Archive for mind doll

FRANKENSTEIN NIGHT NURSE

Posted in Art, Chaos Magic, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 14, 2017 by FAUSTUS CROW

The Artwork is available as an Art print as well as a shirt design from my Redbubble shop. If you are interested, Please Click Here. 

The Artwork depicts a Frankentein Nurse of pure trance, whose exquisite corpse, has been knitted together into an alternative Tulpa version of the fifth spirit called Marbas, who is listed in the medieval grimoire entitled the Goetia.

I have otherwise depicted Marbas as a Surrealist Art Muse, whose Succubus name is a composite, which is made up of the words: ‘Mar’ and ‘Bas.’

The word Mar in Spanish, means sea, which is also etymologically connected to ‘Mer’ and ‘Myr’ of the name Merlin or Myrrdinn.

You also have the Hebrew name of Mary and even the name of Mars, since the sea is associated with the menstrual blood of the mother, and in turn the watery amniotic domain of the dream. As for the word Bas, it is derived from, Bass (/bæs/bass), which is a name shared by many different species of fish.

The term Bass encompasses both freshwater and marine species. All belonging to the large order of Perciformes, or perch-like fishes. In fact the word Bass comes from Middle English Bars, meaning ‘Perch.’ The name of Marbas, can then be translated as, ‘Sea Fish.’

Some will argue that Marbas is derived from the name Barbas, which comes from the Latin ‘barba’ meaning beard, leading thence to the association with a barber; or to be otherwise associated with the hellebore, which is one of a plants used in witchcraft.

However, the Goetia specifically states that the name of the fifth spirit is Marbas, not Barbas. What is more, when the name Marbas is interpreted to mean ‘Sea Fish,’ the symbolism is invariably overlooked by those looking for a Anton LaVey number one haircut, sniffing hellebore.

One of the principle functions of Marbas is to initiate the experience of shifting into other forms, which occurs when the practitioner is experiencing hypnagogic trance ingress into a lucid dream.

The experience of pure trance, is often described as feeling like swimming in an ocean by many shamanic cultures.

For example; the Kalahari Bushmen of South Africa, who practice the trance dance, when attaining pure trance will fall to floor to then be seen acting as if they are (Nommo) fish or (Annunaki) serpents.

The trance adepts experience becoming amphibious creatures within their hypnagogic visions, which many a Surrealist Artist seeks to also experience of knitted together Art Muse inspiration, who create Mind-Doll Tulpa Art Models within their lucid dreams, to verily take note of in their Frankenstein lab diaries.

The Artwork was used in my Art book Grimoire, ‘Goetia Girls: Book One,’ which is available from Createspace and Amazon.

If you are interested in the Art print or shirt design, etc, Check Out my Redbubble Shop, Please Click the image link above.

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GOETIA GIRLS OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Dr Who, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 16, 2016 by FAUSTUS CROW

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Artists often engage themselves in the ‘derangement’ of their senses in order to mutate their perception, to thence attain another inspired perspective. One example being Salvador Dali, who developed a surrealist technique of creative derangement, he termed as the paranoiac-critical method during the 1930’s. (The watercolour painting above depicts Mesphistophina. Click the image for further details.)

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However, Dali’s paranoiac-critical method has been utilised by shamans for ages, whose psychonaut techniques of lucid dream inducement involved the creation of dream characters, a Tibetan Buddhist would term as being Tulpas.

I am aware that a number of dry scholars have pompously pointed out that the word Tulpa is a misinterpretation of the Tibetan term, Tulku, which is essentially a self-constructed Avatar. However, when assuming the alternate guise of a Tulku within a lucid dream, it is like that of an actor playing a part in a film, whose other supporting characters are Tulpas, who reflect back the assumed guise of a constructed Tulku.

