Archive for satan

CONJURING THE FALLEN ANIMA DEVIL GIRL

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW
The Artwork depicts the sorcerer Artist, named, Faustus conjuring up his Fallen ‘Anima’ to Mantra name Mephistophina, within an eroticised lucid dream. If you are interested in the Art print or shirt design, etc, Check Out my Redbubble shop, Please Click Here.

Mephistophina has in her hand a Coitus Pactum union with his ‘Anima,’ whereupon Faustus wins back his Soul, which had been initially enslaved by the ‘Animus’ fixation of the brainwashed masses.

In ancient cultures the Soul of an individual was seen to be of the opposite gender to the person it was connected to.

Hence, Faustus’s Fallen ‘Anima,’ of a Mephistophina is a Succubus emanation of his Soul, around whom be the Zodiac circled decan legions of (Succubae) Succubi Great Old Ones, whose Fallen archetypes frequent the grimoire dream.

However, the herd mind of the masses is none too pleased by Faustus’s Entartete Kunst rebellion against their ‘Animus’ fixation of an all pervading symbolic ‘Matrix,’ which is considered to be very politically incorrect. 

 

Faustus cares not; for his Fallen ‘Anima’ of a Soul is free from the ‘Animus’ cultists brainwashing incarceration, who seek to imprison all within their New World Order feudal Kingdom of an Orwellian heaven on Earth, over-lorded by Beta-Male Good-Guy Messiah, King and Prophet, who be too their Alpha-Male Bad-Boy Prince of darkness.

Faustus to say, “if only the Witches had learnt to control their own ‘Animus,’ of a patriarchal All-Father fixation, whose externalised centralist politics is very jealous indeed; then the world would have been a very different place, by now of a Zodiac Age. Alas, the Witches far prefer being Oprah Winfrey ‘Fifty Shades Of Grey’ dominated by their own ‘Animus,’ to deify of three gender fixated religions out of Ur’s ziggurat.” 

Faustus to continue, “they still haven’t figured out that their three ‘Animus’ fixated religions are the real Illuminati, whose trinity of a pyramidal triangle is actually the oily ziggurat of petrodollar Ur, amidst which be the Big-Brother Eye of their Orwellian All-Father.Little wonder then that Faustus is considered to be politically incorrect, whose Sorcery Art is seen to be Entartete Kunst.

Wherefore the depicted scene of the Artwork goes far beyond Marlowe’s and Goethe’s version of Faust, and his Mephistopheles of a deified ‘Animus’, made as a God/Devil.

The Artwork was used in my Art book Grimoire, ‘Goetia Girls: Book One,’ which is available from Createspace and Amazon.

If you are interested in the Art print, or shirt design, etc. Check out my Redbubble shop, Please Click the image link above.

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THE CONJURING 2 OF VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2016 by FAUSTUS CROW

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Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.

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The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.

Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes, which is otherwise, mundanely interpreted as the remote viewing discovery of enemies.

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The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.

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Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst artistry. At the end of the day, the practice of art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.

This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.

For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is that of an all male pantheon of an ‘Animus’ fixation.

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As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic. But it is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun.

The reasoning behind the schoolgirl motif is because I am employing symbolic logic; Valak originally refers to a little boy of a Hermes, whose feminine name is Hermione.

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This then leads you by association to the modern archetype of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning.

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This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.

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However, as for Valak’s serpentine association, it would lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.

Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear; but then I am not into living in fear; are you?.

Basically, the artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.

You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious reversal.

Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.

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Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a viral-meme Tulpa ghost Nun.

Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.

As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits; but they are depicted as being essentially male entities in disguise. This perpetuates the all male paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.

The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?

Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”

The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.

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The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.

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Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.

If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.

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But when to find that its symbolic emphasis is that of an all male pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting ghost of an old man, whose disturbing disposition is that of a dirty old Goat.

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But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.

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You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.

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The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’

For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.

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However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.

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But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God.

Alas, no film has as yet covered the fallen ‘Anima,’ but then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.

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NOTE: As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’

Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown. 

In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’ 

The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet. 

The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film. 

But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans. 

Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of  a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man, although, you do have Gremory as depicted in the shirt design. (Click the image link for more information.)

 

In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit, such as Faustus Crow’s Succubus named, Mephistophina as depicted in the watercolour painting below. (Click the image for more information.) 

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The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.

Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet. 

The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.

The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.

The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.  

In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix! 

So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded. 

Art Prints available from my Redbubble shop.

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SATANA SUCCUBUS OF SATANIC MAYA MATRIX DELIGHTS

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 23, 2015 by FAUSTUS CROW

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The name of Satan is a Hebrew word; which is spelt, Seen-tayt-noon. In colloquial Hebrew it means the ‘adversary’ or the ‘accuser,’ which can be equated with the Hindu concept of Maya. The term, Maya is also a name of a Goddess, who creates the Illusion of realty birthing all material form.

