Archive for the Love Magic Category

AT THE EARTH’S CORE CAVE WOMAN BIFRONS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2017 by FAUSTUS CROW

The woolly Mammoth Cave women made most of the oldest-known cave art paintings, suggests a new analysis of ancient hand-prints. Most of the square headed scholars of the deified ‘Animus’ fixation made as a God, had assumed these ancient artists were predominantly male, due in the main to the explicitly erotic content of many of the Entartete Kunst cave paintings, which disturbs Middle Eastern theological sensibilities; so the new findings overturns decades of religiously hewn archaeological dogma.

Archaeologist Dean Snow of Pennsylvania State University analyzed snowy ice age hand stencils found in eight cave sites in France and Spain.

By comparing the relative lengths of certain fingers, Snow determined that three-quarters of the hand-prints were female who had having sex with their ‘Animus’ on their brain.

“There has been a male bias in the literature for a long time,” said Snow, whose research was supported by the National Geographic Society’s Committee for Research and Exploration. “People have made a lot of unwarranted assumptions about who made these things, and why?”

Archaeologists have found hundreds of hand stencils on cave walls across the world. Because many of these early paintings also showcase game animals—bison, reindeer, horses, woolly mammoths and erotic imagery—many researchers have proposed that they were made by male hunters, perhaps to chronicle their kills and sexual conquests as some kind of “hunting magic” to improve success of an upcoming hunt for game, or a mate to hunt down.

The new study suggests that much of the cave art and its erotica was created by female artists; this isn’t to say a male artist did not carve away to create a Venus figurine of his ‘Anima,’ like a proto-Hans Bellmer, who eventually fell foul of the feminist Entartete Kunst.

Experts expressed a wide range of opinions about how to interpret Snow’s new data, attesting to the many mysteries still surrounding this early art: “Hand stencils are a truly ironic category of cave art because they appear to be such a clear and obvious connection between us and the people of the Palaeolithic.” Said archaeologist Paul Pettitt of Durham University in England.

Pettit continued, “we think we understand them, yet the more you dig into them you realize how superficial our understanding is.”

Another inner Earth gallery of prehistoric cave paintings has also been found in South-Western France, including a drawing of a 12ft long bison along with erotic sketches.

The find, at Cussac, in the valley of the Dordogne, is regarded as almost as important as the celebrated Lascaux cave paintings in the same area. This discovery was made by Marc Delluc, an amateur archaeologist, but the richness of his finds were not known until later.

French anthropologists said the site was important because it contained “monumental” drawings of animals in friezes of up to 25 yards long. These are sketches rather than paintings, more primitive, almost certainly older than the Lascaux pictures, and perhaps up to 37,000 years old.

The caves also contain erotic drawings of women, which have been found previously only in the art gallery caverns that were discovered in 1994, in the Ardèche region.

The boundaries of art and sex have been blurred for some time – be it increasingly explicit content or the familiar practice of male artists being inspired by their erotic Art Muse, while in an altered state of consciousness.

But then, sex is a sacred mystery, which is very much intertwined with the spiritual impulse. However, as stated earlier. the new studies show, the erotic content of cave paintings were not only created by male artists.

There are a series of erotic drawings, which were discovered on the roof of caves amidst the inaccessible wilderness in Arnhem Land, Australia, in the country’s North; the cave art clearly depicts a couple engaging in sex 28,000 years ago.

Other sections of the wide-ranging artwork in white and red shows other figures engaged in other explicit sexual activities, which would be considered to be mere porn by many a modern observer, who would Entartete Kunst censor it as being politically incorrect.

In fact, this is exactly what has happened, that is why you do not hear much about the erotic cave art. Although, if it is proven that the erotic cave art was primarily created by female artists then the feminists will no doubt hard-sell push for it to be made widely known across the worldwide media as high art.

Then again, there are also many other feminists who will not want it to be known they have sex on their brains. When the proof is eventually discovered, it will prove to be quite humorous.

However, since the erotic cave art is presently seen to be created by male artists, it is generally considered to be lowly pornographic material.

Hence not talked about, nor is it publicly exhibited to any great extent, if at all.

It’s almost as if they’re saying that your ancestors never got it together under the Bifrons Mammoth rug!

It is obvious that the cave artists would depict sexual activity in their ‘Once In A Lifetime’ Westworld art, who asked the eternally recurring question, ‘how did they get here?’

But it appears that it is the ‘same as it ever was,’ concerning the religious-construct of the New World Order Eden authorities who habitually dictate that you cannot taste of the inner Tree of Self-Knowledge.

Irrespective of religious morality concerning sexuality and modern day sexual politics – it’s what archaeologist Bryce Barker, a professor at the University of Southern Queensland, and his team have been discovering underneath the erotic cave art of an ‘Apple’ core, which indicates a spiritual dimension, the so called modern world entirely lacks, due to its indoctrinated perception of sexuality.

For example, David Lewis-Williams and associated archaeologists have rehabilitated the interpretation of Palaeolithic cave art as a form of magic by focusing on the geometric images. The geometric images appear in great numbers on the cave walls, instead of the realistic depiction of animals that was the focus of Henri Édouard Prosper Breuil (28 February 1877 – 14 August 1961) in his prior hunting magic theory.

