

Since I was experiencing this strangulation every time I went to sleep I intended to find out what was going on, by doing some extensive research.

My research led me to Hebrew folklore concerning the Succubus, called Lilith, who is described as having a liking for strangling infants, let alone sexually seducing males. H,P Lovecraft would have probably equated Lilith with a salacious Great Old One, to otherwise term as a Nightgaunt.

But there was little or no information about the experience at the time of the pre-internet, or since, apart from a load of fear porn bollocks about malign aliens, shadow people, interdimensional reptilians, Annunaki from planet ‘X,’ or Biblical Demons, etc, etc, take your reptilian-brain-stem, zap pick, of Moorlock media hewn horror Creepypasta.

Saying that, I was absolutely terrified of going to sleep many a night; Hell! I had to keep the light on much of the time, that, or getting naps during the day. But even then I would suddenly wake up sensing I was being strangled by some shadowy presence, which had patiently waited for me to fall asleep.

I decided to utilise meditation in an attempt to offset the terror of the experience, or at the very least prepare for it. I then accessed the hypnagogic state at the point of sleep, this was when the strangulation often occurred, which involved sleep paralysis.

I knew from previous experiences, not to become afraid, otherwise I would find my terror being reflected back at me of varying horrors.

But due to the prior meditation, I otherwise relaxed into the experience; as I did so, I had the distinct sensation of an inner energy, ascending along the back of my neck, flowing through fibrous channels; I could physically feel it, as well as see this energy, as if I was looking into my own brain with X-Ray eyes.

This energy looked like a cool electric blue light, which appeared to be blocked in my throat area, within the area of my reptilian brain-stem. I came to the conclusion that it was this blockage, which was causing the sensation of choking. Although, I must admit, I did feel as if I was being haunted by a ghost at times.

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I then decided to take the meditation further, by meditating upon certain symbolic stimuli, which of esoteric associations, corresponded with the throat area. The utilised imagery alluded to the choking sensation I was experiencing. At first I was using the meditation to control my need for sleep, or should I say, attempting to avoid it. Hence I was drinking copious amounts of black coffee, until I pissed it like an espresso machine.

Going by my research it seemed that the blockage of energy appeared to be associated with what is termed as the arousal of the Kundalini Shakti, in Tantric Yoga practices, which I had gathered together of various accounts, from rare sources. However, much of the information about the Kundalini Shakti, which is personified as a Goddess, who is otherwise known as the fire snake, was couched in labyrinthine esoteric psychobabble.

While I conducted the meditations I utilised the breathing techniques as described by a gnarled library book on Transcendental Meditation I had picked up.

The reason for my choice at the time, was that it was straight forward, of matter of fact instruction, which was not peppered with mind-bending Hindu metaphysics; the laughing Buddha book was otherwise Hippie humorous of Beatle’s Magical Mystery Tour insight.

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I also did the meditations, while listening to hypnotic beat trance music, or that of otherwise dancing in order to induce a light trance state, which was basically, controlled day dreaming, about the material I had researched in order to attain further insights into it. Said day dreaming, Jung would otherwise call Active Imagination.

The sensation of strangulation lessened for a while, until one day, after returning home from school, feeling absolutely exhausted, I fell into a deep swoon; as I did so, a presence descended upon me. I had the distinct sensation of hands around my throat.

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But this time, I was prepared. rather than reacting in terror, I uttered a pre-prepared Mantra within my mind. As I intoned the Mantra, the experience suddenly changed to that of soothing feminine hands around my throat, of a sensuous caress.

The feline fingers of her hands then expertly traced out an energy flow along the back of my neck towards the back of my head, as she did so, I then had the sensation of falling backwards into a great void, where Anubis to Howl, the Moorlocks to fear.

The void was all encompassing of nothingness, into which I had fallen. The terror of which I had negated by repeatedly ‘Howling’ out the Mantra over and over again, while I fell, leaving my corporal capsule behind of a body, knowing not where I was descending into. But it felt as if I was falling towards the centre of the Earth, or somewhere quite other, floating in space.

I then found myself falling into my bed, to then awaken; feeling quite exhilarated, because I had overcome my fear. But I also felt a bit disappointed that nothing else had happened apart from awakening back into my bed. I lay there awhile pondering what had just happened of an awesome experience.