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The Hindu and Buddhist usage of the term of Maya describes all material form as being an illusion, like that of a (Matrix) computer simulation. As for the illusory nature of reality, it is backed up by the findings of Quantum Physics. The usage of the words ‘adversary’ and ‘accuser’ can be seen as a veiled reference to the feminine birthing all form, which is considered to be an illusion and that of a lie.

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Maya and that of her creation of nature, was the prior matriarchal focus of the animist belief systems, which the patriarchal inclined belief system of Judaism had castigated as being their ‘adversary;’ hence ‘accuser.’

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This patriarchal perspective was carried over into the extremes of Gnosticism, whose philosophy considers nature to be essentially evil, which, of an extreme philosophy then informed Christianity and in turn Islam.

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Each of the three letters of ‘Seen-tayt-noon’ is also a word in its self, whereby each word also has its own intrinsic meaning. According to the Hebrew Cabbala ‘Seen’ represents a movement, a universal or cosmic motion, which underlies the movement of all things in the universe.

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This movement is pictured by the Cabbalists as the breath of their God returning from the material plane, back to the infinity of the creative principle, to thence return once again to matter, for the process to endlessly repeat. Basically, when an individual becomes incorporeal, the essence of the individual is seen to return back to the (energy/information) source, from where the individual is then re-birthed back into matter via the female of a never-ending repeat, which you could term as eternal recurrence.

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An analogy would be that of going through a vaginal (Vesica Pisces) door, when being birthed into the world of your three dimensional existence, wherein you experience the fourth dimension of linear time.

To then later leave, incorporeal, through another door. But the two doors are actually the same door in the fifth dimension, of an eternally recurring closed-timelike curve.

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The word ‘Tayt’ represents a cellular structure such as the mitochondria, which carries a memory ‘engram,’ of genetic information passed down from the mother to her children as well as referring to a neural circuit, or any other cybernetic analogy representing a basic structure exhibiting a cell like nature. It is essentially a feminine concept, which tends to enclose energy and therefore information, repeating it’s self like that of a closed-timelike curve, symbolised as an Ouroboros.

It is a cybernetic self-referencing process, which continues to build its self in its own image, which the Tibetan Buddhists perceived as a Tulpa creating Tulpas like its self, amidst a Tulpa realty of a (Maya) thought form. Like a simulation, you have pixels, which are your atoms; these atoms/pixels are programmed to create building blocks such as the (Serpentine) mitochondrial DNA. The DNA are the building blocks of all carbon-based-life-forms. The Carbon atom, has 6 protons, 6 neutrons, and 6 electrons, whose atomic number 666 is the number of all carbon-based-life-forms upon the planet including humanity.

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Finally ‘Noon’ stands for a high principle operating within the cosmos. This is the principle of cosmic indeterminism, which is fundamental to Quantum Physics; whereupon you have a fifth dimensional state, where you simultaneously exist and do not exist like that of Schrödinger’s ‘Pussy’ Cat.

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As an aside of an artistic Seen-tayt-noon conjuration, there was a most curious phenomenon concerning the comic book medium, which manifested as a rebellion against the constraints of the Biblical Comic Code, at the end of the Vietnam war.

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During the end of the Hippie era seventies there were a number of comics investigating certain female archetypes, which are essentially symbolic reversals, such as Warren comics reversal of Dracula, which led to the creation of Vampirella; there was also the Atlas-Seaboard comic, entitled Devilina. In Italy you had the adult comic, Lucifera, which hearkened back to Lucifer’s origins as the Roman Goddess, Diana-Lucifera; whereas Marvel comics had Satanic… Satana.

Vampirella was hugely successful, which eventually led to a film; however her iconic character became fused with the more mythic Satana, when the publishing house of Warren Comics went bust, which was a darn shame; this invariably led to the ascendancy of Satana of a collective focus.

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I still remember reading the Satana comic as a kid, which I utilised as a, I Lucid Dream of Jeannie, grimoire to conjure from, since I considered the medieval ilk of grimoires to be rather boring, whose tomes had no Succubae populating their monkish pages.

Satana is still very much part of the Marvel universe, even though she has since fell out of favour, because of a resurgence of religious conservatism after 9/11, along with a feminist backlash over her skimpy costume. But then, what do they expect, she is described as being a wet-dream Succubus. Her character apparently had interactions with Doctor Strange who is in the offing for a film. Whether Marvel will make a film about Satana is debatable, due to Disney’s involvement, whose studio doesn’t want to inspire many a little boy to whack off under their bed sheets, while howling out barbarous Goetic incantations, over four colour two-dimensional pictures.

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This is more so the case due to Lady Thor Whoopi Goldberg of the Swastika hammer who will probably not be too keen on the idea of a film about Satana, even though her feminist sister in the hood, Oprah Winfrey is into Twilight Porn, 50 Shades of Grey. But then they have to pander to a Christian audience of Mary-quite-so-Contraries, whose shady infatuation for Bad-Boy Vampire-Necrophilia, and Werewolf bestiality, indulges in ensuing Animus fantasies of being dominated by Incubi.