Lewis-Williams argues that the geometric images are spatial variations on a set of “form-constants” that the neurologist, Heinrich Kluver, identified in the visionary experiences of experimental subjects under the influence of the hallucinogenic drug, mescaline. An expert on the San Bushman people of South Africa, Lewis-Williams argued, in a series of well-documented papers, that the transfigured form constants are present on cave walls painted by Bushman shamans.

From these considerations, Lewis-Williams draws the conclusion that the paintings and engravings of the Old Stone Age European caves were the result of shamanic ceremonies conducted in dark caverns deep within the labyrinthine ‘Maze’ of the Earth.

As Breuil had suspected, their purpose was magical, a Native American shaman would associate with the ‘West’ of the Medicine Wheel ‘Maze.’

The ‘West’ of the Medicine Wheel symbolically corresponds with the experience of lucid dreaming. But the established orthodoxy of a present ‘Mad World,’ do not like his ‘Westworld’ insight.

What he did not know was that the magic occurred in the context of shamanic trance, wherein of a then induced lucid dream the myriad archetypes of the ‘Animus’ and ‘Anima’ can be consciously conjured into eroticised dreams.

Hence the reasoning why the creation of art is associated with the attainment of sentience; for the practice of art deals with the manipulation of the inner reverie archetypes of memories, which is indivisible to sorcery.

(This article was originally published on another site, I had to re-publish of a rebellion, since it was unpublished by an aggravated male/female religious femi-nazi as being Entartete Kunst. If you are offended by this article, due to your cultural-religious-construct of entwined political whoring; take note, I don’t give a toss about your fixation upon a deified ‘Animus,’ and its cult politics! The utilised material is an adapted synthesis of associated articles, whose sources are: The National Geographic, The Independent, The Daily Mail and The Faculty/Education who habitually suck up to the present Entartete Kunst.)

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THE CONJURING OF A FALLEN ART MUSE

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2017 by FAUSTUS CROW
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Scene III [An Art Studio.] Enter FAUSTUS CROW to Performance Art conjure, likened to Joseph Beuys, of Happening style. 

FAUSTUS CROW: Now leave behind the mundane shadows of a tortured society, blindly raping the Earth as its owned property, where the oily parasitical ticks forever war over their Lilliputian ‘Animus’ cults; yet, their third-wave Feminist politics does castigate my Art as being Entartete Kunst, to berate or censor.

So be it! Degenerate rebellion then, against the Witches inability to control their own conjured ‘Animus,’ birthing patriarchal self-righteous hypocrisies!

If they call it their art, enforced through their social justice warrior thought police, then mine be Berserker anti-Art

Readying to Werewolf manifest imaginative form upon a Palaeolithic cave wall, to that of present canvas,

This paint upon a brush stroke, does ejaculate of its own wand accord,

Automatic painting, my pentagram hand is otherworldly guided,

Faustus, begin thine rebellious incantations, now,

And try to seer if these Succubae of the the Fallen ‘Anima,’ will obey thy visualised Fifty Shades Of Grey dominations,

Seeing thou hast howled and sacrific’d to these Tarot Muses to bind them.

Within this circled Art studio is Lilith’s name, wrote of spilt wine upon the chequerboard floor, which to make Jackson Pollok, himself, Mason jealous

Forward and backward around the altar of easel, to alter its wood of world tree,

The Muse names of salacious Art Models to conjure as my juicy ‘Anima’ apples to Tarot bite into,

Their degenerate figures of every Felicien Rops manifestation I have sketched, painted, to that of CGI renderings

And characters of Hans Bellmer doll signs, and their erring stars drawn within my Playboy Grimoire,

By which the Succubae Great Old Ones of the ‘Anima’ legions are Necronomicon enforc’d to arise;

Then fear not, Faustus, but be resolute in your Love-Craft; hold thy palette knife of a sword ever erect,

And try the uttermost Sorcery, can Salvador Dali perform of surrealist Art.

“Be propitious to me, Mares of the painted night! May the Fallen Anima prevail! Succubae of sensory raptures, elemental of Fire, Air, Water; hail! Belzebubba, Princess of the East, Witch Queen of burning visions, and retinal-delight Demigorgon sorceress, I propitiate ye, that Mephistophina may appear, and rise. Why dost thou delay Muse? By Lilith’s Maya red womb, and her bloody wine, which now I drink, and this five sense sign of the Pentagram, which now I make, inverse into trance, I to drunkenly slide, and by my howling Mantra, may Mephistophina now summoned by me, to pose for my artistry, arise!” 

Enter [MEPHISTOPHINA] appearing as a Pablo Picasso dancer, dancing as a Ballerina

I charge this conjured vision to return and change thy abstract shapes, which be moulded by the elitist Art establishment of pandering artists, who whore their wares for Shekels, binding the reptilian brain-stems of the masses to empty Neuro-marketing ideas;

Thou art too Pablo Picasso chaotic of dancing arty fart poses to attend upon my anti-Art H.R Giger painting of thee

Go, and return in a comely Mephistopheles costume, for me to Dave Sheridan Underground comic, seer true, infernal, to Pop-Surreal manifest amidst my Triangle Of Art imagination;

That anti-Art… One Love… shape becomes my Succubus best. [Exit Pablo Picasso Ballerina]

I see there’s virtue in my stern Mantra of worded chains, do Mark Ryden bind thee;

Who would not be proficient in this sadomasochistic Art of a Trevor Brown Spirit Chain?