I then got out of my bed, in order to go to my art table near the window, through which the light of the Moon bathed my room. Everything seemed to be the same, all very real. It was no dream, as far as I was concerned; I felt very much aware, more so in fact, as I decided to look out of my window.

As I looked out of my window, I realised I was not in Kansas anymore. The usual panorama, was that of an urban jungle of houses and factories surrounding an allotment, which of little sky to see, was and still is polluted by the glare of city lights.

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I instead, found myself confronted by a wide open countryside of rolling hills, bathed by the light of the Moon amidst a night sky full of bright stars; in the far distance I noticed what seemed to be a group of small brick houses, from whose chimneys bluish smoke drifted.

As far as I could tell they were human habitations, but as to their architectural design I was uncertain. I was not sure if I had accessed the past, future or some other alternate world.

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Suffice to say, I was totally awe struck. I then became aware that I was probably experiencing a vivid lucid dream, which I tested by jumping up into the air, to see if I would float around like a disembodied bubble; but instead, gravity sharply pulled my physicality down.

It was more real than real. It then struck me, that I may have died in my sleep; as I was pondering this possibility, which started to make me very afraid, I became aware that I was being watched by some unknown presence. I looked over to where it could be, whereupon I noticed my door had been opened.

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The presence turned out to be a Witch, who brought me back. But not before experiencing other… adventures.

I to have wondered, whether she had ‘conjured’ me into her world

I felt as if I was away for ages, but when to have again awakened, I found I had been asleep for but a short while, nor was it night, as before the departure, when I awoke.

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Anyway, to cut a long story short. I have since noticed that when I enter into certain emotional states, of what could be construed as being that of awe, or being inspired, I have the distinct sensation of an electrical type of energy around my throat, like that of wearing a vibrating serpentine Torc, which expands outwards, of a kind of disk, or a web spreading out, connected to everything, making all to feel quite different to me of quality, as if… Time… has stood still.

When the energy becomes quite acute, it then arises along the back of my neck to the back of my head, which can then ascend to the top of my skull.

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Whereupon I feel as if my head is opening up; as this happens, strange out of the ordinary things tend to occur, of tuning into ‘alternate’ Ouroboros possibilities, manifesting as a synchronicities; but ‘Nothing… Negative;’ well, as long as I do not indulge in fear. Whether you believe me or not as the case maybe, I really do not care; best find out for your-own-Self.

 

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DOCTOR STRANGE TESLA FRANKENSTEIN

Posted in Art, Chaos Magic, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 31, 2015 by FAUSTUS CROW

The inventor Nikola Tesla is very similar in many respects to the fictional character of the mad scientist Doctor Frankenstein, since Tesla was a Doctor Strange mage of electricity who had captured the power of the Vajra lightning bolt; whereupon Tesla’s DNA Helix coil is often utilised in many a Frankenstein movie animating corpses; although in reality, Tesla’s Doctor Strange genius ushered in the science of robotics.

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You could then envisage Tesla as being like Doctor Frankenstein merged with Doctor Strange, who likened to a sculptor, he sculpts a Golem out of prima materia mud to give life unto; that or seeing him as a Palaeolithic Sorcerer Supreme sculpting a Venus figurine out of Mammoth bone, which of quintessential feminine form symbolises his proto-Hugh Hefner desire.

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Such a Playboy icon of a Venus figurine would of course require Tesla’s electrifying emotion to give life to her still lifeless corpse of sculpted clay, wood or bone, who will then manifest within his dreams as an interactive mind-doll Tulpa of lucid dream sorcery.

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If you allow your imagination to let rip, the Tibetan sorcery art of creating a Tulpa, would be taught to the Marvel comic character Doctor Strange, who, likened to Tesla, would apply his scientific mind to sculpting an inventors Muse of a Frankenstein Succubus out of his neurosurgeon thoughts to Mantra name, Clea.

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Alas, the Boaz and Joachim pylons of Marvel and Disney’s vast media empire will not allow for such an exploration of Tantric dream Sorcery.

This would be far too risky of a seven seal penetration into the shamanic lore of Bon-Po Buddhist Tibet, which might cause potential theological grief to the Abrahamic superhero audience, since occult Doctor Strange was born of the Carlos Castaneda Hippie era of LSD, going DMT.

Just as it was too risky having (Hellboy) Guillermo del Toro directing the film of Doctor Strange, with (Sandman) Neil Gaiman writing its esoteric script, whose occult leanings are well known.