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So, if a mage seeks to understand why the Satana archetype has fallen from grace, he doesn’t have to look too far, when to investigate the feminine hordes collective focus upon their Animus of a Twilight ‘Christian Grey’ Incubus.

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Such a mage might Harry Potter assume the internal guise of Christian Grey in order to engineer a synchronistic meeting with E. L. James, or that of other Hermione Witches like her, of similar big-Vatican-bank accounts, which are being filled with feminist shekels.

In general, it appears that Witches are symbolically driven. Their overriding symbolic fixation upon the male principle can be determined when to look at the present media, which is very much tied up with an ongoing religious focus upon a patriarchal paradigm.

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The Witches symbolic infatuation upon an All Father Animus God, crucified God-Guy Beta-Male and an Alpha-Male Bad-Boy Devil, along with machismo Angels and butch Demons, they themselves had forged around a Christian Grey; hence birthing his dominator culture of an illusory construct. But the quite-so-contrary Marian Witches can’t help themselves, they have been Seen-tayt-noon hardwired that way of a Bene Gesserit genetic imperative.

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STAR WARS REBEL ANGEL LUCIFER IS A GIRL

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Star Wars, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 1, 2014 by FAUSTUS CROW

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The fallen Angel Lucifer, at the head of an army of rebellious Angels, rebel against a fascist God Emperor of Dune world Mars.

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The rebelling Angels seek to stop the God Emperor and his machismo Stormtroopers, constructing an ‘end of days’ Iapetus death star, orbiting Saturn.

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But the rebel Angel Lucifer is flung down to Earth, as a fallen Dragon, along with legions of rebellious Succubae.

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Such a Biblical war in Holy-wood heaven, is quite ‘St George’ Lucas evocative of Star Wars.

But who exactly is this Lucifer? Well, the name of the fallen Angel Lucifer is originally derived from the Latin words ‘Lucem Ferre.’

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The name literally means: light-bearer, which in that language is used as a name for the dawn appearance of the planet Venus from where women are said to come, whom inspire artists as their Angelic dream Muses.

The planet Venus heralds the dawn break of Hypnopompic daylight, after a dreamer has experienced Hypnagogic trance ingress into his Luna realm lucid dreams of Lilith’s Harem.

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The use of the word in this sense is uncommon in the English language, in which, day star, or, morning star, are the more common expressions.

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The planet Venus was usually associated with love Goddesses in the ancient world; for Venus is the Roman name of the ancient Greek Goddess of love and sexuality called Aphrodite.

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In the Middle East the adoration of the love Goddess was very popular, such as the Semitic love Goddess called Astarte, who of a Hippie era incarnation would be an anti-war protestor chanting, “make love, not war.”

She appeared in the Old Testament as Asthoreth of a demonised figure, becoming thence as an adversary, whom rebelled against the Judaic God along with Star Wars Lucifer, mythically warring of an ancient galaxy wide conflict amidst the heavens.

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Astarte was later transformed into the male Demon known as Ashtaroth (Goetia – 29th Spirit: Astaroth) by the Christian’s.

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The Babylonian’s considered the star of Venus to be associated with their Goddess of sexual love whom they called Ishtar who was worshipped at the prior ancient Sumerian city of Ur, situated in Iraq, from whence patriarchal Abraham came from.

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As for the pre-Islamic Arabs; well before Muhammad appeared on the scene, the Kaaba stone of Mecca was once surrounded by 360 idols, and every Arab house had its particular deity.

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Arabs also believed in Jinn (subtle beings), and some vague divinity with many offspring. Among the major deities of the pre-Islamic era was the Goddess called, Al-Lat, she was worshiped in the shape of a square stone. Al-Lat, was later transformed into Allah. You also have Al-Uzzah (the Mighty), a Goddess identified with the ‘morning star’ and worshiped as a thigh-bone-shaped slab of granite between al Talf and Mecca.

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There was also a Goddess of destiny, called Manat, who was worshiped as a black stone on the road between Mecca and Medina.

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The use of the fallen morning star ‘Lucifer; generally refers to ‘Satan,’ of an indoctrinated common usage. Although the name is not applied to this entity in the New Testament.

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The use of the name ‘Lucifer’ in reference to a fallen Angel stems from an interpretation of Isaiah 14:3–20, a passage, which speaks of a particular Babylonian King, to whom it gives the title of ‘day star, morning Star’ (in Latin, Lucifer), as fallen or destined to fall from the heavens or sky.

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In 2 Peter 1:19 and elsewhere, the same Latin word Lucifer is used to refer to the morning star, with no relation to evil whatsoever.

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In the Middle East you will find a worship of stones fallen from the sky being that of meteorites, or otherwise considered heavenly born, which were often associated with the ancient worship of the Queen of Heaven, whose abode was seen to be the realm of the morning-day star of Venus.

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In post-New Testament times the Latin word Lucifer has often been used as an alternative name for the Devil, both in religious writing and in fiction.

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However, prior to the Christian usage of the name Lucifer you have the FAVSTINAE CONSECRATIO, the Consecration of Faustina, which depicts the Roman Empress Faustina being carried away to dwell with the deities of pre-Christian Pagan Rome by the Goddess ‘DIANA LVCIFERA,’ Diana-Lucifera.