For example, if you assume the Tulku guise of Vincent Price, you might just find yourself having a dream of being in a horror film, whose other actresses and actors are Tulpas. Why would you assume the guise of Vincent Price, you might ask? Well, it may be because you seek to empower your acting ability, should your profession be that of an actor; or to otherwise assume the guise of Austin Osman Spare, if you are an artist. Perhaps you might decide to fuse these influential personages together with Henry Miller, to thereby create a Tulku; and like a time-travelling Doctor Who writer would do, whose TARDIS brain to travel around the Succubae Decans of the Zodiac ages, you can also imaginatively assume the star-sign guise of Vincent van Gogh.

Should this sound rather ‘deranged’ to you, consider the intriguing experiments conducted by Vladimir Raikov who is a Russian psychotherapist, head of the Laboratory for Hypnosis at the State Scientific and Research Centre for Preventive Medicine. In general Raikov hypnotised his subjects to believe that they were the reincarnations of Rembrandt or Mozart, etc. Evidently after a period of doing this, his subjects brought back from their induced trance state the abilities of the personages with whom they had identified. For example, someone who had identified himself with Rembrandt had awakened his or her own artistic ability to eventually make a career out of Art; others may prefer to identify themselves with Aleister Crowley.

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“There is also a third kind of madness, which is possession by the ‘Muses,’ enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric….But he, who, not being inspired and having no touch of Madness in his soul, comes to the door and thinks he will get into the temple by the help of Art–he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the Madman.”

― Plato, Phaedo

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If you consider all of this to be quite mad, keep in mind that children subconsciously learn from any influential role-models around them. Raikov’s technique is just an adaption of what children naturally do. However, the barriers of accumulated belief of an adult, blocks him or her from fluidly learning as a dreaming child. Hence, the beliefs of an adult requires the need to be broken down by believing that the assumed persona is a reincarnation, even if it is an artificially constructed Tulku, which could just as well be that of a future incarnation.

However, you do not need to be hypnotised by another individual, such can be potentially very dodgy; you can attain the same experience via lucid dreaming, which of dream Yoga, will enable you to assume a desired guise of a particular Tulku.

A Tibetan Buddhist would otherwise assume the Tulku guise of one of his many Buddhas via meditative and auto-hypnotic (trance) practices, in order to empower his spiritual progression. You will also find that each Buddha is depicted copulating with a female representing the power of a corresponding dream domain, who is termed as being Shakti, Carl Jung would call the ‘Anima.’

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The Anima can manifest as differing female characters, each of which can be seen to be a female Tulpa, who empowers a corresponding Tulku.

The female Tulpa can be ‘artistically’ constructed as a mind-doll means to empower lucid dreaming, which a Tibetan Tantric Buddhist would call a Dakini.

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Although the medieval mind-set of the West, a Dakini is otherwise called a Succubus, the prior ancient Greek’s knew as a Muse, who to remind that Art is Sorcery, Sorcery is Art, they are indivisible from each other, one and the same of shamanic practice.

When to see a Succubus as a constructed Tulpa, it is none too different to a computer program, like that of a web-bot browsing your informational dreams, which then initiates a virtual reality lucid dream, created by your quantum computing TARDIS brain.

The Succubus has lost its deeper meaning since the medieval mindset of the West has castigated sexuality and the feminine principle out of the spiritual equation, whereupon becoming purely demonic of hedonism, having no meaning whatsoever beyond that of blindly copulating.

The male counterpart of a Succubus is an Incubus, whose ‘Animus’ manifestations of God, Devil, angels and demons are commonly listed in many a Grimoire, who are known as Daka in Tibetan Buddhist dream Yoga practice.

The reasoning behind the focus upon a (Dakini) Succubus is that of introverting the sexual impulse in order to overcome what is technically termed as the Old Hag Syndrome, when accessing the hypnagogic state of trance, at the point of sleep. The hypnagogic state and the ensuing sleep paralysis can be quite terrifying, which of Bedroom Invader nightmare terrors can be otherwise transformed into a Night-Mare Succubus to ride into conscious dreaming.

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This can be achieved when the sexual impulse is introverted, via a prior meditation upon an erotic image of a particular Succubus, in order to negate the fear of the practitioner; for it is the reactive state of fear, which makes the experience of hypnagogic trance so horrifying.

