Archive for Fifty Shades Of Grey

CONJURING THE FALLEN ANIMA DEVIL GIRL

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW

The Artwork depicts the sorcerer Artist, named, Faustus conjuring up his Fallen ‘Anima’ to Mantra name Mephistophina, within an eroticised lucid dream. If you are interested in the Art print or shirt design, etc, Check Out my Redbubble shop, Please Click Here.

Mephistophina has in her hand a Coitus Pactum union with his ‘Anima,’ whereupon Faustus wins back his Soul, which had been initially enslaved by the ‘Animus’ fixation of the brainwashed masses.

In ancient cultures the Soul of an individual was seen to be of the opposite gender to the person it was connected to.

Hence, Faustus’s Fallen ‘Anima,’ of a Mephistophina is a Succubus emanation of his Soul, around whom be the Zodiac circled decan legions of (Succubae) Succubi Great Old Ones, whose Fallen archetypes frequent the grimoire dream.

However, the herd mind of the masses is none too pleased by Faustus’s Entartete Kunst rebellion against their ‘Animus’ fixation of an all pervading symbolic ‘Matrix,’ which is considered to be very politically incorrect.  

Faustus cares not; for his Fallen ‘Anima’ of a Soul is free from the ‘Animus’ cultists brainwashing incarceration, who seek to imprison all within their New World Order feudal Kingdom of an Orwellian heaven on Earth, over-lorded by Beta-Male Good-Guy Messiah, King and Prophet, who be too their Alpha-Male Bad-Boy Prince of darkness.

Faustus to say, “if only the Witches had learnt to control their own ‘Animus,’ of a patriarchal All-Father fixation, whose externalised centralist politics is very jealous indeed; then the world would have been a very different place, by now of a Zodiac Age. Alas, the Witches far prefer being Oprah Winfrey ‘Fifty Shades Of Grey’ dominated by their own ‘Animus,’ to deify of three gender fixated religions out of Ur’s ziggurat.”

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Faustus to continue, “they still haven’t figured out that their three ‘Animus’ fixated religions are the real Illuminati, whose trinity of a pyramidal triangle is actually the oily ziggurat of petrodollar Ur, amidst which be the Big-Brother Eye of their Orwellian All-Father.Little wonder then that Faustus is considered to be politically incorrect, whose Sorcery Art is seen to be Entartete Kunst.

Wherefore the depicted scene of the Artwork goes far beyond Marlowe’s and Goethe’s version of Faust, and his Mephistopheles of a deified ‘Animus’, made as a God/Devil.

The Artwork was used in my Art book Grimoire, ‘Goetia Girls: Book One,’ which is available from Createspace and Amazon.

If you are interested in the Art print, or shirt design, etc. Check out my Redbubble shop, Please Click the image link above.

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FAUSTUS CROW CREATED TULPA WOMAN FRANKENSTEIN STYLE

Posted in Art, Chaos Magic, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 9, 2016 by FAUSTUS CROW

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“Natural philosophy is the genius that has regulated my fate; I desire, therefore, in this narration, to state those facts which led to my predilection for that science.”
― Mary Wollstonecraft Shelley, Frankenstein; or, The Modern Prometheus

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“I have described myself as always having been imbued with a fervent longing to penetrate the secrets of nature. In spite of the intense labour and wonderful discoveries of modern philosophers, I always came from my studies discontented and unsatisfied.”
― Mary Wollstonecraft Shelley, Frankenstein; or, The Modern Prometheus

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“Men’s brains may be bigger, but women’s contain more brain cells. Also, male and female brains work differently. When men and women perform identical tasks, different areas of their brains light up in response. In addition, females use both hemispheres, while male brain activity is restricted to one side.”
— Kevin Leman (Feminist/Animus)

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“One of the most robust sex differences in personality research is the finding that women are higher in Agreeableness than men are. The difference is over half a standard deviation, which means that although there is plenty of overlap between the sexes, the average man scores lower than 70 per cent of women.”
— Daniel Nettle (Feminist/Animus)

“About three things I was absolutely positive. First, Edward was a vampire. Second, there was a part of him-and I didn’t know how potent that part might be-that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him.”
― Stephenie Meyer, Twilight (Animus)

“Why don’t you like to be touched” Ana whispered, staring up into soft grey eyes. “Because I’m fifty shades of fucked-up, Anastasia.”
― E.L. James, Fifty Shades of Grey (Animus)