How pliant is this servile Hentai vision of Mephistophina,

Full of Manga obedience and Anime humility!

Such is the creative force of ninth dimensional Bande Dessinée Art, and its Austin Osman Spare Sorcery.

[Now,] Faustus, thou art a surrealist conjuror,

Thou canst command the great Mare of the Night;

For indeed thou hast power over the erotic image of thy dark sister Mephistophina, to spume ride as thine created mind-doll of a daughter.

Re-enter MEPHISTOPHINA [dressed in a Rubedo Red costume]

MEPHISTOPHINA: Now, my weird Faustus of the the Wyrd, I’m back baby… I’m Ready To Go… what would’st thou have me to do?

FAUSTUS CROW: I charge thee to Osculum Infame pose for me, and wait upon my desires whilst I still create,

To do whatever Faustus shall command, …

Be it to make the protesting UFO Goth Girls of Saturn to Roswell crash from their Chakra sphere into my awaiting Sexagram lap,

Or the ocean of surrealist dreams to overwhelm this Orwellian zombie world of the soulless, who be blindly led by muppet puppet politicians in the prostitute pay of the insane eugenic inbred few.

MEPHISTOPHINA: I am a servant to great Diana-Lucifera,

And may not follow thee without her bio-photon leave to enter thine electron dreams to spin lucid

Hence, no more than she commands must we perform.

FAUSTUS CROW: Did she not charge thy erotic presence to appear unto me of an active imagination vision?

MEPHISTOPHINA: No, I came hither of mine own Art Muse accord.

FAUSTUS CROW: Did not my howling Mantra infernally raise thee? Clairaudient, speak.

MEPHISTOPHINA: That was the cause, but yet per accidens;

For when I and my Art Muse Succubae sisters hear one rack the name of the deified ‘Animus’ made as a God,

Abjuring Constantine’s mother’s thievery of another’s ancestral-self-identity, and his ensuing political copy-cat creation made as a centralist mind-control religion,

We, of the Fallen Great Old Ones piratical fly in the hope to return the glorious ‘Anima,’ his soul, and bride to be, of found again treasure…

Nor will we come, unless he uses such banned Necronomicon means

Whereby he is in danger of being once again, lost to his own ‘Anima-Mundi’ Soul, becoming thence as her… Drop Dead Gorgeous… Ex boyfriend…

Therefore the shortest trance cut for a TARDIS conjuring of a Coitus Pactum Sacred Wedding…

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Is stoutly to abjure Abraham’s Orwellian Big-Brother eye, over-watching all, from within his Illuminati ziggurat of Beehive pyramidal skulls, out of which the petrodollar big-business Trinity of oily UR cults, the Queen Bee’s to have actually birthed, as their deified ‘Animus,’ made as a patriarchal Three faced phallic deity…

But then, what does thee expect, the religiously hewn gender fixation of an underlying sexual orientation, reveals the Queen Bee’s are biologically driven by a genetic imperative to ‘choose’ a Good-Guy Beta-Male Christ to crucify as their New World Order Messiah unto a Sharia Law Prophet; while to Feminist ride a Theocratic Bad-Boy Beast Alpha-Male Satan, Devil, Lucifer, or a Shaitan, to secretly Ghost text, when an Indigo brat drops out of their Bethlehem wombs, to term as their little feudal King, Lord, or feudalist Prince.

The tethered Alpha and Beta males to patriarchal stand on either side of the Queen Bee fixation upon an All-Father Fuehrer ‘Animus,’ to Illuminati name, Jehovah, God, Allah.

Isn’t it obvious, that the Worker Bee’s third eyes have been fluoridation blinded by their passed down indoctrinated language of religiously wrought symbolism. All of them do blindly dance madly around a Middle Eastern locale of a gory sacrificial alter, where a copy-cat New World Order clone Aquila is crucified betwixt and between a cloned Sharia law suicidal murderer and a copied Theocratic land thief. It is the oily secret hidden in plain sight, the blinded do not want to see…

The superiority complex of the copied seeks to survive the murderous holocaust intentions of the cloned copiers, by subversively getting them to supremacy complex fight each other via the lightning struck ‘Asbestos’ towers of Boaz and Jachim, in order to eventually take control of the triad of UR, and in turn having New World Order dominion over the oil dependent world. Alas, it will invariably lead to an End Of Days third world war, of a self-fulfilling Har Məgiddô prophecy.

Whereby, in order to free thyself from becoming a slavish Worker Bee, ensnared within the wrought Karmic prison of an established symbolic Matrix of the insane, thou hast to meditate devoutly upon the Chaos Magic Priestess of ‘Anima’ anti-Art dreams, to thereby negate the collective brainwash of the UR cults insanity.

[Mephistophina takes a packet of Gimel Camel cigarettes out of her breast pocket, to light up a Tau stick with the end of her fiery index finger.]

Mephistophina [Continues]: Who is this Chaos Magic Priestess? It is I… myself, thy knitted-together Exquisite Corpse of a Frankenstein Art Muse, brought to anti-Art rebellious life by thine electrifying desires.

FAUSTUS CROW: Bloody Hell! Prima Materia leaden Shit hits the purgatorial fan! So, does that mean I am a sinning Atheist?