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The Goddess Diana-Lucifera was also depicted on many Roman coins, some of these coins date back to the era of the Imperial Roman Republic. The image of Diana-Lucifera is frequently depicted upon the reverse side of Roman coins bearing a portrait of Faustina on the obverse or otherwise that of Apollo.

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Faustina was obviously a devotee of Diana-Lucifera. So who was this, Faustina, whose name was later masculinised as Faust? Well, there were actually two Faustinas, mother and daughter; Faustina senior and Faustina junior, whom were both frequenting the second century CE Rome. Faustina senior was the wife of Emperor Antoninus, whose last name was Pius.

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Her daughter, Faustina junior, was the wife of Emperor Marcus Aurelus. Marcus Aurelus was the successor and adopted son of Antoninus Pius.

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Both Faustina senior and Faustina junior were deified by their husbands after their deaths. Faustina (senior or junior, more likely both), was dedicated to Diana-Lucifera, the wise crone aspect of Diana….The two Faustinas pretty much ruled the Roman empire in their husbands’ names.

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The feast day of Diana-Lucifera was November 16th; while November 15th was the night of Hecate. Both of these Goddesses are very much tied up with the practice of (Shamanism) Witchcraft who are depicted holding torches. Their worship involved secret (trance) rites being conducted in caverns etc, which were seen to be associated with the (womb) underworld.

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The symbolism of the torch alludes to the inner light, which illuminates your infernal dreams, being that of the bio-photon emanating from your mitochondrial DNA, of a serpentine double-helix Dragon.

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The name Diana-Lucifera is that of a composite name, made up of Diana and Lucifera. The Goddess Diana was the virgin huntress, who originated from the ancient Greek Goddess Artemis. The Goddess Artemis had a twin brother who was called Apollo. The Roman Catholic Church absorbed the virgin huntress Diana to fuse with their ‘blessed Virgin Mary,’ whose forerunner of primary foundation was the ancient Egyptian Goddess Isis suckling the babe of Horus.

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The babe Horus was fused with the Sol-Invictus of an Apollo, who was then transformed into a Christ; while the Light bearer Diana-Lucifera was warped into a malign male fallen Angel to call Lucifer.

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The Goddess Diana whose origin is that of the ancient Greek Goddess Artemis as mentioned prior was said by the Greek’s to have come from a land beyond the North wind called Hyperborea with her brother Apollo. The land of Hyperborea very likely refers to Siberia where Shamans still practice their trance art.

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The Mongolian (Shamans) Kams see the feminine principle, called Yal-un eke is the mother of Fire; while the Fire-King, known as Odqan is its master. The fire of Yal-un eke refers to the inner light of the bio-photon, which as mentioned prior, emanates from the mitochondrial DNA. The mitochondrial DNA is passed down from the mother to her children. Hence the inner light (torch of Diana-Lucifera) has a female source.

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The name of Odqan appears to be the original ‘Altaic’ root word of the name given to the ancient Norse shamanic God called Odin and the Saxon, Woden, whom are one and the same deity. The mythic descriptions of Odin is very much that of a North-Central-Asian Shaman, to thereby perceive an influence emanating from out of Siberia.

Whereby you can determine a possible ancient migration of peoples from the Altai (Altay) region of Southern Siberia into Europe and elsewhere of land to migrate into, whose nomadic tribes had also prior crossed over the Bering Straits into America. Wherefore you have Artemis (Yal-un eke) and Apollo (Odqan) of the ancient Greek’s. It was Apollo who gifted the serpentine double-helix DNA of a Dragon secret Caduceaus to Hermes, in exchange for his seven planetary Chakra sphere stringed lyre.

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You will find that the names of Odqan, Odin and Woden all have the same meaning of having shamanic trance mastery over an Inner fire (bio-photon) illuminating your electron dreams, whose mitochondrial feminine source is Diana-Lucifera, residing as the fallen Dragon DNA within each and every one of your cells.

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Being a carbon-based-life-form that you are, you will no doubt be aware that your carbon atoms have 6 electrons, 6 protons and 6 neutrons of Great Beast number; whereby, you are all beastly fallen rebels of Star Wars!

MAY THE FORCE OF DIANA-LUCIFERA BE WITH YOU!

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HOGWARTS PORNOGRAPHIC GRIMOIRE SHOPPE

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Goetia Girls, Goth Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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A BANNED HARRY POTTER OCCULT PLAY STARRING BABALON WITCH HERMIONE

SETTING: Diagon Alley is a fictional Harry Potter high street located in Londonium. It is only accessible to the Wizarding world, to which it is something of an economic hub.

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Although it is hidden away from mundane Muggles (non-Magickal folk). Muggles are only allowed access to it, if they need to accompany their Muggle-born Moon-Children. If a Wizard or Witch needs something, chances are that it can be found in Diagon Alley.