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FRANKENSTEIN CREATED TULPA WOMAN

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 16, 2016 by FAUSTUS CROW

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From out of the infernal depths of the subconscious necropolis, disparate exquisite corpses are exhumed of archetypal ‘Anima’ desires, which are then knit-together upon the canvas lab slab of creative meditation, to hence paint of artistic conjuration, to Mantra name, Mephistophina.

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The canvas skin of the two-dimensional knit-together Frankenhooker is verily tattooed with sigils of desire. The Frankenstein sorcerer to mediate upon these sigils, while manifesting the visualised knit-together Succubus of planetary layers of oiled skin, imbued with metallic colour, to sculpt into a sublime form with his erect wand of a brush stroke.

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At the hypnagogic point of sleep, the Frankenstein sorcerer introverts his five senses of inverse pentagram, while visualising his sigilised Frankenhooker.

The Frankenhooker Succubus is thence conjured into three-dimensional Tulpa life within a lucid dream, when to electrify her with a Vajra lightning bolt of a barbarous name to call out, of an emotionally charged Necronomicon mantra, “Mephistophina.” 

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Sorcery and Art are one and the same of practice. An Artist does not worship his knit-together creations, which be that of a religious sentimentality, even when they come to life within a sixth-sense lucid dream; for if the artist does so, he will surely lose himself to his obsessively fueled Mind Doll, just as he would do when engaged with a flesh and blood woman of an ‘Anima’ projection.

This will invariably lead to a rather odd psychological conundrum arising concerning jealousy issues, which in reverse would be understandable, if your beloved to thence dally with others.

If the Artist becomes enamoured with a singular Mind Doll creation, becoming thence as his only tunnel reality, he is no longer practicing Art, nor Sorcery, but that of religion.

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Since there be many another ‘Anima’ fluctuation to knit-together of conjured Frankenhooker artistry, to visualise amidst the Triangle Of ‘Art’ Imagination.

The same is true concerning the creature of a deified ‘Animus’ made as a jealous God-Devil, by many a Mary Shelley, around which three ‘Borg’ faiths seek to convert everyone to their patriarchal tunnel reality populated with machismo Angels and butch Demons, all as knit-together Incubi, which to be illustrated in numerous Playgirl Grimoires of commonality.

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DREAM BOOK SUCCUBUS GRIMOIRE

Posted in Alien, Anime, Art, Chaos Magic, Comics, Demon, Demonology, Devil, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Manga, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 25, 2015 by FAUSTUS CROW

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A grimoire is a textbook of magic, which is the literary fare of Harry Potter. These books typically have instructions on how to create magical objects, like talismans and amulets, as well as to how to perform magical spells, charms and divination.

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A grimoire also lists supernatural entities, such as Angels, Spirits, and Daemons, which are sometimes liberally illustrated; they are somewhat likened to that of art books; although they are more like proto-comics in style.

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The illustrated entities, which populate a grimoire, are of similarity to a Yidam. A Yidam is essentially a two-dimensional image, which is seen to be a repository for a type of deity associated with Tantric or Vajrayana Buddhism.

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The Yidam usually depicts a deity, who is shown copulating with a female counterpart, called a Dakini; the imagery of which tends to be highly erotic. The term, erotic, is the operative word here, not pornographic! Those whom castigate this practice as being merely pornographic entirely miss the point of Dream Yoga, more so those who indulge in externalising it of base hedonism.

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The deity is considered to be a particular manifestation of Buddhahood, as well as the enlightened mind of the Yogi; whereas the Dakini represents the creative power of the deity.

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In medieval Europe a Dakini would otherwise be termed as being a Succubus; although, a Dakini is also like a Genie as well as being an inspiring Muse.

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During personal meditation (Sadhana) practice, the Yogi identifies himself with the focussed upon deity, which represents an attribute, power and state of mind the Yogi seeks to assume, of an inner-self-image, for the purpose of self transformation.