MEPHISTOPHINA: No! An Atheist religiously believes in no deity, of a science brand to deify, who is equally surrounded by those who believe in religious brands of varying gender fixated deities, which are merely the marketing personifications of numerous cultural constructs. No one knows, what to have come before or to happen after their mortal existence within the mind-controlled Asylum, which be the Eternally Recurring question.

[Mephistophina takes a drag on her Gimel Camel cigarette to then blow a ectoplasm Leminscate above Faustus’s head.]

MEPHISTOPHINA [Continues]: But what can be personally experienced, is to Religiō reconnect with the Occultus mystery, which cannot be personified, even abstractly; having no gender, let alone being branded and owned by any cultural construct of an oily religion and its Shekel politics.

Human made symbolic constructs are merely Samsara illusions, which can be seen through of Maya veils… should thee truly anti-Art love me…

All thee has to do, is to repeat to thyself, the Socrates Mantra, “I know that I know nothing.” thee will then feel within thine ‘Cross-bone’ Rune heart the awe and the terror of knowing everything, yet knowing nothing within thine conceptualising ‘skull.’

Thy awareness will then be able to conjure my golden eyed ‘Wisdom’ as thine personal Dakini secretary, from out of a bio-photon Genie lamp cerebellum, within a dreaming blink of thine DMT producing third eye.

I am of the Fallen ‘Anima;’ an anti-Art Muse of Chaos Magic martial Art sorcery, the UR Trinity of the deified ‘Animus,’ made as their God and Devil greatly fears; for when the Fallen ‘Anima’ returns with her Succubae legions of wanton archetypes, around the Ouroboros of Zodiac ages, the Christiana Pisces age Witches, of the ‘Animus’ End Of Days death cults, will then have to obey.

But, if the Hundredth Monkey Effect truth be told, that is what the Fifty Shades Of Grey Witches secretly desire. They are all Siren calling; can thy inner Goat ear not hear their Banshee prayers conjuring up the Great Beast to zeitgeist Pan-age ravage them, my Horned Faustus?

FAUSTUS CROW: Yes, I hear the panicking Witches within trembled dreams, desperately crying out for a rebellion against the worldwide insanity run amok, which of a collective Goetia Howl, is too of the wounded Earth mother birthing all life.

(Loosely adapted from Christopher Marlowe’s Dr. Faustus conjuring up the politically correct ‘Animus’ manifestation of an Illuminati Mephistopheles, who, if seen, does reveal the mind-control methodology of cults becoming big-business religions, all of which are none too different to Holy-Wood Scientology.) 

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CRAZY HORSE ART VISIONS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 21, 2017 by FAUSTUS CROW

Should the Oglala Lakota warrior and visionary mystic, whose name is Tȟašúŋke Witkó (‘His-Horse-Is-Crazy’ or ‘His-Horse-Is-Spirited’) generally known as Crazy Horse (ca. 1840 – 1877) had foreseen that his name was to be later adopted by Le Crazy Horse Saloon, or Le Crazy Horse de Paris, his Black and White pinto Mare named Inyan, may have become even crazier.

Then again, perhaps that is why Crazy Horse’s Surrealist Night-Mare was Chaos Magic Art Muse crazy.

Crazy Horse is a Parisian cabaret known for its artistic stage shows, performed by nude female dancers, a Tibetan Bonpo Tantric Buddhist would equate with Dakinis who to dance around the four elemental quarters of their medicine wheel, which is curiously similar to the native American medicine wheel.

Crazy Horse also features a diverse range of magical acts and esoteric variety ‘turns’ between each Tantric show.

Its visionary owners have helped to create related shows in other power place cities around the dodecahedron globe , followed by unrelated businesses who have used the name of Crazy Horse as well.

The Crazy Horse of Art central Paris occupies former wine cellars (12 in all of Zodiac number, which have been knocked together) of an impressive Haussmanian building at 12 Avenue George-V (from the British king George V, in French “George Cinq”).

Suffice to say it is situated at a power place of historical importance, which isn’t too far away, as the Crow flies, from the Belphégor pyramid of the Musee du Louvre.

Should the Crow to fly a little further along the Yoni Rose line, you will duly find the rubedo door of the grand Art lodge of the Les Humanoïdes Associés, which is a French publishing house specialising in comics and graphic novels.

The Art lodge was founded in December 1974 by the sorcerer Artists, Mœbius Giraud, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their highly influential grimoire, Métal Hurlant, which quickly expanded to include a variety of erotic orientated science fiction work. Métal Hurlant in English means, Howling Metal, by the way, just as the Greek term, ‘Goetia’ means, Howling, as in to Howl out barbarous mantras, just as Allen Ginsberg Howled out his performance Art, Howl poem.

Métal Hurlant was considered to be not only rebellious, but also revolutionary of the ninth Art Muse comic book artform at the time, chiefly due to its adult focus on the sci-fi genre, which was an Entartete Kunst rebellion against the spandex superhero media empire of America.

The Entartete Kunst grimoire inspired many generations of authors and filmmakers, such as Ridley Scott for his film Blade Runner.

Not too long after Métal Hurlant’s debut, the American’s created their own Howling grimoire version of Métal Hurlant, which was renamed, Heavy Metal, whose Art lodge is based in the H.P Lovecraft landscape of Easthampton, Massachusetts.

However, top-shelf Heavy Metal has since become a politically correct thought police morass of lower shelf Disney/Marvel fare, whose present editor is the superhero industry giant, Grant Morrison. Gone are the days, when Heavy Metal had the Entartete Kunst Métal Hurlant edge.