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“The projection-forming factor is the anima. Wherever she appears in dreams, phantasies or visions, she appears personified, thereby demonstrating that basically she possesses all the outstanding characteristics of a female person. She is not an invention of the conscious, but a spontaneous production of the unconscious; neither is she a substitute figure for the mother. On the contrary, there is every likelihood that those numinous attributes which make the Mother imago so dangerously powerful derive from the collective archetype, the anima, which is incarnated anew in every male child.”
― Carl Jung (Anima)

“The realities subsumed under the concept “anima” form an extremely dramatic content of the unconscious. It is possible to describe this concept in rational, scientific language, but in this way one entirely fails to express its living character. Therefore I deliberately and consciously give preference to a dramatic, mythological approach and terminology. In describing the living processes of the soul, such a terminology is not only more expressive but also more exact than abstract scientific terms.”
― Carl Jung (Anima)

“I am all that hath been, and is, and shall be; and my veil no mortal has hitherto raised.”
― Plutarch, quoting the ancient Egyptian Goddess, ISIS (Anima)

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“For decades I always turned to the anima when I felt that my emotional behavior was disturbed, and that something had been constellated in the unconscious. I would then ask the anima: “Now what are you up to? What do you see? I should like to know.” After some resistance she regularly produced an image. As soon as the image was there, the unrest or sense of oppression vanished. The whole energy of these emotions was transformed into interest in and curiosity about the image. I would speak with the anima about the images she communicated to me.”
― Carl Jung, Memories, Dreams and Reflections (Anima = Succubus = Muse)

“To feed your Muse, then, you should always have been hungry about life since you were a child. If not, it is a little late to start.”
― Ray Bradbury (Anima = Succubus = Muse)

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“The Muses are ghosts, and sometimes they come uninvited.”
― Stephen King, Bag of Bones (Anima = Succubus = Muse)

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“The ‘Muse’ is not an artistic mystery, but a mathematical equation. The gift are those ideas you think of as you drift to sleep. The giver is that one you think of when you first awake.”
― Roman Payne (Anima = Succubus = Muse)

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“There is also a third kind of madness, which is possession by the ‘Muses,’ enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric….But he, who, not being inspired and having no touch of madness in his soul, comes to the door and thinks he will get into the temple by the help of art–he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the madman.”
― Plato, Phaedo (Anima = Succubus = Muse)

“This is the other secret that real artists know and wannabe writers don’t. When we sit down each day and do our work, power concentrates around us. The Muse takes note of our dedication. She approves. We have earned favor in her sight. When we sit down and work, we become like a magnetized rod that attracts iron filings. Ideas come. Insights accrete.”
― Steven Pressfield, The War of Art: Break Through the Blocks & Win Your Inner Creative Battles (Anima = Succubus = Muse)

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WEDNESDAY ADDAMS CTHULHU WITCH

Posted in Addams Family, Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Devil, Discordianism, Ghost, Goetia Girls, Goth Girls, Horror, Occultism, Sex Magic, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2015 by FAUSTUS CROW

Wednesday Addams loves to Halloween Séance party around her ‘Playgirl’ Grimoire, out of which, she conjures up her Cthulhu ‘Animus’ of Hentai desires, along with his patriarchal Twilight minions of Fifty Shades Of Xtian Grey Love-Craft.

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Well, what do you expect, that’s what third-wave feminist Witches do, since they have so many patriarchal Playgirl Grimoires to choose from, all of which list only phallic entities to conjure up of rippling muscle bound ectoplasm.

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When the Golden Dawn of the Sun to eventually arise over the nocturnal carousing with the good guy Angels and bad boy Demons of an ‘Animus’ God and Devil, they, are left quite OTO drained by Wednesday’s multiple Grimoire orgasms, who do not know what had Crucified them, as they rapidly retreat, slipping and sliding back into the collective psyche of all women.

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But then, Wednesday’s parentage is that of a partying Gomez Ghoul, who has a big Vatican bank account wallet, and an ever hungering Morticia Vampire, with expensive tastes.