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The Yogi visualises himself copulating with the Dakini, as her deity, which is depicted in the Yidam; whereby he introverts his sexual impulse. This will enable the Yogi to implant his now sexually charged desire into his subconscious mind.

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The introversion of the sexual impulse will then empower the emotive spin of his electron dreams; the goal being to attain a lucid dream, within which the Yogi consciously experiences copulating with the Dakini, who is a bio-photon aspect of the Shakti (Electron) power of the dream.

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The Dakini will then enable the Yogi to assume the guise of the (strange attractor) deity, since the (informational associative fractal) dream, which is the (Shakti) power of the Dakini, will reflect him back as the deity.

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The Dakini is sometimes seen as a self created thought-form, which is termed as being a Tulpa. A Tulpa can be constructed from varying symbolic stimuli like that of knitting together a Frankenstein’s creation of a Golem, this is done consciously of artistry; there is nothing strange or unnatural about this creative process, since your dreams are already populated with Tulpas.

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The practice involves working towards the chosen Tulpa construct manifesting into three-dimensional form as a fully interactive reality.

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As mentioned, this is very much the case within a lucid dream, which is the initial phase of a Tulpa manifestation. It is also believed that a Tulpa can manifest into physical reality; although this only occurs on very rare occasions, for a brief time, as a kind of Ghost, which tends to be only seen by the operator. However, such a conjuration into physical reality usually manifests as associative synchronicities, which is sometimes followed by corresponding poltergeist phenomena.

When a lucid dream is achieved, the dream will be the three-dimensional experiential manifestation of the two-dimensional image of the Yidam.

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In other words, the three-dimensional experiential inner reality of the dream will be pre-programmed by the focused upon two-dimensional Yidam.

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The Yidam would equate with an illustration of a spirit in a grimoire. The term, Yidam is sometimes translated as meaning, meditational deity, or, tutelary deity.

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Examples of Yidams include the meditation deities of, Chakrasamvara, Kalachakra, Hevajra, Yamantaka, and Vajrayogini, all of whom have a distinctive iconography, with associated mandalas and mantra rites of conjuring them as Tulpas.

You can then see a grimoire being illustrated with Yidams of the spirits, which have accompanying mandala sigils and seals, as well as having mantra names, via which a practitioner can conjure the spirits as Tulpas within his/her lucid dreams.

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Not all Yidams depict a deity copulating with a Dakini; many of which just illustrate Dakinis, upon whom the Yogi meditates, while imagining himself sexually engaging with them of Dream Yoga.

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This is of course dependent on whether the Yogi is of a heterosexual persuasion or even of a bisexual orientation.

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A Dakini can be depicted of modern expression as a female character out of a comic, Manga or Anime who symbolically represents a psychic power or an ability the practitioner seeks to attain.

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A Dakini can even be seen as an alien girl, piloting a time travelling UFO of a TARDIS, who represents (Sleipnir) information pertaining to the Star Trek future, to thereby remote view via a lucid dream by the practitioner, who has assumed the (deity/Odin) guise of a ‘Dr Who’ shaman.

Whatever form the Dakini is depicted as, of a two-dimensional Yidam painting, it will determine the type of scenario the practitioner will access of a three-dimensional interactive reality within a dream.

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The male version of a Dakini is called a Daka, which is the primary focus of the patriarchal grimoires; hence, I have totally reversed their all male (Daka) paradigm, towards that of the female (Dakinis) of ‘Anima’ preference.

Although, if your sexual orientation is otherwise predisposed, you can stick with conjuring up Daka Angels and Demons of traditional commonality, betwixt and between your ‘Animus’ fixation upon a machismo God and a butch Devil seeking to enter unto your orifice.

This fact of symbolic logic can either put a broad smile on your knowing face when to become as the Shekhinah vessel for your God, or for you to rapine scream that you are being possessed, due to your sheepish ignorance. Well, what do you bloody expect, a male does enter into a woman, it’s ‘fucking nature!’

GOETIA GIRLS SUCCUBUS ART BOOK ‘TWO’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: CREATESPACE PREVIEW, CLICK HERE

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

The COLOUR version of Book Two will soon be published. The cover artwork below is for the Black & White version of book Two.