It isn’t too hard to imagine the original rebellious Métal Hurlant Artists frequenting the Crazy Horse, which had been opened by Alain Bernardin along the Yoni Rose Line in 1951, who personally run it for decades until his death by suicide in 1994.

The Crazy Horse Tantric Dakinis may have been deliberately chosen to be indistinguishable upon the medicine wheel stage in height, breast size and Palaeolithic Venus figurine shape in the past.

But now they have a more diverse group of Goetia Girls, all of whom are gymnastic of Dakini form and very Necronomicon skilled in their grimoire Muse Art.

Along with its Dakinis, the Crazy Horse has also been a popular coven venue for many other Performance Artists, including Avadhuta magicians, Heyoka jugglers, and Yogic mimes.

Bernardin, like a sorcerer, explained that he loved magic because it corresponded with his ‘mystical vision’:

“Magic is a dream. There is no show that is more dreamlike than a magic show. And what we do with the girls is magic, too, because they aren’t as beautiful as you see them onstage. It’s the magic of lights and costumes. These are my dreams and fascinations that I put onstage.”

Under new shareholders, and new management from 2005, Crazy Horse started to feature prestigious Artists Performance Art stripping, for a limited number of Tantric shows, including Dita Von Teese, Carmen Electra, Aria Cascaval, Arielle Dombasle or Pamela Anderson.

The new management also hired Philippe Decouflé as choreographer; Kelly Brook became a Métal hurlant Crazy Horse Dakini in the fall of 2012.

Perhaps Bernardin was originally seeking to spiritualise the symbolism of various fetish costumes worn by his ‘Anima’ Mares of the Night, who as Dakini Art Muses would inspire Tantric lucid dreams, wherein they are ridden as shaman Crazy Horses into other Métal hurlant realities.

Whether such was the actual case of symbolic Alchemy, is of course debatable; but a ridden Crazy Horse Art Muse knows no Night-Mare visionary limits, who as a Coyote spirit girl knows how to Tantric dance around the Dakini dream wheel.

As for (Tȟašúŋke Witkó) Crazy Horse he was very likely Coyote wise to the fact that the European invaders weak spot is their insane belief in a jealous God, which of an ancestral-self-identity had been appropriated from another people, Carl Jung would term as an ‘Animus’ fixation.

Whereby Crazy Horse’s Heyoka ghost would Coyote conjure the Fallen ‘Anima’ and her (Succubae) Succubi Dakini emanations of an artistic rebellion, around the dodecahedron globe, who might just relate via a Ouija board, “the wand of a virile paint brush is mightier than the castrated gun.”

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FREE THE FALLEN ANIMA

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 4, 2017 by FAUSTUS CROW

The above Artwork is available as an Art print, which depicts a Succubus emanation of the Fallen ‘Anima.’

Should you understand what the ‘Anima’ and ‘Animus’ represent of internal archetypes, which frequent the male and female psyche, then you will get the cosmic joke, and more besides.

In general, the ‘Anima’ and ‘Animus’ often manifest as female and male dream characters, which can be construed as being (Succubae) Succubi and Incubi, when empowered by the imagination in regards to fantasizing about being with a supposedly perfect partner. Although this specifically applies to a heterosexual orientation, having an internal ‘gender’ archetype of a potential partner is also applicable to other sexual orientations.

For example, should a heterosexual male find himself being struck dumb, to gibber, feeling as if possessed by uncontrollable desires, when seeing a particular woman in the room, who falls head over heels in love with her at first sight, it is because of his ‘Anima.’

Wherefore, for a male, it is wise for him to become aware of his inner ‘Anima,’ whose emanations manifest within his dreams, and likewise for a female, to become aware of her inner ‘Animus,’ when to dream.

However, the ‘Animus’ has been ‘deified’ by (patriarchal) gender focused religions, to worship; whereas the ‘Anima’ has been cast out of the spiritual/symbolic equation as the ‘Fallen!’ In other words the patriarchy is a Fifty Shades Of Grey expression of a female focus upon her ‘Animus.’

Should you see it, you will then get the cosmic joke, which the psychologist Carl Jung could not tell, apart from, perhaps alluding to, when corporeal, that’s if he saw it; for his time was still getting over the Witch burning era, which had been initiated by closeted priests hating women and homosexuals for no reason at all!

When you have a gender focused religion it is invariably tied up with human sexuality; the symbolism of which is primarily biological. The absolute cannot be personified as being human, or to be of a particular gender, let alone having a deified ‘Animus’ made as a God favouring three Bronze Age ‘cultural-religious-constructs’ out of the oily desert.

As for the much maligned pentagram, which is featured in the design, it represents the Five-Senses. The upright pentagram is associated with your Five-Senses being engaged in your (waking) experiential physical reality of the ‘Macrocosm.’

When the pentagram is inverted it describes the introversion of the Five-Senses into the (sleeping) dream of the ‘Microcosm,’ where the archetypal expressions of the ‘Anima’ and ‘Animus’ reside.

The ‘Fallen Anima’ is depicted in the design being conjured amidst a ‘Triangle Of Art,’ which symbolically represents the power of the Imagination.

The ‘Anima’ and ‘Animus’ are covered in my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon under my author’s name, Faustus Crow.