Doctor Strange will instead be directed by (Sinister) Scott Derrickson with a screenplay, written by (Passengers) Jon Spaihts.

Although the actress Tilda Swinton of prior androgynous Gabriel fame, out of Abrahamic Hellblazer, will be playing the Aryan part of a Vril-ya Ancient One, of a sex change transformation into a probable Nordic dominatrix.

It is she, likened to Lord Of The Rings, Galadriel, who instructs Doctor Strange in the Holy-wood arts of reptilian brain-stem neuro-advertising magic, which of an art, Marvel and Disney are highly versed in of mass media hypnosis.

The question is, what is a Nordic Witch doing in snowy Tibet? Shouldn’t the Ancient One be played by an Asian actress, or better still, a Tibetan Dakini? Although, a Tibetan Witch would probably piss off the Chinese audience.

Perhaps the Caucasian Vril-ya dominatrix is a veiled Holy-wood reference to the Lioness Vril Society, whose war-drobe coven of Witches are said to have channelled information about a ‘Tesla’ flying disk of a time machine.

It is said of myth making conspiracy theory that Operation Paperclip later appropriated the ‘Tesla’ Vril disk from the Nazi’s, who were infatuated with finding an Aryan super-race in the icy hinterlands of Tibet.

Anyway, as for for Tesla’s Doctor Strange surname, it may allude to a (phallic) ‘wand’ like tool for woodworking, which could have been used for sculpting Mammoth bone of a prior age.

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Or maybe the name of Tesla refers an artists brush, painting a cave wall, or a later, pencil? Whatever the case, Tesla’s surname might have been an occupational (Shaman) title.

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Then again Tesla’s surname may have originally been derived from the book of Genesis, wherein one finds the Hebrew word ‘Tzela’ or ‘Tsela,’ whose term refers to the rib bone of Adam, from which the Venus figurine of Eve was sculpted.

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However, a Biblical scholar has put forth a controversial argument that Eve was in fact made from Adam’s ‘erect penis,’ not that of his rib; wherefore Eve was created from Adam’s electrifying erotic desires.

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The Biblical scholar and Golem Professor, Ziony Zevit of the American Jewish University in Maryland has suggested that Eve was made from Adam’s ‘baculum’ or penis bone, which of rabbinical logic is why man does not have a phallic bone, until experiencing a boner, around a Venus in Mammoth furs.

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Professor Zevit, explained that the Hebrew word ‘Tsela’, doesn’t actually translate as ‘rib,’ which is instead referring to the erect limbs sticking out sideways from an upright human body.

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Hence Eve’s surprising origin from Adam’s erection, which of course requires the consummate visualisation skills of a Doctor Strange as well as having a Playboy grimoire focus of a sculpted icon, for the left-hand path to go pumping, while to imagine Eve giving a ‘B-oaz and J-oachim.’

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The word ‘Tzela’ or ‘Tsela’ is used in several differing ways within the Old Testament, which Professor Zevit claims have invariably been misinterpreted by the numerous translators down the ages, who have quite forgotten all those Palaeolithic Venus figurines sculpted by shamans, which to have been the prior ‘Anima’ focus upon the altar, within the inner ‘temple’ of their consciousness to alter.

Zevitt claims that Tzela refers to any protruding part of the human anatomy, including feet, arms and penis. Zevit to have said, “Of these appendages, the only one lacking a bone is the penis.” 

Zevitt’s scholarly peers of Biblical symbolism are of course unconvinced by his claims; his critics to laughingly point out that the word ‘Tzela’ means rib in post-Biblical Hebrew. Although Zevitt’s critics to laugh, Adam’s rib, doesn’t make any symbolic sense at all, unless their Adam is into barbecued spare ribs of politically correct symbolism. But if ‘Tezla’ does in fact refer to penis, then it will give you an insight into an ancient practice of Tantric dream sorcery.

For example, Tesla was a highly adept lucid dreamer, who could sculpt his dreams into many a futuristic invention to then manifest of 1200 patents to his name, of a world record. It was his innate ability to consciously dream that set Tesla aside from other inventors.