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three is on its way!

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DARK POWER TOKOLOSHE TULPA SORCERY

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 20, 2015 by FAUSTUS CROW

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The Tokoloshe (Tikoloshe or Hili) is a creature from Zulu mythology, which is considered to be a dwarf-like water sprite.

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It is often described as being a mischievous entity or an evil spirit, which is said can become invisible when drinking water.

It has been noted by a number of parapsychologists that the manifestations of ghosts is often tied up with locales of a high water density.

For example, the author Carlos Castaneda mentions entities used by sorcerers, he terms as the Allies, which are considered to be a shape-shifting, inorganic feminine intelligence, whose abode tends to be found around water holes.

Tokoloshes are usually seen as being conjured up for malevolent intentions by people who seek to cause problems for others.

However a Tokoloshe can be used to protect children, though usually used of mere horror stories to get them to behave as well as entertaining their imaginations of darkly wrought comical tales.

But of magical practice its power can be further extended for healing purposes and other means of consciousness expansion.

Or to be otherwise used of psychic warfare for bringing about illness and even death to a victim, of which, the shadowy intelligence services are no doubt interested in of a Skinwalker power.

The way to get rid of a bothersome Tokoloshe is to call in the N’anga (Witch Doctor), who has the power to banish the creature from its dream haunt.

Whereupon it will then return raging back to its creator, to thence tear apart his or her psyche, should it had been wrought of malign intent.

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A Tokoloshe is very much like the Tulpa of Tibetan Buddhist practice, which is essentially a materialised thought-form of a created ghost.

It is said that a created Tokoloshe initially acts like a zombie after it has been created, somewhat of similarity to the Hebrew Golem, which can also initiate poltergeist phenomena.

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This has been investigated by a group of parapsychologists in Toronto, Canada during the 70’s, whose coven created a ghost, which generated poltergeist phenomena.

The Tokoloshe of a Tulpa is specifically created by South African shamans, such as when they have been offended by someone.

But it can be used for other far more creative and beneficial purposes, such as being created as an inspiring Art Muse.

When a Tokoloshe becomes sentient, it may wander off from its creator, causing mischief wherever it goes, particularly to children, whose ‘navel Chakra’ fear empowers its existence.

Those who fear the Tokoloshe often describe it as having a gremlin-like appearance with gouged out eyes or having black mirror eyes like the alien Greys.

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Although, when not to fear, said entity is described as being an invisible friend; whereas as an adult, the Tokoloshe becomes as a spectral lover.

The Zulu shaman Credo Mutwa, describes the Tokoloshe as having the ability to take on many forms, such as appearing as a bear-like humanoid being.

Let alone that of appearing as Dwarfs, Gremlins, Reptilians, Greys, Elves, Faeries, Demons and Angels, etc; all of which tend to be humanoid or of hybrid form, though, not always.

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Again, Castaneda says likewise of the Allies, who as mentioned, described them as being an inorganic female intelligence, whose dark dream power enables a sorcerer to access other realities.

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Suffice to say, a Tokoloshe can be created as a Tulpa Mind-Doll Succubus.

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THE SUCCUBUS CONJURATION OF JURASSIC PARK DINOSAUR GIRL RONOVE

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on January 19, 2015 by FAUSTUS CROW

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The initial conjurations of the 27th Succubus of the Goetia called Ronovea, were somewhat surreal of visionary material, which involved a number of symbolic influences intruding into my active-imagination visualisations of this Succubus.

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The classical grimoire descriptions of this spirit is depicted as manifesting as a hideous monster, although, never defined as to what its actual appearance is, apart from being seen as male, as of a per usual indoctrinated perception, which is otherwise named Ronove.

The monster aspect came through as a vision of a prehistoric creature, looking like a Tyrannosaurus Rex at first, which quickly assumed the Lovecraftian form of a Godzilla.

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Although, not of the rubber suit variety trashing Tokyo.