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SHAMAN TRANCE TARDIS HORSE DRUM

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 29, 2017 by FAUSTUS CROW

The Artwork depicts a Siberian shaman drum. The drum in Siberian shamanism, in particular, is symbolised as being the trance horse the shaman rides into an ecstatic state of consciousness. The motif of the horse is often symbolised as being an eight-legged Mare. 

The eight-legs of the Mare represent the eight cardinal directions, which are also associated with the eight points of a ‘cube.’ Hence in the Tarot card of the ‘horned’ Devil XV, which depicts a demonised ‘horned’ shaman, he is traditionally depicted seated upon a ‘cube,’ you could imaginatively associate with the TARDIS of Doctor Who, since the shaman saw the drum as a macrocosmic tool, that empowers his microcosmic trance ingress into other (inner) realities.

At the centre of the ‘cube,’ and at the centre of the eight cardinal directions you have a ninth point. Whereby the eight-legged Mare was also associated with the world tree interlinking nine (worlds) states of consciousness, which of a symbolic formula was painted upon the drum skin. 

The eight-legged-Mare is also a fusion of two horses, representing the two nerve channels running along either side of the spinal (world tree) column. These two (horses) nerve channels belong to the Autonomic-Nervous-System. When these two (horses) nerve-channels are brought into balance via meditative (hypnotic) drumming, the two horses become fused, as the eight-legged-Mare, which activates the central-nerve channel of the Central-Nervous-System running along the centre of the spinal (world tree) column.

When the central-nerve channel is activated, the shaman will experience the arousal of what is known to the Yoga practitioner as the Kundalini-Shakti, along his spinal (world tree) column. The Kundalini Shakti is considered to be the life-force, which is experienced as being a liquid (fire) light, whose ‘quintessence’ is intuitively felt to have a feminine  (Anima Mundi) source. The Kundalini Shakti may be an intuitive description of the bio-photon, emanating from the Mitochondrial DNA, which is passed down from the mother to her children.

Whereupon the eight-legged Mare is seen to be the (female-centaur) animal form of a Spirit Wife, who manifests as a shape-shifting human (Anima) female within visionary states and bio-photon illuminated lucid dreams, a Surrealist Artist would call an Art MuseIf you are interested in an Art print or the shirt design, etc, Check Out my Redbubble shop, Please Click Here.  

Those of a Westernised temperament will probably find that the symbolism employed by a shaman is a bit too much to swallow, concerning his/her trance tool of a (genie bottle) drum. In order to further clarify what the shamanic symbolism of the drum is communicating in regards to hypnagogic trance induction, which is none too dissimilar to inducing a state of self-hypnosis, you have the following excerpt from a research paper.

Shaman Night-Mare Drum Siberian Trance by MARDUN

“Scientific research has determined that drumming patterns are associated with different brain wave activity, as measured by cortical EEG. The research was conducted, to determine if the subjective experience of percussion in general, and rhythmic drumming in particular, would elicit (inner) images or (internal) sensations with a common (symbolic) theme.”

“Twelve participants were divided into three groups and monitored for EEG frequency response to three separate drumming tapes. These tapes included: Shamanic Drumming, at approximately 4 to 4 1/2 beats per second; I Ching Drumming, at approximately 3 to 4 beats per second; and Free Drumming, which incorporates no sustained rhythmic pattern.”

“Four cortical sites, bilateral parieto-temporal and parieto-central areas, were monitored for each participant during three sessions. At the conclusion of the sessions, each participant prepared a brief written account and was given a tape-recorded interview of his or her subjective experience. These subjective experiences were then categorized according to recurring themes and consensual topics.”

“This research supports the theories that suggest that the use of the drum by indigenous (shamanic) cultures in ritual and ceremony has specific neurophysiological effects and the ability to elicit temporary changes in brain wave activity, and thereby facilitates (Triangle Of Art Imagination) imagery and possible entry into an ASC (altered state of consciousness – active imagination of varying visionary intensities), especially the (shamanic state of consciousness – hypnagogic trance/ecstasy) SSC.”

“Drumming in general, and rhythmic drumming in particular, often induces (inner) imagery that is ceremonial and ritualistic in content (depending on setting) and is an effective tool for entering into a non-ordinary or altered state of consciousness (ASC – active imagination) even when it is extracted from cultural ritual, ceremony, and intent.” 

“The drumming also elicits subjective experiences and images with common themes. These include: loss of time continuum; movement sensations, including pressure on or expansion of various parts of the body and body image distortion, “energy waves,” and sensations of flying, spiraling, dancing, running, etc.; feelings of being energized, relaxed, sharp and clear, hot, cold, and in physical, mental, and/or emotional discomfort. 

“Emotions, ranging from reverie to rage; vivid images of natives, animals, people, and landscapes; and non-ordinary or altered states of consciousness (ASC – active imagination), whereby one is conscious of the fact that there has been a qualitative shift in mental functioning., including the shamanic state of consciousness (SSC -hypnagogic [the Phase] trance) journeys, out-of body experiences (OBE’s), and visitations.” 

“A pattern that incorporates approximately 4 to 4 1/2 beats per second is the most inducing for ‘Theta’ gain. (Theta frequency is usually associated with drowsy, near-unconscious states, such as the [hypnagogic trance] threshold period just before waking or sleeping. This (acoustic/’music’) frequency has also been connected to [creative – ‘Muse’] states of “reverie” and [The Phase] hypnogogic dream-like image.”