Tesla ushered in the modern age, who invented A/C current, Radar, the Fluorescent light bulb, the Radio, Rotating Electro Magnetic field, the X-Ray, as well as many another futuristic invention, such as a supposed flying disk and even a time machine. Some of Tesla’s inventions were utilised by Reagan’s shadowy Star Wars project, let alone being the A.I. messiah of robotics.

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Perhaps Tesla had conjured up a knitted together inventors Muse of a ‘Tzela’ Succubus in order to spin his electrifying electron dreams to tune into futuristic possibilities of lucid dream time travel; just like a Palaeolithic shaman Sorcerer Supreme of a Doctor Frankenstein, sculpting a Playboy Venus figurine of a ‘Tsela’ Eve, to thence Doctor Who ride her as his Night-Mare TARDIS through time, via his eroticised dreams.

Goetia Girls: Succubus Art Book Grimore, BOOK TWO, is now available via Createspace.

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SUCCUBUS TAROT

Posted in Alien, Art, Chaos Magic, Demon, Demonology, Devil, Discordianism, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tarot, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 11, 2015 by FAUSTUS CROW

Surrealist Sorcery; The Art Of Lucid Dreams, Wherein Conjured Succubus Art Muses, Do Manifest: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

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TAROT: FOOL 0: Reptilian Brainstem Leap Into The Da'at Abyss Of Lady Choronzon: https://faustuscrow.wordpress.com/2015/06/25/dream-book-succubus-grimoire/:

THE FOOL  

TAROT: MAGICIAN I: Triangle Of Art, Creation Of Elemental Mind Doll Tulpa Succubae, Who Be Of The Quintessential Anima: https://faustuscrow.wordpress.com/2015/06/25/dream-book-succubus-grimoire/:

THE MAGICIAN

TAROT: HIGH PRIESTESS II: She Who Is The Yoni Stargate, Betwixt And Between The Hypnagogic Pylons Of Sleep And Waking: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE HIGH PRIESTESS 

TAROT: EMPRESS III: The First Artists Were Shamans. Art Defines Humanity: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE EMPRESS 

Lucifuge Rofocale.:

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THE EMPEROR 

TAROT: HIGH PRIEST V: Microcosmic Sorcery Is Macrocosmic Art; Both The Same Of Practice: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE HIGH PRIEST 

TAROT: LOVERS VI: Woman Has Her God And Devil Animus; While Man Has An Anima Of A Forgotten Goddess: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE LOVERS 

TAROT: CHARIOT VII: Travelling Without Moving Of An Out Of Body Experience: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE CHARIOT 

TAROT: JUSTICE VIII: Acquiring The Balance, Attaining Trance: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

JUSTICE 

TAROT: HERMIT IX: Sleep Is Better Than Prayer: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE HERMIT 

TAROT: WHEEL OF FORTUNE X: Shaman Trance Night-Mare TARDIS: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE WHEEL OF FORTUNE 

TAROT: STRENGTH XI: Succubus Dreams Of Trance Power: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

STRENGTH 

TAROT: HANGED MAN XII: Valkyrie Succubus, Gifting Reptilian Brainstem Trance: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE HANGED MAN 

TAROT: DEATH XIII: Heyoka Horror Humour Keeps Morbidity At Bay: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

DEATH 

TAROT: TEMPERANCE XIV: Dream Drugs Of Endocrine System Alchemy: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

TEMPERANCE 

TAROT: DEVIL XV: The Horned Shaman Of Ecstatic Trance Mastery: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE DEVIL  

TAROT: LIGHTNING STRUCK TOWER XVI: Maya Matrix Shock Hypnosis: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE TOWER 

TAROT: STAR XVII: Alien Girl From Planet DMT, Orbiting A Third Eye Star: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE STAR  

TAROT: MOON XVIII: Fifty Shades Of Grey, Twilight Moon Beast Vampire Necrophilia And Werewolf Bestiality: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE MOON 

TAROT: SUN XIX: Fire In The Head, Black Sun Bio-Photon Illumination: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE SUN  

TAROT: JUDGEMENT XX: Arising Into Another Dimension, Beyond The Seven Veils, Of The Maya Matrix: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

JUDGEMENT  

TAROT: WORLD XXI: Succubae 'Chaos Unitarian Nuns Templar' Of The Multiverse Maya Matrix: https://faustuscrow.wordpress.com/2015/05/04/goetia-girls-succubus-art-book-grimoire-1/:

THE MULTIVERSE 

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