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As the evocation continued of conjuring up symbolic associations, the creature triggered off memories of childhood nightmares, wherein I had been continually pursued by a Godzilla, from out of the infernal depths of my psyche.

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I decided to visualise myself as a child once again; and rather than running away from the Jurassic park terror, as of previous dream memory, I otherwise confronted it.

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The monster suddenly shrank in size, when I turned to face it, to then see a woman riding the back of the Dragon.

The woman was young and very attractive, who appeared at first to be naked; though stiff of movement, like that of a lifeless doll, whose knitted together film star features flickered between that of Caroline Munro and Angelina Jolie, to then fuse into one, of an exquisite corpse. She then assumed clothing, whom looked very much like the iconic video game character of Lara Croft.

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It was at this point of a visualisation that her back-story started to formulate; though disjointed at first of cinematic influences in the main, such as the 70’s film, At The Earth’s Core featuring pre- Jurassic park movie dinosaurs, starring Caroline Munro, along with reptilian references to alien Greys.

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The developing story, started to rapidly take shape around her conjured archetype amidst my triangle of art imagination; who related she was a Time-Travelling Palaeontologist, which led to me drawing ‘two-dimensional’ images of a further meditation exercise.

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As her back-story became more stable, she then started to manifest a distinctive personality. The initial stiffness of a prior doll like rubbery appearance, became alive of a fleshed out reality within my imagination.

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She spoke to me of things I hadn’t yet consciously thought about; while I visualised myself having a dialogue with her of creative day-dreaming.

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The emotional intensity of the conjuration had made an impression upon my ensuing dreams; wherein I observed numerous trigger-symbols pertaining to misty childhood memories of visiting the natural history museum, along with noticing a female Palaeontologist giving a lecture, who looked remarkably like the actress Angelina Jolie.

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Then one night, I experienced what is technically termed as the Old-Hag Syndrome. As soon as I laid my head down to rest, due to feeling mentally and physically exhausted after working upon an art commission; I rapidly found myself not being able to move of sleep paralysis.

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Due to previous experiences of the Bedroom Invader phenomenon since changeling childhood, I instinctively knew that I should not indulge in fear, otherwise my fearful reaction would manifest into a shadow people nightmare.

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However the automatic reaction of fear had been prior negated by the introversion of the sexual impulse, when to have ritualistically meditated upon Ronovea as a Succubus, to ride as my Night-Mare.

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I noted that there was a gathering presence around me; though invisible at first, it felt monstrous, as if there was some huge creature looming over my art studio; this initially initiated a great pressure upon my body of an instinctive fear reaction, which had otherwise became that of an erotic sensation, since I had introverted the sexual impulse, to thereby negate my fear.

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I then proceeded to call out the mantra name of Ronovea, as well as visualising her mandala of a seal; as I did so, the oppressive presence was rapidly transformed into seeing a ‘three-dimensional’ manifestation of a ravishingly gorgeous woman, looking like Lara Croft, standing at the foot of my bed.

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At this point, I was then able to lift myself up from my supine position to thence walk into the ‘electron’ dream, fully lucid.

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I then went over to Ronovea, with whom, of an ensuing Coitus Pactum, she guided me through the bedroom doorway, which had become that of her vaginal vortex leading to an age of ancient memories, where Godzilla of the Great Old Ones reign over the Earth, that once was, and still is, of a parallel realm, just next door to one’s own.

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GOETIA GIRL MARBAS, SUCCUBUS FRANKENSTEIN NURSE OF PURE TRANCE

Posted in Cosplay, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 9, 2014 by FAUSTUS CROW

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The fifth Succubus of the Goetia is called Marbas. She will manifest amidst your Triangle of Art imagination as a surrealist exquisite corpse, looking like a knit together Frankenstein nurse. She is a great President who rules over 36 legions of Succubae like herself. The name of Marbas is a composite name, made up of the words: ‘Mar’ and ‘Bas.’ The word ‘Mar’ in Spanish, means sea, which is also etymologically connected to ‘Myr’ and ‘Mer’ of the Welsh name, Myrddin and the Norman variant, Merlin.