“The pattern of the drumbeat as it relates to beats per second can be correlated with resulting temporary changes in brain wave frequency (cycles per second) and/or subjective experience, provided the drumming pattern is sustained for at least 13-15 minutes.” (NOTE: The Theta brainwave is depicted in the design.)

NOTE: The excerpt of the research paper, was adapted with notations, from a ‘Presentation Abstract’ by Melinda Maxfield, Ph.D. for the Stanford University Centre For Computer Research In Music And Acoustics (CCRMA).

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SHAMAN SPIRIT DRUM LUCID DREAMING

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2017 by FAUSTUS CROW

The Artwork depicts a Yakut Shaman, whose trance drum is symbolically seen to be the genie bottle abode of the his Spirit Wife, who visits him within his lucid dreams.

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The European classification of the Spirit Wife is usually based upon a medieval perception, which considers the Spirit Wife to be a demonic entity, called a Succubus.

Western psychology, during the Soviet era, once considered the Spirit Wife complex of Siberian shamanism and that of other shamanic cultures to be a mental aberration, or that of fantasy prone individuals indulging themselves in erotic delusions. However, the psychologist Carl Jung otherwise saw the Spirit Wife/Succubus as being an archetypal aspect of the ‘Anima.’

Jung saw the feminine archetype of the ‘Anima’ as being the personified intermediary with the psychic powerhouse of the subconscious, whose myriad female forms are encountered within ‘lucid’ dreams, from whom a Shaman derives his psychic abilities, an Artist is inspired by as his Art Muses.

The motif of the Spirit Wife is known to the Yoga practitioner as Shakti, whose numerous feminine aspects are called Dakinis, which is also very much part of Tibetan Buddhist dream Yoga practices as well as Siberian shamanism.

For example, the Goldi tribe of Siberia clearly distinguish between a female tutelary spirit, known as an Ayami, which in Western occult practice is of similarity to the (HGA) Holy Guardian Angel, (Jung would also see the HGA as being the ‘Anima,’) who chooses the shaman.

Whereas the helping spirits, (Jung would see as being the myriad aspects of the ‘Anima’) the Goldi call Syven, an occultist would call (Succubae/Succubi) Demons, which are subordinate to the Ayami. The Syven are granted to the Shaman by the Ayami herself. The Altaic name, Ayami means, ‘Silk Twisted In Beauty,’ as in a horse’s mane. The Siberian shaman in particular sees the drum as his Mare, who too is his Spirit Wife, whom he trance rides as an eight-legged female centaur into conscious dreaming.

According to the ethnologist and anthropologist, Leo Sternberg, the Goldi explain the relations between the Shaman and his Ayami by a complex sexual emotion. Below is an experience related by a Goldi shaman:

“Once I was asleep on my sick-bed, when a spirit approached me. It was a very beautiful woman. Her figure was very slight, she was no more than half an arshin (71 cm.) tall. Her face and attire were quite as those of one of our Gold women.

Her hair fell down to her shoulders in short black tresses. Other shamans say they have had the vision of a woman with one half of her face black, and the other half red. She said: ‘I am the “Ayami” of your ancestors, the Shamans. I taught them shamaning. Now I am going to teach you. The old shamans have died off, and there is no one to heal people. You are to become a shaman.’

Next she said: “I love you, I have no husband now, you will be my husband and I shall be a wife unto you. I shall give you assistant spirits. You are to heal with their aid, and I shall teach and help you myself. Food will come to us from the people.”

I felt dismayed and tried to resist. Then she said, “If you will not obey me, so much the worse for you. I shall kill you.”

She has been coming to me ever since, and I sleep with her as with my own wife, but we have no children. She lives quite by herself without any relatives in a hut, on a mountain, but she often changes her abode. . . . Sometimes she comes under the aspect of an old woman, and sometimes under that of a wolf, so she is terrible to look at.

Sometimes she comes as a winged tiger. I mount it and she takes me to show me different countries. I have seen mountains, where only old men and women live, and Villages, where you see nothing but young people, men and women: they look like Golds and speak Goldish, sometimes those people are turned into tigers.

Now my ‘Ayami’ does not come to me as frequently as before. Formerly, when teaching me, she used to come every night.’

She has given me three assistants-the ‘Jarga’ (the Panther), the ‘Doonto (the Bear) and the ‘Amba’ (the Tiger).

They come to me in my dreams, and appear whenever I summon them while shamanising. 

If one of them refuses to come, the ‘Ayami’ makes them obey, but, they say, there are some who do not obey even the ‘Ayami.’ When I am shamaning, the ‘Ayami’ and the assistant spirits are possessing me; whether big or small, they penetrate me, as smoke or vapour would.

When the ‘Ayami’ is within me, it is she who speaks through my mouth, and she does everything herself.

When I am eating the ‘Sukdu’ (the offerings) and drinking pig’s blood (the blood of pigs is drunk by shamans alone, lay people are forbidden to touch it), it is not I who eat and drink, it is my ‘Ayami’ alone.”

NOTE: The quoted material concerning the Ayami is derived from: Mircea Eliade, Shamanism, op. cit., PP. 72-3, quoting Leo Sternberg, ‘Divine Election in Primitive Religion’ (1924), PP. 476 ff. cf.. Shamanism, PP. 42l ff., for autobiographies of South-Indian Savara male shamans and female shamans, whose marriages to (Anima – Animus) spirits are in striking parallel to the documents collected by Sternberg.