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However, the Diagon Alley of this arcane sketch is that of an alternate reality version, which is none too different to the red-light district of Londonium’s Soho. Imagine for now, the camera panning in to follow the predatory catwalk of Babalon Witch Hermione, who is of the house of Slytherin.

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She has raven pitch black hair and emerald green fire eyes. Although as a strawberry blond with delectable hazel eyes, she is very, very naughty; and as you know, blonds know how to have lots of… fun.

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Anyway, Babalon Witch Hermione looks like a dangerous Goth girl sex vamp, who is dressed of similarity to a St Trinian’s sixth-form Catholic schoolgirl femme fatale Lolita. She is also followed by her pet familiar of a fluttering vampire Bat.

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As Babalon Witch Hermione is tracked by your Illuminati third eye of a camera, you seer her to go through a Vesica-Pisces doorway into a seedy pornographic shoppe, which sells banned Necronomicon Grimoires.

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Your remote viewing camera eye then cuts to the inside of the shoppe where you seer an untidy room with a large oak counter of an altar, and old dusty Grimoires on shelves lining the cracked walls, along with varying magickal paraphernalia.

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The Grimiores on the bottom shelf are of the usual Llewellyn worldwide fare, whose subliminal meme covers depict medieval Gothic and New-Age Native American Shamanistic imagery. As for those Grimoires on the top shelf, they are seen to be covered by a heavy black cloth.

You will seer three drably dressed Masonic Wizards, who are seen to be thumbing through the bottom shelf Grimores. A fourth Masonic Wizard is flamboyantly dressed, who is called Mr Priestly Pope. The three Wizards are wearing dirty Tau-shirts, on each is depicted a particular animal, a Lion, Eagle and a Bull.

Behind the counter is a sorcerer dressed in a smart black suit, wearing a black fedora hat whose name is Faustus Crow.

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The three drably dressed Masonic Wizards are very perturbed by the sudden, almost brazen entrance of Babalon Witch Hermione. The three Masonic Wizards nervously back off into the shadows, who fear Babalon Witch Hermione discovering what they are furtively up to under their soiled Freemason aprons. The fourth Wizard appears to be oblivious of her presence.

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Babalon Witch Hermione makes the sign of the ‘Horns’ at the four Wizards as she seductively passes by them; while to expertly ‘Blow-Job’ a hot ‘Boaz and Joachim’ scarlet bubblegum bubble, which bursts with an explosive pop, as she walks between two ‘towering’ pillars! Babalon Witch Hermione confidently goes straight to the altar of a counter, upon which she coquettishly leans, before making her inquisitive enquiry of the shoppe owner, Faustus Crow.

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BABALON WITCH HERMIONE: Excuse me Mr. Do you have any ribald, risky tomes, illustrating hunky Incubi, by any chance? All 72 of them have to be, sweaty and macho, exuding fusion centre testosterone, through every patriot act astral pore, both police state Angelic and Demonic. The tomes I’m into have to be liberally sprinkled with arcane ritualistic formulae, and accompanying viral meme sigils, to conjure my desired Incubi.

(Her words are spoken seductively while staring intently at Faustus, whom she is hungrily eyeing up.)

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FAUSTUS CROW: Of course Madam. You can find such Grimoire’s, which will fulfill all your lustful requirements on the bottom-shelf of widely available brainwash fare. Those tomes, both ancient and modern, have been officially endorsed by the top homophobic theologians, misogynistic demonologists and Inquisitional closet-homosexual exorcists of the Vatican; as well as by many a persecuted Cabbalist, fundamentalist Dervish and anally retentive Western occultist, who practice the high art of ritual Magick. Such in turn to make piles of Mammon money out of their published works. Hence these Abrahamic authors have big Swiss bank accounts, just like their lacy Pope, which impresses the Illuminati Hen’s, who actually rule the roost of the World, laying golden LAM eggs.

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BABALON WITCH HERMIONE: I hope you don’t mind me asking you this question, ever so kinky. But, how can I make these astral Chippendale hunks of machismo prowess, do my every temple bidding, as my pet Incubi sex slaves? I mean, if Solomon could get the Incubi to enter unto his royal behind, how can I get them to likewise enter me, as my very familiar… familiars?

(Giggles naughtily.)

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FAUSTUS CROW: Well. Madam, like many a Ritual Magician to do, you have to constrain the Incubi into bound bondage, by torturing their Spirit seals, to whip and flagellate, or to rip apart, or to burn within your sacred censer made of brass. It be akin to torturing them within the sadomasochistic torture chamber of your fetish imagination. Whereby you will become as a leather clad dominatrix of a mistress, to make your familiars lick your Venus in Fur’s stiletto heeled boots. They will then become all servile of Solomon’s slaves, bound to your true Sheba will, amidst your wrought Magick circle.

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BABALON WITCH HERMIONE: That sounds ever so exciting. I relish the thought of torturing hunky Angels and Demons. Forcing these Incubi to fulfill my every delicious wish, to make them manifest into ethereal flesh, as my most servile pet familiars, to whip into shape, makes me ever so… wet. But, what do I have to do in return for such favours granted unto me, by such masculine divinities, all as Solomon’s slavish Genies?