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SUCCUBUS ANIMA HOWLING

Posted in Art, Chaos Magic, Devil, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 8, 2015 by FAUSTUS CROW

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The grimoire entitled the, Goetia, means, howl, which of a word, the poet Allen Ginsberg had used for his 1955 poem of protest, titled: Howl. Ginsberg’s, ‘Howl And Other Poems,’ was published as part of his 1956 collection of poetry, which was dedicated to the writer Carl Solomon at a counterculture time when feminism came to ascendancy. Ginsberg wrote that:

“In publishing ‘Howl,’ I was curious to leave behind after my generation an emotional time bomb that would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified into a repressive police bureaucracy.” 

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Ginberg’s Howl utilised the name of a God that was once worshiped by the Phoenicians and Canaanites called Moloch, which Ginsberg saw as representing a repressive police state as well peoples blind submission to it. The Swiss psychiatrist Carl Jung would probably whimsically see Moloch as representing the masculine principle of a Fifty Shades Of Grey Animus residing within the psyches of all women.

The counterpart of the Animus is the Anima, which in Carl Jung’s school of analytical psychology, is the primary female archetype residing within the unconscious mind of a male.

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The Anima is described by Jung as being an influential force within the collective unconscious, which transcends the unconscious of the personal psyche of an individual male. However, due to the mass indoctrination into a male dominated monotheistic paradigm, the expression of the Anima has been systematically erased or otherwise incarcerated into the symbolic form of a celibate Virgin Mary, masking the one time ancient Egyptian Goddess Isis.

The Anima and Animus are archetypes of the collective unconscious; they are not personal aggregates of a father, or mother, brothers, sisters, aunts, uncles, or teachers, etc; although their imprints upon the personal unconscious can influence an individual.

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The Animus in particular is symbolically expressed as the all male pantheon of Angels and Demons, which are listed in the monotheistic grimoires, who dance around a God and a Devil; wherefore their patriarchal gender fixation upon the male is that of the Animus residing within the unconscious psyches of all women.

You can thereby conclude that the symbolic construct of the patriarchal religions of Abraham, upon which these grimoires are primarily based has been forged by women, due to an overriding fixation upon the Animus, made as God and Devil.

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Hence, when women berate the patriarchy, they are inadvertently berating their own Animus projection, which has been personified as an All-Father God, enthroned between a crucified Beta-Male Good-Guy and an Alpha-Male ‘Bad-Boy’ Devil.

However, every personification of the unconscious has a light and a dark aspect, such as the Animus, which can bring life-giving development and creativeness to the personality, or it can cause an individual to reactively erase its influence, which leads to insanity, the eventual death of a personality, becoming like that of a soulless automaton.

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Should this reaction be applied to the collective, it manifests as hypocritical political-correctness, totalitarian thought-control and fascistic politics.

The religious symbolism of the monotheist faiths mirrors the relationship dynamic between women and those men they choose as their mates, whether in actuality or that of fantasy.

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For example, many a woman is infatuated with a crucifying Bad-Boy Christian Grey, of fifty-shade Twilight desires, who desire being nailed by his conservative necrophilia of bestial dogma.

This fixation upon the Animus is genetically hardwired, of a biological imperative, which of an unconscious influence within the psyches of all women, over the Zodiac ages, has forged the present patriarchal focus of Piscean age society.

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As you are no doubt aware, the present patriarchal society of an Animus fixation is becoming progressively more fascist of orientation.

Those who argue that such is not the case, are faced with the unerring fact that the creative principle behind the entirety of existence has been symbolically personified as a God, whose religious construct of an all male paradigm is derived from a particular cultural perspective, stemming from the war torn Middle East.

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Logic would dictate that the creative principle behind the entirety of existence cannot be personified by a religious focus upon a singular gender, of human form, let alone being based upon a cultural construct. Hence, the overriding monotheistic focus upon the male points at something else, being that of the Animus.

As for the symbolic expression of the Anima within the Playgirl grimoires, it is none existent; but then, the religious construct upon which these grimoires are based, has castigated the Anima out of the spiritual equation.

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Should a male presently explore his Anima, he will duly find himself being tarred and feathered as being a misogynist, or a sexist pornographer, merely because he plays video games, involving female characters.

This is more so the case, if a male artist expresses his explorations of the Anima via his art, which can potentially lead to his work being shunned, censored, let alone banned as being Entartete Kunst.

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Artistic renditions of the Anima often manifest within the art-form of video games, which are being presently targeted by social engineers, who invariably utilise the emotively charged front of feminist politics to do so.