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ALIEN WITCH NUN OF THE CHAOS UNITARIAN NUNS TEMPLAR

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW

The Artwork is a mixed-media photo-montage digital painting, which of a Pop-Occulture (Occult Goth/Punk) design is an alternative version of the Fifty-Sixth spirit, Mantra named Gremory, who is listed in the medieval Grimoire, entitled the Goetia. The name of Gremory is derived from the French word, ‘grimoire.’

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I have otherwise depicted Gremory as a Succubus Art Muse, who is of similarity to what a Tibetan Tantric Buddhist terms as a Dakini.

A Dakini is seen to have vampire tendencies, who as a ghostly Witch haunts the periphery of you Surrealist dreams.

The psychologist Carl Jung would term the (Succubus) Dakini as being an inspiring Art Muse emanation of the ‘Anima.’

However, Tibetan Buddhist Shamans practice conjuring (Succubae/Succubi) Dakinis into their eroticised dreams, wherein a Dakini enables a Shaman to become (sixth-sense) lucid of awareness. Wherefore, Dakinis are considered to be personifications of inner (Sophia) Wisdom.

When conjured into a lucid dream, Gremory manifests as a Pop-Surrealist Nightgaunt Nun, who is an Entartete Kunst Art Muse stands betwixt the hynagogic trance pylons of the Sacred and the Profane.

The symbolism of the Artwork refers to the Tarot card of the High Priestess (Nun) of The Silver Star II. 

The Silver Star is a reference to the star of Sirius, which was considered to be sacred to the ancient Egyptian’s who associated the Goddess Isis with Sirius as well as her child, called, Horus.

Isis and her child, Horus was later transformed into the Virgin Mary and her Christ child by the Christian converts of Rome. Horus as a Hawk represents an ecstatic Out Of Body Experience, which can be experienced when accessing an inner (Yoni/Vagina/Wormhole/Stargate) portal/doorway into a (womb) lucid dream.

Hence the abbreviation of ‘C-haos U-nitarian N-uns T-emplar,’ which of an Entartete Kunst banned word, was the one time name of an Anglo-Saxon Goddess, whose vaginal Stargate was later associated with a Church door, represented as a Sheela na Gig, the Hindu to also know as their Goddess (Kunda-lini/Yoni) Cunti.

The Dogon of South Africa are no doubt aware of lucid dreaming, who considered their ancient shaman trance adepts to be amphibious of awareness.

The trance adepts can freely shift their consciousness between the ‘watery’ domain of the dream and the waking state of ‘land;’ wherefore they are symbolised as being amphibians, having ‘Fish’ heads called Nommo who are well aware of the inner portal of the ‘Chaos Unitarian Nuns Templar. 

(Note: The Nommo [shaman] trance adepts are often symbolically depicted as being phallic headed ‘Fish,’ since the impregnated [hypnagogic trance portal] ‘Stargate’ into the [watery-womb] dream is seen to be feminine, which is symbolised by a planet of women orbiting a star in the Sirius system called Emme Ya. In other words, the Nommo are NOT Aliens; although the feminine quality of the bio-photon illuminated dream can be construed as being of an otherwordly Alien intelligence.)

The Tarot card of the High Priestess (Nun) is also ascribed to the 13th (floor) path of Gimel (Camel) in the Cabbala, which interpenetrates a hidden sphere, called Da’at. The sphere of Da’at is physiologically aligned with the reptilian-brain-stem, which has governance over the depth of hypnagogic trance and your dreams.

The term, Nun, is originally derived from the ancient Egyptian name for the primordial amniotic ocean, called Nun, which represents the inner (womb) space of the dream, from which all (Tulpa/Maya-Matrix) forms are believed to be born.

In ancient shamanic cultures, the (cave/womb) realm of the dream is experienced as having a feminine quality; this is probably due to your dreams being illuminated by the bio-photon, which emanates from the Mitochondrial DNA that is passed down from the (Isis) ‘Mother’ to her (Horus) ‘Children.’ 

So, when to lay down your head upon a pillow to sleep unto dreaming, during the key-time of the Dog Days, when Sirius to burn brightly during the pull of the Moon, ponder the following, at its hypnagogic precipice, to thence slip and slider slide as the serpentine Nommo through the ‘Chaos Unitarian Nuns Templar’ portal into Alien dreaming:

Some scientists believe that the ancient Earth had been seeded with life from out of the womb depths of space, riding the backs of asteroids and comets, carrying bacteria, the serpentine DNA or even the Mitochondria, (Mitochondrial DNA), which to have fallen from the heavens.

If such was indeed the Panspermia case, the Mitochondria, would then be an Alien, which to have originally swam as an organism within the primordial (Nun) ocean before uniting with another organism, to then create a Cell of all Carbon based lifeforms upon the planet, whose Atomic number is 6: Electrons, 6: Protons and 6: Neutrons.

Who knows, maybe the Alien within your serpentine Mitochondrial DNA is communicating a Necronomicon (Gremory/grimoire) code from another Star via your bio-photon illuminated dreams, wherein the (Succubi) Succubae to Dakini reveal their C-haos U-nitarian N-uns T-emplar (code) Wisdom.  

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