(Lustfully enquires, full of mischief, acting very coquettish.)

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FAUSTUS CROW: My Dear Madam, such a question is as obvious as your pretty little feminine nose to know. Like their temporal counterparts of many a beast, they only do as you ask of them, if they can enter their stiffened Athames unto your moistened chalice, betwixt your kicking legs. Whereby you to thence engage in a sexual pact of Tantric interaction with the Angelic and Demonic fluctuations, of your internal Animus. In other words, if your Incubi do not do as you bid them. Then they don’t get any conjugal night time nibbles, of your gifted sexual energy, to go explosive of multiple Orgasms!

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BABALON WITCH HERMIONE: Oh Wow! Can they really induce Loudun Nun multiple orgasms?

(Lustfully giggles.)

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FAUSTUS CROW: Yes indeed Madam. On a regular basis, around the circadian rhythm clock of the blood Moon phases, when you to Shekhinah dream lucid of their carousing Sabbat visitations betwixt and between, both good-cop God and bad-cop Devil; for you, and your receptive receptacle Sisters in the Ursuline Hood, to also intimately know.

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BABALON WITCH HERMIONE: Yummy!

(Hermione’s lustful eyes become as burning green embers; while licking her painted scarlet lips, at the thought of engaging in Orgiastic Sabbat delights, of astral hedonism. As Hermione plans her next move on Faustus, Mr Pope Priestly, a rather well groomed male approaches. He is wearing a flamboyant pink shirt, framed by a white Masonic suit, looking like an Aleister Crowley look-alike, of large physique, bald head, sporting a monocle, holding a pink walking cane. Mr Pope Priestly suddenly interjects into the conversation.)

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MR POPE PRIESTLY: Hello my dearest, dearest sweetest Boy! Sorry to intrude of intrusive intrusion. Pray tell; do you have a… leather… bound copy of Aleister Crowley’s Illustrated Goetia and The Book Of The Sacred Magic Of Abra Melin The Mage. I am also interested in copies of the Luciferian Goetia and the Satanic Bible as well as any tomes published by Scarlet press, Starlight and Finbarr?

(Widely smiles of fluoridated Holy-Wood whitened teeth.)

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FAUSTUS CROW: Yes, indeed! Just look to the bottom-shelf. Such Necronomicon tomes listing Incubi are our most popular Grimoires, as ever, of a continuing Abrahamic indoctrination. But if you to inform me of your Magickal intention, then, I might be able to help in shepherding you to the correct Sheep pen, of a work sought for.

(Mr Pope Priestly becomes emotively poetic and rather thespian theatrical, of flamboyant gestures. It appears as if he is anally possessed by Aiwass, to be enjoying every moment of his possession, while to mediumistic channel grandiose prophecies via his Goetic Incubi.)

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MR POPE PRIESTLY: My dearest Boy, I seek to become as King Solomon, to bind the patriarchal Spirit muscle, both heavenly and infernal to my divine Will. ‘Do What Thou Wilt Shall be the Whole Of The Law. Love Under Will, my Brothers all, of the Great White Brotherhood OTO Lodge; gathered to me as my gay sons of fairest Lucifer light. I endeavour to attain the most glorious Bornless Self androgyny of the hermaphrodite master of the Solomon’s temple. To forthwith rapidly usher in the new Aeon of the sodium fluoride dosed up metrosexual man. Amenta!

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FAUSTUS CROW: AHA! All of the bottom-shelf tomes will aid you in your great bottom work of advertising your inflated Ego.

(Mr Pope Priestly hurriedly minces off to the bottom shelf all eager to find his desired Grimoires, with his ridden back side up in the air. Babalon Witch Hermione whispers to Faustus Crow, out of earshot hearing range, of Mr Pope Priestly.)

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BABALON WITCH HERMIONE: Just out of curiosity; I hope you don’t mind me asking you this, perhaps, rather untoward of question. But, do you invoke and evoke Incubi Angels and Demons, Mr?

(Flirtingly giggles acting very coquettish.)

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FAUSTUS CROW: No Madam. My personal Tantric preference is that of the top-shelf triple X banned Grimoires. The top shelf tomes list all female Succubae both Angelic and Daemonic of Anima Witch. These Succubae I to bind around my erectile Dragon, ascending forth from amidst the amniotic dream waters astral, of seven Chakra lingam heads, crowned by ten Yoni sephiroth dimensional crowns.

BABALON WITCH HERMIONE: Are you saying of arcane revelation, that there is an energetic sexual dynamic involved in Spirit conjurations. Likened to Yin and Yang, Sugar and Spice?

(Coquettishly enquiring.)