When to investigate the Anima, a male practitioner of symbolic alchemy has to keep in mind what Jung had termed as, ‘invasion,’ of the conscious by the unconscious archetype of the Anima, which can then lead to him being easily manipulated by the emotional politics of his female partners, upon whom he unknowingly projects his Anima.

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Women are generally more emotionally astute than men; this is because their emotional intelligence develops at an earlier age than males do. This is not a sexist remark, it is actually a biological fact.

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Jung insisted that: “A state of Anima possession…must be prevented. The Anima is thereby forced into the inner world, where she functions as the medium between the ego and the unconscious, as does the persona between the ego and the environment”.

Because a man’s sensitivity is usually repressed, the Anima is considered to be one of the most significant autonomous complexes of all within the psyche of a male, which influences a man’s interactions with women as well as his attitudes towards them. If he is not aware of his Anima, he will duly find himself being manipulated by the controlled media machine manipulation of women, upon whom he unknowingly projects his Anima; just as women are likewise influenced by their Christian Grey Animus.

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Jung related: “the encounter with the shadow is the ‘apprentice-piece’ in the individual’s development…that with the Anima is the ‘masterpiece.”  

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Jung saw the Anima as being the interface with the collective unconscious. Hence, she is the doorway into the collective dream; whereby, those who seek to influence the unconscious minds of individuals will target the Anima via subversively stirring up the women, which is easy to achieve since most males are totally unaware of her archetypal existence within their own psyches.

The established symbolic paradigm of an Animus fixation has castigated the Anima out of the spiritual equation. Wherefore Faustus Crow summons up his Anima, Mephistophina, in order to negate the viral-meme brainwashing of the establishment, by conjuring her Muse sisterhood of Succubae amidst his Triangle Of Art lucid dreams, to thence list within his howling Skull and Crossbones pirate grimoire, of artistic anarchy.

NOTE: I am not saying that the Bene Gesserit Sisterhood are the unseen cause of all the woes of this world, that would be plain silly, which would be just as crazy as saying that the Illuminati Brotherhood are the cause of every woe afflicting society. It is more of a case of the many who blindly give over their power to a few, whom delude themselves, that they are the elite; this is due to them being inbred insane! The insanity of the brain-dead puppeteers is plain for all to see when to look at the Middle East of mass-sacrifice!     

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VAMPIRE FEMME FATALE COUNTESS BATHORY

Posted in Chaos Magic, Comics, Film, Goth Girls, Horror, Occultism, Sorcery, Succubus, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2015 by FAUSTUS CROW

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Should you be seeking for a very real blood worshipping Vampire all you have to do is to look into the life story of Countess Elizabeth Báthory de Ecsed. (Báthory Erzsébet in Hungarian, Alžbeta Bátoriová in Slovak).

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Báthory was born on the 7th August 1560, who died on the 21st August 1614. She was a Countess of the renowned Báthory family, who were of the Hungarian nobility.

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Báthory has been historically labelled as being the most prolific female serial killer in history, who murdered her victims specifically for their blood, which is a historical fact.

Her story is far stranger than Bram Stoker fiction. Although the number of her gruesome murders is debated, since most of her victims were peasant girls.

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Missing peasant girls were not considered to be important at a time when the general populace were treated as mere cattle by the aristocracy.

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Hence Báthory could have murdered many more girls, who are not known about. She is remembered as the ‘Blood Countess;’ who was essentially a Vampire.

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After her husband Ferenc Nádasdy’s death, Báthory’s heinous crimes came to light; she and four collaborators were accused of sexually torturing and killing hundreds of girls. One witness attributed to them over six hundred and fifty victims.

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Although the number for which they were eventually convicted was eighty, since the numerous Blood Doll peasant girls were considered to be unimportant.

However, those victims who were of noble families brought about the invariable downfall of Báthory. She herself was neither publically tried nor convicted due to the aristocratic influence of her family.

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During 1610, Báthory was eventually imprisoned within the fetid guts of Csejte (Čachtice) Castle, (now in Slovakia), where she remained bricked up within a set of horror rooms until her death four years afterwards.

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Later writings about the case have led to legendary accounts of the Countess bathing in the blood of virgins, which of an evocative, though nightmarish image is none too dissimilar to femme fatale Cleopatra bathing in milk.

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Perhaps Báthory had got the beauty treatment idea, to twist all out of shape from Cleopatra, or to have otherwise derived it from some ancient Egyptian rite via a gnarled old Necronomicon Witch she had in her employ.