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You also have the Hebrew name of, Mary and even the name of, Mars, since the sea is associated with the menstrual blood of the mother and the amniotic watery realm of dreams. As for the word Bas, it is derived from, Bass (/bæs/bass), which is a name shared by many different species of fish. The term Bass encompasses both freshwater and marine species. All belonging to the large order of Perciformes, or perch-like fishes. In fact the word Bass comes from Middle English Bars, meaning ‘Perch.’ The name of Marbas, can then be translated as, ‘Sea Fish.’

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Some will argue that Marbas is derived from the name Barbas, which comes from the Latin, barba, meaning beard, leading thence to a beard trimming, barber; or to be otherwise associated with the hellebore, which is one of a plants used in witchcraft. However, the Goetia specifically states that the name of the fifth spirit is Marbas, not Barbas.

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It is very likely, when the name Marbas is interpreted to mean ‘Sea Fish,’ the symbolism will be invariably ignored, by those looking for an Anton LaVey number one haircut, and goatee beard trim at the local barber, sniffing hellebore.

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One of the principle functions of Marbas is to initiate the experience of shifting into other forms, which occurs when the practitioner is experiencing pure trance.

The experience of pure trance, is often described as feeling like swimming in an ocean by many shamans from various shamanic cultures across the globe. But then, we all share the same neurology.

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For example; the Kalahari Bushmen of South Africa, whom practice the trance dance, when attaining pure trance will fall to floor to then be seen acting as if they are (Nommo) fish or (Annunaki) serpents, who believe they are such amphibious creatures within their watery hypnagogic visions.

While within the visionary state the Kalahari Bushmen can assume other shapeshift forms of particular animals in order to then heal a patient of their affliction, or to otherwise call upon a power animal, such as a Lioness. Those cultures whom live near Lions are well aware that the female Lion is far more vicious than the male Lion, because it is the female Lion’s who primarily do the hunting. So, when a Kalahari Bushman seeks to heal a patient via the trance dance, a female Lion is quite a powerful spirit ally to have.

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Whereby the Tibetan Bon Pop Buddhist’s conjured up the Lion headed Dakini Simhamukha in order to negate negative influences. Hence Marbas is traditionally seen to be associated with a Lion, which is probably a predatory Pure Trance Kitty Lioness. This technique can of course be otherwise utilised to afflict an enemy with an illness, although such to often rebound of Karma. It is more of a Simhamukha case of Marbas returning the Malediction of others back to its ignorant source.

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Marbas is also described as emanating from the eighth dimensional planetary sphere of Mercury, who is able to heal various afflictions as a psychic healer, or to otherwise afflict others with their own reactive angry ghost Maledictions, of psychic warfare. This will of course overflow into the temporal arena of medicine and in turn anatomy, as well as associated Marbas technologies, which are rapidly evolving.

Marbas is also described as being associated with the mechanical arts, which can be interpreted in different ways, in relation to art as well as technology. Wherefore you can see Marbas as being a female doctor, scientist or nurse who is highly versed in pure trance, as well being an art muse who has feline Kitty qualities.

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When an artist, such as Leonardo Da Vinci, looked into the necessary prerequisite of understanding anatomy, he became aware that the anatomy of organic creatures as well as humans can be replicated by machines. This understanding can be easily equated with the present and future scientific arenas of robotics and cybernetics. Wherefore, Marbas can also be seen as a female version of Frankenstein’s knit together creature.

Marbas bestows the shamanic ability to assume shapeshift forms from within a lucid (sea) dream, which can be accessed via hypnagogic (fish) trance. When assuming other shapeshift forms within a lucid dream or via trance, such as that of power animals, a sorcerer can heal others. A sorcerer will also attain the Dr Frankenstein ability to construct Mind-Dolls, a Tibetan Buddhist would call Tulpas, you can otherwise term as Frankenhooker Succubae, via whose erotic (programs/memes) mind (robot/golem/egregore) constructs, a sorcerer can access hidden or secret information to remote view.

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