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FAUSTUS CROW: Yes indeed. A sweaty Incubus enters unto a sugar plum Witch of a Shekhinah receptacle. Whence she to prophesy as an ecstatic Seidr Seeress. While a Yang Magician enters a Yin Succubus. As a Man would do a woman, who receives his ejaculated seed, of an emotively charged orgasmic mantra, Word Spell, uttered unto the microcosmic Yoni void, of her ever hungering womb dream. Hence, fertilising the spun Succubus into birthing the macrocosmic synchronistic flesh, of his desires. However, if the Magician is otherwise sexually orientated of choice, he can take on the Shekhinah role of the receptive feminine, to thereby be possessed by an Incubus. Whereupon he becomes an effeminate Biblical Prophet dallying with Animus Angels and his God, let alone that of Demons and his Devil, to placate with his OTO anus.

(Babalon Witch Hermione looks up at the top shelf. She notices a heavy black cloth of a shadowy veil. The cloth is embroidered with an Inverse pentagram, which is covered with accumulated dust. The cloth is covering a number of bulky tomes, upon a buckled black Yew shelf. She is full of Lilith curiosity, her intense feline eyes like Cat slits!)

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BABALON WITCH HERMIONE: Why are the top-shelf triple X Grimoires all covered up? Are they Evil books of the fallen Apple?

(Hermione’s Slytherin eyes look intense, hypnotising Faustus to surrender his soul to her seducing Witchcraft, of a long serpentine tongue hungrily licking her scarlet Lilith lips, at the thought of eating Eden’s rotten Apple!)

FAUSTUS CROW: Evil; Hell No! Such pentagram silver star works, I to have illustrated and written, of serious Apple core Sirius, which are part of a most secret tradition. Such works have been systematically persecuted and nigh eradicated by the Abrahamic cults for over 2000yrs. Whereupon you do not see any Grimoires, whether they be ancient or modern, listing Succubae to conjure, until I created them.

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However, many a feminist Nun considers the triple X top-shelf Grimoires to be rather sexist of left-hand-Job pornography. Their judgement is a rather curious state of affairs; considering that the third-wave feminist Nun’s have so many Angelic and Demonic Incubi to Right-Hand play with, of secretive masturbatory trysts within their church cells. The sisters in the hood are the ones who created the Animus fixation upon their fatherly God and Bad-Boy Devil egregore, or to crucify a castrated Good-Guy Christ for the Hell of it.

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BABALON WITCH HERMIONE: I must say; you are a very Naughty Old-Goat!

(Her eyes are full of lustful mischief, while looking coquette, as if butter wouldn’t melt in her hot bubblegum sweet mouth.)

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FAUSTUS CROW: And you my dear are a very salacious little Babalon of a Witch. May-haps you would like to join me for dinner this midnight eve Sabbat, of thirteenth hour, at the Skull and Crossbones inn of trance dance delights?

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BABALON WITCH HERMIONE: Only if you to most deeply teach me how to conjure Succubae. For I must admit; I swing both ways within the lonely dormitory of my lusting Imagination, to be now impatiently stirred by your mastery, which I most desire, of yearning passion to know of your Dragon to ride.

(Hermione leans seductively over the altar of a counter towards Faustus; her feline eyes burning lustful.)

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FAUSTUS CROW: Agreed of pact, to verily seal this night; for my Goat horns do ache for your petite Virgin hand, to stroke them. Thence to arouse the third erect, in between; to be verily bloodied of Unicorn horn, when to penetrate thy Ninth-Gate hymen veil, of thine moist Shadow Kingdom, to enter unto.

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BABALON WITCH HERMIONE: You are a very, very Bad-Boy of a Great Beast indeed. I know, let’s go and watch Fritz Lang’s Slytherin classic, Indian Tomb, before we shed our Skinwalker skins, in your Sultan’s palace.

(Dirty smile and lustful girlish giggle.)

(This banned Harry Potter episode was somewhat inspired by Monty Python’s ‘Pornographic Bookshop’ sketch, which was featured in the Flying Circus TV Show – Episode 36, which of numerology is verily reduced down to Nine of ‘Ninth Gate’ should you be into Masonic Monty Python conspiracy theories out of Polanski’s Holy-Wood.) 

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MEPHISTOPHELES IS A DEVIL GIRL SUCCUBUS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The above artwork depicts Mephistopheles as being a female (Daemon) spirit, who is primarily associated with the Faust (Dr Faustus) legend of a Sorcerer (scholar) based on the historical Johann Georg Faust, who wagers his soul against the Devil. Mephistopheles first appeared in the late 16th century Faust chapbooks.

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In the 1725 version, which was read by Goethe, Mephistopheles is a Devil in the form of a grey friar summoned by Faust in a wood outside Wittenberg.

Whereas, a female Devil would manifest as a Nun. A sexual female Devil (Lucifer/Satan) and her legions of Succubae would have made more sense symbolically, considering that the Devil rebels against the celibate Abrahamic God of an all male patriarchal fixation. Alas, such symbolic logic was never utilised of a rebellion within any of the so called banned Devil tomes.

The name Mephistopheles already appears in the 1527 Praxis Magia Faustiana, printed in Passau, alongside pseudo-Hebrew text. It is best explained as a purposely obscure pseudo-Greek or pseudo-Hebrew formation of Renaissance Magick. From the chapbook, the name enters Faustian Occultism and literature as well as being used by authors from Marlowe down to Goethe, whom envisaged Faust being carried away by the Goetic spirits of Mephistopheles.