Whatever the case, Báthory has earned the names Blood Countess and Countess Dracula. However, she is not by and large known about by the general public.

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Most people commonly associate Vampirism with the historical personage of Vlad III, Prince of Wallachia (1431–1476), also known by his patronymic name Dracula (son of the Dragon, after his father [Vlad II] Dracul). He was posthumously dubbed Vlad the Impaler, who impaled his enemies as a terror tactic, when warring against the Ottoman Turks. Whereas Báthory engaged herself in all the unsavoury horrifying practices you would associate with a Vampire, let alone indulging in ghoulish cannibalism.

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You can thereby determine that Báthory is a real Vampire, not Dracula, who did not come anywhere close on the Vampire scale. When Dracula is compared to insane Báthory, he appears to be quite normal; although psychotic, of similarity to a darker version of Robert E. Howard’s warrior character of Conan, merged with a crusading Solomon Kane.

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Yet it is Dracula who is considered to be a Vampire, which is mainly due to Bram Stoker’s synthesis of a fictional tale, which transformed the ghoulish Eastern European Nosferatu of a bloodsucking Zombie into a suave seductive character of Vampire romanticism. Stoker’s work of Victorian fiction was primarily aimed at a female audience to impale, who at the time were infatuated by becoming entered unto by spirits, whose entrance into their quivering frames induced orgasmic possessions, while engaging in necromantic spiritualism, conjuring up bad-boy Incubi.

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As for Báthory, she was quaintly forgotten. But then that is because she is a woman, who of course does not make other women swoon over her, unless they are sexually predisposed to their own gender. If such had been otherwise the case, Báthory would have eventually evolved into becoming an archetypal Twilight sensation of Hollywood Vampirism.

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However, you presently have Alpha male type Chippendale hunks strutting their Gothic stuff, baring plastic Dracula fangs over the palpating breasts of yearning maidens amidst Twilight grottos. In order to prove the canine point, you only have to look at all the adoring female fans of machismo Vampires populating the books of Anne Rice.

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It is the female fans who have empowered the mystique of Stoker’s Dracula. But if the truth be known, it is a woman who actually had the very real incisors ripping through jugular veins.

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Researchers at the University of British Columbia have confirmed that women dig the psychotic bad-boy, of a Vlad Dracul impaling his victims, which crosses all cultural boundaries of a genetic imperative. Men, on the other hand were found to prefer women who are just plain happy with a sense of humour.

Although many males have an underlying fear of powerful femme fatale women who are very much aware of their sexual power. Though also Vamp attractive, likened to Vampira unto Elvira, it becomes entirely unattractive, when coupled with mass murder conducted by a predatory female Vampire; it tends to sexually turn a lot of men off big time. Let’s say, you have some bloke who says he gets a hard on, when to fantasise about female mass murderers, you might just say he has a… mental problem.

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Hence a female Vampire of an icon has not made her celluloid mark on Hollywood’s billboard. Although there have been a few female Vampires haunting the media as Succubae; but they are quickly labelled as sexually exploiting women by the politically correct feminists due to their spray on Vampirella costumes.

As for a predatory male who is a mass murdering psychotic Vampire, he appears to sexually turn the women on big time with his glorified necrophilia, which has enabled Stephenie Meyer to reach the publishing heights with her grey area Vampire books for screaming teenage girls, who also have a Twilight liking for Werewolf bestiality and Fifty Shades Of Grey Christian bondage.

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Whereby Hollywood sees the Alpha male Vampire as being a business asset. This is especially the case, since the underlying feminine attraction to a male Vampire, is not only because he is a very bad-boy beast, but also because he can offer her immortality. Hence she will never age when bitten within his embracement of Satanic darkness to then enter unto his Occult night as the forever youthful.

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Báthory greatly disturbs women in general; for Báthory reveals the darker side of woman’s nature, more so the fear of crippling old age, which numerous cosmetic applications cannot ever eliminate; while Báthory sought to otherwise keep old age at bay by bathing in the slit throat essence of Blood Dolls bubbling in her Witches cauldron of a bath.

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So, if there be any Anne Rice or Stephenie Meyer clones out there who are seeking out a real Vampire, look into a sunlit mirror, wherein you will see your own reflection of a Countess Elizabeth Báthory de Ecsed looking back at you, of a following shadow.

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