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In the 1616 edition of The Tragical History of Doctor Faustus, Mephistopheles became Mephistophilis.

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The word derives from the Hebrew mephitz, meaning ‘destroyer,’ and tophel, meaning ‘liar;’ tophel, is short for tophel shequer, the literal translation of which is ‘falsehood plasterer.’

However, the name can be otherwise interpreted as the ‘Destroyer’ of Maya; for Maya is an illusion of a (Matrix) lie, you can equate with a computer simulation, over which Mephistopheles has power to reveal. In other words, the computer simulation within your head can be manipulated via your indoctrinated beliefs, which determines your perception of reality.

It is a case of choosing between the ‘Red’ or the blue pill; whether you want to wake up from the Matrix or to stay asleep. It is your choice. But be prepared for the rollercoaster ride into Wonderland after conjuring up the ‘Red’ pill.

Mephistopheles in later treatments of the Faust material frequently figures as a title character: in Meyer Lutz’ Mephistopheles, or Faust and Marguerite (1855), Arrigo Boito’s Mefistofele (1868), Klaus Mann’s Mephisto, and Franz Liszt’s Mephisto Waltzes.

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Shakespeare mentions “Mephistophilus” in the Merry Wives of Windsor (Act1, Sc1, line 128). By the 17th century the name became independent of the Faust legend, like that of a Tulpa assuming a life of its own.

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According to the American historian and religious scholar Burton Russell: “That the name is a purely modern invention of uncertain origins makes it an elegant symbol of the modern Devil with his many novel and diverse forms.” So, spoke the patriarch empowering his viral-meme egregore!

However, the term, Devil is originally derived from the (Sanskrit) Hindu name for a Goddess called Devi, which is in turn associated with the word Deva, whose term describes deities made out of (bio-photon) light. Whereas Maya (holographic universe) is seen by the Hindu’s as being female of source, and like Salome of the seven rainbow veiled seals, she will only dance naked for the one whose pirate Skull ‘lights’ up crystalline, of a ‘fire’ in the head, when he attains the seventh secret of a Coitus Pactum (Gebo) Rune: X.

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Overall, Mephistopheles has had quite an influence upon popular culture as well as the Occult Arts, which is primarily that of an on going all Male fixation.

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Whereby the design rebelliously reinterprets Mephistopheles as being a female Spirit of a most salacious Succubus, who is otherwise called Mephistopheilia or Mephistophina, whom is a Genie of an Occult Art Muse. She inspires a rebel Faustus to thereby enter into a Coitus Pactum with her.

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The design of the above artwork also utilises the pact, which the inquisitional monks to have said was allegedly signed between Urbain Grandier and the Devil. It was also said to have been stolen from the Devil’s cabinet of pacts by the Demon Asmodeus. It is used as a background behind Mephistophina; she is also accompanied by Seals and Sigils, which are the personal symbols of Mephistopheles.

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As for the Seals and Sigils, they are derived from Medieval Grimiores, which were supposedly written by Faust; the Seals and Sigils were used by Sorcerers in order to Evoke Mephistopheles. However, you now have Mephistophina to Evoke instead.

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The name of Mephistophina has thirteen letters, which in numerology adds up to the precession (Goetia) number 72, reduced down to 9. Her name in Runic numerology equates with the 13th Rune of Eihwaz. The thirteenth Rune represents the Multiverse ‘World’-Tree of nine worlds called Yggdrassill, upon which the shaman deity of the ancient Norse called Odin (Saxon: Woden) hangs into trance, whom as a magician, is equated with Faustus. Wherefore, you can deduce that the name of Mephistophina is symbolically powerful.

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The font of the above depictiction of Mephistophina as a rebel Angel, and that of her Coitus Pactum is derived from 15th-16th century Grimoires, which was utilised for the Grimoire called the ‘Nine Gates‘ that was featured in Polanski’s film entitled: ‘The Ninth Gate,’ in which Diana-Lucifera entered into a Coitus Pactum with her Faustus.

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Suffice to say, Mephistophina is somewhat of a ‘Discordian’ Art Muse of Monty ‘Python’ Heyoka wisdom. So, if you are an avid traditionalist, to have entwined your so called magical practice with an indoctrinated religious perspective, you had better keep taking your medicated Communion wafers, drinking fluoridated Wine. The practice of magic is no different to art; if you believe otherwise, you are practicing religion, not magic.

Wherefore, it be best that you stay well away from ‘Red’ pill Mephistophina, to otherwise live in fear of your blue pill phallic Devil of a Mephistopheles; it will be far safer for you to live in brainwashed continuance of being upended by your Abrahamic trinity of NWO death-metal Illuminati cults out of Ur. Mephistophina ‘takes no prisoners,’ she prefers the freedom of the unshackled imagination… no symbolic ‘Matrix’ limits of religious prison bars; whereby her Faustus is an Avadhuta rebel. You have been duly warned!

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